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Trombone and Piano
Sheetmusic to print
25 sheet music found
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1
O Come All Ye Faithful for Trombone & Piano
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Trombone and Piano
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BEGINNER
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Wade
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James M
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O Come All Ye Faithful for Tro
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jmsgu3
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SheetMusicPlus
Piano,Trombone - Level 1 - Digital Download SKU: A0.548514 Composed by Wade. Arranged by James M. Guthrie, ASCAP. Christian,Christmas. Score and part. 4 ...
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Piano,Trombone - Level 1 - Digital Download SKU: A0.548514 Composed by Wade. Arranged by James M. Guthrie, ASCAP. Christian,Christmas. Score and part. 4 pages. Jmsgu3 #3388129. Published by jmsgu3 (A0.548514). O Come All Ye Faithful arranged with new harmony for the final verse. Score: 3 pages, part: 1 pageO Come, All Ye Faithful O Come, All Ye Faithful is an English translation of the Latin Christmas carol Adeste Fideles. No one knows exactly who wrote it. One theory holds that King John IV of Portugal (1604–1656) wrote it. Another theory says John F. Wade or John Reading wrote it. Nowadays, we usually attribute it to John Wade. Seems like Stonyhurst College in Lancashire owns the oldest manuscript. It is from the year 1751. Lyrics Frederick Oakeley, a Catholic priest in 1841 wrote the English translation. This translation is probably the most common in the English-speaking states. To begin with, the hymn had only four verses. Later, the verses grew to eight. Music directors often cut various verses because otherwise, the song goes too long. Some believe that St. Bonaventure wrote the first Latin lyrics. Others hold that King John IV of Portugal is responsible. Yet even others think the Cistercian monks wrote them. King John IV His subjects called King John IV of Portugal The Musician King. He became king in 1640. In addition to performing the duties of a king, he composed and wrote as a music journalist. King John built a very large music library. Unfortunately, the massive earthquake of Lisbon ruined the library in 1755. In addition to building his library, the king started a Music School that produced many accomplished musicians. The king also worked diligently to get instrumental music approved by the Vatican for use in his churches. Aside from his authorship of Adeste Fideles, he is famous for another popular choral setting of the Crux Fidelis, a prevalent Lenten hymn. Performance in Context Verses are sometimes left out because all eight verses would take too long to perform. More to the point though, some of the verses may be unsuitable for whatever of the church calendar they are intended. The eighth verse deals with the Epiphany, so it makes sense to sing this on Epiphany Sunday, but not other Sundays. Similarly, other verses are used according to whether the event is Midnight Mass or regular daytime Mass. Register for free lifetime updates and revisions at www.jamesguthrie.com
$24.95
Awaken the dawn (for trombone & piano)
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Trombone and Piano
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ADVANCED
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Sacred music
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Joseph Hollings
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Awaken the dawn
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Joseph Hollings Publishing
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SheetMusicPlus
Piano,Trombone - Level 5 - Digital Download SKU: A0.927663 Composed by Joseph Hollings. 20th Century,Contemporary. Score and part. 21 pages. Joseph Holli...
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Piano,Trombone - Level 5 - Digital Download SKU: A0.927663 Composed by Joseph Hollings. 20th Century,Contemporary. Score and part. 21 pages. Joseph Hollings Publishing #6682863. Published by Joseph Hollings Publishing (A0.927663). Awaken the dawn was written for and dedicated to Shachar Israel, Assistant Principal Trombone of the Cleveland Orchestra. Mr. Israel commissioned the work and worked closely with the composer during the composition process. The piece is demanding for both trombonist and pianist.Naming the piece was relatively straightforward, as the composer intended from the outset to use the English translation of the Hebrew word and Mr. Israel's first name 'Shachar' (in Hebrew, 'shachar' means 'dawn'). The title, taken from a passage in the Book of Psalms, is intended to represent the energy and beauty present in the few moments before dawn breaks.The piece begins with a lyrical trombone line, floating over a minimalistic piano accompaniment. Making the most of the trombone's pitch and dynamic range, the trombone becomes increasingly agitated and the piano accompaniment more fragmented. A frenetic passage leads into a fast, aggressive section before returning to the opening melodies.Mr. Israel recorded the piece in 2018 at the Oberlin Conservatory of Music in Oberlin, Ohio with the marvelous Martha Locker on piano. The recording was produced by the Grammy award-winning Elaine Martone. The recording is currently available on Amazon, Spotify and Apple Music.DURATION: approx. 7:30Joseph Hollings is a member of ASCAP. Learn more about the composer at www.josephhollings.comFollow on TikTok @TikTokComposerFollow on Instagram @josephhollings.
$15.00
Meditation on "Veni, Emmanuel" — trombone and piano or organ
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Trombone and Piano
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INTERMEDIATE
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Plainchant melody
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Todd Marchand
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Meditation on "Veni, Emmanuel"
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Con Spirito Music
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SheetMusicPlus
Piano,Trombone - Level 3 - Digital Download SKU: A0.726102 Composed by Plainchant melody. Arranged by Todd Marchand. Advent,Christian,Sacred. Score and p...
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Piano,Trombone - Level 3 - Digital Download SKU: A0.726102 Composed by Plainchant melody. Arranged by Todd Marchand. Advent,Christian,Sacred. Score and part. 10 pages. Con Spirito Music #6092177. Published by Con Spirito Music (A0.726102). “O Come, O Come Emmanuel†are the opening words of John Mason Neale’s (1818-1866) translation of the Medieval text, “Veni, Emmanuel,†with music arranged by Thomas Helmore (1811-1890), for The Hymnal Noted (London, 1856). The text of this most famous of Advent hymns is taken from various “‘O’ Antiphons,†verses sung or recited before and after the Magnificat during the evening Vespers service in the last week of Advent. Each antiphon is a name of Christ, and together they echo the foretelling of the long-expected Messiah by the prophet Isaiah.The origin of the music is uncertain. Some claim it to be from a 15th-century French processionale (hymnal, liturgical manual) for Franciscan nuns; others believe it to be of earlier, eighth-century Gregorian plainsong origins.This arrangement features both traditional and contemporary harmonies and a meditative original introduction prior to the opening presentation of the melody by trombone, which is echoed in countermelodies in later presentations.Includes both bass clef and Bb treble clef solo parts.©Copyright 2020 Todd Marchand / Con Spirito Music (ASCAP). All rights reserved. Visit www.conspiritomusic.com
$6.00
Ukrainian National Anthem (Piano Accompaniment for Trombone)
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Trombone and Piano
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Patriotic
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Mykhailo Verbytsky
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Thomas R
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Ukrainian National Anthem
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Thomas R. Vozzella
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SheetMusicPlus
Piano,Trombone - Digital Download SKU: A0.1068275 Composed by Mykhailo Verbytsky. Arranged by Thomas R. Vozzella. 20th Century,Concert,Graduation,Sacred,...
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Piano,Trombone - Digital Download SKU: A0.1068275 Composed by Mykhailo Verbytsky. Arranged by Thomas R. Vozzella. 20th Century,Concert,Graduation,Sacred,World. Accompaniment. Duration 94. Thomas R. Vozzella #6853097. Published by Thomas R. Vozzella (A0.1068275). Accompaniment for use with TROMBONE Arrangement - This is an original arrangement of the Ukraine National Anthem for Cello and Piano in a bold and majestic style with music written by Mykhailo Verbytsky in 1863. The translation for the original title is Ukraine Is Not Yet Lost!.
$2.99
What A Friend We Have In Jesus, Gospel Hymn for Trombone and Piano
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Trombone and Piano
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EASY
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Sacred music
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Gospel/Spiritual
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J M Scriven, C C Converse
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David McKeown
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What A Friend We Have In Jesus
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David McKeown
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SheetMusicPlus
Piano,Trombone - Level 2 - Digital Download SKU: A0.593455 Composed by J M Scriven, C C Converse. Arranged by David McKeown. Christian,Gospel,Praise & Wo...
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Piano,Trombone - Level 2 - Digital Download SKU: A0.593455 Composed by J M Scriven, C C Converse. Arranged by David McKeown. Christian,Gospel,Praise & Worship,Sacred,Spiritual. Score and part. 4 pages. David McKeown #6421073. Published by David McKeown (A0.593455). What a Friend We Have in Jesus is a beautiful gospel song arranged here for Solo Trombone and Piano.What a Friend We Have in Jesus was written by Joseph Scrivens in 1855 to comfort his Irish mother after he emigrated to Canada. In recent times the song has proved immensely popular in translation in Japan, Indonesia, India and Korea.
$2.49
What A Friend We Have In Jesus, Gospel Hymn for Trombone (Treble Clef in B Flat) and Piano
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Trombone and Piano
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EASY
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Sacred music
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Gospel/Spiritual
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J M Scriven, C C Converse
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David McKeown
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What A Friend We Have In Jesus
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David McKeown
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SheetMusicPlus
Piano,Trombone - Level 2 - Digital Download SKU: A0.593454 Composed by J M Scriven, C C Converse. Arranged by David McKeown. Christian,Gospel,Praise & Wo...
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Piano,Trombone - Level 2 - Digital Download SKU: A0.593454 Composed by J M Scriven, C C Converse. Arranged by David McKeown. Christian,Gospel,Praise & Worship,Sacred,Spiritual. Score and part. 4 pages. David McKeown #6421071. Published by David McKeown (A0.593454). What a Friend We Have in Jesus is a beautiful gospel song arranged here for Solo Trombone (Treble Clef in b Flat) and Piano.What a Friend We Have in Jesus was written by Joseph Scrivens in 1855 to comfort his Irish mother after he emigrated to Canada. In recent times the song has proved immensely popular in translation in Japan, Indonesia, India and Korea.
$2.49
O Jesulein süss by Bach for Trombone
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Trombone and Piano
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BEGINNER
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Classical
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Johann Sebastian Bach
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Ander
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O Jesulein süss by Bach for T
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Woods Only, Arrangements
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SheetMusicPlus
Piano,Trombone - Level 1 - Digital Download SKU: A0.1126230 Composed by Johann Sebastian Bach. Arranged by Ander. Baroque,Christmas,Easter,Sacred,Wedding...
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Piano,Trombone - Level 1 - Digital Download SKU: A0.1126230 Composed by Johann Sebastian Bach. Arranged by Ander. Baroque,Christmas,Easter,Sacred,Wedding. Score and part. 3 pages. Woods Only, Arrangements #726932. Published by Woods Only, Arrangements (A0.1126230). This easy arrangement for trombone and piano has been adapted to be simple to perform and understand the structure of the original work for various levels of musical knowledge. It can be played freely by beginning students because of the ease imposed on the piece. Recommended for performance in reverently Christian and liturgical ceremonies such as Good Friday and Christmas time. It also serves as a study for Baroque sacred song. The Jesulein süß, the Jesulein mild is an original traditional German choral melody for voice and continuous bass arranged by Johann Sebastian Bach around 1735. With lyrics by Valentin Thilo, O Jesulein süss is a sacred melody adapted and catalogued as BWV 493. The first translation is by Dirk van Hogendorp, who made it more of a song for the time of suffering.
$1.99
Let All Mortal Flesh Keep Silence - trombone and piano
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Trombone and Piano
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INTERMEDIATE
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Sacred music
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Traditional French Carol
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Todd Marchand
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Let All Mortal Flesh Keep Sile
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Con Spirito Music
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SheetMusicPlus
Piano,Trombone - Level 3 - Digital Download SKU: A0.726086 Composed by Traditional French Carol. Arranged by Todd Marchand. Christian,Sacred. Score and p...
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Piano,Trombone - Level 3 - Digital Download SKU: A0.726086 Composed by Traditional French Carol. Arranged by Todd Marchand. Christian,Sacred. Score and part. 8 pages. Con Spirito Music #4775413. Published by Con Spirito Music (A0.726086). Let All Mortal Flesh Keep Silence is a eucharistic hymn translated from the fifth-century Liturgy of St. James and set to a 17th-century French carol.In this particular liturgy (attributed to St. James the Less, first bishop of Jerusalem), a hymn of preparation and adoration is sung by the celebrating priest as the communion bread and wine is brought to the altar of the Lord. The Anglican priest and hymnodist Gerard Moultrie (1829-1885) translated and paraphrased the hymn, whose opening words are based on the words of the prophets Habakkuk (But the Lord is in his holy temple; let all the earth keep silence before him. 2:20) and Zechariah (Be silent, all flesh, before the Lord, for he has roused himself from his holy dwelling. 2:13).Ralph Vaughan Williams, editor of the English Hymnal of 1906, adapted a French carol dating from the 17th century and published in Chansons Populaires des Provinces de France (1860) for Moultrie's text, naming the hymn tune PICARDY for the region of France from which it is thought to originate.Contemporary, jazz-flavored harmonies characterize this arrangement for trombone and piano.©2019 Todd Marchand / ConSpiritoMusic.com
$6.00
The First Noel for Trombone & Piano
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Trombone and Piano
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BEGINNER
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Christmas
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Traditional
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James M
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The First Noel for Trombone &
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jmsgu3
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SheetMusicPlus
Piano,Trombone - Level 1 - Digital Download SKU: A0.548503 Composed by Traditional. Arranged by James M. Guthrie, ASCAP. Christian,Christmas. Score and p...
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Piano,Trombone - Level 1 - Digital Download SKU: A0.548503 Composed by Traditional. Arranged by James M. Guthrie, ASCAP. Christian,Christmas. Score and part. 4 pages. Jmsgu3 #3387395. Published by jmsgu3 (A0.548503). The First Noel arranged for Trombone & Piano with new harmony for the final verse.Origins The First Noel is an English Christmas carol. Even more, it was probably written in the late Cornish Renaissance period. While other versions spell the title as Nowell, this is just a colloquial variation. Furthermore, Noel is an older word meaning Christmas. Therefore the First Noel translates as the First Christmas. First of all, Gilbert and Sandy published the earliest version. As a result, this version appears in the Carols Ancient and Modern songbook of 1823. William Sandy edited and arranged the book. Similarly, his partner Davies Gilbert edited and added the familiar extra verses. The First Noel: Trombone Version comes with new harmony in final verse for more energy and drive. Stainer Organist and composer Sir John Stainer published the most noteworthy customary arrangement in the 1870’s. Stainer is above all famous for his songbook entitled: Christmas Carols New and Old (1871). This volume served as an important catalyst for reviving the English Christmas carol. Other famous Stainer arrangements from this book are such titles as What Child Is This, God Rest Ye Merry Gentlemen, Good King Wenceslas, and I Saw Three Ships. Diatonic Function The melodic structure in the First Noel is uncommon among English folk tunes. It simply repeats one phrase twice then follows a variation refrain. All three phrases of the song end on the mediant scale degree. This is unusual because the diatonic function of the mediant is non-final compared to the more usual tonic or even dominant degrees. Consequently, this gives the song as kind of open-ended feeling – like maybe it never really ends. Political Context The Catholic clergy sang carols outside of the church in Latin. After the Protestant Reformation, the reformers thought it would be better for everyone to sing carols. They decided to bring music back to the common folk. So, they translated the lyrics from Latin into common language. Moreover, the Protestants wanted more control over the music in church than what the Vatican allowed. Protestant composers such as William Byrd composed complex polyphonic Christmas music that they called carols. Nonetheless, some famous folk carols were composed in this era. Eminent composers in the nineteenth century began to revise and adapt them. Consequently, they revived the English carol. Register for free lifetime updates and revisions at www.jamesguthrie.com
$24.95
Beau Soir (Debussy) for Trombone and Piano
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Trombone and Piano
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INTERMEDIATE
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Claude Debussy
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Harry Walker
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Beau Soir
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SCORE EDITIONS
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SheetMusicPlus
Piano,Trombone - Level 3 - Digital Download SKU: A0.1501220 Composed by Claude Debussy. Arranged by Harry Walker. 19th Century,Chamber,Classical,Contest,...
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Piano,Trombone - Level 3 - Digital Download SKU: A0.1501220 Composed by Claude Debussy. Arranged by Harry Walker. 19th Century,Chamber,Classical,Contest,Festival,Romantic Period. Score and part. 8 pages. SCORE EDITIONS #1077177. Published by SCORE EDITIONS (A0.1501220). Beau Soir, composed by Claude Debussy, is a captivating piece that embodies the essence of French Impressionism. The title translates to Beautiful Evening, and the music, originally written for voice and piano, evokes a serene and idyllic twilight scene. The piece has been arranged for various instruments, including violin and piano, highlighting its lyrical and expressive qualities. Beau Soir features flowing melodies and rich harmonies that transport listeners to a tranquil, dreamlike landscape. Its gentle, evocative nature makes it a popular choice for recitals and performances, offering musicians the opportunity to explore subtle nuances and emotional depth. This timeless work by Debussy continues to enchant audiences with its delicate beauty and serene atmosphere. In this version, the composition was arranged for Trombone and Piano by Harry Walker.
$5.99
O Holy Night (Adolphe Adam) for Trombone and Piano
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Trombone and Piano
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INTERMEDIATE
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Adolphe-Charles Adam
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Harry Walker
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O Holy Night
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SCORE EDITIONS
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SheetMusicPlus
Piano,Trombone - Level 3 - Digital Download SKU: A0.1507082 Composed by Adolphe-Charles Adam. Arranged by Harry Walker. 19th Century,Chamber,Christmas,Co...
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Piano,Trombone - Level 3 - Digital Download SKU: A0.1507082 Composed by Adolphe-Charles Adam. Arranged by Harry Walker. 19th Century,Chamber,Christmas,Contest,Festival,Holiday. Score and part. 12 pages. SCORE EDITIONS #1082469. Published by SCORE EDITIONS (A0.1507082). Composed by Adolphe Adam in 1847, O Holy Night is one of the most beloved Christmas songs in classical music. The original lyrics, written in French by Placide Cappeau, were commissioned for a Christmas service in a small French town. In 1855, John Sullivan Dwight, an American abolitionist, translated the song into English. Dwight viewed the song’s message as a metaphor for the fight against slavery, which contributed to its popularity in the United States. In this version, the composition was arranged for Trombone and Piano by Harry Walker.
$5.99
Silent Night (Franz Gruber) for Trombone and Piano
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Trombone and Piano
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INTERMEDIATE
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Franz Xaver Gruber
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Harry Walker
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Silent Night
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SCORE EDITIONS
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SheetMusicPlus
Piano,Trombone - Level 3 - Digital Download SKU: A0.1507402 Composed by Franz Xaver Gruber. Arranged by Harry Walker. 19th Century,Chamber,Christmas,Cont...
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Piano,Trombone - Level 3 - Digital Download SKU: A0.1507402 Composed by Franz Xaver Gruber. Arranged by Harry Walker. 19th Century,Chamber,Christmas,Contest,Festival,Holiday. Score and part. 9 pages. SCORE EDITIONS #1082808. Published by SCORE EDITIONS (A0.1507402). Silent Night is one of the most cherished and widely performed Christmas carols across the globe. Composed in 1818 by Franz Xaver Gruber with lyrics by Father Joseph Mohr, the carol was first performed on Christmas Eve in the small Austrian village of Oberndorf. Since then, it has become a universal symbol of peace, hope, and unity, translated into over 300 languages and dialects. In this version, the composition was arranged for Trombone and Piano by Harry Walker.
$5.99
Gada Meirin Theme and Variation Fantasy for Trombone and Piano
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Trombone and Piano
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ADVANCED
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You Dao Ma
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Li Kuang
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Gada Meirin Theme and Variatio
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Gordon Cherry
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SheetMusicPlus
Piano,Trombone - Level 5 - Digital Download SKU: A0.1111191 Composed by You Dao Ma. Arranged by Li Kuang. 20th Century,Romantic Period. Score and part. 2...
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Piano,Trombone - Level 5 - Digital Download SKU: A0.1111191 Composed by You Dao Ma. Arranged by Li Kuang. 20th Century,Romantic Period. Score and part. 21 pages. Gordon Cherry #713469. Published by Gordon Cherry (A0.1111191). Gada Meiren Theme and Variation Fantasy is the most well-known trombone composition in China. It was originally written for solo trombone and orchestra (unpublished) by Chinese composer You Dao Ma (1915-2010). The composer adapted the Inner Mongolian folk song Gada Meiren, also the name of the Inner Mongolian hero. The trombone and piano version of this piece was first published in China in 1959. Gada Meiren Theme and Variation Fantasy is a single movement work that depicts a story with four distinct parts. Part one: The repressed emotions of the Inner Mongolian people under the ruler. Gada Meiren led his people to fight against the ruler to protect their home and land. Part two: Gada Meiren's nostalgia for his homeland and people when fighting away from home. Part three: Gada Meiren's death in the battle. People mourned their hero with great sadness. Epilogue: People's remembrance and praise for their hero Gada Meiren, carrying his spirit moving forward. Taken from the 1959 version, this new edition of Gada Meiren Theme and Variation Fantasy for solo Trombone and Piano has fixed notation errors, added dynamics, articulations, tempo (bpm) markings, rearranged the piano score and solo part. All original Chinese terms in scores are translated into western standard musical terms. The solo is about 9.5 minutes in length and appropriate for advanced performers.
$22.50
Ruckert Lieder for Trombone and Piano
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Trombone and Piano
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ADVANCED
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Classical
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Gustav Mahler
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Ralph Sauer
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Ruckert Lieder for Trombone an
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Gordon Cherry
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SheetMusicPlus
Piano,Trombone - Level 5 - Digital Download SKU: A0.745511 Composed by Gustav Mahler. Arranged by Ralph Sauer. Classical,Romantic Period. Score and part....
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Piano,Trombone - Level 5 - Digital Download SKU: A0.745511 Composed by Gustav Mahler. Arranged by Ralph Sauer. Classical,Romantic Period. Score and part. 25 pages. Gordon Cherry #353428. Published by Gordon Cherry (A0.745511). The Rückert Lieder by Gustav Mahler were written between 1901 and 1902, being first premiered in 1905 with Mahler himself conducting. The text of the songs is taken from poems set by Friedrich Rückert, a professor of Oriental languages. Mahler's music, able to convey complex emotions with seemingly simple melodic lines is the perfect vehicle for these poems. Ralph Sauer has taken four of these songs and edited them for performance on the Tenor or Bass Trombone. He has also included the original German and English translations of the songs to aid the performers and also the listener to best enjoy the feelings coming from this sublime music. All together the songs are about 15 minutes in length. Although technically not difficult, these songs require a mature interpretation in order to best convey their message.
$27.50
La Fille aux Cheveux de Lin (The Girl with the Flaxen Hair)
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Trombone and Piano
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Brandon C Stanley
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Brandon C Stanley
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La Fille aux Cheveux de Lin
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Brandon C Stanley
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SheetMusicPlus
Piano,Tenor Trombone - Digital Download SKU: A0.1314727 By Brandon C Stanley. By C. A. Debussy. Arranged by Brandon C Stanley. 20th Century,Classical. Sc...
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Piano,Tenor Trombone - Digital Download SKU: A0.1314727 By Brandon C Stanley. By C. A. Debussy. Arranged by Brandon C Stanley. 20th Century,Classical. Score and part. 10 pages. Brandon C Stanley #903506. Published by Brandon C Stanley (A0.1314727). La Fille aux Cheveux de Lin (commonly translated to The Girl with the Flaxen Hair) by Claude Debussy is the eighth of the composer's Préludes, Book I (1909-1910), and is one of his most recorded pieces to date.This arrangement for solo trombone and piano accompaniment matches the original piece in length and key (Gb major).PARTS INCLUDED:Piano (English)Piano (French)Trombone (English)Trombone (French)Though the piano accompaniment adds much chordal structure to the prelude, cues are provided so the arrangement can be performed by solo trombone alone. This leads to a more reserved arrangement compaired to the original, but still allows for a full performance.
$4.99
Vier Lieder aus Des Knaben Wunderhorn (Four Songs from the Youth's Magical Horn) Trombone & Piano
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Trombone and Piano
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INTERMEDIATE/ADVANCED
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Classical
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Gustav Mahler
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Ralph Sauer
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Vier Lieder aus Des Knaben Wun
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Gordon Cherry
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SheetMusicPlus
Piano,Trombone - Level 4 - Digital Download SKU: A0.1013891 Composed by Gustav Mahler. Arranged by Ralph Sauer. Romantic Period. Score and part. 40 pages...
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Piano,Trombone - Level 4 - Digital Download SKU: A0.1013891 Composed by Gustav Mahler. Arranged by Ralph Sauer. Romantic Period. Score and part. 40 pages. Gordon Cherry #619474. Published by Gordon Cherry (A0.1013891). The songs of Des Knaben Wunderhorn (The Youth's Magic Horn) by Gustav Mahler are set for voice and piano and voice and orchestra taken from German folk poems assembled and published by editors Arnim and Brentano around 1805-08. The Vier Lieder beautifully edited for Trombone (Tenor or Bass) by Ralph Sauer are taken from Mahler's fourth set of these poems published in 1899. The four songs are: I. Wer hat dies Liedlein erdacht? (Who has created this song?) II. Lob des hohen Verstandes (In praise of lofty intellect) III. Verlor’ne Müh’ (Labor lost) IV. Lied des Verfolgten im Turm (Song of the persecuted in the tower) Mr. Sauer also includes the German lyrics with English translations. Altogether the songs are about 12 minutes in length. The range is suitable for moderately advanced performers.
$27.50
Too Much For Our Thirst (Trombone and Piano)
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Trombone and Piano
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INTERMEDIATE/ADVANCED
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Contemporary
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Alexander Burdiss
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Too Much For Our Thirst
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Ars Nova Press
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SheetMusicPlus
Piano,Tenor Trombone - Level 4 - Digital Download SKU: A0.1335564 Composed by Alexander Burdiss. Contemporary. Score and part. 12 pages. Ars Nova Press #...
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Piano,Tenor Trombone - Level 4 - Digital Download SKU: A0.1335564 Composed by Alexander Burdiss. Contemporary. Score and part. 12 pages. Ars Nova Press #921400. Published by Ars Nova Press (A0.1335564). Too Much For Our Thirstby Alexander BurdissArranged for Trombone and PianoDedicated to Courtney CarmackPerformance Time: approx. 7:00This is an adaptation for trombone of a piece originally written for tuba. The Eyes of the Poor from Paris SpleenWritten by Charles Baudelaire, Translated by Arthur Symons Ah! you want to know why I hate you to-day. It will probably be less easy for you to understand than for me to explain it to you; for you are, I think, the most perfect example of feminine impenetrability that could possibly be found. We had spent a long day together, and it had seemed to me short. We had promised one another that we would think the same thoughts and that our two souls should become one soul; a dream which is not original, after all, except that, dreamed by all men, it has been realised by none. In the evening you were a little tired, and you sat down outside a new café at the corner of a new boulevard, still littered with plaster and already displaying proudly its unfinished splendours. The café glittered. The very gas put on all the fervency of a fresh start, and lighted up with its full force the blinding whiteness of the walls, the dazzling sheets of glass in the mirrors, the gilt of cornices and mouldings, the chubby-cheeked pages straining back from hounds in leash, the ladies laughing at the falcons on their wrists, the nymphs and goddesses carrying fruits and pies and game on their heads, the Hebes and Ganymedes holding out at arm's-length little jars of syrups or parti-coloured obelisks of ices; the whole of history and of mythology brought together to make a paradise for gluttons. Exactly opposite to us, in the roadway, stood a man of about forty years of age, with a weary face and a greyish beard, holding a little boy by one hand and carrying on the other arm a little fellow too weak to walk. He was taking the nurse-maid's place, and had brought his children out for a walk in the evening. All were in rags. The three faces were extraordinarily serious, and the six eyes stared fixedly at the new café with an equal admiration, differentiated in each according to age. The father's eyes said: How beautiful it is! how beautiful it is! One would think that all the gold of the poor world had found its way to these walls. The boy's eyes said: How beautiful it is! how beautiful it is! But that is a house which only people who are not like us can enter. As for the little one's eyes, they were too fascinated to express anything but stupid and utter joy. Song-writers say that pleasure ennobles the soul and softens the heart. The song was right that evening, so far as I was concerned. Not only was I touched by this family of eyes, but I felt rather ashamed of our glasses and decanters, so much too much for our thirst. I turned to look at you, dear love, that I might read my own thought in you; I gazed deep into your eyes, so beautiful and so strangely sweet, your green eyes that are the home of caprice and under the sovereignty of the Moon; and you said to me: Those people are insupportable to me with their staring saucer- eyes! Couldn't you tell the head waiter to send them away? So hard is it to understand one another, dearest, and so incommunicable is thought, even between people who are in love!
$9.99
Morning Has Broken
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Trombone and Piano
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BEGINNER
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Rock
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Cat Stevens
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James M
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Morning Has Broken
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jmsgu3
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SheetMusicPlus
Piano,Trombone - Level 1 - Digital Download SKU: A0.548748 By Cat Stevens. By Cat Stevens. Arranged by James M. Guthrie, ASCAP. Rock. Score and part. 11 ...
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Piano,Trombone - Level 1 - Digital Download SKU: A0.548748 By Cat Stevens. By Cat Stevens. Arranged by James M. Guthrie, ASCAP. Rock. Score and part. 11 pages. Jmsgu3 #3415223. Published by jmsgu3 (A0.548748). Very strong arrangement for Easter. Duration: 2:48. 84 ms. Score: 7 pg. Solo part 1 pg. piano part 3 pg. Morning Has Broken is a popular and well-known Christian hymn first published in 1931. It has words by English author Eleanor Farjeon and was inspired by the village of Alfriston in East Sussex, then set to a traditional Scottish Gaelic tune known as Bunessan [1] (it shares this tune with the 19th century Christmas Carol Child in the Manger[2]). It is often sung in children's services and in Funeral services.[3] English pop musician and folk singer Cat Stevens included a version on his 1971 album Teaser and the Firecat. The song became identified with Stevens due to the popularity of this recording. It reached number six on the U.S. Billboard Hot 100, number one on the U.S. easy listening chartin 1972,[4] and number four on the Canadian RPM Magazine charts. The hymn originally appeared in the second edition of Songs of Praise (published in 1931), to the tune Bunessan, composed in the Scottish Islands. In Songs of Praise Discussed, the editor, Percy Dearmer, explains that as there was need for a hymn to give thanks for each day, English poet and children's author Eleanor Farjeon had been asked to make a poem to fit the lovely Scottish tune. A slight variation on the original hymn, also written by Eleanor Farjeon, can be found in the form of a poem contributed to the anthology Children's Bells, under Farjeon's new title, A Morning Song (For the First Day of Spring), published by Oxford University Press in 1957. The song is noted in 9/4 time but with a 3/4 feel. Bunessan had been found in L. McBean's Songs and Hymns of the Gael, published in 1900.[5] Before Farjeon's words, the tune was used as a Christmas carol, which began Child in the manger, Infant of Mary, translated from the Scottish Gaelic lyrics written by Mary MacDonald. The English-language Roman Catholic hymnal also uses the tune for the James Quinn hymns, Christ Be Beside Me and This Day God Gives Me, both of which were adapted from the traditional Irish hymn St. Patrick's Breastplate. Another Christian hymn, Baptized In Water, borrows the tune. -Wikipedia
$47.95
Saeterjentens Sondag for Trombone & Piano
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Trombone and Piano
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EASY
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Classical
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Ole Bull
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Daniel Leeman
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Saeterjentens Sondag for Tromb
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Daniel Leeman
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SheetMusicPlus
Piano,Trombone - Level 2 - Digital Download SKU: A0.870797 Composed by Ole Bull. Arranged by Daniel Leeman. Romantic Period. Score and part. 5 pages. Dan...
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Piano,Trombone - Level 2 - Digital Download SKU: A0.870797 Composed by Ole Bull. Arranged by Daniel Leeman. Romantic Period. Score and part. 5 pages. Daniel Leeman #3053473. Published by Daniel Leeman (A0.870797). A beautiful piece, written by Norwegian composer Ole Bull, Saeterjentens Sondag can be translated as Herdsgirl’s Sunday. This arrangement is for easy intermediate level players; while not technically demanding, the focus should be on the rolling melodic line and careful tonal control.
$4.99
Feast of Love - Trombone/Piano
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Trombone and Piano
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EASY
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Robert Franz
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Phil Beaman
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Feast of Love - Trombone/Piano
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Phil Beaman
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SheetMusicPlus
Piano,Trombone - Level 2 - Digital Download SKU: A0.844556 Composed by Robert Franz. Arranged by Phil Beaman. Instructional,Romantic Period,Standards,Wed...
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Piano,Trombone - Level 2 - Digital Download SKU: A0.844556 Composed by Robert Franz. Arranged by Phil Beaman. Instructional,Romantic Period,Standards,Wedding. Score and part. 6 pages. Phil Beaman #3539585. Published by Phil Beaman (A0.844556). Robert Franz was a Romantic Era composer of lieder (German Art Song) whose pieces were highly praised by Schumann. When I removed the important lyrics from Feast of Love in order to make an accompanied instrumental solo I needed to convey the passionate drama just in the music. I changed a simple strophic form into an ABA Coda with every verse getting a different treatment. My harmony is much richer and more varied than the original. I added new articulations, dynamics, and other markings as well as a cadenza for one of the bridges. Excellent piece for a student to learn Romantic characteristics of expression, phrase shaping, and sempre rubato. This song is also excellent for Weddings. Alternative translations of the title are Celebration of Love and Love's Fire. You can definitely feel the fire and passion in this beautiful piece!This arrangement is not difficult to play, but is marked Early Intermediate because it requires musicianship to play well.3 minutes4 pages score, 2 page solo partTemporary recording of piano reduction of full score.
$4.99
O Holy Night - trombone duet with piano
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Trombone and Piano
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INTERMEDIATE
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Christmas
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Adolphe-Charles Adam
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Todd Marchand
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O Holy Night - trombone duet w
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Con Spirito Music
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SheetMusicPlus
Instrumental Duet,Piano Instrumental Duet,Piano,Trombone - Level 3 - Digital Download SKU: A0.726114 Composed by Adolphe-Charles Adam. Arranged by Todd M...
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Instrumental Duet,Piano Instrumental Duet,Piano,Trombone - Level 3 - Digital Download SKU: A0.726114 Composed by Adolphe-Charles Adam. Arranged by Todd Marchand. Christmas,Sacred. Score and parts. 16 pages. Con Spirito Music #6195649. Published by Con Spirito Music (A0.726114). The beloved “O Holy Night†began as a poem in French on the nativity of Jesus.Placide Cappeau (1808–1877), the author of the original lyrics, was asked in 1843 to write a Christmas poem to celebrate the recent renovation of the church organ in his home town. He obliged with “Minuit, chrétiens,†which begins with the words “Midnight, Christians, this is the solemn hour of God descending to us as man.â€The music to Cappeau's poem was written by the French composer, organist, and music critic Adolphe Adam (1803-1856) and published in 1847 under the title “Cantique de Noël.â€In 1855, John Sullivan Dwight (1813-1893), recognized as America's first influential music journalist and critic, translated and paraphrased Cappeau's text into the well-known “O Holy Night.â€This arrangement features the natural singing style of two trombones in a duet with piano accompaniment. Includes both bass clef and Bb treble clef trombone parts; may be effectively performed by euphoniums or cellos as well.Copyright 2012 Todd Marchand / Con Spirito Music (ASCAP). All rights reserved. Visit www.conspiritomusic.com
$6.00
Luther: Out of the Depths for Trombone & Piano
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Trombone and Piano
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BEGINNER
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Martin Luther
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James M
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Luther: Out of the Depths for
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jmsgu3
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SheetMusicPlus
Piano,Trombone - Level 1 - Digital Download SKU: A0.548722 Composed by Martin Luther. Arranged by James M. Guthrie, ASCAP. Easter,Instructional,Standards...
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Piano,Trombone - Level 1 - Digital Download SKU: A0.548722 Composed by Martin Luther. Arranged by James M. Guthrie, ASCAP. Easter,Instructional,Standards. Score and part. 4 pages. Jmsgu3 #3411759. Published by jmsgu3 (A0.548722). Out of the Depths I Cry to You by Martin Luther. The first verses feature modified counterpoint and harmony proceeding at quarter = 82. The final verse is reharmonized for maximum dramatic effect at a more contemplative tempo such as quarter = 64. Features the entire range of the instrument. Very powerful selection for Lent or Easter. Duration (3 verses) 3:05, 36 ms. Score: 3 pg. Solo part: 1 pg. The piano reads from the score. Out of the Depths Aus tiefer Not schrei ich zu dir (From deep affliction I cry out to you), is, of course, a hymn composed by Martin Luther. Moreover, Luther also wrote the lyrics, essentially a paraphrase of Psalm 130. First published in 1524, it is also one of eight songs in the original Lutheran hymnal. It appears likewise in many hymnals and in different translations. The lyrics furthermore stimulated compositions from the Renaissance to the contemporary. Consequently, composers such as Johann Sebastian Bach built an entire chorale cantata on it. Other composers similarly contributed pieces, such as Felix Mendelssohn and Max Reger. Luther Background Martin Luther, (1483 –1546) was a German professor of theology, composer, priest, and moreover, an influential character in the Protestant Reformation. Luther had a momentous impact on church and society due to his contributions to the musical arts. He wanted to disseminate the gospel among mankind and with this intention thought that the best way to do that was through music. Influence It is important to realize that other musicians, and their descendants, were encouraged by Luther’s songs and wrote their own hymns. Luther, to be sure, had a thorough musical education. For example, he knew secular and sacred songs from an early age. He, in particular, played the lute well and sang in the monastery when he was a monk. That is to say, music was an essential part of his life. He in fact first began writing songs in 1523, sometimes writing the melody as well as the lyrics. Luther was certainly able to evaluate the composers of his time. He thought especially highly of Josquin des and Ludwig Senfl. He was also acquainted, with this in mind, with other composers and their works. Legacy The Lutheran musical ethos soon covered all of Germany and later significantly fashioned Protestant musical culture. Heinrich Schütz and Johann Sebastian Bach are the most compelling evidence of this Protestant musical culture. Additionally, as a point often overlooked, the pedal organ, first refined in northern Germany, became universally prevalent. As a matter of fact, Dieterich Buxtehude established a regular evening organ concert series in Lübeck. Another key point is that this concert series, in turn, spread North German Musical ideas worldwide. Luther was especially convinced that music is a beautiful and exclusive offering of the divine.
$24.95
O Holy Night for Trombone & Piano
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Trombone and Piano
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BEGINNER
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Christmas
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Adam
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James M
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O Holy Night for Trombone & Pi
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jmsgu3
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SheetMusicPlus
Piano,Trombone - Level 1 - Digital Download SKU: A0.548678 Composed by Adam. Arranged by James M. Guthrie, ASCAP. Christian,Christmas. Score and part. 10...
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Piano,Trombone - Level 1 - Digital Download SKU: A0.548678 Composed by Adam. Arranged by James M. Guthrie, ASCAP. Christian,Christmas. Score and part. 10 pages. Jmsgu3 #3410439. Published by jmsgu3 (A0.548678). Duration: 4:56. Score 5 pg. 44 ms. Solo part: 2 pg. Piano part: 3 pg. Cantique de Noël The French composer Adolphe Adam was already famous as a composer of many successful ballets and operas. Then, in the 1840’s he wrote his most famous work - O Holy Night. The original song title was Minuit Chretiens or Cantique de Noël. Placide Cappeau provided the original song lyrics. The song was first performed in Roquemaure by the opera singer Emily Laurey at midnight mass in 1847. It became very popular among the French, much the way that Silent Night was famous elsewhere. In the 1850’s John S. Dwight, a Unitarian minister and music teacher translated the song into English. Adolphe Adam In his younger years, Adam studied organ and composition at the Paris Conservatoire. He also played the timpani in the Conservatoire orchestra. Adam used his savings and borrowed money to open a new opera house - the fourth opera house in Paris in 1847. Unfortunately, the Revolution of 1848 forced him to close. He taught composition at the Paris Conservatoire from 1849 until his death in 1856. Placide Cappeau The poet Cappeau was an advocate of the French Enlightenment philosopher Voltaire. Voltaire was renowned for criticizing the Catholic church, religious intolerance, and dogma in general. Consequently, Cappeau made the Redeemer figure in his song a kind of reformer of injustices, in particular, the problem of original sin. To begin with, people recognized Cappeau’s theology as eccentric, probably even doubtful. Theology In the earlier form of Minuit, the Christ figure descends to intervene with His Father’s plan to punish mankind. Traditional doctrine pronounces that Christ came from love, not to intervene. This version also declares that Christ appeared to expunge the original sin of Adam. Cappeau removed this part from his poem years later, because he just didn’t believe it. He preferred to portray Christ as the reformer of disparity and unfairness. Before long, the writer/politician Alphonse de Lamartine referred to the Minuit as the the Marseillaise of religion. Most French churchmen agreed with this idea but certainly did not consider it a tribute. Register for free lifetime updates and revisions at www.jamesguthrie.com
$24.95
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