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Fascinated
VIOLIN - FIDDLE

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String quartet - difficult - Digital Download SKU: S9.Q778767 String Quartet No. 6. Composed by Joerg Widmann. Downloadable, Score and parts. Duration 27 minutes. Schott Music - Digital #Q778767. Published by Schott Music - Digital (S9.Q778767). My quartets composed between 1997 and 2005 were conceived as an interconnected, self-contained cycle of works ranging from the (in my opinion) quasi revolutionary Quartet No. 1 to the Quartet No. 5 entitled Versuch über die Fuge [Attempt at a Fugue]. The Quartet No. 6 – Study on Beethoven – composed fourteen years after No. 5 should be conceived as a new approach and the commencement of a new quartet cycle with an unknown ending. All that can be said is that the subsequent quartets will be devoted to an intense study of Ludwig van Beethoven’s unique and consummate artistry of quartet composition. Despite a reverence for Beethoven at a very early stage, my own compositions have steered well clear of this unapproachable cosmos with the exception of my concert overture Con brio. The perhaps only link with the five quartets of the first cycle of quartets is the single-movement structure of the thirty-minute Quartet No. 6. The fundamental coordinates have otherwise been reset to zero. This is therefore also a ‘study’ in a literal sense. In the Quartet No. 6, I set out with a state of tonality displaying significant extensions whose centrifugal forces are barely containable. My focus is the detection of the inherent gravitation of tonality, including phenomenons such as tension/relaxation, suspension/resolution and fixation/deviation. From a formal aspect, the work is too experimental and unsentimental for explorations in a nostalgic-romantic sense. On the contrary, tonality or at least its fundamental assumptions are initially set down in the sense of a study or test assembly in order to permit subsequent experimentation, variation and the formulation of exceptions with the desire and firm conviction that it is possible to express something innovative and never previously heard with this seemingly exhausted fundamental material. I have been repeatedly astonished by the unfolding in the progression of this piece which has taken me to unknown locations, especially from a formal aspect. I am fascinated to see what forms the subsequent quartets in this ‘Beethoven study’ cycle will lead me to. The Quartet No. 6 has been created in close artistic and friendly cooperation with Anne-Sophie Mutter and she is the dedicatee of this work. Jörg Widmann, July 2019My quartets composed between 1997 and 2005 were conceived as an interconnected, self-contained cycle of works. The Quartet No. 6 composed fourteen years after No. 5 now opens a new cycle of quartets which will be devoted to an intense study of Ludwig van Beethoven’s unique and consummate artistry of quartet composition. Perhaps the only link with the five quartets of the first cycle is the single-movement structure of the almost thirty- minute Quartet No. 6. I am fascinated to see what forms the subsequent quartets in this ‘Beethoven study’ cycle will lead me to. Jörg Widmann.

SQ20 ... Eva Hesse (2024) - Score Only String Quartet: 2 violins, viola, cello

String Quartet String Quartet - Level 4 - Digital Download SKU: A0.1494144 Composed…(+)

String Quartet String Quartet - Level 4 - Digital Download SKU: A0.1494144 Composed by Thomas Oboe Lee. 20th Century,21st Century,Chamber,Classical. 47 pages. Thomas Oboe Lee #1070754. Published by Thomas Oboe Lee (A0.1494144). Full ScoreProgram note:There was a recent NYTimes article about an Eva Hesse show at the Hauser & Wirth in NYC. The title of the article was These Sculptures Changed What Art Could Be, Then Changed Themselves. It described how the five works on display were very different from what they looked like back in the late 1960's when they were exhibited at MOMA, the Guggenheim, Leo Castelli, and other museums. One of them, Expanded Expansion, for example was originally off-white and it is now in an orange-brown amber color. I immediately was fascinated and went on a research spree on her and her work. On Amazon I bought a huge two-volume book of all her paintings and sculptures. And I also bought a book of diaries that she kept from 1955 to 1970. I then decided that I should write a string quartet inspired by her work. The work is in eight movements, each one with a title from her sculptural works. 1. Oomamaboomba, 1965 ... Moderato 2. Interlude I: C-Clamp Bues. 1965 ... Largo 3. Metronomic Irregularity, 1966 ... Presto TRIO 4. Interlude II: Addendum, 1967 ... Adagio 5. Repetition Nineteen III, 1968 ... Poco andantino 6. Interlude III: Accretion, 1968 ... Largo 7. Expanded Expansion, 1969 ... Allegro TRIO 8. Postlude: Right After, 1969 ... Largo funebre.
$9.99 9.19 € #String Quartet: 2 violins, viola, cello #Thomas Oboe Lee #Wirth in NYC #SQ20 ... Eva Hesse #Thomas Oboe Lee #SheetMusicPlus

String Ensemble,String Trio - Level 3 - Digital Download SKU: A0.576736 Composed by David Warin Solomons. 20th Century,Contemporary. Score and parts. 7 pages. David Warin Solomons #119391. Published by David Warin Solomons (A0.576736). Mysterious piece in octatonic mode, originally written for the short story The Door The pdf file contains score and parts. The sound sample is an electronic preview. High up on the grassy hill behind the town there is a door. It stands there in its frame with nothing before or behind it. It is locked shut. There is no key. We climb the hill each day. We play each side of the door, games of hide and seek. But we cannot go through the door. Each day we go there during this long sultry summer holiday. We are fascinated by the structure. Why would anyone put a door up there, in its frame, eternally locked, with nothing before or behind it? Maybe it is all that remains of an ancient house? We play, we wonder, we laugh and play, and we return regularly to our homes in time for tea. Then, one day, as we climb the hill for the umpteenth time, a lady dressed in white arrives before us. We watch her take the key out of her bag and insert it in the lock. We are too far downhill to catch up before she closes the door behind her. As we arrive, puffing and panting, Steve knocks on the door. No answer. Dave knocks on the door more forcefully. We hear a distant swish of robes. Gloria knocks, perhaps a little more timidly as the swishing sound approaches. Estelle begins to knock in her turn and the door suddenly opens wide. We all gasp as we see the lady standing there in glistening robes. Her face is hidden from view by a white shawl, but her piercing eyes still show. Children, she says, welcome all. Do come in, please, the kettle is on. You are just in time for tea. We hesitate, as well we might. How can we come in when there is nothing before or behind the door? But Estelle puts one foot inside and looks back at us with a curious expression of serenity on her face. We follow her. We look around at the new space beyond the door and at the parquet floor beneath our dew-soaked feet. As our eyes become accustomed to the brightness of the interior we catch sight of many signs of the world we have entered, but only fleetingly. They pass before our eyes in an instant and then flee beyond the range of sight. There is a staircase, a hat stand, a distant gleam of an ancient cooker, a faint whiff of scones and boiling jam. As we walk inside, our senses are overwhelmed with the new reality, we are rooted to the spot. Do please sit down, says the lady with a slight catch in her throat. We are seated on wooden chairs along one side of an oak table, although we cannot recall how we got there, some slip of the memory perhaps. We have no sense of foreboding, Estelle's serenity has passed to all of us. We can stay here eating scones and jam until the end of time. The lady removes her shawl and reveals a face as beautiful as anyone's mother's. Her deep black eyes glisten like obsidian. She beams a smile of welcome and pours the tea. I'm glad you have come. I've been expecting you, she begins. You must have a thousand questions, so do please ask away. Well, says Steve, what is this door that we passed through? Is this another world? There is no other world, the lady replies, this is the only one. But there is! There is! starts Dave excitedly, Look!. He gets up quickly from the chair, knocking it over in his haste and rushes to the door to open it. He pulls at it with all his force and reveals a black nothingness behind it. We were on the hill, where's it gone? he shouts, what have you done to it? There is no hill. But you climbed the hill in front of us says Gloria. There is no hill. Even Estelle of the serene demeanour is beginning to look worried. How did we get here then, how did you get here, she asks the lady nervously. We have all been here since the beginning of time, the catch in the lady's throat is becoming more evident. No, we have our families down there in the town cries Estelle You have no families,.

Pokhanovski Cadenza for Paganini Concerto #1 Violin

Violin Solo - Level 5 - Digital Download SKU: A0.910682 Composed by Oleg Pokhanovsk…(+)

Violin Solo - Level 5 - Digital Download SKU: A0.910682 Composed by Oleg Pokhanovski. Romantic Period. 4 pages. Oleg Pokhanovski #5790865. Published by Oleg Pokhanovski (A0.910682). After being fascinated with the cadenza for the Concerto by great violinist and composer E. Sauret, I wrote my own cadenza which includes a short passage from Sauret continued an octave higher which ends my cadenza (Sauret starts his with the passage).
$5.00 4.6 € #Violin #Oleg Pokhanovski #Pokhanovski Cadenza for Paganini Concerto #1 #Oleg Pokhanovski #SheetMusicPlus

Piano,Violin - Level 3 - Digital Download SKU: A0.549461 Composed by Alexander Scriabin. Arranged by James M. Guthrie, ASCAP. Concert,Instructional,Romantic Period,Sacred,Standards. 12 pages. Jmsgu3 #3499709. Published by jmsgu3 (A0.549461). Score: 8 pages, solo part: 2 pages, piano part: 2 pages. Duration: 3:10. An introspective and meditative work with a lot of dynamic and phrasing nuance. Works well for church meditations or recital encores.Background Op.11/2 Alto Clarinet version. First of all, Scriabin composed mostly for the solo piano and also the orchestra. This is probably because he was a gifted pianist and therefore certainly appreciated the piano. Scriabin grew up in the late Romantic period, consequently, he was fond of the great piano masters of the time. As a result, he wrote his first noteworthy compositions in the manner of Chopin and Liszt. Forms Likewise, Scriabin used many of the same forms as Chopin. These certainly include the Ã©tude, prelude, nocturne, and even the mazurka. In contrast, as he developed his own sense of style his music became more and more unusual. So, the last five of his Piano Sonatas do not have a key signature and therefore lean towards atonality. Philosophy Scriabin also developed a keen interest in philosophy and likewise poetry. He was above all particularly fascinated by Nietzsche, Delville, and Blavatsky. Consequently, he finally established his own ideas about metaphysics and certainly mysticism. Scriabin consequently advanced theories about the relationship between color and musical keys. Synesthesia He also may have experienced a condition called synesthesia where he could probably sense a response created from a different stimulus. Therefore, it was almost as if he could see music and hear colors. Scriabin, therefore, arranged the colors in a circle similar to the circle-of-fifths and assigned each key area a color. Finally, he assigned the key of C to the color red, while the key of G was orange. Similarly, he assigned D to yellow, A to green, and so forth. Strangely, he did not differentiate between major and minor key colors. Multimedia Hence, his ability to translate colors into music certainly gave Scriabin a most noteworthy interest in creating multimedia events. Furthermore, He designed his biggest work, the Mysterium, to last an entire week. Even more, Scriabin made plans not only for music, but also colored lights, incense, and dancing. He designed the performance to occur in the foothills of the Himalaya mountains. The Mysterium was never performed, and only sketches of the work remain. Modern Performances In modern times, we often experience performances of Scriabinâ€™s most famous completed works accompanied by colored laser lights and incense. These are the Poem of Ecstasy (completed in 1908) and the Poem of Fire (completed in 1910). The lighting effects for these early performances were accomplished by the clavier Ã lumiÃ©res. It was a keyboard instrument that projected colored light onto a screen.

Debussy/Orledge: Toomai des éléphants for violin and piano, score and part Violin and Piano

Piano,Violin - Level 4 - Digital Download SKU: A0.534738 Composed by Claude Debussy…(+)

Piano,Violin - Level 4 - Digital Download SKU: A0.534738 Composed by Claude Debussy/Robert Orledge. 20th Century,Concert,Standards,World. 19 pages. Musik Fabrik Music Publishing #6606487. Published by Musik Fabrik Music Publishing (A0.534738). In January 1913, Debussy struggled to complete Toomai des Ã©lÃ©phants as the 11th prelude in Book 2, finally replacing it by a rather Stravinskian study Les Tierces alternÃ©es. However, his daughter Chouchou was fascinated by elephants and in the summer of 1913, Debussy wrote her a â€˜Toybox Balletâ€™ (La BoÃ®te Ã joujoux) which contains a â€˜Pas de lâ€™Ã©lÃ©phantâ€™ and an â€˜old Hindu chant which is still used to train elephants [in India]. It is constructed on the scale of â€œ5 oâ€™clock in the morningâ€, which means it must be in 5/4 time.â€™ My reconstruction of this lost prelude is based around this material and it evokes a day in the life of Toomai, the young mahout, and his faithful elephant Kala Nag from one dawn to the next, incorporating the legendary â€˜Elephantsâ€™ Danceâ€™ from Rudyard Kiplingâ€™s First Jungle Book (1894) which only Toomai was ever privileged to witness. The version presented here is the revised second version of this prelude which contains an effect of piano harmonics as the dawn returns towards the end.
$11.95 11 € #Violin and Piano #Claude Debussy/Robert Orledge #Debussy/Orledge: Toomai des éléphants for violin and piano, score and part #Musik Fabrik Music Publishing #SheetMusicPlus

Six Frames for String Quartet - Score Only String Quartet: 2 violins, viola, cello

String Quartet String Quartet - Level 5 - Digital Download SKU: A0.1144426 Composed…(+)

String Quartet String Quartet - Level 5 - Digital Download SKU: A0.1144426 Composed by Igor Korneitchouk. 20th Century,Chamber,Contemporary. 19 pages. Studio at the Post #744751. Published by Studio at the Post (A0.1144426). Score only (see A744757 for Parts) Duration: 9-10 minutes, 16 pp. Duration: Description: (According to the composer) Six Frames for String Quartet was written when I was 23 years old. It represents my first best attempt to push out into that world of experimental musical techniques that fascinated me. In 1980 it was selected as part of the Young Audiences Program and performed throughout the Cleveland area elementary and high schools. The piece is intended to be like â€œsonic photographsâ€ each of a different subject. But all I remember was that the opening musical gesture was of a car crash from a dream, though in fact, aside from fender benders, I donâ€™t recall having been in such sonically graphic accidents.
$5.02 4.62 € #String Quartet: 2 violins, viola, cello #Igor Korneitchouk #Six Frames for String Quartet - Score Only #Studio at the Post #SheetMusicPlus

Six Frames for String Quartet (Parts only) String Quartet: 2 violins, viola, cello

String Quartet String Quartet - Level 5 - Digital Download SKU: A0.1144430 Composed…(+)

String Quartet String Quartet - Level 5 - Digital Download SKU: A0.1144430 Composed by Igor Korneitchouk. 20th Century,Chamber,Contemporary. 16 pages. Studio at the Post #744757. Published by Studio at the Post (A0.1144430). Parts only (see A744751 for Score) Duration: 9-10 minutes, 16 pp. Duration: Description: (According to the composer) Six Frames for String Quartet was written when I was 23 years old. It represents my first best attempt to push out into that world of experimental musical techniques that fascinated me. In 1980 it was selected as part of the Young Audiences Program and performed throughout the Cleveland area elementary and high schools. The piece is intended to be like â€œsonic photographsâ€ each of a different subject. But all I remember was that the opening musical gesture was of a car crash from a dream, though in fact, aside from fender benders, I donâ€™t recall having been in such sonically graphic accidents.
$5.02 4.62 € #String Quartet: 2 violins, viola, cello #Igor Korneitchouk #Six Frames for String Quartet #Studio at the Post #SheetMusicPlus