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GUITAR
Sheetmusic to print
15 sheet music found
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1
Vltava (Moldau)
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Guitar
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INTERMEDIATE/ADVANCED
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Classical
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Bedrich Smetana
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Josef Mazan, Ph
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Vltava
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Josef Mazan
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SheetMusicPlus
Solo Guitar - Level 4 - Digital Download SKU: A0.1385473 Composed by Bedrich Smetana. Arranged by Josef Mazan, Ph.D. 19th Century,Classical. Individual p...
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Solo Guitar - Level 4 - Digital Download SKU: A0.1385473 Composed by Bedrich Smetana. Arranged by Josef Mazan, Ph.D. 19th Century,Classical. Individual part. 2 pages. Josef Mazan #969453. Published by Josef Mazan (A0.1385473). This is an arrangement of Vltava (Moldau) by BedÅ?ich Smetana for classical guitar. I arranged it from the orchestral score. It is quite technically demanding. There is an influence of my guitar teacher, Å tÄ?pán Rak, as I use graneados and rasgueados, fast scales, and a melody with a tremolo accompaignment.
$3.99
The Old Rugged Cross
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Piano, Guitar (duet)
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Sacred music
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Gospel/Spiritual
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George Bennard
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Bobby Huguley A
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The Old Rugged Cross
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Bobby L Huguley Jr
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SheetMusicPlus
Guitar,Piano - Digital Download SKU: A0.964266 Composed by George Bennard. Arranged by Bobby Huguley A.S.C.A.P. Christian,Gospel,Sacred. Score and part. ...
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Guitar,Piano - Digital Download SKU: A0.964266 Composed by George Bennard. Arranged by Bobby Huguley A.S.C.A.P. Christian,Gospel,Sacred. Score and part. 6 pages. Bobby L Huguley Jr #6349763. Published by Bobby L Huguley Jr (A0.964266). Congregational AccompanimentPiano, Synth, and Guitar.
$2.99
Old Fashioned Love
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Guitar notes and tablatures
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INTERMEDIATE
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Jazz
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James P
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Enea A
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Old Fashioned Love
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Enea Acco
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SheetMusicPlus
Guitar - Level 3 - Digital Download SKU: A0.900715 Composed by James P. Johnson. Arranged by Enea A. Jazz. Guitar Tab. 3 pages. Enea Acco #4895069. Publi...
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Guitar - Level 3 - Digital Download SKU: A0.900715 Composed by James P. Johnson. Arranged by Enea A. Jazz. Guitar Tab. 3 pages. Enea Acco #4895069. Published by Enea Acco (A0.900715).
$1.99
Hold My Hand
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Guitar
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INTERMEDIATE
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Film/TV
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Rock
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Lady Gaga
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Andrzej Falek
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Hold My Hand
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Andrzej Falek
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SheetMusicPlus
Solo Guitar - Level 3 - Digital Download SKU: A0.1045767 By Lady Gaga. By Michael Tucker P/k/a Bloodpop and Stefani Germanotta. Arranged by Andrzej Falek...
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Solo Guitar - Level 3 - Digital Download SKU: A0.1045767 By Lady Gaga. By Michael Tucker P/k/a Bloodpop and Stefani Germanotta. Arranged by Andrzej Falek. Film/TV,Pop,Rock. Individual part. 2 pages. Andrzej Falek #650354. Published by Andrzej Falek (A0.1045767). Fingerstyle guitar arrangement of Lady Gaga's Hold My Hand song from Top Gun: Maverick movie. It includes guitar notation as well as chords and fingering. Version without guitar tab, in E Major.
$7.99
Hold My Hand
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Guitar notes and tablatures
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INTERMEDIATE
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Film/TV
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Rock
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Lady Gaga
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Andrzej Falek
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Hold My Hand
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Andrzej Falek
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SheetMusicPlus
Guitar - Level 3 - Digital Download SKU: A0.1045762 By Lady Gaga. By Michael Tucker P/k/a Bloodpop and Stefani Germanotta. Arranged by Andrzej Falek. Fil...
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Guitar - Level 3 - Digital Download SKU: A0.1045762 By Lady Gaga. By Michael Tucker P/k/a Bloodpop and Stefani Germanotta. Arranged by Andrzej Falek. Film/TV,Pop,Rock. Guitar Tab. 4 pages. Andrzej Falek #650347. Published by Andrzej Falek (A0.1045762). Fingerstyle guitar arrangement of Lady Gaga's Hold My Hand song from Top Gun: Maverick movie. It includes guitar notation, tabulature as well as chords and fingering. Version with guitar tab, in E Major.
$8.99
"Solfeggietto" by Carl P.E. Bach for Guitar (with Background Track)-Jazz/Pop Version
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Guitar
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ADVANCED
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Classical
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Carl Philipp Emanuel Bach
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Fishel Pustilnik
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"Solfeggietto" by Carl P.E. Ba
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F & N Enterprise
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SheetMusicPlus
Solo Guitar - Level 5 - Digital Download SKU: A0.634023 Composed by Carl Philipp Emanuel Bach. Arranged by Fishel Pustilnik. Film/TV,Jazz,Pop,World. Indi...
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Solo Guitar - Level 5 - Digital Download SKU: A0.634023 Composed by Carl Philipp Emanuel Bach. Arranged by Fishel Pustilnik. Film/TV,Jazz,Pop,World. Individual part. 3 pages. F & N Enterprise #3497203. Published by F & N Enterprise (A0.634023). An excellent arrangement of famous Solfeggietto by Carl Philipp Emanuel Bach for Guitar with Background Track-Jazz/Pop Version.The composition is easy to read, fun to play and sound professional when performed. Arranged by Fishel Pustilnik, very well known as Composer/Publisher. His books Jazz & Pop Piano Paradise (Volumes 1-5) have become a commercial success and a hit with music teachers and students in Canada. (Thousands books already sold in Canada). They are also starting to enter the US, Brazil, Norway, Russia, Holland, Israel, Belgium, Sweden, Finland, Greece, Latvia and UK markets. This is a wonderful new publication. These pieces offer much appeal for the young pianist and excellent choice for a supplementary book for students from Grade 3 to 8. Lore Ruschiensky, Editor, (from review in The Canadian Music Teacher) Yesterday I spent at least two pleasure filled hours playing through your imaginatively inventive compositions. Congratulations! I trust students will decide to program your well crafted and entertaining works on recitals and examinations. Review from Dr. Jack Behrens, B.Sc. (Julliard), PH.D (Harvard), Director of Academic Studies, The Glenn Gould School I liked this book the best so far. Great work! You have a gift for melody and your arrangements are very playable. Congratulations on the 3rd Volume. Mark Carlstein, Hal Leonard, Keyboard Publications.Additional Information regarding my arrangements at SheetMusicPlus: https://www.facebook.com/arrangementsofsheetmusic/
$1.99
André (Guitar)
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Guitar
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INTERMEDIATE
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Rudesindo Soutelo
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Guitar
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André
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Publisher by Rudesindo Soutelo
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SheetMusicPlus
Solo Guitar - Level 3 - Digital Download SKU: A0.1315103 Composed by Rudesindo Soutelo. Arranged by Guitar. 21st Century,Children,Classical,Contemporary....
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Solo Guitar - Level 3 - Digital Download SKU: A0.1315103 Composed by Rudesindo Soutelo. Arranged by Guitar. 21st Century,Children,Classical,Contemporary. Individual part. 17 pages. Publisher by Rudesindo Soutelo #903830. Published by Publisher by Rudesindo Soutelo (A0.1315103). A André Vidal CapomRudesindo SouteloAndré - 5 peças para uma criança / 5 pieces for a child. (Guitar, ca. 14'40) 1. (A) Prelúdio da manhã / Morning prelude 2. (n) Alvorecer na janela / Dawn in the window 3. (d) Valsa dos soldadinhos de chumbo / Little lead soldiers’ waltz 4. (r) A catedral imergente / The immersing cathedral 5. (é) Marcha da formiga atónita / March of the astonished antISWC: T-045.522.026-4ISMN: 979-0-707704-19-6This work was written as a birthday present for André, a very restless and impulsive 8-year-old, but with great emotional capacity and original thoughts.The “Morning prelude†is the restless awakening; the “Dawn in the window†is the light of the new day enlightening the spirit. Creative imagination manifests itself in the “Little lead soldiers’ waltzâ€, who turn rifles into pairs to dance with. From the hill where he lives, the boy contemplates the city crowned by “The immersing cathedralâ€, which was once a spiritual fortress and now the bells echo its inexorable decline, diluting into the surrounding criminal urbanism. The “March of the astonished ant†is about the adventures of an ant who wanders off the path and meets a playful child who likes to put so many obstacles in her way that she is astonished; however, she doesn’t give up her endeavour, takes a deep breath, gains courage and, although exhausted, manages to free herself.The complexes that organise the work are [5, 5, 5, 8] and [9, 7].The original version is for piano. See https://soutelo.eu--oOo--Esta obra foi composta como prenda de anos para André, uma criança de 8 anos muito inquieta e impulsiva, mas com grande capacidade emocional e reflexões originais. O “Prelúdio da manhã†é o acordar buliçoso; o “Alvorecer na janela†é a luz do novo dia a esclarecer o espÃrito. A imaginação criativa manifesta-se na “Valsa dos soldadinhos de chumbo†que transformam as espingardas em pares com quem dançar.Desde a colina onde mora, o menino contempla a cidade coroada por “A catedral imergente†que outrora foi fortaleza espiritual e, agora, os sinos ecoam seu inexorável declÃnio, diluindo-se no criminoso urbanismo circundante. A “Marcha da formiga atónita†são as peripécias duma formiga que se desvia do carreiro e encontra uma criança brincalhona que gosta de lhe pôr tantos obstáculos no caminho que ela fica atónita; no entanto, não desiste do seu empenho, respira fundo, ganha coragem e, ainda que exhausta, consegue libertar-se.Os complexos que organizam a obra são [5, 5, 5, 8] e [9, 7].A versão original é para Piano. Consulte https://soutelo.eu
$8.00
Polish Children Collection - 20 Songs [GUITAR TAB]
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Guitar notes and tablatures
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Polish Children Music and Poli
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Darek
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Polish Children Collection - 2
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Darek
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SheetMusicPlus
Easy Guitar (with TAB) - Digital Download SKU: A0.1359234 By Polish Children Music and Polish Songs for Kids. By Polish Children Music and Polish Songs f...
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Easy Guitar (with TAB) - Digital Download SKU: A0.1359234 By Polish Children Music and Polish Songs for Kids. By Polish Children Music and Polish Songs for Kids. Arranged by Darek. Children,Folk,Multicultural,Traditional,World. Tablature. 33 pages. Darek #943693. Published by Darek (A0.1359234). Polish Children Sheet Music Collection - 20 Songs [GUITAR TAB]A Collection of 20 Sheet Music/Tabulature for Polish Children Songs for Guitar in Easy Arrangement. Each song has its own video tutorial on the Music Lessons by Darek YouTube channel (Click to open the YouTube channel). This Collection of 20 Sheet Music/Tablature is Simple Arrangements for Guitar! A collection of 20 Sheet Music/Guitar Tab for Children's Songs, perfect for preschoolers and older children, as well as for adults or parents who want to play for their children, who have already started their adventure with learning to play the guitar but are not advanced guitarists. Musical development is an important element of growing up for every young art enthusiast. What better way to love music than by playing it yourself? This Collection of 20 Sheet Music/Guitar Tab for Children also includes some tips on, among others: types and notation of chords, the most important guitar chords, names of sounds on the fretboard and discussion of musical notation and tabulation, that will make it easier for beginners to learn how to play the guitar and for more advanced musicians, they will remind and consolidate the basics of knowledge.Included: Lyrics, Sheet Music, Tabulature, Chords and simple YouTube video tutorial (Click to open the Playlist).Song list: Były sobie kurki trzy (eng. Twinkle, Twinkle, Little Star) Czarny baranie Happy Birthday to You Hu hu ha Nasza zima zła Jadą jadą misie Jedzie pociąg z daleka Kółko graniaste Krakowiaczek jeden La Cucaracha Mało nas do pieczenia chleba Mam chusteczkę haftowaną Mary Had a Little Lamb Miała baba koguta Ojciec Wirgiliusz Panie Janie (eng. Brother John) Pieski małe dwa Pojedziemy na łów Stary Donald farmę miał (eng. Old MacDonald Had a Farm) Stary niedźwiedź mocno śpi Wlazł kotek na płotek Guitar | Polish Children Song | Digital Sheet Music | Guitar TAB | Guitar Tabulature | Guitar Tablature | Easy Arrangement | Children Music | Polish Song for Children | Easy Version for Guitarists | Guitar Sheet Music for Beginners | Easy Arrangement | Grand Piano | Simple Arrangement For Beginners | Sheet Music Children Collection | Various Children Polish Songs| Easy Sheet Music Collection | Polish Songs for Kids | Polskie Piosenki dla Dzieci | Polskie Piosenki Dziecięce.
$10.00
Forever Autumn
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Piano, Guitar (duet)
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INTERMEDIATE
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Rock
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The Moody Blues
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Kevin P Holdgate
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Forever Autumn
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Kevin P Holdgate
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SheetMusicPlus
Guitar,Piano - Level 3 - Digital Download SKU: A0.791181 By The Moody Blues. By Jeff Wayne. Arranged by Kevin P Holdgate. Rock. Score and part. 8 pages. ...
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Guitar,Piano - Level 3 - Digital Download SKU: A0.791181 By The Moody Blues. By Jeff Wayne. Arranged by Kevin P Holdgate. Rock. Score and part. 8 pages. Kevin P Holdgate #5349555. Published by Kevin P Holdgate (A0.791181). I did this arrangement originally for a 'Sci-Fi' inspired proms concert in Derbyshire. The organisers had hired two full-sized Daleks which stood on the sides of the stage through the performance and never moved, but pointed their 'exterminate' weapons in my direction throughout the performance. An experience that many conductors may feel they have experienced.The music is from the original 'War of the Worlds' film and was recorded by Justin Heyward and the band 'Moody Blues'.There are solo versions with piano accompaniment of this song available for a variety of instruments in suitable keys. The difficulty level ranges between grades 3 to 5 based on the ABRSM/Trinity scale requirements.A 10 piece version and various solo versions with piano accompaniment are available for this work together with a full brass band version. There are also vocal versions for a male and/or female voice with a standard 3 horn 'Cruise ship' format backing.
$4.99
Madrigal Pavane / Timburibá
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Francisco Braga
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Luciano Lima
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Madrigal Pavane / Timburibá
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Les Productions d'OZ - Digital
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SheetMusicPlus
Guitar - Advanced - Digital Download SKU: ZZ.DZ-4287 Composed by Francisco Braga. Arranged by Luciano Lima. Score. 13 pages. Les Productions d'OZ - Digit...
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Guitar - Advanced - Digital Download SKU: ZZ.DZ-4287 Composed by Francisco Braga. Arranged by Luciano Lima. Score. 13 pages. Les Productions d'OZ - Digital #DZ 4287. Published by Les Productions d'OZ - Digital (ZZ.DZ-4287). ISBN 9782898522048.Antônio Francisco Braga (1868-1945) belongs to the generation of Brazilian composers of the first republican period, aesthetically tied to romanticism, alongside Henrique Oswald (1852-1931), Leopoldo Miguez (1850-1902), Glauco Velásquez (1884-1914), and Barrozo Neto (1881-1941). Born in Rio de Janeiro, on April 15th, 1868, he began his musical studies at the Asilo dos Meninos Desvalidos, in 1876. In 1883, he enrolled at the Imperial Conservatório de Música where he studied harmony and counterpoint with Carlos de Mesquita – a former student of César Franck, Durand, and Massenet – and clarinet with Antônio Luís de Moura. Braga's first compositions date from this period: Sonho de Dante (1885), Dolce far niente (1886), the first Valse Romantique for piano (1886), among others.In 1887, he premiered his first symphonic work, Fantasia-Abertura. In 1890, being one of the finalists in a competition to choose the new Brazilian national anthem, Braga was awarded a scholarship to study in Europe, where he took classes with Jules Massenet at the Paris Conservatory. During this period, he wrote some of his most important symphonic works, Paysage, Cauchemar, Episódio Sinfônico, and Marabá (which was performed by Richard Strauss and the Vienna Philharmonic in 1920, in Brazil). His opera Jupyra is considered one of the greatest Brazilian compositions of that genre.Back in Brazil, he was appointed professor of counterpoint, fugue, and composition at the Instituto Nacional de Música, in 1902. There, some of the finest Brazilian composers studied with him, like Glauco Velásquez and Lorenzo Fernândez.Braga wrote operas, symphonic works, songs, sacred music, two Masses, music for piano, different chamber formations, band, and choir. He is the author of many patriotic hymns, the most popular of which is Hino à Bandeira (with lyrics by Olavo Bilac). He explored Brazilian nationalist elements in some of his works, as in Variações sobre um Tema Brasileiro and in the Trio for violin, cello and piano, whose third movement is based on a lundu (a musical genre and dance of Afro-Brazilian origin).In addition to being a composer, Braga was one of the most active conductors of his time, having been ahead of three orchestras in Rio de Janeiro: Instituto Nacional de Música, Sociedade de Concertos Sinfônicos, and Theatro Municipal. Braga conducted the Brazilian premiere of major symphonic works such as La Mer (Debussy), Pacific 231 (Honegger) besides other numerous Brazilian compositions.In 1938, he retired from Instituto Nacional de Música. He passed away on March 14th, 1945, in Rio de Janeiro.Unfortunately, Francisco Braga never wrote for the guitar. However, over a century ago his music had already been incorporated to its repertoire. According to information found in newspapers of the time, Spanish guitarist Josefina Robledo included transcriptions of pieces by Braga in her programs when she performed in Brazil: Gavota e Minuete (from the melodrama Contratador de Diamantes), in 1919, in São Paulo, and the waltz-caprice Corrupio, in 1921, in Rio de Janeiro.The piano score of Madrigal Pavane was dedicated to Alexina Leitão and published by Casa Vieira Machado, in 1901. According to the composer’s catalogue, there are two other versions of this piece: strings orchestra (1901) and quartet (which is still in manuscript). Dedicated to Braga’s childhood friend José de Souza Rocha, Timburibá (the name of a Brazilian tree) is a tango for piano from 1886, published by Narciso & Arthur Napoleão.Antônio Francisco Braga (1868-1945) appartient à la génération des compositeurs brésiliens de la première période républicaine, esthétiquement liés au romantisme, aux côtés de Henrique Oswald (1852-1931), Leopoldo Miguez (1850-1902), Glauco Velásquez (1884-1914) , et Barrozo Neto (1881-1941). Né à Rio de Janeiro, le 15 avril 1868, il commence ses études musicales à l'Asilo dos Meninos Desvalidos, en 1876. En 1883, il s'inscrit au Imperial Conservatório de Música où il étudie l'harmonie et le contrepoint avec Carlos de Mesquita – ancien élève de César Franck, Durand et Massenet – et clarinette avec Antônio Luís de Moura. De cette période datent les premières compositions de Braga : « Sonho de Dante » (1885), « Dolce far niente » (1886), la première « Valse Romantique » pour piano (1886), entre autres.En 1887, il crée sa première œuvre symphonique, « Fantasia-Abertura ». En 1890, étant l'un des finalistes d'un concours pour choisir le nouvel hymne national brésilien, Braga obtient une bourse pour étudier en Europe, où il suit les cours de Jules Massenet au Conservatoire de Paris. Durant cette période, il écrit certaines de ses œuvres symphoniques les plus importantes, « Paysage », « Cauchemar », « Episódio Sinfônico » et « Marabá » (interprétée par Richard Strauss et la Philharmonie de Vienne en 1920, au Brésil). Son opéra « Jupyra » est considéré comme l'une des plus grandes compositions brésiliennes de ce genre.De retour au Brésil, il fut nommé professeur de contrepoint, de fugue et de composition à l'Instituto Nacional de Música, en 1902. Là, certains des meilleurs compositeurs brésiliens étudièrent avec lui, comme Glauco Velásquez et Lorenzo Fernândez.Braga a écrit des opéras, des œuvres symphoniques, des chansons, de la musique sacrée, deux messes, de la musique pour piano, différentes formations de chambre, un orchestre et une chorale. Il est l'auteur de nombreux hymnes patriotiques, dont le plus populaire est « Hino à Bandeira » (avec des paroles d'Olavo Bilac). Il a exploré des éléments nationalistes brésiliens dans certaines de ses œuvres, comme dans « Variações sobre um Tema Brasileiro » et dans le Trio pour violon, violoncelle et piano, dont le troisième mouvement est basé sur un « lundu » (un genre musical et une danse afro-américaine). Origine brésilienne).En plus d'être compositeur, Braga a été l'un des chefs d'orchestre les plus actifs de son époque, ayant dirigé trois orchestres à Rio de Janeiro : « Instituto Nacional de Música », « Sociedade de Concertos Sinfônicos » et « Theatro Municipal ». Braga a dirigé la première brésilienne d'œuvres symphoniques majeures telles que « La Mer » (Debussy), « Pacific 231 » (Honegger) ainsi que de nombreuses autres compositions brésiliennes.En 1938, il prend sa retraite de l'Instituto Nacional de Música. Il est décédé le 14 mars 1945 à Rio de Janeiro.Malheureusement, Francisco Braga n’a jamais écrit pour la guitare. Cependant, il y a plus d'un siècle, sa musique était déjà incorporée à son répertoire. Selon des informations trouvées dans les journaux de l'époque, la guitariste espagnole Josefina Robledo incluait des transcriptions de pièces de Braga dans ses programmes lorsqu'elle se produisait au Brésil : « Gavota e Minuete » (du mélodrame « Contratador de Diamantes »), en 1919, à São Paulo, et la valse-caprice « Corrupio », en 1921, à Rio de Janeiro.La partition pour piano de « Madrigal Pavane » a été dédiée à Alexina Leitão et publiée par « Casa Vieira Machado », en 1901. Selon le catalogue du compositeur, il existe deux autres versions de cette pièce : orchestre à cordes (1901) et quatuor (qui est encore manuscrit). Dédié à José de Souza Rocha, ami d'enfance de Braga, « Timburibá » (nom d'un arbre brésilien) est un tango pour piano de 1886, publié par « Narciso & Arthur Napoleão ».Envoyer des commentairesPanneaux latérauxHistoriqueEnregistrées.
$7.95
Élégie
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Guitar
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INTERMEDIATE
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Contemporary
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Francis Bebey
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Ingrid Riollot
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Élégie
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Les Editions Doberman-Yppan
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SheetMusicPlus
Guitar - Intermediate - Digital Download SKU: ZY.DO-1522 Composed by Francis Bebey. Arranged by Ingrid Riollot. Score. 5 pages. Les Editions Doberman-Ypp...
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Guitar - Intermediate - Digital Download SKU: ZY.DO-1522 Composed by Francis Bebey. Arranged by Ingrid Riollot. Score. 5 pages. Les Editions Doberman-Yppan (digital) #DO 1522. Published by Les Editions Doberman-Yppan (digital) (ZY.DO-1522). Francis Bebey est né à Douala en juillet 1929, dans une grande famille où son père, pasteur, luttait pour nourrir ses enfants. Mais Francis a eu l'opportunité d'aller à l'école. Admirant son frère aîné, Marcel Eyidi Bebey, il s'est éduqué, s'est distingué, et a finalement reçu une bourse pour passer son baccalauréat en France.Nous approchions de la fin des années 1950 lorsqu'il est arrivé à La Rochelle. Plus que jamais, dans cette France où les Africains étaient regardés avec curiosité, condescendance ou dédain, Francis s'appuyait sur ses ressources intellectuelles. Travailleur assidu, il a obtenu son baccalauréat, puis s'est installé à Paris où il a commencé des études d'anglais à la Sorbonne. Un jour, il a su ce qui l'attirait vraiment : il voulait faire de la radio. Francis a appris son métier en France et aux Ã?tats-Unis.Après avoir travaillé quelques années comme reporter, il a été embauché en 1961 en tant que fonctionnaire international au Département de l'information de l'UNESCO.Parallèlement, Francis a toujours été attiré par la création musicale. Son activité diurne très sérieuse ne l'empêchait pas de fréquenter les clubs de jazz le soir. Ã? Paris, le jazz, la musique à la mode à cette époque, mais aussi la rumba et la salsa l'attiraient. Il collectionnait les disques et assistait à de nombreux concerts. Avec son complice Manu Dibango, Francis montait sur scène et jouait de la musique.Francis aimait la musique classique depuis son enfance. Il avait grandi en écoutant les cantates et les oratorios de Bach ou Handel que son père chantait au temple. Il s'est passionné pour la guitare, impressionné par les maîtres espagnols et sud-américains, et a décidé d'apprendre à jouer de l'instrument lui-même.Il a commencé à composer des pièces pour guitare, mêlant les diverses influences qui le traversaient avec la musique traditionnelle africaine qu'il portait en lui depuis son enfance. Son approche a captivé le directeur du Centre culturel américain (alors situé dans le quartier de Saint-Germain à Paris), qui lui a offert l'opportunité de se produire devant un public. Francis y a donné son premier récital de guitare (1963) devant un public hypnotisé. Son premier album solo est sorti peu de temps après.Progressivement, Francis est devenu reconnu comme musicien et compositeur. Plusieurs albums de l'ambassadeur africain de la guitare, comme le décrivait la presse, sont sortis. Il a également écrit des livres, au point que sa carrière artistique est devenue difficile à concilier avec sa carrière de fonctionnaire. En 1974, même s'il était devenu le directeur général chargé de la musique à l'UNESCO, il a fait le saut audacieux et a démissionné de cette prestigieuse institution pour se consacrer aux trois activités qui l'intéressaient : la musique, la littérature et le journalisme.Il a exploré le patrimoine musical traditionnel du continent africain, notamment à travers le piano à pouce sanza et la musique polyphonique des pygmées d'Afrique centrale, ou en chantant dans sa langue maternelle et en composant des chansons humoristiques en français !Le succès a suivi. Francis Bebey a parcouru le monde : de la France au Brésil, du Cameroun à la Suède, de l'Allemagne aux Caraïbes, ou du Maroc au Japon... la liste des pays où il a été invité à se produire, à donner des conférences ou à rencontrer des lecteurs est très longue. En plus de la reconnaissance publique, il bénéficiait de la reconnaissance de ses collègues musiciens, tels que le guitariste John Williams ou le Vénézuélien Antonio Lauro, qui l'ont invité à faire partie du jury d'un concours de guitare classique à Caracas.Sa vie était le voyage d'un pionnier africain, un homme enraciné dans son patrimoine culturel et portant un message de partage et d'espoir pour le monde. Son originalité continue de résonner dans le monde entier depuis son décès à la fin du mois de mai 2001.Francis Bebey was born in Douala in July 1929, into a large family where his father, a pastor, struggled to feed his children. But Francis had the opportunity to go to school. Admiring his elder brother, Marcel Eyidi Bebey, he educated himself, distinguished himself, and eventually received a scholarship to go and take his baccalaureate in France.We approached the end of the 1950s when he arrived in La Rochelle. More than ever, in this France where Africans were looked at with curiosity, condescension, or disdain, Francis relied on his intellectual resources. A diligent worker, he obtained his Baccalaureate, then moved to Paris where he started English studies at the Sorbonne. One day, he knew what truly attracted him: he wanted to do radio. Francis learned his craft in France and in the USA.After working for a few years as a reporter, he was hired in 1961 as an international civil servant in the UNESCO Information Department.In parallel, Francis had always been drawn to musical creation. His very serious daytime activity didnâ??t prevent him from frequenting jazz clubs in the evenings. In Paris, the Jazz, the trendy music of that time, but also rumba and salsa attracted him. He collected records and attended numerous concerts. With his accomplice Manu Dibango, Francis took the stage and played music.Francis liked classical music since his childhood. He grew up listening to the cantatas and oratorios of Bach or Handel that his father had sung in the temple. He became passionate about the guitar, impressed by the Spanish and South American masters, and decided to learn to strum the instrument himself.He started composing guitar pieces, blending the various influences that flow through him with the traditional African music he had carried within since childhood. His approach captivated the director of the American Cultural Center (then located in the Saint-Germain neighborhood of Paris), who offered him the opportunity to perform in front of an audience. Francis gave his first guitar recital there (1963) in front of a mesmerized audience. His first solo album was released shortly thereafter.Gradually, Francis became recognized as a musician and composer. Several albums of the African guitar ambassador, as described by the press, were released. He also wrote books, to the point that his artistic career became challenging to reconcile with his career as a civil servant. In 1974, even though he had become the General Manager in charge of music at UNESCO, he took the bold leap and resigned from this prestigious institution to dedicated himself to the three activities that interested him: music, literature, and journalism. He explored the traditional musical heritage of the African continent, notably through the thumb piano sanza, and the polyphonic music of the Central African pygmies, or singing in his native language and composing humoristic songs in French!Success followed. Francis Bebey traveled the world: from France to Brazil, Cameroon to Sweden, Germany to the Carribean, or Morocco to Japan... the list of countries where he was invited to perform, gives lectures, or meets readers is very long. In addition to public recognition, he enjoyed the recognition of his fellow musicians, such as guitarist John Williams or Venezuelan Antonio Lauro, who invited him to be a part of the jury for a classical guitar competition in Caracas.His life was the journey of an African pioneer, a man rooted in his cultural heritage and carrying a message of sharing and hope for the world. His originality continues to vibrate around the world since his passing at the end of May 2001.
$3.95
Hellsinki Dream
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Guitar
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INTERMEDIATE
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Luis Anjos Teixeira
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Hellsinki Dream
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Luis Anjos Teixeira
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SheetMusicPlus
Solo Guitar - Level 3 - Digital Download SKU: A0.889404 Composed by Luis Anjos Teixeira. Concert,Contemporary,Standards. Individual part. 4 pages. Luis A...
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Solo Guitar - Level 3 - Digital Download SKU: A0.889404 Composed by Luis Anjos Teixeira. Concert,Contemporary,Standards. Individual part. 4 pages. Luis Anjos Teixeira #3074449. Published by Luis Anjos Teixeira (A0.889404). Helsinki was actually composed in Helsinki.It was in a winter afternoon and it was cold outside.All that snow and ice made me have white dreams.I hope You have fun with the piece.Luis Anjos TeixeiraP.S. - Thanks to Claudia Eppelt for the Cover design and the wonderful picture
$13.77
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