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TRITONE Sonata for Trumpet in B-flat and Piano
Trumpet, Piano
Piano Accompaniment, Trumpet - Advanced - Digital Download Composed by John Frith. 21st…
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Piano Accompaniment, Trumpet - Advanced - Digital Download Composed by John Frith. 21st Century, Contemporary Classical. Score, Solo Part. 36 pages. Published by Cherry Classics Music
Here is a description of the TRITONE Sonata for Trumpet and Piano by the composer, John Frith:<br> <br> "One of my most enjoyable roles in music was conducting the Herefordshire Young People’s Orchestras (UK) in the late 1980s. Stuart Essenhigh was a very talented young trumpeter who toured Belgium with the orchestra as a soloist in 1989.<br> <br> Encouraged by this experience Stuart went on to study in London graduating as a fine professional trumpeter working firstly in Hong Kong and then as a freelancer with major U.K. orchestras.<br> <br> My TRITONE Sonata for Trumpet and Piano of 2016 was written specifically for Stuart. Each of its three movements uses the interval of a tritone in different ways. We hear it initially as a ‘benign’ element of the first movement; ‘ironic’ in the second and even ‘playful’ in the last.<br> <br> I - Moderato<br> <br> The use of a ‘straight’ mute to open and close this movement greatly enlarged my palate of sound colours and, together with some unconventional ‘flutter- tonguing’ techniques, it allowed me to emphasize the declamatory and strident possibilities of this powerful instrument…... I call for ‘ffff’ (fortissississimo) at one point! The muted coda creates an otherworldly’ atmosphere - distant and questioning at the close.<br> <br> II – Andante espressivo – piu mosso – Tempo primo<br> <br> The opening austere and angular melody (which demands great lip flexibility and control) leads to a relaxed and flowing ‘piu mosso’ with quasi baroque idioms. This builds towards florid, technical passages for the soloist which are matched by more assertive piano lines heralding the return of the opening material and a soulful resolution.<br> <br> III – Maestoso – rondo<br> <br> A traditional martial ‘fanfare’ opens the final movement by answering phrases from both instruments. There is something of a power struggle in progress here which is momentarily resolved at the ‘rondo’ where the piano accepts a supportive ‘um-pa-pa’ accompanimental role. The trumpet melody is dominant and confident but the piano gradually asserts itself propelling the music with a powerful ‘boogie-woogie’ style bass line. This encourages both instruments to climb ever higher in, what I trust will be, a thrilling race for the final bar." John Frith 2020<br> <br> This work is about 12 minutes in length and is appropriate for advanced to virtuoso performers.
$30.00
27.02 €
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Trumpet, Piano
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John Frith
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TRITONE Sonata for Trumpet in B-flat and Piano
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Cherry Classics Music
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SheetMusicPlus
When the Saints Go Marching In (Mixed Level, 2 Pianos, 4 Hands Duet)
2 Pianos, 4 hands
2 Pianos,4 Hands,Piano Duet - Level 2 - Digital Download SKU: A0.565178 By Sharon W…
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2 Pianos,4 Hands,Piano Duet - Level 2 - Digital Download SKU: A0.565178 By Sharon Wilson. By African-American Spiritual. Arranged by Sharon Wilson Music. Children,Folk,Jazz,Sacred,Spiritual. Score. 12 pages. Sharon Wilson #3519273. Published by Sharon Wilson (A0.565178). This arrangement of the traditional spiritual When the Saints Go Marching In is presented here as a mixed level duet for two pianos, four hands. The PIANO 1 is the easier part (early-intermediate) and the PIANO 2 is slightly more challenging, though still only at the intermediate level. Both PIANO parts carry the melody at times beginning with PIANO 1 for the verse. Quick-paced and bright, this dual piano duet is an ideal selection for a church setting.The purchase price includes a 5-page score with combined PIANO 1 and PIANO 2 parts on each page (the grand staff) plus an alternate format with the PIANO 1 and PIANO 2 parts on separate pages (3 pages each). Duration is just under 1-1/2 minutes. This arrangement is one of the 5 spirituals in the collection Five Joyful Tunes for Two Pianos.This song has numerous verses and varying lyrics, most of which reference the joy of marching into heaven at Jesus' second coming. Bible verses from which the lyrics were gleaned include the following:Â . . .Yahweh's ransomed ones will return, and come with singing to Zion; and everlasting joy will be on their heads. They will obtain gladness and joy, and sorrow and sighing will flee away. Isaiah 35:10 WEBFor the Lord himself will descend from heaven with a shout, with the voice of the archangel, and with God's trumpet. The dead in Christ will rise first, then we who are alive, who are left, will be caught up together with them in the clouds, to meet the Lord in the air. So we will be with the Lord forever. Therefore comfort one another with these words. 1 Thessalonians 4:16-18 WEBBlessed are those who do his commandments, that they may have the right to the tree of life, and may enter in by the gates into the city. Revelation 22:14 WEBLyrics for my favorite 3 verses:O when the saints go marching in,O when the saints go marching in,O Lord I want to be in that number,When the saints go marching in.O when the trumpet sounds its call,O when the trumpet sounds its call,O Lord I want to be in that number,When the trumpet sounds its call.O when they crown him Lord of all,O when they crown him Lord of all,O Lord I want to be in that numberWhen they crown him Lord of all.
$5.99
5.39 €
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2 Pianos, 4 hands
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Sharon Wilson
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When the Saints Go Marching In
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Sharon Wilson
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SheetMusicPlus
ZATTEN Concerto for Trumpet with Piano accompaniment
Trumpet, Piano
Piano Accompaniment, Trumpet - Advanced - Digital Download Composed by Petrich, Roger. …
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Piano Accompaniment, Trumpet - Advanced - Digital Download Composed by Petrich, Roger. 21st Century. Piano Reduction, Solo Part. 24 pages. Published by Cherry Classics Music
Zatten was commissioned in 2005 by Trumpeter Paul Neebe during the composer's vacation to do ancestral research in the town of Zatten, currently part of Poland.<br> <br> Roger Petrich writes the following about his Zatten Concerto for Trumpet:<br> <br> "The 'DNA' of this compostion tracks back to my great-grandfather and the tiny Plattdeutsch village where he was born. Zatten, [then] located in the eastern part of Berlin/Brandenburg is in an area of forest and small farms dating back to the 1600's. My grandfather R. T. Petrich, whose initials I bear, was six years old when he, along with his parents, sister, and older brother left Prussia to start a new life in the USA.<br> <br> My own childhood memories include many visits to the family homestead in Dakota Territory, where I used to play in the barn which hosted many summer dances. The Dakota sky was vast by day, and nights could become magical with the addition of the Northern Lights. Though not a professional musician, my father kept up his trumpet playing all his life. In a special way it was his "voice" - a sound that deeply imprinted all my growing up years. All of this is mixed together in my Zatten Concerto"<br> <br> The Zatten Concerto is in three movements, the two outer movements faster and the middle is a Largo. This work is written for Trumpet in C and is appropriate for advanced performers.<br> <br> The title Zatten (the name of the small village in Germany where his family was located before immigrating to the USA) is spelled out in Morse Code in the very opening eight bars of the work. The Concerto is originally written for Trumpet and String Orchestra, this version using a reduction for Piano.
$30.00
27.02 €
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Trumpet, Piano
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Petrich, Roger
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ZATTEN Concerto for Trumpet with Piano accompaniment
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Cherry Classics Music
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SheetMusicPlus
Holy Holy Holy (To Thee We Sing)
Piano solo
Piano Solo - Digital Download SKU: A0.938197 Composed by John Bacchus Dykes. Arrang…
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Piano Solo - Digital Download SKU: A0.938197 Composed by John Bacchus Dykes. Arranged by April Rundquist. Christian,Sacred. Score. 8 pages. April Ann Rundquist #2033633. Published by April Ann Rundquist (A0.938197). This has always been a very visual arrangement for me with a rough narrative. It starts with the trumpets at the end of the world, the sense of quiet expectation. Wind across a field. It drops off into the silence of outer space. The initial theme presented against that impersonal void, knowing that He's out there, somewhere. Some of this is very difficult for me to describe because this is really about the Triune God, the great creative power, the mover in harmony and cooperation with Himself. The second verse is more grand, the love, the sense of story. And then it gets very, very big, in the way that I AM is always in capitals. Who WAS and IS and evermore shall BE! And in my mind that word BE is light, and just explodes against the blackness into a billion sparkles. And we shrink down to the microcosm for a moment, the wonders of His creative power in the tiny worlds, and it fades to the black of space again. Holy, Holy, Holy, though the darkness hide Thee. The Light that we can't see that would outshine all the stars. More beauty, and then we tumble down the waterfall of Living Water from the Throne of God...in Heaven. The golden palaces and the wonder, the unearthliness, the richness of the life. For a moment it's more simple and I'm reminded of an old hymn being sung in a rustic church. Then a vision of the Cosmic Christ from Revelation giving a benediction, and we're plunged into the chorus of Heaven, the new song of the 144,000. (this part sounds really good on an acoustic piano because the sound physically builds on itself) And it ends as it began...
$4.99
4.49 €
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Piano solo
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John Bacchus Dykes
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Holy Holy Holy
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April Ann Rundquist
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SheetMusicPlus
The Sound Of Silence (Bb trumpet solo and piano accompaniment)
Trumpet, Piano
Piano Accompaniment, Trumpet - Early Intermediate - Digital Download By Simon And Gar…
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Piano Accompaniment, Trumpet - Early Intermediate - Digital Download By Simon And Garfunkel. Arranged by Kaiserin Rebecca. Score, Sheet Music Single. 2 pages. Published by Kaiserin Rebecca
For trumpet in B flat solo and piano accompaniment with chords.<br> Key: G minor<br> Duration: 1'38
$6.99
6.3 €
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Trumpet, Piano
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Simon And Garfunkel
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The Sound Of Silence
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Kaiserin Rebecca
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SheetMusicPlus
We Gather Together - Trumpet
C Instruments
C Instrument - Digital Download SKU: A0.1413055 Composed by Adrianus Valerius. Arra…
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C Instrument - Digital Download SKU: A0.1413055 Composed by Adrianus Valerius. Arranged by R. Salvario. Folk,Multicultural,Praise & Worship,Sacred,Traditional,World. Lead Sheet / Fake Book. 1 pages. Brambilla-Morris Press #995062. Published by Brambilla-Morris Press (A0.1413055). We Gather Together - TrumpetThis is an arrangement for the song We Gather Together; you will love how it sounds! You will get the score when you download the PDF.
$1.99
1.79 €
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C Instruments
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Adrianus Valerius
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We Gather Together - Trumpet
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Brambilla-Morris Press
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SheetMusicPlus
We Gather Together - Trumpet
C Instruments
C Instrument - Digital Download SKU: A0.1413057 Composed by Adrianus Valerius. Arra…
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C Instrument - Digital Download SKU: A0.1413057 Composed by Adrianus Valerius. Arranged by R. Salvario. Folk,Multicultural,Praise & Worship,Sacred,Traditional,World. Lead Sheet / Fake Book. 1 pages. Brambilla-Morris Press #995064. Published by Brambilla-Morris Press (A0.1413057). We Gather Together - TrumpetThis is an arrangement for the song We Gather Together; you will love how it sounds! You will get the score when you download the PDF.
$1.99
1.79 €
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C Instruments
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Adrianus Valerius
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We Gather Together - Trumpet
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Brambilla-Morris Press
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SheetMusicPlus
The King Is Returning!
Piano, Voice
Piano,Vocal,Voice - Level 4 - Digital Download SKU: A0.842314 Composed by Andrew Mc…
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Piano,Vocal,Voice - Level 4 - Digital Download SKU: A0.842314 Composed by Andrew Mc Donald. Christian,Gospel,Pop. Score. 7 pages. Andrew Mc Donald (Macka Records) #6612771. Published by Andrew Mc Donald (Macka Records) (A0.842314). The King Is Returning is a song about when Jesus comes back on the clouds in the sky. As sure as I do live and breathe He will return whether we are ready or not. This song features the trumpet, as it will sound when He comes. This is the piano/Vocal score.
$4.99
4.49 €
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Piano, Voice
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Andrew Mc Donald
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The King Is Returning!
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Andrew Mc Donald
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SheetMusicPlus
The Girl from Ipanema for Solo Trumpet & Piano
Trumpet, Piano
By Various. Arranged by Keith Terrett. Score, Set of Parts. 8 pages. Published by Musi…
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By Various. Arranged by Keith Terrett. Score, Set of Parts. 8 pages. Published by Music for all Occasions
Arranged for Solo Bb Brass & Piano "Garota de Ipanema" ("The Girl from Ipanema") is a Brazilian bossa nova and jazz song. It was a worldwide hit in the mid-1960s and won a Grammy for Record of the Year in 1965. It was written in 1962, with music by Antônio Carlos Jobim and Portuguese lyrics by Vinícius de Moraes. English lyrics were written later by Norman Gimbel.<br> <br> The first commercial recording was in 1962, by Pery Ribeiro. The Stan Getz recording featuring the vocal debut of Astrud Gilberto became an international hit. This version had been shortened from the version on the album Getz/Gilberto (recorded in March 1963, released in March 1964) which had also included the Portuguese lyrics sung by Astrud's then husband João Gilberto. In the US, the single peaked at number five on the Billboard Hot 100, and went to number one for two weeks on the Easy Listening chart. Overseas it peaked at number 29 in the United Kingdom, and charted highly throughout the world.<br> <br> Numerous recordings have been used in films, sometimes as an elevator music cliché. It is believed to be the second most recorded pop song in history, after "Yesterday" by The Beatles. The song was inducted into the Latin Grammy Hall of Fame in 2001. In 2004, it was one of 50 recordings chosen that year by the Library of Congress to be added to the National Recording Registry. In 2009, the song was voted by the Brazilian edition of Rolling Stone as the 27th greatest Brazilian song.<br> <br> Ipanema is a fashionable seaside neighborhood located in the southern region of the city of Rio de Janeiro.<br> <br> <br> Helô Pinheiro, the woman who inspired the song, in 2006.<br> The song was composed for a musical comedy titled Dirigível (Blimp), then a work-in-progress of Vinicius de Moraes. The original title was "Menina que Passa" ("The Girl Who Passes By"); the first verse was different. Jobim composed the melody on his piano in his new house in Rua Barão da Torre, in Ipanema. In turn, Moraes had written the lyrics in Petrópolis, near Rio de Janeiro, as he had done with "Chega de Saudade" ("No More Blues") six years earlier.<br> <br> During a recording session in New York with João Gilberto, Antonio Carlos Jobim and Stan Getz, the idea of cutting an English-language version came up. Norman Gimbel wrote the English lyrics. João's wife, Astrud Gilberto, was the only one of the Brazilians who could speak English well and was chosen to sing. Her voice, without trained singer mannerisms, proved a perfect fit for the song. Ethel Ennis and Nat King Cole have also both recorded the song.<br> <br> The song was inspired by Heloísa Eneida Menezes Paes Pinto (now known as Helô Pinheiro), a seventeen-year-old girl living on Montenegro Street in Ipanema. Daily, she would stroll past the Veloso bar-café, not just to the beach ("each day when she walks to the sea"), but in the everyday course of her life. She would sometimes enter the bar to buy cigarettes for her mother and leave to the sound of wolf-whistles. In the winter of 1962, the composers saw the girl pass by the bar. Since the song became popular, she has become a celebrity.<br> <br> In Revelação: a verdadeira Garôta de Ipanema ("Revealed: The Real Girl from Ipanema") Moraes wrote that she was "the paradigm of the young Carioca: a golden teenage girl, a mixture of flower and mermaid, full of light and grace, the sight of whom is also sad, in that she carries with her, on her route to the sea, the feeling of youth that fades, of the beauty that is not ours alone—it is a gift of life in its beautiful and melancholic constant ebb and flow."<br> <br> Ella Fitzgerald recorded this song on her two-disc set of Brazilian music Ella Abraca Jobim, released on the label [[Pablo today}] in 1981.<br> <br> The legacy of "The Girl from Ipanema" was acknowledged by multiple aspects of the 2016 Summer Olympics and Paralympics held in Rio de Janeiro: the Olympic and Paralympic mascots were respectively named Vinicius and Tom after the song's co-writers by a public vote, while the Olympics' opening ceremony featured a segment themed around the song and the architecture of Oscar Niemeyer. Jobim's grandson Daniel performed the song during the segment, which also featured an appearance by Brazilian supermodel Gisele Bündchen. Spotify reported that the song had been streamed on its service 40,000 times per-day in the days following the ceremony (a 1200% increase), while in the U.S., the song reached #5 on Billboard's World Digital Songs chart the following week.
$7.99
7.2 €
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Trumpet, Piano
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Various
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The Girl from Ipanema for Solo Trumpet & Piano
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Music for all Occasions
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SheetMusicPlus
Blow the Trumpet, Zion! (Piano Accompaniment Track)
Piano Accompaniment
Choir,Piano - Digital Download SKU: A0.1065656 Composed by Carol Troutman Wiggins. …
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Choir,Piano - Digital Download SKU: A0.1065656 Composed by Carol Troutman Wiggins. Easter,Standards. Accompaniment. Duration 156. Carol Troutman Wiggins #4276233. Published by Carol Troutman Wiggins (A0.1065656). BLOW THE TRUMPET, ZION! (Piano Track)SA/2-Part Mixed or Equal VoicesWith text adapter from the scripture Joel 2:1-2, this anthem describes the day of the Lord which is drawing near: Blow the trumpet in Zion; sound the alarm on my holy hill. Let all who live in the land tremble, for the day of the Lord is coming. It is close at hand- A day of darkness and gloom, a day of clouds and blackness. Like dawn spreading across the mountains a large and mighty army comes, Such as never was in ancient times nor ever will be in ages to come.Great for any age school or church choir from middle school age through adult choirAn anthem of strength and anticipationPerfect for LentUpbeat, syncopated rhythmsEasy, repetitive lyricsChords included for additional instruments.
$9.99
9 €
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Piano Accompaniment
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Carol Troutman Wiggins
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Blow the Trumpet, Zion!
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Carol Troutman Wiggins
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SheetMusicPlus
The Wedding Pianist (Processionals and recessionals for the wedding ceremony)
Piano solo
Piano Solo - Level 5 - Digital Download SKU: A0.1471689 Composed by Various. Arrang…
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Piano Solo - Level 5 - Digital Download SKU: A0.1471689 Composed by Various. Arranged by Judith L. Maggs. Classical,March,Traditional,Wedding. Score. 36 pages. Maggs #1049444. Published by Maggs (A0.1471689). In this collection, I have put together 10 arrangements of wedding processionals and recessionals for piano. They are written at an advanced level and sound rich and full though they are not difficult to play. I’ve also included a bonus hymn, “O Perfect Love,” which can be used before or during the wedding ceremony.The pieces included are: Prince of Denmark’s March (Clarke), Rondeau (Mouret), Trumpet Tune (Clarke), Prelude from Te Deum (Charpentier), Allegro Vivace from Water Music Suite (Handel), St. Anthony Chorale (Unknown composer), Recessional on “Spring” from The Four Seasons (Vivaldi), Canon in D (Pachelbel), Allegro Maestoso from Water Music Suite (Handel), Recessional on “Ode to Joy” (Beethoven), and “O Perfect Love” (Barnby).I have also included suggestions on how to adapt them to work for different timing needs. I hope this collection will prove to be very useful for anyone needing piano music for a wedding. (And they can certainly be used for other purposes, too.)Note: Each of these pieces is also available individually on this site, along with a full-length demo recording for each piece.
$16.00
14.41 €
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Piano solo
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Various
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The Wedding Pianist
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Maggs
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SheetMusicPlus
Hark, Hear the Sound of Trumpet Bold - original piano solo prelude
Piano solo
Piano Solo - Level 4 - Digital Download SKU: A0.701270 Composed by Kevin G. Pace (A…
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Piano Solo - Level 4 - Digital Download SKU: A0.701270 Composed by Kevin G. Pace (ASCAP). 20th Century,Praise & Worship,Sacred,Spiritual. Score. 4 pages. Kevin G. Pace #3044803. Published by Kevin G. Pace (A0.701270). A beautiful, original piano solo specifically written for use in worship services, but could certainly be used at home and any other venue. Professional quality piano music.
$3.95
3.56 €
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Piano solo
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Kevin G
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Hark, Hear the Sound of Trumpet Bold - original piano solo prelude
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Kevin G. Pace
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SheetMusicPlus
Trumpet tune in D
Piano solo
Piano Solo - Level 2 - Digital Download SKU: A0.1368477 Composed by Henry Purcell. …
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Piano Solo - Level 2 - Digital Download SKU: A0.1368477 Composed by Henry Purcell. Arranged by Jose Valladares. 19th Century. Score. 1 pages. Circlesquare Music #952824. Published by Circlesquare Music (A0.1368477). Trumpet Tune in D by Henry Purcell is a vibrant and majestic piece known for its grandeur and brilliance. Henry Purcell was one of the most significant English composers of the Baroque era, renowned for his ability to blend the Italian and French styles of Baroque music with a uniquely English flavor. Although he is best known for his vocal and choral works, his instrumental music, including pieces like the Trumpet Tune in D, has left a lasting impression for its elegance and expressiveness.Here's more information about the Trumpet Tune in D by Henry Purcell:Baroque Style: As a composition from the Baroque period, the Trumpet Tune in D embodies the grandeur, ornamentation, and rhythmic drive characteristic of the era. The piece is likely to feature a prominent and regal melody, typical of Baroque trumpet tunes, which were often used in ceremonial and festive occasions.D Major Key: The key of D Major is known for its bright and triumphant sound, making it a popular choice for music that conveys victory, celebration, and majesty. The Trumpet Tune in D would utilize the brilliant and resonant qualities of this key to create a majestic and uplifting atmosphere.Instrumentation: Originally composed for the trumpet and organ, the Trumpet Tune in D showcases the trumpet's capacity for fanfare and brilliance. The piece might also be arranged for various instrumental combinations, including solo keyboard instruments like the piano or harpsichord, highlighting Purcell's melodic and harmonic ingenuity.Rhythmic Vitality: The piece is likely characterized by a driving rhythm and a clear, march-like tempo, which adds to its ceremonial and regal character. The rhythm would emphasize the regal and celebratory nature of the piece, making it both compelling and memorable.Contrast and Dynamics.
$8.99
8.1 €
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Piano solo
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Henry Purcell
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Trumpet tune in D
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Circlesquare Music
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SheetMusicPlus
Soldier with Trumpet & Pitcher
Piano solo
Piano Solo - Level 1 - Digital Download SKU: A0.778117 Composed by Jeremy Yowell, M…
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Piano Solo - Level 1 - Digital Download SKU: A0.778117 Composed by Jeremy Yowell, Melissa Yowell. 20th Century,Children,Christian,Contemporary,Standards. Score. 2 pages. Jeremy Yowell #15719. Published by Jeremy Yowell (A0.778117). Arranged with the beginning piano student in mind, we sought to capture the excitement of the biblical battle of Gideon with his band of 300 men. The repeated quarter notes depict the marching soldiers while the use of the fourth and fifth intervals mimic the sound of the trumpet.
$3.99
3.59 €
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Piano solo
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Jeremy Yowell, Melissa Yowell
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Soldier with Trumpet & Pitcher
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Jeremy Yowell
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SheetMusicPlus
Concerto
Piano and Orchestra
Piano and orchestra - difficult - Digital Download For piano and orchestra. Composed by …
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Piano and orchestra - difficult - Digital Download For piano and orchestra. Composed by Gyorgy Ligeti (1923-2006). This edition: solo part. Downloadable. Duration 24 minutes. Schott Music - Digital #Q53630. Published by Schott Music - Digital
I composed the Piano Concerto in two stages: the first three movements during the years 1985-86, the next two in 1987, the final autograph of the last movement was ready by January, 1988. The concerto is dedicated to the American conductor Mario di Bonaventura. . The markings of the movements are the following: . 1. Vivace molto ritmico e preciso . 2. Lento e deserto . 3. Vivace cantabile . 4. Allegro risoluto . 5. Presto luminoso. The first performance of the three-movement Concerto was on October 23rd, 1986 in Graz. Mario di Bonaventura conducted while his brother, Anthony di Bonaventura, was the soloist. Two days later the performance was repeated in the Vienna Konzerthaus. After hearing the work twice, I came to the conclusion that the third movement is not an adequate finale. my feeling of form demanded continuation, a supplement. That led to the composing of the next two movements. The premiere of the whole cycle took place on February 29th, 1988, in the Vienna Konzerthaus with the same conductor and the same pianist. . The orchestra consisted of the following: flute, oboe, clarinet, bassoon, horn, trumpet, tenor trombone, percussion and strings. The flautist also plays the piccoIo, the clarinetist, the alto ocarina. The percussion is made up of diverse instruments, which one musician-virtuoso can play. It is more practical, however, if two or three musicians share the instruments. Besides traditional instruments the percussion part calls also for two simple wind instruments: the swanee whistle and the harmonica. The string instrument parts (two violins, viola, cello and doubles bass) can be performed soloistic since they do not contain divisi. For balance, however, the ensemble playing is recommended, for example 6-8 first violins, 6-8 second, 4-6 violas, 4-6 cellos, 3-4 double basses. . In the Piano Concerto I realized new concepts of harmony and rhythm. . The first movement is entirely written in bimetry: simultaneously 12/8 and 4/4 (8/8). This relates to the known triplet on a doule relation and in itself is nothing new. Because, however, I articulate 12 triola and 8 duola pulses, an entangled, up till now unheard kind of polymetry is created. The rhythm is additionally complicated because of asymmetric groupings inside two speed layers, which means accents are asymmetrically distributed. These groups, as in the talea technique, have a fixed, continuously repeating rhythmic structures of varying lengths in speed layers of 12/8 and 4/4. This means that the repeating pattern in the 12/8 level and the pattern in the 4/4 level do not coincide and continuously give a kaleidoscope of renewing combinations. . In our perception we quickly resign from following particular rhythmical successions and that what is going on in time appears for us as something static, resting. This music, if it is played properly, in the right tempo and with the right accents inside particular layers, after a certain time rises, as it were, as a plane after taking off: the rhythmic action, too complex to be able to follow in detail, begins flying. This diffusion of individual structures into a different global structure is one of my basic compositional concepts: from the end of the fifties, from the orchestral works Apparitions and Atmospheres I continuously have been looking for new ways of resolving this basic question. The harmony of the first movement is based on mixtures, hence on the parallel leading of voices. This technique is used here in a rather simple form. later in the fourth movement it will be considerably developed. . The second movement (the only slow one amongst five movements) also has a talea type of structure, it is however much simpler rhythmically, because it contains only one speed layer. The melody is consisted in the development of a rigorous interval mode in which two minor seconds and one major second alternate therefore nine notes inside an octave. This mode is transposed into different degrees and it also determines the harmony of the movement. however, in closing episode in the piano part there is a combination of diatonics (white keys) and pentatonics (black keys) led in brilliant, sparkling quasimixtures, while the orchestra continues to play in the nine tone mode. . In this movement I used isolated sounds and extreme registers (piccolo in a very low register, bassoon in a very high register, canons played by the swanee whistle, the alto ocarina and brass with a harmon-mute' damper, cutting sound combinations of the piccolo, clarinet and oboe in an extremely high register, also alternating of a whistle-siren and xylophone). The third movement also has one speed layer and because of this it appears as simpler than the first, but actually the rhythm is very complicated in a different way here. Above the uninterrupted, fast and regular basic pulse, thanks to the asymmetric distribution of accents, different types of hemiolas and inherent melodical patterns appear (the term was coined by Gerhard Kubik in relation to central African music). If this movement is played with the adequate speed and with very clear accentuation, illusory rhythmic-melodical figures appear. These figures are not played directly. they do not appear in the score, but exist only in our perception as a result of co-operation of different voices. . Already earlier I had experimented with illusory rhythmics, namely in Poeme symphonique for 100 metronomes (1962), in Continuum for harpsichord (1968), in Monument for two pianos (1976), and especially in the first and sixth piano etude Desordre and Automne a Varsovie (1985). . The third movement of the Piano Concerto is up to now the clearest example of illusory rhythmics and illusory melody. In intervallic and chordal structure this movement is based on alternation, and also inter-relation of various modal and quasi-equidistant harmony spaces. The tempered twelve-part division of the octave allows for diatonical and other modal interval successions, which are not equidistant, but are based on the alternation of major and minor seconds in different groups. The tempered system also allows for the use of the anhemitonic pentatonic scale (the black keys of the piano). From equidistant scales, therefore interval formations which are based on the division of an octave in equal distances, the twelve-tone tempered system allows only chromatics (only minor seconds) and the six-tone scale (the whole-tone: only major seconds). . Moreover, the division of the octave into four parts only minor thirds) and three parts (three major thirds) is possible. In several music cultures different equidistant divisions of an octave are accepted, for example, in the Javanese slendro into five parts, in Melanesia into seven parts, popular also in southeastern Asia, and apart from this, in southern Africa. This does not mean an exact equidistance: there is a certain tolerance for the inaccurateness of the interval tuning. . These exotic for us, Europeans, harmony and melody have attracted me for several years. However I did not want to re-tune the piano (microtone deviations appear in the concerto only in a few places in the horn and trombone parts led in natural tones). After the period of experimenting, I got to pseudo- or quasiequidistant intervals, which is neither whole-tone nor chromatic: in the twelve-tone system, two whole-tone scales are possible, shifted a minor second apart from each other. Therefore, I connect these two scales (or sound resources), and for example, places occur where the melodies and figurations in the piano part are created from both whole tone scales. in one band one six-tone sound resource is utilized, and in the other hand, the complementary. In this way whole-tonality and chromaticism mutually reduce themselves: a type of deformed equidistancism is formed, strangely brilliant and at the same time slanting. illusory harmony, indeed being created inside the tempered twelve-tone system, but in sound quality not belonging to it anymore. . The appearance of such slantedequidistant harmony fields alternating with modal fields and based on chords built on fifths (mainly in the piano part), complemented with mixtures built on fifths in the orchestra, gives this movement an individual, soft-metallic colour (a metallic sound resulting from harmonics). . The fourth movement was meant to be the central movement of the Concerto. Its melodc-rhythmic elements (embryos or fragments of motives) in themselves are simple. The movement also begins simply, with a succession of overlapping of these elements in the mixture type structures. Also here a kaleidoscope is created, due to a limited number of these elements - of these pebbles in the kaleidoscope - which continuously return in augmentations and diminutions. . Step by step, however, so that in the beginning we cannot hear it, a compiled rhythmic organization of the talea type gradually comes into daylight, based on the simultaneity of two mutually shifted to each other speed layers (also triplet and duoles, however, with different asymmetric structures than in the first movement). While longer rests are gradually filled in with motive fragments, we slowly come to the conclusion that we have found ourselves inside a rhythmic-melodical whirl: without change in tempo, only through increasing the density of the musical events, a rotation is created in the stream of successive and compiled, augmented and diminished motive fragments, and increasing the density suggests acceleration. . Thanks to the periodical structure of the composition, always new but however of the same (all the motivic cells are similar to earlier ones but none of them are exactly repeated. the general structure is therefore self-similar), an impression is created of a gigantic, indissoluble network. Also, rhythmic structures at first hidden gradually begin to emerge, two independent speed layers with their various internal accentuations. . This great, self-similar whirl in a very indirect way relates to musical associations, which came to my mind while watching the graphic projection of the mathematical sets of Julia and of Mandelbrot made with the help of a computer. I saw these wonderful pictures of fractal creations, made by scientists from Brema, Peitgen and Richter, for the first time in 1984. From that time they have played a great role in my musical concepts. This does not mean, however, that composing the fourth movement I used mathematical methods or iterative calculus. indeed, I did use constructions which, however, are not based on mathematical thinking, but are rather craftman's constructions (in this respect, my attitude towards mathematics is similar to that of the graphic artist Maurits Escher). .I am concerned rather with intuitional, poetic, synesthetic correspondence, not on the scientific, but on the poetic level of thinking. . The fifth, very short Presto movement is harmonically very simple, but all the more complicated in its rhythmic structure: it is based on the further development of ''inherent patterns of the third movement. The quasi-equidistance system dominates harmonically and melodically in this movement, as in the third, alternating with harmonic fields, which are based on the division of the chromatic whole into diatonics and anhemitonic pentatonics. Polyrhythms and harmonic mixtures reach their greatest density, and at the same time this movement is strikingly light, enlightened with very bright colours: at first it seems chaotic, but after listening to it for a few times it is easy to grasp its content: many autonomous but self-similar figures which crossing themselves. . I present my artistic credo in the Piano Concerto: I demonstrate my independence from criteria of the traditional avantgarde, as well as the fashionable postmodernism. Musical illusions which I consider to be also so important are not a goal in itself for me, but a foundation for my aesthetical attitude. I prefer musical forms which have a more object-like than processual character. Music as frozen time, as an object in imaginary space evoked by music in our imagination, as a creation which really develops in time, but in imagination it exists simultaneously in all its moments. The spell of time, the enduring its passing by, closing it in a moment of the present is my main intention as a composer. . (Gyorgy Ligeti)
$23.99
21.61 €
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Piano and Orchestra
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Gyorgy Ligeti (1923-2006)
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Concerto
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Schott Music - Digital
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SheetMusicPlus
Sound An Alarm - Aria from Judas Maccabaeus - Piccolo Trumpet & Piano in D
C Trumpet,Piano,Piccolo Trumpet,Trumpet in D - Level 4 - Digital Download SKU: A0.57362…
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C Trumpet,Piano,Piccolo Trumpet,Trumpet in D - Level 4 - Digital Download SKU: A0.573629 By Brooks Holmes. By G.F. Handel (1685 - 1759). Arranged by Brooks Holmes. Baroque,Classical,Contest,Festival,Instructional,Opera. Score and part. 10 pages. Brooks Holmes #182997. Published by Brooks Holmes (A0.573629). This arrangement is designed for the Church Trumpeter performing at weddings or special events. Arranged in the original key of D, this is a great selection to feature the A side of the piccolo trumpet. Careful attention was paid to capture the style of a “Baroque Vocal Performance†while the piano part supports the melody with exciting & flowing lines. With a quicker tempo marking, this arrangement creates a light & playful mood that’s sure to be an audience favorite. Check out Mr. Holmes’ YouTube performance for more details!
$8.99
8.1 €
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Brooks Holmes
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Sound An Alarm - Aria from Judas Maccabaeus - Piccolo Trumpet & Piano in D
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Brooks Holmes
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SheetMusicPlus
America The Beautiful, Vocal Duet
Instrumental Duet,Piano Instrumental Duet,Piano - Level 3 - Digital Download SKU: A0.76…
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Instrumental Duet,Piano Instrumental Duet,Piano - Level 3 - Digital Download SKU: A0.763299 Composed by Samuel A Ward. Arranged by Nigel Williams. Folk,Holiday,Patriotic. Score and parts. 15 pages. Nigel Williams #4270585. Published by Nigel Williams (A0.763299). America The beautiful, (Materna), arranged for mezzo soprano and high baritone soloists with keyboard, trumpet in Bb and side drum. Music theater voices would suit this arrangement particularly well, the soprano sings the first verse, the baritone the second, with both voices combining in harmony for the last verse. Due to the instrumentation employed this arrangement will sound well in an outside arena such as a stadium as well as inside the concert hall or church as all the performers can be miked and routed through the sound system to achieve optimal balance. America The Beautiful is Ideal for senior high school and college performances as well as church services. The performance duration is two and a half minutes and the full score has all the individual parts attached. To see more of my patriotic music on SMP, check out my choral arrangements of Amazing Grace (SATB) with Trumpet (The Last Post) and Blessed Assurance (SATB and TTBB) with Trumpet (The Last Post). .
$5.99
5.39 €
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Samuel A Ward
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America The Beautiful, Vocal Duet
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Nigel Williams
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SheetMusicPlus
"Guantanamera" for Trumpet and Piano (Latin Jazz)-Video
Trumpet, Piano
By Julio Iglesias. Arranged by Fishel Pustilnik. Lead Sheet, Score, Sheet Music Sing…
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By Julio Iglesias. Arranged by Fishel Pustilnik. Lead Sheet, Score, Sheet Music Single. 10 pages. Published by F & N Enterprise
An excellent arrangement of the famous Song "Guantanamera"<br> for Trumpet and Piano-Jazz/Pop Version. The video for Violin and Piano: https://youtu.be/KNZ5FPLOUuE<br> <br> The composition is easy to read, fun to play, and sound professional when performed. Arranged by Fishel Pustilnik, a very well known as Composer/Publisher. His books "Jazz & Pop Piano Paradise" (Volumes 1-5) have become a commercial success and a hit with music teachers and students in Canada. (Thousands of books already sold in Canada). They are also starting to enter the US, Brazil, Norway, Russia, Holland, Israel, Belgium, Sweden, Finland, Greece, Latvia, and the UK markets. ”This is a wonderful new publication. These pieces offer much appeal for the young pianist and excellent choice for a supplementary book for students from Grade 3 to 8.” Lore Ruschiensky, Editor, (from the review in “The Canadian Music Teacher”) “Yesterday I spent at least two pleasure-filled hours playing through your imaginatively inventive compositions. Congratulations! I trust students will decide to program your well crafted and entertaining works on recitals and examinations." Review from Dr. Jack Behrens, B.Sc. (Julliard), Ph.D. (Harvard), Director of Academic Studies, The Glenn Gould School "I liked this book the best so far. Great work! You have a gift for melody and your arrangements are very playable. Congratulations on the 3rd Volume”. Mark Carlstein, Hal Leonard, Keyboard Publications.
$4.99
4.49 €
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Trumpet, Piano
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Julio Iglesias
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N Enterprise
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"Guantanamera" for Trumpet and Piano
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SheetMusicPlus
Variations Eternelles (Trumpet & Piano Accompaniment MP3)
Piano Accompaniment
Piano Accompaniment - Level 3 - Digital Download SKU: A0.1306252 By Paul Barker Mus…
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Piano Accompaniment - Level 3 - Digital Download SKU: A0.1306252 By Paul Barker Music. By Paul Barker. Arranged by Paul Barker. 20th Century,21st Century,Chamber,Contemporary,Contest,Festival. Accompaniment. Duration 118. Paul Barker Music #895644. Published by Paul Barker Music (A0.1306252). Piano Accompaniment  MP3 for Variations Eternelles - Trumpet & Piano.Prepare to be captivated by the passionate sound of Variations Eternelles. This emotionally charged showcase for Trumpet and Piano is perfect for enthralling audiences at concerts, festivals, and recitals with its compelling melodic theme and rich harmony.Score and Parts are available here.Performance Recording MP3 is available here.
$4.95
4.46 €
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Piano Accompaniment
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Paul Barker Music
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Piano
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Variations Eternelles
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Paul Barker Music
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SheetMusicPlus
WE HAVE HEARD THE JOYFUL SOUND (Piano Accompaniment for Bb Trumpet)
Piano Accompaniment
Piano - Digital Download SKU: A0.1056125 Composed by William J. Kirkpatrick. Arrang…
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Piano - Digital Download SKU: A0.1056125 Composed by William J. Kirkpatrick. Arranged by Gary Lanier. Christian,Gospel,Praise & Worship,Sacred. Accompaniment. Duration 158. The Lanier Company #4853857. Published by The Lanier Company (A0.1056125). WE HAVE HEARD THE JOYFUL SOUND is an arrangement for Bb Trumpet with Piano of a popular old gospel hymn tune. This mp3 is the piano accompaniment for that arrangement by Gary Lanier.
$3.99
3.59 €
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Piano Accompaniment
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William J
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WE HAVE HEARD THE JOYFUL SOUND
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The Lanier Company
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SheetMusicPlus
The Captive Knight
Piano, Voice
Piano and voice - Digital Download SKU: LV.10510 Prisoners, War, Campaigns & battle…
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Piano and voice - Digital Download SKU: LV.10510 Prisoners, War, Campaigns & battles. Lester S. Levy Collection. 4 pages. Published by Johns Hopkins University Sheridan Libraries (LV.10510). The Captive Knight. The Words by Mrs. Hemans. The Music By her Sister. Published [n.d.] by C. Bradlee, 164 Washington St. in Boston. Composition of strophic with chorus with piano and voice instrumentation. Subject headings for this piece include Prisoners, War, Campaigns & battles. First line reads 'Twas a trumpet's pealing sound!.. About The Lester S. Levy CollectionThe Lester S. Levy Collection of Sheet Music consists of over 29,000 pieces of American popular music. Donated to Johns Hopkins University Sheridan Libraries, the collection's strength is its thorough documentation of nineteenth-century American through popular music. This sheet music has been provided by Project Gado, a San Francisco Bay Area startup whose mission is to digitize and share the world's visual history.WARNING: These titles are provided as historical documents. Language and concepts within reflect the opinions and values of the time and may be offensive to some.
$5.99
5.39 €
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Piano, Voice
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her Sister
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The Captive Knight
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Johns Hopkins University Sheridan Libraries
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SheetMusicPlus
Jingle Bells for trumpet solo - with FREE BACKING TRACK and piano accompaniment to play along with
Piano Accompaniment
Small Ensemble Piano,Trumpet - Level 3 - Digital Download SKU: A0.564358 Composed b…
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Small Ensemble Piano,Trumpet - Level 3 - Digital Download SKU: A0.564358 Composed by James Pierpont. Arranged by Austin Ralphson. Christmas,Standards. Score and part. 10 pages. Austin Ralphson #6515301. Published by Austin Ralphson (A0.564358). This is a solo arrangement with piano accompaniment (or backing track). It is of an intermediate standard and sounds great in practice, in concert or in a play-along with friends and family at Christmas! A solo part and a piano accompaniment is provided, along with a backing track on YouTube (printed in the front of the book for future use). Have a listen to the mp3 file to get an idea of how it sounds.Please also have a look at the 5 other pieces in this Christmas series, or purchase the whole collection of 6 pieces in one handy book at a reduced price! Simply search 'Solos for fun' on my publisher page.
$2.99
2.69 €
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Piano Accompaniment
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James Pierpont
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Jingle Bells for trumpet solo - with FREE BACKING TRACK and piano accompaniment to play along with
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Austin Ralphson
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SheetMusicPlus
Amazing Grace How Sweet the sound - Easy Piccolo Trumpet and Piano
Piano,Piccolo Trumpet - Level 1 - Digital Download SKU: A0.1151631 Composed by John…
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Piano,Piccolo Trumpet - Level 1 - Digital Download SKU: A0.1151631 Composed by John Newton. Arranged by Daniel H Rosa. Children,Christian,Easter,Religious,Sacred. Score and part. 2 pages. Daniel H Rosa #751823. Published by Daniel H Rosa (A0.1151631). Easy Begginer Arrangement.
$2.99
2.69 €
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John Newton
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Amazing Grace How Sweet the sound - Easy Piccolo Trumpet and Piano
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Daniel H Rosa
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SheetMusicPlus
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