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Elements for Saxophone Quartet
Sheetmusic to print
107 sheet music found
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101
Elements for Saxophone Quartet and Orchestra
#
Saxophone Quartet: 4 saxophones
#
INTERMEDIATE/ADVANCED
#
Contemporary
#
Sy Brandon
#
Elements for Saxophone Quartet
#
Sy Brandon
#
SheetMusicPlus
Saxophone Quartet,Woodwind Ensemble - Level 4 - Digital Download SKU: A0.755221 Composed by Sy Brandon. 20th Century,Contemporary. 229 pages. Sy Brandon ...
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Saxophone Quartet,Woodwind Ensemble - Level 4 - Digital Download SKU: A0.755221 Composed by Sy Brandon. 20th Century,Contemporary. 229 pages. Sy Brandon #3422315. Published by Sy Brandon (A0.755221). Elements and is designed to musically portray the essential nature of the Classical Greek elements, fire, water, air and earth and their astrological implications. The first movement is Fire whose essential nature is strong and controlling. The music contains a lot of forceful sections, primarily in a homophonic style. The water element’s chief characteristic is sensitivity, therefore it is in a slow tempo and is lyrical and harmonically rich. The chief characteristic of the air element it is changeable, therefore this movement is filled with contrasts of texture, dynamics, articulation, meter, tonality, and orchestration. This last movement represents the Earth element whose main characteristic is stability. To represent stability musically, a lot of ostinatos were used. This work was commissioned by the h2 quartet in order to perform with a high school orchestra. Several substitute parts are provided. The score prints on legal size paper and the parts on letter.
$39.99 ≈
$55.85
Johann Sebastian Bach/Wehage Goldberg Variations, BWV 988, - SATB saxophone Quartet, bari
#
Saxophone Quartet: 4 saxophones
#
INTERMEDIATE/ADVANCED
#
Classical
#
Johann Sebastian Bach
#
Paul Wehage
#
Johann Sebastian Bach/Wehage G
#
Musik Fabrik Music Publishing
#
SheetMusicPlus
Woodwind Ensemble,Woodwind Quartet Alto Saxophone,Baritone Saxophone,Soprano Saxophone,Tenor Saxophone - Level 4 - Digital Download SKU: A0.532734 Compos...
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Woodwind Ensemble,Woodwind Quartet Alto Saxophone,Baritone Saxophone,Soprano Saxophone,Tenor Saxophone - Level 4 - Digital Download SKU: A0.532734 Composed by Johann Sebastian Bach. Arranged by Paul Wehage. Baroque. 21 pages. Musik Fabrik Music Publishing #1917. Published by Musik Fabrik Music Publishing (A0.532734). The Aria with 30 variations which form the work which is known as the « Goldberg » variations is one of the greatest works of Bach. It is his only work which uses the form of variations and through three series of ten variations each, it explores a myriad of musical genres and styles. The initial Aria, which seems to be rather trite and banal at the beginning of the work, is magnified through these transformations and the da capo at the end brings us back to the beginning, which has been changed by the musical journey itself. As a sort of musical « initiation », it has become a work which sparks the imagination and which creates an atmosphere all it’s own. The story of how the work came to be written has to come to us through Bach’s first biographer, Johann Nikolaus Forkel in 1805, seventy-five years after the death of Bach. It would seem that a certain Count Keyserlingk, the Russian Ambassador to the Court of Dresden, had difficulty sleeping and asked Bach to compose a work which his protégé, a harpsichord virtuoso by the name of Goldberg, could play in a salon near his bedroom to help him sleep in the evening. For this commission, Bach was to receive the largest fee of his life, a hundred louis d’or in a golden goblet. It would seem that this story is perhaps more of a legend than anything else, as no goblet was found in Bach’s estate at the end of his life and no documented proof of this story has been found. Goldberg was indeed a student of C. P. E Bach, Bach’s son and the son might have asked his father to write these works for his brilliant student. No manuscript for the Goldberg Variations exists, only a first edition corrected in the hand of Bach which contains certain tempo indications and other markings. The first edition also carried the following title: « Clavierübung, consisting of an Aria with diverse variations for the Harpsichord with two manuals composed for music lovers to refresh their spirits by J. S. Bach ». In this version for Saxophone Quartet, it is important to remember that Bach was writing for the harpsichord and not for the Piano-forte. Bach did indeed know of the Piano-forte and played one of the first instruments produced, but it would seem that he did not care much for this new instrument. To find something akin to the precise, clearly defined attacks of the harpsichord, precise articulation and clarity of sound must be the first priority. In general, even in the slowest movements, the attacks must take precedent over all other elements of performance. If the need for clarity of line and precision of attack is respected, the inherent musicality contained in the work should be evident, even in this new form.. As Bach himself transcribed many of his own works and those of others, I would like to hope that he would find this question to be interesting and the results to be surprising...
$16.95 ≈
$23.67
Johann Sebastian Bach/Wehage Goldberg Variations, BWV 988, - SATB saxophone Quartet, sopr
#
Saxophone Quartet: 4 saxophones
#
INTERMEDIATE/ADVANCED
#
Classical
#
Johann Sebastian Bach
#
Paul Wehage
#
Johann Sebastian Bach/Wehage G
#
Musik Fabrik Music Publishing
#
SheetMusicPlus
Woodwind Ensemble,Woodwind Quartet Alto Saxophone,Baritone Saxophone,Soprano Saxophone,Tenor Saxophone - Level 4 - Digital Download SKU: A0.532735 Compos...
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Woodwind Ensemble,Woodwind Quartet Alto Saxophone,Baritone Saxophone,Soprano Saxophone,Tenor Saxophone - Level 4 - Digital Download SKU: A0.532735 Composed by Johann Sebastian Bach. Arranged by Paul Wehage. Baroque,Standards. 24 pages. Musik Fabrik Music Publishing #1921. Published by Musik Fabrik Music Publishing (A0.532735). The Aria with 30 variations which form the work which is known as the « Goldberg » variations is one of the greatest works of Bach. It is his only work which uses the form of variations and through three series of ten variations each, it explores a myriad of musical genres and styles. The initial Aria, which seems to be rather trite and banal at the beginning of the work, is magnified through these transformations and the da capo at the end brings us back to the beginning, which has been changed by the musical journey itself. As a sort of musical « initiation », it has become a work which sparks the imagination and which creates an atmosphere all it’s own. The story of how the work came to be written has to come to us through Bach’s first biographer, Johann Nikolaus Forkel in 1805, seventy-five years after the death of Bach. It would seem that a certain Count Keyserlingk, the Russian Ambassador to the Court of Dresden, had difficulty sleeping and asked Bach to compose a work which his protégé, a harpsichord virtuoso by the name of Goldberg, could play in a salon near his bedroom to help him sleep in the evening. For this commission, Bach was to receive the largest fee of his life, a hundred louis d’or in a golden goblet. It would seem that this story is perhaps more of a legend than anything else, as no goblet was found in Bach’s estate at the end of his life and no documented proof of this story has been found. Goldberg was indeed a student of C. P. E Bach, Bach’s son and the son might have asked his father to write these works for his brilliant student. No manuscript for the Goldberg Variations exists, only a first edition corrected in the hand of Bach which contains certain tempo indications and other markings. The first edition also carried the following title: « Clavierübung, consisting of an Aria with diverse variations for the Harpsichord with two manuals composed for music lovers to refresh their spirits by J. S. Bach ». In this version for Saxophone Quartet, it is important to remember that Bach was writing for the harpsichord and not for the Piano-forte. Bach did indeed know of the Piano-forte and played one of the first instruments produced, but it would seem that he did not care much for this new instrument. To find something akin to the precise, clearly defined attacks of the harpsichord, precise articulation and clarity of sound must be the first priority. In general, even in the slowest movements, the attacks must take precedent over all other elements of performance. If the need for clarity of line and precision of attack is respected, the inherent musicality contained in the work should be evident, even in this new form.. As Bach himself transcribed many of his own works and those of others, I would like to hope that he would find this question to be interesting and the results to be surprising...
$16.95 ≈
$23.67
Johann Sebastian Bach/Wehage Goldberg Variations, BWV 988, - SATB saxophone Quartet, alto
#
Saxophone Quartet: 4 saxophones
#
INTERMEDIATE/ADVANCED
#
Classical
#
Johann Sebastian Bach
#
Paul Wehage
#
Johann Sebastian Bach/Wehage G
#
Musik Fabrik Music Publishing
#
SheetMusicPlus
Woodwind Ensemble,Woodwind Quartet Alto Saxophone,Baritone Saxophone,Soprano Saxophone,Tenor Saxophone - Level 4 - Digital Download SKU: A0.532733 Compos...
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Woodwind Ensemble,Woodwind Quartet Alto Saxophone,Baritone Saxophone,Soprano Saxophone,Tenor Saxophone - Level 4 - Digital Download SKU: A0.532733 Composed by Johann Sebastian Bach. Arranged by Paul Wehage. Baroque. 22 pages. Musik Fabrik Music Publishing #1919. Published by Musik Fabrik Music Publishing (A0.532733). The Aria with 30 variations which form the work which is known as the « Goldberg » variations is one of the greatest works of Bach. It is his only work which uses the form of variations and through three series of ten variations each, it explores a myriad of musical genres and styles. The initial Aria, which seems to be rather trite and banal at the beginning of the work, is magnified through these transformations and the da capo at the end brings us back to the beginning, which has been changed by the musical journey itself. As a sort of musical « initiation », it has become a work which sparks the imagination and which creates an atmosphere all it’s own. The story of how the work came to be written has to come to us through Bach’s first biographer, Johann Nikolaus Forkel in 1805, seventy-five years after the death of Bach. It would seem that a certain Count Keyserlingk, the Russian Ambassador to the Court of Dresden, had difficulty sleeping and asked Bach to compose a work which his protégé, a harpsichord virtuoso by the name of Goldberg, could play in a salon near his bedroom to help him sleep in the evening. For this commission, Bach was to receive the largest fee of his life, a hundred louis d’or in a golden goblet. It would seem that this story is perhaps more of a legend than anything else, as no goblet was found in Bach’s estate at the end of his life and no documented proof of this story has been found. Goldberg was indeed a student of C. P. E Bach, Bach’s son and the son might have asked his father to write these works for his brilliant student. No manuscript for the Goldberg Variations exists, only a first edition corrected in the hand of Bach which contains certain tempo indications and other markings. The first edition also carried the following title: « Clavierübung, consisting of an Aria with diverse variations for the Harpsichord with two manuals composed for music lovers to refresh their spirits by J. S. Bach ». In this version for Saxophone Quartet, it is important to remember that Bach was writing for the harpsichord and not for the Piano-forte. Bach did indeed know of the Piano-forte and played one of the first instruments produced, but it would seem that he did not care much for this new instrument. To find something akin to the precise, clearly defined attacks of the harpsichord, precise articulation and clarity of sound must be the first priority. In general, even in the slowest movements, the attacks must take precedent over all other elements of performance. If the need for clarity of line and precision of attack is respected, the inherent musicality contained in the work should be evident, even in this new form.. As Bach himself transcribed many of his own works and those of others, I would like to hope that he would find this question to be interesting and the results to be surprising...
$16.95 ≈
$23.67
Johann Sebastian Bach/Wehage Goldberg Variations, BWV 988, - SATB saxophone Quartet, teno
#
Saxophone Quartet: 4 saxophones
#
INTERMEDIATE/ADVANCED
#
Classical
#
Johann Sebastian Bach
#
Paul Wehage
#
Johann Sebastian Bach/Wehage G
#
Musik Fabrik Music Publishing
#
SheetMusicPlus
Woodwind Ensemble,Woodwind Quartet Alto Saxophone,Baritone Saxophone,Soprano Saxophone,Tenor Saxophone - Level 4 - Digital Download SKU: A0.532736 Compos...
(+)
Woodwind Ensemble,Woodwind Quartet Alto Saxophone,Baritone Saxophone,Soprano Saxophone,Tenor Saxophone - Level 4 - Digital Download SKU: A0.532736 Composed by Johann Sebastian Bach. Arranged by Paul Wehage. Baroque,Standards. 21 pages. Musik Fabrik Music Publishing #1923. Published by Musik Fabrik Music Publishing (A0.532736). The Aria with 30 variations which form the work which is known as the « Goldberg » variations is one of the greatest works of Bach. It is his only work which uses the form of variations and through three series of ten variations each, it explores a myriad of musical genres and styles. The initial Aria, which seems to be rather trite and banal at the beginning of the work, is magnified through these transformations and the da capo at the end brings us back to the beginning, which has been changed by the musical journey itself. As a sort of musical « initiation », it has become a work which sparks the imagination and which creates an atmosphere all it’s own. The story of how the work came to be written has to come to us through Bach’s first biographer, Johann Nikolaus Forkel in 1805, seventy-five years after the death of Bach. It would seem that a certain Count Keyserlingk, the Russian Ambassador to the Court of Dresden, had difficulty sleeping and asked Bach to compose a work which his protégé, a harpsichord virtuoso by the name of Goldberg, could play in a salon near his bedroom to help him sleep in the evening. For this commission, Bach was to receive the largest fee of his life, a hundred louis d’or in a golden goblet. It would seem that this story is perhaps more of a legend than anything else, as no goblet was found in Bach’s estate at the end of his life and no documented proof of this story has been found. Goldberg was indeed a student of C. P. E Bach, Bach’s son and the son might have asked his father to write these works for his brilliant student. No manuscript for the Goldberg Variations exists, only a first edition corrected in the hand of Bach which contains certain tempo indications and other markings. The first edition also carried the following title: « Clavierübung, consisting of an Aria with diverse variations for the Harpsichord with two manuals composed for music lovers to refresh their spirits by J. S. Bach ». In this version for Saxophone Quartet, it is important to remember that Bach was writing for the harpsichord and not for the Piano-forte. Bach did indeed know of the Piano-forte and played one of the first instruments produced, but it would seem that he did not care much for this new instrument. To find something akin to the precise, clearly defined attacks of the harpsichord, precise articulation and clarity of sound must be the first priority. In general, even in the slowest movements, the attacks must take precedent over all other elements of performance. If the need for clarity of line and precision of attack is respected, the inherent musicality contained in the work should be evident, even in this new form.. As Bach himself transcribed many of his own works and those of others, I would like to hope that he would find this question to be interesting and the results to be surprising...
$16.95 ≈
$23.67
Brahms: Prelude & Fugue, WoO 9, for Saxophone Quartet
#
Saxophone Quartet: 4 saxophones
#
INTERMEDIATE
#
Classical
#
Johannes Brahms
#
James M
#
Brahms: Prelude & Fugue, WoO 9
#
jmsgu3
#
SheetMusicPlus
Saxophone Quartet,Woodwind Ensemble Alto Saxophone,Baritone Saxophone,Soprano Saxophone,Tenor Saxophone - Level 3 - Digital Download SKU: A0.1417495 Comp...
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Saxophone Quartet,Woodwind Ensemble Alto Saxophone,Baritone Saxophone,Soprano Saxophone,Tenor Saxophone - Level 3 - Digital Download SKU: A0.1417495 Composed by Johannes Brahms. Arranged by James M. Guthrie. 19th Century,Chamber,Contest,Festival,Historic,Romantic Period. 21 pages. Jmsgu3 #999032. Published by jmsgu3 (A0.1417495). Brahms's Prelude and Fugue in A Minor was composed in 1856 when Brahms was intensively studying counterpoint and the organ. The work consists of a prelude and a fugue, a common form for organ compositions at the time. This structure allowed Brahms to showcase his mastery of free-flowing, improvisatory writing and strict contrapuntal techniques. The fugue subject features a distinctive head motive of two punctuating chords, a unifying device throughout the movement. Brahms incorporates fugal procedures not just in the fugue section but also in the transitional and developmental sections of the work, blending fugal and sonata-form elements. This foreshadows his later compositions' sophisticated integration of counterpoint and large-scale form. The Prelude and Fugue WoO 9 is an important early example of Brahms's organ works, which frame his entire compositional output. It demonstrates his mastery of the organ medium and his development as a composer during this formative period.
$32.95 ≈
$46.02
Bach: Wachet auf for Sax Quartet
#
Saxophone Quartet: 4 saxophones
#
INTERMEDIATE
#
Classical
#
Johann Sebastian Bach
#
James M
#
#
Bach: Wachet auf for Sax Quart
#
jmsgu3
#
SheetMusicPlus
Woodwind Ensemble,Woodwind Quartet - Level 3 - Digital Download SKU: A0.549860 Composed by Johann Sebastian Bach. Arranged by James M. Guthrie, ASCAP. Ba...
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Woodwind Ensemble,Woodwind Quartet - Level 3 - Digital Download SKU: A0.549860 Composed by Johann Sebastian Bach. Arranged by James M. Guthrie, ASCAP. Baroque,Concert,Easter,Sacred,Wedding. 14 pages. Jmsgu3 #3557041. Published by jmsgu3 (A0.549860). Wachet auf, ruft uns die Stimme (Awake, the Voice is calling us) from Cantata BWV 140. Duration: ca. 4:00, Score: 10 pages, Program this for church services during the Easter season, weddings, or as a recital encore.Wachet auf, ruft uns die Stimme (Awake, the Voice is calling us) also known as: Sleepers Awake Bach composed his church cantata Wachet auf (BWV 140) as part of his second annual cantata cycle covering the entire annual church calendar. It is based on the hymn of the same name by Philipp Nicolai (1599). The hymn text covers the readings for the 27th Sunday after Trinity. Bach designed the cantata in seven movements, setting the stanzas in various forms. Among these forms are the chorale fantasia, the chorale prelude, and a four-part chorale. He casts the new lyrics as recitatives – in a manner similar to the opera. Fourth Movement Bach writes the fourth movement, Zion hört die Wächter singen (Zion hears the watchmen singing), in the style of a chorale prelude with the chorale phrases performed as a strict cantus firmus. The phrases seem to enter at times erratically against the famous lyrical melody. The violins play this melody in unison as a foil against the cantus phrases. The violin melody is so independent and complete that when the cantus melody appears it catches the listener at times totally off-guard. Bach later transcribed this movement for organ (BWV 645). This transcription became No. 1 of the Six Schübler Chorales. Bach Overview First of all, Johann Sebastian Bach is maybe the greatest composer in music history. Certainly, he was prolific. As a result, everyone has heard of his works. Furthermore, these works number well over a thousand. It seems like people are probably most familiar with the instrumental works such as the Brandenburg Concertos, and the Goldberg Variations. But, similarly famous are such noteworthy works as the Well-Tempered Clavier, the Musical Offering, and certainly the Art of Fugue. Seems like his most famous vocal works include the most noteworthy Mass in B Minor. Also, most noteworthy, though, are the St. John Passion, and certainly the Christmas Oratorio. History Bach came from a long line of musicians and above all, composers. Consequently, he, first of all, pursued a career as a church organist. So as a result, he gained employment in various Protestant churches in Germany. For a while, he worked as a court musician in Weimar and Köthen. Here he probably developed his organ style and likewise his chamber music style. Eventually, he, therefore, gained an appointment as Cantor of St. Thomas in Leipzig. Here he worked until difficulties with his employer ultimately drove him away. The King of Poland finally appointed him as court composer. Style It seems like Bach created a fascinating new international style. He synthesized elements of the most noteworthy European music ideas into his new style. Even more, this new style was probably his synthesis of European musical rhythm and form. Furthermore, he demonstrated a complete mastery of counterpoint and motivic development. His sense of harmonic organization probably propelled him to the top. Revival Mendelssohn conducted a Bach revival in the nineteenth century. His effort probably helped to re-familiarize the public with the magnitude of Bach’s works. During this period, scholars published many noteworthy Bach biographies. Moreover, Wolfgang Schmieder published the BWV (Bach Werke Verzeichnis). As a result, this is now the official catalog of his entire artistic output. The BWV number allows us to locate a work in the catalog. Sometimes scholars will simply use an S (Schmieder) as an abbreviation for BWV. Voyager
$39.95 ≈
$55.79
Modern Jazz Suite for Saxophone Quartet
#
Saxophone Quartet: 4 saxophones
#
ADVANCED
#
Sy Brandon
#
Modern Jazz Suite for Saxophon
#
Sy Brandon
#
SheetMusicPlus
Saxophone Quartet,Woodwind Ensemble - Level 5 - Digital Download SKU: A0.1247110 Composed by Sy Brandon. 20th Century,21st Century,Chamber,Contest,Festiv...
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Saxophone Quartet,Woodwind Ensemble - Level 5 - Digital Download SKU: A0.1247110 Composed by Sy Brandon. 20th Century,21st Century,Chamber,Contest,Festival,Jazz. 75 pages. Sy Brandon #841675. Published by Sy Brandon (A0.1247110). Modern Jazz Suite for Saxophone Quartet is derived from the Alto Saxophone and Guitar version that was commissioned by Todd Oxford in 2013. It is in four movements that are influenced by modern jazz styles. I. Parkeriana is in the Be-bop style. II. Milesiana is in the Cool style. III. Schulleriana is in the Third-stream style that combines classical with jazz elements, and IV. Coreaiana is in a Jazz-Rock style.
$15.00 ≈
$20.95
Bach: English Suite No. 4, BWV 809, for Saxophone Quartet
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Saxophone Quartet: 4 saxophones
#
INTERMEDIATE/ADVANCED
#
Classical
#
Johann Sebastian Bach
#
James M
#
Bach: English Suite No. 4, BWV
#
jmsgu3
#
SheetMusicPlus
Saxophone Quartet,Woodwind Ensemble Alto Saxophone,Baritone Saxophone,Soprano Saxophone,Tenor Saxophone - Level 4 - Digital Download SKU: A0.1414284 Comp...
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Saxophone Quartet,Woodwind Ensemble Alto Saxophone,Baritone Saxophone,Soprano Saxophone,Tenor Saxophone - Level 4 - Digital Download SKU: A0.1414284 Composed by Johann Sebastian Bach. Arranged by James M. Guthrie. Baroque,Chamber,Contest,Festival,Historic,Standards. 59 pages. Jmsgu3 #996057. Published by jmsgu3 (A0.1414284). The English Suites were likely composed around 1713-1714 during Bach's time in Weimar, making them among his earliest and most virtuosic keyboard suites. The origin of the English title is unclear, but it may reference the influence of French keyboard suites by composers like Charles Dieupart, who were popular in England then. However, no substantial evidence exists that the suites were composed expressly for an English patron. The English Suites combine German, Italian, and French stylistic elements rather than being distinctly English in character. Â The term English was likely a later addition, possibly by Bach's biographer Johann Nikolaus Forkel. The English Suites were widely disseminated and studied by later composers, indicating their importance and lasting influence in the keyboard repertoire. They represent Bach's early and highly influential contribution to the keyboard suite genre.
$52.95 ≈
$73.95
Bach: English Suite No. 5, BWV 810, for Saxophone Quartet
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Saxophone Quartet: 4 saxophones
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INTERMEDIATE/ADVANCED
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Classical
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Johann Sebastian Bach
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James M
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Bach: English Suite No. 5, BWV
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jmsgu3
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SheetMusicPlus
Saxophone Quartet,Woodwind Ensemble Alto Saxophone,Baritone Saxophone,Soprano Saxophone,Tenor Saxophone - Level 4 - Digital Download SKU: A0.1414906 Comp...
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Saxophone Quartet,Woodwind Ensemble Alto Saxophone,Baritone Saxophone,Soprano Saxophone,Tenor Saxophone - Level 4 - Digital Download SKU: A0.1414906 Composed by Johann Sebastian Bach. Arranged by James M. Guthrie. Baroque,Chamber,Contest,Festival,Historic,Standards. 63 pages. Jmsgu3 #996653. Published by jmsgu3 (A0.1414906). The English Suites were likely composed around 1713-1714 during Bach's time in Weimar, making them among his earliest and most virtuosic keyboard suites. The origin of the English title is unclear, but it may reference the influence of French keyboard suites by composers like Charles Dieupart, who were popular in England then. However, no substantial evidence exists that the suites were composed expressly for an English patron. The English Suites combine German, Italian, and French stylistic elements rather than being distinctly English in character. Â The term English was likely a later addition, possibly by Bach's biographer Johann Nikolaus Forkel. The English Suites were widely disseminated and studied by later composers, indicating their importance and lasting influence in the keyboard repertoire. They represent Bach's early and highly influential contribution to the keyboard suite genre.
$52.95 ≈
$73.95
Bach: English Suite No. 6, BWV 811, for Saxophone Quartet
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Saxophone Quartet: 4 saxophones
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INTERMEDIATE/ADVANCED
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Classical
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Johann Sebastian Bach
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James M
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Bach: English Suite No. 6, BWV
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jmsgu3
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SheetMusicPlus
Saxophone Quartet,Woodwind Ensemble Alto Saxophone,Baritone Saxophone,Soprano Saxophone,Tenor Saxophone - Level 4 - Digital Download SKU: A0.1415704 Comp...
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Saxophone Quartet,Woodwind Ensemble Alto Saxophone,Baritone Saxophone,Soprano Saxophone,Tenor Saxophone - Level 4 - Digital Download SKU: A0.1415704 Composed by Johann Sebastian Bach. Arranged by James M. Guthrie. Baroque,Chamber,Contest,Festival,Historic,Standards. 83 pages. Jmsgu3 #997410. Published by jmsgu3 (A0.1415704). The English Suites were likely composed around 1713-1714 during Bach's time in Weimar, making them among his earliest and most virtuosic keyboard suites. The origin of the English title is unclear, but it may reference the influence of French keyboard suites by composers like Charles Dieupart, who were popular in England then. However, no substantial evidence exists that the suites were composed expressly for an English patron. The English Suites combine German, Italian, and French stylistic elements rather than being distinctly English in character. Â The term English was likely a later addition, possibly by Bach's biographer Johann Nikolaus Forkel. The English Suites were widely disseminated and studied by later composers, indicating their importance and lasting influence in the keyboard repertoire. They represent Bach's early and highly influential contribution to the keyboard suite genre.
$52.95 ≈
$73.95
Bach: The Six English Suites Complete for Saxophone Quartet
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Saxophone Quartet: 4 saxophones
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INTERMEDIATE/ADVANCED
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Classical
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Johann Sebastian Bach
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James M
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Bach: The Six English Suites C
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jmsgu3
#
SheetMusicPlus
Saxophone Quartet,Woodwind Ensemble Alto Saxophone,Baritone Saxophone,Soprano Saxophone,Tenor Saxophone - Level 4 - Digital Download SKU: A0.1415714 Comp...
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Saxophone Quartet,Woodwind Ensemble Alto Saxophone,Baritone Saxophone,Soprano Saxophone,Tenor Saxophone - Level 4 - Digital Download SKU: A0.1415714 Composed by Johann Sebastian Bach. Arranged by James M. Guthrie. Baroque,Chamber,Contest,Festival,Historic,Standards. 393 pages. Jmsgu3 #997421. Published by jmsgu3 (A0.1415714). The English Suites were likely composed around 1713-1714 during Bach's time in Weimar, making them among his earliest and most virtuosic keyboard suites. The origin of the English title is unclear, but it may reference the influence of French keyboard suites by composers like Charles Dieupart, who were popular in England then. However, no substantial evidence exists that the suites were composed expressly for an English patron. The English Suites combine German, Italian, and French stylistic elements rather than being distinctly English in character. Â The term English was likely a later addition, possibly by Bach's biographer Johann Nikolaus Forkel. The English Suites were widely disseminated and studied by later composers, indicating their importance and lasting influence in the keyboard repertoire. They represent Bach's early and highly influential contribution to the keyboard suite genre.
$98.85 ≈
$138.05
Bach: English Suite No. 2 for Saxophone Quartet
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Saxophone Quartet: 4 saxophones
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INTERMEDIATE/ADVANCED
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Classical
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Johann Sebastian Bach
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James M
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Bach: English Suite No. 2 for
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jmsgu3
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SheetMusicPlus
Saxophone Quartet,Woodwind Ensemble Alto Saxophone,Baritone Saxophone,Soprano Saxophone,Tenor Saxophone - Level 4 - Digital Download SKU: A0.1411850 Comp...
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Saxophone Quartet,Woodwind Ensemble Alto Saxophone,Baritone Saxophone,Soprano Saxophone,Tenor Saxophone - Level 4 - Digital Download SKU: A0.1411850 Composed by Johann Sebastian Bach. Arranged by James M. Guthrie. Baroque,Chamber,Contest,Festival,Historic,Standards. 69 pages. Jmsgu3 #994079. Published by jmsgu3 (A0.1411850). The English Suites were likely composed around 1713-1714 during Bach's time in Weimar, making them among his earliest and most virtuosic keyboard suites. The origin of the English title is unclear, but it may reference the influence of French keyboard suites by composers like Charles Dieupart, who were popular in England then. However, no substantial evidence exists that the suites were composed expressly for an English patron. The English Suites combine German, Italian, and French stylistic elements rather than being distinctly English in character. Â The term English was likely a later addition, possibly by Bach's biographer Johann Nikolaus Forkel. The English Suites were widely disseminated and studied by later composers, indicating their importance and lasting influence in the keyboard repertoire. They represent Bach's early and highly influential contribution to the keyboard suite genre.
$52.95 ≈
$73.95
Bach: English Suite No. 3, BWV 808, for Saxophone Quartet
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Saxophone Quartet: 4 saxophones
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INTERMEDIATE/ADVANCED
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Classical
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Johann Sebastian Bach
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James M
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Bach: English Suite No. 3, BWV
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jmsgu3
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SheetMusicPlus
Saxophone Quartet,Woodwind Ensemble Alto Saxophone,Baritone Saxophone,Soprano Saxophone,Tenor Saxophone - Level 4 - Digital Download SKU: A0.1413866 Comp...
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Saxophone Quartet,Woodwind Ensemble Alto Saxophone,Baritone Saxophone,Soprano Saxophone,Tenor Saxophone - Level 4 - Digital Download SKU: A0.1413866 Composed by Johann Sebastian Bach. Arranged by James M. Guthrie. Baroque,Chamber,Contest,Festival,Historic,Standards. 57 pages. Jmsgu3 #995653. Published by jmsgu3 (A0.1413866). The English Suites were likely composed around 1713-1714 during Bach's time in Weimar, making them among his earliest and most virtuosic keyboard suites. The origin of the English title is unclear, but it may reference the influence of French keyboard suites by composers like Charles Dieupart, who were popular in England then. However, no substantial evidence exists that the suites were composed expressly for an English patron. The English Suites combine German, Italian, and French stylistic elements rather than being distinctly English in character. Â The term English was likely a later addition, possibly by Bach's biographer Johann Nikolaus Forkel. The English Suites were widely disseminated and studied by later composers, indicating their importance and lasting influence in the keyboard repertoire. They represent Bach's early and highly influential contribution to the keyboard suite genre.
$52.95 ≈
$73.95
Bach: English Suite No. 1, BWV 806, for Saxophone Quartet
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Saxophone Quartet: 4 saxophones
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INTERMEDIATE/ADVANCED
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Classical
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Johann Sebastian Bach
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James M
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Bach: English Suite No. 1, BWV
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jmsgu3
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SheetMusicPlus
Saxophone Quartet,Woodwind Ensemble Alto Saxophone,Baritone Saxophone,Soprano Saxophone,Tenor Saxophone - Level 4 - Digital Download SKU: A0.1413891 Comp...
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Saxophone Quartet,Woodwind Ensemble Alto Saxophone,Baritone Saxophone,Soprano Saxophone,Tenor Saxophone - Level 4 - Digital Download SKU: A0.1413891 Composed by Johann Sebastian Bach. Arranged by James M. Guthrie. Baroque,Chamber,Contest,Festival,Historic,Standards. 62 pages. Jmsgu3 #995668. Published by jmsgu3 (A0.1413891). The English Suites were likely composed around 1713-1714 during Bach's time in Weimar, making them among his earliest and most virtuosic keyboard suites. The origin of the English title is unclear, but it may reference the influence of French keyboard suites by composers like Charles Dieupart, who were popular in England then. However, no substantial evidence exists that the suites were composed expressly for an English patron. The English Suites combine German, Italian, and French stylistic elements rather than being distinctly English in character. Â The term English was likely a later addition, possibly by Bach's biographer Johann Nikolaus Forkel. The English Suites were widely disseminated and studied by later composers, indicating their importance and lasting influence in the keyboard repertoire. They represent Bach's early and highly influential contribution to the keyboard suite genre.
$52.95 ≈
$73.95
Bach: English Suite No. 3, BWV 808, for Saxophone Quartet - Score Only
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Saxophone Quartet: 4 saxophones
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INTERMEDIATE/ADVANCED
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Classical
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Johann Sebastian Bach
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James M
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Bach: English Suite No. 3, BWV
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jmsgu3
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SheetMusicPlus
Woodwind Ensemble,Woodwind Quartet - Level 4 - Digital Download SKU: A0.1413555 Composed by Johann Sebastian Bach. Arranged by James M. Guthrie. Baroque,...
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Woodwind Ensemble,Woodwind Quartet - Level 4 - Digital Download SKU: A0.1413555 Composed by Johann Sebastian Bach. Arranged by James M. Guthrie. Baroque,Chamber,Contest,Festival,Historic,Standards. 29 pages. Jmsgu3 #995358. Published by jmsgu3 (A0.1413555). The English Suites were likely composed around 1713-1714 during Bach's time in Weimar, making them among his earliest and most virtuosic keyboard suites. The origin of the English title is unclear, but it may reference the influence of French keyboard suites by composers like Charles Dieupart, who were popular in England then. However, no substantial evidence exists that the suites were composed expressly for an English patron. The English Suites combine German, Italian, and French stylistic elements rather than being distinctly English in character. Â The term English was likely a later addition, possibly by Bach's biographer Johann Nikolaus Forkel. The English Suites were widely disseminated and studied by later composers, indicating their importance and lasting influence in the keyboard repertoire. They represent Bach's early and highly influential contribution to the keyboard suite genre.
$32.95 ≈
$46.02
Bach: English Suite No. 1, BWV 806, for Saxophone Quartet - Score Only
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Saxophone Quartet: 4 saxophones
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INTERMEDIATE/ADVANCED
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Classical
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Johann Sebastian Bach
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James M
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Bach: English Suite No. 1, BWV
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jmsgu3
#
SheetMusicPlus
Woodwind Ensemble,Woodwind Quartet - Level 4 - Digital Download SKU: A0.1408827 Composed by Johann Sebastian Bach. Arranged by James M. Guthrie. Baroque,...
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Woodwind Ensemble,Woodwind Quartet - Level 4 - Digital Download SKU: A0.1408827 Composed by Johann Sebastian Bach. Arranged by James M. Guthrie. Baroque,Chamber,Contest,Festival,Historic,Standards. 28 pages. Jmsgu3 #991429. Published by jmsgu3 (A0.1408827). The English Suites were likely composed around 1713-1714 during Bach's time in Weimar, making them among his earliest and most virtuosic keyboard suites. The origin of the English title is unclear, but it may reference the influence of French keyboard suites by composers like Charles Dieupart, who were popular in England then. However, no substantial evidence exists that the suites were composed expressly for an English patron. The English Suites combine German, Italian, and French stylistic elements rather than being distinctly English in character. Â The term English was likely a later addition, possibly by Bach's biographer Johann Nikolaus Forkel. The English Suites were widely disseminated and studied by later composers, indicating their importance and lasting influence in the keyboard repertoire. They represent Bach's early and highly influential contribution to the keyboard suite genre.
$32.95 ≈
$46.02
Jingle Bells in Different Styles for Saxophone Quartet
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Saxophone Quartet: 4 saxophones
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INTERMEDIATE/ADVANCED
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Christmas
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James Lord Pierpont
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Ander
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Jingle Bells in Different Styl
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Woods Only, Arrangements
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SheetMusicPlus
Saxophone Quartet,Woodwind Ensemble - Level 4 - Digital Download SKU: A0.1313577 Composed by James Lord Pierpont. Arranged by Ander. Children,Christmas. ...
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Saxophone Quartet,Woodwind Ensemble - Level 4 - Digital Download SKU: A0.1313577 Composed by James Lord Pierpont. Arranged by Ander. Children,Christmas. 31 pages. Woods Only, Arrangements #902313. Published by Woods Only, Arrangements (A0.1313577). Are you looking for a fun and creative way to play Jingle Bells, the famous Christmas song? Then you will love this arrangement for Sax Quartet, which explores the theme in different styles, from waltz to samba. In this arrangement, you will find a slow and gentle opening, which introduces the theme of the melody with delicacy and elegance, followed by a cheerful and lively version, which follows the original version of the song, with striking rhythm and simple harmony. Then, you will be charmed by a waltz version, which gives a different charm to the music, with smooth and graceful movements, and be infected by a samba version, which brings a Brazilian touch to the music, with dancing beat and elements of the samba root. Next, you will be moved by a sad and melancholic version, in minor tone, which shows a touching side of the music, with expressiveness and sensitivity. Finally, you will have fun with a return of the cheerful version, which explores the theme in different tones, with solos divided among all the voices of the arrangement, creating an impression of jumping party. This arrangement is ideal for Christmas parties, in chamber music groups, and can be used in recitals and concerts, inside or outside the academy. It is a different and innovative way to perform this beautiful music, which will surprise and delight your audience. Do not miss this opportunity to acquire this exclusive and fun arrangement of Jingle bells in Different Styles!
$7.99 ≈
$11.16
Together Forever
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Saxophone Quartet: 4 saxophones
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INTERMEDIATE/ADVANCED
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Contemporary
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Jimmy Fallon
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Russell Ward
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Together Forever
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Russell Ward
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SheetMusicPlus
Woodwind Ensemble,Woodwind Quartet Alto Saxophone,Baritone Saxophone,Soprano Saxophone,Tenor Saxophone - Level 4 - Digital Download SKU: A0.999560 By Jim...
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Woodwind Ensemble,Woodwind Quartet Alto Saxophone,Baritone Saxophone,Soprano Saxophone,Tenor Saxophone - Level 4 - Digital Download SKU: A0.999560 By Jimmy Fallon. By Matthew Aitken, Michael Stock, Pete Waterman, and Peter Alan Waterman. Arranged by Russell Ward. Contemporary. 16 pages. Russell Ward #6047155. Published by Russell Ward (A0.999560). This is the 4th and final Movement from my Saxophone Quartet tribute to popular 1980'/90's UK songwriting team Stock, Aitken and Waterman. The work features four of Stock, Aitken and Waterman's best known tunes from their Golden Era in the late 1980's arranged for Saxophone Quartet in the form of a 4 movement work, with elements of Pachelbel's canon underpinning many of the themes throughout. Be sure to check out the other movements also available here on my Sheet Music Plus publisher page https://www.sheetmusicplus.com/publishers/russell-ward/17598: I: Allegro Moderato - Love in the First Degree II: Scherzo – I Should Be So Lucky III: Adagio – Never Gonna Give You Up IV: Vivace – Together Forever Please email me if you happen to perform this work in it's entirety - I'd love to hear from you. I hope you enjoy performing it as much as I've enjoyed arranging it. Russell Ward rgeward@yahoo.com.au
$14.99 ≈
$20.93
Sarabande - A Jazzy Journey (Handel - Seinecke) for Saxophone Quartet SATB
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Saxophone Quartet: 4 saxophones
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G
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Torsten Seinecke
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Sarabande - A Jazzy Journey
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Torsten Seinecke
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SheetMusicPlus
Woodwind Ensemble,Woodwind Quartet Alto Saxophone,Baritone Saxophone,Soprano Saxophone,Tenor Saxophone - Digital Download SKU: A0.906283 Composed by G. F...
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Woodwind Ensemble,Woodwind Quartet Alto Saxophone,Baritone Saxophone,Soprano Saxophone,Tenor Saxophone - Digital Download SKU: A0.906283 Composed by G. F. Handel. Arranged by Torsten Seinecke. Baroque,Holiday,Jazz. 17 pages. Torsten Seinecke #6269685. Published by Torsten Seinecke (A0.906283). This Arrangement of Handel's Sarabande from the fourth suite in D minor is a stand alone three-minute work. The theme is arranged in a jazz style and there are also five-quarter time elements like in Take Five.There is an optional part that can be repeated, open to solos, but also a nice notated solo. This very solemn and actually serious piece of music is suitable for many occasions.Enjoy
$14.99 ≈
$20.93
"Awakening" (from Sax Quartet Suite)
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Saxophone Quartet: 4 saxophones
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ADVANCED
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Steve David Marlow
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"Awakening"
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Steven David Marlow
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SheetMusicPlus
Woodwind Ensemble,Woodwind Quartet Alto Saxophone,Baritone Saxophone,Soprano Saxophone,Tenor Saxophone - Level 5 - Digital Download SKU: A0.1026158 Compo...
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Woodwind Ensemble,Woodwind Quartet Alto Saxophone,Baritone Saxophone,Soprano Saxophone,Tenor Saxophone - Level 5 - Digital Download SKU: A0.1026158 Composed by Steve David Marlow. 20th Century,Classical,Concert,Contemporary,Romantic Period. 33 pages. Steven David Marlow #6531069. Published by Steven David Marlow (A0.1026158). Awakening is the first movement from my Suite in Four Movements for Saxophone Quartet.The music lasts just over 5 minutes, and combines elements from different styles including classical and jazz.The other movements (Tango, Baroque Affinity and Finale) are also available here, and the entire suite lasts around 15 minutes.The PDF file contains the Score plus the Parts.
$4.99 ≈
$6.97
Saxophone Quartet satb "Jelly Roll Blues" score & parts
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Saxophone Quartet: 4 saxophones
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INTERMEDIATE
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Francesco Leone
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Francesco Leone
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Saxophone Quartet satb "Jelly
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Glissato Edizioni Musicali
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SheetMusicPlus
Saxophone Quartet,Woodwind Ensemble Alto Saxophone,Baritone Saxophone,Soprano Saxophone,Tenor Saxophone - Level 3 - Digital Download SKU: A0.1509898 By F...
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Saxophone Quartet,Woodwind Ensemble Alto Saxophone,Baritone Saxophone,Soprano Saxophone,Tenor Saxophone - Level 3 - Digital Download SKU: A0.1509898 By Francesco Leone. By Ferdinand Jelly Roll Morton. Arranged by Francesco Leone. Blues,Jazz. 21 pages. Glissato Edizioni Musicali #1085109. Published by Glissato Edizioni Musicali (A0.1509898). Dive into the rich and lively world of early jazz with this special arrangement of Jelly Roll Blues by the legendary Ferdinand Jelly Roll Morton, skillfully arranged for Saxophone Quartet S.A.T.B. by Francesco Leone. This intermediate-level arrangement captures the essence of Morton's groundbreaking work, making it accessible and enjoyable for saxophonists.About the Composition: Jelly Roll Blues is one of the earliest published jazz compositions, originally brought to life in 1915 by Jelly Roll Morton. Known for its infectious rhythms, syncopation, and the unique blend of blues and ragtime elements, this piece stands as a cornerstone of jazz history.Arrangement Details:Arranged by: Francesco LeoneInstrumentation: Saxophone Quartet S.A.T.B.Bb Soprano SaxophoneEb Alto SaxophoneBb Tenor SaxophoneEb Baritone SaxophoneLevel: IntermediateIncluded: Full Score and Parts (4)Features:Authentic Jazz Feel: Francesco Leone's arrangement maintains the vibrant energy and authentic jazz feel of the original composition, ensuring that performers and audiences alike will be transported to the lively streets of early 20th-century New Orleans.Intermediate Level: Suitable for intermediate-level saxophonists, this arrangement provides a rewarding challenge without being overwhelming, making it perfect for both educational settings and performance.Comprehensive Package: The package includes a full score and individual parts for each member of the quartet, ensuring a smooth rehearsal and performance experience.Why Choose This Arrangement?This arrangement is an excellent choice for saxophone quartets looking to explore the roots of jazz and expand their repertoire with a piece that is both historically significant and musically engaging. Whether you are preparing for a concert, a competition, or simply looking to enjoy the process of making music with fellow saxophonists, Jelly Roll Blues arranged by Francesco Leone offers a perfect blend of tradition and excitement.Bring the timeless sounds of Jelly Roll Morton to your saxophone quartet and experience the joy of performing one of jazz's most iconic pieces. Get your copy today and start exploring the dynamic world of Jelly Roll Blues!
$11.99 ≈
$16.74
Jazz, The Language of Music - for Saxophone
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Saxophone Quartet: 4 saxophones
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ADVANCED
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Jazz
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Tony Benade
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Jazz, The Language of Music -
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Tony Benade
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SheetMusicPlus
Woodwind Ensemble,Woodwind Quartet Alto Saxophone,Baritone Saxophone,Soprano Saxophone,Tenor Saxophone - Level 5 - Digital Download SKU: A0.809104 Compos...
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Woodwind Ensemble,Woodwind Quartet Alto Saxophone,Baritone Saxophone,Soprano Saxophone,Tenor Saxophone - Level 5 - Digital Download SKU: A0.809104 Composed by Tony Benade. Instructional,Jazz. 193 pages. Tony Benade #3503099. Published by Tony Benade (A0.809104). Jazz, The Language of Music is a comprehensive study that is presented in three parts. Each section contains the essential elements the student of jazz must know which are The Fundamentals of Jazz Theory,Common Chord Progressions of Jazz Standards and Creating Jazz Phrases. This is for the individual who is very serious about learning the art of improvising. It begins with the necessary musical theory needed to play jazz followed by the common chord progressions that would be encountered in the jazz standards. And finally, the actual process of creating jazz phrases. This method was created by a professional jazz musician who has spent over 50 years performing jazz as well as a jazz educator. This method that has been used for several decades and has produced several young students and hobbyists who have become professional musicians. It is not a quick and easy 20 minute type of study. It does require commitment and a strong desire to perform jazz like the many jazz greats of the past. There is no magic or mystery involved, just the right information presented in an easy to understand format. If your are a serious student of jazz, then this is for you.
$45.00 ≈
$62.84
DvoÅ™ák: Largo from the New World Symphony for Soprano Sax & Piano
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Soprano Saxophone and Piano
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EASY
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Classical
#
Antonin Dvorak
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James M
#
DvoÅ™ák: Largo from the Ne
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jmsgu3
#
SheetMusicPlus
Piano,Soprano Saxophone - Level 2 - Digital Download SKU: A0.549421 Composed by Antonin Dvorak. Arranged by James M. Guthrie, ASCAP. Instructional,Romant...
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Piano,Soprano Saxophone - Level 2 - Digital Download SKU: A0.549421 Composed by Antonin Dvorak. Arranged by James M. Guthrie, ASCAP. Instructional,Romantic Period,Sacred,Standards. Score and part. 12 pages. Jmsgu3 #3494001. Published by jmsgu3 (A0.549421). Score: 7 pages, solo part: 2 pages, piano part: 3 pages. Duration: 4:25 Not difficult, but requires sensitivity & dynamic control. Suitable for recitals, church meditations, or school programs. Dvořák Background AntonÃn Dvořák (1841 –1904) was, of course, a composer from Czechoslovakia. As a matter of fact, he was among the first Bohemian composers to attain universal recognition. It is important to realize that the late Romantic Nationalist period featured composers who used traditional and folk elements to portray the character of their nation. In particular, we see this in the music of Grieg (Norway), Finland (Sibelius), and Smetana (Bohemia).  Dvořák relied markedly on rhythms and other characteristics of Moravian and Bohemian folk music. Ascent to Fame Dvořák was truly a child musical prodigy on the violin. The premiere performances of his compositions notably occurred in 1872 and 1873. He submitted his First Symphony in particular to a German competition, but it failed to win. Consequently, in 1874 he presented two more symphonies to the Austrian State Prize for Composition. Johannes Brahms was the principal of the jury and was accordingly very impressed. They forthwith awarded the prize to Dvořák in 1874, 1876, and 1877. At this point, Brahms thereupon endorsed Dvořák to the publisher Simrock. Later, the publisher commissioned Dvořák to compose the Slavonic Dances, Op. 46. These became popular overnight and, as a result, Dvořák's worldwide status was launched. International Status Dvořák visited England upon invitation nine times. On each visit, he frequently conducted performances of his own compositions. He conducted concerts of his music, especially in Moscow and St. Petersburg. Eventually, the Prague Conservatory in fact appointed Dvořák as a professor. There, to be sure, he wrote his famous Dumky Trio. United States Consequently, the National Conservatory of Music of America appointed him as director in 1892. As a result, Dvořák composed his two most famous symphonic works: the Symphony No. 9 (From the New World), which spread his name universally, and his Concerto for Cello and Orchestra, one of the most famous of all cello works. Moreover, he wrote his most celebrated American String Quartet during this time. At the same time, because of his growing recognition in Europe and his homesickness for his own country, he left to return to Bohemia in 1895.
$32.95 ≈
$46.02
DvoÅ™ák: Largo from the New World Symphony for Alto Sax & Piano
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Alto Saxophone and Piano
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EASY
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Classical
#
Antonin Dvorak
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James M
#
DvoÅ™ák: Largo from the Ne
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jmsgu3
#
SheetMusicPlus
Alto Saxophone,Piano - Level 2 - Digital Download SKU: A0.549423 Composed by Antonin Dvorak. Arranged by James M. Guthrie, ASCAP. Instructional,Romantic ...
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Alto Saxophone,Piano - Level 2 - Digital Download SKU: A0.549423 Composed by Antonin Dvorak. Arranged by James M. Guthrie, ASCAP. Instructional,Romantic Period,Sacred,Standards. Score and part. 12 pages. Jmsgu3 #3494005. Published by jmsgu3 (A0.549423). Score: 7 pages, solo part: 2 pages, piano part: 3 pages. Duration: 4:25. Not difficult, but requires sensitivity & dynamic control. Suitable for recitals, church meditations, or school programs. Dvořák Background AntonÃn Dvořák (1841 –1904) was, of course, a composer from Czechoslovakia. As a matter of fact, he was among the first Bohemian composers to attain universal recognition. It is important to realize that the late Romantic Nationalist period featured composers who used traditional and folk elements to portray the character of their nation. In particular, we see this in the music of Grieg (Norway), Finland (Sibelius), and Smetana (Bohemia).  Dvořák relied markedly on rhythms and other characteristics of Moravian and Bohemian folk music. Ascent to Fame Dvořák was truly a child musical prodigy on the violin. The premiere performances of his compositions notably occurred in 1872 and 1873. He submitted his First Symphony in particular to a German competition, but it failed to win. Consequently, in 1874 he presented two more symphonies to the Austrian State Prize for Composition. Johannes Brahms was the principal of the jury and was accordingly very impressed. They forthwith awarded the prize to Dvořák in 1874, 1876, and 1877. At this point, Brahms thereupon endorsed Dvořák to the publisher Simrock. Later, the publisher commissioned Dvořák to compose the Slavonic Dances, Op. 46. These became popular overnight and, as a result, Dvořák's worldwide status was launched. International Status Dvořák visited England upon invitation nine times. On each visit, he frequently conducted performances of his own compositions. He conducted concerts of his music, especially in Moscow and St. Petersburg. Eventually, the Prague Conservatory in fact appointed Dvořák as a professor. There, to be sure, he wrote his famous Dumky Trio. United States Consequently, the National Conservatory of Music of America appointed him as director in 1892. As a result, Dvořák composed his two most famous symphonic works: the Symphony No. 9 (From the New World), which spread his name universally, and his Concerto for Cello and Orchestra, one of the most famous of all cello works. Moreover, he wrote his most celebrated American String Quartet during this time. At the same time, because of his growing recognition in Europe and his homesickness for his own country, he left to return to Bohemia in 1895. Â
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