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Tension
PIANO
Sheetmusic to print
213 sheet music found
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26
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201
Tension
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Piano, Vocal and Guitar
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INTERMEDIATE
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Kylie Minogue
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SCMusic
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Tension
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SCMusic
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SheetMusicPlus
Guitar,Piano,Vocal,Voice - Level 3 - Digital Download SKU: A0.1297905 By Kylie Minogue. By Anya Jones, Biff Stannard, Camille Purcell, Duck Blackwell, Jo...
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Guitar,Piano,Vocal,Voice - Level 3 - Digital Download SKU: A0.1297905 By Kylie Minogue. By Anya Jones, Biff Stannard, Camille Purcell, Duck Blackwell, Jon Green, Jonathan Ian Green, Kamille, Kamille Purcell, Kylie Minogue, and Richard Frederick Stannard. Arranged by SCMusic. Contemporary,Disco,Pop,Rock. Score. 8 pages. SCMusic #887879. Published by SCMusic (A0.1297905). 'Tension' by Kylie Minogue for voice and piano with guitar chords, in the original key.
$5.75
Limit-tension
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Piano, Vocal and Guitar
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INTERMEDIATE
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Pop music
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Sennarin
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Mopianic
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Limit-tension
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Mopianic
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SheetMusicPlus
Guitar,Piano,Vocal,Voice - Level 3 - Digital Download SKU: A0.1173933 By Sennarin. By Hiroyuki Sawano and Mana Ichikawa. Arranged by Mopianic. Pop. Score...
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Guitar,Piano,Vocal,Voice - Level 3 - Digital Download SKU: A0.1173933 By Sennarin. By Hiroyuki Sawano and Mana Ichikawa. Arranged by Mopianic. Pop. Score. 3 pages. Mopianic #774089. Published by Mopianic (A0.1173933). Limit-tensionSennaRinHiroyuki SawanoArranged for piano solo intermediate levelTwitterhttps://twitter.com/MopianicYm.
$4.99
The Tension Amongst Us
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Piano solo
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ADVANCED
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Don Hodell Chilcote
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Don Hodell Chilcote
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The Tension Amongst Us
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Don Hodell Chilcote
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SheetMusicPlus
Piano Solo - Level 5 - Digital Download SKU: A0.778729 Composed by Don Hodell Chilcote. Arranged by Don Hodell Chilcote. Blues,Christian,Jazz,Sacred. Sco...
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Piano Solo - Level 5 - Digital Download SKU: A0.778729 Composed by Don Hodell Chilcote. Arranged by Don Hodell Chilcote. Blues,Christian,Jazz,Sacred. Score. 4 pages. Don Hodell Chilcote #2076001. Published by Don Hodell Chilcote (A0.778729). The Tension Amongst Us is for piano solo. This is an original tune with a great haunting melody and fun easy chords. 3 page arrangement is challenging but not overly so, and well worth the effort to learn. Fun tune to learn and improvise over. I used it in church for a prelude. Fun Stuff.
$2.99
Tension
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Piano solo
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INTERMEDIATE
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Kylie Minogue
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SCMusic
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Tension
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SCMusic
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SheetMusicPlus
Piano Solo - Level 3 - Digital Download SKU: A0.1300482 By Kylie Minogue. By Anya Jones, Biff Stannard, Camille Purcell, Duck Blackwell, Jon Green, Jonat...
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Piano Solo - Level 3 - Digital Download SKU: A0.1300482 By Kylie Minogue. By Anya Jones, Biff Stannard, Camille Purcell, Duck Blackwell, Jon Green, Jonathan Ian Green, Kamille, Kamille Purcell, Kylie Minogue, and Richard Frederick Stannard. Arranged by SCMusic. Children,Contemporary,Pop,Rock. Score. 3 pages. SCMusic #890214. Published by SCMusic (A0.1300482). 'Tension' by Kylie Minogue, arranged for solo piano in the original key.
$4.99
Arie antiche edizione 2021 completa di tutte le estensioni vocali con note storiche. Accentazione de
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Piano, Voice
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INTERMEDIATE
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Caldara Durante Falconieri HÃ
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Accademia delle Arti Antonio C
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Arie antiche edizione 2021 com
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Antonio Cericola
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SheetMusicPlus
Piano,Vocal,Voice - Level 3 - Digital Download SKU: A0.934255 Composed by Caldara Durante Falconieri Händel Gasparini Giordano Pergolesi Scarlatti. Ar...
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Piano,Vocal,Voice - Level 3 - Digital Download SKU: A0.934255 Composed by Caldara Durante Falconieri Händel Gasparini Giordano Pergolesi Scarlatti. Arranged by Accademia delle Arti Antonio Cericola. Baroque,Classical,Concert,Instructional,Standards. Score. 179 pages. Antonio Cericola #6326551. Published by Antonio Cericola (A0.934255). Questa edizione include 12 arie antiche tra le più belle e conosciute trasposte per tutte le estensioni vocali in tre tonalità diverse. Questa comodità sarà senz’altro utile non solo ai pianisti accompagnatori ma anche agli insegnanti.Gli allievi più illuminati e musicalmente più evoluti, inoltre, potrebbero esercitare la stessa lezione in tonalità diverse per fini didattici e musicali. Al fine di suggerire ai cantori la giusta dizione italiana, tutti versi sono stati scritti anche con accenti ortoepici e raddoppiamenti fonosintattici su tutte le parole. Questa nuovissima edizione antologica è arricchita anche da note storiche biografiche a cura di Simona Ferri.ARIE1- O cessate di piagarmi (Alessandro Scarlatti) 2- Bella porta di rubini (Andrea Falconieri) 3- Ah, mio cor, schernito sei (Georg Friedrich Handel) 4- Come raggio di sol (Antonio Caldara) 5- Danza, danza (Francesco Durante) 6- Sebben, crudele (Antonio Caldara) 7- Vergin tutt'amor (Francesco Durante) 8- Ogni pena più spietata (Giovanni Battista Pergolesi) 9- Caro mio ben (Giuseppe Giordani) 10- Se tu m’ami (Giovanni Battista Pergolesi) 11- Già il sole dal Gange (Alessandro Scarlatti) 12- Lasciar d’amarti (Francesco Gasparini)
$9.99
Contemplation- Right hand extension exercise
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Piano solo
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ADVANCED
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Chen-Hsin Su
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Contemplation- Right hand exte
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Patrick Su
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SheetMusicPlus
Piano Solo - Level 5 - Digital Download SKU: A0.1100215 By Chen-Hsin Su. By Chen-Hsin Su(蘇振欣）. Taiwan. Classical,Contemporary,Roman...
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Piano Solo - Level 5 - Digital Download SKU: A0.1100215 By Chen-Hsin Su. By Chen-Hsin Su(蘇振欣）. Taiwan. Classical,Contemporary,Romantic Period. Score. 6 pages. Patrick Su #704096. Published by Patrick Su (A0.1100215). (From Chen-Hsin Su's 24 piano concert etudes no.1) Contemplation in e minor : Right hand extension exercise -Allegro fantastico (æ²‰æ€ : å³æ‰‹å»¶å±•åº¦çš„技巧 -幻想å¼çš„å¿«æ¿) ‘’A jurney with winding roads full of thoughts of unsolved questions. Answers to the questions are within grasp, yet they are hidden behind the daunting questions. I am pondering a plan about the musical journey.’’ 「迂迴曲折的旅途，是由一連串需è¦è¾›è‹¦æ€ç´¢çš„å•é¡Œæ‰€çµ„æˆã€‚ 有時ç”案的確在å•é¡Œçš„背後，但å•é¡Œçš„æ£é¢å»å·¨å¤§çš„å¯ä»¥ï¼Œä½¿äººç”Ÿç•ã€‚ 我æ£åœ¨æ€ç´¢å¦‚ä½•è¨ˆç•«ä¸€å ´éŸ³æ¨‚çš„æ—…è¡Œã€‚ã€.
$3.99
Tension
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Piano solo
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INTERMEDIATE
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Pop music
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Kylie Minogue
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Tension
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Eduardo Leon
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SheetMusicPlus
By Kylie Minogue. By Anya Jones, Biff Stannard, Camille Purcell, Duck Blackwell, Jon Green, Jonathan Ian Green, Kamille, Kamille Purcell, Kylie Minogu...
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By Kylie Minogue. By Anya Jones, Biff Stannard, Camille Purcell, Duck Blackwell, Jon Green, Jonathan Ian Green, Kamille, Kamille Purcell, Kylie Minogue, Mark Carlos Blackwell, and Richard Frederick Stannard. Arranged by Eduardo León, Pedro Bernárdez. 21st Century,Pop. Score. 9 pages. Eduardo Leon #909781. Published by Eduardo Leon
$6.99
CURVE, Between the Octaves - A Piano Duo Suite (Movement 4 of 7)
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2 Pianos, 4 hands
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Classical
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dislocation I mean a degree of
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Jenni Roditi
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CURVE, Between the Octaves - A
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Jenni Roditi
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SheetMusicPlus
Instrumental Duet,Keyboard - Digital Download SKU: A0.1497852 Composed by Jenni Roditi. 21st Century,Classical,Contemporary. 17 pages. Jenni Roditi #1074...
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Instrumental Duet,Keyboard - Digital Download SKU: A0.1497852 Composed by Jenni Roditi. 21st Century,Classical,Contemporary. 17 pages. Jenni Roditi #1074264. Published by Jenni Roditi (A0.1497852). Piano Duo 2 pianos/4 hands. Curve, Between the Octaves points to a fugal past, where lines enter and build in stately flow. It invites lines to intermingle, without assuming they will all arrive somewhere, or at the same time. A certain intensity builds, then scales, both up and down, free themselves from the discussion of the interleaving lines. The chromaticism suggests curving between harmonies, and is nearly always ambivalent. An assertive chordal climax intervenes to shake off the tensions, yet this peels away into further curvatures that twist and twirl, until a final resting point agrees to present itself. Names of all the movements in the suite Between the Octaves in the right order are Initiate, Surrender, Thread, Curve, Encircle, Ritualise, Ignite. The whole suite follows a long line from movement 1 to movement 7. However, individual pieces are well suited to be played alone too. Piano Duo is ideally two Steinway grands, otherwise, whatever is available. An enjoyment of the tensions and relationships generated between the two instruments: grand-upright, upright-electronic keyboard is to be explored as a positive. Each piece creates its own world in the suite and can be part of smaller subgroups taken from the suite, in any combination, but the order of the pieces needs to be maintained if more than one is played. Here is a taste of the background to the musical world of this 53 minute compositional suite. During a reflective time I read the following: The whole philosophy of dharma art (Buddhist art) is that you don't try to be artistic, but you just approach objects as they are, and the message comes through automatically. (Chogyam Trungpa Rinpoche, from 'True Perception The Path of Dharma Art.' Shambhala 2008, p.133.) The 'objects as they are' became the 'octaves as they are'. As the pieces were composed the octaves had a centring and clarifying role that allowed other material to circulate around or play against them. They acted as pivots, repetitions, drones, ostinati, pointillist nodes, pedals, melodic features, struts, harmonic turnpikes, breathing spaces, bass lines: musical imperatives. The octaves called the musical shots most of the time. When the music pulled a semitone up or down and away from the octaves (as it did quite often) it was especially telling in the context of the ringing spaces the octaves were creating. I became interested in the subtle dislocation that two pianos could provide. By dislocation I mean a degree of tension between the natural acoustics of the two instruments in the room and the players idiosyncrasies as musicians. The whole point of this work was to examine the nature of my syntax, grammar, and compositional thinking. The title demanded one thing above all: what notes am I going to use between these octaves?? My choice of notes was derived in most instances from the tempo, pitch, and rhythm of the initial octaves at the beginning of each piece alongside the individual word titles that I set out to explore as musical images. The audio was developed from Sibelius software, via MIDI to Logic samples of a Steinway grand piano.
$20.00
SURRENDER, Between the Octaves, A Piano Duo Suite (Movement 2 of 7)
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2 Pianos, 4 hands
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Classical
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dislocation I mean a degree of
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Jenni Roditi
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SURRENDER, Between the Octaves
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Jenni Roditi
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SheetMusicPlus
Instrumental Duet,Keyboard - Digital Download SKU: A0.1497843 Composed by Jenni Roditi. 21st Century,Classical,Contemporary. 12 pages. Jenni Roditi #1074...
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Instrumental Duet,Keyboard - Digital Download SKU: A0.1497843 Composed by Jenni Roditi. 21st Century,Classical,Contemporary. 12 pages. Jenni Roditi #1074255. Published by Jenni Roditi (A0.1497843). Piano Duo - 2 pianos, 4 hands. Surrender, Between the Octaves was the piece that was composed first in the suite. It exposes a simple call to return to the beginning, to return to a pure act of listening. This note..ah, now that note.. oh. This is how the piece was written - one note at a time. Listening from within a space (its original title) of resonance, of edges and meetings, of disappearances and repetitions that reflect on this gentle body of notes. There is a slow hearing that may, or may not create a tone-journey.Names of all the movements in the suite Between the Octaves in the right order are Initiate, Surrender, Thread, Curve, Encircle, Ritualise, Ignite. The whole suite follows a long line from movement 1 to movement 7. However, individual pieces are well suited to be played alone too. Piano Duo is ideally two Steinway grands, otherwise, whatever is available. An enjoyment of the tensions and relationships generated between the two instruments: grand-upright, upright-electronic keyboard is to be explored as a positive. Each piece creates its own world in the suite and can be part of smaller subgroups taken from the suite, in any combination, but the order of the pieces needs to be maintained if more than one is played. Here is a taste of the background to the musical world of this 53 minute compositional suite. During a reflective time I read the following: The whole philosophy of dharma art (Buddhist art) is that you don't try to be artistic, but you just approach objects as they are, and the message comes through automatically. (Chogyam Trungpa Rinpoche, from 'True Perception The Path of Dharma Art.' Shambhala 2008, p.133.) The 'objects as they are' became the 'octaves as they are'. As the pieces were composed the octaves had a centring and clarifying role that allowed other material to circulate around or play against them. They acted as pivots, repetitions, drones, ostinati, pointillist nodes, pedals, melodic features, struts, harmonic turnpikes, breathing spaces, bass lines: musical imperatives. The octaves called the musical shots most of the time. When the music pulled a semitone up or down and away from the octaves (as it did quite often) it was especially telling in the context of the ringing spaces the octaves were creating. I became interested in the subtle dislocation that two pianos could provide. By dislocation I mean a degree of tension between the natural acoustics of the two instruments in the room and the players idiosyncrasies as musicians. The whole point of this work was to examine the nature of my syntax, grammar, and compositional thinking. The title demanded one thing above all: what notes am I going to use between these octaves?? My choice of notes was derived in most instances from the tempo, pitch, and rhythm of the initial octaves at the beginning of each piece alongside the individual word titles that I set out to explore as musical images. The audio was developed from Sibelius software, via MIDI to Logic samples of a Steinway grand piano.
$20.00
THREAD, Between the Octaves A Piano Duo Suite (Movement 3 of 7)
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2 Pianos, 4 hands
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Classical
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dislocation I mean a degree of
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Jenni Roditi
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THREAD, Between the Octaves A
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Jenni Roditi
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SheetMusicPlus
Instrumental Duet,Keyboard - Digital Download SKU: A0.1497847 Composed by Jenni Roditi. 21st Century,Classical,Contemporary. 11 pages. Jenni Roditi #1074...
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Instrumental Duet,Keyboard - Digital Download SKU: A0.1497847 Composed by Jenni Roditi. 21st Century,Classical,Contemporary. 11 pages. Jenni Roditi #1074259. Published by Jenni Roditi (A0.1497847). Piano Duo 2 pianos/4 hands. Thread, Between the Octaves grew out of the call the make a single line weave between the octaves. Line was the original title. Thread, as a word, brings more texture to the title and describes what the line is actually doing, threading around the harmony. A secondary thread is heard after a while, echoing and shading the primary line, with its own treble weave. It was like going back to the beginning of making melody again.Names of all the movements in the suite Between the Octaves in the right order are Initiate, Surrender, Thread, Curve, Encircle, Ritualise, Ignite. The whole suite follows a long line from movement 1 to movement 7. However, individual pieces are well suited to be played alone too. Piano Duo is ideally two Steinway grands, otherwise, whatever is available. An enjoyment of the tensions and relationships generated between the two instruments: grand-upright, upright-electronic keyboard is to be explored as a positive. Each piece creates its own world in the suite and can be part of smaller subgroups taken from the suite, in any combination, but the order of the pieces needs to be maintained if more than one is played. Here is a taste of the background to the musical world of this 53 minute compositional suite. During a reflective time I read the following: The whole philosophy of dharma art (Buddhist art) is that you don't try to be artistic, but you just approach objects as they are, and the message comes through automatically. (Chogyam Trungpa Rinpoche, from 'True Perception The Path of Dharma Art.' Shambhala 2008, p.133.) The 'objects as they are' became the 'octaves as they are'. As the pieces were composed the octaves had a centring and clarifying role that allowed other material to circulate around or play against them. They acted as pivots, repetitions, drones, ostinati, pointillist nodes, pedals, melodic features, struts, harmonic turnpikes, breathing spaces, bass lines: musical imperatives. The octaves called the musical shots most of the time. When the music pulled a semitone up or down and away from the octaves (as it did quite often) it was especially telling in the context of the ringing spaces the octaves were creating. I became interested in the subtle dislocation that two pianos could provide. By dislocation I mean a degree of tension between the natural acoustics of the two instruments in the room and the players idiosyncrasies as musicians. The whole point of this work was to examine the nature of my syntax, grammar, and compositional thinking. The title demanded one thing above all: what notes am I going to use between these octaves?? My choice of notes was derived in most instances from the tempo, pitch, and rhythm of the initial octaves at the beginning of each piece alongside the individual word titles that I set out to explore as musical images. The audio was developed from Sibelius software, via MIDI to Logic samples of a Steinway grand piano.
$20.00
ENCIRCLE, Between the Octaves - A Piano Duo Suite (Movement 5 of 7)
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2 Pianos, 4 hands
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INTERMEDIATE/ADVANCED
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Classical
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dislocation I mean a degree of
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Jenni Roditi
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ENCIRCLE, Between the Octaves
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Jenni Roditi
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SheetMusicPlus
Instrumental Duet,Keyboard - Level 4 - Digital Download SKU: A0.1497857 Composed by Jenni Roditi. 21st Century,Classical,Contemporary. 19 pages. Jenni Ro...
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Instrumental Duet,Keyboard - Level 4 - Digital Download SKU: A0.1497857 Composed by Jenni Roditi. 21st Century,Classical,Contemporary. 19 pages. Jenni Roditi #1074269. Published by Jenni Roditi (A0.1497857). Piano Duo 2 pianos/4 hands. Encircle, Between the Octaves, originally called rotate as its impetus was to generate a steadily rotating music. Encircle was later chosen as a more evocative word. The harmony surprised me as it suggested shifts and colourations that I would not have expected to conjure. Two upper rotating parts with melodic narrative are supported by bass and baritone lower parts. The final section adds a dance-like short form to end what could otherwise have run and run and run. Names of all the movements in the suite Between the Octaves in the right order are Initiate, Surrender, Thread, Curve, Encircle, Ritualise, Ignite. The whole suite follows a long line from movement 1 to movement 7. However, individual pieces are well suited to be played alone too. Piano Duo is ideally two Steinway grands, otherwise, whatever is available. An enjoyment of the tensions and relationships generated between the two instruments: grand-upright, upright-electronic keyboard is to be explored as a positive. Each piece creates its own world in the suite and can be part of smaller subgroups taken from the suite, in any combination, but the order of the pieces needs to be maintained if more than one is played. Here is a taste of the background to the musical world of this 53 minute compositional suite. During a reflective time I read the following: The whole philosophy of dharma art (Buddhist art) is that you don't try to be artistic, but you just approach objects as they are, and the message comes through automatically. (Chogyam Trungpa Rinpoche, from 'True Perception The Path of Dharma Art.' Shambhala 2008, p.133.) The 'objects as they are' became the 'octaves as they are'. As the pieces were composed the octaves had a centring and clarifying role that allowed other material to circulate around or play against them. They acted as pivots, repetitions, drones, ostinati, pointillist nodes, pedals, melodic features, struts, harmonic turnpikes, breathing spaces, bass lines: musical imperatives. The octaves called the musical shots most of the time. When the music pulled a semitone up or down and away from the octaves (as it did quite often) it was especially telling in the context of the ringing spaces the octaves were creating. I became interested in the subtle dislocation that two pianos could provide. By dislocation I mean a degree of tension between the natural acoustics of the two instruments in the room and the players idiosyncrasies as musicians. The whole point of this work was to examine the nature of my syntax, grammar, and compositional thinking. The title demanded one thing above all: what notes am I going to use between these octaves?? My choice of notes was derived in most instances from the tempo, pitch, and rhythm of the initial octaves at the beginning of each piece alongside the individual word titles that I set out to explore as musical images. The audio was developed from Sibelius software, via MIDI to Logic samples of a Steinway grand piano.
$20.00
IGNITE, Between the Octaves - A Piano Duo Suite (Movement 7 of 7)
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2 Pianos, 4 hands
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INTERMEDIATE/ADVANCED
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Classical
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dislocation I mean a degree of
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Jenni Roditi
#
IGNITE, Between the Octaves -
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Jenni Roditi
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SheetMusicPlus
Instrumental Duet,Keyboard - Level 4 - Digital Download SKU: A0.1497866 Composed by Jenni Roditi. 21st Century,Classical,Contemporary. 24 pages. Jenni Ro...
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Instrumental Duet,Keyboard - Level 4 - Digital Download SKU: A0.1497866 Composed by Jenni Roditi. 21st Century,Classical,Contemporary. 24 pages. Jenni Roditi #1074279. Published by Jenni Roditi (A0.1497866). Piano Duo - 2 pianos/4 hands. Ignite, Between the Octaves began with the impetus of static ‘pulsation’ (its original title) on repeated octaves. The piece is a fizzing dash of nodal vortices, small, then larger, spinning and tumbling and all the way to the finish line. This piece brings the complete suite of 7 pieces to a dynamic close, with a sense of ignition to new beginnings. The music echoes the opening F octaves of Initiate (movement 1). Names of all the movements in the suite Between the Octaves in the right order are Initiate, Surrender, Thread, Curve, Encircle, Ritualise, Ignite. The whole suite follows a long line from movement 1 to movement 7. However, individual pieces are well suited to be played alone too. Piano Duo is ideally two Steinway grands, otherwise, whatever is available. An enjoyment of the tensions and relationships generated between the two instruments: grand-upright, upright-electronic keyboard is to be explored as a positive. Each piece creates its own world in the suite and can be part of smaller subgroups taken from the suite, in any combination, but the order of the pieces needs to be maintained if more than one is played. Here is a taste of the background to the musical world of this 53 minute compositional suite. During a reflective time I read the following: The whole philosophy of dharma art (Buddhist art) is that you don't try to be artistic, but you just approach objects as they are, and the message comes through automatically. (Chogyam Trungpa Rinpoche, from 'True Perception The Path of Dharma Art.' Shambhala 2008, p.133.) The 'objects as they are' became the 'octaves as they are'. As the pieces were composed the octaves had a centring and clarifying role that allowed other material to circulate around or play against them. They acted as pivots, repetitions, drones, ostinati, pointillist nodes, pedals, melodic features, struts, harmonic turnpikes, breathing spaces, bass lines: musical imperatives. The octaves called the musical shots most of the time. When the music pulled a semitone up or down and away from the octaves (as it did quite often) it was especially telling in the context of the ringing spaces the octaves were creating. I became interested in the subtle dislocation that two pianos could provide. By dislocation I mean a degree of tension between the natural acoustics of the two instruments in the room and the players idiosyncrasies as musicians. The whole point of this work was to examine the nature of my syntax, grammar, and compositional thinking. The title demanded one thing above all: what notes am I going to use between these octaves?? My choice of notes was derived in most instances from the tempo, pitch, and rhythm of the initial octaves at the beginning of each piece alongside the individual word titles that I set out to explore as musical images. The audio was developed from Sibelius software, via MIDI to Logic samples of a Steinway grand piano.
$20.00
RITUALISE, Between the Octaves - A Piano Duo Suite (Movement 6 of 7)
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2 Pianos, 4 hands
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INTERMEDIATE/ADVANCED
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Contemporary
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dislocation I mean a degree of
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Jenni Roditi
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RITUALISE, Between the Octaves
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Jenni Roditi
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SheetMusicPlus
Instrumental Duet,Keyboard - Level 4 - Digital Download SKU: A0.1497861 Composed by Jenni Roditi. 21st Century,Classical,Contemporary. 26 pages. Jenni Ro...
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Instrumental Duet,Keyboard - Level 4 - Digital Download SKU: A0.1497861 Composed by Jenni Roditi. 21st Century,Classical,Contemporary. 26 pages. Jenni Roditi #1074273. Published by Jenni Roditi (A0.1497861). Piano Duo 2 pianos/4 hands. Ritualise, Between the Octaves finally found its identity with the word ritualise. It began as announce, became pronounce, then declare and went as far a pontificate for a title. At that point I realised I was mocking my own music and needed to take it more seriously. Ritualise brought out a meaning to the music that I hadn’t wanted to admit to. It is quite folk-like, in a primal and entrancing kind of way. I can imagine a communal dance for some ceremonial purpose in this music with both public and private elements.Names of all the movements in the suite Between the Octaves in the right order are Initiate, Surrender, Thread, Curve, Encircle, Ritualise, Ignite. The whole suite follows a long line from movement 1 to movement 7. However, individual pieces are well suited to be played alone too. Piano Duo is ideally two Steinway grands, otherwise, whatever is available. An enjoyment of the tensions and relationships generated between the two instruments: grand-upright, upright-electronic keyboard is to be explored as a positive. Each piece creates its own world in the suite and can be part of smaller subgroups taken from the suite, in any combination, but the order of the pieces needs to be maintained if more than one is played. Here is a taste of the background to the musical world of this 53 minute compositional suite. During a reflective time I read the following: The whole philosophy of dharma art (Buddhist art) is that you don't try to be artistic, but you just approach objects as they are, and the message comes through automatically. (Chogyam Trungpa Rinpoche, from 'True Perception The Path of Dharma Art.' Shambhala 2008, p.133.) The 'objects as they are' became the 'octaves as they are'. As the pieces were composed the octaves had a centring and clarifying role that allowed other material to circulate around or play against them. They acted as pivots, repetitions, drones, ostinati, pointillist nodes, pedals, melodic features, struts, harmonic turnpikes, breathing spaces, bass lines: musical imperatives. The octaves called the musical shots most of the time. When the music pulled a semitone up or down and away from the octaves (as it did quite often) it was especially telling in the context of the ringing spaces the octaves were creating. I became interested in the subtle dislocation that two pianos could provide. By dislocation I mean a degree of tension between the natural acoustics of the two instruments in the room and the players idiosyncrasies as musicians. The whole point of this work was to examine the nature of my syntax, grammar, and compositional thinking. The title demanded one thing above all: what notes am I going to use between these octaves?? My choice of notes was derived in most instances from the tempo, pitch, and rhythm of the initial octaves at the beginning of each piece alongside the individual word titles that I set out to explore as musical images. The audio was developed from Sibelius software, via MIDI to Logic samples of a Steinway grand piano.
$20.00
INITIATE, Between the Octaves - A Piano Duo Suite (Movement 1 of 7)
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2 Pianos, 4 hands
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ADVANCED
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Classical
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dislocation I mean a degree of
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Jenni Roditi
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INITIATE, Between the Octaves
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Jenni Roditi
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SheetMusicPlus
Instrumental Duet,Keyboard - Level 5 - Digital Download SKU: A0.1497831 Composed by Jenni Roditi. 21st Century,Classical,Contemporary. 24 pages. Jenni Ro...
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Instrumental Duet,Keyboard - Level 5 - Digital Download SKU: A0.1497831 Composed by Jenni Roditi. 21st Century,Classical,Contemporary. 24 pages. Jenni Roditi #1074235. Published by Jenni Roditi (A0.1497831). For Piano Duo - 2 pianos/4hands. Initiate, Between the Octaves, the opening piece in the suite, is a sparky, rhythmic and post-modern hoquet, of some wit and almost perpetual bounciness. A ricocheting of quickly contrasting dynamics with occasional switches to distant moments. Three big plunges into legato emotional flow, release the popping bubbles of the fiery staccato material. A short final chorale settles and grounds the quick cuts, swoops and build ups that have propelled the whole piece. Names of all the movements in the suite Between the Octaves in the right order are Initiate, Surrender, Thread, Curve, Encircle, Ritualise, Ignite. The whole suite follows a long line from movement 1 to movement 7. However, individual pieces are well suited to be played alone too. Piano Duo is ideally two Steinway grands, otherwise, whatever is available. An enjoyment of the tensions and relationships generated between the two instruments: grand-upright, upright-electronic keyboard is to be explored as a positive. Each piece creates its own world in the suite and can be part of smaller subgroups taken from the suite, in any combination, but the order of the pieces needs to be maintained if more than one is played. Here is a taste of the background to the musical world of this 53 minute compositional suite. During a reflective time I read the following: The whole philosophy of dharma art (Buddhist art) is that you don't try to be artistic, but you just approach objects as they are, and the message comes through automatically. (Chogyam Trungpa Rinpoche, from 'True Perception The Path of Dharma Art.' Shambhala 2008, p.133.) The 'objects as they are' became the 'octaves as they are'. As the pieces were composed the octaves had a centring and clarifying role that allowed other material to circulate around or play against them. They acted as pivots, repetitions, drones, ostinati, pointillist nodes, pedals, melodic features, struts, harmonic turnpikes, breathing spaces, bass lines: musical imperatives. The octaves called the musical shots most of the time. When the music pulled a semitone up or down and away from the octaves (as it did quite often) it was especially telling in the context of the ringing spaces the octaves were creating. I became interested in the subtle dislocation that two pianos could provide. By dislocation I mean a degree of tension between the natural acoustics of the two instruments in the room and the players idiosyncrasies as musicians. The whole point of this work was to examine the nature of my syntax, grammar, and compositional thinking. The title demanded one thing above all: what notes am I going to use between these octaves?? My choice of notes was derived in most instances from the tempo, pitch, and rhythm of the initial octaves at the beginning of each piece alongside the individual word titles that I set out to explore as musical images. The audio was developed from Sibelius software, via MIDI to Logic samples of a Steinway grand piano.
$20.00
Something Borrowed - From 24 Short Piano Pieces in All Keys
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Piano solo
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INTERMEDIATE
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Contemporary
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Michael Hayes
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Something Borrowed - From 24 S
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Michael Hayes
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SheetMusicPlus
Piano Solo - Level 3 - Digital Download SKU: A0.1209266 By Michael Hayes. By Michael Hayes. Contemporary. Score. 2 pages. Michael Hayes #807381. Publishe...
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Piano Solo - Level 3 - Digital Download SKU: A0.1209266 By Michael Hayes. By Michael Hayes. Contemporary. Score. 2 pages. Michael Hayes #807381. Published by Michael Hayes (A0.1209266). Something Borrowed – GentlySomething Borrowed begins with a simple melody and chord progression. The harmony gradually becomes more complex. The harmonic tensions create interest and a dynamic atmosphere. In bar 9, the harmony expands a little more. In bars 13 through 15, the melody achieves the most tension before a return to a familiar consonance in bar 16. The melody reaches its height in bars 17 through 19 before returning to the beginning. The listener is thrown one last curve with the ending that begins in bar 22.
$2.00
Halloween Theme
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Piano solo
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EASY
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Halloween
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John Carpenter
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Tales Souza
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Halloween Theme
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Othello Music Publishing
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SheetMusicPlus
Piano Solo - Level 2 - Digital Download SKU: A0.1507292 By John Carpenter. By John Carpenter. Arranged by Tales Souza. Halloween. Score. 2 pages. Othello...
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Piano Solo - Level 2 - Digital Download SKU: A0.1507292 By John Carpenter. By John Carpenter. Arranged by Tales Souza. Halloween. Score. 2 pages. Othello Music Publishing #1082692. Published by Othello Music Publishing (A0.1507292). Halloween Theme - Michael Myers: A Chilling Piano ArrangementThis piano arrangement of the iconic Halloween theme, originally composed by John Carpenter, captures the eerie tension and relentless dread associated with Michael Myers. Carefully adapted to retain the minimalistic and haunting repetition of the original score, this arrangement brings a new layer of depth and nuance to the horror classic, making it perfect for concert performances or private recitals during the Halloween season.The arrangement emphasizes the foreboding suspense that defines Michael Myers' presence, blending atmospheric harmonies and precise rhythmic tension to evoke the sinister, inevitable approach of the masked figure. It's a piece designed to transport listeners into the cold, unsettling world of the horror genre, while remaining accessible for pianists of all skill levels.Ideal for pianists seeking a simple yet evocative piece, this arrangement ensures that the dark essence of Halloween resonates through each note.
$5.99
Juntos
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C Instruments
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INTERMEDIATE
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Nicolas Mustillo
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Nicolas Mustillo
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Juntos
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Nico Mustillo
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SheetMusicPlus
C Instrument - Level 3 - Digital Download SKU: A0.546103 By Nicolas Mustillo. By Nicolas Mustillo. Arranged by Nicolas Mustillo. Contemporary,Multicultur...
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C Instrument - Level 3 - Digital Download SKU: A0.546103 By Nicolas Mustillo. By Nicolas Mustillo. Arranged by Nicolas Mustillo. Contemporary,Multicultural,New Age,Praise & Worship,Spiritual,World. Lead Sheet / Fake Book. 3 pages. Nico Mustillo #156211. Published by Nico Mustillo (A0.546103). La obra, de ritmo vertiginoso, tiene un halo de misterio hasta que se presenta en si. Con el uso de contrapunto y ritmos sudamericanos (Rasguido doble) nos lleva a un clima de tension y reposos bien equilibrados. The work, with a dizzying pace, has a halo of mystery until it is presented itself. With the use of counterpoint and South American rhythms (Rasguido doble), he leads us to a climate of tension and well-balanced repose.
$7.00
When I Survey the Wondrous Cross
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Piano solo
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INTERMEDIATE/ADVANCED
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Ken Barker
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Ken Barker
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When I Survey the Wondrous Cro
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Ken Barker
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SheetMusicPlus
Piano Solo - Level 4 - Digital Download SKU: A0.1155404 By Ken Barker. By M-Lowell Mason and W-Isaac Watts. Arranged by Ken Barker. Christian,Contest,Eas...
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Piano Solo - Level 4 - Digital Download SKU: A0.1155404 By Ken Barker. By M-Lowell Mason and W-Isaac Watts. Arranged by Ken Barker. Christian,Contest,Easter,Festival,Religious,Sacred. Score. 4 pages. Ken Barker #755696. Published by Ken Barker (A0.1155404). The tension between the agony and horrific scene of the cross and the wondrous salvation provided through the cross must be sensed and even felt throughout. The ominous beginning continues to cast a shadow of tension throughout the first verse. The second verse, in minor mode, grows even more agitated as sorrow and love flow mingled down from His head, hands and feet. But the full impact of the cross begins to shine through as the tempo picks up and leads to a strong opening third verse statement, though still in minor mode. Finally with the last half of the closing verse, Love so amazing, so divine, major chords are once more sounded and the wondrous glory of the cross leads to a huge conclusion as the opening minor motif is now presented in victorious major mode for a grand final statement!
$4.25
The Tritone Rondo
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Piano solo
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ADVANCED
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J
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The Tritone Rondo
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J. Jeffrey Richardson Compositions
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SheetMusicPlus
Piano Solo - Level 5 - Digital Download SKU: A0.987981 Composed by J. Jeffrey Richardson. Concert,Contemporary. Score. 4 pages. J. Jeffrey Richardson Com...
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Piano Solo - Level 5 - Digital Download SKU: A0.987981 Composed by J. Jeffrey Richardson. Concert,Contemporary. Score. 4 pages. J. Jeffrey Richardson Compositions #3005325. Published by J. Jeffrey Richardson Compositions (A0.987981). Classical piano in sonata allegro/rondo style. Advanced. Explores tension vs. repose and unity vs. variety. Tension is established by introducing the tritone interval in the first measure which does not fully resolve until the last measure (m.56). Unity if provided by the development of the introductory motif throughout. Variety is provided by transitional passages introducing and returning from remote key signature. Duration 4:03 min. ASCAP. Contact richardsonjj@earthlink.net.
$2.99
High Tension by MusicMike512 - Piano Solo
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Piano solo
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MusicMike512
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High Tension
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Musicnotes
Sheet Music for High Tension from Katawa Shoujo arranged for Instrumental Solo in A Minor. Digital sheet music from Musicnotes. ...
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Sheet Music for High Tension from Katawa Shoujo arranged for Instrumental Solo in A Minor. Digital sheet music from Musicnotes.
$8.99
High Tension Wire [intermediate / advanced] by Speedy Keys - Piano Solo
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Piano solo
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Film/TV
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Speedy Keys
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High Tension Wire [intermediat
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Musicnotes
Performed by: Speedy Keys: High Tension Wire [intermediate / advanced] - (from Trials of Mana) Digital Sheetmusic - instantly downloadable sheet music plus an i...
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Performed by: Speedy Keys: High Tension Wire [intermediate / advanced] - (from Trials of Mana) Digital Sheetmusic - instantly downloadable sheet music plus an interactive, downloadable digital sheet music file, scoring: Instrumental Solo, instruments: Piano; 5 pages -- Movie/TV~~Solo Instrumental~~Soundtrack~~Anime
$6.99
Tension Is a Passing Note by Sixpence None the Richer - Piano/Vocal/Chords
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Piano, Voice
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Sixpence None the Richer
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Tension Is a Passing Note
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Musicnotes
Performed by: Sixpence None the Richer: Tension Is a Passing Note Digital Sheetmusic - instantly downloadable sheet music plus an interactive, downloadable digi...
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Performed by: Sixpence None the Richer: Tension Is a Passing Note Digital Sheetmusic - instantly downloadable sheet music plus an interactive, downloadable digital sheet music file (this arrangement contains complete lyrics), scoring: Piano/Vocal/Chords, instruments: Voice;Piano; 7 pages -- CCM~~Pop~~Christian~~Alternative CCM
$5.50
Dinner with My Family
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Piano solo
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INTERMEDIATE/ADVANCED
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Film/TV
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KHALED MANDI
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KHALED MANDI
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Dinner with My Family
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KHALED ALTAMIMI
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SheetMusicPlus
Piano Solo - Level 4 - Digital Download SKU: A0.1502755 By KHALED MANDI. By KHALED MANDI. Arranged by KHALED MANDI. Classical,Contemporary,Film/TV. Score...
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Piano Solo - Level 4 - Digital Download SKU: A0.1502755 By KHALED MANDI. By KHALED MANDI. Arranged by KHALED MANDI. Classical,Contemporary,Film/TV. Score. 3 pages. KHALED ALTAMIMI #1078418. Published by KHALED ALTAMIMI (A0.1502755). Dinner with My Family is a musical composition created for a film that tells the story of Christina, a troubled woman attempting to rebuild her fractured family relationships. She invites her family to a dinner in an effort to reconcile, but as the night progresses, her hidden intentions and past trauma come to light, including her responsibility for the murder of her family members. The film explores themes of trauma, revenge, and the search for love and acceptance, questioning concepts of forgiveness and justice. With escalating tension and unexpected twists, the music provides an emotionally charged backdrop to a cinematic experience that delves into psychological conflict and the fine line between right and wrong.
$5.99
Tale of a Tormented Soul
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Piano solo
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INTERMEDIATE/ADVANCED
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Halloween
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Damien Gauci
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Tale of a Tormented Soul
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Damien Gauci
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SheetMusicPlus
Piano Solo - Level 4 - Digital Download SKU: A0.1426084 By Damien Gauci. By Damien Gauci. Classical,Contemporary. Score. 6 pages. Damien Gauci #1006898. ...
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Piano Solo - Level 4 - Digital Download SKU: A0.1426084 By Damien Gauci. By Damien Gauci. Classical,Contemporary. Score. 6 pages. Damien Gauci #1006898. Published by Damien Gauci (A0.1426084). I wrote this piece for Halloween this since I wanted to try writing something that is a little bit spooky and eerie. Initially, I used one of my old ideas from a while ago to be used as the main motif/idea for the piece but it wasn’t really what I was going for. Instead of just creating something entirely different, I decided to incorporate this old idea with a motif that I would make now for the piece.I first created the chord progression that is heard at the beginning and then I created the melody that is heard later. This is then when the old motif comes in. It is very different from the new idea and so it creates a good contrast and keeps the piece interesting. It was good playing around with bring the 2 different motifs in and out and the combining them later in the piece to create a new motif. I took some inspiration from ‘Every 27 years’ or the ‘IT Theme’ with the light hearted melody and the darker overtones. One of my favourite things to do in compositions is begin really simple but then build up the tension and excitement as I have done in this piece.
$1.99
Friday Rag
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Piano solo
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ADVANCED
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Damien Gauci
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Friday Rag
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Damien Gauci
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SheetMusicPlus
Piano Solo - Level 5 - Digital Download SKU: A0.1426090 By Damien Gauci. By Damien Gauci. 19th Century,Ragtime. Score. 6 pages. Damien Gauci #1006906. Pu...
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Piano Solo - Level 5 - Digital Download SKU: A0.1426090 By Damien Gauci. By Damien Gauci. 19th Century,Ragtime. Score. 6 pages. Damien Gauci #1006906. Published by Damien Gauci (A0.1426090). This is one of my better piano compositions, I really did enjoy experimenting with different themes and ideas. I wrote this piece in about a week for a composition challenge in r/musictheory. The style of the composition is a Rag which is an early 20th century genre of music usually for piano that paved the way for blues and jazz. It features syncopated rhythms, colourful harmonies, usually a cheerful tone, and an “oompah” left hand pattern. It was really quite interesting writing in this style and I think it would be good to try it again.When I started writing this piece, I came up with the main theme of the piece first and then wrote the rest of the piece and at the end, I actually added the introduction. As for the other sections of the piece, it was difficult to come up with something that fits the same theme and style but also make it different so that it is interesting for the listener. My favourite section is probably the last one with the descending chromatic scales. I think there is a good build up and release of tension at the end of the piece as well.
$1.99
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