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Plan B
BASSOON
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3 sheet music found
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Jupiter (from The Planets) for Woodwind Quartet
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Flute, Oboe, Clarinet, Bassoon
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INTERMEDIATE/ADVANCED
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Classical
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Gustav Holst
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B
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Jupiter
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Ben Dockery
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SheetMusicPlus
Woodwind Ensemble,Woodwind Quartet Bassoon,Clarinet,Flute,Oboe - Level 4 - Digital Download SKU: A0.1273348 Composed by Gustav Holst. Arranged by B. C. D...
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Woodwind Ensemble,Woodwind Quartet Bassoon,Clarinet,Flute,Oboe - Level 4 - Digital Download SKU: A0.1273348 Composed by Gustav Holst. Arranged by B. C. Dockery. 20th Century,Children,Classical,Romantic Period. 7 pages. Ben Dockery #865501. Published by Ben Dockery (A0.1273348). From Gustav Holst's seven-movement orchestral suite The Planets, this is the Jupiter chorale theme arranged for woodwind quartet: flute, oboe, B-flat clarinet, and bassoon. Great for lessons, recitals, and performances of all kinds. Advanced intermediate level. Includes score and parts.
$7.99
Prelude and Fugue XXIII from The Well-Tempered Clavier, Book 1 (arranged for woodwind quintet)
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Woodwind Quintet: flute, oboe, bassoon, clarinet, horn
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INTERMEDIATE/ADVANCED
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Classical
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Johann Sebastian Bach
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Daniel Kaplan
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Prelude and Fugue XXIII from T
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Daniel Kaplan
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SheetMusicPlus
Woodwind Ensemble,Woodwind Quintet Bassoon,Clarinet,Flute,Horn,Oboe - Level 4 - Digital Download SKU: A0.1419105 Composed by Johann Sebastian Bach. Arran...
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Woodwind Ensemble,Woodwind Quintet Bassoon,Clarinet,Flute,Horn,Oboe - Level 4 - Digital Download SKU: A0.1419105 Composed by Johann Sebastian Bach. Arranged by Daniel Kaplan. Baroque,Chamber,Classical. 25 pages. Daniel Kaplan #1000535. Published by Daniel Kaplan (A0.1419105). Arrangement by Daniel Kaplan for woodwind quintet of Bach's Prelude and Fugue No. 23 from Book 1 of The Well Tempered Clavier. Being in B Major, this is the quintessential Prelude and Fugue that couldn't be played in tune in standard baroque keyboard temperament, thus making the case for Bach's preferred temperament system (the details of which remain a mystery!). Kaplan is engaged in a project to make classics from other genres available to woodwind players and has arranged several other great works for this ensemble, including many of his favorites from The Well Tempered Clavier (also available on this website). The woodwind quintet is especially well suited for contrapuntal music since the distinctive tone colors of the wind instruments bring out the contrapuntal lines and make them clearer to the listener.
$4.95
Handel: Largo (from Xerxes) for bassoon and piano
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Bassoon, Piano (duet)
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INTERMEDIATE
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G F Handel
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Colin Kirkpatrick
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Handel: Largo
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Colin Kirkpatrick Publications
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SheetMusicPlus
Bassoon,Piano - Level 3 - Digital Download SKU: A0.1311222 Composed by G F Handel. Arranged by Colin Kirkpatrick. Baroque,Historic,Instructional,Opera. S...
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Bassoon,Piano - Level 3 - Digital Download SKU: A0.1311222 Composed by G F Handel. Arranged by Colin Kirkpatrick. Baroque,Historic,Instructional,Opera. Score and part. 8 pages. Colin Kirkpatrick Publications #900214. Published by Colin Kirkpatrick Publications (A0.1311222). This piece is probably Handel’s best-known melody, although it began life as an operatic aria. The opera was called Xerxes, sometimes written Serses and pronounced something like “ZERT-seesâ€. It was commissioned by The King’s Theatre in London and composed by Handel (who had become naturalized British and lived in London at the time) around 1737 and 1738. The opera is loosely based on the real historical figure King Xerxes, who ruled from around 522-486 BC and was the fourth king of the Achaemenid Empire, a vast region that covered most of the present-day Middle East including modern Turkey.  The melody is often known simply as Handel’s Largo (despite being marked “Larghetto†in the musical score) and is the opening aria in the opera. Known by its opening line Ombra mai fu the aria is sung by Xerxes to a plane tree: “Tender and beautiful fronds of my beloved plane tree, let fate smile upon you...â€Although the melody has survived over the years, the opera itself was a complete failure when it was first performed at the King’s Theatre in London’s Haymarket in 1738. The style of the opera was not appreciated by London opera-goers and it generally received poor reviews. The audience may have been confused by the innovative nature of the work because Handel introduced unexpected comic elements into the plot.This arrangement for bassoon is in E flat major. In the solo part, the lowest note is the B flat on the second line of the bass clef and the highest note is the E flat just above the bass staff. The piano part has been kept as simple as possible. Being so well-known, this piece would make a suitable encore. Â
$4.95
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