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56 sheet music found
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1
26
51
Rorate Coeli
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Choral SATB
#
INTERMEDIATE
#
Sacred music
#
Traditional plainchant
#
Philip Le Bas
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Rorate Coeli
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Philip Le Bas
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SheetMusicPlus
Choral Choir (SATB) - Level 3 - Digital Download SKU: A0.818159 Composed by Traditional plainchant. Arranged by Philip Le Bas. Christian,Sacred. Octavo. ...
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Choral Choir (SATB) - Level 3 - Digital Download SKU: A0.818159 Composed by Traditional plainchant. Arranged by Philip Le Bas. Christian,Sacred. Octavo. 3 pages. Philip Le Bas #3491311. Published by Philip Le Bas (A0.818159). This setting of the traditional Advent plainchant is based around a harmonized refrain using the original Latin words: Rorate coeli de super et nubes pluant justum (Drop down, O heavens, from above and let the skies pour down *justice.) The music and the words express the Advent theme of a cry for justice and salvation in the midst of despair. The traditional verses making up the Advent Prose, based on various parts of scripture, are sung in English unison plainchant, and they express the feelings of one living through a disaster (specifically the fall of Jerusalem in the sixth century BC.) The third and fourth stanzas become more hopeful in their words, especially the famous words (from Isaiah 40) Comfort, O comfort my people, Here the setting introduces some gentle harmonization, leading to a final return of the Rorate chorus in unison and a harmonized hope-filled coda.
$1.99 ≈
1.90€
O Come, O Come, Emmanuel - SAB voices, piano, flute
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Choral 3-part
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EASY
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Christmas
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Traditional plainchant
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Todd Marchand
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O Come, O Come, Emmanuel - SAB
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Con Spirito Music
#
SheetMusicPlus
Choral Choir (SAB) - Level 2 - Digital Download SKU: A0.726072 Composed by Traditional plainchant. Arranged by Todd Marchand. Christmas,Sacred. Octavo. 8...
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Choral Choir (SAB) - Level 2 - Digital Download SKU: A0.726072 Composed by Traditional plainchant. Arranged by Todd Marchand. Christmas,Sacred. Octavo. 8 pages. Con Spirito Music #3383493. Published by Con Spirito Music (A0.726072). A contemporary setting of the 15th-century plainchant, VENI IMMANUEL, for SAB voices, flute, and piano.©Copyright 2017 Todd Marchand / ConSpiritoMusic.com
$2.00 ≈
1.91€
Prayer before the close of day for 2 tubas and 2 euphoniums (mp3)
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Traditional
#
David Warin Solomons
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Prayer before the close of day
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David Warin Solomons
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SheetMusicPlus
Euphonium,Tuba - Digital Download SKU: A0.1059508 Composed by Traditional (Plainchant). Arranged by David Warin Solomons. 20th Century,Christian,Sacred,S...
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Euphonium,Tuba - Digital Download SKU: A0.1059508 Composed by Traditional (Plainchant). Arranged by David Warin Solomons. 20th Century,Christian,Sacred,Spiritual. Full Performance. Duration 382. David Warin Solomons #3388491. Published by David Warin Solomons (A0.1059508). Score:https://www.sheetmusicplus.com/title/19978352?aff_id=175705A tour de force of breathing for a tuba and euphonium quartet, but very effective and meditative. The idea of writing a piece based on plainchant was suggested to me by the quartet Tubalaté, who are playing the piece here. The amen section at the end courses through many ideas for amens used by composers over the centuries, ending with a rather unusual English
$3.00 ≈
2.86€
Kyrie Eleison
#
Choral SATB
#
INTERMEDIATE
#
Traditional
#
Dillon Ekle
#
Kyrie Eleison
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Dillon Ekle
#
SheetMusicPlus
Choral Choir (SATB) - Level 3 - Digital Download SKU: A0.966753 Composed by Traditional. Arranged by Dillon Ekle. 20th Century,A Cappella,Christian,Class...
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Choral Choir (SATB) - Level 3 - Digital Download SKU: A0.966753 Composed by Traditional. Arranged by Dillon Ekle. 20th Century,A Cappella,Christian,Classical,Easter,Sacred. Octavo. 10 pages. Dillon Ekle #6110767. Published by Dillon Ekle (A0.966753). This arrangement for SATB choir a cappella takes the traditional plainchant setting of Kyrie Eleison from Mass XI Orbis Factor (Creator of the World) and brings it a fresh harmonization. Intended to be sung freely, reminiscent of the original chant, Kyrie Eleison builds in complexity until the final section, which begins with the altos and adds the other voices to create a swirl of sound until landing again for the final statement and amen.Singers will need to be able to perform tight harmonies (including many sevenths and seconds) as well as sing quarter note triplets.The file also includes a piano reduction for use in rehearsals. Save a tree and only print the piano reduction for your accompanist, not for every singer! Because the reduction is included with the file, you do not need to purchase an additional copy for your accompanist.
$3.99 ≈
3.80€
Veni, Veni Emmanuel - an Advent anthem for brass
#
Brass Quintet: 2 trumpets, horn, trombone, tuba
#
Christmas
#
Traditional plainchant
#
Todd Marchand
#
Veni, Veni Emmanuel - an Adven
#
Con Spirito Music
#
SheetMusicPlus
Composed by Traditional plainchant. Arranged by Todd Marchand. Christian, Sacred, Christmas. Score, Set of Parts. 16 pages. Published by Con Spirito Music (S0.1...
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Composed by Traditional plainchant. Arranged by Todd Marchand. Christian, Sacred, Christmas. Score, Set of Parts. 16 pages. Published by Con Spirito Music (S0.180087). - Score,Set of Parts - Christian,Sacred,Christmas - Con Spirito Music
$15.00 ≈
14.29€
Humbly I Adore Thee (ADORO TE DEVOTE) — trombone and piano or organ
#
Trombone and Piano
#
INTERMEDIATE
#
Traditional plainchant melody
#
Todd Marchand
#
Humbly I Adore Thee
#
Con Spirito Music
#
SheetMusicPlus
Piano,Trombone - Level 3 - Digital Download SKU: A0.1098129 Composed by Traditional plainchant melody. Arranged by Todd Marchand. Medieval,Religious,Sacr...
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Piano,Trombone - Level 3 - Digital Download SKU: A0.1098129 Composed by Traditional plainchant melody. Arranged by Todd Marchand. Medieval,Religious,Sacred. Score and part. 7 pages. Con Spirito Music #702001. Published by Con Spirito Music (A0.1098129). “Humbly I Adore Thee†is a eucharistic, or communion, hymn with text by St. Thomas Aquinas (1225-1274).The origin of the melody, “Adoro te Devote,†is unclear. In some places it is simply described as a Gregorian chant; in others as a 13th-century Benedictine plainsong; in others as a French church melody published in the Paris Processionale (hymnal or liturgical manual) of 1697. Regardless, it is a lovely, flowing tune well-suited for the legato “singing†capabilities of the trombone, euphonium, or cello.In this arrangement, the soloist plays the tune through on the first verse in D major, adds a descant over the melody played by keyboard in the second verse and, following a short modulation, recapitulates the tune in the concluding key of G major.©Copyright 2022 Todd Marchand / Con Spirito Music (ASCAP). All rights reserved. Visit www.conspiritomusic.com
$6.00 ≈
5.72€
Of the Father's Love Begotten
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Choral SATB
#
Sacred music
#
Franklin Ashdown
#
Of the Father's Love Begotten
#
Sacred Music Press
#
SheetMusicPlus
SATB choir, Organ - Digital Download SKU: LX.10-4855S Composed by Franklin Ashdown. Sacred Anthem, Advent, Christmas. Octavo. 12 pages. Sacred Music Pres...
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SATB choir, Organ - Digital Download SKU: LX.10-4855S Composed by Franklin Ashdown. Sacred Anthem, Advent, Christmas. Octavo. 12 pages. Sacred Music Press #e10/4855S. Published by Sacred Music Press (LX.10-4855S). ISBN 9780787755713.Franklin Ashdown presents an exquisite anthem for Advent or Christmas. The outer sections employ a lyric original melody, while the middle section uses the traditional plainchant hymn for this text.
$2.50 ≈
2.38€
Of the Father's Love Begotten
#
Choral SATB
#
Sacred music
#
Franklin Ashdown
#
Of the Father's Love Begotten
#
Sacred Music Press
#
SheetMusicPlus
SATB choir, organ SKU: LO.10-4855S Composed by Franklin Ashdown. Choral. Sacred Anthem, Advent, Christmas. Octavo. Sacred Music Press #10/4855S. Publishe...
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SATB choir, organ SKU: LO.10-4855S Composed by Franklin Ashdown. Choral. Sacred Anthem, Advent, Christmas. Octavo. Sacred Music Press #10/4855S. Published by Sacred Music Press (LO.10-4855S). ISBN 9780787755713.Franklin Ashdown presents an exquisite anthem for Advent or Christmas. The outer sections employ a lyric original melody, while the middle section uses the traditional plainchant hymn for this text.
$2.95 ≈
2.81€
Rhapsody of Alleluias
#
Violin
#
INTERMEDIATE/ADVANCED
#
J W B Forman
#
Rhapsody of Alleluias
#
Bruce Forman
#
SheetMusicPlus
Violin Solo - Level 4 - Digital Download SKU: A0.930488 Composed by J W B Forman. Contemporary,Easter,Sacred. 3 pages. Bruce Forman #6409163. Published b...
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Violin Solo - Level 4 - Digital Download SKU: A0.930488 Composed by J W B Forman. Contemporary,Easter,Sacred. 3 pages. Bruce Forman #6409163. Published by Bruce Forman (A0.930488). A short rhapsody for solo Violin, material for which draws on a selection of traditional plainchant alleluias.
$2.49 ≈
2.37€
Love Came Down at Christmas
#
Handbells
#
EASY
#
Christmas
#
Cynthia Dobrinski
#
Love Came Down at Christmas
#
Hope Publishing - Digital
#
SheetMusicPlus
Handbells handbell choir (3-5 octaves) - Level 2 - Digital Download SKU: H1.2154DP Arranged by Cynthia Dobrinski. Christmas, Sacred. Handbell score. 8 pa...
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Handbells handbell choir (3-5 octaves) - Level 2 - Digital Download SKU: H1.2154DP Arranged by Cynthia Dobrinski. Christmas, Sacred. Handbell score. 8 pages. Hope Publishing - Digital #2154DP. Published by Hope Publishing - Digital (H1.2154DP). 1 John 4:7 - 1 John 4:8 - 1 John 4:9 - 1 John 4:10 - 1 John 4:11 - John 13:35 - Luke 2:8 - Luke 2:9 - Luke 2:10 - Luke 2:11 - Luke 2:12 - Luke 2:13 - Luke 2:14 - Matthew 2:1 - Matthew 2:2 - Matthew 2:3 - Matthew 2:4 - Matthew 2:5 - M.Traditional Irish Melody Traditional Irish melody and 13th century plainchant join hands in this sweet arrangement by one of handbells premiere composers. Traditional Irish melody and 13th century plainchant join hands in this sweet arrangement by one of handbells premiere composers. The flute lends its graceful character and adds to the atmosphere. LV technique is used most frequently and predominates the texture. Fifty-seven measures in lenghth. Medley of Love Came Down at Christmas and Of the Father's Love Gegotten.
$6.25 ≈
5.96€
O Come, O Come, Emmanuel
#
Christmas
#
Traditional
#
Ken Bell
#
O Come, O Come, Emmanuel
#
Cimarron Music Press - Digital
#
SheetMusicPlus
Horn solo with organ - Digital Download SKU: CX.TRM0053 Composed by Traditional. Arranged by Ken Bell. 5 pages. Published by Cimarron Music Press - Digit...
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Horn solo with organ - Digital Download SKU: CX.TRM0053 Composed by Traditional. Arranged by Ken Bell. 5 pages. Published by Cimarron Music Press - Digital (CX.TRM0053). Famous Christmas Hymn based on 15th century plainchant. In four contrasting verses, faithful to the plainchant and the traditional harmony.
$12.00 ≈
11.43€
Missa Solemnis, op. 27 (vocal score)
#
Choral SATB
#
ADVANCED
#
Adrian Gagiu
#
Missa Solemnis, op. 27
#
Adrian Gagiu
#
SheetMusicPlus
Choral Choir (SATB) - Level 5 - Digital Download SKU: A0.1277132 Composed by Adrian Gagiu. 21st Century,Christian,Classical,Latin. Octavo. 128 pages. Adr...
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Choral Choir (SATB) - Level 5 - Digital Download SKU: A0.1277132 Composed by Adrian Gagiu. 21st Century,Christian,Classical,Latin. Octavo. 128 pages. Adrian Gagiu #868444. Published by Adrian Gagiu (A0.1277132). Missa Solemnis in B major, op. 27, vocal score and piano part (for rehearsal purposes only). Based on its Neo-classical style, this setting of the Roman Catholic mass text could possibly work as a festive mass (missa solemnis) with trumpets and timpani, and its duration would fit such a solemn service. However, its intense and sometimes dramatic treatment and universal addressability due to its well-known and rather concentrated text, yet also due to eliminating the „Filioque†(which would still fit the rhythm of the repeated „qui ex Patreâ€, should any Catholics ever wish to perform this as a mass) make it rather a „liturgical oratorio for all nationsâ€, more appropriate in the concert hall. The work has had a long gestation: imagined in 1984 after the composer’s first contact with Beethoven’s masterpiece, then sketched first in 1987-1989, and many of its themes date back from those years. Its working out is quite polyphonic, discretely modal and cyclical, and also full of centuries-old musical symbols traditionally associated with the setting of the mass text: e.g. unisons for the more dogmatical parts, Baroque dotted rhythms at the Nativity (the first coming of the  King of Kings), „rex caelestis†and also at his Passion (whose setting is discretely inspired by folkloric Romanian laments), the „anabasis†gesture at „Gloria in excelsis Deoâ€, „et ascendit in caelisâ€, „in remissionem peccatorum†and the resurrection, a flute trill standing for the Holy Spirit who has come ’like a dove’ at „et incarnatus estâ€, a cross-shaped texture at „crucifixusâ€, and some word-painting (hushed sonorities at „et invisibiliumâ€, anticipations between orchestra and chorus at „et exspecto†etc.). Moreover, certain symbolic roles are assigned to the instrumental groups when alone (the organ represents God the Father and transcendence, the winds and/or solo voices represent God the Son and humanity, and the strings represent the Holy Spirit). „Kyrie†is restrained and soft, besides the powerful chords opening the respective sections of its tripartite, simple structure, and it leans towards Palestrina’s serene modality and counterpoint. „Gloria†begins with a colorful orchestral introduction depicting discretely the shepherds who kept watch over their flocks right before the Nativity, and then gradually the bright revelation. „Credo†has an orchestral introduction as well, but powerful, recurring and based on the beginning of the plainchant hymn „Pange linguaâ€, made famous by Mozart’s last symphony and by other Classical composers. Both „Gloria†and „Credo†end with extended, powerful and elaborate fugues („in gloria Dei Patris†and „et vitam venturi saeculiâ€, respectively) with dramatic modulations and sometimes with enthusiastic syncopations at odds with the words’ accents, a la Stravinsky. The same sections plus „Agnus Dei†end with soft quartal harmonies suggesting transcendent appeasement (similar harmonies appear powerfully at the beginning of „Sanctusâ€). „Judicare†quotes the beginning of the well-known „Dies irae†plainchant tune, and the Consecration between the „Sanctus†and „Benedictus†sections is represented by a contemplative prelude for solo organ, quoting Lutheran chorales, too. Another long orchestral introduction, suggesting the Last Judgment and based on traditional Byzantine hymns, opens „Agnus Deiâ€, which includes another quotation (the famous ’Dresden Amen’ at „qui tollis peccata mundi†and „dona nobis pacemâ€). In the final section, with its refined simplicity, the choral voices enter in descending order, and the „Kyrie eleison†theme is briefly remembered, then it ends softly and peacefully. Total duration: 50 min. Performing Rights Organization: SOCAN. The mp3 audio clip is Kyrie.
$87.99 ≈
83.84€
Missa Solemnis, op. 27 - Score Only
#
Orchestra
#
ADVANCED
#
Adrian Gagiu
#
Missa Solemnis, op. 27 - Score
#
Adrian Gagiu
#
SheetMusicPlus
Full Orchestra - Level 5 - Digital Download SKU: A0.1277133 Composed by Adrian Gagiu. 21st Century,Christian,Classical,Latin. 128 pages. Adrian Gagiu #86...
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Full Orchestra - Level 5 - Digital Download SKU: A0.1277133 Composed by Adrian Gagiu. 21st Century,Christian,Classical,Latin. 128 pages. Adrian Gagiu #868819. Published by Adrian Gagiu (A0.1277133). Missa Solemnis in B major, op. 27 (conductor's score). Based on its Neo-classical style, this setting of the Roman Catholic mass text could possibly work as a festive mass (missa solemnis) with trumpets and timpani, and its duration would fit such a solemn service. However, its intense and sometimes dramatic treatment and universal addressability due to its well-known and rather concentrated text, yet also due to eliminating the „Filioque†(which would still fit the rhythm of the repeated „qui ex Patreâ€, should any Catholics ever wish to perform this as a mass) make it rather a „liturgical oratorio for all nationsâ€, more appropriate in the concert hall. The work has had a long gestation: imagined in 1984 after the composer’s first contact with Beethoven’s masterpiece, then sketched first in 1987-1989, and many of its themes date back from those years. Its working out is quite polyphonic, discretely modal and cyclical, and also full of centuries-old musical symbols traditionally associated with the setting of the mass text: e.g. unisons for the more dogmatical parts, Baroque dotted rhythms at the Nativity (the first coming of the  King of Kings), „rex caelestis†and also at his Passion (whose setting is discretely inspired by folkloric Romanian laments), the „anabasis†gesture at „Gloria in excelsis Deoâ€, „et ascendit in caelisâ€, „in remissionem peccatorum†and the resurrection, a flute trill standing for the Holy Spirit who has come ’like a dove’ at „et incarnatus estâ€, a cross-shaped texture at „crucifixusâ€, and some word-painting (hushed sonorities at „et invisibiliumâ€, anticipations between orchestra and chorus at „et exspecto†etc.). Moreover, certain symbolic roles are assigned to the instrumental groups when alone (the organ represents God the Father and transcendence, the winds and/or solo voices represent God the Son and humanity, and the strings represent the Holy Spirit). „Kyrie†is restrained and soft, besides the powerful chords opening the respective sections of its tripartite, simple structure, and it leans towards Palestrina’s serene modality and counterpoint. „Gloria†begins with a colorful orchestral introduction depicting discretely the shepherds who kept watch over their flocks right before the Nativity, and then gradually the bright revelation. „Credo†has an orchestral introduction as well, but powerful, recurring and based on the beginning of the plainchant hymn „Pange linguaâ€, made famous by Mozart’s last symphony and by other Classical composers. Both „Gloria†and „Credo†end with extended, powerful and elaborate fugues („in gloria Dei Patris†and „et vitam venturi saeculiâ€, respectively) with dramatic modulations and sometimes with enthusiastic syncopations at odds with the words’ accents, a la Stravinsky. The same sections plus „Agnus Dei†end with soft quartal harmonies suggesting transcendent appeasement (similar harmonies appear powerfully at the beginning of „Sanctusâ€). „Judicare†quotes the beginning of the well-known „Dies irae†plainchant tune, and the Consecration between the „Sanctus†and „Benedictus†sections is represented by a contemplative prelude for solo organ, quoting Lutheran chorales, too. Another long orchestral introduction, suggesting the Last Judgment and based on traditional Byzantine hymns, opens „Agnus Deiâ€, which includes another quotation (the famous ’Dresden Amen’ at „qui tollis peccata mundi†and „dona nobis pacemâ€). In the final section, with its refined simplicity, the choral voices enter in descending order, and the „Kyrie eleison†theme is briefly remembered, then it ends softly and peacefully. Total duration: 50 min. Performing Rights Organization: SOCAN. The mp3 audio clip is Kyrie.
$100.00 ≈
95.28€
Noon "Rector potens, verax Deus" from Times and Seasons for solo violin (mp3)
#
Daniel Mihai
#
David Warin Solomons
#
Noon "Rector potens, verax Deu
#
David Warin Solomons
#
SheetMusicPlus
Violin - Level 3 - Digital Download SKU: A0.1467002 By Daniel Mihai. By Traditional. Arranged by David Warin Solomons. Contemporary,Religious,Sacred. Ful...
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Violin - Level 3 - Digital Download SKU: A0.1467002 By Daniel Mihai. By Traditional. Arranged by David Warin Solomons. Contemporary,Religious,Sacred. Full Performance. Duration 172. David Warin Solomons #1045567. Published by David Warin Solomons (A0.1467002). This from four plainchants with variations (Times and Seasons) for solo violin.Performed by Daniel Mihai on a Léon Bernardel violin La Duchesse d'Angoulême.Recorded on 27 June 2024 in the Sergiu Celibidache Concert Hall of the National College of Arts Regina Maria Constanța.The chants are:Morning: Iam lucis orto sidere(Now that the daylight fills the sky)Noon: Rector potens, verax Deus(O Lord of might, O God of truth)Evening version 1 (for Sundays and Feast days)Te lucis ante terminum(Before the ending of the day)Evening version 2 (for weekdays)Te lucis ante terminum(Before the ending of the day).
$4.00 ≈
3.81€
Evening version 2 "Te lucis ante terminum" from Times and Seasons for solo violin (mp3)
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Daniel Mihai
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David Warin Solomons
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Evening version 2 "Te lucis an
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David Warin Solomons
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SheetMusicPlus
Violin - Level 3 - Digital Download SKU: A0.1467005 By Daniel Mihai. By Traditional. Arranged by David Warin Solomons. Contemporary,Religious,Sacred. Ful...
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Violin - Level 3 - Digital Download SKU: A0.1467005 By Daniel Mihai. By Traditional. Arranged by David Warin Solomons. Contemporary,Religious,Sacred. Full Performance. Duration 149. David Warin Solomons #1045570. Published by David Warin Solomons (A0.1467005). This is from four plainchants with variations (Times and Seasons) for solo violinPerformed by Daniel Mihai on a Léon Bernardel violin La Duchesse d'Angoulême.Recorded on 27 June 2024 in the Sergiu Celibidache Concert Hall of the National College of Arts Regina Maria Constanța.The chants are:Morning: Iam lucis orto sidere(Now that the daylight fills the sky)Noon: Rector potens, verax Deus(O Lord of might, O God of truth)Evening version 1 (for Sundays and Feast days)Te lucis ante terminum(Before the ending of the day)Evening version 2 (for weekdays)Te lucis ante terminum(Before the ending of the day).
$4.00 ≈
3.81€
Evening version 1 "Te lucis ante terminum" from Times and Seasons for solo violin (mp3)
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Daniel Mihai
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David Warin Solomons
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Evening version 1 "Te lucis an
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David Warin Solomons
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SheetMusicPlus
Violin - Level 3 - Digital Download SKU: A0.1467004 By Daniel Mihai. By Traditional. Arranged by David Warin Solomons. Contemporary,Religious,Sacred. Ful...
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Violin - Level 3 - Digital Download SKU: A0.1467004 By Daniel Mihai. By Traditional. Arranged by David Warin Solomons. Contemporary,Religious,Sacred. Full Performance. Duration 174. David Warin Solomons #1045569. Published by David Warin Solomons (A0.1467004). This is from four plainchants with variations (Times and Seasons) for solo violin.Performed by Daniel Mihai on a Léon Bernardel violin La Duchesse d'Angoulême.Recorded on 27 June 2024 in the Sergiu Celibidache Concert Hall of the National College of Arts Regina Maria Constanța.The chants are:Morning: Iam lucis orto sidere(Now that the daylight fills the sky)Noon: Rector potens, verax Deus(O Lord of might, O God of truth)Evening version 1 (for Sundays and Feast days)Te lucis ante terminum(Before the ending of the day)Evening version 2 (for weekdays)Te lucis ante terminum(Before the ending of the day).
$4.00 ≈
3.81€
Morning "Iam lucis orto sidere" from Times and Seasons for solo violin (mp3)
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Daniel Mihai
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David Warin Solomons
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Morning "Iam lucis orto sidere
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David Warin Solomons
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SheetMusicPlus
Violin - Level 3 - Digital Download SKU: A0.1467001 By Daniel Mihai. By Traditional. Arranged by David Warin Solomons. Contemporary,Religious,Sacred. Ful...
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Violin - Level 3 - Digital Download SKU: A0.1467001 By Daniel Mihai. By Traditional. Arranged by David Warin Solomons. Contemporary,Religious,Sacred. Full Performance. Duration 268. David Warin Solomons #1045566. Published by David Warin Solomons (A0.1467001). This is from four plainchants with variations (Times and Seasons) for solo violin.Performed by Daniel Mihai on a Léon Bernardel violin La Duchesse d'Angoulême.Recorded on 27 June 2024 in the Sergiu Celibidache Concert Hall of the National College of Arts Regina Maria Constanța.The chants are:Morning: Iam lucis orto sidere(Now that the daylight fills the sky)Noon: Rector potens, verax Deus(O Lord of might, O God of truth)Evening version 1 (for Sundays and Feast days)Te lucis ante terminum(Before the ending of the day)Evening version 2 (for weekdays)Te lucis ante terminum(Before the ending of the day).
$4.00 ≈
3.81€
Times and Seasons for bassoon solo (all 4 pieces)
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Bassoon
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INTERMEDIATE/ADVANCED
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Traditional
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David Warin Solomons
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Times and Seasons for bassoon
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David Warin Solomons
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SheetMusicPlus
Bassoon Solo - Level 4 - Digital Download SKU: A0.580897 Composed by Traditional. Arranged by David Warin Solomons. 20th Century,Classical,Contemporary. ...
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Bassoon Solo - Level 4 - Digital Download SKU: A0.580897 Composed by Traditional. Arranged by David Warin Solomons. 20th Century,Classical,Contemporary. Individual part. 8 pages. David Warin Solomons #6320235. Published by David Warin Solomons (A0.580897). These are four plainchants with variations
$25.00 ≈
23.82€
Times and Seasons for flute solo (all 4 pieces)
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Flute
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INTERMEDIATE/ADVANCED
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Traditional
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David Warin Solomons
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Times and Seasons for flute so
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David Warin Solomons
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SheetMusicPlus
Flute Solo - Level 4 - Digital Download SKU: A0.580904 Composed by Traditional. Arranged by David Warin Solomons. 20th Century,Christian,Classical,Contem...
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Flute Solo - Level 4 - Digital Download SKU: A0.580904 Composed by Traditional. Arranged by David Warin Solomons. 20th Century,Christian,Classical,Contemporary. Individual part. 8 pages. David Warin Solomons #6329081. Published by David Warin Solomons (A0.580904). These are four plainchants with variations
$25.00 ≈
23.82€
Times and Seasons for clarinet solo (all 4 pieces)
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Clarinet
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INTERMEDIATE/ADVANCED
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Traditional
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David Warin Solomons
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Times and Seasons for clarinet
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David Warin Solomons
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SheetMusicPlus
Clarinet Solo - Level 4 - Digital Download SKU: A0.580892 Composed by Traditional. Arranged by David Warin Solomons. 20th Century,Christian,Classical,Con...
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Clarinet Solo - Level 4 - Digital Download SKU: A0.580892 Composed by Traditional. Arranged by David Warin Solomons. 20th Century,Christian,Classical,Contemporary. Individual part. 8 pages. David Warin Solomons #6319395. Published by David Warin Solomons (A0.580892). These are four plainchants with variations
$25.00 ≈
23.82€
Times and Seasons for viola solo (all 4 pieces)
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Viola
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INTERMEDIATE/ADVANCED
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Contemporary
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Traditional
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David Warin Solomons
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Times and Seasons for viola so
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David Warin Solomons
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SheetMusicPlus
Viola Solo - Level 4 - Digital Download SKU: A0.580887 Composed by Traditional. Arranged by David Warin Solomons. 20th Century,Classical,Contemporary. In...
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Viola Solo - Level 4 - Digital Download SKU: A0.580887 Composed by Traditional. Arranged by David Warin Solomons. 20th Century,Classical,Contemporary. Individual part. 8 pages. David Warin Solomons #6317861. Published by David Warin Solomons (A0.580887). These are four plainchants with variations
$25.00 ≈
23.82€
Times and Seasons for cello solo (all 4 pieces)
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Cello
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INTERMEDIATE/ADVANCED
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Traditional
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David Warin Solomons
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Times and Seasons for cello so
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David Warin Solomons
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SheetMusicPlus
Cello Solo - Level 4 - Digital Download SKU: A0.580882 Composed by Traditional. Arranged by David Warin Solomons. 20th Century,Christian,Classical,Contem...
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Cello Solo - Level 4 - Digital Download SKU: A0.580882 Composed by Traditional. Arranged by David Warin Solomons. 20th Century,Christian,Classical,Contemporary. Individual part. 8 pages. David Warin Solomons #6317287. Published by David Warin Solomons (A0.580882). These are four plainchants with variations
$26.00 ≈
24.77€
Times and Seasons for violin solo (all 4 pieces)
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Violin
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INTERMEDIATE/ADVANCED
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Traditional
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David Warin Solomons
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Times and Seasons for violin s
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David Warin Solomons
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SheetMusicPlus
Violin Solo - Level 4 - Digital Download SKU: A0.578819 Composed by Traditional. Arranged by David Warin Solomons. 20th Century,Christian,Classical. 8 pa...
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Violin Solo - Level 4 - Digital Download SKU: A0.578819 Composed by Traditional. Arranged by David Warin Solomons. 20th Century,Christian,Classical. 8 pages. David Warin Solomons #6307103. Published by David Warin Solomons (A0.578819). These are four plainchants with variations
$26.00 ≈
24.77€
Of the Father's Love Begotten - SATB choir
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Choral SATB
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INTERMEDIATE
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Plainchant melody
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Todd Marchand
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Of the Father's Love Begotten
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Con Spirito Music
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SheetMusicPlus
Choral Choir (SATB) - Level 3 - Digital Download SKU: A0.726116 Composed by Plainchant melody. Arranged by Todd Marchand. Christmas,Classical,Sacred. Oct...
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Choral Choir (SATB) - Level 3 - Digital Download SKU: A0.726116 Composed by Plainchant melody. Arranged by Todd Marchand. Christmas,Classical,Sacred. Octavo. 4 pages. Con Spirito Music #6198933. Published by Con Spirito Music (A0.726116). Set to one of the most beautiful plainchant melodies (DIVINUM MYSTERIUM), this traditional Christmas hymn is arranged for a capella SATB voices and features solo male voice on verse 1, SA voices on verse 2, and full choir on verses 3-4 with harmonies that evoke both the ancient and the modern. Copyright 2020 Todd Marchand / www.ConSpiritoMusic.com
$2.00 ≈
1.91€
Gaudete for Brass Quartet
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Anon
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Robert Luke Thompson
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Gaudete for Brass Quartet
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Monkspath Music
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SheetMusicPlus
Baritone Horn TC,Cornet,Euphonium,Flugelhorn,Trombone,Trumpet,Tuba - Digital Download SKU: A0.1125529 Composed by Anon. Arranged by Robert Luke Thompson....
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Baritone Horn TC,Cornet,Euphonium,Flugelhorn,Trombone,Trumpet,Tuba - Digital Download SKU: A0.1125529 Composed by Anon. Arranged by Robert Luke Thompson. Christian,Christmas,Holiday,Renaissance,Traditional. 17 pages. Monkspath Music #726295. Published by Monkspath Music (A0.1125529). Gaudete! is Christmas carol, believed to originate from the 16th Century. It was published widely in 1582 in the collection of sacred songs known as Piae Cantiones. Whilst the plainchant for the refrain (Gaudete) is clearly published, there is much debate as to where the melody for the verses came from. To preserve the plainchant style of the verses, each member of the quartet has a solo verse – with a few alterations made to preserve each instrument’s unique voice. An additional refrain is included to create a suitable crescendo towards the climax of the piece – highlighting the meaning of Gaudete! (Rejoice!) This version is suitable for quartets of any level, especially those who desire an easily legible and flexible arrangement, ready for a Christmas concert, carol service, or other event. For further pieces, view the Monkspath Music catalogue and click here!
$2.99 ≈
2.85€
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