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When From My Love
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142 sheet music found
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Tears from My Eyes: Onward and Upward (for String Orchestra with Cello and Violin solos)
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String Orchestra
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INTERMEDIATE/ADVANCED
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Visionary Quest Records
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Violin Solo
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Tears from My Eyes: Onward and
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Visionary Quest Records
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SheetMusicPlus
String Orchestra - Level 4 - Digital Download SKU: A0.984536 Composed by Visionary Quest Records. Concert,Contemporary. Score and parts. 75 pages. Vision...
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String Orchestra - Level 4 - Digital Download SKU: A0.984536 Composed by Visionary Quest Records. Concert,Contemporary. Score and parts. 75 pages. Visionary Quest Records #4767739. Published by Visionary Quest Records (A0.984536). STRING ORCHESTRA - Cello Solo; Violin Solo; Violin 1, 2, 3; Viola 1, 2, 3; Cello (non-solo) 1, 2; Contrabass 1, 2: Full Score plus parts = 75 pages. Composer: Tito Abeleda (1964 - ) Digital Download. HD CD Quality MP3 recorded at 48,000 hz 320 kbps also available. Level: IntermediateTears from My Eyes: First Movement: Remember Your Feelings (for Full Orchestra with Cello and Oboe solos) Second Movement: Reflection and Contemplation (for Flute Choir with Flute solo) Third Movement: Love Lost: Finding Your Fire Again Fourth Movement: Mourning in the Rain (for Clarinet Choir with Clarinet solo) Fifth Movement: Onward and Upward (for String Orchestra with Cello and Violin solo)A few months ago, I received a call from my parents. My Mother had some sad news to give me. Dad was very ill. My whole life flashed before me. My parents were always 200% supportive of all my artistic endeavors. None of my success would have been possible but for my Dad and Mom. My memories of my Dad and my Mom flooded my mind like a deluge. When I heard the news about how gravely ill he was I thought to myself that so often we give thanks, honor, or show our love when it is too late. Who wants to be that person? I was finally in the unique position to show my gratitude and love to my parents in the most special way that I could - through music from my heart and soul. I got the courage to look deeply within and then I began to write what was to become the first and second songs, respectively Tears from My Eyes: Remember Your Feelings and Tears from My Eyes: Reflection and Contemplation on my Tears from My Eyes: Songs from my Soul album.You will now be able to do just the same for your loved ones with this new music. Your intermediate level to advanced students and even professional musicians should find this to be a welcomed piece to learn and master. It looks deceptively simple but the learning and challenge comes from two smaller sub-ensembles playing together in their own collective units legato con moto while playing together as a whole music ensemble Everyone will enjoy and bathe in the beautiful harmonies that will resonate when the entire music ensemble begins to listen to each while playing together as a group. Your musicians will hone their skills in playing together with just the right balance that this song requires. Your musicians will also hone their skills for subdividing and maintaining an inner beat that is in sync with your conducting because there is no percussion and the notes are freely flowing on and off the down beat yet not sounding heavily syncopated when performed. When will you know when you have achieved the right balance and flow of the music? You will know when, because you will hear it and feel it when it comes into place. But I can help you with all of this with what I have to offer you today. I share with you now the final and 5th movement to Tears from my Eyes - Onward and Upward (for String Orchestra). This particular was created and produced after the Songs from My Soul album was sent for distribution. So, this song has yet to be officially released. All five movements will be released as an album Mourning in the Rain. This 5th movement Onward and Upward has a decisive emotional resolution and conviction in its pathos. The dynamics reflect accordingly ranging from mf to fff indicative of overcoming adversity and grief. Imagine overcoming despair, rising out of grief and depression and finally seeing the light of day - to join the ranks of the living and re-embracing life once again.Contact info: Tito AbeledaVisionary Quest Recordshttps://www.visionaryquestrecordsEmail: tito@visionaryquestrecords.comFollow Tito on Social Media:Facebook: https://www.facebook.com/titoabeledaTwitter:
$44.99 ≈
$62.79
Singing My Baby to Sleep, a sacred Christmas hymn (Lullaby)
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Choral SATB
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INTERMEDIATE/ADVANCED
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Kevin G
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Singing My Baby to Sleep, a sa
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Kevin G. Pace
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SheetMusicPlus
Choral Choir,Choral,SATB Chorus - Level 4 - Digital Download SKU: A0.1499801 Composed by Kevin G. Pace (ASCAP), Mary Ann W. Snowball. Christian,Christmas...
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Choral Choir,Choral,SATB Chorus - Level 4 - Digital Download SKU: A0.1499801 Composed by Kevin G. Pace (ASCAP), Mary Ann W. Snowball. Christian,Christmas,Praise & Worship,Religious,Sacred. 2 pages. Kevin G. Pace #1075867. Published by Kevin G. Pace (A0.1499801). A lovely, Christmas lullaby-hymn with music by Kevin G. Pace and text by Mary Ann W. Snowball.Text:Straight from heav’n with God’s love came my baby boy.Waiting long, now I sing, for I know true joy.When he cries in my arms, I can wrap him tight . . .Then I sing my love to him in our Father’s sight.I’m singing my baby to sleep ev’ry day and night . . .Just singing my baby to sleep, with love, in Father’s heav’nly light.Straight from heav’n with God’s love came the holy One.Down to earth now He lends his most perfect Son.With pure light all about, my love only grows.As I sing God’s holy words, greater care I know.I’m singing my baby to sleep ev’ry day and night . . .Just singing my baby to sleep, with love, in Father’s heav’nly light.
$2.99 ≈
$4.17
Only My Savior, a sacred hymn
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Choral SATB
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INTERMEDIATE/ADVANCED
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Sacred music
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Kevin G
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Only My Savior, a sacred hymn
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Kevin G. Pace
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SheetMusicPlus
Choral Choir,Choral,SATB Chorus - Level 4 - Digital Download SKU: A0.1452351 Composed by Kevin G. Pace (ASCAP), Mary Ann W. Snowball. Christian,Praise & ...
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Choral Choir,Choral,SATB Chorus - Level 4 - Digital Download SKU: A0.1452351 Composed by Kevin G. Pace (ASCAP), Mary Ann W. Snowball. Christian,Praise & Worship,Religious,Sacred,Spiritual. 3 pages. Kevin G. Pace #1031677. Published by Kevin G. Pace (A0.1452351). A beautiful, heart-felt, sacred hymn with music by Kevin G. Pace and text by Mary Ann W. Snowball.Text:Who am I that when I fall, Thou offers only grace,That when I see my weaknesses, pure love shines from thy face?Who art Thou who cried for me in ever-wors’ning pain,That when I’m trapped in senseless sin, still suffered for my gain?Only my Savior can love me that much; only He died for my soul.Only my Savior has scars to atone; only He makes me feel whole.Who am I that Thou redeems my prideful, unkempt soul?That when I stray from righteousness, forgiveness is thy goal?Who art Thou who bled for me with drops like falling rain,That when I’m slow to show my love, still wipes away each stain?Only my Savior can love me that much; only He died for my soul.Only my Savior has scars to atone; only He makes me feel whole.Who am I that Thou should save, redeeming ev’ry flaw?That when I suffer selfishness, Thou shows me greater laws?Who art Thou who gave His life so I might live with Thee,That when I’ve given up all hope, still wants to be with me?Only my Savior can love me that much; only He died for my soul.Only my Savior has scars to atone; only He makes me feel whole.
$1.99 ≈
$2.78
Notturno from String Quartet No. 2 ("And This Is My Beloved")
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String Quartet: 2 violins, viola, cello
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INTERMEDIATE/ADVANCED
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Alexander Borodin
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F
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Notturno from String Quartet N
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Sweetwater Brass Press
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SheetMusicPlus
Brass Ensemble - Level 4 - Digital Download SKU: A0.808699 Composed by Alexander Borodin (1833–1887). Arranged by F. Leslie Smith. Film/TV,Holiday...
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Brass Ensemble - Level 4 - Digital Download SKU: A0.808699 Composed by Alexander Borodin (1833–1887). Arranged by F. Leslie Smith. Film/TV,Holiday,Love,Musical/Show,Romantic Period. Score and parts. 49 pages. Sweetwater Brass Press #5209931. Published by Sweetwater Brass Press (A0.808699). Borodin wrote his String Quartet No. 2 in 1881. Sixty-five years later, the Charlie Spivak Orchestra recorded Spring Magic, a song credited to William Engvick, Bert Reisfeld and Alec Wilder, that used the theme of the quartet’s third movement for its melody. But the better known adaptation was created in 1953 when Robert Wright and George Forrest used it for And This Is My Beloved, a song for their Broadway highly successful musical Kismet. The song was subsequently recorded by a number of well known vocalists. Additionally, the quartet’s third-movement theme has been used in several other movies since then.
$14.95 ≈
$20.87
I Gave My Love a Cherry (The Riddle Song ["The Twelfth of Never"])
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Brass quartet : 2 trumpets, trombone, tuba
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INTERMEDIATE/ADVANCED
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English Folk Song by way of Am
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F
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I Gave My Love a Cherry
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Sweetwater Brass Press
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SheetMusicPlus
Brass Ensemble Horn,Trombone,Trumpet,Tuba - Level 4 - Digital Download SKU: A0.1130062 Composed by English Folk Song by way of American Appalachians. Arr...
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Brass Ensemble Horn,Trombone,Trumpet,Tuba - Level 4 - Digital Download SKU: A0.1130062 Composed by English Folk Song by way of American Appalachians. Arranged by F. Leslie Smith. Celtic,Children,Folk,Irish,Traditional,Wedding. Score and parts. 28 pages. Sweetwater Brass Press #730439. Published by Sweetwater Brass Press (A0.1130062). The origins of this lullaby can be traced back to 15th-century England. Pioneers from the British Isles brought it with them to the American Appalachians. Written in three verses, its lyrics tell of four seemingly impossible gifts the singer gave my love. The first verse describes each gift: cherry that has no stone, a chicken that has no bone. a story that has no end and a baby with no cryin'. The second verse poses the riddle: how can such items exist? The third provides the answers: A cherry when it's bloomin', it has no stone. A chicken when it's pippin', it has no bone. The story of I love you, it has no end. A baby when it's sleepin', has no cryin'. This Riddle Song has enjoyed somewhat of a revival since mid-20th century, making appearances in various movies, TV shows and recordings. In 1956, Jerry Livingston and Paul Francis adapted The Riddle Song tune, added an original bridge and created new lyrics; Johnny Mathis recorded it as The Twelfth of Never, giving the haunting melody probably its greatest surge in popularity. This arrangement is in G major and opens with an upbeat introduction. For the first statement of the melody, tempo slows and Trumpets alternate the lead. On the second time through, tempo speeds up slightly and tuba takes the lead. For the third, tempo is back to the opening speed and Horn in F plays the melody. On the fourth time through, Trumpets and Trombone frame the tune in a call-and-response form. In the fifth, Trombone takes the lead. In the sixth and final statement, Horn in F and Trombone play melody at half speed while Trumpets play a fairly complicated counterpoint (at what may seem like double speed!). This, until the last phrase (A baby when it's sleepin'), when the melody switches over to Trumpets and Trombone takes the counterpoint. Trumpet 1 plays its A above the staff a number of times. Tuba's lowest note is its F down below the staff. Otherwise, notes for all instruments are well within normal playing range. Because of the recommended tempo, the countermelody at measures 68-83 could be problematic for Trumpets and Trombone and may require a little extra work. Completed in 2022, performance time runs about 3 minutes, 42 seconds. The arranger, Les Smith, will be happy to provide substitute parts (for example, treble clef baritone for trombone) at no charge. He would like to receive your suggestions, comments, corrections and criticisms. For more arrangements by Les, enter Sweetwater Brass Press (without the quotation marks) in the Sheet Music Plus or Sheet Music Direct search box. (Also, purchase of this piece entitles you to your choice of another of his arrangements at no charge; send a copy of your purchase receipt directly to him at lessmith61@bellsouth.net.)
$7.95 ≈
$11.10
Love Alone Shall Guide Us
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Choral SATB
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INTERMEDIATE/ADVANCED
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Dan Meyer
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Love Alone Shall Guide Us
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Dan Meyer
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SheetMusicPlus
Choral Choir (SATB) - Level 4 - Digital Download SKU: A0.1148486 Composed by Dan Meyer. A Cappella,Chamber,Historic,Wedding. Octavo. 8 pages. Dan Meyer #...
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Choral Choir (SATB) - Level 4 - Digital Download SKU: A0.1148486 Composed by Dan Meyer. A Cappella,Chamber,Historic,Wedding. Octavo. 8 pages. Dan Meyer #748647. Published by Dan Meyer (A0.1148486). Love Alone Shall Guide Us is an a cappella, SATB piece with no divisi. The words were written in 1846 and are particularly interesting and poignant because they were written TO Edgar Allan Poe by his wife Virginia Clemm Poe (1822-1847). He never wrote a poem specifically for her, but she wrote this acrostic poem for him shortly before the end of her short and tragic life. Here are the lyrics: Ever with thee I wish to roam — Dearest my life is thine. Give me a cottage for my home And a rich old cypress vine, Removed from the world with its sin and care And the tattling of many tongues. Love alone shall guide us when we are there — Love shall heal my weakened lungs; And Oh, the tranquil hours we’ll spend, Never wishing that others may see! Perfect ease we’ll enjoy, without thinking to lend Ourselves to the world and its glee — Ever peaceful and blissful we’ll be. Virginia Poe mentions her illness when it states Love shall heal my weakened lungs because it was tuberculosis that took her life less than a year after writing these words. For modern performers, I particularly like the line Never wishing other may see; in this social media era, this is really a foreign concept!
$2.10 ≈
$2.93
Singing My Baby to Sleep, a sacred Christmas vocal solo lullaby
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Piano, Voice
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INTERMEDIATE/ADVANCED
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Kevin G
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Singing My Baby to Sleep, a sa
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Kevin G. Pace
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SheetMusicPlus
Piano,Vocal,Voice - Level 4 - Digital Download SKU: A0.1506165 Composed by Kevin G. Pace (ASCAP), Mary Ann W. Snowball. Christian,Christmas,Praise & Wors...
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Piano,Vocal,Voice - Level 4 - Digital Download SKU: A0.1506165 Composed by Kevin G. Pace (ASCAP), Mary Ann W. Snowball. Christian,Christmas,Praise & Worship,Religious,Sacred. Score. 7 pages. Kevin G. Pace #1081536. Published by Kevin G. Pace (A0.1506165). A beautiful, Christmas lullaby with music by Kevin G. Pace and text by Mary Ann W. Snowball.Text:Straight from heav’n with God’s love came my baby boy.Waiting long, now I sing, for I know true joy.When he cries in my arms, I can wrap him tight . . .Then I sing my love to him in our Father’s sight.I’m singing my baby to sleep ev’ry day and night . . .Just singing my baby to sleep, with love, in Father’s heav’nly light.Straight from heav’n with God’s love came the holy One.Down to earth now He lends his most perfect Son.With pure light all about, my love only grows.As I sing God’s holy words, greater care I know.I’m singing my baby to sleep ev’ry day and night . . .Just singing my baby to sleep, with love, in Father’s heav’nly light.
$5.99 ≈
$8.36
THE HEART JUGGLER (Original Piano Music) from CHINA LOVE
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Piano solo
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INTERMEDIATE/ADVANCED
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ROBERT VAN HORNE
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ROBERT VAN HORNE
 i
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ROBERT VAN HORNE
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THE HEART JUGGLER
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White Piano International Publishing
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SheetMusicPlus
Piano Solo - Level 4 - Digital Download SKU: A0.1220931 By ROBERT VAN HORNE. By ROBERT VAN HORNE. Arranged by ROBERT VAN HORNE. Classical,Film/TV,Instruc...
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Piano Solo - Level 4 - Digital Download SKU: A0.1220931 By ROBERT VAN HORNE. By ROBERT VAN HORNE. Arranged by ROBERT VAN HORNE. Classical,Film/TV,Instructional,Multicultural,Romantic Period,World. Score. 8 pages. White Piano International Publishing #817271. Published by White Piano International Publishing (A0.1220931). THE HEART JUGGLER (Original Piano Music) from “CHINA LOVEâ€Composed by ROBERT VAN HORNE in 1993Advanced Piano Solo Arrangement8 pages Duration approximately 4 minutesTHE HEART JUGGLER was originally inspired in 1983 when a friend of mine told me about a dream she had one night. In her dream she was at a carnival where a clown was juggling little heart-shaped sculptures. Many years later during my time in Singapore, I remembered her dream and with my knowledge of Eastern music, I composed THE HEART JUGGLER. This piece was featured on my first USA piano album: CHINA LOVE. It was selected and featured in the MTAC Composer Today Awards.The sheet music is clearly notated with dynamic and articulation marks, phrasing, pedal indications, chord symbols, including suggested fingerings and appropriate musical terms for playing.This is a wonderful arrangement for advanced students, professional pianists, and piano teachers.An original 2009 YouTube video of Robert performing THE HEART JUGGLER can be found at: http://www.youtube.com/watch?v=1yJezmb0uzQThe mp3 recording of THE HEART JUGGLER was recorded in 2006 with an acoustic piano and digital orchestral instruments. It was used as the 3rd movement (Vivace e misterioso) of Robert’s GREAT WALL CONCERTO having a different ending.     Published by White Piano International PublishingRobert is a member of ASCAPWebsite: www.robertvanhorne.com Email: rvh@robertvanhorne.com.
$5.99 ≈
$8.36
Selections from Symphony No.3
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Classical
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Gustav Mahler
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Nick Fife
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Selections from Symphony No.3
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Nicholas Fife
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SheetMusicPlus
Brass Ensemble Horn - Level 4 - Digital Download SKU: A0.982407 Composed by Gustav Mahler. Arranged by Nick Fife. Romantic Period. Score and parts. 32 pa...
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Brass Ensemble Horn - Level 4 - Digital Download SKU: A0.982407 Composed by Gustav Mahler. Arranged by Nick Fife. Romantic Period. Score and parts. 32 pages. Nicholas Fife #6660879. Published by Nicholas Fife (A0.982407). While attending the University of South Carolina the horn choir performed Robert Pruzin’s arrangement of selections from Mahler’s third symphony. All of the horn students loved it, and we performed it at the Southeast Horn Workshop at Western Carolina University in 2009. When Mr. Pruzin died; the arrangement was lost, so I reproduced his arrangement. After studying the original score I was able to identify the portions of the piece that Mr. Pruzin used. Mr. Pruzin taught at the UofSC for 35 years, mentoring and inspiring countless young music students. He was the principal horn of the SC Philharmonic and the Augusta Symphony. He was also an artist in residence at the SC Governor’s School for the Arts. Mr. Pruzin always had a deep admiration for Mozart, so he started a program called Bring Mozart Alive!. He would dress as a court musician from the time of Mozart and performed for thousands of elementary school students. I have wonderful memories from my time at the UofSC, and that includes performing this arrangement. It is my hope that this arrangement continues to be enjoyed by horn students for many years to come. Thank you for everything, Mr. Pruzin. Gustav Mahler finished writing his third symphony in 1896. It is his longest composition. Performance times usually range from 95 to 110 minutes. This arrangement contains portions of the first and final movements of the work.
$9.99 ≈
$13.94
My Lord Will Comfort Me, sacred music for SATB choir
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Choral SATB
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INTERMEDIATE/ADVANCED
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Sacred music
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Kevin G
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My Lord Will Comfort Me, sacre
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Kevin G. Pace
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SheetMusicPlus
Choral Choir (SATB) - Level 4 - Digital Download SKU: A0.702371 Composed by Kevin G. Pace (ASCAP), Mark R. Fotheringham. Christian,Praise & Worship,Sacre...
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Choral Choir (SATB) - Level 4 - Digital Download SKU: A0.702371 Composed by Kevin G. Pace (ASCAP), Mark R. Fotheringham. Christian,Praise & Worship,Sacred. Octavo. 7 pages. Kevin G. Pace #6495633. Published by Kevin G. Pace (A0.702371). Sacred music for SATB choir with music by Kevin G. Pace and text by Mark R. Fotheringham. See text below:My Lord will comfort me whenever my burdens are big as the sea.And my Lord will wait for me when sorrows are weighing me down.He can ease all of my fears and help me see daylight.His love brings me down to my knees to pleadThat my Lord will comfort me when sorrows are weighing me downMy Lord will pardon me whenever I beg Him to help me break free.And my Lord delivers me. Dear Jesus will loosen my chains.My Savior suffered for me and bled in the garden.His love raises me from despair with prayer,For my Lord will pardon me. Dear Jesus will loosen my chains.My Lord will rescue me whatever temptation or care there may be.And my Lord will answer me. His angels are here by my side.I give all glory to God, for Christ is my Savior.His love ever helps me endure. I'm sureThat my Lord will rescue me. His angels are here by my side.
$1.99 ≈
$2.78
From the Hillside, Aria for Tenor with Orchestral Accompaniment from On the Wings of the Scarlet Mes
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Orchestra
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INTERMEDIATE/ADVANCED
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James Nathaniel Holland
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From the Hillside, Aria for Te
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James Nathaniel Holland
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SheetMusicPlus
Full Orchestra - Level 4 - Digital Download SKU: A0.730401 Composed by James Nathaniel Holland. Contemporary,Musical/Show,Opera. Score and parts. 37 page...
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Full Orchestra - Level 4 - Digital Download SKU: A0.730401 Composed by James Nathaniel Holland. Contemporary,Musical/Show,Opera. Score and parts. 37 pages. James Nathaniel Holland #3142471. Published by James Nathaniel Holland (A0.730401). Tenor Aria From the Hillside from the 21st Century Opera ON THE WINGS OF THE SCARLET MESSENGER (Based on the Henry James novel, On the Wings of a Dove) here with full orchestral accompaniment. (Full score in concert pitch, voice, and individual parts included) This accompaniment can also be used with the solo and male ensemble that is contained in the full vocal score.Instrumentation: pic, fl12,ob12,eh,cl12,bcl,tenor sax, bsn12,hrn1234, trpt 12, trmb, btrm, timp, hand cym/egg shaker, hrp, voice, stringsDuration: 4:00 minutes (Sample here begins with extra measure) Video presentation at: https://www.youtube.com/watch?v=u47yb4kiE0Y Curious? Listen to the complete opera playlist en demo at: http://www.youtube.com/watch?v=Rr5x_aXnUMM&list=PLEcbVsA36MCvHG_MTBdv7x2UNjwG27sMa Adaptation, Libretto, and Music by James Nathaniel Holland Performance: James Nathaniel Holland, Tenor Orchestra: CH Symphony Group (Complete Duration: 2 hours) BRIEF SYNOPSIS: In the urban capital of Soon Rafa, lovers Mariana (Soprano) and Kai (Bass) cannot be together because of Mariana's disapproving wealthy Aunt (Mezzo-Soprano). Torn between love and financial security, an unlikely opportunity arises when a dying rich Occidental, Justin (Tenor) reveals his romantic interest in Kai. The couple plot a pretense to inherit Justin's money and be free to marry and live together. This aria occurs in Act I, Scene 2. Justin (tenor) has just hired a group of porters, including Kai (bass), to guide him through the jungles of the island to photograph the mythical bird, the Scarlet Messenger. Although the men insist it is a legend, Justin inspires them to persevere with him. Aria Libretto, Justin (tenor singing): From the hillside, something breaks free. Is it real? Or just illusion? Oh how I have to see you, feel that beauty. Upon your wings our souls must one day fly to heaven. Never doubt that you can find him, hiding among your dreams. For when you feel all hope is gone, that's when you spot his red wings, fiery bright. (to the group of porters) So come with me, all's not in vain. It is real, just not illusion. The day is fading fast, oh, so quickly. We'll be the first to see that blazing path of fire. The Scarlet Messenger! Oh how that would be the greatest gift of my life. Composer website: http://lacoronadelossantos.net/jamesnathanielholland.html Music, Lyrics, Performance Copyright 2017 James Nathaniel Holland.
$15.95 ≈
$22.26
Among My Souvenirs (Humoresque) - #2 Brass & Percussion Parts
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Concert band
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INTERMEDIATE/ADVANCED
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Contemporary
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way of an old Sousa concert pr
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John Philip Sousa
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Kevin R
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Among My Souvenirs
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Freedom Band Press
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SheetMusicPlus
Concert Band - Level 4 - Digital Download SKU: A0.987645 Composed by John Philip Sousa. Arranged by Kevin R. Tam. 20th Century. Score and parts. 61 pages...
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Concert Band - Level 4 - Digital Download SKU: A0.987645 Composed by John Philip Sousa. Arranged by Kevin R. Tam. 20th Century. Score and parts. 61 pages. Freedom Band Press #45615. Published by Freedom Band Press (A0.987645). John Philip Sousa shall forever be regarded as the March King. However, his body and scope of work extend well beyond the marches which made him so famous. In a rough accounting of Sousa’s body of work, marches make up only the second most numerous of his efforts – some 135 march compositions versus over 320 arrangements and transcriptions for Band. Outside of his marches, most of the Sousa catalog, including his humoresques, remains unpublished and largely unheard today. By way of an old Sousa concert program, we learn the narrative of his humoresque Among My Souvenirs. In it, the Nichols song Among My Souvenirs is lengthened into a sketch. Among his souvenirs is a photograph, letters and a broken heart. As he meditates, he goes back to a time before he was broken-hearted and remembers when he and his beloved were softly singing Twinkling Stars are Laughing, Love. Next, his mind reverts to the time when he was Seeing Her Home, recalling the songs of years gone by at Aunt Dinah’s Quilting Party – he was Seeing Nellie Home. After this, he travels to the Far East, and visions of The Road to Mandalay come to him. From there, he meditates on the Sweet Mysteries of Life and, finally, arrives at the closing picture in which he is once more Among my Souvenirs.
$35.00 ≈
$48.85
Among My Souvenirs (Humoresque) - #1 Woodwind Parts
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Concert band
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INTERMEDIATE/ADVANCED
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Contemporary
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way of an old Sousa concert pr
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John Philip Sousa
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Kevin R
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Among My Souvenirs
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Freedom Band Press
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SheetMusicPlus
Concert Band - Level 4 - Digital Download SKU: A0.987644 Composed by John Philip Sousa. Arranged by Kevin R. Tam. 20th Century. Score and parts. 66 pages...
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Concert Band - Level 4 - Digital Download SKU: A0.987644 Composed by John Philip Sousa. Arranged by Kevin R. Tam. 20th Century. Score and parts. 66 pages. Freedom Band Press #45613. Published by Freedom Band Press (A0.987644). John Philip Sousa shall forever be regarded as the March King. However, his body and scope of work extend well beyond the marches which made him so famous. In a rough accounting of Sousa’s body of work, marches make up only the second most numerous of his efforts – some 135 march compositions versus over 320 arrangements and transcriptions for Band. Outside of his marches, most of the Sousa catalog, including his humoresques, remains unpublished and largely unheard today. By way of an old Sousa concert program, we learn the narrative of his humoresque Among My Souvenirs. In it, the Nichols song Among My Souvenirs is lengthened into a sketch. Among his souvenirs is a photograph, letters and a broken heart. As he meditates, he goes back to a time before he was broken-hearted and remembers when he and his beloved were softly singing Twinkling Stars are Laughing, Love. Next, his mind reverts to the time when he was Seeing Her Home, recalling the songs of years gone by at Aunt Dinah’s Quilting Party – he was Seeing Nellie Home. After this, he travels to the Far East, and visions of The Road to Mandalay come to him. From there, he meditates on the Sweet Mysteries of Life and, finally, arrives at the closing picture in which he is once more Among my Souvenirs.
$35.00 ≈
$48.85
You Are Lovely, but...
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Choral SATB
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INTERMEDIATE/ADVANCED
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Jean Ahn
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You Are Lovely, but...
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Jean Ahn
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SheetMusicPlus
Choral Choir (SATB) - Level 4 - Digital Download SKU: A0.949299 Composed by Jean Ahn. 20th Century,Contemporary. Octavo. 14 pages. Jean Ahn #4632463. Pub...
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Choral Choir (SATB) - Level 4 - Digital Download SKU: A0.949299 Composed by Jean Ahn. 20th Century,Contemporary. Octavo. 14 pages. Jean Ahn #4632463. Published by Jean Ahn (A0.949299). Text from Little PrinceThe little prince went back to look at the roses again. You're not at all like my rose. You're nothing at all yet, he told them. No one has tamed you and you haven't tamed anyone. You're the way my fox was. He was just a fox like a hundred thousand others. But I've made him my friend, and now he's the only fox in all the world. And the roses were humbled. You're lovely, but you're empty, he went on. One couldn't die for you. Of course, an ordinary passerby would think my rose looked just like you. But my rose, all on her own, is more important than all of you together, since she's the one I've watered. Since she's the one I put under glass. Since she's the one I sheltered behind a screen. Since she's the one for whom I killed the caterpillars (except the two or three for butterflies.) Since she's the one I listened to when she complained, or when she boasted, or even sometimes when she said nothing at all. Since she's my rose. ― Antoine de Saint-Exupéry, The Little Prince
$2.50 ≈
$3.49
My Lullaby of Love (Mary's Refrain), sacred Christmas music for alto solo
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Alto voice, Piano
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INTERMEDIATE/ADVANCED
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Kevin G
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My Lullaby of Love
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Kevin G. Pace
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SheetMusicPlus
Alto Voice,Vocal Solo - Level 4 - Digital Download SKU: A0.1485532 Composed by Kevin G. Pace (ASCAP), Mary Ann W. Snowball. Christian,Christmas,Praise & ...
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Alto Voice,Vocal Solo - Level 4 - Digital Download SKU: A0.1485532 Composed by Kevin G. Pace (ASCAP), Mary Ann W. Snowball. Christian,Christmas,Praise & Worship,Religious,Sacred. 8 pages. Kevin G. Pace #1062590. Published by Kevin G. Pace (A0.1485532). A gorgeous, Christmas song for alto solo. Music by Kevin G. Pace. Text by Mary Ann W. Snowball.Text:My Lullaby of Love(Mary’s Refrain)O, my baby, this love’s so rare under Christmas skies,‘Neath the heavn’ly stars I sing, hushing whimpered cries.This my lullaby of love, Father’s gift to me,Comes straight from His purest heart, all because of Thee.O, dear child, I love Thee so as I hold Thee close.Ev’ry thought brings gratitude only Father knows.O, my baby, I sense thy crown when I offer prayer.Wrapped in swaddling light I feel heaven’s presence near.This my lullaby of love mirrors Father’s sightAs I look into thy eyes on this Christmas night.My sure lullaby of love comes from God above.Blanketed in holy care comes His tender love.Blanketed in holy care comes our Father’s love.
$4.99 ≈
$6.96
Kommos (Lamentation) / "When the World Moved On" - Trumpet 1 in Bb
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Trumpet (band part)
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INTERMEDIATE/ADVANCED
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Benjamin Harry Sajo
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Kommos
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Benjamin Sajo
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SheetMusicPlus
Trumpet Solo - Level 4 - Digital Download SKU: A0.1018953 Composed by Benjamin Harry Sajo. 20th Century,Contemporary. Individual part. 1 pages. Benjamin ...
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Trumpet Solo - Level 4 - Digital Download SKU: A0.1018953 Composed by Benjamin Harry Sajo. 20th Century,Contemporary. Individual part. 1 pages. Benjamin Sajo #6078693. Published by Benjamin Sajo (A0.1018953). Programme Notes: This composition was written to be considered for pairing alongside Ludwig van Beethoven’s Symphony #3, the Eroica, but can stand on its own virtues as an intense and slow meditation on heroism. The music is like a boiling pot on the stove that’s just began to overflow its bubbles. The first part of the title, kommos, is a Classical Greek term from Attic dramaturgy, literally meaning striking but specifically referring to beating oneself up during lamentation--ripping at the hair, gouging out the eyes--like Oedipus--slapping the forehead, and other acts amid moments of extreme emotional turmoil. For example, from Aeschylus's play Agamemnon, a character bewails: Apollo, Apollo! God of the Ways, my destroyer! For you have destroyed me-and utterly [...]What is this fresh woe [...]what monstrous, monstrous horror, beyond love's enduring, beyond all remedy? And help stands far away! We can easily imagine physical accompaniment to the script; rather than bottling up the pain, the hero lets it all explosively come out.  The second part of the title, When the world moved on, is an epigraph taken from American author Stephen King’s The Dark Tower epic. The primary setting of the novel, a world similar in many ways to our own, is experiencing a dark age where the glorious past is all but a distant memory and all good things are referred to wistfully as occurring, When the world moved on. Yet, the main protagonist, Roland, the last gunslinger, emphasizes that it is not just a figure of speech, but the literal distances between destinations have increased, the positions of the stars have changed, as well as the occurrence of other unnatural phenomena. The world has become a gulf of isolation from all corners. Taken together, this piece is a lamentation for when the world moved on. Truly completed on Yom Kippur during the Covid-19 Pandemic, being unable to fast or go to synagogue, this is my atonement.About the Composer: Benjamin Sajo (b. 1988) is a Canadian composer of contemporary classical music, as well as an educator. Since developing a fiercely independent creative voice upon the completion of his studies at Western (2010) and McGill Universities (2013), he continues to find inspiration from the intersection of mythology, art, and nature upon the contemporary human experience. In 2019, he released his premiere album of original music, The Great War Sextet: Canadian War Poetry with Trombone & Strings, with support from the Ontario Arts Council. He is a member of SOCAN and the League of Canadian Composers.
$3.50 ≈
$4.88
Kommos (Lamentation) / "When the World Moved On" - Timpani
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Benjamin Harry Sajo
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Kommos
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Benjamin Sajo
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SheetMusicPlus
Percussion Solo,Timpani - Level 4 - Digital Download SKU: A0.1018954 Composed by Benjamin Harry Sajo. 20th Century,Contemporary. Individual part. 1 pages...
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Percussion Solo,Timpani - Level 4 - Digital Download SKU: A0.1018954 Composed by Benjamin Harry Sajo. 20th Century,Contemporary. Individual part. 1 pages. Benjamin Sajo #6078699. Published by Benjamin Sajo (A0.1018954). Programme Notes: This composition was written to be considered for pairing alongside Ludwig van Beethoven’s Symphony #3, the Eroica, but can stand on its own virtues as an intense and slow meditation on heroism. The music is like a boiling pot on the stove that’s just began to overflow its bubbles. The first part of the title, kommos, is a Classical Greek term from Attic dramaturgy, literally meaning striking but specifically referring to beating oneself up during lamentation--ripping at the hair, gouging out the eyes--like Oedipus--slapping the forehead, and other acts amid moments of extreme emotional turmoil. For example, from Aeschylus's play Agamemnon, a character bewails: Apollo, Apollo! God of the Ways, my destroyer! For you have destroyed me-and utterly [...]What is this fresh woe [...]what monstrous, monstrous horror, beyond love's enduring, beyond all remedy? And help stands far away! We can easily imagine physical accompaniment to the script; rather than bottling up the pain, the hero lets it all explosively come out.  The second part of the title, When the world moved on, is an epigraph taken from American author Stephen King’s The Dark Tower epic. The primary setting of the novel, a world similar in many ways to our own, is experiencing a dark age where the glorious past is all but a distant memory and all good things are referred to wistfully as occurring, When the world moved on. Yet, the main protagonist, Roland, the last gunslinger, emphasizes that it is not just a figure of speech, but the literal distances between destinations have increased, the positions of the stars have changed, as well as the occurrence of other unnatural phenomena. The world has become a gulf of isolation from all corners. Taken together, this piece is a lamentation for when the world moved on. Truly completed on Yom Kippur during the Covid-19 Pandemic, being unable to fast or go to synagogue, this is my atonement.About the Composer: Benjamin Sajo (b. 1988) is a Canadian composer of contemporary classical music, as well as an educator. Since developing a fiercely independent creative voice upon the completion of his studies at Western (2010) and McGill Universities (2013), he continues to find inspiration from the intersection of mythology, art, and nature upon the contemporary human experience. In 2019, he released his premiere album of original music, The Great War Sextet: Canadian War Poetry with Trombone & Strings, with support from the Ontario Arts Council. He is a member of SOCAN and the League of Canadian Composers.
$3.50 ≈
$4.88
Kommos (Lamentation) / "When the World Moved On" - Bassoon 2
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Bassoon
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INTERMEDIATE/ADVANCED
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Benjamin Harry Sajo
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Kommos
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Benjamin Sajo
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SheetMusicPlus
Bassoon Solo - Level 4 - Digital Download SKU: A0.1018949 Composed by Benjamin Harry Sajo. 20th Century,Contemporary. Individual part. 2 pages. Benjamin ...
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Bassoon Solo - Level 4 - Digital Download SKU: A0.1018949 Composed by Benjamin Harry Sajo. 20th Century,Contemporary. Individual part. 2 pages. Benjamin Sajo #6078683. Published by Benjamin Sajo (A0.1018949). Programme Notes: This composition was written to be considered for pairing alongside Ludwig van Beethoven’s Symphony #3, the Eroica, but can stand on its own virtues as an intense and slow meditation on heroism. The music is like a boiling pot on the stove that’s just began to overflow its bubbles. The first part of the title, kommos, is a Classical Greek term from Attic dramaturgy, literally meaning striking but specifically referring to beating oneself up during lamentation--ripping at the hair, gouging out the eyes--like Oedipus--slapping the forehead, and other acts amid moments of extreme emotional turmoil. For example, from Aeschylus's play Agamemnon, a character bewails: Apollo, Apollo! God of the Ways, my destroyer! For you have destroyed me-and utterly [...]What is this fresh woe [...]what monstrous, monstrous horror, beyond love's enduring, beyond all remedy? And help stands far away! We can easily imagine physical accompaniment to the script; rather than bottling up the pain, the hero lets it all explosively come out.  The second part of the title, When the world moved on, is an epigraph taken from American author Stephen King’s The Dark Tower epic. The primary setting of the novel, a world similar in many ways to our own, is experiencing a dark age where the glorious past is all but a distant memory and all good things are referred to wistfully as occurring, When the world moved on. Yet, the main protagonist, Roland, the last gunslinger, emphasizes that it is not just a figure of speech, but the literal distances between destinations have increased, the positions of the stars have changed, as well as the occurrence of other unnatural phenomena. The world has become a gulf of isolation from all corners. Taken together, this piece is a lamentation for when the world moved on. Truly completed on Yom Kippur during the Covid-19 Pandemic, being unable to fast or go to synagogue, this is my atonement.About the Composer: Benjamin Sajo (b. 1988) is a Canadian composer of contemporary classical music, as well as an educator. Since developing a fiercely independent creative voice upon the completion of his studies at Western (2010) and McGill Universities (2013), he continues to find inspiration from the intersection of mythology, art, and nature upon the contemporary human experience. In 2019, he released his premiere album of original music, The Great War Sextet: Canadian War Poetry with Trombone & Strings, with support from the Ontario Arts Council. He is a member of SOCAN and the League of Canadian Composers.
$3.50 ≈
$4.88
Kommos (Lamentation) / "When the World Moved On" - Bassoon 1
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Bassoon
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INTERMEDIATE/ADVANCED
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Benjamin Harry Sajo
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Kommos
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Benjamin Sajo
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SheetMusicPlus
Bassoon Solo - Level 4 - Digital Download SKU: A0.1018948 Composed by Benjamin Harry Sajo. 20th Century,Contemporary. Individual part. 2 pages. Benjamin ...
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Bassoon Solo - Level 4 - Digital Download SKU: A0.1018948 Composed by Benjamin Harry Sajo. 20th Century,Contemporary. Individual part. 2 pages. Benjamin Sajo #6078681. Published by Benjamin Sajo (A0.1018948). Programme Notes: This composition was written to be considered for pairing alongside Ludwig van Beethoven’s Symphony #3, the Eroica, but can stand on its own virtues as an intense and slow meditation on heroism. The music is like a boiling pot on the stove that’s just began to overflow its bubbles. The first part of the title, kommos, is a Classical Greek term from Attic dramaturgy, literally meaning striking but specifically referring to beating oneself up during lamentation--ripping at the hair, gouging out the eyes--like Oedipus--slapping the forehead, and other acts amid moments of extreme emotional turmoil. For example, from Aeschylus's play Agamemnon, a character bewails: Apollo, Apollo! God of the Ways, my destroyer! For you have destroyed me-and utterly [...]What is this fresh woe [...]what monstrous, monstrous horror, beyond love's enduring, beyond all remedy? And help stands far away! We can easily imagine physical accompaniment to the script; rather than bottling up the pain, the hero lets it all explosively come out.  The second part of the title, When the world moved on, is an epigraph taken from American author Stephen King’s The Dark Tower epic. The primary setting of the novel, a world similar in many ways to our own, is experiencing a dark age where the glorious past is all but a distant memory and all good things are referred to wistfully as occurring, When the world moved on. Yet, the main protagonist, Roland, the last gunslinger, emphasizes that it is not just a figure of speech, but the literal distances between destinations have increased, the positions of the stars have changed, as well as the occurrence of other unnatural phenomena. The world has become a gulf of isolation from all corners. Taken together, this piece is a lamentation for when the world moved on. Truly completed on Yom Kippur during the Covid-19 Pandemic, being unable to fast or go to synagogue, this is my atonement.About the Composer: Benjamin Sajo (b. 1988) is a Canadian composer of contemporary classical music, as well as an educator. Since developing a fiercely independent creative voice upon the completion of his studies at Western (2010) and McGill Universities (2013), he continues to find inspiration from the intersection of mythology, art, and nature upon the contemporary human experience. In 2019, he released his premiere album of original music, The Great War Sextet: Canadian War Poetry with Trombone & Strings, with support from the Ontario Arts Council. He is a member of SOCAN and the League of Canadian Composers.
$3.50 ≈
$4.88
Kommos (Lamentation) / "When the World Moved On" - Horn 1 in F
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French horn
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INTERMEDIATE/ADVANCED
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Benjamin Harry Sajo
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Kommos
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Benjamin Sajo
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SheetMusicPlus
French Horn Solo - Level 4 - Digital Download SKU: A0.1018950 Composed by Benjamin Harry Sajo. 20th Century,Contemporary. Individual part. 1 pages. Benja...
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French Horn Solo - Level 4 - Digital Download SKU: A0.1018950 Composed by Benjamin Harry Sajo. 20th Century,Contemporary. Individual part. 1 pages. Benjamin Sajo #6078687. Published by Benjamin Sajo (A0.1018950). Programme Notes: This composition was written to be considered for pairing alongside Ludwig van Beethoven’s Symphony #3, the Eroica, but can stand on its own virtues as an intense and slow meditation on heroism. The music is like a boiling pot on the stove that’s just began to overflow its bubbles. The first part of the title, kommos, is a Classical Greek term from Attic dramaturgy, literally meaning striking but specifically referring to beating oneself up during lamentation--ripping at the hair, gouging out the eyes--like Oedipus--slapping the forehead, and other acts amid moments of extreme emotional turmoil. For example, from Aeschylus's play Agamemnon, a character bewails: Apollo, Apollo! God of the Ways, my destroyer! For you have destroyed me-and utterly [...]What is this fresh woe [...]what monstrous, monstrous horror, beyond love's enduring, beyond all remedy? And help stands far away! We can easily imagine physical accompaniment to the script; rather than bottling up the pain, the hero lets it all explosively come out.  The second part of the title, When the world moved on, is an epigraph taken from American author Stephen King’s The Dark Tower epic. The primary setting of the novel, a world similar in many ways to our own, is experiencing a dark age where the glorious past is all but a distant memory and all good things are referred to wistfully as occurring, When the world moved on. Yet, the main protagonist, Roland, the last gunslinger, emphasizes that it is not just a figure of speech, but the literal distances between destinations have increased, the positions of the stars have changed, as well as the occurrence of other unnatural phenomena. The world has become a gulf of isolation from all corners. Taken together, this piece is a lamentation for when the world moved on. Truly completed on Yom Kippur during the Covid-19 Pandemic, being unable to fast or go to synagogue, this is my atonement.About the Composer: Benjamin Sajo (b. 1988) is a Canadian composer of contemporary classical music, as well as an educator. Since developing a fiercely independent creative voice upon the completion of his studies at Western (2010) and McGill Universities (2013), he continues to find inspiration from the intersection of mythology, art, and nature upon the contemporary human experience. In 2019, he released his premiere album of original music, The Great War Sextet: Canadian War Poetry with Trombone & Strings, with support from the Ontario Arts Council. He is a member of SOCAN and the League of Canadian Composers.
$3.50 ≈
$4.88
Kommos (Lamentation) / "When the World Moved On" - Trumpet 2 in Bb
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Trumpet (band part)
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INTERMEDIATE/ADVANCED
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Benjamin Harry Sajo
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Kommos
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Benjamin Sajo
#
SheetMusicPlus
Trumpet Solo - Level 4 - Digital Download SKU: A0.1018952 Composed by Benjamin Harry Sajo. 20th Century,Contemporary. Individual part. 1 pages. Benjamin ...
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Trumpet Solo - Level 4 - Digital Download SKU: A0.1018952 Composed by Benjamin Harry Sajo. 20th Century,Contemporary. Individual part. 1 pages. Benjamin Sajo #6078695. Published by Benjamin Sajo (A0.1018952). Programme Notes: This composition was written to be considered for pairing alongside Ludwig van Beethoven’s Symphony #3, the Eroica, but can stand on its own virtues as an intense and slow meditation on heroism. The music is like a boiling pot on the stove that’s just began to overflow its bubbles. The first part of the title, kommos, is a Classical Greek term from Attic dramaturgy, literally meaning striking but specifically referring to beating oneself up during lamentation--ripping at the hair, gouging out the eyes--like Oedipus--slapping the forehead, and other acts amid moments of extreme emotional turmoil. For example, from Aeschylus's play Agamemnon, a character bewails: Apollo, Apollo! God of the Ways, my destroyer! For you have destroyed me-and utterly [...]What is this fresh woe [...]what monstrous, monstrous horror, beyond love's enduring, beyond all remedy? And help stands far away! We can easily imagine physical accompaniment to the script; rather than bottling up the pain, the hero lets it all explosively come out.  The second part of the title, When the world moved on, is an epigraph taken from American author Stephen King’s The Dark Tower epic. The primary setting of the novel, a world similar in many ways to our own, is experiencing a dark age where the glorious past is all but a distant memory and all good things are referred to wistfully as occurring, When the world moved on. Yet, the main protagonist, Roland, the last gunslinger, emphasizes that it is not just a figure of speech, but the literal distances between destinations have increased, the positions of the stars have changed, as well as the occurrence of other unnatural phenomena. The world has become a gulf of isolation from all corners. Taken together, this piece is a lamentation for when the world moved on. Truly completed on Yom Kippur during the Covid-19 Pandemic, being unable to fast or go to synagogue, this is my atonement.About the Composer: Benjamin Sajo (b. 1988) is a Canadian composer of contemporary classical music, as well as an educator. Since developing a fiercely independent creative voice upon the completion of his studies at Western (2010) and McGill Universities (2013), he continues to find inspiration from the intersection of mythology, art, and nature upon the contemporary human experience. In 2019, he released his premiere album of original music, The Great War Sextet: Canadian War Poetry with Trombone & Strings, with support from the Ontario Arts Council. He is a member of SOCAN and the League of Canadian Composers.
$3.50 ≈
$4.88
Kommos (Lamentation) / "When the World Moved On" - Horn 2 in F
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French horn
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INTERMEDIATE/ADVANCED
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Benjamin Harry Sajo
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Kommos
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Benjamin Sajo
#
SheetMusicPlus
French Horn Solo - Level 4 - Digital Download SKU: A0.1018951 Composed by Benjamin Harry Sajo. 20th Century,Contemporary. Individual part. 1 pages. Benja...
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French Horn Solo - Level 4 - Digital Download SKU: A0.1018951 Composed by Benjamin Harry Sajo. 20th Century,Contemporary. Individual part. 1 pages. Benjamin Sajo #6078691. Published by Benjamin Sajo (A0.1018951). Programme Notes: This composition was written to be considered for pairing alongside Ludwig van Beethoven’s Symphony #3, the Eroica, but can stand on its own virtues as an intense and slow meditation on heroism. The music is like a boiling pot on the stove that’s just began to overflow its bubbles. The first part of the title, kommos, is a Classical Greek term from Attic dramaturgy, literally meaning striking but specifically referring to beating oneself up during lamentation--ripping at the hair, gouging out the eyes--like Oedipus--slapping the forehead, and other acts amid moments of extreme emotional turmoil. For example, from Aeschylus's play Agamemnon, a character bewails: Apollo, Apollo! God of the Ways, my destroyer! For you have destroyed me-and utterly [...]What is this fresh woe [...]what monstrous, monstrous horror, beyond love's enduring, beyond all remedy? And help stands far away! We can easily imagine physical accompaniment to the script; rather than bottling up the pain, the hero lets it all explosively come out.  The second part of the title, When the world moved on, is an epigraph taken from American author Stephen King’s The Dark Tower epic. The primary setting of the novel, a world similar in many ways to our own, is experiencing a dark age where the glorious past is all but a distant memory and all good things are referred to wistfully as occurring, When the world moved on. Yet, the main protagonist, Roland, the last gunslinger, emphasizes that it is not just a figure of speech, but the literal distances between destinations have increased, the positions of the stars have changed, as well as the occurrence of other unnatural phenomena. The world has become a gulf of isolation from all corners. Taken together, this piece is a lamentation for when the world moved on. Truly completed on Yom Kippur during the Covid-19 Pandemic, being unable to fast or go to synagogue, this is my atonement.About the Composer: Benjamin Sajo (b. 1988) is a Canadian composer of contemporary classical music, as well as an educator. Since developing a fiercely independent creative voice upon the completion of his studies at Western (2010) and McGill Universities (2013), he continues to find inspiration from the intersection of mythology, art, and nature upon the contemporary human experience. In 2019, he released his premiere album of original music, The Great War Sextet: Canadian War Poetry with Trombone & Strings, with support from the Ontario Arts Council. He is a member of SOCAN and the League of Canadian Composers.
$3.50 ≈
$4.88
Kommos (Lamentation) / "When the World Moved On" - Clarinet 1 in Bb
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Clarinet
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INTERMEDIATE/ADVANCED
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Benjamin Harry Sajo
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Kommos
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Benjamin Sajo
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SheetMusicPlus
Clarinet Solo - Level 4 - Digital Download SKU: A0.1018946 Composed by Benjamin Harry Sajo. 20th Century,Contemporary. Individual part. 1 pages. Benjamin...
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Clarinet Solo - Level 4 - Digital Download SKU: A0.1018946 Composed by Benjamin Harry Sajo. 20th Century,Contemporary. Individual part. 1 pages. Benjamin Sajo #6078675. Published by Benjamin Sajo (A0.1018946). Programme Notes: This composition was written to be considered for pairing alongside Ludwig van Beethoven’s Symphony #3, the Eroica, but can stand on its own virtues as an intense and slow meditation on heroism. The music is like a boiling pot on the stove that’s just began to overflow its bubbles. The first part of the title, kommos, is a Classical Greek term from Attic dramaturgy, literally meaning striking but specifically referring to beating oneself up during lamentation--ripping at the hair, gouging out the eyes--like Oedipus--slapping the forehead, and other acts amid moments of extreme emotional turmoil. For example, from Aeschylus's play Agamemnon, a character bewails: Apollo, Apollo! God of the Ways, my destroyer! For you have destroyed me-and utterly [...]What is this fresh woe [...]what monstrous, monstrous horror, beyond love's enduring, beyond all remedy? And help stands far away! We can easily imagine physical accompaniment to the script; rather than bottling up the pain, the hero lets it all explosively come out.  The second part of the title, When the world moved on, is an epigraph taken from American author Stephen King’s The Dark Tower epic. The primary setting of the novel, a world similar in many ways to our own, is experiencing a dark age where the glorious past is all but a distant memory and all good things are referred to wistfully as occurring, When the world moved on. Yet, the main protagonist, Roland, the last gunslinger, emphasizes that it is not just a figure of speech, but the literal distances between destinations have increased, the positions of the stars have changed, as well as the occurrence of other unnatural phenomena. The world has become a gulf of isolation from all corners. Taken together, this piece is a lamentation for when the world moved on. Truly completed on Yom Kippur during the Covid-19 Pandemic, being unable to fast or go to synagogue, this is my atonement.About the Composer: Benjamin Sajo (b. 1988) is a Canadian composer of contemporary classical music, as well as an educator. Since developing a fiercely independent creative voice upon the completion of his studies at Western (2010) and McGill Universities (2013), he continues to find inspiration from the intersection of mythology, art, and nature upon the contemporary human experience. In 2019, he released his premiere album of original music, The Great War Sextet: Canadian War Poetry with Trombone & Strings, with support from the Ontario Arts Council. He is a member of SOCAN and the League of Canadian Composers.
$3.50 ≈
$4.88
Kommos (Lamentation) / "When the World Moved On" - Flute 2
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Flute (band part)
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INTERMEDIATE/ADVANCED
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Contemporary
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Benjamin Harry Sajo
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Kommos
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Benjamin Sajo
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SheetMusicPlus
Flute Solo - Level 4 - Digital Download SKU: A0.1018943 Composed by Benjamin Harry Sajo. 20th Century,Contemporary. Individual part. 1 pages. Benjamin Sa...
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Flute Solo - Level 4 - Digital Download SKU: A0.1018943 Composed by Benjamin Harry Sajo. 20th Century,Contemporary. Individual part. 1 pages. Benjamin Sajo #6078667. Published by Benjamin Sajo (A0.1018943). Programme Notes: This composition was written to be considered for pairing alongside Ludwig van Beethoven’s Symphony #3, the Eroica, but can stand on its own virtues as an intense and slow meditation on heroism. The music is like a boiling pot on the stove that’s just began to overflow its bubbles. The first part of the title, kommos, is a Classical Greek term from Attic dramaturgy, literally meaning striking but specifically referring to beating oneself up during lamentation--ripping at the hair, gouging out the eyes--like Oedipus--slapping the forehead, and other acts amid moments of extreme emotional turmoil. For example, from Aeschylus's play Agamemnon, a character bewails: Apollo, Apollo! God of the Ways, my destroyer! For you have destroyed me-and utterly [...]What is this fresh woe [...]what monstrous, monstrous horror, beyond love's enduring, beyond all remedy? And help stands far away! We can easily imagine physical accompaniment to the script; rather than bottling up the pain, the hero lets it all explosively come out.  The second part of the title, When the world moved on, is an epigraph taken from American author Stephen King’s The Dark Tower epic. The primary setting of the novel, a world similar in many ways to our own, is experiencing a dark age where the glorious past is all but a distant memory and all good things are referred to wistfully as occurring, When the world moved on. Yet, the main protagonist, Roland, the last gunslinger, emphasizes that it is not just a figure of speech, but the literal distances between destinations have increased, the positions of the stars have changed, as well as the occurrence of other unnatural phenomena. The world has become a gulf of isolation from all corners. Taken together, this piece is a lamentation for when the world moved on. Truly completed on Yom Kippur during the Covid-19 Pandemic, being unable to fast or go to synagogue, this is my atonement.About the Composer: Benjamin Sajo (b. 1988) is a Canadian composer of contemporary classical music, as well as an educator. Since developing a fiercely independent creative voice upon the completion of his studies at Western (2010) and McGill Universities (2013), he continues to find inspiration from the intersection of mythology, art, and nature upon the contemporary human experience. In 2019, he released his premiere album of original music, The Great War Sextet: Canadian War Poetry with Trombone & Strings, with support from the Ontario Arts Council. He is a member of SOCAN and the League of Canadian Composers.
$3.50 ≈
$4.88
Kommos (Lamentation) / "When the World Moved On" - Contrabass
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Double Bass
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INTERMEDIATE/ADVANCED
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Contemporary
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Benjamin Harry Sajo
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Kommos
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Benjamin Sajo
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SheetMusicPlus
Double Bass,String Bass Solo - Level 4 - Digital Download SKU: A0.1018960 Composed by Benjamin Harry Sajo. 20th Century,Contemporary. Individual part. 2 ...
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Double Bass,String Bass Solo - Level 4 - Digital Download SKU: A0.1018960 Composed by Benjamin Harry Sajo. 20th Century,Contemporary. Individual part. 2 pages. Benjamin Sajo #6078717. Published by Benjamin Sajo (A0.1018960). Programme Notes: This composition was written to be considered for pairing alongside Ludwig van Beethoven’s Symphony #3, the Eroica, but can stand on its own virtues as an intense and slow meditation on heroism. The music is like a boiling pot on the stove that’s just began to overflow its bubbles. The first part of the title, kommos, is a Classical Greek term from Attic dramaturgy, literally meaning striking but specifically referring to beating oneself up during lamentation--ripping at the hair, gouging out the eyes--like Oedipus--slapping the forehead, and other acts amid moments of extreme emotional turmoil. For example, from Aeschylus's play Agamemnon, a character bewails: Apollo, Apollo! God of the Ways, my destroyer! For you have destroyed me-and utterly [...]What is this fresh woe [...]what monstrous, monstrous horror, beyond love's enduring, beyond all remedy? And help stands far away! We can easily imagine physical accompaniment to the script; rather than bottling up the pain, the hero lets it all explosively come out.  The second part of the title, When the world moved on, is an epigraph taken from American author Stephen King’s The Dark Tower epic. The primary setting of the novel, a world similar in many ways to our own, is experiencing a dark age where the glorious past is all but a distant memory and all good things are referred to wistfully as occurring, When the world moved on. Yet, the main protagonist, Roland, the last gunslinger, emphasizes that it is not just a figure of speech, but the literal distances between destinations have increased, the positions of the stars have changed, as well as the occurrence of other unnatural phenomena. The world has become a gulf of isolation from all corners. Taken together, this piece is a lamentation for when the world moved on. Truly completed on Yom Kippur during the Covid-19 Pandemic, being unable to fast or go to synagogue, this is my atonement.About the Composer: Benjamin Sajo (b. 1988) is a Canadian composer of contemporary classical music, as well as an educator. Since developing a fiercely independent creative voice upon the completion of his studies at Western (2010) and McGill Universities (2013), he continues to find inspiration from the intersection of mythology, art, and nature upon the contemporary human experience. In 2019, he released his premiere album of original music, The Great War Sextet: Canadian War Poetry with Trombone & Strings, with support from the Ontario Arts Council. He is a member of SOCAN and the League of Canadian Composers.
$3.50 ≈
$4.88
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