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we are one 2
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153
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32
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26
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23
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18
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14
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11
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8
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You've selected:
we are one 2
PDF
Sheetmusic to print
780 sheet music found
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1
26
51
....
776
we are one 2
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Sacred music
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Gospel/Spiritual
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THEMIS KOUTRAS
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we are one 2
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THEMIS KOUTRAS
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SheetMusicPlus
Small Ensemble,Strings Piano - Level 1 - Digital Download SKU: A0.1012336 Composed by THEMIS KOUTRAS. Christian,Gospel,Praise & Worship,Sacred. Score and...
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Small Ensemble,Strings Piano - Level 1 - Digital Download SKU: A0.1012336 Composed by THEMIS KOUTRAS. Christian,Gospel,Praise & Worship,Sacred. Score and parts. 4 pages. THEMIS KOUTRAS #5018203. Published by THEMIS KOUTRAS (A0.1012336). This is a song expression of love that the Church of GOD are all one with GOD meaning a family as his children
$4.99
We Are One in Christ (Downloadable Choral Score)
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James Chepponis
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We Are One in Christ
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MorningStar Music Publishers - Digital Sheet Music
#
SheetMusicPlus
SATB or cantor, congregation, organ, optional brass quartet or brass quintet, guitar, percussion, timpani, handbells - Moderately Easy - Digital Download SKU...
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SATB or cantor, congregation, organ, optional brass quartet or brass quintet, guitar, percussion, timpani, handbells - Moderately Easy - Digital Download SKU: MQ.50-8313A-E Composed by James Chepponis. Triduum/Three Days, World Communion Sunday. Instrument parts. 8 pages. MorningStar Music Publishers - Digital Sheet Music #50-8313A-E. Published by MorningStar Music Publishers - Digital Sheet Music (MQ.50-8313A-E). An arrangement of Gustav Holst's popular tune THAXTED set in a refrain-and-verse manner. A newly written text expresses unity in Christ through Word and Eucharist, and the sending forth of the gathered believers. The piece may be performed simply with congregation and accompaniment or may be done in a more festive manner.Instrumental parts include: Trumpets I and II in B-flat Trombone I and II* Horn in F** Suspended Cymbal TimpaniHandbells (2 octaves; 15 bells)*Tuba may play Trombone II part**Horn may substitue for Trombone I.
$2.25
Donut Etudes v5 - Scale Duets for 2 Euphoniums or Baritones in Treble Clef
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Instructional
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Joshua Hauser
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Donut Etudes v5 - Scale Duets
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Slide Ride
#
SheetMusicPlus
Instrumental Duet Euphonium,Instrumental Duet - Digital Download SKU: A0.784315 Composed by Joshua Hauser. Instructional. Score and parts. 41 pages. Slid...
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Instrumental Duet Euphonium,Instrumental Duet - Digital Download SKU: A0.784315 Composed by Joshua Hauser. Instructional. Score and parts. 41 pages. Slide Ride #3570015. Published by Slide Ride (A0.784315).  If this is your first exposure to these scale studies, you are in for a treat! Donuts, if you make a mistake!  The initial incarnation of these studies were written for trombone quartet and we would play them in the Tennessee Tech Trombone Choir with the challenge that whomever made the first mistake had to buy donuts for the rest of the ensemble. Since then I have brought that version to several clinics and warm up sessions. One time before I got to explain the title, a fellow trombone professor said, Oh, I get it! Don’t step in the holes!  I only wish I had thought of that myself... Since we have one of the best donut shops in TN here in Cookeville, treating the studio to sugar coated goodies was always my intent.  As with those exercises, you can vary these as much as you’d like. • Choose a tempo • Choose a dynamic. • Choose an articulation/style.  One way I like to play these is to have one person be the model, playing the entire scale over and over while everyone else plays the fragmented versions. That helps everyone to keep on track and stay in time. Double or triple up the parts for ensemble cohesion with a larger group.  Practice one key, gradually speeding it up to improve fluidity or choose a variation and take it through all keys, playing version A, B, C, or D then skipping 5 lines to play the same set in a new key.  If you want an additional challenge in terms of range, play them in different octaves to expand the set.  Additionally, you can change the Key. Play them in f minor (all forms), different modes, etc. For jazz players, try swinging them in dorian or mixolydian modes.  The variations are endless!  All Donut Etudes with the same version number are compatible so you can play them in mixed duets with one person on part 1 and a different instrument on part 2.  Enjoy!
$10.00
WE ARE ONE - (BRASS BAND)
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Anon
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Johnson Lee
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WE ARE ONE -
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johnson lee
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SheetMusicPlus
Mixed Percussion B-Flat Tuba,B-Flat trombone,Baritone Horn TC/Euphonium,Bass Trombone,E-Flat Cornet,E-Flat Tenor Horn,E-Flat Tuba TC,Flugelhorn,Percussion 1,Per...
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Mixed Percussion B-Flat Tuba,B-Flat trombone,Baritone Horn TC/Euphonium,Bass Trombone,E-Flat Cornet,E-Flat Tenor Horn,E-Flat Tuba TC,Flugelhorn,Percussion 1,Percussion 2,Tenor Trombone - Level 2 - Digital Download SKU: A0.912650 Composed by Anon. Arranged by Johnson Lee. Multicultural,Patriotic,Traditional,World. Brass Band. 29 pages. Johnson lee #3569567. Published by johnson lee (A0.912650).
$20.00
Together We Are Stronger (Stronger Together)
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Military Wives
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Kyle Blake
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Together We Are Stronger
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Kyle Blake
#
SheetMusicPlus
Mixed Percussion B-Flat Tuba,B-Flat trombone,Baritone Horn TC/Euphonium,Bass Trombone,E-Flat Cornet,E-Flat Tenor Horn,E-Flat Tuba TC,Flugelhorn,Percussion 1,Per...
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Mixed Percussion B-Flat Tuba,B-Flat trombone,Baritone Horn TC/Euphonium,Bass Trombone,E-Flat Cornet,E-Flat Tenor Horn,E-Flat Tuba TC,Flugelhorn,Percussion 1,Percussion 2,Tenor Trombone - Level 2 - Digital Download SKU: A0.1452329 By Military Wives. By Eliot Kennedy and Gareth Malone. Arranged by Kyle Blake. 21st Century,Classical,Pop,Singer/Songwriter,Traditional. Brass Band. 47 pages. Kyle Blake #1031652. Published by Kyle Blake (A0.1452329). As sung by Military Wives Choir. This arrangement works as a stand alone piece or as a joint item with a choir, in the original key. It is arranged for standard brass band with percussion.
$44.99
Extinction Events - Clarinet Quartet - Mvt 2 - Cuckoos
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Contemporary
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John Gibson
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Extinction Events - Clarinet Q
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JB Linear
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SheetMusicPlus
Woodwind Ensemble Bass Clarinet - Level 3 - Digital Download SKU: A0.581935 Composed by John Gibson. Contemporary. 11 pages. JB Linear #3456847. Publishe...
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Woodwind Ensemble Bass Clarinet - Level 3 - Digital Download SKU: A0.581935 Composed by John Gibson. Contemporary. 11 pages. JB Linear #3456847. Published by JB Linear (A0.581935). Extinction Events (2nd movement - It Isn't Easy Being a Cuckoo by John Gibson was written as a submission to the International Clarinet Association's 2018 Composition Competition. Written for 3 Bb clarinets and 1 bass clarinet, it is a four movement work for very advanced players, although the 2nd movement is easier. This is the second movement only...the others may be purchased separately: Buzzy Delights, Walrus Jump, and Yaguarete Surprise (Argentine Jaguar). The entire set of 4 movements may also be purchased. Simply type extinction events Gibson in the search bar at the top.Each movement imagines a different animal or insect living in its habitat as it gradually deteriorates. One might think this would be sad, violent music, but each earthly creature is shown in its musical habitat where it happily does what it does best....bees buzzing around flowers, cuckoos gently calling in the forest, Walruses jumping not so gracefully onto sea ice, Jaguars quietly stalking their prey. The habitat changes are depicted by gradual use of unstable scales, and the sometimes hidden ancient tune of the Dies Irae, the Day of Wrath.The point I wish to make is how humans must be watchful of wildlife habitats because we are all in this limited world together. Where wild creatures go, so do we. It was best said by Jane Goodall: Only if we understand can we care. Only if we care will we help. Only if we help shall they be saved. Cuckoos are quiet reminders of spring when they first appear at the Marsden, United Kingdom area where they have a Cuckoo fair every year. Their habitat is shrinking at an alarming rate as their numbers slowly decrease. In the music, the cuckoos in the 3rd clarinet part get progressively sad sounding and simply disappear. Special fingerings are provided for the 3rd clarinet player.You may watch a video on YouTube: https://youtu.be/MOCTanOBIyk
$14.00
Donut Etudes v5 - Scale Duets for 2 Trombones in Bb/F, 2 Euphoniums in Bass Clef, or 2 Bassoons
#
Instructional
#
Joshua Hauser
#
Donut Etudes v5 - Scale Duets
#
Slide Ride
#
SheetMusicPlus
Instrumental Duet Bassoon,Euphonium,Instrumental Duet,Trombone - Digital Download SKU: A0.784312 Composed by Joshua Hauser. Instructional. Score and part...
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Instrumental Duet Bassoon,Euphonium,Instrumental Duet,Trombone - Digital Download SKU: A0.784312 Composed by Joshua Hauser. Instructional. Score and parts. 41 pages. Slide Ride #3570005. Published by Slide Ride (A0.784312).  If this is your first exposure to these scale studies, you are in for a treat! Donuts, if you make a mistake!  The initial incarnation of these studies were written for trombone quartet and we would play them in the Tennessee Tech Trombone Choir with the challenge that whomever made the first mistake had to buy donuts for the rest of the ensemble. Since then I have brought that version to several clinics and warm up sessions. One time before I got to explain the title, a fellow trombone professor said, Oh, I get it! Don’t step in the holes! I only wish I had thought of that myself... Since we have one of the best donut shops in TN here in Cookeville, treating the studio to sugar coated goodies was always my intent.  As with those exercises, you can vary these as much as you’d like.• Choose a tempo• Choose a dynamic. • Choose an articulation/style.  One way I like to play these is to have one person be the model, playing the entire scale over and over while everyone else plays the fragmented versions. That helps everyone to keep on track and stay in time. Double or triple up the parts for ensemble cohesion with a larger group.  Practice one key, gradually speeding it up to improve fluidity or choose a variation and take it through all keys, playing version A, B, C, or D then skipping 5 lines to play the same set in a new key.  If you want an additional challenge in terms of range, play them in different octaves or change the clef and key signature to expand the set. For example, if you play the F Major example in Tenor Clef, change the key signature to C Major and you have a version that is based an octave higher than the C Major version as written later. Additionally, you can change the Key. Play them in f minor (all forms), different modes, etc. For jazz players, try swinging them in dorian or mixolydian modes.  The variations are endless!  All Donut Etudes with the same version number are compatible so you can play them in mixed duets with one person on part 1 and a different instrument on part 2.  Enjoy!
$10.00
Donut Etudes vol. 3: Don’t Step in the Holes! – Trombone, Euphonium, or Baritone Quartet
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Instructional
#
Joshua Hauser
#
#
Donut Etudes vol. 3: Don’t S
#
Slide Ride
#
SheetMusicPlus
Small Ensemble Trombone/Baritone B.C. - Level 3 - Digital Download SKU: A0.784336 Composed by Joshua Hauser. Instructional. Score and parts. 38 pages. Sl...
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Small Ensemble Trombone/Baritone B.C. - Level 3 - Digital Download SKU: A0.784336 Composed by Joshua Hauser. Instructional. Score and parts. 38 pages. Slide Ride #5288665. Published by Slide Ride (A0.784336). 1 Octave Scale Studies in 15+ keys for 4-part ensembles of like or mixed instruments If this is your first exposure to these scale studies, you are in for a treat! Donuts, if you make a mistake!The initial incarnation of these studies were written for trombone quartet and we would play them in the Tennessee Tech Trombone Choir with the challenge that whomever made the first mistake had to buy donuts for the rest of the ensemble. Since then I have brought that version to several clinics and warm up sessions. One time before I got to explain the title, a fellow trombone professor said, Oh, I get it! Don’t step in the holes!I only wish I had thought of that myself... Since we have one of the best donut shops in TN here in Cookeville, treating the studio to sugar coated goodies was always my intent.As with those initial exercises, you can vary these as much as you’d like.· Choose a tempo.· Choose a dynamic.· Choose an articulation/style.One way I like to play these is to have one person be the model, playing the entire scale over and over while everyone else plays the fragmented versions. That helps everyone to keep on track and stay in time. Double or triple up the parts for ensemble cohesion with a larger group.Practice one key, gradually speeding it up to improve fluidity, or choose a variation and take it through all keys, playing version A, B, C, or D then skipping to play the same set in a new key.If you want an additional challenge, play them in different octaves or change the key. Play the F Major set in f minor (all forms), different modes, etc. Players really have to be on their toes to remember if they are playing melodic minor in the ascending or descending form! For jazz players, try swinging them in dorian or mixolydian modes.The variations are endless!If you are using these with transposing instruments, 1) is F Major in Concert Pitch, 2) is Bb Major in Concert pitch, and so on. When you reach a scale that is enharmonic for another key (Db/C#, Gb/F#, or Cb/B), they are presented in both keys for each instrument so Trumpets can play in Eb while the Flutes are playing in C# with similar examples for all keys.All Donut Etudes with the same volume number are compatible so you can play them in mixed quartets or large ensembles with one or more instruments/people on part 1 and a different instrument on part 2, etc. Since the quartets are all identical, conductors/coaches can use any of the scores to tell which part should be playing at what time. Once you have played a scale with one set of parts, everyone can rotate to a different part and play the same scales again!Enjoy!
$5.00
Donut Etudes vol. 3: Don’t Step in the Holes! – Trumpet Quartet (or Baritone T.C.)
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Instructional
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Joshua Hauser
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Donut Etudes vol. 3: Don’t S
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Slide Ride
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SheetMusicPlus
Small Ensemble - Level 3 - Digital Download SKU: A0.784334 Composed by Joshua Hauser. Instructional. Score and parts. 38 pages. Slide Ride #5288661. Publ...
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Small Ensemble - Level 3 - Digital Download SKU: A0.784334 Composed by Joshua Hauser. Instructional. Score and parts. 38 pages. Slide Ride #5288661. Published by Slide Ride (A0.784334). 1 Octave Scale Studies in 15+ keys for 4-part ensembles of like or mixed instruments If this is your first exposure to these scale studies, you are in for a treat! Donuts, if you make a mistake!The initial incarnation of these studies were written for trombone quartet and we would play them in the Tennessee Tech Trombone Choir with the challenge that whomever made the first mistake had to buy donuts for the rest of the ensemble. Since then I have brought that version to several clinics and warm up sessions. One time before I got to explain the title, a fellow trombone professor said, Oh, I get it! Don’t step in the holes!I only wish I had thought of that myself... Since we have one of the best donut shops in TN here in Cookeville, treating the studio to sugar coated goodies was always my intent.As with those initial exercises, you can vary these as much as you’d like.· Choose a tempo.· Choose a dynamic.· Choose an articulation/style.One way I like to play these is to have one person be the model, playing the entire scale over and over while everyone else plays the fragmented versions. That helps everyone to keep on track and stay in time. Double or triple up the parts for ensemble cohesion with a larger group.Practice one key, gradually speeding it up to improve fluidity, or choose a variation and take it through all keys, playing version A, B, C, or D then skipping to play the same set in a new key.If you want an additional challenge, play them in different octaves or change the key. Play the F Major set in f minor (all forms), different modes, etc. Players really have to be on their toes to remember if they are playing melodic minor in the ascending or descending form! For jazz players, try swinging them in dorian or mixolydian modes.The variations are endless!If you are using these with transposing instruments, 1) is F Major in Concert Pitch, 2) is Bb Major in Concert pitch, and so on. When you reach a scale that is enharmonic for another key (Db/C#, Gb/F#, or Cb/B), they are presented in both keys for each instrument so Trumpets can play in Eb while the Flutes are playing in C# with similar examples for all keys.All Donut Etudes with the same volume number are compatible so you can play them in mixed quartets or large ensembles with one or more instruments/people on part 1 and a different instrument on part 2, etc. Since the quartets are all identical, conductors/coaches can use any of the scores to tell which part should be playing at what time. Once you have played a scale with one set of parts, everyone can rotate to a different part and play the same scales again!Enjoy!
$5.00
We Are Climbing Jacob’s Ladder for 8-note Bells and Boomwhackers® (with Color Coded Notes)
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Sacred music
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Sharon Wilson
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Sharon Wilson
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We Are Climbing Jacob’s Ladd
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Sharon Wilson
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SheetMusicPlus
Small Ensemble Bells,Boomwhackers,Glockenspiel,Handbell,Handchime,Orff Instrument,Ukulele,Voice,Xylophone - Level 2 - Digital Download SKU: A0.565155 By ...
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Small Ensemble Bells,Boomwhackers,Glockenspiel,Handbell,Handchime,Orff Instrument,Ukulele,Voice,Xylophone - Level 2 - Digital Download SKU: A0.565155 By Sharon Wilson. By Traditional Spiritual. Arranged by Sharon Wilson. Children,Folk,Praise & Worship,Sacred,Spiritual. Score and parts. 9 pages. Sharon Wilson #3499691. Published by Sharon Wilson (A0.565155). This sheet music is notated for handbells on one staff and Boomwhackers® on a second staff creating an instrumental ensemble (requires one set of each instrument). Handbells play the melody while the Boomwhackers® keep a steady beat with three-note chords. Included in this set of scores is a combined score with both instrument parts on a grand staff plus a separate 1-staff score for each instrument. This set of scores uses colored noteheads corresponding to the Boomwhackers® color scheme. Handbells sold by Rhythm Band or KidsPlay also use this same color scheme (other brands may use different color schemes). Using color coded notes helps beginning musicians learn to read standard sheet music notation. This set of scores is also available (separate purchase) in black and white which will print clearer if you do not have access to a color printer.Notes used for each instrument are as follows: Bells – all 8 ~ C D E F G A B C* where C* is high C, one octave above middle C  Boomwhackers® – C D E F G A BThough this sheet music is notated for Handbells and Boomwhackers®, this arrangement is playable by any 8-note, C major diatonic scale (one octave) instrument such as a xylophone or glockenspiel (though the color coding may not match).Only filled noteheads (quarter and eighth notes) are used so the notes are full color and easier to see (this does not indicate the bells need to be silenced immediately before the next beat). Also, only quarter rests are used to help visualize the number of beats per measure. Lyrics and chord names are provided as well to aid in the learning and teaching of this song. The number of ringers and whackers needed will vary depending on the skill level of the participants. For more advanced players, each person could be assigned two or three notes. For beginners, it is best to assign one note to each person. Instrument assignment suggestions are provided on the last page for 6 to 15 players.Other suggestions and uses: * have both parts played by bells or both parts played using only Boomwhackers®* form a choir using multiple sets of bells and/or Boomwhackers® (this would amplify the sound and allow more people to participate)* use as part of the music education for children at school, home, or church* these colorful, inexpensive instruments can be enjoyed by all ages and add a fun, unique element to activities and programs: senior centers, family reunions, church retreats, home school groups, just to name a few Permission is granted to make up to 10 copies of each score. For more than 10 copies, please purchase additional sets.This arrangement is one of the 10 songs included in the collection Ten Traditional Spirituals for 8-Note Bells and Boomwhackers®.Boomwhackers® is a registered trademark of Rhythm Band Instruments, LLC. Used by permission.Visit Sharon Wilson’s website: www.SharonWilsonMusic.comSubscribe to her YouTube Channel: www.youtube.com/user/SharonWilsonMusic
$5.99
The Lamb (William Blake) — low voice (alto / bass-baritone), keyboard accompaniment
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the stream and o'er the mead;<
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Todd Marchand
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The Lamb
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Con Spirito Music
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SheetMusicPlus
Low Voice,Vocal Solo - Level 2 - Digital Download SKU: A0.1141424 Composed by Todd Marchand. Christian,Christmas,Religious,Sacred. 8 pages. Con Spirito M...
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Low Voice,Vocal Solo - Level 2 - Digital Download SKU: A0.1141424 Composed by Todd Marchand. Christian,Christmas,Religious,Sacred. 8 pages. Con Spirito Music #741750. Published by Con Spirito Music (A0.1141424). William Blake (1757-1827), a seminal figure in the history of the poetry and visual art of the Romantic Age, published the lyric poem The Lamb in his collection, Songs of Innocence, in 1789.The Lamb is presented as from the viewpoint of, and in the voice of, a child. In the first stanza, the child asks the lamb if it knows its Creator; in the second, it tells the creature, by means of metaphor, that its Creator is the Lord Jesus Christ, who like the lamb took on the flesh of a created being, “little,†“meek,†and “mild.†The child declares that he/she shares with the creature the name of the One who is, in Christian belief, both the sacrificial Lamb and the Shepherd of his flock. Finally, the child pronounces a benediction: “Little lamb, God bless thee!â€This new setting of The Lamb for voice and keyboard accompaniment is intended to evoke the simplicity of the text, and therefore should be performed simply yet expressively, with subtle rubato (flexibility in tempo) to give emphasis to the text.Little lamb, who made thee? / Dost thou know who made thee,Gave thee life, and bid thee feed / By the stream and o'er the mead;Gave thee clothing of delight, / Softest clothing, woolly, bright;Gave thee such a tender voice, / Making all the vales rejoice?Little lamb, who made thee? / Dost thou know who made thee?Little lamb, I'll tell thee; / Little lamb, I'll tell thee:He is called by thy name, / For He calls Himself a Lamb.He is meek, and He is mild, / He became a little child.I a child, and thou a lamb, / We are called by His name.Little lamb, God bless thee! / Little lamb, God bless thee!Alto range G3-D5; Bass-Baritone range G2-D4©Copyright 2022 Todd Marchand / Con Spirito Music (ASCAP). All rights reserved. Visit www.conspiritomusic.com
$4.99
Celebration Fanfare
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Colin G Dance
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Celebration Fanfare
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Dance is With Music
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SheetMusicPlus
Mixed Percussion B-Flat Tuba,B-Flat trombone,Baritone Horn TC/Euphonium,Bass Trombone,E-Flat Cornet,E-Flat Tenor Horn,E-Flat Tuba TC,Flugelhorn,Percussion 1,Per...
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Mixed Percussion B-Flat Tuba,B-Flat trombone,Baritone Horn TC/Euphonium,Bass Trombone,E-Flat Cornet,E-Flat Tenor Horn,E-Flat Tuba TC,Flugelhorn,Percussion 1,Percussion 2,Tenor Trombone - Level 3 - Digital Download SKU: A0.1106327 By Colin G Dance. By Colin G Dance. 20th Century,Contemporary,Traditional. Brass Band. 26 pages. Dance is With Music #709445. Published by Dance is With Music (A0.1106327). I wrote this as part of a Wedding Suite I composed back in 2005, and to be honest, I'd forgotten all about it and it's never been played, whereas the other two movements have been! One of the movements is now published as 'The Love That We Share' by Musikverlag-Frank. This is a big, bright fanfare suitable for any occasion - not too short, and definitely not too long! I've rewritten it here in 2022 and added some big percussion. It'd make a great opener for any concert, but would equally work for special occasions outdoors.
$30.00
We Are The World
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Contemporary
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USA For Africa
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John Milne
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We Are The World
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Odd Shoe Music
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SheetMusicPlus
Large Ensemble Alto Saxophone,Bass Guitar,Bassoon,Cello,Clarinet,Drums,Flute,Horn,Piano Accompaniment,Tenor Saxophone,Trombone,Trumpet,Viola,Violin,Voice - Leve...
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Large Ensemble Alto Saxophone,Bass Guitar,Bassoon,Cello,Clarinet,Drums,Flute,Horn,Piano Accompaniment,Tenor Saxophone,Trombone,Trumpet,Viola,Violin,Voice - Level 2 - Digital Download SKU: A0.799218 By USA For Africa. By Lionel Richie and Michael Jackson. Arranged by John Milne. Contemporary. Score and parts. 32 pages. Odd Shoe Music #3505465. Published by Odd Shoe Music (A0.799218). The charity single produced by Quincy Jones which has sold in excess of 10 million copies.A score is provided with the 4 flexible parts as a string quartet.Guitar part has chord diagrams and important rhythms notated. Piano and bass parts are notated but also have chord symbols.The flexible parts are numbered for clarity. Included are 2 violins, viola, cello, flute, clarinet, alto and tenor saxophones,bassoon, 2 trumpets, F horn, Eb horn and trombone.Guide dynamics are shown for important parts but more general dynamics will be dependant on the forces used.Duration - 3m 30s.
$34.99
Concertato on We Know That Christ Is Raised
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Sacred music
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Hal H
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Choral Octavo
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Concertato on We Know That Chr
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Jubilate Music Group - Digital
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SheetMusicPlus
Choir Sacred Brass (2 Trumpets, 2 Trombones) and Handbell Acc. - Digital Download Arranged by Hal H. Hopson. Choral (Sacred); Choral Octavo; Performa...
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Choir Sacred Brass (2 Trumpets, 2 Trombones) and Handbell Acc. - Digital Download Arranged by Hal H. Hopson. Choral (Sacred); Choral Octavo; Performance Music Ensemble; Single Titles; Worship Resources. H. W. Gray. Baptism; Communion; Easter; Sacred; Spring. Part(s). 8 pages. Jubilate Music Group - Digital #00-GCMR03566A. Published by Jubilate Music Group - Digital
English. Romans 6:3-11, 2 Corinthians 5:6-21.
This stirring setting of the hymn tune Engelberg has been a best-seller in the H.W. Gray catalog for many years. We are proud to bring you now two welcome additions to this glorious work -- a brand-new SAB setting, for use with smaller choirs, and an accompaniment CD, placing the optional brass and handbells directly in your sanctuary. A congregational part is included in the score so that all can join in this inspiring song of praise! InstruPax includes parts for 2 trumpets, 2 trombones, 2-octave [4] handbells.
$10.00
We Are Climbing Jacob’s Ladder for 8-note Bells and Boomwhackers® (with Black and White Notes)
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Gospel/Spiritual
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Sharon Wilson
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Sharon Wilson
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We Are Climbing Jacob’s Ladd
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Sharon Wilson
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SheetMusicPlus
Large Ensemble Bells,Boomwhackers,Glockenspiel,Handbell,Handchime,Orff Instrument,Ukulele,Voice,Xylophone - Level 2 - Digital Download SKU: A0.565154 By ...
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Large Ensemble Bells,Boomwhackers,Glockenspiel,Handbell,Handchime,Orff Instrument,Ukulele,Voice,Xylophone - Level 2 - Digital Download SKU: A0.565154 By Sharon Wilson. By Traditional Spiritual. Arranged by Sharon Wilson. Children,Folk,Instructional,Sacred,Spiritual. Score and parts. 9 pages. Sharon Wilson #3499685. Published by Sharon Wilson (A0.565154). This sheet music is notated for handbells on one staff and Boomwhackers® on a second staff creating an instrumental ensemble (requires one set of each instrument). Handbells play the melody while the Boomwhackers® keep a steady beat with three-note chords. Included in this set of scores is a combined score with both instrument parts on a grand staff plus a separate 1-staff score for each instrument. This set of scores uses black and white noteheads. This same set of scores is available (sold separately) with color coded noteheads which may make it easier for beginning players if you have access to a color printer.Notes used for each instrument are as follows: Bells – all 8 ~ C D E F G A B C* where C* is high C, one octave above middle C  Boomwhackers® – C D E F G A BThough this sheet music is notated for Handbells and Boomwhackers®, this arrangement is playable by any 8-note, C major diatonic scale (one octave) instrument such as a xylophone or glockenspiel.Only filled noteheads (quarter and eighth notes) are used so the notes are easier to see (this does not indicate the bells need to be silenced immediately before the next beat). Also, only quarter rests are used to help visualize the number of beats per measure. Lyrics and chord names are provided as well to aid in the learning and teaching of this song. The number of ringers and whackers needed will vary depending on the skill level of the participants. For more advanced players, each person could be assigned two or three notes. For beginners, it is best to assign one note to each person. Instrument assignment suggestions are provided on the last page for 6 to 15 players.Other suggestions and uses: * have both parts played by bells or both parts played using only Boomwhackers®* form a choir using multiple sets of bells and/or Boomwhackers® (this would amplify the sound and allow more people to participate)* use as part of the music education for children at school, home, or church* these colorful, inexpensive instruments can be enjoyed by all ages and add a fun, unique element to activities and programs: senior centers, family reunions, church retreats, home school groups, just to name a few Permission is granted to make up to 10 copies of each score. For more than 10 copies, please purchase additional sets.This arrangement is one of the 10 songs included in the collection Ten Traditional Spirituals for 8-Note Bells and Boomwhackers®.Boomwhackers® is a registered trademark of Rhythm Band Instruments, LLC. Used by permission.Visit Sharon Wilson’s website: www.SharonWilsonMusic.comSubscribe to her YouTube Channel: www.youtube.com/user/SharonWilsonMusic
$5.99
We Are The World
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Contemporary
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USA For Africa
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Rafael Brito
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We Are The World
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RAFAEL NASCIMENTO DE MACEDO BRITO
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SheetMusicPlus
Large Ensemble Alto Saxophone,Baritone Saxophone,Cello,Clarinet,Double Bass,Flute,Trombone,Trumpet,Viola,Violin - Level 2 - Digital Download SKU: A0.892373
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Large Ensemble Alto Saxophone,Baritone Saxophone,Cello,Clarinet,Double Bass,Flute,Trombone,Trumpet,Viola,Violin - Level 2 - Digital Download SKU: A0.892373 By USA For Africa. By Lionel Richie and Michael Jackson. Arranged by Rafael Brito. Contemporary. Score and parts. 27 pages. RAFAEL NASCIMENTO DE MACEDO BRITO #6345995. Published by RAFAEL NASCIMENTO DE MACEDO BRITO (A0.892373). The famous song We Are the World, available for Orchestra.
$29.99
We Can Work It Out
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Rock
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The Beatles
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Ray Thompson
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We Can Work It Out
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RayThompsonMusic
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SheetMusicPlus
Brass Ensemble,Brass Quartet Horn,Trombone,Trumpet,Tuba - Level 3 - Digital Download SKU: A0.771560 By The Beatles. By John Lennon and Paul McCartney. Ar...
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Brass Ensemble,Brass Quartet Horn,Trombone,Trumpet,Tuba - Level 3 - Digital Download SKU: A0.771560 By The Beatles. By John Lennon and Paul McCartney. Arranged by Ray Thompson. 20th Century,Pop. Score and parts. 8 pages. RayThompsonMusic #379203. Published by RayThompsonMusic (A0.771560). We Can Work It Out is a song by the English rock band the Beatles, written by Paul McCartneyand John Lennon. It was first issued as a double A-side single with Day Tripper in December 1965. It also appeared on the 1966 US release Yesterday and Today. The release marked the first time in Britain that both tracks on an artist's single were promoted as joint A-sides.The song was recorded during the sessions for the band's Rubber Soul album. The single was number 1 in Britain (where it won the Ivor Novello Award for the top-selling A-side of 1965), the United States, Australia, Canada and Ireland. In the UK, it was the seventh highest selling single of the 1960s. We Can Work It Out is a comparatively rare example of a Lennon–McCartney collaboration from this period in the Beatles' career, in that it recalls the level of collaboration the two songwriters had shared when writing the group's hit singles of 1963. This song, A Day in the Life, Baby, You're a Rich Man and I've Got a Feeling, are among the notable exceptions. Arranged brass quartet: 2 tpt,tbn and tuba Melody is shared amongst 3 treble clef instruments, tuba provides steady bass line. Alt. horn in F part for tbn. Video is the clarinet quartet version.
$17.95
Gabrieli: Sonata Pian e Forte Ch. 175 for Saxophone Choir
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Giovanni Gabrieli
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James M
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Gabrieli: Sonata Pian e Forte
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jmsgu3
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SheetMusicPlus
Woodwind Ensemble - Level 3 - Digital Download SKU: A0.549214 Composed by Giovanni Gabrieli. Arranged by James M. Guthrie, ASCAP. Renaissance,Standards. ...
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Woodwind Ensemble - Level 3 - Digital Download SKU: A0.549214 Composed by Giovanni Gabrieli. Arranged by James M. Guthrie, ASCAP. Renaissance,Standards. 45 pages. Jmsgu3 #3465026. Published by jmsgu3 (A0.549214). A musical monument: the first known composition in history to employ dynamics. Minimum Instrumentation: 2 sopranos, 5 altos, 3 tenors, and 1 baritone sax. Full Score: 27 pg. 81 ms 4/2, Study Score: 14 pg., Instrumental parts: 2 pg. Duration: 3:45 at half-note = 86. Innovations First of all, Gabrieli preferred sacred vocal and certainly instrumental music. Hence, he concentrated on music that consequently took advantage of resonance and likewise reverberation for maximum effect. Seems like Gabrieli may have invented dynamics – or was rather the first to indicate them such as in his Sonata Pian’ e Forte. Consequently, he was also a pioneer in spatial techniques. He therefore developed and used very specific notation to indicate instrumentation. Gabrieli experimented with assembling massive instrumental forces into isolated groups separated by space. In this way, he consequently contributed heavily to the Baroque Concertato style. Polychoral Works Gabrieli probably used the layout of the San Marco church for his experiments. This is because he worked there as a musician and composer. Furthermore, the church had two choir lofts facing each other. He certainly used these to create striking spatial effects between instrumental forces. Certainly, many of his works are composed such that a choir or instrumental group could first be heard on one side, then consequently followed by a response from the group on the other side. Sometimes there was probably a third group positioned near the main altar as well. Spatial Music Above all, Gabrieli studied carefully detailed groups of instruments and singers. Furthermore, it seems like he created precise directions for instrumentation rather than two groups. The instruments, because they could be appropriately situated, could consequently be heard with perfect clearness at distant locations. As a result, arrangements that seem bizarre on paper, can in contrast sound perfectly in balance. First Works Finally, Gabrieli published his first motets along with his uncle Andrea's compositions in Concerti (1587). These compositions furthermore indicate considerable usage of dialogue and echo effects. Consequently, here we see low and high choirs with the variance between their ranges indicated by instrumental accompaniment. Seems like Gabrieli’s later motets Sacrae Symphoniae (1597) move away from close antiphony. In contrast, he moves towards not simply echoing the material, but developing it through sequential choral entrances. Even more, he takes this procedure to the extreme in the Motet Omnes Gentes. Unlike earlier works, here the instruments are certainly an essential part of the presentation. Also, only parts marked: Capella are supposed to be sung. Homophony Hence, after 1605, Gabrieli moves to a much more homophonic style. He writes sections purely for instruments – which calls Sinfonia – and smaller sections for vocal soloists, accompanied by a basso continuo.
$47.95
Mare di Vetro
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Contemporary
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Guido Mallardi
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Mare di Vetro
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Guido Mallardi
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SheetMusicPlus
Small Ensemble Bassoon,Cello,Clarinet,Flute,Oboe - Level 5 - Digital Download SKU: A0.1022551 Composed by Guido Mallardi. Contemporary. Score and parts. ...
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Small Ensemble Bassoon,Cello,Clarinet,Flute,Oboe - Level 5 - Digital Download SKU: A0.1022551 Composed by Guido Mallardi. Contemporary. Score and parts. 2 pages. Guido Mallardi #2034581. Published by Guido Mallardi (A0.1022551). In front of JHVH God's throne depicted in the book of Revelation there is something like a sea of glass, clear as crystal... (Revelation 4:4-6) Allegri's Miserere is hidden in this music, and this fact metaphorically mirrors the hidden supernatural reality and, on the other side it also suggests the painful human condition caused by the imperfection due to our first ancestors bad choice. The famous piece cannot be heard despite it is present; maybe because we are imperfect... Neither we can't see even our imperfection sometimes.
$4.99
Gabrieli: Canzon Septimi Toni Ch 172 for Double Saxophone Choir
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Gabrieli
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James M
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Gabrieli: Canzon Septimi Toni
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jmsgu3
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SheetMusicPlus
Alto Saxophone,Baritone Saxophone,Soprano Saxophone,Tenor Saxophone - Level 3 - Digital Download SKU: A0.549207 Composed by Gabrieli. Arranged by James M...
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Alto Saxophone,Baritone Saxophone,Soprano Saxophone,Tenor Saxophone - Level 3 - Digital Download SKU: A0.549207 Composed by Gabrieli. Arranged by James M. Guthrie, ASCAP. Renaissance,Standards. 44 pages. Jmsgu3 #3462167. Published by jmsgu3 (A0.549207). Instrumentation: Double Sax Quartet (SSAATTBB) arranged antiphonally (SATB - SATB). Full Score: 28 pg. Study Score: 14 pg. Instrumental parts: 2 pg. ea. Duration: ca. 3:00 Innovations First of all, Gabrieli preferred sacred vocal and certainly instrumental music. Hence, he concentrated on music that consequently took advantage of resonance and likewise reverberation for maximum effect. Seems like Gabrieli may have invented dynamics – or was rather the first to indicate them such as in his Sonata Pian’ e Forte. Consequently, he was also a pioneer in spatial techniques. He therefore developed and used very specific notation to indicate instrumentation. Gabrieli experimented with assembling massive instrumental forces into isolated groups separated by space. In this way, he consequently contributed heavily to the Baroque Concertato style. Polychoral Works Gabrieli probably used the layout of the San Marco church for his experiments. This is because he worked there as a musician and composer. Furthermore, the church had two choir lofts facing each other. He certainly used these to create striking spatial effects between instrumental forces. Certainly, many of his works are composed such that a choir or instrumental group could first be heard on one side, then consequently followed by a response from the group on the other side. Sometimes there was probably a third group positioned near the main altar as well. Spatial Music Above all, Gabrieli studied carefully detailed groups of instruments and singers. Furthermore, it seems like he created precise directions for instrumentation in rather than two groups. The instruments, because they could be appropriately situated, could consequently be heard with perfect clearness at distant locations. As a result, arrangements that seem bizarre on paper, can in contrast sound perfectly in balance. First Works Finally, Gabrieli published his first motets along with his uncle Andrea's compositions in Concerti (1587). These compositions furthermore indicate considerable usage of dialogue and echo effects. Consequently, here we see low and high choirs with the variance between their ranges indicated by instrumental accompaniment. Seems like Gabrieli’s later motets Sacrae Symphoniae (1597) move away from close antiphony. In contrast, he moves towards not simply echoing the material, but developing it through sequential choral entrances. Even more, he takes this procedure to the extreme in the Motet Omnes Gentes. Unlike earlier works, here the instruments are certainly an essential part of the presentation. Also, only parts marked: Capella are supposed to be sung. Homophony Hence, after 1605, Gabrieli moves to a much more homophonic style. He writes sections purely for instruments – which calls Sinfonia – and smaller sections for vocal soloists, accompanied by a basso continuo.
$47.95
Debussy: Piano Preludes Bk.2 No.5 "Bruyères" - symphonic wind dectet
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Classical
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Claude Debussy
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Ray Thompson
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Debussy: Piano Preludes Bk.2 N
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RayThompsonMusic
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SheetMusicPlus
Bassoon,Clarinet,Double Bass,Flute,Horn,Oboe - Level 3 - Digital Download SKU: A0.1366668 Composed by Claude Debussy. Arranged by Ray Thompson. 20th Cent...
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Bassoon,Clarinet,Double Bass,Flute,Horn,Oboe - Level 3 - Digital Download SKU: A0.1366668 Composed by Claude Debussy. Arranged by Ray Thompson. 20th Century. 17 pages. RayThompsonMusic #950991. Published by RayThompsonMusic (A0.1366668). Debussy: Piano Preludes Bk.2 No.5 Bruyères (Heather) - symphonic wind dectetArranged double wind quintet/bassDebussy's Préludes are 24 pieces for solo piano, divided into two books of 12 preludes each. Unlike some notable collections of preludes from prior times, such as Chopin's Op. 28 preludes, or the preludes from Johann Sebastian Bach's The Well-Tempered Clavier, Debussy's do not follow a strict pattern of tonal centres.This is from the 2nd Book.I have arranged all of these preludes from both books:Book 1Danseuses de DelphesVoilesLes sons et le parfums…..Des pas sur le neige La fille aux cheveux de linLa Cathédral engloutieMinstrelsBk.2BruyèresGeneral LevineHommage à S.Pickwick EsqCanopeAs if by magic, we are transported to heather covered V it shows that this shepherd is a distant cousin of ‘la fille heathland with a piece much reminiscent of la Fille aux cheveux de lin’. The same calm, the same purityaux Cheveux de Lin from book one. Nature and innocence demand a spontaneous and laidback approach to those delicate and poetic riffs to match the colour and aroma of fragrant purple shrubs. Birds may be heard calling, accompanied by the distant refrain of a shepherd’s flute in this harmonious and homogeneous prelude — an admirable contrast to numbers IV and VI.In direct connection with this prelude, Marguerite Long mentions a Debussy souvenir pairing the scent of sea mist and coastal pines, and if she is correct this would take us to Arcachon in south west France. It is possible that the young composer first went there in 1880 with the baroness Nadejda Von Meck and later in 1904 when he stayed with the uncle of Emma Bardac (neÌe Moyse), his future bride.The pastoral and familiar poetry of a woodland scene where the earth’s pervasive scent mingles with the subdued display of patches in purple.— CortotA peaceful melody on a shepherd's pipe, resonating on the silent moorland. With its Celtic pentatonic structureand the same diatonic transparency, time-signature and tempo provide a clear link.— Harry Halbreich
$14.95
Basic Guitar Lessons for Little Fingers thru Teens/Adults - Phase 2 only
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Connie Boss
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Basic Guitar Lessons for Littl
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Connie Boss
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SheetMusicPlus
Instrumental Duet Guitar,Instrumental Duet,Voice - Level 1 - Digital Download SKU: A0.801481 Composed by Connie Boss. Instructional. Score and parts. 17 ...
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Instrumental Duet Guitar,Instrumental Duet,Voice - Level 1 - Digital Download SKU: A0.801481 Composed by Connie Boss. Instructional. Score and parts. 17 pages. Connie Boss #5998891. Published by Connie Boss (A0.801481). Phase 2 is for those that are a little older and can understand how to play chords, etc. You will learn all the simple basic chords, a strumming pattern and will also have sheet music to play with. Listen to the mp3 attached for a sample. You can purchase the complete phase 2 from sheet music plus. It has instruction plus I play and sing on the songs so it's fun to play to. Phase 1 and 3 are also available to purchase separately or you can purchase all the phases together in a great deal. In phase 1 you learn more about the guitar itself, etc. the chords in this phase are for little fingers using 1 finger to play the chords. However, in Phase 2 you relearn the same chords using 2 or 3 fingers. You can go back to phase 1 songs to play them with these chords plus the ones added. The songs included are either original songs by me or public domain songs I arranged as we aren't allowed to put in copyright music. email cdboss@cvalley.net with questions. Songs included are:
$10.00
Siyahamba: “We Are Marching in the Light of God” for 13-note Bells and Boomwhackers® (Color Coded)
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Sharon Wilson
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Sharon Wilson Music
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Siyahamba: “We Are Marching
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Sharon Wilson
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SheetMusicPlus
Small Ensemble Bells,Boomwhackers,Handbell,Handchime,Orff Instrument,Voice,Xylophone - Level 2 - Digital Download SKU: A0.565974 By Sharon Wilson. By Tra...
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Small Ensemble Bells,Boomwhackers,Handbell,Handchime,Orff Instrument,Voice,Xylophone - Level 2 - Digital Download SKU: A0.565974 By Sharon Wilson. By Traditional. Arranged by Sharon Wilson Music. Children,Folk,Multicultural,Sacred,Traditional,World. Score and parts. 39 pages. Sharon Wilson #6610515. Published by Sharon Wilson (A0.565974). NOTE: This song has some tricky rhythms and may take beginners longer to learn and master. Those with a little music experience will probably have an easier time learning this arrangement and have a lot of fun with the unique rhythms. For beginning musicians or for introducing new players to Handbells and Boomwhackers®, I recommend starting with an easy song which uses only quarter notes and rests in the score such as God Is So Good for 8-note Bells and Boomwhackers®. SWThis sheet music is notated for 13-note (one octave, C to C chromatic scale) instruments with Handbells on one staff and Boomwhackers® on a second staff creating an instrumental ensemble (requires one set of each instrument). Handbells play the melody while the Boomwhackers® keep a steady beat with three-note chords. Included in this set of scores is a combined score with both instrument parts on a grand staff plus a separate score for each instrument. A note and chord reference chart is also provided. To aid in the learning and teaching of this song or for use with other instruments (such as a Ukulele), chord names are included on the Boomwhackers® staff and score. Lyrics are provided on the grand staff for sing along enjoyment or when using this arrangement as the accompaniment for a unison choir.In addition, a complete set of scores for 4 ringers and 4 whackers is provided. Though there are multiple combinations for the number of ringers and whackers needed for any given performance, this extra set of scores is specifically designed for 8 performers with 2 or 3 notes assigned to each player. For each ringer and whacker, the 1-staff score shows only the notes they are assigned. This alternate score format may be easier to sight-read since the only notes on the staff are the assigned notes allowing the player to focus on rhythm.
$10.00
We Three Kings of Orient Are-Brass Quartet
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Christmas
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Christmas
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John H
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David E
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We Three Kings of Orient Are-B
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LLB Music Publishing
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SheetMusicPlus
Brass Ensemble Trombone,Trumpet - Level 4 - Digital Download SKU: A0.986065 Composed by John H. Hopkins Jr. Arranged by David E. Harris. Christian,Christ...
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Brass Ensemble Trombone,Trumpet - Level 4 - Digital Download SKU: A0.986065 Composed by John H. Hopkins Jr. Arranged by David E. Harris. Christian,Christmas,Sacred. Score and parts. 18 pages. LLB Music Publishing (ASCAP) #4766591. Published by LLB Music Publishing (ASCAP) (A0.986065). An exciting, lively arrangement of this traditional Christmas hymn for 2 trumpets and 2 trombones.Includes 4 part score and individual parts for Trumpet 1 (Bb), Trumpet 2 (Bb), Trombone 1, and Trombone 2 (Bass).Duration: 2:05.David E. Harris is a composer in the Nashville, Tennessee area with a Bachelor of Music degree in Trumpet Performance and Doctor of Musical Arts in Composition. Dr. Harris is a past member of the trumpet sections of the Greenville (S.C.) and Memphis Symphony Orchestras and a current member of the Brentwood Baptist Church Orchestra where he plays trumpet and keyboard. Facebook page: https://www.facebook.com/LLB-Music-Publishing-2584616388232407More music listening available at https://soundcloud.com/user-985960936
$7.99
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