Home page
Browse Free-scores.com
--INSTRUMENTS--
ACCORDION
AUTOHARP
BAGPIPE
BANJO
BASS
BASSOON
BOOKS
BOUZOUKI
BUGLE
CHORAL - VOCAL…
CLARINET
CORNET
DIDGERIDOO
DJ GEAR
DRUM
DULCIMER
ENGLISH HORN
EUPHONIUM
FLUTE
FRENCH HORN
GUITAR
HANDBELLS
HARMONICA
HARP
HARPSICHORD
LAP STEEL GUIT…
LUTE
MANDOLIN
MARCHING BAND
MARIMBA
MUSIC COURSE
OBOE
OCARINA
ORCHESTRA - BA…
ORGAN
PANPIPES
PERCUSSION
PIANO
RECORDER
SAXOPHONE
SYNTHESIZER K…
TROMBONE
TRUMPET
TUBA
UKULELE
VIBRAPHONE
VIOLA
VIOLIN - FIDDL…
VIOLONCELLO - …
XYLOPHONE
ZITHER
One For All
PDF/Flash
Not classified
20,138
Piano & keyboards
Piano solo
3,771
Piano, Voice
1,971
Easy Piano
1,316
Piano, Vocal and Guitar
934
C Instruments
512
Organ
399
Piano Accompaniment
328
1 Piano, 4 hands
179
Big Note Piano
165
Piano Trio: piano, violin, cello
109
Piano (band part)
88
2 Pianos, 4 hands
74
Accordion
68
Piano Quartet: piano, violin, viola, cello
27
Organ, Trumpet (duet)
24
1 Piano, 6 hands
15
Piano Quartet: piano, 2 violins, cello
13
Piano Quintet: piano, 2 violins, viola, cello
11
Organ, Piano (duet)
9
Keyboard
8
2 Pianos, 8 hands
7
Harpsichord
7
2 Accordions
2
Concertina
1
+ 19 instrumentations
-
Retract
Guitars
Guitar notes and tablatures
519
Guitar
474
Bass guitar
394
Guitar (band part)
184
Ukulele
166
Melody line, (Lyrics) and Chords
144
2 Guitars (duet)
64
4 Guitars (Quartet)
44
Mandolin
29
Piano, Guitar (duet)
27
Dulcimer
26
Lyrics and Chords
26
3 Guitars (trio)
24
Banjo
19
Baritone Ukulele
16
Guitar Ensemble
12
Guitar, Violin, Cello (trio)
7
Mandolin, Guitar (duet)
4
2 Mandolins (duet)
3
2 Dulcimers (duet)
3
Mandolin, Piano (duet)
2
Lap Steel Guitar
1
2 Ukuleles
1
Ukulele Ensemble
1
Plectrum Orchestra
1
+ 20 instrumentations
-
Retract
Voice
Choral SATB
2,721
Choral 3-part
781
Choral TTBB
640
Choral 2-part
538
Choral SSAA
327
Choral Unison
326
Baritone voice, Piano
164
Vocal duet, Piano
121
Voice solo
113
Vocal duet
98
Soprano voice, Piano
95
Tenor voice, Piano
70
Alto voice, Piano
70
High voice
54
Choral Instrumental Pak
37
Medium voice, Piano
15
Choral
14
Low voice, Piano
10
Tenor voice
9
Choral SSAATTBB
9
Soprano voice
8
Choral SSATTB
6
Choral SSATB
5
Soli, Mixted choir and accompaniment
4
Children choir
4
Mezzo-Soprano voice, Piano
3
Choral SSAB, Piano
3
Soprano voice, Orchestra
1
Baritone voice
1
Low voice
1
Choral SAATB A Cappella
1
Voice, Guitar
1
+ 27 instrumentations
-
Retract
Woodwind
Saxophone Quartet: 4 saxophones
2,325
2 Saxophones (duet)
2,149
Saxophone (band part)
1,911
Alto Saxophone and Piano
1,357
Alto Saxophone
1,102
Tenor Saxophone and Piano
1,091
Saxophone Quintet: 5 Saxophones
934
Tenor Saxophone
853
Soprano Saxophone and Piano
774
Woodwind Quintet: flute, oboe, bassoon, clarinet, horn
715
Saxophone
692
Flute and Piano
681
Flute, Oboe, Clarinet, Bassoon
624
Clarinet and Piano
555
3 Saxophones (trio)
548
Oboe, Piano (duet)
484
2 Clarinets (duet)
459
Baritone Saxophone, Piano
445
2 Flutes (duet)
444
Clarinet Quartet: 4 clarinets
397
Clarinet
361
Saxophone, Clarinet (duet)
342
Saxophone ensemble
340
Flute
340
Clarinet, Violin (duet)
230
Flute, Clarinet (duet)
213
Flute Quartet: 4 flutes
185
Oboe (band part)
179
Clarinet, Trumpet (duet)
176
Soprano Saxophone
176
2 Oboes (duet)
163
Oboe, Bassoon (duet)
161
Clarinet Ensemble
151
Oboe, Clarinet (duet)
143
Flute, Saxophone (duet)
126
Ocarina
124
3 Clarinets (trio)
122
Clarinet and Viola
118
Flute ensemble
117
Clarinet Quintet: 5 clarinets
116
Flute, Violin
115
Oboe, Flute
99
Oboe
98
2 Recorders (duet)
97
Baritone Saxophone
96
Flute, Viola (duet)
94
English horn, Piano
89
Flute, Trumpet (duet)
88
Bass Clarinet, Piano
82
Flute (band part)
75
Flute Trio: 3 flutes
75
Flute and Guitar
74
Descant (Soprano) Recorder
72
Clarinet (band part)
69
Recorder Quartet
65
Flute Quintet : 5 flutes
48
Flute, Violin, Piano
44
2 Saxophones, Piano
40
Flute, Oboe (duet)
36
Clarinet, Bassoon (duet)
36
Recorder
35
Flute, Trombone (duet)
34
Clarinet, Guitar (duet)
31
Oboe, Cello
31
Clarinet, Trombone (duet)
30
2 Flutes, Piano
30
Oboe, Clarinet, Bassoon (trio)
29
Flute, Oboe, Clarinet (trio)
26
Flute, Violoncello
26
Treble (Alto) Recorder
25
Clarinet, Cello (duet)
24
5 Recorders
22
3 Recorders (trio)
22
Recorder Ensemble
20
English Horn
19
Harmonica
19
Oboe, Violin (duet)
18
Flute, Clarinet and Bassoon.
17
Saxophone and Guitar
15
Flute, Violin and Violoncello
14
Flute, Oboe, Bassoon
13
Saxophone and Organ
13
4 Oboes
13
Saxophone, Violin (duet)
12
Piccolo, Piano
12
Oboe, Guitar (duet)
12
Flute, Clarinet, Horn and Bassoon (Quartet)
11
Descent (Soprano) Recorder, Piano
11
Flute, Clarinet, Piano (trio)
10
3 Oboes
9
Clarinet, Cello, Piano (trio)
9
Flute, harp and violin
9
Piccolo
9
Saxophone and Harp
8
Flute, Cello, Piano (trio)
8
English Horn, Guitar (duet)
7
Saxophone and Piano
7
Flute, Oboe, Piano (trio)
7
Treble (Alto) Recorder, Piano
6
Wind ensemble
6
Bass Clarinet
6
Flute and Strings Trio
5
2 Clarinets, Piano
5
Oboe, Trombone (duet)
5
Oboe and viola (duet)
5
Clarinet Quintet: Clarinet, String Quartet
4
Flute, Violin, Violoncello and Piano
4
Pennywhistle
4
Tenor Recorder
3
2 English horns and Pianoforte
3
Clarinet, Harp (duet)
3
Flute, Bassoon, and Piano
3
Flute, Clarinet, Violin (trio)
3
Flute, Viola and Piano
3
Flute, Harp and Cello
3
Flute, trombone and piano
3
Oboe, Violin, Viola and Violoncello (Quartet)
2
Eb Instruments
2
Flute, Viola and harp
2
Clarinet Quartet: Clarinet, Violin, Viola, Cello
2
Saxophone, Tuba (duet)
2
Flute, Basso continuo
2
Saxophone, Bassoon (duet)
2
Clarinet, trumpet and piano
2
Oboe, Violin, Piano
2
Oboe, Bassoon and Piano
1
Flute, Oboe, Violin
1
Recorder, Guitar (duet)
1
Oboe ensemble
1
Flute, Tuba (duet)
1
Clarinet, Orchestra
1
Clarinet, Bassoon, Piano (trio)
1
Clarinet, Double bass (duet)
1
Clarinet, Organ
1
Flute, Organ (duet)
1
Flute, Cello, Guitar
1
Clarinet, Tuba
1
Recorder, Piano
1
Clarinette, Viola and Piano (trio)
1
Pan Flute
1
+ 135 instrumentations
-
Retract
Woodbrass
Brass Quintet: 2 trumpets, horn, trombone, tuba
2,221
Trombone and Piano
1,315
Trombone (band part)
1,252
Brass quartet : 2 trumpets, trombone, tuba
1,199
Trombone
1,170
2 Trombones (duet)
645
Brass Quartet: 2 trumpets, horn, trombone
544
Brass Quartet
397
Trumpet, Piano
379
Trumpet, Trombone (duet)
376
Trumpet
373
Trumpet (band part)
346
French Horn and Piano
321
Brass Quartet: 4 trombones
318
Trumpet, Saxophone (duet)
256
2 Trumpets (duet)
203
Trombone ensemble
200
French horn
190
Tuba
174
Tuba and Piano
164
Euphonium, Piano (duet)
134
Trumpet ensemble
104
2 French horns (duet)
91
3 Trombones (trio)
89
English horn, Piano
89
French horn (band part)
80
Brass Trio
74
Tuba (band part)
66
2 Tubas (duet)
45
Trumpet, Horn (duert)
43
Brass Quartet: 4 horns
38
Euphonium
34
Trombone, Tuba (duet)
32
2 Euphoniums and 2 Tubas
31
Bass Trombone
28
2 Euphoniums (duet)
28
Brass Quartet: 2 trumpets, 2 trombones
25
Horn Ensemble
25
Trombone, Horn (duet)
21
4 Tubas
20
Bass Trombone and Piano
20
English Horn
19
Tuba or Euphonium or Saxhorn
18
Brass Quartet: 4 trumpets
17
Euphonium, Tuba (duet)
16
Trombone, Organ
16
Trumpet, Trombone, Piano
16
Trumpet, Bassoon (duet)
13
Trombone, cello (duet)
12
Trombone, Violin (duet)
11
2 Trombones, Piano
11
Horn, Cello (duet)
9
Trumpet, Cello (duet)
8
English Horn, Guitar (duet)
7
French horn and Basson (duet)
7
Tuba and Organ
7
3 Trumpets (trio)
7
Bb Instruments
6
3 Tubas (trio)
5
2 Trumpets, Keyboard (piano or organ)
4
Trumpet, Tuba (duet)
4
3 French horns (trio)
4
Bass Clef Instruments
4
2 English horns and Pianoforte
3
Trumpet, Cello, Piano
3
Trombone and Orchestra
3
Horn, Tuba (duet)
2
Horn and Organ
2
Brass Quintet: 2 trumpets, horn, 2 trombones
2
Horn, Trumpet, Trombone (trio)
2
3 Euphoniums
2
Cornet and Orchestra
1
Tuba ensemble
1
Trombone, Viola (duet)
1
Trumpet, Euphonium (duet)
1
Trumpet, violin (duet)
1
Trumpet and Guitar
1
2 French horns, Piano
1
+ 73 instrumentations
-
Retract
Strings
String Quartet: 2 violins, viola, cello
1,785
Violin and Piano
776
Violin
737
Violin, Cello (duet)
618
Cello, Piano
576
Cello
462
String Trio: violin, viola, cello
451
Harp
449
Viola, Piano
440
2 Violins (duet)
285
String Quintet: 2 violins, viola, cello, bass
278
Violin, Viola (duet)
248
2 Cellos (duet)
235
Viola
231
2 Violas (duet)
201
Double Bass
156
Double bass, Piano (duet)
144
Doublebass (band part)
138
String Trio: 2 violins, cello
133
Violin (band part)
86
Viola (band part)
70
Viola, Cello (duet)
68
4 Cellos
54
String Trio: 3 violins
42
2 Harps (duet)
40
2 Double basses (duet)
37
Violin, Guitar (duet)
35
Cello, String Bass (duet)
32
Piano Trio: Violin, Viola, Piano
31
String Trio: 3 violas
27
String Trio: 3 cellos
26
Violin ensemble
23
String quartet: 4 violins
22
Violin, Bassoon (duet)
22
Cello, Guitar (duet)
20
Viola ensemble
20
String Quartet : 4 violas
19
Cello (band part)
14
Harp, Voice
13
Harp, Flute (duet)
12
String Trio: 2 violins, viola
11
String Quintet: 2 violins, 2 violas, cello
10
Viola, Guitar (duet)
10
Viola and Bassoon
10
Flute, Doublebass (duet)
7
Harp, Violin (duet)
6
2 Violins, Piano
5
Harp, Trombone (duet)
5
String Quintet: 2 violins, viola, 2 cellos
4
4 Double Basses
4
Cello, Organ
4
Harp, Violin, Violoncello
4
3 Harps
3
Viola and Harp
3
Violin, Clarinet, Piano (trio)
3
Cello Ensemble
3
Harp, Cello (duet)
2
5 Harps
2
Harp and Piano
2
Viola and orchestra
2
4 Harps
1
Violin, Trumpet and Piano
1
Violoncello, Basso continuo
1
Harp (band part)
1
Violin, Basso continuo
1
Violin, Tuba (duet)
1
String trio
1
Harp and mandolin
1
3 double basses
1
Autoharp
1
Harp, String quartet
1
2 Cellos, Piano
1
Cello, Orchestra
1
+ 68 instrumentations
-
Retract
Orchestra & Percussion
Concert band
4,627
Jazz Ensemble
1,334
Orchestra
923
String Orchestra
827
Brass ensemble
797
Marching band
347
Chamber Orchestra
337
Handbells
329
Jazz combo
254
Percussion Ensemble
167
Drums
108
Drum (band part)
95
Xylophone
54
Xylophone, Piano
53
Marimba
51
Percussion (band part)
48
Percussion
22
2 Xylophones
21
Vibraphone
17
School Ensemble
8
Flexible Instrumentation
5
Xylophone or Marimba or Vibraphone
4
Orchestra, Violin
3
Vibraphone and Marimba
3
String Quintet : 2 Violins, Viola, Violoncello, Doublebass, Keyboard
2
Snare drums
2
Piano and Orchestra
2
3 Marimbas
2
Brass Quintet: other combinaisons
2
Marimba, Piano (duet)
1
Timpani (band part)
1
Woodwind Quintet
1
Big band
1
Marimba or Xylophone and Piano
1
Bongos
1
Marimba and Organ
1
Marimba, Saxophone (duet)
1
+ 32 instrumentations
-
Retract
Others
Musical course - Solfege
4
Free Sheet music
Instruments
ACCORDION
BAGPIPE
BALALAIKA
BANJO
BASS
BASSOON
BLANK SHEET…
BOOKS
BOUZOUKI
BUGLE
CELLO - VIO…
CHARANGO
CHOIR - VOC…
CLARINET
CORNET
DOBRO - GUI…
DOUBLE BASS
DRUM
DULCIMER
ELECTRONIC …
ENGLISH HOR…
EUPHONIUM
FLUGELHORN
FLUTE
GUITAR
HANDBELLS
HARMONICA
HARP
HARPSICHORD
HORN
LUTE, THEOR…
MANDOLIN
MARCHING BA…
MARIMBA
MUSICAL COU…
NO SCORES
OBOE
ORCHESTRA -…
ORCHESTRA P…
ORGAN - ORG…
OTHER INSTR…
OUD
PANPIPES
PEDAL STEEL…
PERCUSSION
PIANO
RECORDER
SAXOPHONE
TROMBONE
TRUMPET
TUBA
UKULELE
VIBRAPHONE
VIELLE A RO…
VIOLA
VIOLA DA GA…
VIOLIN - FI…
WHISTLE
XYLOPHONE
ZITHER
Musician's shop
Sheet music books
Digital sheet music
Music equipment
Gift ideas
About free-scores.com
$
$
EUR €
USD $
GBP £
CAD $
CNY ¥
Français
Free Sheet Music
3
Digital Sheet Music
1,315
Sheet Music Books
43
Music Equipment
11,331
Digital scores
(access after purchase)
Post mailing
Digital sheet music
← INSTRUMENTATIONS
SORTING AND FILTERS
SORTING AND FILTERS
Sorting and filtering :
--INSTRUMENTS--
ACCORDION
AUTOHARP
BAGPIPE
BANJO
BASS
BASSOON
BOOKS
BOUZOUKI
BUGLE
CHORAL - VOCAL…
CLARINET
CORNET
DIDGERIDOO
DJ GEAR
DRUM
DULCIMER
ENGLISH HORN
EUPHONIUM
FLUTE
FRENCH HORN
GUITAR
HANDBELLS
HARMONICA
HARP
HARPSICHORD
LAP STEEL GUIT…
LUTE
MANDOLIN
MARCHING BAND
MARIMBA
MUSIC COURSE
OBOE
OCARINA
ORCHESTRA - BA…
ORGAN
PANPIPES
PERCUSSION
PIANO
RECORDER
SAXOPHONE
SYNTHESIZER K…
TROMBONE
TRUMPET
TUBA
UKULELE
VIBRAPHONE
VIOLA
VIOLIN - FIDDL…
VIOLONCELLO - …
XYLOPHONE
ZITHER
style (all)
AFRICAN
AMERICANA
ASIAN
BLUEGRASS
BLUES
CELTIC - IRISH - SCO…
CHILDREN - KIDS : MU…
CHRISTIAN (contempor…
CHRISTMAS - CAROLS -…
CLASSICAL - BAROQUE …
CONTEMPORARY - 20-21…
CONTEMPORARY - NEW A…
COUNTRY
FINGERSTYLE - FINGER…
FLAMENCO
FOLK ROCK
FOLK SONGS - TRADITI…
FRENCH SONGS
FUNK
GOSPEL - SPIRITUAL -…
HALLOWEEN
INSTRUCTIONAL : CHOR…
INSTRUCTIONAL : METH…
INSTRUCTIONAL : STUD…
JAZZ
JAZZ GYPSY - SWING
JEWISH - KLEZMER
LATIN - BOSSA - WORL…
LATIN POP ROCK
MEDIEVAL - RENAISSAN…
METAL - HARD
MOVIE (WALT DISNEY)
MOVIE - TV
MUSICALS - BROADWAYS…
OLD TIME - EARLY ROC…
OPERA
PATRIOTIC MUSIC
POLKA
POP ROCK - CLASSIC R…
POP ROCK - MODERN - …
POP ROCK - POP MUSIC
PUNK
RAGTIME
REGGAE
SOUL - R&B - HIP HOP…
TANGO
THANKSGIVING
VIDEO GAMES
WEDDING - LOVE - BAL…
WORSHIP - PRAISE
Relevance
Best sellers
Prices - to +
Prices + to -
New releases
A-Z
skill (all)
beginner
easy
intermediate
avanced
expert
Sellers (all)
Musicnotes
Note4Piano
Noviscore
Profs-edition
Quickpartitions
SheetMusicPlus
Tomplay
Virtualsheetmusic
with audio
with video
with play-along
You've selected:
One For All
PDF
Trombone and Piano
Sheetmusic to print
1,315 sheet music found
<
1
26
51
....
1301
Bach: Wachet auf for Trombone & Piano
#
Trombone and Piano
#
EASY
#
Classical
#
Johann Sebastian Bach
#
James M
#
#
Bach: Wachet auf for Trombone
#
jmsgu3
#
SheetMusicPlus
Piano,Trombone - Level 2 - Digital Download SKU: A0.549853 Composed by Johann Sebastian Bach. Arranged by James M. Guthrie, ASCAP. Baroque,Concert,Easter...
(+)
Piano,Trombone - Level 2 - Digital Download SKU: A0.549853 Composed by Johann Sebastian Bach. Arranged by James M. Guthrie, ASCAP. Baroque,Concert,Easter,Sacred,Standards. Score and part. 12 pages. Jmsgu3 #3555091. Published by jmsgu3 (A0.549853). Wachet auf, ruft uns die Stimme (Awake, the voice is calling us) from Cantata BWV 140. Duration: ca. 4:00, Score: 6 pages, solo part 1 page, piano part: 4 pages. Program this for church services during the Easter season, weddings, or as a recital encore.Wachet auf, ruft uns die Stimme (Awake, the Voice is calling us) also known as: Sleepers Awake Bach composed his church cantata Wachet auf (BWV 140) as part of his second annual cantata cycle covering the entire annual church calendar. It is based on the hymn of the same name by Philipp Nicolai (1599). The hymn text covers the readings for the 27th Sunday after Trinity. Bach designed the cantata in seven movements, setting the stanzas in various forms. Among these forms are the chorale fantasia, the chorale prelude, and a four-part chorale. He casts the new lyrics as recitatives – in a manner similar to the opera. Fourth Movement Bach writes the fourth movement, Zion hört die Wächter singen (Zion hears the watchmen singing), in the style of a chorale prelude with the chorale phrases performed as a strict cantus firmus. The phrases seem to enter at times erratically against the famous lyrical melody. The violins play this melody in unison as a foil against the cantus phrases. The violin melody is so independent and complete that when the cantus melody appears it catches the listener at times totally off-guard. Bach later transcribed this movement for organ (BWV 645). This transcription became No. 1 of the Six Schübler Chorales. Bach Overview First of all, Johann Sebastian Bach is maybe the greatest composer in music history. Certainly, he was prolific. As a result, everyone has heard of his works. Furthermore, these works number well over a thousand. It seems like people are probably most familiar with the instrumental works such as the Brandenburg Concertos, and the Goldberg Variations. But, similarly famous are such noteworthy works as the Well-Tempered Clavier, the Musical Offering, and certainly the Art of Fugue. Seems like his most famous vocal works include the most noteworthy Mass in B Minor. Also, most noteworthy, though, are the St. John Passion, and certainly the Christmas Oratorio. History Bach came from a long line of musicians and above all, composers. Consequently, he, first of all, pursued a career as a church organist. So as a result, he gained employment in various Protestant churches in Germany. For a while, he worked as a court musician in Weimar and Köthen. Here he probably developed his organ style and likewise his chamber music style. Eventually, he, therefore, gained an appointment as Cantor of St. Thomas in Leipzig. Here he worked until difficulties with his employer ultimately drove him away. The King of Poland finally appointed him as court composer. Style It seems like Bach created a fascinating new international style. He synthesized elements of the most noteworthy European music ideas into his new style. Even more, this new style was probably his synthesis of European musical rhythm and form. Furthermore, he demonstrated a complete mastery of counterpoint and motivic development. His sense of harmonic organization probably propelled him to the top. Revival Mendelssohn conducted a Bach revival in the nineteenth century. His effort probably helped to re-familiarize the public with the magnitude of Bach’s works. During this period, scholars published many noteworthy Bach biographies. Moreover, Wolfgang Schmieder published the BWV (Bach Werke Verzeichnis). As a result, this is now the official catalog of his entire artistic output. The BWV number allows us to locate a work in the catalog. Sometimes scholars will simply use an S (Schmieder) as an abbreviation for BWV. &n.
$24.95
Handel: Largo from Xerxes for Trombone & Piano
#
Trombone and Piano
#
INTERMEDIATE
#
Classical
#
George Frideric Handel
#
James M
#
Handel: Largo from Xerxes for
#
jmsgu3
#
SheetMusicPlus
Piano,Trombone - Level 3 - Digital Download SKU: A0.549391 Composed by George Frideric Handel. Arranged by James M. Guthrie, ASCAP. Baroque,Sacred,Standa...
(+)
Piano,Trombone - Level 3 - Digital Download SKU: A0.549391 Composed by George Frideric Handel. Arranged by James M. Guthrie, ASCAP. Baroque,Sacred,Standards,Wedding. Score and part. 9 pages. Jmsgu3 #3492557. Published by jmsgu3 (A0.549391). Duration: 4:55, Score: 6 pages, Solo part: 1 page, piano part: 2 pages. A very famous aria (Ombra mai fu) from XerxesSuitable for any venue requiring meditative music. Excellent choice for a recital encore. Xerxes Xerxes is, in fact, an opera seria in three acts by Handel. Moreover, Handel conducted the premiere performance in London in 1738. Handel casts the opera in Persia in 470 BC. The part of Xerxes was indeed originally sung by a soprano castrato. Nowadays, the part is generally sung by a mezzo-soprano or conversely a counter-tenor. In the first place, Xerxes sings an opening aria, Ombra mai fu to a plane tree. Handel sets this aria to one of his most truly famous melodies. Although many refer to it traditionally as Handel’s Largo, Handel has, on the contrary, clearly marked Larghetto in the score. Handel Background George Frideric Handel (1685 - 1759) was born in Germany but eventually became a British citizen. Nonetheless, he was a famous Baroque composer. In fact, he became famous for his operas, oratorios, anthems, and organ concertos. Handel studied music and, by and large, worked as a composer in Germany and Italy before moving to London. Overall, Handel was very familiar with the contemporary music of Italy and Germany. Career in England It is important to realize that Italian opera was all the rage in England at the time. Moreover, Handel was really good at writing them. Therefore, he started not one but three opera companies in England. Alexander's Feast was a huge success in 1736, but Handel nevertheless began composing English choral works. After success with the Messiah in 1742) he certainly never again wrote an Italian opera. Consequently, he died in 1759, a treasured genius. Accordingly, the English government gave him full state honors at his funeral. Hence, he is buried in Westminster Abbey in London. Legacy Music historians agree that Handel was one of the greatest composers of the Baroque era.  To demonstrate, his works such as the Messiah, Water Music, and Music for the Royal Fireworks remain consistently popular up to the present time. He composed the coronation anthem, Zadok the Priest for the coronation of George II. Nevertheless, it has specifically been performed at every succeeding British coronation since. His oratorio Solomon has by all means also continued to be prevalent. As a matter of fact, Sinfonia from act 3 was featured in the 2012 London Olympics opening ceremony. Handel was particularly prolific. To enumerate, he wrote over forty operas.  Since the late 1960s, we have expressly experienced a revival of baroque music. Similarly, we have seen a pique of interest in historically informed musical performances. Since his death in 1779, interest in Handel's music has all in all, expanded. Â
$32.95
Grieg: Peer Gynt Suite Complete for Trombone & Piano
#
Trombone and Piano
#
INTERMEDIATE/ADVANCED
#
Classical
#
Edvard Grieg
#
James Guthrie, ASCAP
#
Grieg: Peer Gynt Suite Complet
#
jmsgu3
#
SheetMusicPlus
Piano,Trombone - Level 4 - Digital Download SKU: A0.551509 Composed by Edvard Grieg. Arranged by James Guthrie, ASCAP. Halloween,Instructional,Romantic P...
(+)
Piano,Trombone - Level 4 - Digital Download SKU: A0.551509 Composed by Edvard Grieg. Arranged by James Guthrie, ASCAP. Halloween,Instructional,Romantic Period,Standards. Score and part. 61 pages. Jmsgu3 #5306349. Published by jmsgu3 (A0.551509). 1. Morning Mood, 2. Ase's Death, 3. Anitra's Dance, 4. In the Hall of the Mountain King  Grieg Background In the first place, Edvard Grieg (1843 –1907) was a Norwegian composer as well as a concert pianist. As a matter of fact, most music historians consider him one of the foremost Romantic era composers. Consequently, his music is part of the international standard classical repertoire. Grieg moreover used Norwegian folk music in his own compositions.  Consequently, he ushered Norwegian music to transnational consciousness. Furthermore, he forged a national musical identity for Norway. It is important to realize that he did this in a manner similar to Jean Sibelius in Finland, and Bedřich Smetana in Bohemia. Legacy Grieg is celebrated in the city of Bergen. For example, the city has erected numerous statues depicting Grieg. Specifically, the city has named a concert hall (Grieg Hall), a music school (Grieg Academy) and a professional choir (Edvard Grieg Kor) after him. As a matter of fact, there is also a museum located at his former home in Troldhaugen. Peer Gynt Suite No. 1 (Op. 46) Grieg wrote incidental music for the purpose of illustrating a play by Ibsen known as Peer Gynt. The play includes, in particular, the famous selection entitled, In the Hall of the Mountain King. In this composition, Grieg indeed depicts the exploits of the scoundrel, Peer Gynt. In one famous episode, for example, Peer steals a bride at her wedding. For this reason, the people chase him, but soon Peer falls, thereupon striking his skull on a boulder. He wakens forthwith in a highland bounded by angry gnomes. Consequently, the music of In the Hall of the Mountain King represents the mad gnomes taunting Peer. Therefore, each time the theme repeats it gets louder and faster. In the end, Peer surprisingly escapes from the mountain. Holberg Suite and Misc. Summary It must be remembered that Grieg originally wrote his Holberg Suite for the piano. In other words, he only later arranged it for strings. Further, Grieg composed by and large many songs with lyrics by famous writers such as Heine, Goethe, Ibsen, Hans Christian Andersen, Rudyard Kipling, and others. On balance, Norwegian pianist Eva Knardahl recorded altogether Grieg’s whole piano catalog on LP in 1980. These recordings were released again on CD in 2006. In any event, Grieg himself performed and recorded the bulk of these pieces toward the end of his life.
$59.95
Five Ragtime Solos by Scott Joplin for Trombone and Piano
#
Trombone and Piano
#
INTERMEDIATE
#
Ragtime
#
Scott Joplin
#
David McKeown
#
Five Ragtime Solos by Scott Jo
#
David McKeown
#
SheetMusicPlus
Piano,Trombone - Level 3 - Digital Download SKU: A0.1118317 Composed by Scott Joplin. Arranged by David McKeown. 20th Century,Jazz,Ragtime. Score and par...
(+)
Piano,Trombone - Level 3 - Digital Download SKU: A0.1118317 Composed by Scott Joplin. Arranged by David McKeown. 20th Century,Jazz,Ragtime. Score and part. 33 pages. David McKeown #719835. Published by David McKeown (A0.1118317). Scott Joplin is celebrated as the United States’ first well-known black composer, making his name as a writer of piano rags. His life was a constant struggle with adversity, and Joplin died relatively young in 1917, at the dawn of the recording age. Few remembered Joplin’s music until a revival in the 1970s brought The Entertainer and others to the world’s attention. Nowadays Scott Joplin has taken his rightful place in the gallery of great American composers. The Rags included in this collection are, The Entertainer, The Maple Leaf Rag, The Easy Winners, The Elite Syncopations and The Favorite. They have been arranged as solos for one Trombone with piano accompaniment, and include all sections of the original compositions. You will download one pdf file that contains both 22 pages of piano score and the 10 page solo part. These pieces are suitable for players at an intermediate and advanced intermediate level. Musicians will find these Ragtime solos ideal for formal and informal performances, light and fun, yet still a serious and vitally important part of the American musical heritage. The overall performance time for all five is around 25 minutes. Teachers will enjoy using these arrangements as a fun way to help with phrasing, syncopated rhythms and light articulation. Click on the YouTube link to see and hear samples from the collection. There are many more top quality arrangements and compositions by David McKeown for you to browse at http://www.sheetmusicplus.com/publishers/david-mckeown/6203
$9.99
Sullivan: The Lost Chord for Trombone & Piano
#
Trombone and Piano
#
INTERMEDIATE/ADVANCED
#
Sir Arthur Seymour Sullivan
#
James M
#
Sullivan: The Lost Chord for T
#
jmsgu3
#
SheetMusicPlus
Piano,Trombone - Level 4 - Digital Download SKU: A0.549458 Composed by Sir Arthur Seymour Sullivan. Arranged by James M. Guthrie, ASCAP. Instructional,Ro...
(+)
Piano,Trombone - Level 4 - Digital Download SKU: A0.549458 Composed by Sir Arthur Seymour Sullivan. Arranged by James M. Guthrie, ASCAP. Instructional,Romantic Period,Sacred,Standards. Score and part. 15 pages. Jmsgu3 #3497267. Published by jmsgu3 (A0.549458). Score: 10 pages, solo part: 2 pages, piano part: 3 pages. Duration: 4:25. Not difficult, but requires sensitivity & dynamic control. Suitable for recitals, church meditations, or school programs. School Years First of all, Sullivan attended music school at the Royal Academy of Music. Because Sullivan was so talented, the Academy awarded him the Mendelssohn Scholarship for two years in a row. He, therefore, studied with John Goss, who studied with Thomas Atwood, who in turn studied with Mozart. Sullivan similarly studied the piano at the Academy with Arthur O’Leary. Study Abroad During his first year, he also earned money by singing solos in the Chapel Royal. At the end of his second year, the Academy consequently continued his scholarship and sent him to study at the Leipzig Conservatoire. He certainly studied composition, and likewise counterpoint and piano. Hence, during his final year in Leipzig, Sullivan finally completed his graduation composition project: Incidental Music for Shakespeare’s The Tempest. Association with Gilbert It seems like Sullivan built the bulk of his composing career largely in the 1860s. As a result, he became famous for his incidental music for the Tempest and his Irish Symphony. He, therefore, began collaborating with the poet W. S. Gilbert in the 1870s. Rather than focus on serious opera, Gilbert and Sullivan, in contrast, concentrated on comic opera such as H. M. S. Pinafore, the Pirates of Penzance, and the Mikado. Therefore, certainly as a result of his education and experience, Sullivan composed a total of 24 operas, 11 symphonic works, 10 choral pieces. Even more, he wrote a large number of noteworthy hymns such as Onward Christian Soldiers. Lost Chord The general style of his music is maybe similar to Mendelssohn, Schumann, and perhaps Liszt. It seems like Sullivan was fond of writing distinct melodies for each character in his operettas. His melodies combine together as the characters did. Furthermore, he was a master orchestrator, and therefore played the flute, clarinet, trumpet, and trombone fluently. The Lost Chord Sullivan wrote his most noteworthy song the Lost Chord in 1877. As a result, it was a great success and was certainly performed all over the world by a variety of singers such as Enrico Caruso. Because Sullivan was the most famous composer in England, the Lost Chord became the most famous of all British or American songs of the 1870s and 1890s. Consequently, in 1888 Thomas Edison recorded The Lost Chord for the phonograph. It was one of the first songs ever recorded. Furthermore, Queen Victoria knighted Sullivan in 1883. Â
$26.95
Bach: Bist du bei mir BWV 508 for Trombone & Piano
#
Trombone and Piano
#
EASY
#
Classical
#
Johann Sebastian Bach
#
James M
#
Bach: Bist du bei mir BWV 508
#
jmsgu3
#
SheetMusicPlus
Piano,Trombone - Level 2 - Digital Download SKU: A0.549221 Composed by Johann Sebastian Bach. Arranged by James M. Guthrie, ASCAP. Baroque,Holiday,Standa...
(+)
Piano,Trombone - Level 2 - Digital Download SKU: A0.549221 Composed by Johann Sebastian Bach. Arranged by James M. Guthrie, ASCAP. Baroque,Holiday,Standards,Wedding. Score and part. 9 pages. Jmsgu3 #3468176. Published by jmsgu3 (A0.549221). J. S. Bach BWV 508. Bist du bei mir Bach adapted this aria from a lost Stölzel opera called Diomedes. He changed the original orchestral instrumentation to soprano, strings, and continuo.  He also modified the voice-leading making it sound more like a Bach composition. The work appears as BWV 508 No. 25 in the Anna Magdalena Notebook No. 2.  Source Only a few remnants of the original opera have survived. Historians speculate that Anna Magdalena got the song from the Leipzig Opera after the bankruptcy of 1720. Chances are good, though, that the tune was a favorite of everyone in Leipzig at the time.  Lyrics When thou art near, I go with joyTo death and to my rest.O how joyous would my end be,If your fair hands      Would close my faithful eyes. - Unknown Bach Overview First of all, Johann Sebastian Bach is maybe the greatest composer in music history. Certainly, he was prolific. As a result, everyone has heard of his works. Furthermore, these works number well over a thousand. It seems like people are probably most familiar with instrumental works such as the Brandenburg Concertos, and the Goldberg Variations. But, similarly famous are such noteworthy works as the Well-Tempered Clavier, the Musical Offering, and certainly the Art of Fugue. Seems like his most famous vocal works include the most noteworthy Mass in B Minor. Also, most noteworthy are the St. John Passion, and indeed the Christmas Oratorio.  History Bach came from a long line of musicians and above all, composers. Consequently, he, first of all, pursued a career as a church organist. So as a result, he gained employment in various Protestant churches in Germany. For a while, he worked as a court musician in Weimar and Köthen. Here he probably developed his organ style and likewise his chamber music style. Eventually, he, therefore, gained an appointment as Cantor of St. Thomas in Leipzig. Here he worked until difficulties with his employer ultimately drove him away. The King of Poland finally appointed him as court composer.  Style It seems like Bach created a fascinating new international style. He synthesized elements of the most noteworthy European music ideas into his new style. Even more, this new style was probably his synthesis of European musical rhythm and form. Furthermore, he demonstrated a complete mastery of counterpoint and motivic development. His sense of harmonic organization probably propelled him to the top. Revival        Mendelssohn conducted a Bach revival in the nineteenth century. His effort probably helped to re-familiarize the public with the magnitude of Bach’s works. During this period, scholars published many noteworthy Bach biographies. Moreover, Wolfgang Schmieder published the BWV (Bach Werke Verzeichnis). As a result, this is now the official catalog of his entire artistic output. The BWV number allows us to locate a work in the catalog. Sometimes scholars will simply use an S (Schmieder) as an abbreviation for BWV.  Voyager NASA launched two Voyager spacecraft in 1977. Onboard are phonograph records with sounds, music, and images of life on Earth. The purpose of the launch was to inform intelligent extraterrestrial life forms about conditions on Earth. The music on the disc is varied. There is Bach, Mozart, Beethoven, and Stravinsky among others. However, because Bach is so important in our music history, it contains three times more Bach than all the others combined. Â
$32.95
Grieg: Hall of the Mountain King from Peer Gynt Suite for Trombone & Piano
#
Trombone and Piano
#
INTERMEDIATE
#
Classical
#
Edvard Grieg
#
James M
#
Grieg: Hall of the Mountain Ki
#
jmsgu3
#
SheetMusicPlus
Piano,Trombone - Level 3 - Digital Download SKU: A0.549588 Composed by Edvard Grieg. Arranged by James M. Guthrie, ASCAP. Instructional,Multicultural,Rom...
(+)
Piano,Trombone - Level 3 - Digital Download SKU: A0.549588 Composed by Edvard Grieg. Arranged by James M. Guthrie, ASCAP. Instructional,Multicultural,Romantic Period,Standards,World. Score and part. 18 pages. Jmsgu3 #3511293. Published by jmsgu3 (A0.549588). Duration: ca. 2:17 Score: 10 pages, solo part: 2 pages, piano part: 5 pages. A proven audience pleaser - perfect for a recital encore! Grieg Background In the first place, Edvard Grieg (1843 –1907) was a Norwegian composer as well as a concert pianist. As a matter of fact, most music historians consider him one of the foremost Romantic era composers. Consequently, his music is part of the international standard classical repertoire. Grieg moreover used Norwegian folk music in his own compositions.  Consequently, he ushered Norwegian music to transnational consciousness. Furthermore, he forged a national musical identity for Norway. It is important to realize that he did this in a manner similar to Jean Sibelius in Finland, and BedÅ™ich Smetana in Bohemia. Legacy Grieg is especially celebrated in the city of Bergen. For example, the city has erected numerous statues depicting Grieg. Specifically, the city has named a concert hall (Grieg Hall), a music school (Grieg Academy) and a professional choir (Edvard Grieg Kor) after him. As a matter of fact, there is also a museum located at his former home in Troldhaugen. Peer Gynt Suite No. 1 (Op. 46) Grieg wrote incidental music for the purpose of illustrating a play by Ibsen known as Peer Gynt. The play includes, in particular, the famous selection entitled, In the Hall of the Mountain King. In this composition, Grieg indeed depicts the exploits of the scoundrel, Peer Gynt. In one famous episode, for example, Peer steals a bride at her wedding. For this reason, the people chase him, but soon Peer falls, thereupon striking his skull on a boulder. He wakens forthwith in a highland bounded by angry gnomes. Consequently, the music of In the Hall of the Mountain King represents the mad gnomes taunting Peer. Therefore, each time the theme repeats it gets louder and faster. In the end, Peer surprisingly escapes from the mountain. Holberg Suite and Misc. Summary It must be remembered that Grieg originally wrote his Holberg Suite for the piano. In other words, he only later arranged it for strings. Further, Grieg composed by and large many songs with lyrics by famous writers such as Heine, Goethe, Ibsen, Hans Christian Andersen, Rudyard Kipling, and others. On balance, Norwegian pianist Eva Knardahl recorded altogether Grieg’s whole piano catalog on LP in 1980. These recordings were released again on CD in 2006. In any event, Grieg himself performed and recorded the bulk of these pieces toward the end of his life.  Â
$24.95
Grieg: Ase's Death from Peer Gynt Suite for Trombone & Piano
#
Trombone and Piano
#
INTERMEDIATE
#
Classical
#
Edvard Grieg
#
James M
#
Grieg: Ase's Death from Peer G
#
jmsgu3
#
SheetMusicPlus
Piano,Trombone - Level 3 - Digital Download SKU: A0.549546 Composed by Edvard Grieg. Arranged by James M. Guthrie, ASCAP. Concert,Contemporary,Romantic P...
(+)
Piano,Trombone - Level 3 - Digital Download SKU: A0.549546 Composed by Edvard Grieg. Arranged by James M. Guthrie, ASCAP. Concert,Contemporary,Romantic Period,Sacred,Standards. Score and part. 11 pages. Jmsgu3 #3506339. Published by jmsgu3 (A0.549546). Duration: ca. 4:00, Score: 9 pages, solo part: 3 pages, piano part: 4 pages. Super-famous instantly recognizable tune, not very difficult - suitable for a recital or church meditation. Grieg Background In the first place, Edvard Grieg (1843 –1907) was a Norwegian composer as well as a concert pianist. As a matter of fact, most music historians consider him one of the foremost Romantic era composers. Consequently, his music is part of the international standard classical repertoire. Grieg moreover used Norwegian folk music in his own compositions. Consequently, he ushered Norwegian music to transnational consciousness. Furthermore, he forged a national musical identity for Norway. It is important to realize that he did this in a manner similar to Jean Sibelius in Finland, and Bedřich Smetana in Bohemia. Legacy Grieg is especially celebrated in the city of Bergen. For example, the city has erected numerous statues depicting Grieg. Specifically, the city has named a concert hall (Grieg Hall), a music school (Grieg Academy) and a professional choir (Edvard Grieg Kor) after him. As a matter of fact, there is also a museum located at his former home in Troldhaugen. Peer Gynt Suite No. 1 (Op. 46) Grieg wrote incidental music for the purpose of illustrating a play by Ibsen known as Peer Gynt. The play includes, in particular, the famous selection entitled, In the Hall of the Mountain King. In this composition, Grieg indeed depicts the exploits of the scoundrel, Peer Gynt. In one famous episode, for example, Peer steals a bride at her wedding. For this reason, the people chase him, but soon Peer falls, thereupon striking his skull on a boulder. He wakens forthwith in a highland bounded by angry gnomes. Consequently, the music of In the Hall of the Mountain King represents the mad gnomes taunting Peer. Therefore, each time the theme repeats it gets louder and faster. In the end, Peer surprisingly escapes from the mountain. Holberg Suite and Misc. Summary It must be remembered that Grieg originally wrote his Holberg Suite for the piano. In other words, he only later arranged it for strings. Further, Grieg composed by and large many songs with lyrics by famous writers such as Heine, Goethe, Ibsen, Hans Christian Andersen, Rudyard Kipling, and others. On balance, Norwegian pianist Eva Knardahl recorded altogether Grieg’s whole piano catalog on LP in 1980. These recordings were released again on CD in 2006. In any event, Grieg himself performed and recorded the bulk of these pieces toward the end of his life.Register for free lifetime revisions and updates at www.jamesguthrie.com
$24.95
Grieg: Morning Mood from Peer Gynt Suite for Trombone & Piano
#
Trombone and Piano
#
INTERMEDIATE
#
Classical
#
Edvard Grieg
#
James M
#
Grieg: Morning Mood from Peer
#
jmsgu3
#
SheetMusicPlus
Piano,Trombone - Level 3 - Digital Download SKU: A0.549525 Composed by Edvard Grieg. Arranged by James M. Guthrie, ASCAP. Instructional,Romantic Period,S...
(+)
Piano,Trombone - Level 3 - Digital Download SKU: A0.549525 Composed by Edvard Grieg. Arranged by James M. Guthrie, ASCAP. Instructional,Romantic Period,Sacred,Standards. Score and part. 17 pages. Jmsgu3 #3504701. Published by jmsgu3 (A0.549525). Duration: ca. 4:00, Score: 9 pages, solo part: 3 pages, piano part: 4 pages. Super-famous instantly recognizable tune, not very difficult - suitable for a recital or church meditation. Grieg Background In the first place, Edvard Grieg (1843 –1907) was a Norwegian composer as well as a concert pianist. As a matter of fact, most music historians consider him one of the foremost Romantic era composers. Consequently, his music is part of the international standard classical repertoire. Grieg moreover used Norwegian folk music in his own compositions.  Consequently, he ushered Norwegian music to transnational consciousness. Furthermore, he forged a national musical identity for Norway. It is important to realize that he did this in a manner similar to Jean Sibelius in Finland, and Bedřich Smetana in Bohemia. Legacy Grieg is especially celebrated in the city of Bergen. For example, the city has erected numerous statues depicting Grieg. Specifically, the city has named a concert hall (Grieg Hall), a music school (Grieg Academy) and a professional choir (Edvard Grieg Kor) after him. As a matter of fact, there is also a museum located at his former home in Troldhaugen. Peer Gynt Suite No. 1 (Op. 46) Grieg wrote incidental music for the purpose of illustrating a play by Ibsen known as Peer Gynt. The play includes, in particular, the famous selection entitled, In the Hall of the Mountain King. In this composition, Grieg indeed depicts the exploits of the scoundrel, Peer Gynt. In one famous episode, for example, Peer steals a bride at her wedding. For this reason, the people chase him, but soon Peer falls, thereupon striking his skull on a boulder. He wakens forthwith in a highland bounded by angry gnomes. Consequently, the music of In the Hall of the Mountain King represents the mad gnomes taunting Peer. Therefore, each time the theme repeats it gets louder and faster. In the end, Peer surprisingly escapes from the mountain. Holberg Suite and Misc. Summary It must be remembered that Grieg originally wrote his Holberg Suite for the piano. In other words, he only later arranged it for strings. Further, Grieg composed by and large many songs with lyrics by famous writers such as Heine, Goethe, Ibsen, Hans Christian Andersen, Rudyard Kipling, and others. On balance, Norwegian pianist Eva Knardahl recorded altogether Grieg’s whole piano catalog on LP in 1980. These recordings were released again on CD in 2006. In any event, Grieg himself performed and recorded the bulk of these pieces toward the end of his life.
$32.95
Beethoven: Adagio from Sonata Pathetique for Trombone & Piano
#
Trombone and Piano
#
INTERMEDIATE
#
Classical
#
Ludwig van Beethoven
#
James M
#
piano concertos 1-5
#
Beethoven: Adagio from Sonata
#
jmsgu3
#
SheetMusicPlus
Piano,Trombone - Level 3 - Digital Download SKU: A0.549651 Composed by Ludwig van Beethoven. Arranged by James M. Guthrie, ASCAP. Concert,Instructional,R...
(+)
Piano,Trombone - Level 3 - Digital Download SKU: A0.549651 Composed by Ludwig van Beethoven. Arranged by James M. Guthrie, ASCAP. Concert,Instructional,Romantic Period,Sacred,Standards. Score and part. 16 pages. Jmsgu3 #3516933. Published by jmsgu3 (A0.549651). Duration: ca 5:20, Score: 8 pages, solo part: 3 pages, piano part: 4 pages. One of Beethoven's finest and most famous works. Program for a recital, church meditation or school program. Bring your best espressivo and plan to rehearse the many subtle dynamic changes. Sonata Pathétique Op. 13 First of all, this is an arrangement of the second movement of Beethoven’s Sonata Pathétique. It seems like Beethoven wrote this piece before becoming troubled by deafness. Published in 1799, it consequently remains one of the most celebrated pieces Beethoven ever wrote. As a result of its popularity, the movement was therefore performed by Karl Haas. Hass recorded it for a popular radio show called: Adventures in Good Music. Beethoven Background Ludwig van Beethoven (1770 –1827) was certainly a German pianist. Above all, he was probably one of the greatest composers in history. As a result, he is a pivotal character in the progress between the Classical and Romantic periods. He is certainly one of the most famous and hence important of all composers. Seems like his most familiar and noteworthy works include symphonies 1-9; piano concertos 1-5; and furthermore, the violin concerto. Also, certainly of extreme importance are the noteworthy 32 sonatas for the piano; the string quartets 1-16; the Missa solemnis; and likewise, his only opera, Fidelio. Beethoven Overview First of all, Beethoven was born and consequently raised in Bonn. Upon turning 21 he moved to Vienna probably to study composition with Haydn. That’s when he consequently grew a reputation as a brilliant pianist. Furthermore, he probably stayed in Vienna for the rest of his life. In his late 20s, it seems like his hearing certainly began to decline. It slowly declined until consequently, he was nearly totally deaf probably by the last decade of his life. As a result, he stopped conducting and performing. Nevertheless, he continued to compose. As a result, some of his greatest works probably come from this period. First Period Seems like we often divide Beethoven’s life into three periods. Period 1 begins with Beethoven’s arrival in Vienna. Hence, during this period, he mastered the Viennese style of Haydn & Mozart. He consequently began increasing the size and scale of his works. Furthermore, he experimented with extreme dynamics, and likewise extreme tempi. He worked similarly with chromatic harmony. His First and Second Symphonies, therefore, belong to this period. Other important works also belong here: the first six string quartets and the Sonata Pathétique, Op. 13. Second Period His second period probably began as soon as he realized that he was going deaf. During this period, it seems like he became obsessed with the idea of heroism. His works consequently become even larger and more massive. The most noteworthy of these include the symphonies 3 – 8, piano concertos 5& 6, 5 string quartets, several important piano sonatas (Waldstein and Appassionata), the Kreutzer violin sonata, the violin concerto and his only opera: Fidelio. Third Period In contrast, Beethoven's third period is branded above all by works of incredible intellectual depth, formal innovation, and penetrating expression. It seems like he continued to expand his works. Consequently, the string quartet Op. 131 spills over into seven connected movements. Likewise, in the Ninth Symphony, he adds choral forces to his orchestra probably for the first time in history. Even more, other works from this period include his Missa solemnis, the final 5 string quartets (including the enormous Große Fuge) and the final five sonatas for piano. www.jamesguthrie.com.
$24.95
Bach-Gounod: Ave Maria, Schwencke version for Trombone & Piano
#
Trombone and Piano
#
EASY
#
J
#
James M
#
Bach-Gounod: Ave Maria, Schwen
#
jmsgu3
#
SheetMusicPlus
Piano,Trombone - Level 2 - Digital Download SKU: A0.550934 Composed by J. S. Bach - Gounod. Arranged by James M. Guthrie, ASCAP. Christmas,Contemporary,E...
(+)
Piano,Trombone - Level 2 - Digital Download SKU: A0.550934 Composed by J. S. Bach - Gounod. Arranged by James M. Guthrie, ASCAP. Christmas,Contemporary,Easter,Wedding. Score and part. 12 pages. Jmsgu3 #4888761. Published by jmsgu3 (A0.550934). This arrangement features the controversial Schwencke measure (ms. 27) that was originally introduced in 1783 by Christian Friedrich Gottlieb Schwencke. The convenient 1st & 2nd endings provide an option for extended performance. Duration with repeat - 4:50. Score: 6 pages. Solo part: 1 page, piano part: 4 pages. Based on Prelude #1 in C Major from the Well-Tempered Clavier, Book 1. Well suited for church meditations or school programs or recital encores. Ave Maria Ave Maria is a Catholic prayer that consequently asks for the mother of Jesus (Mary) to intercede. Charles Gounod composed a famous version of the Ave Maria. He was a French Romantic composer who overlaid a new melody on an existing Bach chord progression. The progression is from Bach’s Prelude No. 1 from Well-Tempered Clavier I. This version, as well as Schubert’s version, have become essential items at weddings, masses, and funerals. Bach Overview First of all, Johann Sebastian Bach is maybe the greatest composer in music history. Certainly, he was prolific. As a result, everyone has heard of his works. Furthermore, these works number well over a thousand. It seems like people are probably most familiar with instrumental works such as the Brandenburg Concertos, and the Goldberg Variations. But, similarly famous are such noteworthy works as the Well-Tempered Clavier, the Musical Offering, and the Art of Fugue. Seems like his most famous vocal works include the most noteworthy Mass in B Minor. Also, most noteworthy, though, are the St. John Passion, and certainly the Christmas Oratorio.  History Bach came from a long line of musicians and above all, composers. Consequently, he, first of all, pursued a career as a church organist. So as a result, he gained employment in various Protestant churches in Germany. For a while, he worked as a court musician in Weimar and Köthen. Here he probably developed his organ style and likewise his chamber music style. Eventually, he, therefore, gained an appointment as Cantor of St. Thomas in Leipzig. Here he worked until difficulties with his employer ultimately drove him away. The King of Poland finally appointed him as a court composer.  Style It seems like Bach created an engaging new international style. He synthesized elements of the most noteworthy European music ideas into his new style. Even more, this new style was probably his synthesis of European musical rhythm and form. Furthermore, he demonstrated a complete mastery of counterpoint and motivic development. His sense of harmonic organization probably propelled him to the top. Revival        Mendelssohn conducted a Bach revival in the nineteenth century. His effort probably helped to re-familiarize the public with the magnitude of Bach’s works. During this period, scholars published many noteworthy Bach biographies. Moreover, Wolfgang Schmieder published the BWV (Bach Werke Verzeichnis). As a result, this is now the official catalog of his entire artistic output. The BWV number allows us to locate a work in the catalog. Sometimes scholars will simply use an S (Schmieder) as an abbreviation for BWV.  Voyager NASA launched two Voyager spacecraft in 1977. Onboard are phonograph records with sounds, music, and images of life on Earth. The purpose of the launch was to inform intelligent extraterrestrial life forms about conditions on Earth. The music on the disc is varied. There is Bach, Mozart, Beethoven, and Stravinsky among others. However, because Bach is so important in our music history, it contains three times more Bach than all the others combined.
$32.95
E lucevan le stelle from "Tosca" (Puccini) - Solo Trombone or Euphonium and Piano
#
Trombone and Piano
#
INTERMEDIATE
#
Classical
#
Giacomo Puccini
#
Rob Bushnell
#
E lucevan le stelle from "Tosc
#
Rob Bushnell
#
SheetMusicPlus
B-Flat trombone,Baritone Horn BC,Baritone Horn TC/Euphonium,Instrumental Solo,Piano,Tenor Trombone,Trombone/Baritone B.C. - Level 3 - Digital Download SKU: A...
(+)
B-Flat trombone,Baritone Horn BC,Baritone Horn TC/Euphonium,Instrumental Solo,Piano,Tenor Trombone,Trombone/Baritone B.C. - Level 3 - Digital Download SKU: A0.1490460 Composed by Giacomo Puccini. Arranged by Rob Bushnell. 19th Century,20th Century,Classical,Opera,Romantic Period. Score and individual part. 10 pages. Rob Bushnell #1067302. Published by Rob Bushnell (A0.1490460). Tosca is an opera in three acts by the Italian composer Giacomo Puccini. The opera is set in June 1800 in Rome, and tells the story of the Kingdom of Naples and the threat to its control of Rome by Napoleon’s invasion of Italy. Some of Puccini’s best-known arias can be found in Tosca.The opera is based on Victorien Sardou’s dramatic play of the same name (La Tosca). Puccini saw the play at least twice in 1889 and begged his publisher, Giulio Ricordi, to obtain the rights to turn it into an opera, which were secured in 1891 – although Puccini relinquished the rights to Alberto Franchetti before being recommissioned in 1895. Puccini wrote “I see in this Tosca the opera I need, with no overblown proportions, no elaborate spectacle, nor will it call for the usual excessive amount of music.” It took 4 years to write, with Puccini arguing with his librettists (Luigi Illica and Giuseppe Giacosa) and his publisher. Although the first performance was delayed by a day due to the unrest in Rome at the time, the opera was premiered on 14 January 1900 at the Teatro Costanzi in Rome. The critics reviews were indifferent, but it was an immediate success with the public. The opera is through-composed, with the different musical elements weaved from piece to piece. Puccini used the Wagner’s leitmotif concept to identity different parts of the opera.Taken from Act 3, E lucevan le stelle is sung by Cavaradossi, a painter, who has fallen for the singer Tosca. The corrupt Chief of Police, Baron Scarpia, longs for Tosca himself and, upon suspecting Cavaradossi of helping a political prisoner escape, he takes the opportunity to get rid of Cavaradossi and blackmail Tosca into being with him. The guards lead Cavaradossi to the roof of Castel Sant'Angelo, where he is told he has 1 hour to live before being executed. He asks to write a letter to Tosca, overcome by memories, he sings E lucevan le stelle (And the starts shone). It was selected by the tenor Wynne Evans as one of the most romantic songs for his top ten arias for Classic FM. He described it as “another tenor classic, both tragic and beautiful.”This arrangement (for solo euphonium and piano accompaniment) includes an alternative part for euphonium in treble clef. A recording of the original song can be found on YouTube: https://www.youtube.com/watch?v=EAqHQMX7GHYOther searchable terms: Luciano Pavarotti.
$19.99
Concerto for Trombone and Piano accompaniment (piano reduction)
#
Trombone and Piano
#
ADVANCED
#
Cherry Classics Music
#
John, W
#
Concerto for Trombone and Pian
#
Gordon Cherry
#
SheetMusicPlus
Piano,Trombone - Level 5 - Digital Download SKU: A0.810983 Composed by Cherry Classics Music. Arranged by John, W., and Ware. 20th Century,Contemporary. ...
(+)
Piano,Trombone - Level 5 - Digital Download SKU: A0.810983 Composed by Cherry Classics Music. Arranged by John, W., and Ware. 20th Century,Contemporary. Score and part. 63 pages. Gordon Cherry #4601711. Published by Gordon Cherry (A0.810983). This fine work has sat dormant for many years and has now come to light thanks to the efforts of Charlie Vernon, Bass Trombonist of the Chicago Symphony, who performed this virtuoso work as a young performer. The concerto is in the standard three movement form: Fast, slow, fast. This publication is a reduction from the original orchestral version (to be released at some point in the future). Here is a description of the Concerto by the composer, John W. Ware. I started on the trombone concerto in my junior year studying composition at Indiana University. While working on it, I learned of an opportunity to make it sort of a thesis piece (though students didn't write a thesis in composition while an undergrad). The original version was for trombone with string orchestra, and it was performed by the IU String Orchestra, conducted by Dr. Arthur Corra, with Robert Priez, trombone, as part of my senior composition recital. I thought the performance was quite good (Priez played extraordinarily well), and the piece received a newspaper review in the Indiana Daily Student, in which the reviewer wrote that the work was almost too exciting. I thought at the time that he had given me and my music a fine compliment. I made a piano version of the accompaniment, shortening and tightening the first movement, for performances in 1966; I made a second revision in 1967 for a performance by E. J. Eaton, trombonist at the University of Tennessee at Martin, arriving at the form in which the work exists now. The first movement is in fairly normal sonata-allegro form, in the key of A minor. It alternates between assertive and more thoughtful moods. There is no introduction; the soloist enters immediately and dominates much of the movement. The main theme is--by some manipulation--a source for most of the other themes, and all of the themes are used in close proximity to each other, including contrapuntal combinations, especially near the end. Originally the movement included a lengthy fugato, now much shortened and including a stretto that builds and subsides before a cadenza leading to a coda based on both the principal and secondary themes. Key relations in this movement, as in the other two, are quite free and often chromatic, with frequent third-relations; but returns to the tonic at the end are emphatic. The writing is challenging for both soloist and accompanist; the piece is substantial, requiring technique and stamina. The second movement is in F minor and is also built on both contrast and close relationships between the main and secondary themes. The main theme is heard in the piano part before the soloist enters. The mood is more lyric than in the first movement, but with dramatic episodes also. In this movement are some definite derivations from themes in the first movement. The ending is a sort of lengthened shadow of the opening. The finale returns to A minor, with themes slightly related to polonaise rhythms, but with strong echoes of first-movement themes. Here, too, dramatic and lyric episodes alternate, with dotted rhythms frequently propelling the music forward. The introduction is a brief and simple preparation for the solo entry. Later in the movement, a very brief, slightly slower section is soon overtaken by the original tempo. Toward the end, there is a second cadenza, again leading to a swift and energetic coda. The work is about 20 minutes in length and is appropriate for advanced performers.
$35.00
Deck the Halls - TROMBONE & PIANO - Eb Major
#
Trombone and Piano
#
INTERMEDIATE
#
Christmas
#
MAJOR SCORE PUBLISHING TM
#
MAJOR SCORE PUBLISHING TM
#
Deck the Halls - TROMBONE & PI
#
Major Score Publishing
#
SheetMusicPlus
Piano,Trombone - Level 3 - Digital Download SKU: A0.834562 By MAJOR SCORE PUBLISHING TM. By Thomas Oliphant. Arranged by MAJOR SCORE PUBLISHING TM. Chris...
(+)
Piano,Trombone - Level 3 - Digital Download SKU: A0.834562 By MAJOR SCORE PUBLISHING TM. By Thomas Oliphant. Arranged by MAJOR SCORE PUBLISHING TM. Christmas,Contemporary,Jazz,Pop. Score and part. 24 pages. Major Score Publishing #6121493. Published by Major Score Publishing (A0.834562). Adapted with beautifully satisfying & tasteful jazz harmony with original melody, this holiday classic has never sounded more pleasing to the listener and performer. Designed for students, teachers and performers of all ages this sheet music download is a must have for your holiday enjoyment. You will receive a fully written out part for Trombone & Piano, Concert Lead sheet (with chords & lyrics for small jazz groups, and a lyrics page in case your listeners wish to sing along! Full performance demo on the Youtube link (performed in concert Eb Major for demo purpose). Check out all of our Holiday Sheet music available on our website such as Let it Go, All I Want for Christmas is You, Silent Night, Joy to the World, O Christmas Tree, You're a mean one Mr Grinch. Buy Deck the halls sheet music today! Stop by on our IG page as well @majorscorepublishing. Happy Holidays!
$5.99
Deck the Halls - TROMBONE & PIANO - D Major
#
Trombone and Piano
#
INTERMEDIATE
#
Christmas
#
MAJOR SCORE PUBLISHING TM
#
MAJOR SCORE PUBLISHING TM
#
Deck the Halls - TROMBONE & PI
#
Major Score Publishing
#
SheetMusicPlus
Piano,Trombone - Level 3 - Digital Download SKU: A0.834552 By MAJOR SCORE PUBLISHING TM. By Thomas Oliphant. Arranged by MAJOR SCORE PUBLISHING TM. Chris...
(+)
Piano,Trombone - Level 3 - Digital Download SKU: A0.834552 By MAJOR SCORE PUBLISHING TM. By Thomas Oliphant. Arranged by MAJOR SCORE PUBLISHING TM. Christmas,Contemporary,Jazz,Pop. Score and part. 24 pages. Major Score Publishing #6102005. Published by Major Score Publishing (A0.834552). Adapted with beautifully satisfying & tasteful jazz harmony with original melody, this holiday classic has never sounded more pleasing to the listener and performer. Designed for students, teachers and performers of all ages this sheet music download is a must have for your holiday enjoyment. You will receive a fully written out part for Trombone & Piano, Concert Lead sheet (with chords & lyrics for small jazz groups, and a lyrics page in case your listeners wish to sing along! Full performance demo on the Youtube link (performed in concert Eb Major for demo purpose). Check out all of our Holiday Sheet music available on our website such as Let it Go, All I Want for Christmas is You, Silent Night, Joy to the World, O Christmas Tree, You're a mean one Mr Grinch. Buy Deck the halls sheet music today! Stop by on our IG page as well @majorscorepublishing. Happy Holidays!
$5.99
The Nightingale (Le Rossignol) for Trombone & Piano
#
Trombone and Piano
#
ADVANCED
#
Classical
#
Saint-Saëns, Camille
#
Sauer, Ralph
#
The Nightingale
#
Gordon Cherry
#
SheetMusicPlus
Piano,Trombone - Level 5 - Digital Download SKU: A0.792309 Composed by Saint-Saëns, Camille. Arranged by Sauer, Ralph. 20th Century,Classical,Romanti...
(+)
Piano,Trombone - Level 5 - Digital Download SKU: A0.792309 Composed by Saint-Saëns, Camille. Arranged by Sauer, Ralph. 20th Century,Classical,Romantic Period. Score and part. 3 pages. Gordon Cherry #4804499. Published by Gordon Cherry (A0.792309). Le Rossignol or the Nightingale is originally a vocalise for Soprano solo from Saint-Saën's incidental music for the play, Parysatis written in 1902. This 4-5 minute work is all about mood. Mr. Sauer uses the original key of B-flat, which lays perfectly for all of the bird-like calls that are in phrases which are slurred. The music has a lot of ad lib. tempo sections which gives the performer plenty of time to create that magic call of the Nightingale. Early writers thought it was the female that sang, but in fact it is the male. The Nightingale usually sings at night or just before dawn when other birds are silent and has a strong spontaneous song with an impressive range of trills and whistles.
$10.00
Schubert: Ave Maria for Trombone & Piano
#
Trombone and Piano
#
BEGINNER
#
Classical
#
Franz Schubert
#
James M
#
Schubert: Ave Maria for Trombo
#
jmsgu3
#
SheetMusicPlus
Piano,Trombone - Level 1 - Digital Download SKU: A0.548699 Composed by Franz Schubert. Arranged by James M. Guthrie, ASCAP. Christmas,Easter,Standards. S...
(+)
Piano,Trombone - Level 1 - Digital Download SKU: A0.548699 Composed by Franz Schubert. Arranged by James M. Guthrie, ASCAP. Christmas,Easter,Standards. Score and part. 4 pages. Jmsgu3 #3411147. Published by jmsgu3 (A0.548699). A Trombone Christmas/Easter classic! Duration: 4:55 Score: 3 pg. Trombone part: 1 pg. Piano reads from the score. Schubert seems to have composed this piece as a song-setting. This is because he wanted to portray a poignant emotional event from a poem. The poem was Walter Scott's The Lady of the Lake. Consequently, this song became an integral part of Schubert's Song cycle. Therefore the cycle is called: the Lady of the Lake. In the poem, Ellen Douglas is the Lady of the Lake. The lake is probably Loch Katrine in the Scottish Highlands. First of all, Ellen goes with her father to stay in the Goblin's cave. They go because he earlier refused to join in a rebellion against King James. Roderick Dhu, the chief of the rebellious Alpine Clan, marches up the mountain with his army. But before the battle, he, first of all, hears Ellen singing. She is singing a prayer calling for help from the Virgin Mary. Schubert's piece was first performed at the castle of Countess Sophie Weissenwolff in Steyregg, Austria.  Schubert dedicated the arrangement to her, and as a result, she became famous as the lady of the lake.The incipit of Ellen's song is Ave Maria which is Latin for Hail Mary. It seems like this similarity led Schubert to adapt the melody to accommodate the Roman Catholic prayer Ave Maria. Consequently, the Latin version of Ave Maria finally became more famous than the original so that consequently many believe he wrote the Latin version first. Schubert Franz Schubert (1797–1828) was, in fact, a famous Austrian composer. Moreover, he composed during the late Classical and early Romantic periods. Schubert was comparatively prolific. He wrote more than 600 secular vocal works, seven symphonies, and, correspondingly, a massive amount of piano and chamber music. Critics agree, as a matter of fact, that his most famous works include his Piano Quintet in A major, D. 667 (also known as the Trout Quintet), the Symphony No. 8 in B minor, D. 759 (Unfinished Symphony), the last sonatas for piano (D. 958–960), and the song cycles Die schöne Müllerin (D. 795) and Winterreise (D. 911). Education Schubert was furthermore a musical child prodigy. He studied violin with his father as well as piano with his older brother. In addition, when Schubert was eleven he studied at Stadtkonvikt school, where he became familiar with the orchestral music of Haydn, Mozart, and likewise Beethoven. In due time he left school and returned home where he studied to become an educator; nevertheless, he continued studying composition with Antonio Salieri. Performance Eventually, Schubert was admitted to the Gesellschaft der Musikfreunde as a performer. This appointment straightaway established his name in Vienna as a composer and pianist. Finally, he gave his only composition recital in 1828. He died suddenly a few months later probably due to typhoid fever. Legacy Schubert’s music was by and large underappreciated while he was alive. There were all in all only a few enthusiasts in Vienna. After he died, however, interest in his work in fact increased. Felix Mendelssohn, Robert Schumann, Franz Liszt, Johannes Brahms and other famous composers in due time discovered his compositions. Nowadays, historians rank Schubert expressly among the greatest composers of the era, and his music remains in general very popular. Â
$29.95
Too Much For Our Thirst (Trombone and Piano)
#
Trombone and Piano
#
INTERMEDIATE/ADVANCED
#
Contemporary
#
Alexander Burdiss
#
Too Much For Our Thirst
#
Ars Nova Press
#
SheetMusicPlus
Piano,Tenor Trombone - Level 4 - Digital Download SKU: A0.1335564 Composed by Alexander Burdiss. Contemporary. Score and part. 12 pages. Ars Nova Press #...
(+)
Piano,Tenor Trombone - Level 4 - Digital Download SKU: A0.1335564 Composed by Alexander Burdiss. Contemporary. Score and part. 12 pages. Ars Nova Press #921400. Published by Ars Nova Press (A0.1335564). Too Much For Our Thirstby Alexander BurdissArranged for Trombone and PianoDedicated to Courtney CarmackPerformance Time: approx. 7:00This is an adaptation for trombone of a piece originally written for tuba. The Eyes of the Poor from Paris SpleenWritten by Charles Baudelaire, Translated by Arthur Symons Ah! you want to know why I hate you to-day. It will probably be less easy for you to understand than for me to explain it to you; for you are, I think, the most perfect example of feminine impenetrability that could possibly be found. We had spent a long day together, and it had seemed to me short. We had promised one another that we would think the same thoughts and that our two souls should become one soul; a dream which is not original, after all, except that, dreamed by all men, it has been realised by none. In the evening you were a little tired, and you sat down outside a new café at the corner of a new boulevard, still littered with plaster and already displaying proudly its unfinished splendours. The café glittered. The very gas put on all the fervency of a fresh start, and lighted up with its full force the blinding whiteness of the walls, the dazzling sheets of glass in the mirrors, the gilt of cornices and mouldings, the chubby-cheeked pages straining back from hounds in leash, the ladies laughing at the falcons on their wrists, the nymphs and goddesses carrying fruits and pies and game on their heads, the Hebes and Ganymedes holding out at arm's-length little jars of syrups or parti-coloured obelisks of ices; the whole of history and of mythology brought together to make a paradise for gluttons. Exactly opposite to us, in the roadway, stood a man of about forty years of age, with a weary face and a greyish beard, holding a little boy by one hand and carrying on the other arm a little fellow too weak to walk. He was taking the nurse-maid's place, and had brought his children out for a walk in the evening. All were in rags. The three faces were extraordinarily serious, and the six eyes stared fixedly at the new café with an equal admiration, differentiated in each according to age. The father's eyes said: How beautiful it is! how beautiful it is! One would think that all the gold of the poor world had found its way to these walls. The boy's eyes said: How beautiful it is! how beautiful it is! But that is a house which only people who are not like us can enter. As for the little one's eyes, they were too fascinated to express anything but stupid and utter joy. Song-writers say that pleasure ennobles the soul and softens the heart. The song was right that evening, so far as I was concerned. Not only was I touched by this family of eyes, but I felt rather ashamed of our glasses and decanters, so much too much for our thirst. I turned to look at you, dear love, that I might read my own thought in you; I gazed deep into your eyes, so beautiful and so strangely sweet, your green eyes that are the home of caprice and under the sovereignty of the Moon; and you said to me: Those people are insupportable to me with their staring saucer- eyes! Couldn't you tell the head waiter to send them away? So hard is it to understand one another, dearest, and so incommunicable is thought, even between people who are in love!
$9.99
The First Noel for Trombone & Piano
#
Trombone and Piano
#
BEGINNER
#
Christmas
#
Traditional
#
James M
#
The First Noel for Trombone &
#
jmsgu3
#
SheetMusicPlus
Piano,Trombone - Level 1 - Digital Download SKU: A0.548503 Composed by Traditional. Arranged by James M. Guthrie, ASCAP. Christian,Christmas. Score and p...
(+)
Piano,Trombone - Level 1 - Digital Download SKU: A0.548503 Composed by Traditional. Arranged by James M. Guthrie, ASCAP. Christian,Christmas. Score and part. 4 pages. Jmsgu3 #3387395. Published by jmsgu3 (A0.548503). The First Noel arranged for Trombone & Piano with new harmony for the final verse.Origins The First Noel is an English Christmas carol. Even more, it was probably written in the late Cornish Renaissance period. While other versions spell the title as Nowell, this is just a colloquial variation. Furthermore, Noel is an older word meaning Christmas. Therefore the First Noel translates as the First Christmas. First of all, Gilbert and Sandy published the earliest version. As a result, this version appears in the Carols Ancient and Modern songbook of 1823. William Sandy edited and arranged the book. Similarly, his partner Davies Gilbert edited and added the familiar extra verses. The First Noel: Trombone Version comes with new harmony in final verse for more energy and drive. Stainer Organist and composer Sir John Stainer published the most noteworthy customary arrangement in the 1870’s. Stainer is above all famous for his songbook entitled: Christmas Carols New and Old (1871). This volume served as an important catalyst for reviving the English Christmas carol. Other famous Stainer arrangements from this book are such titles as What Child Is This, God Rest Ye Merry Gentlemen, Good King Wenceslas, and I Saw Three Ships. Diatonic Function The melodic structure in the First Noel is uncommon among English folk tunes. It simply repeats one phrase twice then follows a variation refrain. All three phrases of the song end on the mediant scale degree. This is unusual because the diatonic function of the mediant is non-final compared to the more usual tonic or even dominant degrees. Consequently, this gives the song as kind of open-ended feeling – like maybe it never really ends. Political Context The Catholic clergy sang carols outside of the church in Latin. After the Protestant Reformation, the reformers thought it would be better for everyone to sing carols. They decided to bring music back to the common folk. So, they translated the lyrics from Latin into common language. Moreover, the Protestants wanted more control over the music in church than what the Vatican allowed. Protestant composers such as William Byrd composed complex polyphonic Christmas music that they called carols. Nonetheless, some famous folk carols were composed in this era. Eminent composers in the nineteenth century began to revise and adapt them. Consequently, they revived the English carol. Register for free lifetime updates and revisions at www.jamesguthrie.com
$24.95
Tchaikovsky: Overture from Nutcracker Suite for Trombone & Piano
#
Trombone and Piano
#
INTERMEDIATE
#
Classical
#
Peter Ilyich Tchaikovsky
#
James M
#
Tchaikovsky: Overture from Nut
#
jmsgu3
#
SheetMusicPlus
Piano,Trombone - Level 3 - Digital Download SKU: A0.549630 Composed by Peter Ilyich Tchaikovsky. Arranged by James M. Guthrie, ASCAP. Children,Christmas,...
(+)
Piano,Trombone - Level 3 - Digital Download SKU: A0.549630 Composed by Peter Ilyich Tchaikovsky. Arranged by James M. Guthrie, ASCAP. Children,Christmas,Romantic Period,Standards. Score and part. 24 pages. Jmsgu3 #3515687. Published by jmsgu3 (A0.549630). Duration: ca. 3:20 Score: 13 pages, solo part: 3 pages, piano part: 7 pages, 182 measures in 2/4. Overture in Miniature to Tchaikovsky's Nutcracker Suite. Program for a recital, church meditation, school plays, and Christmas presentations of all kinds. Pyotr Ilyich Tchaikovsky Tchaikovsky is probably the most popular of the great composers in America. His music certainly appeals to musicians. Likewise, it appeals even to folks who don’t normally listen to serious music. This is probably because of his most noteworthy melodies. Above all, he writes with great emotion. This certainly makes a most noteworthy if not an unforgettable impact. Education First of all, He attended classes at the Russian Musical Society. Even more, He also attended the St. Petersburg Conservatory. There he studied music theory with Nikolai Zaremba. He also consequently studied composition with Anton Rubenstein. It seems like Rubenstein came under criticism from a group of Russian composers known as the Five. The Five The Five certainly rejected Western musical influences. They rather sought to use elements from Russian music. They furthermore wanted to use more exotic musical materials. Western Techniques More than other Russian composers, Tchaikovsky studied modern Western music. He certainly develops his music like the European masters. So, rather than repeating a motive, he moves to a new key. He then introduces a different theme in the new key. Hence, he maintained his independence from the Five. Even more, he became the first Russian composer of international stature. Influences Tchaikovsky was probably influenced in his ballet scoring by Léo Delibes. Richard Wagner influenced his symphonic writing. Tchaikovsky’s most famous works include the 1812 Overture, The Nutcracker Suite, and Swan Lake. Also famous are the Violin Concerto in D and the six symphonies. The greatest of the six symphonies may be No. 6, the Pathétique. Nutcracker Suite, Op. 71a The Nutcracker Suite is a ballet that was performed for the first time in December 1892 in St. Petersburg. To begin with, the original ballet failed to attract a positive reception. However, the ballet suite became probably one of the most popular of all of Tchaikovsky’s works. The ballet suite became even more famous in the 1960s. It is now performed all over the world, particularly during the Christmas season.Â
$32.95
Tchaikovsky: Chinese Dance from Nutcracker Suite for Trombone & Piano
#
Trombone and Piano
#
INTERMEDIATE
#
Classical
#
Peter Ilyich Tchaikovsky
#
James M
#
Tchaikovsky: Chinese Dance fro
#
jmsgu3
#
SheetMusicPlus
Piano,Trombone - Level 3 - Digital Download SKU: A0.549788 Composed by Peter Ilyich Tchaikovsky. Arranged by James M. Guthrie, ASCAP. Children,Christmas,...
(+)
Piano,Trombone - Level 3 - Digital Download SKU: A0.549788 Composed by Peter Ilyich Tchaikovsky. Arranged by James M. Guthrie, ASCAP. Children,Christmas,Romantic Period,Standards. Score and part. 11 pages. Jmsgu3 #3536979. Published by jmsgu3 (A0.549788). Duration: ca 1:00 Score: 5 pages, Solo part: 2 pages, piano part: 3 pages. Short but fascinating Chinese Dance from the Nutcracker Suite. Program this for a recital encore or Christmas pageant. Pyotr Ilyich Tchaikovsky Tchaikovsky is probably the most popular of the great composers in America. His music certainly appeals to musicians. Likewise, it appeals even to folks who don’t normally listen to serious music. This is probably because of his most noteworthy melodies. Above all, he writes with great emotion. This certainly makes a most noteworthy if not an unforgettable impact. Education First of all, He attended classes at the Russian Musical Society. Even more, He also attended the St. Petersburg Conservatory. There he studied music theory with Nikolai Zaremba. He also consequently studied composition with Anton Rubenstein. It seems like Rubenstein came under criticism from a group of Russian composers known as the Five. The Five The Five certainly rejected Western musical influences. They rather sought to use elements from Russian music. They furthermore wanted to use more exotic musical materials. Western Techniques More than other Russian composers, Tchaikovsky studied modern Western music. He certainly develops his music like the European masters. So, rather than repeating a motive, he moves to a new key. He then introduces a different theme in the new key. Hence, he maintained his independence from the Five. Even more, he became the first Russian composer of international stature. Influences Tchaikovsky was probably influenced in his ballet scoring by Léo Delibes. Richard Wagner influenced his symphonic writing. Tchaikovsky’s most famous works include the 1812 Overture, The Nutcracker Suite, and Swan Lake. Also famous are the Violin Concerto in D and the six symphonies. The greatest of the six symphonies may be No. 6, the Pathétique. Nutcracker Suite, Op. 71a The Nutcracker Suite is a ballet that was performed for the first time in December 1892 in St. Petersburg. To begin with, the original ballet failed to attract a positive reception. However, the ballet suite became probably one of the most popular of all of Tchaikovsky’s works. The ballet suite became even more famous in the 1960s. It is now performed all over the world, particularly during the Christmas season.
$32.95
Tchaikovsky: Arabian Dance from Nutcracker Suite for Trombone & Piano
#
Trombone and Piano
#
INTERMEDIATE
#
Classical
#
Peter Ilyich Tchaikovsky
#
James M
#
Tchaikovsky: Arabian Dance fro
#
jmsgu3
#
SheetMusicPlus
Piano,Trombone - Level 3 - Digital Download SKU: A0.549763 Composed by Peter Ilyich Tchaikovsky. Arranged by James M. Guthrie, ASCAP. Children,Christmas,...
(+)
Piano,Trombone - Level 3 - Digital Download SKU: A0.549763 Composed by Peter Ilyich Tchaikovsky. Arranged by James M. Guthrie, ASCAP. Children,Christmas,Romantic Period,Standards. Score and part. 17 pages. Jmsgu3 #3533943. Published by jmsgu3 (A0.549763). Duration: ca. 3:15 Score: 10 pages, solo part: 2 pages, piano part: 4 pages. Tchaikovsky paints a very mysterious mood in this favorite masterpiece from the Nutcracker Suite. It is also a traditional Christmas favorite. Pyotr Ilyich Tchaikovsky Tchaikovsky is probably the most popular of the great composers in America. His music certainly appeals to musicians. Likewise, it appeals even to folks who don’t normally listen to serious music. This is probably because of his most noteworthy melodies. Above all, he writes with great emotion. This certainly makes a most noteworthy if not an unforgettable impact. Education First of all, He attended classes at the Russian Musical Society. Even more, He also attended the St. Petersburg Conservatory. There he studied music theory with Nikolai Zaremba. He also consequently studied composition with Anton Rubenstein. It seems like Rubenstein came under criticism from a group of Russian composers known as the Five. The Five The Five certainly rejected Western musical influences. They rather sought to use elements from Russian music. They furthermore wanted to use more exotic musical materials. Western Techniques More than other Russian composers, Tchaikovsky studied modern Western music. He certainly develops his music like the European masters. So, rather than repeating a motive, he moves to a new key. He then introduces a different theme in the new key. Hence, he maintained his independence from the Five. Even more, he became the first Russian composer of international stature. Influences Tchaikovsky was probably influenced in his ballet scoring by Léo Delibes. Richard Wagner influenced his symphonic writing. Tchaikovsky’s most famous works include the 1812 Overture, The Nutcracker Suite, and Swan Lake. Also famous are the Violin Concerto in D and the six symphonies. The greatest of the six symphonies may be No. 6, the Pathétique. Nutcracker Suite, Op. 71a The Nutcracker Suite is a ballet that was performed for the first time in December 1892 in St. Petersburg. To begin with, the original ballet failed to attract a positive reception. However, the ballet suite became probably one of the most popular of all of Tchaikovsky’s works. The ballet suite became even more famous in the 1960s. It is now performed all over the world, particularly during the Christmas season.
$32.95
Tchaikovsky: Dance of the Sugar-Plum Fairy from Nutcracker Suite for Trombone & Piano
#
Trombone and Piano
#
INTERMEDIATE
#
Classical
#
Peter Ilyich Tchaikovsky
#
James M
#
Tchaikovsky: Dance of the Suga
#
jmsgu3
#
SheetMusicPlus
Piano,Trombone - Level 3 - Digital Download SKU: A0.549695 Composed by Peter Ilyich Tchaikovsky. Arranged by James M. Guthrie, ASCAP. Children,Christmas,...
(+)
Piano,Trombone - Level 3 - Digital Download SKU: A0.549695 Composed by Peter Ilyich Tchaikovsky. Arranged by James M. Guthrie, ASCAP. Children,Christmas,Romantic Period,Standards. Score and part. 14 pages. Jmsgu3 #3525269. Published by jmsgu3 (A0.549695). Duration: ca. 1:42, 52 measures, Score: 7 pages, solo part: 2 pages, piano part: 4 pages. A popular Christmas favorite from Tchaikovsky's Nutcracker Suite. Pyotr Ilyich Tchaikovsky Tchaikovsky is probably the most popular of the great composers in America. His music certainly appeals to musicians. Likewise, it appeals even to folks who don’t normally listen to serious music. This is probably because of his most noteworthy melodies. Above all, he writes with great emotion. This certainly makes a most noteworthy if not an unforgettable impact. Education First of all, He attended classes at the Russian Musical Society. Even more, He also attended the St. Petersburg Conservatory. There he studied music theory with Nikolai Zaremba. He also consequently studied composition with Anton Rubenstein. It seems like Rubenstein came under criticism from a group of Russian composers known as the Five. The Five The Five certainly rejected Western musical influences. They rather sought to use elements from Russian music. They furthermore wanted to use more exotic musical materials. Western Techniques More than other Russian composers, Tchaikovsky studied modern Western music. He certainly develops his music like the European masters. So, rather than repeating a motive, he moves to a new key. He then introduces a different theme in the new key. Hence, he maintained his independence from the Five. Even more, he became the first Russian composer of international stature. Influences Tchaikovsky was probably influenced in his ballet scoring by Léo Delibes. Richard Wagner influenced his symphonic writing. Tchaikovsky’s most famous works include the 1812 Overture, The Nutcracker Suite, and Swan Lake. Also famous are the Violin Concerto in D and the six symphonies. The greatest of the six symphonies may be No. 6, the Pathétique. Nutcracker Suite, Op. 71a The Nutcracker Suite is a ballet that was performed for the first time in December 1892 in St. Petersburg. To begin with, the original ballet failed to attract a positive reception. However, the ballet suite became probably one of the most popular of all of Tchaikovsky’s works. The ballet suite became even more famous in the 1960s. It is now performed all over the world, particularly during the Christmas season.
$32.95
Tchaikovsky: Waltz of the Flowers from Nutcracker Suite for Trombone & Piano
#
Trombone and Piano
#
INTERMEDIATE
#
Classical
#
Peter Ilyich Tchaikovsky
#
James M
#
Tchaikovsky: Waltz of the Flow
#
jmsgu3
#
SheetMusicPlus
Piano,Trombone - Level 3 - Digital Download SKU: A0.549831 Composed by Peter Ilyich Tchaikovsky. Arranged by James M. Guthrie, ASCAP. Children,Christmas,...
(+)
Piano,Trombone - Level 3 - Digital Download SKU: A0.549831 Composed by Peter Ilyich Tchaikovsky. Arranged by James M. Guthrie, ASCAP. Children,Christmas,Romantic Period,Standards. Score and part. 48 pages. Jmsgu3 #3550639. Published by jmsgu3 (A0.549831). Duration: 6:12, Score: 29 pages, Solo part: 6 pages, Piano part: 12 pages. This is the grand finale of the Nutcracker Suite. Pyotr Ilyich Tchaikovsky Tchaikovsky is probably the most popular of the great composers in America. His music certainly appeals to musicians. Likewise, it appeals even to folks who don’t normally listen to serious music. This is probably because of his most noteworthy melodies. Above all, he writes with great emotion. This certainly makes a most noteworthy if not an unforgettable impact. Education First of all, He attended classes at the Russian Musical Society. Even more, He also attended the St. Petersburg Conservatory. There he studied music theory with Nikolai Zaremba. He also consequently studied composition with Anton Rubenstein. It seems like Rubenstein came under criticism from a group of Russian composers known as the Five. The Five The Five certainly rejected Western musical influences. They rather sought to use elements from Russian music. They furthermore wanted to use more exotic musical materials. Western Techniques More than other Russian composers, Tchaikovsky studied modern Western music. He certainly develops his music like the European masters. So, rather than repeating a motive, he moves to a new key. He then introduces a different theme in the new key. Hence, he maintained his independence from the Five. Even more, he became the first Russian composer of international stature. Influences Tchaikovsky was probably influenced in his ballet scoring by Léo Delibes. Richard Wagner influenced his symphonic writing. Tchaikovsky’s most famous works include the 1812 Overture, The Nutcracker Suite, and Swan Lake. Also famous are the Violin Concerto in D and the six symphonies. The greatest of the six symphonies may be No. 6, the Pathétique. Nutcracker Suite, Op. 71a The Nutcracker Suite is a ballet that was performed for the first time in December 1892 in St. Petersburg. To begin with, the original ballet failed to attract a positive reception. However, the ballet suite became probably one of the most popular of all of Tchaikovsky’s works. The ballet suite became even more famous in the 1960s. It is now performed all over the world, particularly during the Christmas season. Â
$32.95
Tchaikovsky: March from Nutcracker Suite for Trombone & Piano
#
Trombone and Piano
#
INTERMEDIATE
#
Classical
#
Peter Ilyich Tchaikovsky
#
James M
#
Tchaikovsky: March from Nutcra
#
jmsgu3
#
SheetMusicPlus
Piano,Trombone - Level 3 - Digital Download SKU: A0.549673 Composed by Peter Ilyich Tchaikovsky. Arranged by James M. Guthrie, ASCAP. Children,Christmas,...
(+)
Piano,Trombone - Level 3 - Digital Download SKU: A0.549673 Composed by Peter Ilyich Tchaikovsky. Arranged by James M. Guthrie, ASCAP. Children,Christmas,Romantic Period,Standards. Score and part. 20 pages. Jmsgu3 #3519279. Published by jmsgu3 (A0.549673). Score: 10 pages: solo part: 3 pages, piano part: 6 pages. Duration: 2:22. This famous selection from the Nutcracker Suite is a classic Christmas program favorite. Pyotr Ilyich Tchaikovsky Tchaikovsky is probably the most popular of the great composers in America. His music certainly appeals to musicians. Likewise, it appeals even to folks who don’t normally listen to serious music. This is probably because of his most noteworthy melodies. Above all, he writes with great emotion. This certainly makes a most noteworthy if not an unforgettable impact. Education First of all, He attended classes at the Russian Musical Society. Even more, He also attended the St. Petersburg Conservatory. There he studied music theory with Nikolai Zaremba. He also consequently studied composition with Anton Rubenstein. It seems like Rubenstein came under criticism from a group of Russian composers known as the Five. The Five The Five certainly rejected Western musical influences. They rather sought to use elements from Russian music. They furthermore wanted to use more exotic musical materials. Western Techniques More than other Russian composers, Tchaikovsky studied modern Western music. He certainly develops his music like the European masters. So, rather than repeating a motive, he moves to a new key. He then introduces a different theme in the new key. Hence, he maintained his independence from the Five. Even more, he became the first Russian composer of international stature. Influences Tchaikovsky was probably influenced in his ballet scoring by Léo Delibes. Richard Wagner influenced his symphonic writing. Tchaikovsky’s most famous works include the 1812 Overture, The Nutcracker Suite, and Swan Lake. Also famous are the Violin Concerto in D and the six symphonies. The greatest of the six symphonies may be No. 6, the Pathétique. Nutcracker Suite, Op. 71a The Nutcracker Suite is a ballet that was performed for the first time in December 1892 in St. Petersburg. To begin with, the original ballet failed to attract a positive reception. However, the ballet suite became probably one of the most popular of all of Tchaikovsky’s works. The ballet suite became even more famous in the 1960s. It is now performed all over the world, particularly during the Christmas season.
$32.95
<
1
26
51
....
1301
© 2000 - 2024
Home
-
New releases
-
Composers
Legal notice
-
Full version
