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363 sheet music found
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351
Formations for Wind Ensemble
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Concert band
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ADVANCED
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Contemporary
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Kyle Wernke
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Formations for Wind Ensemble
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Kyle Wernke Publishing
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SheetMusicPlus
Concert Band - Level 5 - Digital Download SKU: A0.1023994 Composed by Kyle Wernke. 20th Century,Contemporary. Score and parts. 425 pages. Kyle Wernke Pub...
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Concert Band - Level 5 - Digital Download SKU: A0.1023994 Composed by Kyle Wernke. 20th Century,Contemporary. Score and parts. 425 pages. Kyle Wernke Publishing #2120113. Published by Kyle Wernke Publishing (A0.1023994). Formations, is a celebration of the cosmos; a celebration of the tiniest of particles to the largest galaxies and everything in between. Since I was a child I've looked up at the sky and seen a world full of wonder, beauty, and mystery. The same wonder that filled my heart when I was in elementary school still takes hold when I look up now, decades later. I chose the formation of things for a specific reason. When I was a kid I had a habit of asking my parents where everything came from. It wasn't enough that a star was there, I needed to know how it got there and if possible why it was there. As I grew up I developed an immense appetite for almost all things science and history and with that came some of the answers I needed. The reality of how these things came to be was so much more interesting and astounding than my imagination that all these years later I am still captivated by the idea of an exploding star or the Big Bang. So lets take a journey, you and I. First we'll see the death of an immense star and watch as its own gravity rips it apart and forms a black hole. We'll see it feed on matter and light around it until it too finally dies. Next we'll go back 13.7 billion years and watch as tiny particles dance in and out of existence in the endless nothingness that once was. We'll see one of these tiny bits expand in an instant and give rise to everything that ever has been or will be. Watch hydrogen form and gravity pull it into the first stars. Those stars will form galaxies and we'll see glimpses of the Universe as it exists now. Finally, we will travel to the end of time, a trillion years or more into the future. There we will witness the dissipation of the galaxies, the death of stars, and the final moments as even tiny electrons are pulled apart into the nothing from which we all came. Parts of this piece are violent, but we will see that at the end of time, the formation of nothing is just as beautiful as the formation of a star. Everything has its time and everything ends. Premiered by the Hartt Wind Ensemble - Glen Adsit, Conductor.
$150.00 ≈
£118.78
Carson Cooman: Piano Concerto (2005) for solo piano and strings, score only
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Chamber Orchestra
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ADVANCED
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Contemporary
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Carson Cooman
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Carson Cooman: Piano Concerto
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Musik Fabrik Music Publishing
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SheetMusicPlus
Chamber Orchestra - Level 5 - Digital Download SKU: A0.533630 Composed by Carson Cooman. Classical,Contemporary. Score and parts. 31 pages. Musik Fabrik ...
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Chamber Orchestra - Level 5 - Digital Download SKU: A0.533630 Composed by Carson Cooman. Classical,Contemporary. Score and parts. 31 pages. Musik Fabrik Music Publishing #3033833. Published by Musik Fabrik Music Publishing (A0.533630). Piano Concerto (2005) for solo piano and strings was commissioned by Nathaniel Blume andSymphonic Underground. The work was written in celebration of the Mozart Year 2006.Unlike most recent piano concerti, this work is a concerto designed for small performingforces. It sits between typical chamber music and the typical piano concerto.The work was inspired by the various Mozart concerti (such as K. 449) which are oftenperformed with very small string sections. Thus, this concerto may be performed with as fewas single strings on each part, or a larger full string orchestraThe work is cast in one movement, containing two large sections (sub-movements).Structurally, the piece is a highly condensed version of Classical period symphonic form.The first section of the work is an exposition-development/sonata allegro combined with aslow movement. The second section is a combination of a triple-meter scherzo and a rondofinale.The musical material throughout derives tonally from the three notes of a D-major triad (D,F#, and A). Those three pitches serve as transformation centers for the work's material andalso plot the tonal areas of each section. The musical material of the work thus ranges fromhighly Classical melodies (although all original) and textures to more Romantic andmodernist elements that transform out of the initial material.
$25.95 ≈
£20.55
Carson Cooman: Piano Concerto (2005) for solo piano and strings, score and parts
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Chamber Orchestra
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ADVANCED
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Contemporary
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Carson Cooman
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Carson Cooman: Piano Concerto
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Musik Fabrik Music Publishing
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SheetMusicPlus
Chamber Orchestra - Level 5 - Digital Download SKU: A0.533631 Composed by Carson Cooman. Classical,Contemporary. Score and parts. 65 pages. Musik Fabrik ...
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Chamber Orchestra - Level 5 - Digital Download SKU: A0.533631 Composed by Carson Cooman. Classical,Contemporary. Score and parts. 65 pages. Musik Fabrik Music Publishing #3033835. Published by Musik Fabrik Music Publishing (A0.533631). Piano Concerto (2005) for solo piano and strings was commissioned by Nathaniel Blume andSymphonic Underground. The work was written in celebration of the Mozart Year 2006.Unlike most recent piano concerti, this work is a concerto designed for small performingforces. It sits between typical chamber music and the typical piano concerto.The work was inspired by the various Mozart concerti (such as K. 449) which are oftenperformed with very small string sections. Thus, this concerto may be performed with as fewas single strings on each part, or a larger full string orchestraThe work is cast in one movement, containing two large sections (sub-movements).Structurally, the piece is a highly condensed version of Classical period symphonic form.The first section of the work is an exposition-development/sonata allegro combined with aslow movement. The second section is a combination of a triple-meter scherzo and a rondofinale.The musical material throughout derives tonally from the three notes of a D-major triad (D,F#, and A). Those three pitches serve as transformation centers for the work's material andalso plot the tonal areas of each section. The musical material of the work thus ranges fromhighly Classical melodies (although all original) and textures to more Romantic andmodernist elements that transform out of the initial material.
$64.95 ≈
£51.43
Arirang (For Piano Trio)
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Contemporary
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Han-Ki Kim
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Arirang
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Han-Ki Kim
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SheetMusicPlus
Piano Trio,String Ensemble - Level 5 - Digital Download SKU: A0.511808 Composed by Han-Ki Kim. Classical,Contemporary,Instructional,Multicultural,Standar...
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Piano Trio,String Ensemble - Level 5 - Digital Download SKU: A0.511808 Composed by Han-Ki Kim. Classical,Contemporary,Instructional,Multicultural,Standards,World. Score and parts. 18 pages. Han-Ki Kim #6437551. Published by Han-Ki Kim (A0.511808). Arirang for Piano Trio Op.154EThis music is based on a string ensemble composed for Italian ensemble I Musici, they asked me to write a music to commemorate their 60th anniversary (2012). The conclusion of the idea that a music to celebrate their founding should be special was to write a music based on our folk song. Since the folk song “Arirangâ€, which contains the soul of our ancestors, is unique to Korea, it has great meaning in celebrating their anniversary with our own, and especially these days, when the desire to find ours is strong, our melody is performed on the world stage. I wanted to give a second meaning to what I left behind. I want both the performer and the audience to feel “musical sympathy†with this “Arirang,†which is an effort to give value as an artistic document to a folk song that is familiar to everyone. Following the short and fast introduction in 3/4 time, it is connected in the form of 5 variations in 6/8 time. Each variation expresses a different musical atmosphere, performance speed, or change in composition. In general, the main melody is mainly played by the first violin, but as far as the main melody is concerned, in this music, high-pitched instruments and low-pitched instruments intersect and cycle in equal positions, not in a melodicline relationship. After the fourth variation, a virtuosic solo of the movement alone is connected, and after the finale with a broad and majestic atmosphere, it ends with a short and lively coda with the same character as the beginning. Attached music is played by String ensemble just for a reference.
$6.90 ≈
£5.46
Fantasia And Passacaglia On A Mighty Fortress Is Our God
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Organ
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ADVANCED
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Thomas R
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Fantasia And Passacaglia On A
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Thomas R. Schadl
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SheetMusicPlus
Organ - Level 5 - Digital Download SKU: A0.912488 Composed by Thomas R. Schadl. 20th Century,Concert,Contemporary,Standards. Score. 20 pages. Thomas R. S...
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Organ - Level 5 - Digital Download SKU: A0.912488 Composed by Thomas R. Schadl. 20th Century,Concert,Contemporary,Standards. Score. 20 pages. Thomas R. Schadl #3241715. Published by Thomas R. Schadl (A0.912488). Fantasia And Passacaglia On A Mighty Fortress Is Our God for organ is written in celebration of the five hundredth anniversary of the Reformation in Europe. Consisting of the free-form introduction and passacaglia, the piece is based on Martin Luther's hymn tune, and is written in a modern musical idiom that somewhat resembles the style of Max Reger's and Louis Vierne's works for organ, take for example Reger's Fantasia On A Mighty Fortress Is Our God, and Vierne's Sixth Organ Symphony. The Fantasia is suitable for recital use, and employs a wide range of organ registrations that displays various tonal colors and sound intensities. The introduction starts with full of energy and concludes with softer registrations. The passacaglia starts off quietly and builds up sound intensity toward its conclusion, symbolizing victory of good over evil. The metronome marks and organ registrations on some pages are suggestions only, because each organ has different tonal qualities and the acoustics in buildings and halls may influence how organist perform the piece. Fantasia And Passacaglia On A Mighty Fortress Is Our God may take anywhere between thirteen and fifteen minutes to perform.
$17.99 ≈
£14.25
Passacaglia For Harp
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Harp
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ADVANCED
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Classical
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Johann Sebastian Bach
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Luis Anjos Teixeira
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Passacaglia For Harp
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Luis Anjos Teixeira
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SheetMusicPlus
Harp - Level 5 - Digital Download SKU: A0.889432 Composed by Johann Sebastian Bach. Arranged by Luis Anjos Teixeira. Baroque,Christmas,Concert,Standards....
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Harp - Level 5 - Digital Download SKU: A0.889432 Composed by Johann Sebastian Bach. Arranged by Luis Anjos Teixeira. Baroque,Christmas,Concert,Standards. Score. 10 pages. Luis Anjos Teixeira #4736137. Published by Luis Anjos Teixeira (A0.889432). I found this Passacaglia from Bach among some of my own handwritten manuscripts. It is a phenomenal piece. Bach was definitive a great artist, a Genius. Passacaglia is an Italian word. This music form was originated in early 17th-century Spain as a strummed interlude between instrumentally accompanied dances or songs. In this piece we can clearly experience this „Spanish strumming between „Bars 137 and 145. The passacaglia was redefined in the late 1620s by Italian composer Girolamo Frescobaldi, who transformed it into a series of continuous variations over an ostinato bass pattern (which itself may be varied). I added to this piece some interpretation symbols and rearranged it for the harp but every single note was left as it would be found in the original version. The piece is appropriate for advanced performers. Most of the score is left to the interpretation of the artists involved, particularly the use of fingering. The piece is difficult but very Human. It requires focused endurance and some practice on certain passages. Once learned you will also be playing much better. Feel Free to apply in this piece the Art and technic that expresses entirely your individual skills and taste. Have fun! It is a piece that can be used in many different kinds of situations, from a serious concert hall to a marriage, it is perfect for Christmas celebrations and all other kinds of Spiritual events. When performed Live It will give you back a great feedback from the public, you will always want to have it in your repertoire. The score was written on Finale. The sound file is the version in D minor for a concert harp, it was produced with samplers from Garritan and conceived merely as an audio support for the presentation of this score. Thank you very much for taking your time to read this text and to listen to the file. I hope you have a lot of fun and enjoy the music. Sheers! Luis Anjos Teixeira Thanks to Claudia Eppelt for the all the Love, the wonderful painting and cover design. Special Thanks to Johann Sebastian Bach, Stray Dog Nina, Stray Queen Mimi, Carlinhos, Maria Pontinha, Maria Joaninha, Schwarzenegger, Maria Koboldinha. For all Living beings on Earth, for all our Ancestors, Thank You for all of You All Your Love and Compassion. Love Forever. Luis Anjos Teixeira
$7.55 ≈
£5.98
On the Air (for Brass Quintet & Marimba)
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Brass Quintet: 2 trumpets, horn, trombone, tuba
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ADVANCED
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Dr
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On the Air
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https://gildedmusicpress.com/
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SheetMusicPlus
Horn,Trombone,Trumpet,Tuba - Level 5 - Digital Download SKU: A0.1158411 Composed by Dr. Daniel N. Thrower. 20th Century,Chamber,Classical,Contemporary,Hi...
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Horn,Trombone,Trumpet,Tuba - Level 5 - Digital Download SKU: A0.1158411 Composed by Dr. Daniel N. Thrower. 20th Century,Chamber,Classical,Contemporary,Historic. 33 pages. Https://gildedmusicpress.com/ #758693. Published by https://gildedmusicpress.com/ (A0.1158411). The year 2022 marked a milestone for the United States Air Force, as the world’s greatest airpower celebrated 75 years of air and space dominance. Omaha’s classical radio station was also celebrating a milestone year with its 50th anniversary. The resulting composition, cleverly titled “On the Air,†was written to observe both momentous anniversaries. The introduction plays on a cleverly adapted four-bar rhythmic motif that repeats, each time growing in intensity, conjuring images of a radio newsroom about to air breaking news. This opening rhythm is derived from Morse code letters K, V, N, & O (__ . __ | . . . __ | __ . | __ __ __), which is Omaha’s classical radio station. The main melodic theme begins after the intense introduction, stemming from the KVNO motif, and exudes energy worthy of the greatest of celebrations, replete with trumpets punctuating the strains with fanfare-like figures. After the KVNO transition to an exciting new key, the theme occurs a second time in the trumpets before simmering down to the second theme in a slower tempo, intended to be retrospective of the last 75 and 50 years of the two celebrating entities. In homage to the conflicts, sacrifices, and losses during 75 years of Air Force history, this melancholy melody in the horn repeats in octaves with horn and tuba, contrasting with the opening jubilation. However, without starkly “snapping back†to a celebratory mood, the original theme gently makes its reentry in the form of a mellow waltz with duetting trumpets, as a hopeful look to the future. The second iteration of the waltz brings back hints of the Morse code letters in the introduction, as underlying accompaniment to build energy and drive. It pivots fully with the KVNO introductory motif that changes keys while exploding with the recapitulation of the original full theme, intensifying the celebratory mood for the present festivities. The waltz version of the theme comes back, fragmented, hinting toward a fugato treatment. The non-fugal fragmentation is laced with virtuosically ornamented accompanimental lines reminiscent of a British-style brass band, and quickly settles into a full climactic presentation of the waltz iteration. The work ends full circle, with repeated KVNO rhythmic statements, in grand fashion for a firework finale.
$24.95 ≈
£19.76
Craters of the Moon for Oboe, Clarinet, Bassoon, and Piano
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Oboe, Piano (duet)
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ADVANCED
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Contemporary
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Sy Brandon
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Craters of the Moon for Oboe,
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Sy Brandon
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SheetMusicPlus
Small Ensemble Clarinet,Oboe,Piano - Level 5 - Digital Download SKU: A0.755293 Composed by Sy Brandon. 20th Century,Contemporary. Score and parts. 101 pa...
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Small Ensemble Clarinet,Oboe,Piano - Level 5 - Digital Download SKU: A0.755293 Composed by Sy Brandon. 20th Century,Contemporary. Score and parts. 101 pages. Sy Brandon #5770547. Published by Sy Brandon (A0.755293). This composition was composed for Trio De Bois (Oboe, Clarinet, Bassoon) and Piano. There are three movements that are inspired by Craters of the Moon National Monument and Preserve. It is especially appropriate during this 50th anniversary of the moon walk as the astronauts trained at this location. The first movement is called Violent Past. Much of this movement is built around the dissonant intervals of a half step and the tritone.These intervals are used both melodically and harmonically. The second movement is called Lunar Landscape and is more evocative rather than descriptive. It creates a feeling of vastness and openness.This movement is a tribute to the 50th anniversary of landing on the moon that is being celebrated at the same time that this movement was created. The Apollo 14 astronauts trained at Craters of the Moon in 1969 in order to learn more about volcanic geology. The movement is built around a walking passacaglia theme that is mainly in the left hand of the piano. After its initial statement, the passacaglia theme is accompanied by open 4ths and 5ths in the piano that later appear in the oboe and clarinet, and then in imitation between the piano and high winds. A more melodic variant of the passacaglia theme occurs in the bassoon over the original in the piano. All this material is developed before the opening material returns in the original key and tempo before eventually fading into the distance. Forces of Nature is the title of the third movement. There are five natural phenomena in the park that are represented musically, The Great Rift, Lava Flow, Vents, Cinder Cones, and Lava Tubes. Each of these have a motif that is descriptive and the motifs transform and combine as the movement progresses.
$14.99 ≈
£11.87
Gregory Sullivan Isaacs; Night Into Dawn for string ensemble, score only
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String Orchestra
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ADVANCED
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Gregory Sullivan Isaacs
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Gregory Sullivan Isaacs; Night
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Musik Fabrik Music Publishing
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SheetMusicPlus
String Orchestra - Level 5 - Digital Download SKU: A0.534672 Composed by Gregory Sullivan Isaacs. Contemporary,Jewish. Score and parts. 29 pages. Musik F...
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String Orchestra - Level 5 - Digital Download SKU: A0.534672 Composed by Gregory Sullivan Isaacs. Contemporary,Jewish. Score and parts. 29 pages. Musik Fabrik Music Publishing #5775635. Published by Musik Fabrik Music Publishing (A0.534672). The concept for this piece is to restore the voice of millions silenced by the horrific experience we now call the Holocaust, through the sounds of musical instruments that survived. One thing is clear: the genocide of the Jews was an appalling blow to the human race; one that left a permanent stain on both the perpetrators and enablers, those who stood by without uttering a word of protest. A terrible Night descended upon the world, yet, the breaking Dawn that followed was glorious, indeed. The price to save civilization in the 20th century was appallingly high. Although we must remain ever vigilant, the Jewish people today have a proud homeland—and their magnificent contributions to humanity are universally celebrated.The piece opens with the descent of the seemingly benign curtain of night. Premonitions arise but the darkness continues to descend, over and over again. Finally, chaos ensues and runs its ghastly course before dissipating. The inevitable dawn begins to break, although the curtain of night continues to threaten. Dawn is characterized by two contrasting melodies. One, a stalwart tune that marches ever forward, while the second, more questioning tune appears independently. After their separate statements, the two powerfully join forces to bring this work to a hopeful close, followed by a quiet “Amen.†This item is the score only. The parts are available on rental from the publisher.
$25.95 ≈
£20.55
Stephansdom for Solo Bass Trombone & Trombone Choir
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Contemporary
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Diefendorfer, Ryan
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Diefendorfer, Ryan
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Stephansdom for Solo Bass Trom
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Gordon Cherry
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SheetMusicPlus
Small Ensemble Bass Trombone - Level 5 - Digital Download SKU: A0.792274 Composed by Diefendorfer, Ryan. Arranged by Diefendorfer, Ryan. 20th Century,Con...
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Small Ensemble Bass Trombone - Level 5 - Digital Download SKU: A0.792274 Composed by Diefendorfer, Ryan. Arranged by Diefendorfer, Ryan. 20th Century,Contemporary. Score and parts. 60 pages. Gordon Cherry #4803763. Published by Gordon Cherry (A0.792274). Stephansdom is a new composition, descriptive of the iconic St. Stephan's Cathedral in central Vienna. Ryan Diefendorfer wrote this work for the Indiana University Trombone Ensemble for Bass Trombone solo and Trombone Choir (6-part) to be performed by Carl Lenthe at the 2012 Eastern Music Festival. Ryan's work was awarded the winner of the 2012 Eastern Trombone Workshop National Composition Competition. St. Stephen’s Cathedral, also known as Stephansdom, is one of Vienna’s most remarkable city icons. Dating back to 1137, Stephandsom towers above the rest of Vienna’s skyline and has been a constant presence in the lives of the Viennese for nearly one thousand years. Among the buildings that the Viennese find closest to their hearts, Stephansdom is certainly one of them I. Groundbreaking The first movement depicts the troubles that St. Stephen’s Cathedral had in getting its groundbreaking as a church. The opening of the piece marks the celebration of the Viennese when St. Stephen’s was first constructed in 1137, during the Romanesque era. However, the church faced many issues-from being destroyed by the Babenberg Empire to being decimated by a fire-before the church began its construction in the Gothic style in 1307. The first movement depicts these struggles before resolving to an open chord. II. Steffl Steffl, the nickname for Stephansdom’s soaring north tower, is one of the characteristics of the cathedral that the Viennese find so endearing. This movement is very upbeat and is meant to portray the excitement shared by the Viennese for this beautiful addition to Stephansdom, which was completed in 1433. Stephansdom’s north tower is the tallest structure in Vienna, and distinctly stands out within Vienna’s skyline. III. 1945 As World War II was coming to a close in 1945, Stephansdom’s roof caught fire from a neighboring building, destroying large portions of the church. One climax occurs at m.30, which depicts Stephansdom’s great bell, the Pummerin, crashing down to the ground. This movement depicts the chaotic nature of the raging fire of 1945. IV. Anton Pilgrim Anton Pilgrim was the last, and perhaps most beloved, architect who worked on St. Stephen’s Cathedral in the Gothic style. One of his most famous projects was the St. Stephen’s organ loft, which is depicted by an opening organ-like canon. The final movement to the piece ends in a chorale-like fashion, demonstrating the Viennese’s love for Anton Pilgrim, as well as Stephansdom, one of Vienna’s most iconic sights. This work of 12 minutes in length is appropriate for advanced performers.
$27.50 ≈
£21.78
Three Pieces For Violin and Orchestra "Violin Concerto No. 2" (violin solo part – violin and symph
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SheetMusicPlus
Full Orchestra - Level 5 - Digital Download SKU: A0.861954 Composed by Mark O'Connor. 20th Century,Contemporary,Folk. Score and parts. 30 pages. Mark O'C...
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Full Orchestra - Level 5 - Digital Download SKU: A0.861954 Composed by Mark O'Connor. 20th Century,Contemporary,Folk. Score and parts. 30 pages. Mark O'Connor Musik International #6209339. Published by Mark O'Connor Musik International (A0.861954). Three Pieces For Violin and Orchestra Violin Concerto No. 2 (violin solo part – violin and symphony orchestra) MO152BViolin Solo Part (score and parts available)Music by Mark O’Connor26 pages - 56:00 minutes in length (1st Mvnt – 20 min; 2nd Mvnt – 16 min; 3rd Mvnt – 20 min Three Pieces For Violin and Orchestra Violin Concerto No. 2Originally composed to mark the bicentennial of the state of Tennessee, O’Connor’s 2nd Violin Concerto was premiered with the Nashville Symphony during the 1996 celebration. The movements, Call of the Mockingbird, Trail of Tears, and Fanfare for the Volunteer reflect on broad themes relating to the history and culture of the state. The work was released in 1999 on a cd for Sony Classical performed with the London Philharmonic Orchestra titled by its final movement Fanfare for the Volunteer.Call of the Mockingbird; The evocations of nature and landscape. In the course of its many voicings (both literal and figurative), the theme evokes a broad range of images, from the bird of the title to the ruggedness of the Appalachian terrain.Trail of Tears; The tragedy of the forced migration of the Cherokee Indians in 1838-39. An episode in American history, the work incorporates aspects of Native American, Celtic and Central European traditions within the broader context of a symphonic composition.Fanfare for the Volunteer; The fierce and bittersweet pride of the southeastern United States. Perhaps, the clearest blending of O’Connor’s background as a traditional fiddler with his more recent work as a symphonic composer. The occasional hints of Irish balladry evoke nothing so much as the keenest sense of longing.-Jackson Braider(The music is suited for advanced levels) Original music printed from the composer’s manuscripts.Music editing, copying and engraving by Mark O’Connorusing Finale on Apple Macintosh 1994-95 Composed by Mark O’ConnorCommissioned by the Nashville Symphony OrchestraCan be heard on Fanfare for the Volunteer! Sony Classical and The Essential Mark O’Connor Sony ClassicalMark O’Connor - violin, London Philharmonic Orchestra, Steve Mercurio Catalogue Number MO152BCopyright © 1994 by Mark O’Connor Music International For more information on violinist and composer Mark O'Connor, O’Connor String Camps, Touring Ensembles, Discography, Bio, Repertoire and more, please visitwww.markoconnor.com For information on the O’Connor Method – instructional book series for violin, viola, cello and school string orchestra programs:www.oconnormethod.com
$20.00 ≈
£15.84
Three Pieces For Violin and Orchestra "Violin Concerto No. 2" (wind parts – violin and symphony or
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Mark O'Connor Musik International
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SheetMusicPlus
Full Orchestra - Level 5 - Digital Download SKU: A0.861955 Composed by Mark O'Connor. 20th Century,Contemporary,Folk. Score and parts. 183 pages. Mark O'...
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Full Orchestra - Level 5 - Digital Download SKU: A0.861955 Composed by Mark O'Connor. 20th Century,Contemporary,Folk. Score and parts. 183 pages. Mark O'Connor Musik International #6209345. Published by Mark O'Connor Musik International (A0.861955). Three Pieces For Violin and Orchestra Violin Concerto No. 2 (wind parts – violin and symphony orchestra) MO152C-JWind Parts (score and parts available)Music by Mark O’Connor151 pages - 56:00 minutes in length (1st Mvnt – 20 min; 2nd Mvnt – 16 min; 3rd Mvnt – 20 min Three Pieces For Violin and Orchestra Violin Concerto No. 2Originally composed to mark the bicentennial of the state of Tennessee, O’Connor’s 2nd Violin Concerto was premiered with the Nashville Symphony during the 1996 celebration. The movements, Call of the Mockingbird, Trail of Tears, and Fanfare for the Volunteer reflect on broad themes relating to the history and culture of the state. The work was released in 1999 on a cd for Sony Classical performed with the London Philharmonic Orchestra titled by its final movement Fanfare for the Volunteer.Call of the Mockingbird; The evocations of nature and landscape. In the course of its many voicings (both literal and figurative), the theme evokes a broad range of images, from the bird of the title to the ruggedness of the Appalachian terrain.Trail of Tears; The tragedy of the forced migration of the Cherokee Indians in 1838-39. An episode in American history, the work incorporates aspects of Native American, Celtic and Central European traditions within the broader context of a symphonic composition.Fanfare for the Volunteer; The fierce and bittersweet pride of the southeastern United States. Perhaps, the clearest blending of O’Connor’s background as a traditional fiddler with his more recent work as a symphonic composer. The occasional hints of Irish balladry evoke nothing so much as the keenest sense of longing.-Jackson Braider(The music is suited for advanced levels) Original music printed from the composer’s manuscripts.Music editing, copying and engraving by Mark O’Connorusing Finale on Apple Macintosh 1994-95 Composed by Mark O’ConnorCommissioned by the Nashville Symphony OrchestraCan be heard on Fanfare for the Volunteer! Sony Classical and The Essential Mark O’Connor Sony ClassicalMark O’Connor - violin, London Philharmonic Orchestra, Steve Mercurio Catalogue Number MO152C-JCopyright © 1994 by Mark O’Connor Music International For more information on violinist and composer Mark O'Connor, O’Connor String Camps, Touring Ensembles, Discography, Bio, Repertoire and more, please visitwww.markoconnor.com For information on the O’Connor Method – instructional book series for violin, viola, cello and school string orchestra programs:www.oconnormethod.com
$80.00 ≈
£63.35
Three Pieces For Violin and Orchestra "Violin Concerto No. 2" (brass parts – violin and symphony o
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Mark O'Connor
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Three Pieces For Violin and Or
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Mark O'Connor Musik International
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SheetMusicPlus
Full Orchestra - Level 5 - Digital Download SKU: A0.861956 Composed by Mark O'Connor. 20th Century,Contemporary,Folk. Score and parts. 114 pages. Mark O'...
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Full Orchestra - Level 5 - Digital Download SKU: A0.861956 Composed by Mark O'Connor. 20th Century,Contemporary,Folk. Score and parts. 114 pages. Mark O'Connor Musik International #6209349. Published by Mark O'Connor Musik International (A0.861956). Three Pieces For Violin and Orchestra Violin Concerto No. 2 (brass parts – violin symphony orchestra) MO152K-OBrass Parts (score and parts available)Music by Mark O’Connor94 pages - 56:00 minutes in length (1st Mvnt – 20 min; 2nd Mvnt – 16 min; 3rd Mvnt – 20 min Three Pieces For Violin and Orchestra Violin Concerto No. 2Originally composed to mark the bicentennial of the state of Tennessee, O’Connor’s 2nd Violin Concerto was premiered with the Nashville Symphony during the 1996 celebration. The movements, Call of the Mockingbird, Trail of Tears, and Fanfare for the Volunteer reflect on broad themes relating to the history and culture of the state. The work was released in 1999 on a cd for Sony Classical performed with the London Philharmonic Orchestra titled by its final movement Fanfare for the Volunteer.Call of the Mockingbird; The evocations of nature and landscape. In the course of its many voicings (both literal and figurative), the theme evokes a broad range of images, from the bird of the title to the ruggedness of the Appalachian terrain.Trail of Tears; The tragedy of the forced migration of the Cherokee Indians in 1838-39. An episode in American history, the work incorporates aspects of Native American, Celtic and Central European traditions within the broader context of a symphonic composition.Fanfare for the Volunteer; The fierce and bittersweet pride of the southeastern United States. Perhaps, the clearest blending of O’Connor’s background as a traditional fiddler with his more recent work as a symphonic composer. The occasional hints of Irish balladry evoke nothing so much as the keenest sense of longing.-Jackson Braider(The music is suited for advanced levels) Original music printed from the composer’s manuscripts.Music editing, copying and engraving by Mark O’Connorusing Finale on Apple Macintosh 1994-95 Composed by Mark O’ConnorCommissioned by the Nashville Symphony OrchestraCan be heard on Fanfare for the Volunteer! Sony Classical and The Essential Mark O’Connor Sony ClassicalMark O’Connor - violin, London Philharmonic Orchestra, Steve Mercurio Catalogue Number MO152K-OCopyright © 1994 by Mark O’Connor Music International For more information on violinist and composer Mark O'Connor, O’Connor String Camps, Touring Ensembles, Discography, Bio, Repertoire and more, please visitwww.markoconnor.com For information on the O’Connor Method – instructional book series for violin, viola, cello and school string orchestra programs:www.oconnormethod.com
$80.00 ≈
£63.35
Three Pieces For Violin and Orchestra "Violin Concerto No. 2" (string parts – violin and symphony
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Mark O'Connor
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Three Pieces For Violin and Or
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Mark O'Connor Musik International
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SheetMusicPlus
Full Orchestra - Level 5 - Digital Download SKU: A0.861958 Composed by Mark O'Connor. 20th Century,Contemporary,Folk. Score and parts. 180 pages. Mark O'...
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Full Orchestra - Level 5 - Digital Download SKU: A0.861958 Composed by Mark O'Connor. 20th Century,Contemporary,Folk. Score and parts. 180 pages. Mark O'Connor Musik International #6209357. Published by Mark O'Connor Musik International (A0.861958). Three Pieces For Violin and Orchestra Violin Concerto No. 2 (string parts – violin symphony orchestra) MO152S-XString Parts (score and parts available)Music by Mark O’Connor156 pages - 56:00 minutes in length (1st Mvnt – 20 min; 2nd Mvnt – 16 min; 3rd Mvnt – 20 min Three Pieces For Violin and Orchestra Violin Concerto No. 2Originally composed to mark the bicentennial of the state of Tennessee, O’Connor’s 2nd Violin Concerto was premiered with the Nashville Symphony during the 1996 celebration. The movements, Call of the Mockingbird, Trail of Tears, and Fanfare for the Volunteer reflect on broad themes relating to the history and culture of the state. The work was released in 1999 on a cd for Sony Classical performed with the London Philharmonic Orchestra titled by its final movement Fanfare for the Volunteer.Call of the Mockingbird; The evocations of nature and landscape. In the course of its many voicings (both literal and figurative), the theme evokes a broad range of images, from the bird of the title to the ruggedness of the Appalachian terrain.Trail of Tears; The tragedy of the forced migration of the Cherokee Indians in 1838-39. An episode in American history, the work incorporates aspects of Native American, Celtic and Central European traditions within the broader context of a symphonic composition.Fanfare for the Volunteer; The fierce and bittersweet pride of the southeastern United States. Perhaps, the clearest blending of O’Connor’s background as a traditional fiddler with his more recent work as a symphonic composer. The occasional hints of Irish balladry evoke nothing so much as the keenest sense of longing.-Jackson Braider(The music is suited for advanced levels) Original music printed from the composer’s manuscripts.Music editing, copying and engraving by Mark O’Connorusing Finale on Apple Macintosh 1994-95 Composed by Mark O’ConnorCommissioned by the Nashville Symphony OrchestraCan be heard on Fanfare for the Volunteer! Sony Classical and The Essential Mark O’Connor Sony ClassicalMark O’Connor - violin, London Philharmonic Orchestra, Steve Mercurio Catalogue Number MO152S-XCopyright © 1994 by Mark O’Connor Music International For more information on violinist and composer Mark O'Connor, O’Connor String Camps, Touring Ensembles, Discography, Bio, Repertoire and more, please visitwww.markoconnor.com For information on the O’Connor Method – instructional book series for violin, viola, cello and school string orchestra programs:www.oconnormethod.com
$80.00 ≈
£63.35
Three Pieces For Violin and Orchestra "Violin Concerto No. 2" (percussion parts – violin and symph
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Orchestra
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Mark O'Connor
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2nd Mvnt
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Three Pieces For Violin and Or
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Mark O'Connor Musik International
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SheetMusicPlus
Full Orchestra - Level 5 - Digital Download SKU: A0.861957 Composed by Mark O'Connor. 20th Century,Contemporary,Folk. Score and parts. 66 pages. Mark O'C...
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Full Orchestra - Level 5 - Digital Download SKU: A0.861957 Composed by Mark O'Connor. 20th Century,Contemporary,Folk. Score and parts. 66 pages. Mark O'Connor Musik International #6209353. Published by Mark O'Connor Musik International (A0.861957). Three Pieces For Violin and Orchestra Violin Concerto No. 2 (percussion parts – violin symphony orchestra) MO152P-RPercussion Parts (score and parts available)Music by Mark O’Connor54 pages - 56:00 minutes in length (1st Mvnt – 20 min; 2nd Mvnt – 16 min; 3rd Mvnt – 20 min Three Pieces For Violin and Orchestra Violin Concerto No. 2Originally composed to mark the bicentennial of the state of Tennessee, O’Connor’s 2nd Violin Concerto was premiered with the Nashville Symphony during the 1996 celebration. The movements, Call of the Mockingbird, Trail of Tears, and Fanfare for the Volunteer reflect on broad themes relating to the history and culture of the state. The work was released in 1999 on a cd for Sony Classical performed with the London Philharmonic Orchestra titled by its final movement Fanfare for the Volunteer.Call of the Mockingbird; The evocations of nature and landscape. In the course of its many voicings (both literal and figurative), the theme evokes a broad range of images, from the bird of the title to the ruggedness of the Appalachian terrain.Trail of Tears; The tragedy of the forced migration of the Cherokee Indians in 1838-39. An episode in American history, the work incorporates aspects of Native American, Celtic and Central European traditions within the broader context of a symphonic composition.Fanfare for the Volunteer; The fierce and bittersweet pride of the southeastern United States. Perhaps, the clearest blending of O’Connor’s background as a traditional fiddler with his more recent work as a symphonic composer. The occasional hints of Irish balladry evoke nothing so much as the keenest sense of longing.-Jackson Braider(The music is suited for advanced levels) Original music printed from the composer’s manuscripts.Music editing, copying and engraving by Mark O’Connorusing Finale on Apple Macintosh 1994-95 Composed by Mark O’ConnorCommissioned by the Nashville Symphony OrchestraCan be heard on Fanfare for the Volunteer! Sony Classical and The Essential Mark O’Connor Sony ClassicalMark O’Connor - violin, London Philharmonic Orchestra, Steve Mercurio Catalogue Number MO152P-RCopyright © 1994 by Mark O’Connor Music International For more information on violinist and composer Mark O'Connor, O’Connor String Camps, Touring Ensembles, Discography, Bio, Repertoire and more, please visitwww.markoconnor.com For information on the O’Connor Method – instructional book series for violin, viola, cello and school string orchestra programs:www.oconnormethod.com
$50.00 ≈
£39.59
Three Pieces For Violin and Orchestra "Violin Concerto No. 2" (Score – violin and symphony orchest
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Orchestra
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ADVANCED
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Mark O'Connor
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2nd Mvnt
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Three Pieces For Violin and Or
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Mark O'Connor Musik International
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SheetMusicPlus
Full Orchestra - Level 5 - Digital Download SKU: A0.861953 Composed by Mark O'Connor. 20th Century,Contemporary,Folk. Score and parts. 158 pages. Mark O'...
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Full Orchestra - Level 5 - Digital Download SKU: A0.861953 Composed by Mark O'Connor. 20th Century,Contemporary,Folk. Score and parts. 158 pages. Mark O'Connor Musik International #6209329. Published by Mark O'Connor Musik International (A0.861953). Three Pieces For Violin and Orchestra Violin Concerto No. 2 (score – violin and symphony orchestra) MO152AScore (parts available)Music by Mark O’Connor154 pages - 56:00 minutes in length (1st Mvnt – 20 min; 2nd Mvnt – 16 min; 3rd Mvnt – 20 min Three Pieces For Violin and Orchestra Violin Concerto No. 2Originally composed to mark the bicentennial of the state of Tennessee, O’Connor’s 2nd Violin Concerto was premiered with the Nashville Symphony during the 1996 celebration. The movements, Call of the Mockingbird, Trail of Tears, and Fanfare for the Volunteer reflect on broad themes relating to the history and culture of the state. The work was released in 1999 on a cd for Sony Classical performed with the London Philharmonic Orchestra titled by its final movement Fanfare for the Volunteer.Call of the Mockingbird; The evocations of nature and landscape. In the course of its many voicings (both literal and figurative), the theme evokes a broad range of images, from the bird of the title to the ruggedness of the Appalachian terrain.Trail of Tears; The tragedy of the forced migration of the Cherokee Indians in 1838-39. An episode in American history, the work incorporates aspects of Native American, Celtic and Central European traditions within the broader context of a symphonic composition.Fanfare for the Volunteer; The fierce and bittersweet pride of the southeastern United States. Perhaps, the clearest blending of O’Connor’s background as a traditional fiddler with his more recent work as a symphonic composer. The occasional hints of Irish balladry evoke nothing so much as the keenest sense of longing.-Jackson Braider(The music is suited for advanced levels) Original music printed from the composer’s manuscripts.Music editing, copying and engraving by Mark O’Connorusing Finale on Apple Macintosh 1994-95 Composed by Mark O’ConnorCommissioned by the Nashville Symphony OrchestraCan be heard on Fanfare for the Volunteer! Sony Classical and The Essential Mark O’Connor Sony ClassicalMark O’Connor - violin, London Philharmonic Orchestra, Steve Mercurio Catalogue Number MO152ACopyright © 1994 by Mark O’Connor Music International For more information on violinist and composer Mark O'Connor, O’Connor String Camps, Touring Ensembles, Discography, Bio, Repertoire and more, please visitwww.markoconnor.com For information on the O’Connor Method – instructional book series for violin, viola, cello and school string orchestra programs:www.oconnormethod.com
$40.00 ≈
£31.68
Two Scenes from The Rubáiyát of Omar Khayyám (Trio for Bb Clarinet, Violin and Piano)
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Violin, Clarinet, Piano (trio)
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Adam Lenhart
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Two Scenes from The Rubáiyát
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Adam Lenhart
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SheetMusicPlus
B-Flat Clarinet,Piano,Violin - Level 5 - Digital Download SKU: A0.1208741 Composed by Adam Lenhart. Chamber,Classical,Contemporary,Contest,Festival. 33 p...
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B-Flat Clarinet,Piano,Violin - Level 5 - Digital Download SKU: A0.1208741 Composed by Adam Lenhart. Chamber,Classical,Contemporary,Contest,Festival. 33 pages. Adam Lenhart #806841. Published by Adam Lenhart (A0.1208741). Introduction to The Rubáiyát of Omar KhayyámThe Rubaiyat of Omar Khayyam is a Persian poetry collection first put together in 1460 in Shiraz.  It consists of quatrains, four-line poems, with a set of unconventional themes.  The poetry is irreligious and questions the afterlife and God's providence.  It shows keen awareness of the shortness of life and the finality of death. It advises therefore that every fleeting moment of every day should be savored, with wine, lovers and song. The combination of a serious philosophy of life and a carefree attitude has made the poetry popular for centuries.  In 1859, Edward FitzGerald brought out a loose English translation that took the world by storm.  It became the most beloved and widely known poem in the English language for decades until its popularity finally faded in the late twentieth century. Although they were attributed to the great mathematician and astronomer, Omar Khayyam (d. 1131), the poems were by many anonymous hands, and he was just a frame author, akin to Scheherezade in the Arabian Nights.- Dr. Juan Cole, Richard P. Mitchell Collegiate Professor of History at the University of MichiganAbout the CompositionTwo Scenes from The Rubáiyát of Omar Khayyám explores and embodies two of the main themes that carry throughout the quatrains of the poem collection. In FitzGerald's translation, the quatrains follow a day to night cycle. The two movements reflect this by starting off with an abrupt wake up section and ending the piece with a nocturne.  The first movement, Wine, celebrates the camaraderie, joy and chaos that comes through the physical joy of being with friends. The clarinet, violin and piano interact in a conversational way, talking, laughing, and insulting one another in their own independent lines.The second movement is entitled Intimacy and explores the emotional joy of connecting with one another. The movement is set in a waltz style dance and draws influence from Chopin, Liszt and other romantic era composers. This is juxtaposed by youthful and energetic phrases so that the piece embodies all forms of love: young love, years of marriage and even friendship. Each movement has a sense of urgency and density which is present in the rubá'iyát as well, expressing to the reader that our time on Earth is so short and to make the most of each day.---------------------------Adam Lenhart (b. 2002) is a University of Michigan student of music theory, composition, voice and organ from Ottawa Lake, Michigan. As a theorist, his areas of study vary widely, including 18th century counterpoint, the early American Sacred Harp tradition, and impressionism. As a composer, his music draws inspiration from nature, mathematics and poetry. In 2020 he was awarded the Michigan Music Education Association’s Young Composers of Michigan award, as well as first prize in the University of Toledo Young Composers competition. Lenhart has also participated in numerous ensembles across Michigan, including the MYAF All-State Choir, Tecumseh Pops Orchestra, University of Michigan Men’s Glee Club and the SMTD University Choir. He thoroughly enjoys collaboration with other composers, performers, poets and visual artists. Some of his recent projects include collaborations with individuals from the University of Michigan Chamber Music, History, and Poetry departments.
$14.99 ≈
£11.87
Carson Cooman: Pittsburgh Rhapsody (2008) for brass band, score only
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Brass ensemble
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ADVANCED
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Carson Cooman
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Carson Cooman: Pittsburgh Rhap
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Musik Fabrik Music Publishing
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SheetMusicPlus
Brass Ensemble - Level 5 - Digital Download SKU: A0.533739 Composed by Carson Cooman. Contemporary,Folk. Score and parts. 45 pages. Musik Fabrik Music Pu...
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Brass Ensemble - Level 5 - Digital Download SKU: A0.533739 Composed by Carson Cooman. Contemporary,Folk. Score and parts. 45 pages. Musik Fabrik Music Publishing #3042223. Published by Musik Fabrik Music Publishing (A0.533739). I. TributariesII. Memorial SongIII. Bridges to the SkyPittsburgh Rhapsody (2008) for brass band was commissioned by the River City BrassBand, Denis Colwell, music director, in celebration of the 250th anniversary of thecity of Pittsburgh, Pennsylvania, with support from the Pittsburgh 250 CommunityConnections Committee.The first movement, Tributaries, is inspired by Pittsburgh as a city of three rivers andparticularly the confluence of two rivers to form one. Throughout the movementthere are a number of places where two ideas converge to become one. Opening witha fanfare-like gesture, the music then becomes more flowing before building up againto a climax.The second movement, Memorial Song, is a lyrical duet for flugelhorn and euphonium.The movement was not conceived as a specific memorial, but its lyrical and elegiacmood represents the many memorials that we all celebrate, both personal andcorporate.The third movement, Bridges to the Sky, celebrates Pittsburgh as a city of bridges. Themusic takes inspiration from the sense of exhilaration that one can get driving amidstthe post-industrial landscape of roads, flyovers, bridges, and hills.InstrumentationSoprano Cornet in Eb2 Solo Cornets in Bb2 1st Cornets in BbRepiano Cornet in Bb2 2nd Cornets in Bb2 3rd Cornets in BbFlugelhorn in Bb3 Horns in F(or 3 Alto Horns in Eb — alternate parts provided)2 Baritones in Bb2 TrombonesBass Trombone2 Euphoniums4 TubasPercussion (3 players)I: timpaniII: snare drum, bass drumIII: vibraphone, xylophoneThis is the score only. The individual parts are available for sale. The full set of parts should be purchased as a physical item elsewhere on this site, due to file size limitations.
$25.95 ≈
£20.55
CELEBRATION FOR BRASS QUINTET MVT 2 Score & Parts
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Brass quartet : 2 trumpets, trombone, tuba
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ADVANCED
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Digital Version
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Francis Osentowski Transcripti
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CELEBRATION FOR BRASS QUINTET
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Francis Osentowski
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SheetMusicPlus
Brass Ensemble Horn,Trombone,Trumpet,Tuba - Level 5 - Digital Download SKU: A0.1078116 By Digital Version. By Francis Osentowski, DMA University of North...
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Brass Ensemble Horn,Trombone,Trumpet,Tuba - Level 5 - Digital Download SKU: A0.1078116 By Digital Version. By Francis Osentowski, DMA University of North Texas. Arranged by Francis Osentowski Transcription of Celebration for Brass and Percussion mvt 2. 20th Century,Contemporary,Instructional. Score and parts. 21 pages. Francis Osentowski #682319. Published by Francis Osentowski (A0.1078116). Movement II is my transcription/arrangement of Celebration for Brass and Percussion composed for Jack Stone and the Richland College Morning Brass in the 1970's. The full version was published by Shawnee Press and performed throughout the US but is now...out of print. My quintet version makes the original available for performers to play this exciting brass work. Movement two is the centerpiece of the three movements ending with a fade away solo for tuba. The first performance of the quintet took place at Eastfield College with Dr. Oscar Passley performing and conducting. All three pieces in Celebration are playable by topflight high school players and above.
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£11.87
Carson Cooman: Concerto for Portatif Organ and Strings, score only
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String Orchestra
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ADVANCED
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Carson Cooman
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Carson Cooman: Concerto for Po
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Musik Fabrik Music Publishing
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SheetMusicPlus
String Orchestra - Level 5 - Digital Download SKU: A0.533700 Composed by Carson Cooman. Baroque,Contemporary,Standards. Score and parts. 38 pages. Musik ...
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String Orchestra - Level 5 - Digital Download SKU: A0.533700 Composed by Carson Cooman. Baroque,Contemporary,Standards. Score and parts. 38 pages. Musik Fabrik Music Publishing #3038895. Published by Musik Fabrik Music Publishing (A0.533700). Concerto for Portatif Organ and Strings (2006) was commissioned by the HarvardBaroque Chamber Orchestra and its director, Robert Mealy. The work is dedicatedto organist Nancy Granert, for whom the solo part was written. The work wascommissioned in celebration of the von Clemm Chamber Organ at The MemorialChurch, Harvard University, built in 2006 by Klop Organ Builders.As with many of my works, relationships between old and new musical concepts areexplored. In this piece, musical aspects of the Baroque organ concerto tradition(and Baroque style string playing) co-exist with more contemporary musicalelements. In particular, the directness of expression found in many Baroqueconcertante works is present throughout. Musical material is shared between themovements in a motivic fashion.The title of the first movement, Bricolage, is defined as “something made or puttogether using whatever materials happen to be available.†Thus, the musicalmaterial for the movement is of varying characters; these elements are assembledtogether in ways that allow them to comment on and inform each other. Some ofthese musical elements include: a traditional “overture†texture, a Basse deTrompette texture (with an organ reed stop in the left hand) common in FrenchBaroque organ music, and the French keyboard toccata style.The second movement, Elegia, is dark and searching in tone. It begins with arageful roar before quieting down to introduce its basic musical material – a simple“lament†theme in a folk-inflected style. This material is used for further explorations,building to passionate climaxes. Finally, the opening music returns, but this timewith a whisper. The movement winds down to a sad conclusion.After the soul-searching of the second movement, the third movement, Rondeau, issprightly and energetic. The basic material is a set of Baroque and Classical-stylefigurations (with a few American gospel inflections thrown in), firmly grounded in Gmajor. After minor diversions, the original material continues to return and ends thework with unfettered joy.This item is the score only. The score and complete parts are available for sale as another item.
$25.95 ≈
£20.55
Carson Cooman: Concerto for Portatif Organ and Strings (2006), score and complete parts
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String Orchestra
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ADVANCED
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Carson Cooman
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Carson Cooman: Concerto for Po
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Musik Fabrik Music Publishing
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SheetMusicPlus
String Orchestra - Level 5 - Digital Download SKU: A0.533701 Composed by Carson Cooman. Baroque,Contemporary,Standards. Score and parts. 77 pages. Musik ...
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String Orchestra - Level 5 - Digital Download SKU: A0.533701 Composed by Carson Cooman. Baroque,Contemporary,Standards. Score and parts. 77 pages. Musik Fabrik Music Publishing #3038897. Published by Musik Fabrik Music Publishing (A0.533701). Concerto for Portatif Organ and Strings (2006) was commissioned by the Harvard Baroque Chamber Orchestra and its director, Robert Mealy. The work is dedicated to organist Nancy Granert, for whom the solo part was written. The work was commissioned in celebration of the von Clemm Chamber Organ at The Memorial Church, Harvard University, built in 2006 by Klop Organ Builders.As with many of my works, relationships between old and new musical concepts are explored. In this piece, musical aspects of the Baroque organ concerto tradition (and Baroque style string playing) co-exist with more contemporary musical elements. In particular, the directness of expression found in many Baroque concertante works is present throughout. Musical material is shared between the movements in a motivic fashion.The title of the first movement, Bricolage, is defined as “something made or put together using whatever materials happen to be available.†Thus, the musical material for the movement is of varying characters; these elements are assembled together in ways that allow them to comment on and inform each other. Some of these musical elements include: a traditional “overture†texture, a Basse de Trompette texture (with an organ reed stop in the left hand) common in French Baroque organ music, and the French keyboard toccata style.The second movement, Elegia, is dark and searching in tone. It begins with a rageful roar before quieting down to introduce its basic musical material – a simple “lament†theme in a folk-inflected style. This material is used for further explorations, building to passionate climaxes. Finally, the opening music returns, but this time with a whisper. The movement winds down to a sad conclusion.After the soul-searching of the second movement, the third movement, Rondeau, is sprightly and energetic. The basic material is a set of Baroque and Classical-style figurations (with a few American gospel inflections thrown in), firmly grounded in G major. After minor diversions, the original material continues to return and ends the work with unfettered joy.
$64.95 ≈
£51.43
Celebration For Brass And Percussion
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Brass quartet : 2 trumpets, trombone, tuba
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ADVANCED
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Francis Osentowski Copyright 1
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Francis Osentowski
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CELEBRATION FOR BRASS QUINTET
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Celebration For Brass And Perc
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Francis Osentowski
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SheetMusicPlus
Brass Ensemble Horn,Trombone,Trumpet,Tuba - Level 5 - Digital Download SKU: A0.953864 Composed by Francis Osentowski. Arranged by CELEBRATION FOR BRASS Q...
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Brass Ensemble Horn,Trombone,Trumpet,Tuba - Level 5 - Digital Download SKU: A0.953864 Composed by Francis Osentowski. Arranged by CELEBRATION FOR BRASS QUINTET MVT. I Arranged by Francis Osentowski, DMA Copyright By Francis Osentowski Copyright 1976 by Shawnee Press., and Music professor in Dallas colleges. DMA In composition from UNT. 20th Century,Contemporary,Contest,Festival. Score and parts. 20 pages. Francis Osentowski #6292309. Published by Francis Osentowski (A0.953864). Celebration for Brass Quintet is an arrangement of movement one of celebration for Brass and Percussion that I composed in 1976 for Jack Stone and the Richland College Early Brass Ensemble. This high-energy piece was published in 1976 by Shawnee Press, Inc. and performed throughout the nation. The work for large ensemble including full sections of brass plus percussion. The new quintet version makes is possible to play the work without the percussion and with single performers of each instrument. I transcribed most section and rearranged the voicings in some sections to work better for the small group. Movement Three, the rousing Finale...is also available for brass quintet. .
$15.00 ≈
£11.88
Z 12 for Harps & Corno
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Celebrity Chamber Players
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Z 12 for Harps & Corno
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Father Ambrose Press
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SheetMusicPlus
Small Ensemble Harp,Horn - Level 5 - Interactive Download SKU: A0.586532 By Celebrity Chamber Players. By Marshall Thoms. This edition: Interactive Downl...
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Small Ensemble Harp,Horn - Level 5 - Interactive Download SKU: A0.586532 By Celebrity Chamber Players. By Marshall Thoms. This edition: Interactive Download. Children,Classical,Wedding. Score and parts. Duration 88. Father Ambrose Press #6aJ2IviUGO1acv2qIkyczl. Published by Father Ambrose Press (A0.586532). Key: C major.An encore work composed for trio chamber ensemble; also, suitable for celebrations, including weddings.
$18.00 ≈
£14.25
Joyful Celebration
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Piano solo
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ADVANCED
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Don Hodell Chilcote
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Don Hodell Chilcote
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Joyful Celebration
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Don Hodell Chilcote
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SheetMusicPlus
Piano Solo - Level 5 - Digital Download SKU: A0.778667 Composed by Don Hodell Chilcote. Arranged by Don Hodell Chilcote. 20th Century,Contemporary,Jazz,L...
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Piano Solo - Level 5 - Digital Download SKU: A0.778667 Composed by Don Hodell Chilcote. Arranged by Don Hodell Chilcote. 20th Century,Contemporary,Jazz,Latin. Score. 8 pages. Don Hodell Chilcote #1990885. Published by Don Hodell Chilcote (A0.778667). Joyful Celebration for piano solo, midi orchestra, or ensemble. This is an original tune with a orchestral jam and great funky vibe. The piece has a latin feel throughout, and distinct and unique introduction, and development. 7 page arrangement is challenging but not overly so, and well worth the effort to learn. Fun tune to learn and improve over. I multitracked it in sonar with gigasampler, kontakt, roland, and yamaha keyboards. Fun Stuff.
$4.99 ≈
£3.95
Let Tyrants Shake Their Iron Rod (for 3-6 octave handbell ensemble) (site license)
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Handbells
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ADVANCED
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William Billings
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Jason W
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Let Tyrants Shake Their Iron R
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Grassy Meadow Music
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SheetMusicPlus
Handbell - Level 5 - Digital Download SKU: A0.1300713 Composed by William Billings. Arranged by Jason W. Krug. Christian,Contest,Festival,Religious,Sacre...
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Handbell - Level 5 - Digital Download SKU: A0.1300713 Composed by William Billings. Arranged by Jason W. Krug. Christian,Contest,Festival,Religious,Sacred,Traditional. Score. 16 pages. Grassy Meadow Music #890457. Published by Grassy Meadow Music (A0.1300713). 3-6 Octaves, Level 5Purchase of this item constitutes a site license -- permission is given to produce as many copies as needed for your ensemble only. This evocative setting of a hymntune by William Billings is a masterful tour de force that is not to be missed!  The different verses of this Revolutionary War anthem are given a wide variety of stylistically-diverse treatments, telling of life under tyranny, the struggle to gain independence, and a final joyous celebration of newfound freedom and liberty.  ·     Purchase of this PDF grants permission to broadcast or live stream performances.
$64.95 ≈
£51.43
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