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You've selected:
Impression no. 1
Piano Trio: piano, violin, cello
Sheetmusic to print
3 sheet music found
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1
Minimally Fantastic Suite for Piano Trio No. 1
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Piano Trio: piano, violin, cello
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INTERMEDIATE
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Steven Kudlo
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Minimally Fantastic Suite for
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Steven Mark Kudlo
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SheetMusicPlus
Instrumental Duet,Piano Cello,Instrumental Duet,Piano,Violin - Level 3 - Digital Download SKU: A0.1135288 Composed by Steven Kudlo. 20th Century,Chamber,...
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Instrumental Duet,Piano Cello,Instrumental Duet,Piano,Violin - Level 3 - Digital Download SKU: A0.1135288 Composed by Steven Kudlo. 20th Century,Chamber,Classical,Contemporary. 38 pages. Steven Mark Kudlo #735327. Published by Steven Mark Kudlo (A0.1135288). For violin, cello, and piano, this composition is in six movements, combining neoclassical, expressionist, and common practice styles in each movement. There is at least one meter change in each movement, each movement with a different tonal center. The overall impression is neoclassical, but there is a breadth of styles that is expressive. It could be called polystylism with some postminimalism. It's about 14 1/2 minutes in length.
$5.99
10 Wedding Duets for Violin and Cello with Piano
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Piano Trio: piano, violin, cello
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INTERMEDIATE
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Wedding/Ballad
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Wedding/Ballad
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Various
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10 Wedding Duets for Violin an
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Ben Dockery
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SheetMusicPlus
Composed by Various. Arranged by B. C. Dockery. Romantic Period, Classical Period, Baroque Period, Impressionistic, Wedding. Score, Set of Parts. 122 page...
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Composed by Various. Arranged by B. C. Dockery. Romantic Period, Classical Period, Baroque Period, Impressionistic, Wedding. Score, Set of Parts. 122 pages. Published by Ben Dockery
With ten of the most popular pieces for wedding ceremonies, this intermediate-level collection is perfect for aspiring and professional musicians alike. Arranged for violin and cello duet with optional piano accompaniment.
Air on the G String
Bridal Chorus
Canon in D
Clair de Lune
The Four Seasons (Spring)
Jesu, Joy of Man's Desiring
Ode to Joy
Prelude No. 1 from the Well-Tempered Clavier Bk 1
Trumpet Voluntary
Wedding March
Includes all scores and parts.
$11.99
Piano Trio in C minor, Op. 143
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Piano Trio: piano, violin, cello
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INTERMEDIATE
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Classical
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Ferdinand Ries
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Dianne James
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Piano Trio in C minor, Op. 143
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Artaria Editions
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SheetMusicPlus
Piano Trio Cello,Piano,Violin - Level 3 - Digital Download SKU: A0.1487814 Composed by Ferdinand Ries. Arranged by Dianne James. Classical. 62 pages. Art...
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Piano Trio Cello,Piano,Violin - Level 3 - Digital Download SKU: A0.1487814 Composed by Ferdinand Ries. Arranged by Dianne James. Classical. 62 pages. Artaria Editions #1064752. Published by Artaria Editions (A0.1487814). The Piano Trio in C minor Op.143 was published by Schott in 1826, but could have been composed much earlier for Ries's personal use in the London concert halls. It is an imposing work, whose gruff tone and serious purpose recall Beethoven's use of this key. The first movement is an impressive sonata-form movement extending to a length of almost 250 bars. It contains two strikingly contrasted themes, one aggressively assertive, the other of a more lyrical, tender character (parallels to Beethoven's thematic tendencies in sonata-form movements are once again clearly apparent). The Adagio movement, cast in the rich colours of A flat major (the tonic minor - flat submediant major key relationship recalls Beethoven once again) contains some moments of real beauty and musical insight. The piano is often centrestage, its florid lines and ornamental flourishes reminiscent of another of Ries's contemporaries, Hummel. The technique of connected second and third movements seen in this work is not new but was a trend established in the piano trio genre by Joseph Haydn in the 1780s and 90s. The oasis of calm and tranquillity created in the Adagio is shattered dramatically by the jagged arpeggio figure which launches the finale. This extremely fast movement - the metronome marking indicates that the music should be felt in two, not in four - is characterised by the tarantella topos. It is a tremendously exciting movement, whose swirling energy and frantic pace is only reined in at the final cadence. The present edition reproduces as faithfully as possible the text of the trio as transmitted in Schott's 1826 edition of the work, a copy of which is preserved in the Staatsbibliothek in Berlin. The metronome markings at the head of each movement derive from this source. The piano compass extends from E flat 1 to a flat 4, a range of just over six octaves. Pedal markings indicated in the source have not been included in the current edition since these are generally very instrument-dependent. Minor rhythmic inconsistences between different statements of the same theme have been retained (e.g. first movement, second subject, bb.51-52, cello and 188-89, violin), as have some differences in phrasing between successive thematic statements (cf. finale, piano bb.3-6 and violin bb.18-21). The style and notation of articulation and dynamic markings have been standardised throughout, and, where missing from the print, markings have been reconstructed from parallel passages. These are indicated by the use of dotted slurs or brackets where appropriate. Obvious wrong notes have been corrected without comment, and editorial emendations with no authority from the print are placed within brackets. Dianne James.
$37.00
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