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1
Debussy Inconnu: Album of works for the piano by Claude Debussy completed by Robert Orledge, Vol. 2
Piano solo
Piano Solo - Advanced Intermediate - Digital Download Composed by Claude Debussy/Ro…
(+)
Piano Solo - Advanced Intermediate - Digital Download Composed by Claude Debussy/Robert Orledge. 20th Century, Impressionistic, Repertoire. Score. 76 pages. Published by Musik Fabrik Music Publishing
Contains Le Roi Lear: Prélude,Première Fanfare, and La Mort de Cordélia,Toomai des éléphants, Rodrigue et Chimène: Prélude à l’acte 1p. Le Martyre de Saint Sébastien: La Passion , and No-ja-li ou Le Palais du Silence<br> <br> From Robert Orledge's notes:<br> <br> My interest in the wonderful music of Claude Debussy began in the 1980s when I researched and published a book with Cambridge University Press entitled Debussy and the Theatre. During the course of my studies in Paris, I was amazed to discover that Debussy planned over 50 theatrical works but only finished two of these entirely by himself (the opera Pelléas et Mélisande in 1893–1902 and the ballet Jeux for Diaghilev’s Ballets Russes in 1912–13). Of the rest, many were never started musically (like Siddartha and Orphée-roi with the Oriental scholar Victor Segalen, 1907); some had a few tantalising sketches (like the Edgar Allan Poe opera Le Diable dans le beffroi, 1902–03); some were half-finished (like his other Poe opera La Chute de la Maison Usher, 1908–17); while others were musically complete but had their orchestrations completed by other composers (like Khamma, by Charles Koechlin, 1912–13; or Le Martyre de Saint Sébastien and La Boîte à joujoux by his ‘angel of corrections’ [‘l’ange des Corrections’] André Caplet in 1911 and 1919 respectively).<br> <br> For it has to be admitted that what some scholars call Debussy’s ‘compulsive achievement’ could equally well be viewed as laziness, especially as far as the minute detail required for calligraphing his orchestral scores was concerned. It was as if creating the music itself was of greater importance than controlling its final sound, even if Debussy was an imaginative orchestrator when he found the time and energy to do it. It also seems true that Debussy also preferred inventing ideas to turning them into complete pieces. However, despite the lack of detail in many of his sketches (missing clefs, key signatures, dynamics, phrasing, etc.) the notes themselves are surprisingly accurate, whether or not they can be compared with a later draft. Thus, a large number of sketches exist for his Chinese ballet No-ja-li ou Le Palais du Silence and it is not too difficult to see which parts of Georges de Feure’s 1913 scenario (see below) inspired which ideas. But Debussy hardly made any attempt to join them together after the first few bars.<br> <br> It was usually up to his publisher, Jacques Durand, to find solutions when Debussy risked a breach of contract. Debussy was supposed to supervise the orchestrations completed by others, but this supervision was usually very light and restricted to quiet, sensitive moments in which problems were easier to spot. Far from jealously guarding every one of his created notes, as Ravel did, Debussy once even went as far as to ask Koechlin to ‘write a ballet for him that he would sign’ on 26 March 1914 when he was hard-pressed to fulfil his lucrative contract for No-ja-li with André Charlot at the Alhambra Theatre in London. In the end, Debussy (through Durand) sent Charlot the symphonic suite Printemps instead, whose orchestration had been completed by Henri Busser in the Spring of 1912.<br> <br> So, when I was offered early retirement as Professor of Music at Liverpool University in 2004, I seized the opportunity it would give me to spend time trying to reconstruct some of Debussy’s lost potential masterpieces from his existing sketches and drafts—then orchestrating them in Debussy’s style when this was appropriate. I had begun this mission in 2001 with the most promising project, the missing parts of Scene 2 of La Chute de la Maison Usher and the sheer joy it gave me at every stage persuaded me to tackle other projects, especially when Debussy experts were unable to identify exactly where I took over from Debussy (and vice versa) in Usher.
$38.95
35.47 €
#
Piano solo
#
Claude Debussy/Robert Orledge
#
Debussy Inconnu: Album of works for the piano by Claude Debussy completed by Robert Orledge, Vol. 2
#
Musik Fabrik Music Publishing
#
SheetMusicPlus
Debussy Inconnu: Album of works for the piano by Claude Debussy completed by Robert Orledge, Vol. 1
Piano solo
Piano Solo - Advanced Intermediate - Digital Download Composed by Claude Debussy/Ro…
(+)
Piano Solo - Advanced Intermediate - Digital Download Composed by Claude Debussy/Robert Orledge. 20th Century, Impressionistic, Repertoire, Recital. Score. 71 pages. Published by Musik Fabrik Music Publishing
Contains A Night in the House of Usher Un Jour affreux avec Le Diable dans le beffroi, Les accords de septième regrettent!!!, Petite Valse,Fêtes galantes, and Prélude à ‘L’Histoire de Tristan’<br> <br> From Robert Orledge's notes:<br> <br> My interest in the wonderful music of Claude Debussy began in the 1980s when I researched and published a book with Cambridge University Press entitled Debussy and the Theatre. During the course of my studies in Paris, I was amazed to discover that Debussy planned over 50 theatrical works but only finished two of these entirely by himself (the opera Pelléas et Mélisande in 1893–1902 and the ballet Jeux for Diaghilev’s Ballets Russes in 1912–13). Of the rest, many were never started musically (like Siddartha and Orphée-roi with the Oriental scholar Victor Segalen, 1907); some had a few tantalising sketches (like the Edgar Allan Poe opera Le Diable dans le beffroi, 1902–03); some were half-finished (like his other Poe opera La Chute de la Maison Usher, 1908–17); while others were musically complete but had their orchestrations completed by other composers (like Khamma, by Charles Koechlin, 1912–13; or Le Martyre de Saint Sébastien and La Boîte à joujoux by his ‘angel of corrections’ [‘l’ange des Corrections’] André Caplet in 1911 and 1919 respectively).<br> <br> For it has to be admitted that what some scholars call Debussy’s ‘compulsive achievement’ could equally well be viewed as laziness, especially as far as the minute detail required for calligraphing his orchestral scores was concerned. It was as if creating the music itself was of greater importance than controlling its final sound, even if Debussy was an imaginative orchestrator when he found the time and energy to do it. It also seems true that Debussy also preferred inventing ideas to turning them into complete pieces. However, despite the lack of detail in many of his sketches (missing clefs, key signatures, dynamics, phrasing, etc.) the notes themselves are surprisingly accurate, whether or not they can be compared with a later draft. Thus, a large number of sketches exist for his Chinese ballet No-ja-li ou Le Palais du Silence and it is not too difficult to see which parts of Georges de Feure’s 1913 scenario (see below) inspired which ideas. But Debussy hardly made any attempt to join them together after the first few bars.<br> <br> It was usually up to his publisher, Jacques Durand, to find solutions when Debussy risked a breach of contract. Debussy was supposed to supervise the orchestrations completed by others, but this supervision was usually very light and restricted to quiet, sensitive moments in which problems were easier to spot. Far from jealously guarding every one of his created notes, as Ravel did, Debussy once even went as far as to ask Koechlin to ‘write a ballet for him that he would sign’ on 26 March 1914 when he was hard-pressed to fulfil his lucrative contract for No-ja-li with André Charlot at the Alhambra Theatre in London. In the end, Debussy (through Durand) sent Charlot the symphonic suite Printemps instead, whose orchestration had been completed by Henri Busser in the Spring of 1912.<br> <br> So, when I was offered early retirement as Professor of Music at Liverpool University in 2004, I seized the opportunity it would give me to spend time trying to reconstruct some of Debussy’s lost potential masterpieces from his existing sketches and drafts—then orchestrating them in Debussy’s style when this was appropriate. I had begun this mission in 2001 with the most promising project, the missing parts of Scene 2 of La Chute de la Maison Usher and the sheer joy it gave me at every stage persuaded me to tackle other projects, especially when Debussy experts were unable to identify exactly where I took over from Debussy (and vice versa) in Usher.
$38.95
35.47 €
#
Piano solo
#
Claude Debussy/Robert Orledge
#
Debussy Inconnu: Album of works for the piano by Claude Debussy completed by Robert Orledge, Vol. 1
#
Musik Fabrik Music Publishing
#
SheetMusicPlus
From This Moment On
Piano solo
Piano - Level 3 - Digital Download SKU: A0.1296056 By Shania Twain. By Robert John …
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Piano - Level 3 - Digital Download SKU: A0.1296056 By Shania Twain. By Robert John Mutt Lange and Shania Twain. Arranged by Sérgio Matias da Cunha. 20th Century,Pop,Wedding. Score (Chords/Lyrics). 2 pages. Sérgio Matias da Cunha #886328. Published by Sérgio Matias da Cunha (A0.1296056). Partitura clara, objetiva, concisa e acessÃvel apresentando marcações de cifra, células rÃtmicas envolvendo quartos de tempo, linhas de oitava, notas sincopadas,  mudança de signo de compasso e mudança de tonalidade, buscando a maior fidelidade com a versão original através das notas mais marcantes e caracterÃsticas, visando o melhor resultado com harmonia e equilÃbrio, oferecendo as devidas informações para uma livre interpretação através da exposição deste fio melódico, cuidadosamente diagramado e organizado para melhor visualização, entendimento e execução. Presença de sinalizações e sinais de repetição também contribuem para a praticidade e a concisão desta partitura, distribuindo toda a música em duas páginas. Encontre mais partituras como essa, colando o nome do arranjador (Sérgio Matias da Cunha) na barra de pesquisa. ATENÇÃO: Compre os quatro volumes do “Curso de Teclado Primeiros Toques†no site https://www.sheetmusicplus.com/ colando o código na barra de pesquisa. Volume1 (A0.1314018) Volume2 (A0.1314021) Volume3 (A0.1314023) Volume4 (A0.1314028).
$6.99
6.36 €
#
Piano solo
#
Shania Twain
#
From This Moment On
#
Sérgio Matias da Cunha
#
SheetMusicPlus
(everything I Do) I Do It For You
Piano solo
Piano - Level 3 - Digital Download SKU: A0.1296022 By Bryan Adams. By Bryan Adams, …
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Piano - Level 3 - Digital Download SKU: A0.1296022 By Bryan Adams. By Bryan Adams, Michael Kamen, and Robert John Mutt Lange. Arranged by Sérgio Matias da Cunha. 20th Century,Pop,Wedding. Score (Chords/Lyrics). 2 pages. Sérgio Matias da Cunha #886293. Published by Sérgio Matias da Cunha (A0.1296022). Partitura clara, objetiva, concisa e acessÃvel apresentando marcações de cifra, figuras rÃtmicas menores que a colcheia, linhas de oitava e notas sincopadas, buscando a maior fidelidade com a versão original através das notas mais marcantes e caracterÃsticas, visando o melhor resultado com harmonia e equilÃbrio, oferecendo as devidas informações para uma livre interpretação através da exposição deste fio melódico, cuidadosamente diagramado e organizado para melhor visualização, entendimento e execução. Encontre mais partituras como essa, colando o nome do arranjador (Sérgio Matias da Cunha) na barra de pesquisa. ATENÇÃO: Compre os quatro volumes do “Curso de Teclado Primeiros Toques†no site https://www.sheetmusicplus.com/ colando o código na barra de pesquisa. Volume1 (A0.1314018) Volume2 (A0.1314021) Volume3 (A0.1314023) Volume4 (A0.1314028).
$4.99
4.54 €
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Piano solo
#
Bryan Adams
#
(everything I Do) I Do It For You
#
Sérgio Matias da Cunha
#
SheetMusicPlus
TANGO LOVE (Tango de Amor)
Piano solo
Piano Solo - Level 4 - Digital Download SKU: A0.1432661 Composed by ROBERT VAN HORN…
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Piano Solo - Level 4 - Digital Download SKU: A0.1432661 Composed by ROBERT VAN HORNE. Arranged by ROBERT VAN HORNE. Film/TV,Instructional,Latin,Mariachi,Multicultural,World. Score. 9 pages. White Piano International Publishing #1012587. Published by White Piano International Publishing (A0.1432661). TANGO LOVE (Tango de Amor)Original Piano Solo Music from “FOREVER AMOR”Composed and arranged by Robert Van Horne in 1998Advanced Intermediate Piano Solo Arrangement(This sheet music does not contain the violin and bass scores as heard on the mp3 sample)9 pagesDuration approximately 3:50In 1985, I fell in love with Mexican, Spanish, and Latin music after visiting Mexico City. There I discovered composers like Agustin Lara, Jose Alfredo Jimenez, Antonio Carlos Jobim, and Astor Piazzolla. Despite not speaking Spanish fluently, I'm captivated by the language's musicality.This passion inspired me to compose Latin-style songs in the early 1990s, culminating in my album “FOREVER AMOR,” and later recording the music in 2016 for Piano, Violin and Bass. TANGO LOVE is a very exhilarating and passionate piece of music that can create an exotic tango dance between a man and woman. The sheet music for TANGO LOVE is clearly notated, featuring detailed instructions on dynamics, articulation, phrasing, pedal usage, chord symbols, suggested fingerings, and relevant musical terminology. It begins in A minor later modulating to C minor and then ultimately concludes in E-flat minor.While the mp3 sample includes piano, violin and bass, this sheet music is for solo piano, suitable for intermediate to advanced players and instructors. You can find the full version on my album at: https://www.amazon.com/Forever-Amor-Robert-Van-Horne/dp/B01DAE052KFor those interested, a full version YouTube video is included of TANGO LOVE (Tango de Amor) from my “FOREVER AMOR” album at: https://youtu.be/uR9UTNkepfsPublished by White Piano International PublishingRobert Van Horne is a member of ASCAPWebsite: www.robertvanhorne.comEmail: rvh@robertvanhorne.com.
$4.99
4.54 €
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Piano solo
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ROBERT VAN HORNE
#
TANGO LOVE
#
White Piano International Publishing
#
SheetMusicPlus
Alem Do Horizonte
Piano solo
Piano - Level 3 - Digital Download SKU: A0.1295911 Composed by Erasmo Carlos and Ro…
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Piano - Level 3 - Digital Download SKU: A0.1295911 Composed by Erasmo Carlos and Roberto Carlos. Arranged by Sérgio Matias da Cunha. 20th Century,Latin,Pop,Wedding. Score (Chords/Lyrics). 1 pages. Sérgio Matias da Cunha #886178. Published by Sérgio Matias da Cunha (A0.1295911). Partitura clara, objetiva, concisa e acessÃvel apresentando marcações de cifra, células rÃtmicas envolvendo quartos de tempo,  linhas de oitava, cromatismos e notas sincopadas, buscando a maior fidelidade com a versão original através das notas mais marcantes e caracterÃsticas, visando o melhor resultado com harmonia e equilÃbrio, oferecendo as devidas informações para uma livre interpretação através da exposição deste fio melódico, cuidadosamente diagramado e organizado para melhor visualização, entendimento e execução. Presença de sinais de repetição e retornelo também contribuem para a praticidade e a concisão deste arranjo, distribuindo toda a música em uma página. Encontre mais partituras como essa, colando o nome do arranjador (Sérgio Matias da Cunha) na barra de pesquisa. ATENÇÃO: Compre os quatro volumes do “Curso de Teclado Primeiros Toques†no site https://www.sheetmusicplus.com/ colando o código na barra de pesquisa. Volume1 (A0.1314018) Volume2 (A0.1314021) Volume3 (A0.1314023) Volume4 (A0.1314028).
$4.99
4.54 €
#
Piano solo
#
Erasmo Carlos and Roberto Carlos
#
Alem Do Horizonte
#
Sérgio Matias da Cunha
#
SheetMusicPlus
Tornerai Tornero'
Piano solo
Piano - Level 2 - Digital Download SKU: A0.1296197 Composed by Marinco Rigaldi, Mau…
(+)
Piano - Level 2 - Digital Download SKU: A0.1296197 Composed by Marinco Rigaldi, Maurizio Piccoli, and Roberto Vecchioni. Arranged by Piano. 20th Century,Pop. Score (Chords/Lyrics). 2 pages. Sérgio Matias da Cunha #886442. Published by Sérgio Matias da Cunha (A0.1296197). Partitura clara, objetiva, concisa e acessÃvel apresentando marcações de cifra, células rÃtmicas envolvendo quartos de tempo,  linhas de oitava, notas sincopadas, tercinas, ornamentos e sinais de intensidade, buscando a maior fidelidade com a versão original através das notas mais marcantes e caracterÃsticas, visando o melhor resultado com harmonia e equilÃbrio, oferecendo as devidas informações para uma livre interpretação através da exposição deste fio melódico, cuidadosamente diagramado e organizado para melhor visualização, entendimento e execução. Presença de sinalizações sinais de repetição também contribuem para a praticidade e a concisão desta partitura, distribuindo toda a música em duas páginas. Encontre mais partituras como essa, colando o nome do arranjador (Sérgio Matias da Cunha) na barra de pesquisa. ATENÇÃO: Compre os quatro volumes do “Curso de Teclado Primeiros Toques†no site https://www.sheetmusicplus.com/ colando o código na barra de pesquisa. Volume1 (A0.1314018) Volume2 (A0.1314021) Volume3 (A0.1314023) Volume4 (A0.1314028).
$6.99
6.36 €
#
Piano solo
#
Marinco Rigaldi, Maurizio Piccoli, and Roberto Vecchioni
#
Tornerai Tornero'
#
Sérgio Matias da Cunha
#
SheetMusicPlus
Proposta
Piano solo
Piano - Level 3 - Digital Download SKU: A0.1296148 Composed by Erasmo Esteves and R…
(+)
Piano - Level 3 - Digital Download SKU: A0.1296148 Composed by Erasmo Esteves and Roberto Carlos Braga. Arranged by Sérgio Matias da Cunha. 20th Century,Latin,Pop,Wedding. Score (Chords/Lyrics). 1 pages. Sérgio Matias da Cunha #886391. Published by Sérgio Matias da Cunha (A0.1296148). Partitura clara, objetiva, concisa e acessÃvel apresentando marcações de cifra, células rÃtmicas envolvendo quartos de tempo, linhas de oitava, introdução, tercinas, notas sincopadas e sinais de intensidade, buscando a maior fidelidade com a versão original através das notas mais marcantes e caracterÃsticas, visando o melhor resultado com harmonia e equilÃbrio, oferecendo as devidas informações para uma livre interpretação através da exposição deste fio melódico, cuidadosamente diagramado e organizado para melhor visualização, entendimento e execução. Presença de sinais de repetição também contribuem para a praticidade e a concisão desta partitura, distribuindo toda a música em uma página. Encontre mais partituras como essa, colando o nome do arranjador (Sérgio Matias da Cunha) na barra de pesquisa. ATENÇÃO: Compre os quatro volumes do “Curso de Teclado Primeiros Toques†no site https://www.sheetmusicplus.com/ colando o código na barra de pesquisa. Volume1 (A0.1314018) Volume2 (A0.1314021) Volume3 (A0.1314023) Volume4 (A0.1314028).
$4.99
4.54 €
#
Piano solo
#
Erasmo Esteves and Roberto Carlos Braga
#
Proposta
#
Sérgio Matias da Cunha
#
SheetMusicPlus
Detalhes
Piano solo
Piano - Level 3 - Digital Download SKU: A0.1295996 Composed by Erasmo Esteves and R…
(+)
Piano - Level 3 - Digital Download SKU: A0.1295996 Composed by Erasmo Esteves and Roberto Carlos Braga. Arranged by Piano. 20th Century,Latin,Pop. Score (Chords/Lyrics). 1 pages. Sérgio Matias da Cunha #886262. Published by Sérgio Matias da Cunha (A0.1295996). Partitura clara, objetiva, concisa e acessÃvel apresentando marcações de cifra, células rÃtmicas envolvendo quartos de tempo, tercinas e notas sincopadas, buscando a maior fidelidade com a versão original através das notas mais marcantes e caracterÃsticas, visando o melhor resultado com harmonia e equilÃbrio, oferecendo as devidas informações para uma livre interpretação através da exposição deste fio melódico, cuidadosamente diagramado e organizado para melhor visualização, entendimento e execução. Presença de sinais de repetição também contribuem para a praticidade e a concisão deste arranjo, distribuindo toda a música em uma página. Encontre mais partituras como essa, colando o nome do arranjador (Sérgio Matias da Cunha) na barra de pesquisa. ATENÇÃO: Compre os quatro volumes do “Curso de Teclado Primeiros Toques†no site https://www.sheetmusicplus.com/ colando o código na barra de pesquisa. Volume1 (A0.1314018) Volume2 (A0.1314021) Volume3 (A0.1314023) Volume4 (A0.1314028).
$4.99
4.54 €
#
Piano solo
#
Erasmo Esteves and Roberto Carlos Braga
#
Detalhes
#
Sérgio Matias da Cunha
#
SheetMusicPlus
Olha
Piano solo
Piano - Level 3 - Digital Download SKU: A0.1296139 Composed by Erasmo Carlos and Ro…
(+)
Piano - Level 3 - Digital Download SKU: A0.1296139 Composed by Erasmo Carlos and Roberto Carlos. Arranged by Sérgio Matias da Cunha. 20th Century,Latin,Pop,Wedding. Score (Chords/Lyrics). 1 pages. Sérgio Matias da Cunha #886382. Published by Sérgio Matias da Cunha (A0.1296139). Partitura clara, objetiva, concisa e acessÃvel apresentando marcações de cifra, células rÃtmicas envolvendo quartos de tempo, mas predominantemente figuras rÃtmicas maiores que a semicolcheia, acordes elaborados, tercinas e notas sincopadas, buscando a maior fidelidade com a versão original através das notas mais marcantes e caracterÃsticas, visando o melhor resultado com harmonia e equilÃbrio, oferecendo as devidas informações para uma livre interpretação através da exposição deste fio melódico, cuidadosamente diagramado e organizado para melhor visualização, entendimento e execução. Presença de sinais de repetição também contribuem para a praticidade e a concisão desta partitura, distribuindo toda a música em uma página. Encontre mais partituras como essa, colando o nome do arranjador (Sérgio Matias da Cunha) na barra de pesquisa. ATENÇÃO: Compre os quatro volumes do “Curso de Teclado Primeiros Toques†no site https://www.sheetmusicplus.com/ colando o código na barra de pesquisa. Volume1 (A0.1314018) Volume2 (A0.1314021) Volume3 (A0.1314023) Volume4 (A0.1314028).
$6.99
6.36 €
#
Piano solo
#
Erasmo Carlos and Roberto Carlos
#
Olha
#
Sérgio Matias da Cunha
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SheetMusicPlus
Träumerei - Reverie
Piano solo
Piano Solo - Level 2 - Digital Download SKU: A0.1269501 By Robert Schumann. By Robe…
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Piano Solo - Level 2 - Digital Download SKU: A0.1269501 By Robert Schumann. By Robert Schumann. Arranged by Sérgio Matias da Cunha. Christmas,Instructional,Religious,Romantic Period,Wedding. Score. 2 pages. Sérgio Matias da Cunha #862006. Published by Sérgio Matias da Cunha (A0.1269501). Arranjo claro, conciso, objetivo e acessÃvel com figuras rÃtmicas maiores que a semicolcheia, apresentando marcações de cifra, dedilhado e sinais de expressão, buscando a maior fidelidade com a versão original através das notas mais marcantes e caracterÃsticas, visando o melhor resultado com simplicidade e harmonia. Movimentos abertos da mão esquerda despertam o interesse utilizando arpejos diversificados e notas de passagem. Encontre mais partituras como essa, colando o nome do arranjador (Sérgio Matias da Cunha) na barra de pesquisa. ATENÇÃO: Compre os quatro volumes do “Curso de Teclado Primeiros Toques†no site https://www.sheetmusicplus.com/ colando o código na barra de pesquisa. Volume1 (A0.1314018) Volume2 (A0.1314021) Volume3 (A0.1314023) Volume4 (A0.1314028).
$4.99
4.54 €
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Piano solo
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Robert Schumann
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Träumerei - Reverie
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Sérgio Matias da Cunha
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SheetMusicPlus
Somewhere In Time
Piano solo
Piano Solo - Level 2 - Digital Download SKU: A0.1281071 By John Barry. By B.A. Robe…
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Piano Solo - Level 2 - Digital Download SKU: A0.1281071 By John Barry. By B.A. Robertson and John Barry. Arranged by Sérgio Matias da Cunha. 20th Century,Film/TV,Instructional,Wedding. Score. 1 pages. Sérgio Matias da Cunha #872408. Published by Sérgio Matias da Cunha (A0.1281071). Arranjo claro, objetivo, conciso e acessÃvel apresentando marcações de cifra, dedilhado, figuras rÃtmicas maiores que a semicolcheia, nota pontuada e quiáltera, buscando a maior fidelidade com a versão original através das notas mais marcantes e caracterÃsticas, visando o melhor resultado com simplicidade e harmonia. Acompanhamento delineado sobre movimento padronizados de semÃnimas baseado nas notas dos respectivos acordes. Ideal para uma execução onde a melodia poética e romântica, proporcionem uma experiência leve, emocionante e apaixonada. Encontre mais partituras como essa, colando o nome do arranjador (Sérgio Matias da Cunha) na barra de pesquisa. ATENÇÃO: Compre os quatro volumes do “Curso de Teclado Primeiros Toques†no site https://www.sheetmusicplus.com/ colando o código na barra de pesquisa. Volume1 (A0.1314018) Volume2 (A0.1314021) Volume3 (A0.1314023) Volume4 (A0.1314028).
$4.99
4.54 €
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Piano solo
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John Barry
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Somewhere In Time
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Sérgio Matias da Cunha
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SheetMusicPlus
Cavalgada
C Instruments
C Instrument - Level 3 - Digital Download SKU: A0.1292740 Composed by Erasmo Carlos…
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C Instrument - Level 3 - Digital Download SKU: A0.1292740 Composed by Erasmo Carlos and Roberto Carlos. Arranged by Sérgio Matias da Cunha. 20th Century,Latin,Pop. Lead Sheet / Fake Book. 1 pages. Sérgio Matias da Cunha #883303. Published by Sérgio Matias da Cunha (A0.1292740). Arranjo claro, objetivo e conciso apresentando marcação de cifra, sinais de repetição, ornamentos, linhas de oitava, sinais de repetição e contracanto, oferecendo as devidas informações para uma livre interpretação através da exposição deste fio melódico, cuidadosamente diagramada e organizada para melhor visualização, entendimento e execução. Encontre mais partituras como essa, colando o nome do arranjador (Sérgio Matias da Cunha) na barra de pesquisa. ATENÇÃO: Compre os quatro volumes do “Curso de Teclado Primeiros Toques†no site https://www.sheetmusicplus.com/ colando o código na barra de pesquisa. Volume1 (A0.1314018) Volume2 (A0.1314021) Volume3 (A0.1314023) Volume4 (A0.1314028).
$4.99
4.54 €
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C Instruments
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Erasmo Carlos and Roberto Carlos
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Cavalgada
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Sérgio Matias da Cunha
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SheetMusicPlus
Polka Caprice pour Piano
Piano solo
Piano - Digital Download SKU: LV.7819 Composed by Robert E. H. Genring. Bodies of w…
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Piano - Digital Download SKU: LV.7819 Composed by Robert E. H. Genring. Bodies of water, Cliffs, Bridges. Lester S. Levy Collection. 8 pages. Published by Johns Hopkins University Sheridan Libraries (LV.7819). Souvenir de la Cascade du Passaic. Polka Caprice pour Piano. Par Robert E.H. Genring. Published 1875 by Wm. A. Pond & Co., 547 Broadway in New York. Composition of sectional with piano instrumentation. Subject headings for this piece include Bodies of water, Ciffs, Bridges. About The Lester S. Levy CollectionThe Lester S. Levy Collection of Sheet Music consists of over 29,000 pieces of American popular music. Donated to Johns Hopkins University Sheridan Libraries, the collection's strength is its thorough documentation of nineteenth-century American through popular music. This sheet music has been provided by Project Gado, a San Francisco Bay Area startup whose mission is to digitize and share the world's visual history.WARNING: These titles are provided as historical documents. Language and concepts within reflect the opinions and values of the time and may be offensive to some.
$5.99
5.45 €
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Piano solo
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Robert E
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Polka Caprice pour Piano
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Johns Hopkins University Sheridan Libraries
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SheetMusicPlus
Schumann, Robert : 3 Piècettes Opus 68 : n°2 `Marche militaire` - n°5 `Le petit morceau` - n°10 `Le gai laboureur`
Piano solo
La collection ANACROUSE offre aux pianistes novices et confirmés un large choix d…
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La collection ANACROUSE offre aux pianistes novices et confirmés un large choix d’œuvres classiques, allant de la Renaissance à l’époque moderne.<br><br>Proposer tout à la fois des « incontournables » du répertoire classique et des pièces de compositeurs parfois oubliés, toutes d’une valeur pédagogique indéniable, tels sont les objectifs que nous nous sommes fixés. Chaque pièce, vendue à l’unité, a fait l’objet d’un travail éditorial attentif, tant sur le plan de l’établissement du texte musical que de sa gravure, afin de garantir aux musiciens les conditions indispensables aux plaisirs tirés du commerce fréquent de ces œuvres.<br><br>Les partitions sont proposées sous la forme d’ouvrages traditionnels (feuillets papier), et disponibles également par téléchargement.<br><br><br><br>En 1848, Schumann écrit quelques piècettes pour l’anniversaire des sept ans de sa fille Marie. Puis au fur et à mesure, en quelques semaines, il se met à composer d’autres petits morceaux. Finalement il rassemble dans un groupe éclectique les petites pièces faciles puis les complète par la suite avec d’autres, de niveau tout à fait élémentaire, s’adressant aux petits doigts novices des pianistes novices. Schumann a réuni toutes ces œuvres dans un recueil appelé L’album pour la jeunesse, le Weihnachtsalbum en allemand. Il se compose en tout de quarante-trois piècettes qui ont été publiées sous l’opus 68 en 1848. La première parution est éditée avec une couverture faite par l’illustrateur connu de contes de fées, Ludwig Richter. Ce recueil devient populaire très rapidement près du jeune public, car il contient un macrocosme enfantin universel à tous les peuples. Son succès a permis d’éveiller des milliers d’enfants à la musique à travers le monde. Chaque morceau porte un titre attirant mais dissimule un petit problème technique. Schumann aborde cet exercice avec un regard pur et avec une certaine fraîcheur très adaptée à ces jeunes destinataires. L’album est réparti en deux divisions. La première moitié s’adressant aux petits se compose des dix- neuf premières pièces. La deuxième moitié « pour les plus grand », comportent des pièces un peu plus longues et façonnées. Schumann cherche la simplicité dans ses œuvres par l’utilisation des tonalités les plus fréquentes, jusqu’à proposer quatre dièses au maximum, avec le mi majeur et par la brièveté des pièces, les plus courtes sont en quatre lignes et les plus longues sont en trois pages. Nous avons sélectionné trois piècettes adressées aux petits. Elles sont de style différents et présentent des difficultés techniques variées et accessibles. Le n°2 Marche militaire est d’une nature joyeuse, sur un tempo dynamique agrémenté de staccato. Elle emprunte, sur un autre rythme, la courbe mélodique du Scherzo de la sonate pour violon et piano opus 24 surnommé la sonate du printemps de Beethoven. Le n°5 intitulé Le petit morceau s’apparente à la pièce N°1, Mélodie, dans le traitement mélodique et harmonique. Cette piècette présente une mélodie accompagnée sur une tonalité de do majeur. Le n°10 intitulé le gai laboureur est le morceau le plus connu du recueil. Il acquit une très grande popularité après sa publication. Sa mélodie en fa majeur chantée à la main gauche, dans les graves du piano, est d’une fraîcheur inouïe qui se passe de tout commentaire. Cet album pour la jeunesse de Schumann n’est pas réservé uniquement aux petits, mais peut susciter dans l’esprit des plus grands des sentiments de jeunesse et des plaisirs enfantins. Partition + Biographie + Notes sur l'oeuvre
3.30 €
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Piano solo
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Schumann, Robert
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3 Piècettes Opus 68
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Note4Piano
Schumann, Robert : 2 Scènes d'enfant Opus 15 : n°1 « Pays lointains » - n°7 « Rêverie » (Collection Anacrouse)
Piano solo
La collection ANACROUSE offre aux pianistes novices et confirmés un large choix d…
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La collection ANACROUSE offre aux pianistes novices et confirmés un large choix d’œuvres classiques, allant de la Renaissance à l’époque moderne.<br><br>Proposer tout à la fois des « incontournables » du répertoire classique et des pièces de compositeurs parfois oubliés, toutes d’une valeur pédagogique indéniable, tels sont les objectifs que nous nous sommes fixés. Chaque pièce, vendue à l’unité, a fait l’objet d’un travail éditorial attentif, tant sur le plan de l’établissement du texte musical que de sa gravure, afin de garantir aux musiciens les conditions indispensables aux plaisirs tirés du commerce fréquent de ces œuvres.<br><br>Les partitions sont proposées sous la forme d’ouvrages traditionnels (feuillets papier), et disponibles également par téléchargement.<br><br><br><br>Les scènes d’enfants se composent de 13 merveilleuses miniatures où se mêlent le rêve, la peur et la réalité. Robert Schumann est le premier poète en musique à s’être intéressé au mystère de l’enfance. S’adaptant à l’univers enfantin, il accomplit parfaitement le genre de la miniature instrumentale monothématique, qui a ete tenté auparavant par Beethoven dans les Bagatelles, suivi par Schubert dans les moments musicaux. Ses petites pièces, contrairement à ce que laisserait entendre le titre, ne se destinent pas à des mains enfantines. Selon les propres termes de Schumann, ces “treize petits trucs ont été concus par un grand enfant comme souvenir pour des personnes qui ont grandi”. Ces treize miniatures dont chacune ne dépasse pas plus de deux pages, se contentent d’une structure formelle d’une grande simplicité. Expressives et distinctes les unes des autres, chacune est une perle de musique pure. Le cycle débute sur la rêveuse et délicate pièce n°1 Pays Lointains, que l’imaginaire couronne d’un rien de mélancolique. Les premières mesures dévoilent une mélodie qui aspire à l’évasion avec une sixte ascendante, douceatre oscillation de triolets de la voix centrale, harmonies simples de septième diminuée et dominante avant le retour à la tonique sol majeur. Le discours est évoqué à demi mot tout en contenance ce qui donne de l’espace à l’imagination de l’interprète. La célèbre page centrale Rêverie n°7 (Traumerei), bouscule ce cycle du côté des bémols avec son fa majeur, avant le retour aux dièses pour finir en sol majeur initial. Dans les premières pièces, Schumann axe son profil mélodique sur l’intervalle de sixte ascendante suivi de sa désinence mélodique. Tandis qu’au moment où commence la pièce centrale, schumann expose son visage eusébien axé sur une quarte, tout en installant de la douceur avec Reverie jusqu’à la fin du recueil. Rêverie a été l’objet d’une polémique en 1920 où Alban Berg démontra avec brillance à Hans Pfitzner que cette petite pièce d’une grande simplicité pouvait contenir un enseignement immensément riche pour tout musicien. Les Scènes d’Enfants ont une place importance parmi les partitions les plus aimées et les plus exécutées par les pianistes. Partition + Biographie + Notes sur l'oeuvre
3.30 €
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Piano solo
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Schumann, Robert
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2 Scènes d'enfant Opus 15
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Note4Piano
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