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15 sheet music found
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1
Cool About It
Guitar notes and tablatures
Guitar - Level 4 - Digital Download SKU: A0.1323396 By Boygenius. By Julien Baker, …
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Guitar - Level 4 - Digital Download SKU: A0.1323396 By Boygenius. By Julien Baker, Lucy Dacus, Paul Simon, and Phoebe Bridgers. Arranged by Seamus McDaniel. 21st Century,Pop. Guitar Tab. 4 pages. Seamus McDaniel #911615. Published by Seamus McDaniel (A0.1323396). This is my arrangement/transcription of Cool About It by boygenius! I've included chord names above the staff, left and right hand fingering, and really aimed for note-by-note accuracy in this one. There is standard notation as well as tabature in the PDF. The staff has been transposed to account for the capo and can be read more easily!If you have any questions or suggestions regarding my tabs, feel free to reach out to me at my website!
$4.99
4.57 €
#
Guitar notes and tablatures
#
Boygenius
#
Cool About It
#
Seamus McDaniel
#
SheetMusicPlus
Boat
Lyrics and Chords
Guitar - Level 2 - Digital Download SKU: A0.1229679 By Ed Sheeran. By Aaron Dessner…
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Guitar - Level 2 - Digital Download SKU: A0.1229679 By Ed Sheeran. By Aaron Dessner and Ed Sheeran. Arranged by Barry McCormick. Pop,Singer/Songwriter. Chords/Lyrics. 2 pages. B. McCormick #825446. Published by B. McCormick (A0.1229679). Elevate your performance with Ed Sheeran's Boat sheet music from his highly anticipated album Subtract. The song Boat is a poignant ballad that speaks to the heart. As Independent.co.uk writes, it's a powerful meditation on depression and hope. With this sheet music, you can bring this emotional power to your performance and really connect with your audience. This sheet music also has everything you need for a successful performance. Whether you're playing with a small group or solo, you'll have all the tools you need to create a beautiful and moving rendition of Boat. And with its digital format, you can practice anytime, anywhere, on any device. So don't miss out on this amazing opportunity to take your performance to the next level. Get Ed Sheeran's Boat sheet music today! Notes about the music This lead sheet makes it simple to get the information from the music that you need. The melody along with the chords give you all the information you need in its minimal form to create a performance. To make this piece more accessible I have arranged it in the key of G Major which is a third below the recorded version which is in B Major. This makes the higher notes more attainable to sing for a more people and makes it easier to play for most. Who likes playing with 5 sharps?! Structure With the repeats and D.S. markings this Lead Sheet will follow the form as heard on the recording. Melody As with all my arrangements, to try and minimise the number of pages needed, the small note heads in brackets indicate where the melody is different when repeated and these notes should be played/sung on the appropriate verse. The melismatic phrase on boat at the end of bar 37 is a simplification of what is sung on the recording and the performer is free to amend as it suits them. Alternatives. I have different versions of this piece which may suit different performers/instrumentalists more. All my versions are: Voice Piano and Guitar - Melody on its own stave with guitar chords above it and a piano accompaniment underneath; Voice Piano and Guitar - As above but the melody is combined with the right hand of the piano part; Guitar Lead Sheet - Melody with guitar chords; Ukulele Lead Sheet - Melody with Ukulele chords. Just click on the publisher link above or below this description which will take you to all my arrangements. About Ed Sheeran Ed Sheeran is one of the most successful and influential singer-songwriters of our time. He has released six studio albums, all of which have reached number one in the UK charts, and his songs have been streamed billions of times around the world. His songwriting style blends elements from folk, pop, hip-hop, and R&B to create a unique sound that resonates deeply with fans. With an ear for catchy hooks and clever lyrics, Ed Sheeran has crafted some of the biggest hits over recent years including Shape Of You, Thinking Out Loud, and Perfect. His music offers something for everyone as it combines soulful ballads with upbeat dance tracks. A true musical genius who continues to break boundaries in popular music today!
$1.99
1.82 €
#
Lyrics and Chords
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Ed Sheeran
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Boat
#
B. McCormick
#
SheetMusicPlus
10,000 Reasons (bless The Lord)
Guitar - Level 2 - Digital Download SKU: A0.1213599 By Matt Redman. By Jonas Myrin …
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Guitar - Level 2 - Digital Download SKU: A0.1213599 By Matt Redman. By Jonas Myrin and Matt Redman. Arranged by Kyle Pudenz. Christian,Praise & Worship,Religious,Wedding. Chords/Lyrics. 5 pages. ViolinVagabond Music #810792. Published by ViolinVagabond Music (A0.1213599). Here's a chart designed for the last-minute gigging musician, by the last-minute gigging musician. Indeed, I got called in to sub on a solo violin wedding gig on less than 24 hours' notice, and found this song right at the top of the list. Having not played or listened to it in... a while, I decided to display some semblance of due dilligence and write out a version that would work in the range of a solo instrumental violin. Then, and don't ask me where this sudden magnanimous streak came from, I decided to spin up the same chart with lyrics and chord diagrams just in case I ever needed to play it with a vocalist.Out of the goodness of my heart, ALL of the above is available to you for the low low price of (insert current minimum price for SMP chart). While I was tabbing this out from the perspective of a violinist, the range is pretty universal and should be playable on just about any treble clef instrument. Including the viola... although if you got hired to play solo viola at a wedding or a church service I have questions.It's nothing spectacular, but here's what I can promise you if you buy this chart:- THE CHORDS ARE RIGHT. I honestly can't believe there are people that get the chords to worship songs wrong on their arrangements, but here we are. Rest assured I am not one of them.- YOU CAN ACTUALLY READ IT. Finale collisions and terrible interpretations of vocal rhythms need not apply here.- THE MELODY WILL WORK ON YOUR INSTRUMENT. Again, this is not one of those hyper-transcriptions of every little vocal ornament that was sang on the studio version. I purposefully chose where to simplify vs. embellish the melody so that there's room for instrumental interpretation without getting lost in the details.May this humble arranger's last-minute busy work bring joy to your audience and at least an extra 30 minutes of sleep to you by not having to learn this song the night before the gig. Enjoy the hustle, friends.
$3.99
3.66 €
#
Matt Redman
#
10,000 Reasons
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ViolinVagabond Music
#
SheetMusicPlus
Come Home To You
Guitar - Level 3 - Digital Download SKU: A0.1320143 By Ian Munsick. By Dave Villa, …
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Guitar - Level 3 - Digital Download SKU: A0.1320143 By Ian Munsick. By Dave Villa, Ian Munsick, Jamie Kenney, and Niko Moon. Arranged by Kyle Pudenz. 21st Century,Contemporary,Country,Pop,Wedding. Chords/Lyrics. 5 pages. ViolinVagabond Music #908674. Published by ViolinVagabond Music (A0.1320143). Here's a chart designed for the last-minute gigging musician, by the last-minute gigging musician. Indeed, I got called in to sub on a wedding gig on less than a week's notice, and found this song right at the top of the list. Having not played or listened to it... ever, I decided to display some semblance of due dilligence and write out a version that would work in the range of a solo instrumental violin. Then, and don't ask me where this sudden magnanimous streak came from, I decided to spin up the same chart with lyrics and chord diagrams just in case I ever needed to play it with a vocalist.Out of the goodness of my heart, ALL of the above is available to you for the low low price of about 5 bucks. While I was tabbing this out from the perspective of a violinist, the range is pretty universal and should be playable on just about any treble clef instrument. Including the viola... although if you got hired to play solo viola at a wedding or a cocktail hour I have questions.It's nothing spectacular, but here's what I can promise you if you buy this chart:- THE CHORDS ARE RIGHT. I honestly can't believe there are people that get the chords to songs like these wrong on their arrangements, but here we are. Rest assured I am not one of them.- YOU CAN ACTUALLY READ IT. Finale collisions and terrible interpretations of vocal rhythms need not apply here.- THE MELODY WILL WORK ON YOUR INSTRUMENT. Again, this is not one of those hyper-transcriptions of every little vocal ornament that was sang on the studio version. I purposefully chose where to simplify vs. embellish the melody so that there's room for instrumental interpretation without getting lost in the details.May this humble arranger's last-minute busy work bring joy to your audience and at least an extra 30 minutes of sleep to you by not having to learn this song the night before the gig. Enjoy the hustle, friends.
$4.99
4.57 €
#
Ian Munsick
#
Come Home To You
#
ViolinVagabond Music
#
SheetMusicPlus
Chorus and Aria from Ariadne auf Naxos
Guitar
Solo Guitar - Level 4 - Digital Download SKU: A0.899109 Composed by Richard Strauss…
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Solo Guitar - Level 4 - Digital Download SKU: A0.899109 Composed by Richard Strauss. Arranged by Rod Whittle. 20th Century. Individual part. 2 pages. Maggie Creek Music #25787. Published by Maggie Creek Music (A0.899109). 2 pages; for solo classical guitar; published by Maggie Creek MusicRichard Strauss (1864 -1949) Strauss's music amounts to a huge body of symphonic and operatic work written over 60 years. Full of vitality, endlessly melodic, brilliantly orchestrated, it begins and ends in the romantic tradition, but for the most part expresses something more modern and individualistic, not without controversy in its time. Variation of style and structure is drawn from the descriptive (literary) nature of compositions, and an extraordinary inventiveness enlivens the scenes, moods and situations. Strauss said once that he produced music the way cows give milk, and indeed his music rarely seems contrived. The opera Strauss wrote 15 operas on a variety of subjects and across the whole spectrum of drama. He acknowledged being enchanted by the soprano voice, and his writing for it highlights many of the works, including Adriane auf Naxos (composed in 1912). The opera has been described as 'sparkling', which sums it up well, and passages influenced by Bach, Mozart, Puccini, and Wagner add to the interest. The storyline is a play within a play, the second part being the mythological 'Opera' staged in the story. The three pieces transcribed* are from this Opera. The guitar arrangements All classical guitar pieces are compromises. The instrument has only six strings, the left hand four fingers able to be used, and with the right hand its rare to use more than three fingers and the thumb. So, despite the amount of noise possible, it's inevitable that passages occur where either harmony, bass or fragments of counterpoint that would be beneficial are left out. In particular, the higher up the neck music is played the simpler it tends to be, if harder to play, and unless the low bass is an open string there wont be any. So I think the main part of attaining a fair transcription (better to be called an arrangement if the original musical structure is not strictly followed, as in this case) is determining how a good compromise can be reached. Melody, counterpoint, bass and main harmonies demand inclusion, and register is important. One may generally assume the original score can't be improved on. However, if the music may sound well on guitar, and the above elements can be incorporated without the playing becoming very difficult, something enjoyable to play and worthwhile listening to should be able to be achieved. Overture; 'A golden time …' Here the Mozart influence, better, inspiration, is wonderfully evident. A gentle waltz time (only the first section of the overture is transcribed) carries the colourful harmonies, strong melodic threads and connecting flourishes that stamp both pieces. The aria is alluded to in the Overture several times, which as you would expect, is intricately woven with the hints themes later to be established in the Opera. It has a kind of 'jazzy' freedom, and it's always miraculous to me that composition so involved can retain its musical line, here done in Strauss's inimitable way. The aria, sung not far into the Opera, has the perfect inevitability of Mozart, but again it is Strauss. As explained, keys have been changed to suit the guitar. Chorus and Aria This selection from the finale has features well worth trying to translate. The device of having a strong chorus, in the style of a Bach chorale, stated and then counterpointed by a solo voice in a restatement, is potent, and that in the opera the chorus (of the three nymphs) isn't immediately followed by the accompanying aria (of Ariadne) means the latter comes as a moment of surprising beauty. Neither parts are complicated, and lovely arpeggios, a feature Strauss's music, often impart the assured progressions. A problem was to capture the distinct register o.
$7.00
6.41 €
#
Guitar
#
Richard Strauss
#
for solo classical guitar
#
Chorus and Aria from Ariadne auf Naxos
#
Maggie Creek Music
#
SheetMusicPlus
'A golden time ...' from Ariadne auf Naxos
Guitar
Solo Guitar - Level 4 - Digital Download SKU: A0.899112 Composed by Richard Strauss…
(+)
Solo Guitar - Level 4 - Digital Download SKU: A0.899112 Composed by Richard Strauss. Arranged by Rod Whittle. 20th Century. Individual part. 2 pages. Maggie Creek Music #25789. Published by Maggie Creek Music (A0.899112). 2 pages; for solo classical guitar; published by Maggie Creek MusicRichard Strauss (1864 -1949) Strauss's music amounts to a huge body of symphonic and operatic work written over 60 years. Full of vitality, endlessly melodic, brilliantly orchestrated, it begins and ends in the romantic tradition, but for the most part expresses something more modern and individualistic, not without controversy in its time. Variation of style and structure is drawn from the descriptive (literary) nature of compositions, and an extraordinary inventiveness enlivens the scenes, moods and situations. Strauss said once that he produced music the way cows give milk, and indeed his music rarely seems contrived. The opera Strauss wrote 15 operas on a variety of subjects and across the whole spectrum of drama. He acknowledged being enchanted by the soprano voice, and his writing for it highlights many of the works, including Adriane auf Naxos (composed in 1912). The opera has been described as 'sparkling', which sums it up well, and passages influenced by Bach, Mozart, Puccini, and Wagner add to the interest. The storyline is a play within a play, the second part being the mythological 'Opera' staged in the story. The three pieces transcribed* are from this Opera. The guitar arrangements All classical guitar pieces are compromises. The instrument has only six strings, the left hand four fingers able to be used, and with the right hand its rare to use more than three fingers and the thumb. So, despite the amount of noise possible, it's inevitable that passages occur where either harmony, bass or fragments of counterpoint that would be beneficial are left out. In particular, the higher up the neck music is played the simpler it tends to be, if harder to play, and unless the low bass is an open string there wont be any. So I think the main part of attaining a fair transcription (better to be called an arrangement if the original musical structure is not strictly followed, as in this case) is determining how a good compromise can be reached. Melody, counterpoint, bass and main harmonies demand inclusion, and register is important. One may generally assume the original score can't be improved on. However, if the music may sound well on guitar, and the above elements can be incorporated without the playing becoming very difficult, something enjoyable to play and worthwhile listening to should be able to be achieved. Overture; 'A golden time …' Here the Mozart influence, better, inspiration, is wonderfully evident. A gentle waltz time (only the first section of the overture is transcribed) carries the colourful harmonies, strong melodic threads and connecting flourishes that stamp both pieces. The aria is alluded to in the Overture several times, which as you would expect, is intricately woven with the hints themes later to be established in the Opera. It has a kind of 'jazzy' freedom, and it's always miraculous to me that composition so involved can retain its musical line, here done in Strauss's inimitable way. The aria, sung not far into the Opera, has the perfect inevitability of Mozart, but again it is Strauss. As explained, keys have been changed to suit the guitar. Chorus and Aria This selection from the finale has features well worth trying to translate. The device of having a strong chorus, in the style of a Bach chorale, stated and then counterpointed by a solo voice in a restatement, is potent, and that in the opera the chorus (of the three nymphs) isn't immediately followed by the accompanying aria (of Ariadne) means the latter comes as a moment of surprising beauty. Neither parts are complicated, and lovely arpeggios, a feature Strauss's music, often impart the assured progressions. A problem was to capture the distinct register of the so.
$7.00
6.41 €
#
Guitar
#
Richard Strauss
#
for solo classical guitar
#
'A golden time ...' from Ariadne auf Naxos
#
Maggie Creek Music
#
SheetMusicPlus
Excerpt from the Last Part of Ariadne Auf Naxos
Guitar
Solo Guitar - Level 3 - Digital Download SKU: A0.899127 Composed by Richard Strauss…
(+)
Solo Guitar - Level 3 - Digital Download SKU: A0.899127 Composed by Richard Strauss. Arranged by Rod Whittle. 20th Century. Individual part. 4 pages. Maggie Creek Music #3037161. Published by Maggie Creek Music (A0.899127). Transcription for solo classical guitar. 4 pages. Richard Strauss (1864 -1949) Strauss's music amounts to a huge body of symphonic and operatic work written over 60 years. Full of vitality, endlessly melodic, brilliantly orchestrated, it begins and ends in the romantic tradition, but for the most part expresses something more modern and individualistic, not without controversy in its time. Variation of style and structure is drawn from the descriptive (literary) nature of compositions, and an extraordinary inventiveness enlivens the scenes, moods and situations. Strauss said once that he produced music the way cows give milk, and indeed his music rarely seems contrived. The opera Strauss wrote 15 operas on a variety of subjects and across the whole spectrum of drama. He acknowledged being enchanted by the soprano voice, and his writing for it highlights many of the works, including Adriane auf Naxos (composed in 1912). The opera has been described as 'sparkling', which sums it up well, and passages influenced by Bach, Mozart, Puccini, and Wagner add to the interest. The storyline is a play within a play, the second part being the mythological 'Opera' staged in the story. The three pieces transcribed* are from this Opera. The guitar arrangements All classical guitar pieces are compromises. The instrument has only six strings, the left hand four fingers able to be used, and with the right hand its rare to use more than three fingers and the thumb. So, despite the amount of noise possible, it's inevitable that passages occur where either harmony, bass or fragments of counterpoint that would be beneficial are left out. In particular, the higher up the neck music is played the simpler it tends to be, if harder to play, and unless the low bass is an open string there wont be any. So I think the main part of attaining a fair transcription (better to be called an arrangement if the original musical structure is not strictly followed, as in this case) is determining how a good compromise can be reached. Melody, counterpoint, bass and main harmonies demand inclusion, and register is important. One may generally assume the original score can't be improved on. However, if the music may sound well on guitar, and the above elements can be incorporated without the playing becoming very difficult, something enjoyable to play and worthwhile listening to should be able to be achieved. Overture; 'A golden time …' Here the Mozart influence, better, inspiration, is wonderfully evident. A gentle waltz time (only the first section of the overture is transcribed) carries the colourful harmonies, strong melodic threads and connecting flourishes that stamp both pieces. The aria is alluded to in the Overture several times, which as you would expect, is intricately woven with the hints themes later to be established in the Opera. It has a kind of 'jazzy' freedom, and it's always miraculous to me that composition so involved can retain its musical line, here done in Strauss's inimitable way. The aria, sung not far into the Opera, has the perfect inevitability of Mozart, but again it is Strauss. As explained, keys have been changed to suit the guitar. Chorus and Aria This selection from the finale has features well worth trying to translate. The device of having a strong chorus, in the style of a Bach chorale, stated and then counterpointed by a solo voice in a restatement, is potent, and that in the opera the chorus (of the three nymphs) isn't immediately followed by the accompanying aria (of Ariadne) means the latter comes as a moment of surprising beauty. Neither parts are complicated, and lovely arpeggios, a feature Strauss's music, often impart the assured progressions. A problem was to capture the distinct register of the soprano voices, som.
$7.00
6.41 €
#
Guitar
#
Richard Strauss
#
Excerpt from the Last Part of Ariadne Auf Naxos
#
Maggie Creek Music
#
SheetMusicPlus
Overture from Ariadne auf Naxos
Guitar
Solo Guitar - Level 4 - Digital Download SKU: A0.899111 Composed by Richard Strauss…
(+)
Solo Guitar - Level 4 - Digital Download SKU: A0.899111 Composed by Richard Strauss. Arranged by Rod Whittle. 20th Century. Individual part. 2 pages. Maggie Creek Music #25793. Published by Maggie Creek Music (A0.899111). 2 pages; for solo classical guitar; published by Maggie Creek MusicRichard Strauss (1864 -1949) Strauss's music amounts to a huge body of symphonic and operatic work written over 60 years. Full of vitality, endlessly melodic, brilliantly orchestrated, it begins and ends in the romantic tradition, but for the most part expresses something more modern and individualistic, not without controversy in its time. Variation of style and structure is drawn from the descriptive (literary) nature of compositions, and an extraordinary inventiveness enlivens the scenes, moods and situations. Strauss said once that he produced music the way cows give milk, and indeed his music rarely seems contrived. The opera Strauss wrote 15 operas on a variety of subjects and across the whole spectrum of drama. He acknowledged being enchanted by the soprano voice, and his writing for it highlights many of the works, including Adriane auf Naxos (composed in 1912). The opera has been described as 'sparkling', which sums it up well, and passages influenced by Bach, Mozart, Puccini, and Wagner add to the interest. The storyline is a play within a play, the second part being the mythological 'Opera' staged in the story. The three pieces transcribed* are from this Opera. The guitar arrangements All classical guitar pieces are compromises. The instrument has only six strings, the left hand four fingers able to be used, and with the right hand its rare to use more than three fingers and the thumb. So, despite the amount of noise possible, it's inevitable that passages occur where either harmony, bass or fragments of counterpoint that would be beneficial are left out. In particular, the higher up the neck music is played the simpler it tends to be, if harder to play, and unless the low bass is an open string there wont be any. So I think the main part of attaining a fair transcription (better to be called an arrangement if the original musical structure is not strictly followed, as in this case) is determining how a good compromise can be reached. Melody, counterpoint, bass and main harmonies demand inclusion, and register is important. One may generally assume the original score can't be improved on. However, if the music may sound well on guitar, and the above elements can be incorporated without the playing becoming very difficult, something enjoyable to play and worthwhile listening to should be able to be achieved. Overture; 'A golden time …'Here the Mozart influence, better, inspiration, is wonderfully evident. A gentle waltz time (only the first section of the overture is transcribed) carries the colourful harmonies, strong melodic threads and connecting flourishes that stamp both pieces. The aria is alluded to in the Overture several times, which as you would expect, is intricately woven with the hints themes later to be established in the Opera. It has a kind of 'jazzy' freedom, and it's always miraculous to me that composition so involved can retain its musical line, here done in Strauss's inimitable way. The aria, sung not far into the Opera, has the perfect inevitability of Mozart, but again it is Strauss. As explained, keys have been changed to suit the guitar. Chorus and Aria This selection from the finale has features well worth trying to translate. The device of having a strong chorus, in the style of a Bach chorale, stated and then counterpointed by a solo voice in a restatement, is potent, and that in the opera the chorus (of the three nymphs) isn't immediately followed by the accompanying aria (of Ariadne) means the latter comes as a moment of surprising beauty. Neither parts are complicated, and lovely arpeggios, a feature Strauss's music, often impart the assured progressions. A problem was to capture the distinct register of the sopr.
$7.00
6.41 €
#
Guitar
#
Richard Strauss
#
for solo classical guitar
#
Overture from Ariadne auf Naxos
#
Maggie Creek Music
#
SheetMusicPlus
Silent Night: From Austria to Africa
Guitar notes and tablatures
Solo Guitar - Level 4 - Digital Download SKU: A0.1153109 Composed by Franz Xaver Gr…
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Solo Guitar - Level 4 - Digital Download SKU: A0.1153109 Composed by Franz Xaver Gruber. Arranged by Richard Hirsch. Christmas,Multicultural,Religious,Standards,Traditional,World. Individual part. 8 pages. Richard Hirsch #753352. Published by Richard Hirsch (A0.1153109). An arrangement for solo guitar of the all-time favourite Christmas carol composed by Franz Gruber. The arrangement starts with an introduction of the melody in arpeggios of natural harmonics and moves into broken chords mixed with arpeggios for the first rendering of the song in 6/8 time. In the second part, at the shift to 4/4 time, the melody is rendered in an African inspired version with natural harmonics reminiscent of tunes played on an African kalimba (thumb harp) woven into the broken chords and arpeggios. As the speed increases, and the volume decreases, the arrangement moves steadily toward a total kalimba version. I like to think of the first part of the arrangement as symbolising a night in the little Austrian village where Gruber lived and composed the song. The natural harmonics and base notes and treble notes on open strings denoting the village chapel bells ringing on Christmas Eve. The second part tries to give a feel for how the melody can stand as a symbol of our common human origins in Africa, celebrating the birth and unity of humanity. The arrangement is within reach of intermediate to advanced students of guitar and is a good introduction to natural harmonics on the twelfth, seventh, and fifth frets. The African inspired polyrhythm fingerpicking in the second part consists basically of the thumb alternating with the index and middle fingers in a repetitive cycle. The second part is notated in 4/4 time, but can perhaps be more easily be read and played as 8/8 time, as practically everything, especially towards the end of the arrangement consists of eight notes. The polyrhythmic second part should have an accent on the downbeat of the first beat of the measure followed by an accent at 3and (an upbeat), just before the fourth and final beat of the measure. Reading the four part harmony of the score may at first present a challenge but if played basically as eight notes followed by eight notes everything should come out right in the end. Refer to the mp3 version provided with the score if in doubt. I do not mark the natural harmonics explicitly in the tablature, there are simply too many of them. The diamond shaped notes in the notation denoting harmonics are found directly above the corresponding fingerings in the tablature. It has been a real joy to work with this arrangement of the song and I hope it brings joy to others in playing it, giving new life to the traditional melody.
$4.99
4.57 €
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Guitar notes and tablatures
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Franz Xaver Gruber
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Silent Night: From Austria to Africa
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Richard Hirsch
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SheetMusicPlus
Pick Up the Pieces: Guitar Chords
Guitar (band part)
Jazz Ensemble - Digital Download SKU: AX.00-PC-0017154_GC Guitar Chords. Com…
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Jazz Ensemble - Digital Download SKU: AX.00-PC-0017154_GC Guitar Chords. Composed by Alan Gorrie, Hamish Stuart, Malcolm Duncan, Robbie McIntosh, and Roger Ball. Jazz; Rock. Part. 1 pages. Alfred Music - Digital Sheet Music #00-PC-0017154_GC. Published by Alfred Music - Digital Sheet Music (AX.00-PC-0017154_GC). UPC: 038081336343.It's funk-rock---you know it, you love it. The tune is infectious and the arrangement is right on target with no individual solos, but plenty of section and ensemble work. The sax soli is crazy hot and the lead trumpet range is to written A, above the staff. Lots of unison lines, some fun bari sax licks and a very hip stop-time interlude that cooks. Consider this chart a winner. (4:00).
$3.00
2.75 €
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Guitar (band part)
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Alan Gorrie, Hamish Stuart, Malcolm Duncan, Robbie McIntosh, and Roger Ball
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Rock
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Pick Up the Pieces: Guitar Chords
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Alfred Music - Digital Sheet Music
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SheetMusicPlus
Pick Up the Pieces: Guitar
Guitar (band part)
Jazz Ensemble - Digital Download SKU: AX.00-PC-0017154_G Guitar. Composed by…
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Jazz Ensemble - Digital Download SKU: AX.00-PC-0017154_G Guitar. Composed by Alan Gorrie, Hamish Stuart, Malcolm Duncan, Robbie McIntosh, and Roger Ball. Jazz; Rock. Part. 3 pages. Alfred Music - Digital Sheet Music #00-PC-0017154_G. Published by Alfred Music - Digital Sheet Music (AX.00-PC-0017154_G). UPC: 038081336343.It's funk-rock---you know it, you love it. The tune is infectious and the arrangement is right on target with no individual solos, but plenty of section and ensemble work. The sax soli is crazy hot and the lead trumpet range is to written A, above the staff. Lots of unison lines, some fun bari sax licks and a very hip stop-time interlude that cooks. Consider this chart a winner. (4:00).
$3.00
2.75 €
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Guitar (band part)
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Alan Gorrie, Hamish Stuart, Malcolm Duncan, Robbie McIntosh, and Roger Ball
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Rock
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Pick Up the Pieces: Guitar
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Alfred Music - Digital Sheet Music
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SheetMusicPlus
That's How We Roll: Guitar Chords
Guitar (band part)
Jazz Ensemble - Digital Download SKU: AX.00-PC-0017221_GC Guitar Chords. Com…
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Jazz Ensemble - Digital Download SKU: AX.00-PC-0017221_GC Guitar Chords. Composed by Gordon Goodwin. Arranged by Peter Blair. Jazz. Part. 1 pages. Alfred Music - Digital Sheet Music #00-PC-0017221_GC. Published by Alfred Music - Digital Sheet Music (AX.00-PC-0017221_GC). UPC: 038081431734.An easy-to-play shuffle swing adapted from Gordon Goodwin's high-end chart for the grade 2 level. Arranger Peter Blair gets it right with accessible rhythms, written solos for alto and trumpet and this catchy melody. While not a trumpet section feature, the trumpets get most of the spotlight melody lines with lead trumpet range to written G on top of the staff with one last note A above the staff. It's good to play Goodwin! This title is available in SmartMusic.
$3.00
2.75 €
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Guitar (band part)
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Gordon Goodwin
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That's How We Roll: Guitar Chords
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Alfred Music - Digital Sheet Music
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SheetMusicPlus
Dreamsville
Guitar
Solo Guitar - Level 5 - Digital Download SKU: A0.1291149 Composed by Henry Mancini.…
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Solo Guitar - Level 5 - Digital Download SKU: A0.1291149 Composed by Henry Mancini. Arranged by Christopher J. Malin. 20th Century,Contemporary,Jazz,Pop,Standards. Individual part. 1 pages. Christopher J. Malin #881827. Published by Christopher J. Malin (A0.1291149). Solo jazz guitar chord/melody arrangement with tablature. Very seldom heard standard in this syle.Super cool jazz song that is quirky and open to improvising. Mancini got this right! This piece will make you a cut above the rest! The tag at the end is just begging you to improvise over the chord structure. The fade out has to be practised but can be done with a volume pedal or just play it lightly as you go. It will impress.Sounds great on acoustic and electric guitars. Tried and true.
$4.99
4.57 €
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Guitar
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Henry Mancini
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Dreamsville
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Christopher J. Malin
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SheetMusicPlus
That's How We Roll: Guitar
Guitar (band part)
Jazz Ensemble - Digital Download SKU: AX.00-PC-0017221_G Guitar. Composed by…
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Jazz Ensemble - Digital Download SKU: AX.00-PC-0017221_G Guitar. Composed by Gordon Goodwin. Arranged by Peter Blair. Jazz. Part. 2 pages. Alfred Music - Digital Sheet Music #00-PC-0017221_G. Published by Alfred Music - Digital Sheet Music (AX.00-PC-0017221_G). UPC: 038081431734.An easy-to-play shuffle swing adapted from Gordon Goodwin's high-end chart for the grade 2 level. Arranger Peter Blair gets it right with accessible rhythms, written solos for alto and trumpet and this catchy melody. While not a trumpet section feature, the trumpets get most of the spotlight melody lines with lead trumpet range to written G on top of the staff with one last note A above the staff. It's good to play Goodwin! This title is available in SmartMusic.
$3.00
2.75 €
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Guitar (band part)
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Gordon Goodwin
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That's How We Roll: Guitar
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Alfred Music - Digital Sheet Music
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SheetMusicPlus
Kristallen den fina
Guitar notes and tablatures
Solo Guitar - Level 3 - Digital Download SKU: A0.1377598 Composed by Traditional. A…
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Solo Guitar - Level 3 - Digital Download SKU: A0.1377598 Composed by Traditional. Arranged by Richard Hirsch. Folk,Multicultural,Traditional,World. Individual part. 5 pages. Richard Hirsch #962192. Published by Richard Hirsch (A0.1377598). I offer an arrangement for solo fingerstyle guitar of the Swedish folk song from Skattungbyn in the province of Dalarna. It is one of my all-time favourite Swedish folk songs. The text of the song is a poetic expression of longing felt for a loved-one. The arrangement goes in a slow waltz with a slight swing and would work well as a dance for romantic couples.The arrangement uses broken chords with many open strings which are meant to ring out while the melody floats above. The open strings in the chords give the piece a slightly modal character that is typical of many Swedish folk melodies.The notation and tabs contain extensive left and right hand fingering and is easily within reach of intermediate students of fingerstyle acoustic guitar.
$4.99
4.57 €
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Guitar notes and tablatures
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Traditional
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Kristallen den fina
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Richard Hirsch
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SheetMusicPlus
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