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Meditation from
BASSOON
Sheetmusic to print
24 sheet music found
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1
Meditation from Thais
Bassoon, Piano (duet)
Bassoon,Piano - Level 3 - Digital Download SKU: A0.1343083 Composed by Jules Massen…
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Bassoon,Piano - Level 3 - Digital Download SKU: A0.1343083 Composed by Jules Massenet. Arranged by Terry Lewis. 19th Century,Chamber,Classical,Film/TV,Opera. Score and part. 10 pages. Terry lewis #928596. Published by Terry lewis (A0.1343083). Jules Massenet's Meditation from Thais arranged and transposed for Bassoon.
$4.99
4.57 €
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Bassoon, Piano (duet)
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Jules Massenet
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Meditation from Thais
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Terry lewis
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SheetMusicPlus
Meditation from "Thais" for Bassoon and Piano
Bassoon, Piano (duet)
Bassoon,Piano - Level 3 - Digital Download SKU: A0.527921 Composed by J. Massenet. …
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Bassoon,Piano - Level 3 - Digital Download SKU: A0.527921 Composed by J. Massenet. Arranged by Diego Marani. Classical,Concert,Instructional,Romantic Period,Standards. Score and part. 7 pages. Diego Marani #3588861. Published by Diego Marani (A0.527921). Méditation is a symphonic intermezzo from the opera Thaïs by French composer Jules Massenet and is considered to be one of the great encore pieces; world-class violin soloists such as Joshua Bell, Sarah Chang, Anne-Sophie Mutter, Itzhak Perlman, David Garrett and Maxim Vengerov have performed the piece as soloists with major orchestras throughout the world.This arrangement for bassoon and piano faithfully reproduces the original for violin.2018 Instrumental Arranging Contest Entry
$9.90
9.07 €
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Bassoon, Piano (duet)
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J
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Meditation from "Thais" for Bassoon and Piano
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Diego Marani
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SheetMusicPlus
Meditation from Thais - Bassoon and Piano (Full Score and Parts)
Bassoon, Piano (duet)
Bassoon,Piano - Level 3 - Digital Download SKU: A0.1199360 Composed by Jules Massen…
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Bassoon,Piano - Level 3 - Digital Download SKU: A0.1199360 Composed by Jules Massenet. Arranged by César Madeira. 19th Century,20th Century,Classical,Opera,Romantic Period. Score and part. 14 pages. Sheet Music To Play Editions #798425. Published by Sheet Music To Play Editions (A0.1199360). Méditation from opera Thaïs by Massenet. Arrangement for Bassoon and Piano. With Full Score and Individual Parts. Enjoy it!Jules Massenet (1842 - 1912) was a French composer. He is most famous for his operas, although he wrote a large amount of other music as well.For Tutorials, Play Alongs or request New Arrangements, visit the YouTube Channel: Sheet Music To Play
$7.99
7.32 €
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Bassoon, Piano (duet)
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Jules Massenet
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Meditation from Thais - Bassoon and Piano
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Sheet Music To Play Editions
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SheetMusicPlus
Meditation on "We Gather Together" and "Dona Nobis Pacem" for Woodwind Quartet
Flute, Oboe, Clarinet, Bassoon
Woodwind Ensemble,Woodwind Quartet Bassoon,Clarinet,Flute,Oboe - Level 3 - Digital Downloa…
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Woodwind Ensemble,Woodwind Quartet Bassoon,Clarinet,Flute,Oboe - Level 3 - Digital Download SKU: A0.1314355 Composed by James Siddons. Chamber,Christian,Praise & Worship,Religious,Sacred. 7 pages. James Siddons Music and Writings #903101. Published by James Siddons Music and Writings (A0.1314355). This “Meditation†uses melodic phrases from Kremser Tune, used to sing We Gather Together, and Dona Nobis Pacem. The latter is a round and gives a texture of flowing counterpoint to the homophonic stateliness of the hymn tune. Note that this is not an arrangement or medley of these two melodies, but a distinct composition built on their melodic phrases (motives). For Christian worship, this short piece is appropriate for services of Christian unity and peace, and, in the United States, for Thanksgiving Day. This composition is also available as a mixed wind quartet for flute, clarinet in Bb, tenor saxophone, and trumpet in Bb. The first performance was on November 5, 2023, at Saint Andrew Presbyterian Church, Lynchburg, Virginia.
$11.00
10.08 €
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Flute, Oboe, Clarinet, Bassoon
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James Siddons
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Meditation on "We Gather Together" and "Dona Nobis Pacem" for Woodwind Quartet
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James Siddons Music and Writings
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SheetMusicPlus
Meditation 1: Promise
Flute, Oboe, Clarinet, Bassoon
Woodwind Ensemble,Woodwind Quartet Bassoon,Clarinet,Flute,Oboe - Level 2 - Digital Downloa…
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Woodwind Ensemble,Woodwind Quartet Bassoon,Clarinet,Flute,Oboe - Level 2 - Digital Download SKU: A0.1109082 Composed by Karen Lefrak. Arranged by Jeff Tincher. Classical,Contemporary. 7 pages. Jeff Tincher #711625. Published by Jeff Tincher (A0.1109082). Here is a beautiful mellow song by Karen LeFrak. In the original key from her Interlude Volume 3: Gratitude project. Duration = 2:15. Visit my websites: https://jefftincher.wixsite.com/sheetmusic, https://jefftincher.wixsite.com/music, https://www.facebook.com/jefftincherpublishing.
$12.99
11.9 €
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Flute, Oboe, Clarinet, Bassoon
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Karen Lefrak
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Meditation 1: Promise
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Jeff Tincher
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SheetMusicPlus
Grieg: Morning Mood from Peer Gynt Suite for Bassoon & Piano
2 Bassoons (duet)
Bassoon,Instrumental Duet - Level 3 - Digital Download SKU: A0.549517 Composed by E…
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Bassoon,Instrumental Duet - Level 3 - Digital Download SKU: A0.549517 Composed by Edvard Grieg. Arranged by James M. Guthrie, ASCAP. Instructional,Romantic Period,Sacred,Standards. 17 pages. Jmsgu3 #3504441. Published by jmsgu3 (A0.549517). Duration: ca. 4:00, Score: 9 pages, solo part: 3 pages, piano part: 4 pages. Super-famous instantly recognizable tune, not very difficult - suitable for a recital or church meditation. Grieg Background In the first place, Edvard Grieg (1843 –1907) was a Norwegian composer as well as a concert pianist. As a matter of fact, most music historians consider him one of the foremost Romantic-era composers. Consequently, his music is part of the international standard classical repertoire. Grieg moreover used Norwegian folk music in his own compositions.  Consequently, he ushered Norwegian music to transnational consciousness. Furthermore, he forged a national musical identity for Norway. It is important to realize that he did this in a manner similar to Jean Sibelius in Finland, and Bedřich Smetana in Bohemia. Legacy Grieg is especially celebrated in the city of Bergen. For example, the city has erected numerous statues depicting Grieg. Specifically, the city has named a concert hall (Grieg Hall), a music school (Grieg Academy), and a professional choir (Edvard Grieg Kor) after him. As a matter of fact, there is also a museum located at his former home in Troldhaugen. Peer Gynt Suite No. 1 (Op. 46) Grieg wrote incidental music for the purpose of illustrating a play by Ibsen known as Peer Gynt. The play includes, in particular, the famous selection entitled, In the Hall of the Mountain King. In this composition, Grieg depicts the exploits of the scoundrel, Peer Gynt. In one famous episode, for example, Peer steals a bride at her wedding. For this reason, the people chase him, but soon Peer falls, striking his skull on a boulder. He wakens forthwith in a highland bounded by angry gnomes. Consequently, the music of In the Hall of the Mountain King represents the mad gnomes taunting Peer. Therefore, each time the theme repeats it gets louder and faster. In the end, Peer surprisingly escapes from the mountain. Holberg Suite and Misc. Summary It must be remembered that Grieg originally wrote his Holberg Suite for the piano. In other words, he only later arranged it for strings. Further, Grieg composed many songs with lyrics by famous writers such as Heine, Goethe, Ibsen, Hans Christian Andersen, Rudyard Kipling, and others. On balance, Norwegian pianist Eva Knardahl recorded altogether Grieg’s whole piano catalog on LP in 1980. These recordings were released again on CD in 2006. In any event, Grieg himself performed and recorded the bulk of these pieces toward the end of his life.
$32.95
30.19 €
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2 Bassoons (duet)
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Edvard Grieg
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Grieg: Morning Mood from Peer Gynt Suite for Bassoon & Piano
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jmsgu3
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SheetMusicPlus
Grieg: Ase's Death from Peer Gynt Suite for Bassoon & Piano
Bassoon, Piano (duet)
Instrumental Duet Bassoon,Instrumental Duet,Piano - Level 3 - Digital Download SKU: A0.…
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Instrumental Duet Bassoon,Instrumental Duet,Piano - Level 3 - Digital Download SKU: A0.549542 Composed by Edvard Grieg. Arranged by James M. Guthrie, ASCAP. Concert,Contemporary,Romantic Period,Sacred,Standards. Score and parts. 11 pages. Jmsgu3 #3506315. Published by jmsgu3 (A0.549542). Duration: ca. 4:00, Score: 9 pages, solo part: 3 pages, piano part: 4 pages. Super-famous instantly recognizable tune, not very difficult - suitable for a recital or church meditation.Grieg Background In the first place, Edvard Grieg (1843 –1907) was a Norwegian composer as well as a concert pianist. As a matter of fact, most music historians consider him one of the foremost Romantic era composers. Consequently, his music is part of the international standard classical repertoire. Grieg moreover used Norwegian folk music in his own compositions. Consequently, he ushered Norwegian music to transnational consciousness. Furthermore, he forged a national musical identity for Norway. It is important to realize that he did this in a manner similar to Jean Sibelius in Finland, and Bedřich Smetana in Bohemia. Legacy Grieg is especially celebrated in the city of Bergen. For example, the city has erected numerous statues depicting Grieg. Specifically, the city has named a concert hall (Grieg Hall), a music school (Grieg Academy) and a professional choir (Edvard Grieg Kor) after him. As a matter of fact, there is also a museum located at his former home in Troldhaugen. Peer Gynt Suite No. 1 (Op. 46) Grieg wrote incidental music for the purpose of illustrating a play by Ibsen known as Peer Gynt. The play includes, in particular, the famous selection entitled, In the Hall of the Mountain King. In this composition, Grieg indeed depicts the exploits of the scoundrel, Peer Gynt. In one famous episode, for example, Peer steals a bride at her wedding. For this reason, the people chase him, but soon Peer falls, thereupon striking his skull on a boulder. He wakens forthwith in a highland bounded by angry gnomes. Consequently, the music of In the Hall of the Mountain King represents the mad gnomes taunting Peer. Therefore, each time the theme repeats it gets louder and faster. In the end, Peer surprisingly escapes from the mountain. Holberg Suite and Misc. Summary It must be remembered that Grieg originally wrote his Holberg Suite for the piano. In other words, he only later arranged it for strings. Further, Grieg composed by and large many songs with lyrics by famous writers such as Heine, Goethe, Ibsen, Hans Christian Andersen, Rudyard Kipling, and others. On balance, Norwegian pianist Eva Knardahl recorded altogether Grieg’s whole piano catalog on LP in 1980. These recordings were released again on CD in 2006. In any event, Grieg himself performed and recorded the bulk of these pieces toward the end of his life.Register for free lifetime revisions and updates at www.jamesguthrie.com
$24.95
22.86 €
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Bassoon, Piano (duet)
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Edvard Grieg
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Grieg: Ase's Death from Peer Gynt Suite for Bassoon & Piano
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jmsgu3
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SheetMusicPlus
Pas de Deux from The Satyricon Ballet Arranged for Bassoon and Piano
Bassoon
Bassoon Solo - Level 3 - Digital Download SKU: A0.730262 Composed by James Nathanie…
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Bassoon Solo - Level 3 - Digital Download SKU: A0.730262 Composed by James Nathaniel Holland. Contemporary,Holiday,Love,Sacred,Wedding. Individual part. 5 pages. James Nathaniel Holland #1910769. Published by James Nathaniel Holland (A0.730262). Arranged for Bassoon solo and Orchestra Reduction Piano Accompaniment (Duration: 5:12) Enjoy playing this beautiful Pas de Deux from James Nathaniel Holland's ballet The Satyricon Meditative and relaxing, a nice addition to cafe music repertoire, weddings and special music for religious services. Originally written for viola, violin and orchestra. Piano full score and part included. James Nathaniel Holland is an American classical music composer of operas, symphonies, ballets, songs, and other musical concertworks that incorporate a unique, eclectic, blend of romantic, classical, world and jazz styles. From 2005 he moved to Costa Rica where he organized concerts with visiting guest artists to present his chamber music to the public. Presently he lives in a castle in the central mountains of Costa Rica. Website: http://www.lacoronadelossantos.net/jamesnathanielholland.html YouTube Channel: https://www.youtube.com/user/composerjnholland
$3.95
3.62 €
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Bassoon
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James Nathaniel Holland
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Pas de Deux from The Satyricon Ballet Arranged for Bassoon and Piano
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James Nathaniel Holland
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SheetMusicPlus
Handel: Largo from Xerxes for Bassoon & Piano
2 Bassoons (duet)
Instrumental Duet Bassoon,Instrumental Duet - Level 3 - Digital Download SKU: A0.549381…
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Instrumental Duet Bassoon,Instrumental Duet - Level 3 - Digital Download SKU: A0.549381 Composed by George Frideric Handel. Arranged by James M. Guthrie, ASCAP. Baroque,Sacred,Standards,Wedding. Score and parts. 9 pages. Jmsgu3 #3492259. Published by jmsgu3 (A0.549381). Duration: 4:55, Score: 6 pages, Solo part: 1 page, piano part: 2 pages. A very famous aria (Ombra mai fu) from XerxesSuitable for any venue requiring meditative music. Excellent choice for a recital encore. Xerxes Xerxes is, in fact, an opera seria in three acts by Handel. Moreover, Handel conducted the premiere performance in London in 1738. Handel casts the opera in Persia in 470 BC. The part of Xerxes was indeed originally sung by a soprano castrato. Nowadays, the part is generally sung by a mezzo-soprano or conversely a counter-tenor. In the first place, Xerxes sings an opening aria, Ombra mai fu to a plane tree. Handel sets this aria to one of his most truly famous melodies. Although many refer to it traditionally as Handel’s Largo, Handel has, on the contrary, clearly marked Larghetto in the score. Handel Background George Frideric Handel (1685 - 1759) was born in Germany but eventually became a British citizen. Nonetheless, he was a famous Baroque composer. In fact, he became famous for his operas, oratorios, anthems, and organ concertos. Handel studied music and, by and large, worked as a composer in Germany and Italy before moving to London. On the whole, Handel was very familiar with the contemporary music of Italy and Germany. Career in England It is essential to realize that Italian opera was all the rage in England at the time. Moreover, Handel was really good at writing them. Therefore, he started not one but three opera companies in England. Alexander's Feast was a huge success in 1736, but Handel began composing English choral works. After success with the Messiah in 1742) he certainly never again wrote an Italian opera. Consequently, he died in 1759, a treasured genius. Accordingly, the English government gave him full state honors at his funeral. Hence, he is buried in Westminster Abbey in London. Legacy Music historians agree that Handel was in general one of the greatest composers of the Baroque era.  To demonstrate, his works such as the Messiah, Water Music, and Music for the Royal Fireworks remain consistently popular up to the present time. He especially composed the coronation anthem, Zadok the Priest for the coronation of George II. Nevertheless, it has specifically been performed at every succeeding British coronation since. His oratorio Solomon has by all means also continued to be prevalent. As a matter of fact, Sinfonia from act 3 was featured in the 2012 London Olympics opening ceremony. Handel was particularly prolific. To enumerate, he wrote over forty operas.  Since the late 1960s, we have expressly experienced a revival of baroque music. Similarly, we have especially seen a pique of interest in historically informed musical performances. Since his death in 1779, interest in Handel's music has all in all, expanded. Â
$32.95
30.19 €
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2 Bassoons (duet)
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George Frideric Handel
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Handel: Largo from Xerxes for Bassoon & Piano
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jmsgu3
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SheetMusicPlus
DvoÅ™ák: Largo from the New World Symphony for Bassoon & Piano
2 Bassoons (duet)
Instrumental Duet Bassoon,Instrumental Duet - Level 2 - Digital Download SKU: A0.549433…
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Instrumental Duet Bassoon,Instrumental Duet - Level 2 - Digital Download SKU: A0.549433 Composed by Antonin Dvorak. Arranged by James M. Guthrie, ASCAP. Instructional,Romantic Period,Sacred,Standards. Score and parts. 12 pages. Jmsgu3 #3494213. Published by jmsgu3 (A0.549433). Score: 7 pages, solo part: 2 pages, piano part: 3 pages. Duration: 4:25. Not difficult, but requires sensitivity & dynamic c control. Suitable for recitals, church meditations, or school programs. Dvořák Background AntonÃn Dvořák (1841 –1904) was, of course, a composer from Czechoslovakia. As a matter of fact, he was among the first Bohemian composers to attain universal recognition. It is important to realize that the late Romantic Nationalist period featured composers who used traditional and folk elements to portray the character of their nation. In particular, we see this in the music of Grieg (Norway), Finland (Sibelius), and Smetana (Bohemia).  Dvořák relied markedly on rhythms and other characteristics of Moravian and Bohemian folk music. Ascent to Fame Dvořák was truly a child musical prodigy on the violin. The premiere performances of his compositions notably occurred in 1872 and 1873. He submitted his First Symphony in particular to a German competition, but it failed to win. Consequently, in 1874 he presented two more symphonies to the Austrian State Prize for Composition. Johannes Brahms was the principal of the jury and was accordingly very impressed. They forthwith awarded the prize to Dvořák in 1874, 1876, and 1877. At this point, Brahms thereupon endorsed Dvořák to the publisher Simrock. Later, the publisher commissioned Dvořák to compose the Slavonic Dances, Op. 46. These became popular overnight and, as a result, Dvořák's worldwide status was launched. International Status Dvořák visited England upon invitation nine times. On each visit, he frequently conducted performances of his own compositions. He conducted concerts of his music, especially in Moscow and St. Petersburg. Eventually, the Prague Conservatory in fact appointed Dvořák as a professor. There, to be sure, he wrote his famous Dumky Trio. United States Consequently, the National Conservatory of Music of America appointed him as director in 1892. As a result, Dvořák composed his two most famous symphonic works: the Symphony No. 9 (From the New World), which spread his name universally, and his Concerto for Cello and Orchestra, one of the most famous of all cello works. Moreover, he wrote his most celebrated American String Quartet during this time. At the same time, because of his growing recognition in Europe and his homesickness for his own country, he left to return to Bohemia in 1895. Â
$32.95
30.19 €
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2 Bassoons (duet)
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Antonin Dvorak
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dynamic c control
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DvoÅ™ák: Largo from the New World Symphony for Bassoon & Piano
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jmsgu3
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SheetMusicPlus
Kommos (Lamentation) / "When the World Moved On" - Bassoon 2
Bassoon
Bassoon Solo - Level 4 - Digital Download SKU: A0.1018949 Composed by Benjamin Harr…
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Bassoon Solo - Level 4 - Digital Download SKU: A0.1018949 Composed by Benjamin Harry Sajo. 20th Century,Contemporary. Individual part. 2 pages. Benjamin Sajo #6078683. Published by Benjamin Sajo (A0.1018949). Programme Notes: This composition was written to be considered for pairing alongside Ludwig van Beethoven’s Symphony #3, the Eroica, but can stand on its own virtues as an intense and slow meditation on heroism. The music is like a boiling pot on the stove that’s just began to overflow its bubbles. The first part of the title, kommos, is a Classical Greek term from Attic dramaturgy, literally meaning striking but specifically referring to beating oneself up during lamentation--ripping at the hair, gouging out the eyes--like Oedipus--slapping the forehead, and other acts amid moments of extreme emotional turmoil. For example, from Aeschylus's play Agamemnon, a character bewails: Apollo, Apollo! God of the Ways, my destroyer! For you have destroyed me-and utterly [...]What is this fresh woe [...]what monstrous, monstrous horror, beyond love's enduring, beyond all remedy? And help stands far away! We can easily imagine physical accompaniment to the script; rather than bottling up the pain, the hero lets it all explosively come out.  The second part of the title, When the world moved on, is an epigraph taken from American author Stephen King’s The Dark Tower epic. The primary setting of the novel, a world similar in many ways to our own, is experiencing a dark age where the glorious past is all but a distant memory and all good things are referred to wistfully as occurring, When the world moved on. Yet, the main protagonist, Roland, the last gunslinger, emphasizes that it is not just a figure of speech, but the literal distances between destinations have increased, the positions of the stars have changed, as well as the occurrence of other unnatural phenomena. The world has become a gulf of isolation from all corners. Taken together, this piece is a lamentation for when the world moved on. Truly completed on Yom Kippur during the Covid-19 Pandemic, being unable to fast or go to synagogue, this is my atonement.About the Composer: Benjamin Sajo (b. 1988) is a Canadian composer of contemporary classical music, as well as an educator. Since developing a fiercely independent creative voice upon the completion of his studies at Western (2010) and McGill Universities (2013), he continues to find inspiration from the intersection of mythology, art, and nature upon the contemporary human experience. In 2019, he released his premiere album of original music, The Great War Sextet: Canadian War Poetry with Trombone & Strings, with support from the Ontario Arts Council. He is a member of SOCAN and the League of Canadian Composers.
$3.50
3.21 €
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Bassoon
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Benjamin Harry Sajo
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Kommos
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Benjamin Sajo
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SheetMusicPlus
Kommos (Lamentation) / "When the World Moved On" - Bassoon 1
Bassoon
Bassoon Solo - Level 4 - Digital Download SKU: A0.1018948 Composed by Benjamin Harr…
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Bassoon Solo - Level 4 - Digital Download SKU: A0.1018948 Composed by Benjamin Harry Sajo. 20th Century,Contemporary. Individual part. 2 pages. Benjamin Sajo #6078681. Published by Benjamin Sajo (A0.1018948). Programme Notes: This composition was written to be considered for pairing alongside Ludwig van Beethoven’s Symphony #3, the Eroica, but can stand on its own virtues as an intense and slow meditation on heroism. The music is like a boiling pot on the stove that’s just began to overflow its bubbles. The first part of the title, kommos, is a Classical Greek term from Attic dramaturgy, literally meaning striking but specifically referring to beating oneself up during lamentation--ripping at the hair, gouging out the eyes--like Oedipus--slapping the forehead, and other acts amid moments of extreme emotional turmoil. For example, from Aeschylus's play Agamemnon, a character bewails: Apollo, Apollo! God of the Ways, my destroyer! For you have destroyed me-and utterly [...]What is this fresh woe [...]what monstrous, monstrous horror, beyond love's enduring, beyond all remedy? And help stands far away! We can easily imagine physical accompaniment to the script; rather than bottling up the pain, the hero lets it all explosively come out.  The second part of the title, When the world moved on, is an epigraph taken from American author Stephen King’s The Dark Tower epic. The primary setting of the novel, a world similar in many ways to our own, is experiencing a dark age where the glorious past is all but a distant memory and all good things are referred to wistfully as occurring, When the world moved on. Yet, the main protagonist, Roland, the last gunslinger, emphasizes that it is not just a figure of speech, but the literal distances between destinations have increased, the positions of the stars have changed, as well as the occurrence of other unnatural phenomena. The world has become a gulf of isolation from all corners. Taken together, this piece is a lamentation for when the world moved on. Truly completed on Yom Kippur during the Covid-19 Pandemic, being unable to fast or go to synagogue, this is my atonement.About the Composer: Benjamin Sajo (b. 1988) is a Canadian composer of contemporary classical music, as well as an educator. Since developing a fiercely independent creative voice upon the completion of his studies at Western (2010) and McGill Universities (2013), he continues to find inspiration from the intersection of mythology, art, and nature upon the contemporary human experience. In 2019, he released his premiere album of original music, The Great War Sextet: Canadian War Poetry with Trombone & Strings, with support from the Ontario Arts Council. He is a member of SOCAN and the League of Canadian Composers.
$3.50
3.21 €
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Bassoon
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Benjamin Harry Sajo
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Kommos
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Benjamin Sajo
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SheetMusicPlus
Soliloquy
Bassoon
Bassoon Solo - Digital Download SKU: A0.1008942 Composed by Maria Lord-Kniveton. Co…
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Bassoon Solo - Digital Download SKU: A0.1008942 Composed by Maria Lord-Kniveton. Contemporary,Easter. Individual part. 5 pages. MaLoMaLo Press #5648737. Published by MaLoMaLo Press (A0.1008942). Soliloquy seamlessly melds contemporary elements and historical influences of Bach and the baroque era in a deeply melancholy work. Though written to commemorate a time when the composer was separated from other musicians, it could also serve as an excellent solemn meditation during Holy Week for an artistically-minded church. Composed by a bassoonist, it could provide advanced students an opportunity to work on execution of extended techniques and tuning at extreme ranges within the context of an idiomatically written piece. To learn more about the composer and her other works, visit marialordknivetonmusic.com.
$12.00
10.99 €
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Bassoon
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Maria Lord-Kniveton
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Soliloquy
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MaLoMaLo Press
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SheetMusicPlus
Prayer (Bassoon & Piano)
Bassoon, Piano (duet)
Bassoon & piano - Digital Download SKU: IZ.IMS178 Composed by Willard Zirk. Score a…
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Bassoon & piano - Digital Download SKU: IZ.IMS178 Composed by Willard Zirk. Score and Parts. 7 pages. Imagine Music - Digital #IMS178. Published by Imagine Music - Digital (IZ.IMS178). 9 x 12 in inches.Prayer originated as an interlude for flute and piano in my choral setting of Psalm 19, Requiem, written in memory ofMarie Mountain Clark. She was a friend and former principal flute in the Ann Arbor Symphony Orchestra (andCongressional Gold Medal recipient for her service as a WWII Women's Air Service Pilot aEUR WASP). Since thepremiere of Requiem in 2009, several of my friends have asked me to transcribe Prayer for their instruments. It hasbeen used for weddings, funerals, offertories, and preludes.Prayer precedes the final verses of Psalm 19 in the Requiem, and it introduces the Psalmist's poignant text on thehuman weakness of willful transgression. Cleanse thou me from secret faultsaEUR|. Let the words of my mouth, and themeditation of my heart, be acceptable in thy sight, O Lord, my strength, and my redeemer (KJV).I think the fact that I had a bad cold while writing this music added to its effectiveness, for I was feeling quite sorry formyself. The melody portrays my prayer rising ever higher, asking forgiveness for my sins. The plagal (Amen) cadenceat the end acknowledges God's gracious forgiveness.Difficulty level: College or advanced high school, requiring full control of intonation and long tones in all ranges.Performance Time: 3' 40
$10.00
9.16 €
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Bassoon, Piano (duet)
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Willard Zirk
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Prayer
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Imagine Music - Digital
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SheetMusicPlus
Bach-Gounod: Ave Maria for Bassoon & Piano
2 Bassoons (duet)
Instrumental Duet Bassoon,Instrumental Duet - Level 2 - Digital Download SKU: A0.549363…
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Instrumental Duet Bassoon,Instrumental Duet - Level 2 - Digital Download SKU: A0.549363 Composed by Bach-Gounod. Arranged by James M. Guthrie, ASCAP. Christmas,Contemporary,Easter,Wedding. Score and parts. 11 pages. Jmsgu3 #3490133. Published by jmsgu3 (A0.549363). This arrangement follows the original Bach prelude and so excludes the extra measure that Schwencke introduced in 1783. If you prefer the extra measure, please see Bach-Gounod: Ave Maria, Schwencke version for Bassoon & Piano, S0.661791. The convenient 1st & 2nd endings provide an option for extended performance with minimal page turns for the accompanist. The duration with repeat is about 4:50. Score: 6 pages. Solo part: 1 page, piano part: 4 pages. Based on Prelude #1 in C Major from the Well-Tempered Clavier, Book 1. Well suited for church meditations or school programs or recital encores. Ave Maria Ave Maria is a Catholic prayer that consequently asks for the mother of Jesus (Mary) to intercede. Charles Gounod composed a famous version of the Ave Maria. He was a French Romantic composer who overlaid a new melody on an existing Bach chord progression. The progression is from Bach’s Prelude No. 1 from Well-Tempered Clavier I. This version, as well as Schubert’s version, have become essential items at weddings, masses, and funerals. Bach Overview First of all, Johann Sebastian Bach is maybe the greatest composer in music history. Certainly, he was prolific. As a result, everyone has heard of his works. Furthermore, these works number well over a thousand. It seems like people are probably most familiar with instrumental works such as the Brandenburg Concertos, and the Goldberg Variations. But, similarly famous are such noteworthy works as the Well-Tempered Clavier, the Musical Offering, and the Art of Fugue. Seems like his most famous vocal works include the most noteworthy Mass in B Minor. Also, most noteworthy, though, are the St. John Passion, and certainly the Christmas Oratorio.  History Bach came from a long line of musicians and above all, composers. Consequently, he, first of all, pursued a career as a church organist. So as a result, he gained employment in various Protestant churches in Germany. For a while, he worked as a court musician in Weimar and Köthen. Here he probably developed his organ style and likewise his chamber music style. Eventually, he gained an appointment as Cantor of St. Thomas in Leipzig. Here he worked until difficulties with his employer ultimately drove him away. The King of Poland finally appointed him as court composer.  Style It seems like Bach created an engaging new international style. He synthesized elements of the most noteworthy European music ideas into his new style. Even more, this new style was probably his synthesis of European musical rhythm and form. Furthermore, he demonstrated a complete mastery of counterpoint and motivic development. His sense of harmonic organization probably propelled him to the top. Revival        Mendelssohn conducted a Bach revival in the nineteenth century. His effort probably helped to re-familiarize the public with the magnitude of Bach’s works. During this period, scholars published many noteworthy Bach biographies. Moreover, Wolfgang Schmieder published the BWV (Bach Werke Verzeichnis). As a result, this is now the official catalog of his entire artistic output. The BWV number allows us to locate a work in the catalog. Sometimes scholars will simply use an S (Schmieder) as an abbreviation for BWV. Â
$32.95
30.19 €
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2 Bassoons (duet)
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Bach-Gounod
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Piano, S0
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Bach-Gounod: Ave Maria for Bassoon & Piano
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jmsgu3
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SheetMusicPlus
Bach-Gounod: Ave Maria, Schwencke version for Bassoon & Piano
2 Bassoons (duet)
Instrumental Duet Bassoon,Instrumental Duet - Level 2 - Digital Download SKU: A0.550922…
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Instrumental Duet Bassoon,Instrumental Duet - Level 2 - Digital Download SKU: A0.550922 Composed by J. S. Bach - Gounod. Arranged by James M. Guthrie, ASCAP. Christmas,Easter,Standards. Score and parts. 12 pages. Jmsgu3 #4888319. Published by jmsgu3 (A0.550922). This arrangement features the controversial Schwencke measure (ms. 27) that was originally introduced in 1783 by Christian Friedrich Gottlieb Schwencke. The convenient 1st & 2nd endings provide an option for extended performance. Duration with repeat - 4:50. Score: 7 pages. Solo part: 1 page, piano part: 4 pages. Based on Prelude #1 in C Major from the Well-Tempered Clavier, Book 1. Well suited for church meditations or school programs or recital encores. Ave Maria Ave Maria is a Catholic prayer that consequently asks for the mother of Jesus (Mary) to intercede. Charles Gounod composed a famous version of the Ave Maria. He was a French Romantic composer who overlaid a new melody on an existing Bach chord progression. The progression is from Bach’s Prelude No. 1 from Well-Tempered Clavier I. This version, as well as Schubert’s version, have become essential items at weddings, masses, and funerals. Bach Overview First of all, Johann Sebastian Bach is maybe the greatest composer in music history. Certainly, he was prolific. As a result, everyone has heard of his works. Furthermore, these works number well over a thousand. It seems like people are probably most familiar with instrumental works such as the Brandenburg Concertos, and the Goldberg Variations. But, similarly famous are such noteworthy works as the Well-Tempered Clavier, the Musical Offering, and the Art of Fugue. Seems like his most famous vocal works include the most noteworthy Mass in B Minor. Also, most noteworthy, though, are the St. John Passion, and certainly the Christmas Oratorio.  History Bach came from a long line of musicians and above all, composers. Consequently, he, first of all, pursued a career as a church organist. So as a result, he gained employment in various Protestant churches in Germany. For a while, he worked as a court musician in Weimar and Köthen. Here he probably developed his organ style and likewise his chamber music style. Eventually, he, therefore, gained an appointment as Cantor of St. Thomas in Leipzig. Here he worked until difficulties with his employer ultimately drove him away. The King of Poland finally appointed him as a court composer.  Style It seems like Bach created an engaging new international style. He synthesized elements of the most noteworthy European music ideas into his new style. Even more, this new style was probably his synthesis of European musical rhythm and form. Furthermore, he demonstrated a complete mastery of counterpoint and motivic development. His sense of harmonic organization probably propelled him to the top. Revival        Mendelssohn conducted a Bach revival in the nineteenth century. His effort probably helped to re-familiarize the public with the magnitude of Bach’s works. During this period, scholars published many noteworthy Bach biographies. Moreover, Wolfgang Schmieder published the BWV (Bach Werke Verzeichnis). As a result, this is now the official catalog of his entire artistic output. The BWV number allows us to locate a work in the catalog. Sometimes scholars will simply use an S (Schmieder) as an abbreviation for BWV.  Voyager NASA launched two Voyager spacecraft in 1977. Onboard are phonograph records with sounds, music, and images of life on Earth. The purpose of the launch was to inform intelligent extraterrestrial life forms about conditions on Earth. The music on the disc is varied. There is Bach, Mozart, Beethoven, and Stravinsky among others. However, because Bach is so important in our music history, it contains three times more Bach than all the others combined.
$32.95
30.19 €
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2 Bassoons (duet)
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J
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Bach-Gounod: Ave Maria, Schwencke version for Bassoon & Piano
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jmsgu3
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SheetMusicPlus
Scriabin: Prelude Op. 11 No. 2 for Bassoon & Piano
Bassoon, Piano (duet)
Instrumental Duet Bassoon,Instrumental Duet,Piano - Level 3 - Digital Download SKU: A0.…
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Instrumental Duet Bassoon,Instrumental Duet,Piano - Level 3 - Digital Download SKU: A0.549477 Composed by Alexander Scriabin. Arranged by James M. Guthrie, ASCAP. Concert,Instructional,Romantic Period,Sacred,Standards. Score and parts. 12 pages. Jmsgu3 #3499857. Published by jmsgu3 (A0.549477). Alexander Scriabin Op. 11 No. 2. Score: 8 pages, solo part: 2 pages, piano part: 2 pages. Duration: 3:10. An introspective and meditative work with a lot of dynamic and phrasing nuance. Works well for church meditations or recital encores.Background Op.11/2 Alto Clarinet version. First of all, Scriabin composed mostly for the solo piano and also the orchestra. This is probably because he was a gifted pianist and therefore certainly appreciated the piano. Scriabin grew up in the late Romantic period, consequently, he was fond of the great piano masters of the time. As a result, he wrote his first noteworthy compositions in the manner of Chopin and Liszt. Forms Likewise, Scriabin used many of the same forms as Chopin. These certainly include the étude, prelude, nocturne, and even the mazurka. In contrast, as he developed his own sense of style his music became more and more unusual. So, the last five of his Piano Sonatas do not have a key signature and therefore lean towards atonality. Philosophy Scriabin also developed a keen interest in philosophy and likewise poetry. He was above all particularly fascinated by Nietzsche, Delville, and Blavatsky. Consequently, he finally established his own ideas about metaphysics and certainly mysticism. Scriabin consequently advanced theories about the relationship between color and musical keys. Synesthesia He also may have experienced a condition called synesthesia where he could probably sense a response created from a different stimulus. Therefore, it was almost as if he could see music and hear colors. Scriabin, therefore, arranged the colors in a circle similar to the circle-of-fifths and assigned each key area a color. Finally, he assigned the key of C to the color red, while the key of G was orange. Similarly, he assigned D to yellow, A to green, and so forth. Strangely, he did not differentiate between major and minor key colors. Multimedia Hence, his ability to translate colors into music certainly gave Scriabin a most noteworthy interest in creating multimedia events. Furthermore, He designed his biggest work, the Mysterium, to last an entire week. Even more, Scriabin made plans not only for music, but also colored lights, incense, and dancing. He designed the performance to occur in the foothills of the Himalaya mountains. The Mysterium was never performed, and only sketches of the work remain. Modern Performances In modern times, we often experience performances of Scriabin’s most famous completed works accompanied by colored laser lights and incense. These are the Poem of Ecstasy (completed in 1908) and the Poem of Fire (completed in 1910). The lighting effects for these early performances were accomplished by the clavier à lumiéres. It was a keyboard instrument that projected colored light onto a screen.
$19.95
18.28 €
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Bassoon, Piano (duet)
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Alexander Scriabin
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Scriabin: Prelude Op. 11 No. 2 for Bassoon & Piano
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jmsgu3
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SheetMusicPlus
Silent Night (Bb) (Bassoon Quintet)
Basson ensemble
Woodwind Ensemble Bassoon - Level 3 - Digital Download SKU: A0.813960 Composed by F…
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Woodwind Ensemble Bassoon - Level 3 - Digital Download SKU: A0.813960 Composed by Franz Xaver Gruber. Arranged by Regis Bookshar. Christmas,Instructional,Multicultural,World. 7 pages. Regis Bookshar #6632963. Published by Regis Bookshar (A0.813960). Bassoon Quintet - Intermediate - Digital Download. This arrangement of Silent Night, or in German, Stille Nacht, would be a wonderful addition to any music library and could be performed for Christmas concerts, recitals, and, especially, church services. It is equally suitable for junior and senior high school students and even older musicians. Depending on their ability, younger musicians would also enjoy playing this selection. Included are a score and a complete set of parts (7 pages). This selection is one of the many arrangements from The Regis Bookshar Trumpet Ensemble's extensive music library which are being made available for the first time.Silent Night is probably the most popular Christmas carol ever written. It was composed in 1818 by Franz Xaver Gruber to lyrics by Joseph Mohr and was first performed on Christmas Eve at St. Nicholas parish church in Oberndorf, a small village in present-day Austria. A young Catholic priest, Father Joseph Mohr, had written the poem, Stille Nacht, in 1816 and had gone to Oberndorf in 1817. The melody was composed by Franz Xaver Gruber, schoolmaster and organist in the nearby village of Arnsdorf. On Christmas Eve, 1818, Mohr brought the words to Gruber and asked him to compose a melody and guitar accompaniment for that night's mass, after river flooding had possibly damaged the church organ. The church was eventually destroyed by repeated flooding and has since been replaced with the Silent-Night-Chapel.According to Gruber, Karl Mauracher, an organ builder who serviced the instrument at the Oberndorf church, was enamored with the song, and took the composition home with him to the Ziller Valley in Tyrol, Austria. From there, two traveling families of folk singers, the Strassers and the Rainers, included the tune in their shows. The Rainers were already singing it around Christmas, 1819, and once performed it for an audience that included Franz I of Austria and Alexander I of Russia. They also gave the first performance of the song in the United States in New York City in 1839. By the 1840's, the song was well known and was reported to be a favorite of Frederick William IV of Prussia. During this period, the melody changed slightly to become the version that is commonly heard today. The version of the melody that is generally used today is a slow, meditative lullaby, or pastoral, differing slightly from Gruber's original which has a moderate tempo. The song has been translated into about 140 languages and has been recorded by many singers across many music genres. The version sung by Bing Crosby in 1935, has sold over 10 million copies as a single.In this arrangement of Silent Night, Regis Bookshar has kept the basic form of this familiar Christmas carol, but has also included a descant during the third verse. Also, in addition to this version for a Bassoon Quinet, there are other arrangements of Silent Night available for a variety of instrumental ensembles. There are Quintets and Octets readily available for purchase. Please take the time to look for other versions of this composition. You may find something else that might also suit your needs.I would also encourage you to search for other arrangements by Regis Bookshar, as well, as there are numerous arrangements in a wide variety of styles, also available for purchase. You may find something else which might interest you. Please continue to check periodically because new arrangements are being added as often as possible. I'm certain that this wonderful arrangement of Silent Night will continue to entertain both performers and audiences alike for years to come.
$5.00
4.58 €
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Basson ensemble
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the 1840's, the song was well known and was reported to be a favorite of Frederick William IV of Prussia
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Franz Xaver Gruber
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Silent Night
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Regis Bookshar
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SheetMusicPlus
Silent Night (Bb) (Bassoon Octet)
Basson ensemble
Woodwind Ensemble Bassoon - Level 3 - Digital Download SKU: A0.813982 Composed by F…
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Woodwind Ensemble Bassoon - Level 3 - Digital Download SKU: A0.813982 Composed by Franz Xaver Gruber. Arranged by Regis Bookshar. Christmas,Instructional,Multicultural,World. 11 pages. Regis Bookshar #6635897. Published by Regis Bookshar (A0.813982). Bassoon Octet - Intermediate - Digital Download. This arrangement of Silent Night, or in German, Stille Nacht, would be a wonderful addition to any music library and could be performed for Christmas concerts, recitals, and, especially, church services. It is equally suitable for junior and senior high school students and even older musicians. Depending on their ability, younger musicians would also enjoy playing this selection. Included are a score and a complete set of parts (11 pages). This selection is one of the many arrangements from The Regis Bookshar Trumpet Ensemble's extensive music library which are being made available for the first time.Silent Night is probably the most popular Christmas carol ever written. It was composed in 1818 by Franz Xaver Gruber to lyrics by Joseph Mohr and was first performed on Christmas Eve at St. Nicholas parish church in Oberndorf, a small village in present-day Austria. A young Catholic priest, Father Joseph Mohr, had written the poem, Stille Nacht, in 1816 and had gone to Oberndorf in 1817. The melody was composed by Franz Xaver Gruber, schoolmaster and organist in the nearby village of Arnsdorf. On Christmas Eve, 1818, Mohr brought the words to Gruber and asked him to compose a melody and guitar accompaniment for that night's mass, after river flooding had possibly damaged the church organ. The church was eventually destroyed by repeated flooding and has since been replaced with the Silent-Night-Chapel.According to Gruber, Karl Mauracher, an organ builder who serviced the instrument at the Oberndorf church, was enamored with the song, and took the composition home with him to the Ziller Valley in Tyrol, Austria. From there, two traveling families of folk singers, the Strassers and the Rainers, included the tune in their shows. The Rainers were already singing it around Christmas, 1819, and once performed it for an audience that included Franz I of Austria and Alexander I of Russia. They also gave the first performance of the song in the United States in New York City in 1839. By the 1840's, the song was well known and was reported to be a favorite of Frederick William IV of Prussia. During this period, the melody changed slightly to become the version that is commonly heard today. The version of the melody that is generally used today is a slow, meditative lullaby, or pastoral, differing slightly from Gruber's original which has a moderate tempo. The song has been translated into about 140 languages and has been recorded by many singers across many music genres. The version sung by Bing Crosby in 1935, has sold over 10 million copies as a single.In this arrangement of Silent Night, Regis Bookshar has kept the basic form of this familiar Christmas carol, but has also included a descant during the third verse. Also, in addition to this version for a Bassoon Octet, there are other arrangements of Silent Night available for a variety of instrumental ensembles. There are Quintets and Octets readily available for purchase. Please take the time to look for other versions of this composition. You may find something else that might also suit your needs.I would also encourage you to search for other arrangements by Regis Bookshar, as well, as there are numerous arrangements in a wide variety of styles, also available for purchase. You may find something else which might interest you. Please continue to check periodically because new arrangements are being added as often as possible. I'm certain that this wonderful arrangement of Silent Night will continue to entertain both performers and audiences alike for years to come.
$8.00
7.33 €
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Basson ensemble
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the 1840's, the song was well known and was reported to be a favorite of Frederick William IV of Prussia
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Franz Xaver Gruber
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Silent Night
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Regis Bookshar
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SheetMusicPlus
Bohm: Calm as the Night for Bassoon & Piano
2 Bassoons (duet)
Instrumental Duet Bassoon,Instrumental Duet - Level 3 - Digital Download SKU: A0.549411…
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Instrumental Duet Bassoon,Instrumental Duet - Level 3 - Digital Download SKU: A0.549411 Composed by Carl Bohm. Arranged by James M. Guthrie, ASCAP. Romantic Period,Sacred,Standards,Wedding. Score and parts. 12 pages. Jmsgu3 #3493695. Published by jmsgu3 (A0.549411). Duration: ca. 4:00, Score: 7 pages, solo part: 2 pages, piano part: 3 pages. A very popular number for weddings, also effective for meditations and recital encores. Carl Bohm Carl Bohm, sometimes spelled with a K as in Karl Bohm, was born in 1844 and died in 1920. Bohm was a German composer, pianist, and songwriter. He was famous for writing songs with a light and optimistic atmosphere. Some of his most famous songs are Calm as the Night, Twilight, May Bells, Enfant Cheri, and The Fountain. In addition to his songs, he was a very popular composer of string quartets and string trios. His music was very popular and profitable. His publisher used some of the profits from sales of Bohm’s work to prepare the works of Johannes Brahms for publication. Output He certainly was prolific, not only with individual compositions but collections and albums of original music, such as the Bohm Album for the Pianoforte. The quality of his melodies is remarkable. They have a familiar quality similar to folk-songs. It’s no wonder they have become so popular.  His greatest masterpiece may well be the famous Calm as the Night as it is so well finished and refined. This song comes to us from a collection known simply as Lieder Op. 326. Calm as the Night (Still wie die Nacht) is listed as Number 27 in the collection. The song is scored for vocal duet and piano. The lyrics for Bohm’s Still wie die Nacht are anonymous. Lyrics: Still wie die Nacht Und tief wie das Meer, Soll deine Liebe sein! Wenn du mich liebst, So wie ich dich, Will ich dein eigen sein. Heiß wie der Stahl Und fest wie der Stein Soll deine Liebe sein! English: As quiet as the night And deep as the sea, Your love should be! If you love me The same as I love you, I want to be yours. As hot as steel And as firm as a rock, Your love should be!       .
$26.95
24.69 €
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2 Bassoons (duet)
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Carl Bohm
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Bohm: Calm as the Night for Bassoon & Piano
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jmsgu3
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SheetMusicPlus
Leaning on the Everlasting Arms - Bassoon
Bassoon
Bassoon Solo - Digital Download SKU: A0.796470 Composed by Elisha Hoffman. Arranged…
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Bassoon Solo - Digital Download SKU: A0.796470 Composed by Elisha Hoffman. Arranged by Elisha G. Rose. Christian,Gospel,Sacred. Individual part. 7 pages. Rose Music Studio #6255. Published by Rose Music Studio (A0.796470). An arrangement of Leaning on the Everlasting Arms for Bassoon. This arrangement is put to a gentle, meditative mood. Modulates from Bb major to F major.
$5.00
4.58 €
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Bassoon
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Elisha Hoffman
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Leaning on the Everlasting Arms - Bassoon
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Rose Music Studio
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SheetMusicPlus
Wet Hands
2 Bassoons (duet)
Bassoon,Instrumental Duet - Level 1 - Digital Download SKU: A0.1216016 By C418. By …
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Bassoon,Instrumental Duet - Level 1 - Digital Download SKU: A0.1216016 By C418. By Daniel Rosenfeld. Arranged by André Nusa. Video Game. 4 pages. Andre_Nusa #812673. Published by Andre_Nusa (A0.1216016). This arrangement for bassoon duo of the song Wet Hands from the game Minecraft captures the contemplative and peaceful tone of the original composition. The bassoons weaves together in harmony, delicately exploring the melodic motifs that are central to the piece. The arrangement might include variations in dynamics and phrasing, allowing the bassoons to convey the emotional depth of the song's simple yet poignant melody. The arrangement highlights the beauty of the piece's simple, minimalist structure, emphasizing the warmth and intimacy of the sound of two bassoons playing in harmony. This arrangement is a great choice for musicians looking to add a calming and reflective piece to their repertoire, or for gamers who want to experience the meditative quality of the music outside the context of the game.
$5.99
5.49 €
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2 Bassoons (duet)
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C418
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Wet Hands
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Andre_Nusa
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SheetMusicPlus
Wet Hands
Guitar, Bassoon
Acoustic Guitar,Bassoon,Instrumental Duet - Level 1 - Digital Download SKU: A0.1219341
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Acoustic Guitar,Bassoon,Instrumental Duet - Level 1 - Digital Download SKU: A0.1219341 By C418. By Daniel Rosenfeld. Arranged by André Nusa. Video Game. 5 pages. Andre_Nusa #815736. Published by Andre_Nusa (A0.1219341). This arrangement for guitar and bassoon of the song Wet Hands from the game Minecraft captures the contemplative and peaceful tone of the original composition. The the two instruments weaves together in harmony, delicately exploring the melodic motifs that are central to the piece. The arrangement might include variations in dynamics and phrasing, allowing the instruments to convey the emotional depth of the song's simple yet poignant melody. The arrangement highlights the beauty of the piece's simple, minimalist structure, emphasizing the warmth and intimacy of the sound of the guitar and bassoon playing in harmony. This arrangement is a great choice for musicians looking to add a calming and reflective piece to their repertoire, or for gamers who want to experience the meditative quality of the music outside the context of the game. The sheet music includes standard notation and tablature.
$5.99
5.49 €
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Guitar, Bassoon
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C418
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Wet Hands
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Andre_Nusa
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SheetMusicPlus
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