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Come on Come Over
Not classified
601
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444
Piano solo
273
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90
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80
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57
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42
C Instruments
26
Piano Accompaniment
21
1 Piano, 4 hands
11
Piano Trio: piano, violin, cello
7
Piano Quintet: piano, 2 violins, viola, cello
5
Piano Quartet: piano, 2 violins, cello
4
Accordion
3
2 Pianos, 4 hands
3
Keyboard
2
Piano Quartet: piano, violin, viola, cello
1
2 Pianos, 8 hands
1
+ 12 instrumentations
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Retract
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Ukulele
247
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101
Bass guitar
42
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22
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6
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Banjo
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Mandolin
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112
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39
Choral 2-part
23
Choral TTBB
17
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16
Choral SSAA
13
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5
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4
High voice
4
Tenor voice, Piano
4
Baritone voice, Piano
4
Soprano voice, Piano
3
Voice solo
3
Choral
2
Vocal duet
2
Low voice, Piano
2
Voice, Guitar
2
Medium voice, Piano
2
Tenor voice
1
Choral SSATB
1
Alto voice, Piano
1
+ 16 instrumentations
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58
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55
2 Saxophones (duet)
35
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32
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30
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26
2 Flutes, Piano
25
2 Flutes (duet)
24
Alto Saxophone
24
Oboe (band part)
23
Alto Saxophone and Piano
21
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21
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19
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18
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18
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17
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16
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16
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15
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11
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9
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9
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9
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8
2 Clarinets (duet)
8
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7
Descant (Soprano) Recorder
7
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6
Oboe, Clarinet (duet)
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5
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4
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4
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2 Oboes (duet)
4
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3
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3
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3
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3
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2
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2
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2
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1
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1
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1
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1
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1
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1
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1
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1
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1
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1
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1
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1
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1
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1
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1
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1
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1
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1
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1
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1
+ 75 instrumentations
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54
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29
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28
Trumpet
24
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21
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19
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14
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13
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10
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9
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8
Tuba
8
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8
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8
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7
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7
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6
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6
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5
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1
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1
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1
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1
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1
French horn (band part)
1
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109
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45
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40
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34
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27
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25
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22
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21
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18
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12
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9
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1
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Medium voice, Piano
Sheetmusic to print
2 sheet music found
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Jacques Leguerney: Sept Poèmes de François Maynard for medium voice and piano
#
Medium voice, Piano
#
INTERMEDIATE/ADVANCED
#
Contemporary
#
Jacques Leguerney
#
Jacques Leguerney: Sept Poème
#
Musik Fabrik Music Publishing
#
SheetMusicPlus
Medium-Low Voice,Vocal Solo - Level 4 - Digital Download SKU: A0.534413 Composed by Jacques Leguerney. 20th Century,Concert,Standards. 38 pages. Musik Fa...
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Medium-Low Voice,Vocal Solo - Level 4 - Digital Download SKU: A0.534413 Composed by Jacques Leguerney. 20th Century,Concert,Standards. 38 pages. Musik Fabrik Music Publishing #3478897. Published by Musik Fabrik Music Publishing (A0.534413). 1. Plaintes d'Orphée2. Ã?pigramme à un mauvais payeur3. à Chloris4. D'une maigre dame5. Dans le fôret6. Secret Amour 7. Complients à une duègnehttps://www.youtube.com/watch?v=Uo7KQ89pzz4Gérard Souzay, French baritone, said of Jacques Leguerneyâ??s music: â??How does one describe this music which is, at the same time, classic and modern? It is pure, but colorfully nuanced; it speaks to the heart as well as the mind: at times calm; at times witty; wise, yet sensual. The music of Jacques Leguerney is un jardin à la française, both elegant and stylish.â? Jacques Leguerney was born in Le Havre on 19 November 1906. His uncle bought his first piano and encouraged him to study and write music. He wrote chamber works, and took a few semesters of harmony with Nadia Boulanger, who arranged for a performance of his Epitaphe guerrière and Clair de lune in a concert organized by the Société musical indépendante at the Salle Pleyel. However, he decided not to continue his studies. He felt that his gift was natural and spontaneous, and that anyone who understood music should not have to do exercises to learn to compose. In 1928, Jane Bathori took an interest in Leguerney, including two songs during her tour in Argentina, and the following year at the Salle Erard in Paris. In 1932, when his father died, Leguerney took over the family business and stopped composing until the outbreak of World War II. The period extending from the German occupation of France to the end of the 1940s constitutes one of the important periods of Leguerneyâ??s musical life. He began his extended song cycle, Poèmes de la Pléiade, and wrote many songs upon poems of Paul-Jean Toulet. He also continued to compose chamber music, including the Sonatine pour violon et piano, the â??Fantasie pour pianoâ? and the Quatuor à cordes en Ré. An important year for Leguerney was 1943. He met musical colleagues who would become his major interpreters. These included Gérard Souzay as well as his half-sister, soprano Geneviève Touraine; pianist Jacqueline Robin (Bonneau), Pierre Bernac, and Francis Poulenc. Robin (Bonneau) particularly influenced Leguerneyâ??s style. His piano accompaniments were created specifically for her virtuosic and sensitive style of pianism. Bernac observed that Leguerney wrote melodies de pianiste. In 1946, Leguerney created a ballet on the mythological story of Endymion. The premiere was at the Opéra de Paris on 27 July 1949, with choreography by Serge Lifar. The Opéra de Paris immediately commissioned a second work, which was La Vénus noire, based upon a short story by Prosper Mérimée. This ballet was never produced, due to disagreements with the choreographer. Leguerney became discouraged and this situation was to lead to the end of his interest in composing. However, the years 1950-1954 brought Leguerney widespread recognition as he created his beautiful mélodie cycles including La Nuit, La Solitude (for piano as well as an orchestration), Le Paysage, and Le Carnaval, as well as the cantata Psaume LXII de David. Gérard Souzay requested many new works for his recitals and premiered La Nuit, Le Carnaval and
$19.95 ≈
19.01€
Posthumous Songs
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Medium voice, Piano
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ADVANCED
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Erich Wolfgang Korngold
#
Posthumous Songs
#
Schott Music - Digital
#
SheetMusicPlus
Medium voice and piano - advanced - Digital Download SKU: S9.Q23047 First Edition. Composed by Erich Wolfgang Korngold. This edition: Sheet music....
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Medium voice and piano - advanced - Digital Download SKU: S9.Q23047 First Edition. Composed by Erich Wolfgang Korngold. This edition: Sheet music. Downloadable. Op. 2. Duration 28 minutes. Schott Music - Digital #Q23047. Published by Schott Music - Digital (S9.Q23047). German.Following the success of the first volume, Schott now presents the second volume of songs by Erich Wolfgang Korngold, published for the first time. They date from the early creative period of the 'child prodigy' and already show the extraordinary talent of the young composer. On the basis of the late Romantic musical language, he developed a totally individual sound world full of melodic breadth, refined harmony and sparkling inventiveness. Many of these marvellous songs were composed for certain events; with the operetta-like Die Gansleber im Hause Duschnitz, Korngold managed to write a real 'Viennese delicacy'. With the help of these two songbooks, singers, pianists and music lovers can, for the first time, get to know the musical beginnings of the composer who was later to become one of the most successful composers of film music in Hollywood.
$27.99 ≈
26.67€
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