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Op. 27
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Op. 27
PDF
Choral SATB
Sheetmusic to print
17 sheet music found
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1
Baumann - Bergfreiheit, Op.27 for mixed Chorus
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Choral SATB
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Ludwig Baumann
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J
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Baumann - Bergfreiheit, Op.27
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J.G. Cuco Barber
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SheetMusicPlus
Choral Choir (SATB) - Digital Download SKU: A0.1039972 Composed by Ludwig Baumann. Arranged by J.G. Cucó Barber. 20th Century,A Cappella,Romantic Peri...
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Choral Choir (SATB) - Digital Download SKU: A0.1039972 Composed by Ludwig Baumann. Arranged by J.G. Cucó Barber. 20th Century,A Cappella,Romantic Period. Octavo. 15 pages. J.G. Cuco Barber #644839. Published by J.G. Cuco Barber (A0.1039972). Work Title Bergfreiheit Composer Baumann, Ludwig Opus/Catalogue Number Op.27 First Publication 1924 ca. Librettist Conrad Ferdinand Meyer (1825-1898) Language German Composer Time Period Early 20th century Piece Style Romantic Instrumentation mixed chorus (SATB).
$13.00
Missa Solemnis, op. 27 (vocal score)
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Choral SATB
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ADVANCED
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Adrian Gagiu
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Missa Solemnis, op. 27
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Adrian Gagiu
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SheetMusicPlus
Choral Choir (SATB) - Level 5 - Digital Download SKU: A0.1277132 Composed by Adrian Gagiu. 21st Century,Christian,Classical,Latin. Octavo. 128 pages. Adr...
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Choral Choir (SATB) - Level 5 - Digital Download SKU: A0.1277132 Composed by Adrian Gagiu. 21st Century,Christian,Classical,Latin. Octavo. 128 pages. Adrian Gagiu #868444. Published by Adrian Gagiu (A0.1277132). Missa Solemnis in B major, op. 27, vocal score and piano part (for rehearsal purposes only). Based on its Neo-classical style, this setting of the Roman Catholic mass text could possibly work as a festive mass (missa solemnis) with trumpets and timpani, and its duration would fit such a solemn service. However, its intense and sometimes dramatic treatment and universal addressability due to its well-known and rather concentrated text, yet also due to eliminating the „Filioque†(which would still fit the rhythm of the repeated „qui ex Patreâ€, should any Catholics ever wish to perform this as a mass) make it rather a „liturgical oratorio for all nationsâ€, more appropriate in the concert hall. The work has had a long gestation: imagined in 1984 after the composer’s first contact with Beethoven’s masterpiece, then sketched first in 1987-1989, and many of its themes date back from those years. Its working out is quite polyphonic, discretely modal and cyclical, and also full of centuries-old musical symbols traditionally associated with the setting of the mass text: e.g. unisons for the more dogmatical parts, Baroque dotted rhythms at the Nativity (the first coming of the  King of Kings), „rex caelestis†and also at his Passion (whose setting is discretely inspired by folkloric Romanian laments), the „anabasis†gesture at „Gloria in excelsis Deoâ€, „et ascendit in caelisâ€, „in remissionem peccatorum†and the resurrection, a flute trill standing for the Holy Spirit who has come ’like a dove’ at „et incarnatus estâ€, a cross-shaped texture at „crucifixusâ€, and some word-painting (hushed sonorities at „et invisibiliumâ€, anticipations between orchestra and chorus at „et exspecto†etc.). Moreover, certain symbolic roles are assigned to the instrumental groups when alone (the organ represents God the Father and transcendence, the winds and/or solo voices represent God the Son and humanity, and the strings represent the Holy Spirit). „Kyrie†is restrained and soft, besides the powerful chords opening the respective sections of its tripartite, simple structure, and it leans towards Palestrina’s serene modality and counterpoint. „Gloria†begins with a colorful orchestral introduction depicting discretely the shepherds who kept watch over their flocks right before the Nativity, and then gradually the bright revelation. „Credo†has an orchestral introduction as well, but powerful, recurring and based on the beginning of the plainchant hymn „Pange linguaâ€, made famous by Mozart’s last symphony and by other Classical composers. Both „Gloria†and „Credo†end with extended, powerful and elaborate fugues („in gloria Dei Patris†and „et vitam venturi saeculiâ€, respectively) with dramatic modulations and sometimes with enthusiastic syncopations at odds with the words’ accents, a la Stravinsky. The same sections plus „Agnus Dei†end with soft quartal harmonies suggesting transcendent appeasement (similar harmonies appear powerfully at the beginning of „Sanctusâ€). „Judicare†quotes the beginning of the well-known „Dies irae†plainchant tune, and the Consecration between the „Sanctus†and „Benedictus†sections is represented by a contemplative prelude for solo organ, quoting Lutheran chorales, too. Another long orchestral introduction, suggesting the Last Judgment and based on traditional Byzantine hymns, opens „Agnus Deiâ€, which includes another quotation (the famous ’Dresden Amen’ at „qui tollis peccata mundi†and „dona nobis pacemâ€). In the final section, with its refined simplicity, the choral voices enter in descending order, and the „Kyrie eleison†theme is briefly remembered, then it ends softly and peacefully. Total duration: 50 min. Performing Rights Organization: SOCAN. The mp3 audio clip is Kyrie.
$87.99
Twelve Songs, Op. 27 by Alexander Zemlinsky: 4. Now Is the Time (Jetzt ist die Zeit)
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Choral SATB
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EASY
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Alexander Zemlinsky
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Stanley M Hoffman
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Twelve Songs, Op. 27 by Alexan
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stanleymhoffman.com
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SheetMusicPlus
Choral Choir,Choral,SATB Chorus divisi - Level 2 - Digital Download SKU: A0.1511758 Composed by Alexander Zemlinsky. Arranged by Stanley M Hoffman. 20th ...
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Choral Choir,Choral,SATB Chorus divisi - Level 2 - Digital Download SKU: A0.1511758 Composed by Alexander Zemlinsky. Arranged by Stanley M Hoffman. 20th Century,Classical. 8 pages. Stanleymhoffman.com #1086907. Published by stanleymhoffman.com (A0.1511758). Public Domain Words by Kalidasa; Public Domain Music by Alexander Zemlinsky. I wrote my 1993 doctoral dissertation based on this set of songs. A link to a webpage about this book appears next. https://www.stanleymhoffman.com/doctoral-dissertationNearly all of Zemlinsky's music entered the Public Domain in 2012. In 2017–2018, I completed a newly edited piano/vocal score which includes my own English translations. I also orchestrated the songs and created versions of them for soprano solo and SATB chorus.
$4.00
Twelve Songs, Op. 27 by Alexander Zemlinsky: 1. Abduction (Entführung)
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Choral SATB
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INTERMEDIATE
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Alexander Zemlinsky
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Stanley M Hoffman
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Twelve Songs, Op. 27 by Alexan
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stanleymhoffman.com
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SheetMusicPlus
Choral Choir,Choral,SATB Chorus divisi - Level 3 - Digital Download SKU: A0.1511747 Composed by Alexander Zemlinsky. Arranged by Stanley M Hoffman. 20th ...
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Choral Choir,Choral,SATB Chorus divisi - Level 3 - Digital Download SKU: A0.1511747 Composed by Alexander Zemlinsky. Arranged by Stanley M Hoffman. 20th Century,Classical. 8 pages. Stanleymhoffman.com #1086896. Published by stanleymhoffman.com (A0.1511747). Public Domain Words by Stefan George; Public Domain Music by Alexander Zemlinsky. I wrote my 1993 doctoral dissertation based on this set of songs. A link to a webpage about this book appears next. https://www.stanleymhoffman.com/doctoral-dissertationNearly all of Zemlinsky's music entered the Public Domain in 2012. In 2017–2018, I completed a newly edited piano/vocal score which includes my own English translations. I also orchestrated the songs and created versions of them for soprano solo and SATB chorus.
$4.00
Twelve Songs, Op. 27 by Alexander Zemlinsky: 3. Spring (Frühling)
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Choral SATB
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INTERMEDIATE/ADVANCED
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Alexander Zemlinsky
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Stanley M Hoffman
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Twelve Songs, Op. 27 by Alexan
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stanleymhoffman.com
#
SheetMusicPlus
Choral Choir,Choral,SATB Chorus divisi - Level 4 - Digital Download SKU: A0.1511757 Composed by Alexander Zemlinsky. Arranged by Stanley M Hoffman. 20th ...
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Choral Choir,Choral,SATB Chorus divisi - Level 4 - Digital Download SKU: A0.1511757 Composed by Alexander Zemlinsky. Arranged by Stanley M Hoffman. 20th Century,Classical. 8 pages. Stanleymhoffman.com #1086906. Published by stanleymhoffman.com (A0.1511757). Public Domain Words by Kalidasa; Public Domain Music by Alexander Zemlinsky. I wrote my 1993 doctoral dissertation based on this set of songs. A link to a webpage about this book appears next. https://www.stanleymhoffman.com/doctoral-dissertationNearly all of Zemlinsky's music entered the Public Domain in 2012. In 2017–2018, I completed a newly edited piano/vocal score which includes my own English translations. I also orchestrated the songs and created versions of them for soprano solo and SATB chorus.
$4.00
Twelve Songs, Op. 27 by Alexander Zemlinsky: 2. Summer (Sommer)
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Choral SATB
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INTERMEDIATE/ADVANCED
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Alexander Zemlinsky
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Stanley M Hoffman
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Twelve Songs, Op. 27 by Alexan
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stanleymhoffman.com
#
SheetMusicPlus
Choral Choir,Choral,SATB Chorus divisi - Level 4 - Digital Download SKU: A0.1511754 Composed by Alexander Zemlinsky. Arranged by Stanley M Hoffman. 20th ...
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Choral Choir,Choral,SATB Chorus divisi - Level 4 - Digital Download SKU: A0.1511754 Composed by Alexander Zemlinsky. Arranged by Stanley M Hoffman. 20th Century,Classical. 8 pages. Stanleymhoffman.com #1086903. Published by stanleymhoffman.com (A0.1511754). Public Domain Words by Kalidasa; Public Domain Music by Alexander Zemlinsky. I wrote my 1993 doctoral dissertation based on this set of songs. A link to a webpage about this book appears next. https://www.stanleymhoffman.com/doctoral-dissertationNearly all of Zemlinsky's music entered the Public Domain in 2012. In 2017–2018, I completed a newly edited piano/vocal score which includes my own English translations. I also orchestrated the songs and created versions of them for soprano solo and SATB chorus.
$4.00
Twelve Songs, Op. 27 by Alexander Zemlinsky: 5. The Rejected (Die Verschmähte) -
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Choral SATB
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INTERMEDIATE/ADVANCED
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Alexander Zemlinsky
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Stanley M Hoffman
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Twelve Songs, Op. 27 by Alexan
#
stanleymhoffman.com
#
SheetMusicPlus
Choral Choir,Choral,SATB Chorus divisi - Level 4 - Digital Download SKU: A0.1511759 Composed by Alexander Zemlinsky. Arranged by Stanley M Hoffman. 20th ...
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Choral Choir,Choral,SATB Chorus divisi - Level 4 - Digital Download SKU: A0.1511759 Composed by Alexander Zemlinsky. Arranged by Stanley M Hoffman. 20th Century,Classical. 8 pages. Stanleymhoffman.com #1086908. Published by stanleymhoffman.com (A0.1511759). Work for Soprano Solo and Piano Arranged for Soprano, SATB Chorus, and Piano.Public Domain Words by Amaru; Public Domain Music by Alexander Zemlinsky. I wrote my 1993 doctoral dissertation based on this set of songs. A link to a webpage about this book appears next. https://www.stanleymhoffman.com/doctoral-dissertationNearly all of Zemlinsky's music entered the Public Domain in 2012. In 2017–2018, I completed a newly edited piano/vocal score which includes my own English translations. I also orchestrated the songs and created versions of them for soprano solo and SATB chorus.
$4.00
Twelve Songs, Op. 27 by Alexander Zemlinsky: 12. Wanderer’s Nightsong (Wandrers Nachtlied)
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Choral SATB
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INTERMEDIATE/ADVANCED
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Alexander Zemlinsky
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Stanley M Hoffman
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Twelve Songs, Op. 27 by Alexan
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stanleymhoffman.com
#
SheetMusicPlus
Choral Choir,Choral,SATB Chorus divisi - Level 4 - Digital Download SKU: A0.1511764 Composed by Alexander Zemlinsky. Arranged by Stanley M Hoffman. 20th ...
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Choral Choir,Choral,SATB Chorus divisi - Level 4 - Digital Download SKU: A0.1511764 Composed by Alexander Zemlinsky. Arranged by Stanley M Hoffman. 20th Century,Classical. 8 pages. Stanleymhoffman.com #1086913. Published by stanleymhoffman.com (A0.1511764). Public Domain Words by Johann Wolfgang von Goethe; Public Domain Music by Alexander Zemlinsky. I wrote my 1993 doctoral dissertation based on this set of songs. A link to a webpage about this book appears next. https://www.stanleymhoffman.com/doctoral-dissertationNearly all of Zemlinsky's music entered the Public Domain in 2012. In 2017–2018, I completed a newly edited piano/vocal score which includes my own English translations. I also orchestrated the songs and created versions of them for soprano solo and SATB chorus.
$4.00
Twelve Songs, Op. 27 by Alexander Zemlinsky: 10. Give Me a Song Again (Gib ein Lied mir wieder)
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Choral SATB
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INTERMEDIATE/ADVANCED
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Alexander Zemlinsky
#
Stanley M Hoffman
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Twelve Songs, Op. 27 by Alexan
#
stanleymhoffman.com
#
SheetMusicPlus
Choral Choir,Choral,SATB Chorus divisi - Level 4 - Digital Download SKU: A0.1511760 Composed by Alexander Zemlinsky. Arranged by Stanley M Hoffman. 20th ...
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Choral Choir,Choral,SATB Chorus divisi - Level 4 - Digital Download SKU: A0.1511760 Composed by Alexander Zemlinsky. Arranged by Stanley M Hoffman. 20th Century,Classical. 8 pages. Stanleymhoffman.com #1086909. Published by stanleymhoffman.com (A0.1511760). Public Domain Words by Stefan George; Public Domain Music by Alexander Zemlinsky. I wrote my 1993 doctoral dissertation based on this set of songs. A link to a webpage about this book appears next. https://www.stanleymhoffman.com/doctoral-dissertationNearly all of Zemlinsky's music entered the Public Domain in 2012. In 2017–2018, I completed a newly edited piano/vocal score which includes my own English translations. I also orchestrated the songs and created versions of them for soprano solo and SATB chorus.
$4.00
Twelve Songs, Op. 27 by Alexander Zemlinsky: 11. The Time of Rain (Regenzeit) -
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Choral SATB
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INTERMEDIATE/ADVANCED
#
Alexander Zemlinsky
#
Stanley M Hoffman
#
Twelve Songs, Op. 27 by Alexan
#
stanleymhoffman.com
#
SheetMusicPlus
Choral Choir,Choral,SATB Chorus divisi - Level 4 - Digital Download SKU: A0.1511763 Composed by Alexander Zemlinsky. Arranged by Stanley M Hoffman. 20th ...
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Choral Choir,Choral,SATB Chorus divisi - Level 4 - Digital Download SKU: A0.1511763 Composed by Alexander Zemlinsky. Arranged by Stanley M Hoffman. 20th Century,Classical. 8 pages. Stanleymhoffman.com #1086912. Published by stanleymhoffman.com (A0.1511763). Public Domain Words by Kalidasa; Public Domain Music by Alexander Zemlinsky. I wrote my 1993 doctoral dissertation based on this set of songs. A link to a webpage about this book appears next. https://www.stanleymhoffman.com/doctoral-dissertationNearly all of Zemlinsky's music entered the Public Domain in 2012. In 2017–2018, I completed a newly edited piano/vocal score which includes my own English translations. I also orchestrated the songs and created versions of them for soprano solo and SATB chorus.
$4.00
Op. 7, La Valse des Ombres
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Choral SATB
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INTERMEDIATE
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Gabriel Stone Worley
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Op. 7, La Valse des Ombres
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Gabriel Worley
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SheetMusicPlus
Choral Choir (SATB) - Level 3 - Digital Download SKU: A0.1023191 Composed by Gabriel Stone Worley. Classical,Contemporary,Romantic Period. Octavo. 19 pag...
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Choral Choir (SATB) - Level 3 - Digital Download SKU: A0.1023191 Composed by Gabriel Stone Worley. Classical,Contemporary,Romantic Period. Octavo. 19 pages. Gabriel Worley #5800975. Published by Gabriel Worley (A0.1023191). A dark and beautiful waltz. Perfect for a masquerade on a dark, rainy night, or for a ballroom dance with the shadows in the room. This piece is 3:27 minutes long. A good piece for beginner to intermediate on all listed instruments. All my music will be listed on my YouTube channel and Facebook page. Enjoy!!
$10.99
Brahms-Wenn wir in höchsten Nöten sein,Op.110 No.3,for Mixed Chorus&Pno
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Choral SATB
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INTERMEDIATE
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Classical
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Johannes Brahms
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MSM
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Brahms-Wenn wir in höchsten N
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Open Cloud
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SheetMusicPlus
Choral Choir,Choral (SATB) - Level 3 - Digital Download SKU: A0.672649 Composed by Johannes Brahms. Arranged by MSM. Classical,Romantic Period. 27 pages....
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Choral Choir,Choral (SATB) - Level 3 - Digital Download SKU: A0.672649 Composed by Johannes Brahms. Arranged by MSM. Classical,Romantic Period. 27 pages. Open Cloud #5315481. Published by Open Cloud (A0.672649). This product(include full and parts score) is a digital sheet music in PDF format. The music was composed by Brahms (Johannes Brahms),1833-1897, for Mixed Chorus&Pno, published by More Sheet Music Press.
$2.99
Many Amens for mixed chorus, Op.168
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Choral SATB
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BEGINNER
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YASKAWA Toru
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Many Amens for mixed chorus, O
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HALF CAT
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SheetMusicPlus
Choral Choir (SATB) - Level 1 - Digital Download SKU: A0.989819 Composed by YASKAWA Toru. Christian,Contemporary,Sacred. Octavo. 39 pages. HALF CAT #4804...
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Choral Choir (SATB) - Level 1 - Digital Download SKU: A0.989819 Composed by YASKAWA Toru. Christian,Contemporary,Sacred. Octavo. 39 pages. HALF CAT #4804637. Published by HALF CAT (A0.989819). 50 Amens for christian worship, composed in 2019.These tunes for mixed chorus, and all tunes can play by organ. I F major, 6/8, [00:50] Ii G major, 6/8, [00:53] Iii F major, 4/4, [00:57] Iv G major, 6/8, [00:58] V F major, 2/2 [00:49] Vi D major, 6/8, [00:55] Vii D major, 2/2, [00:47] Viii E-flat major, 6/8, [00:47] Ix F major, 4/4, [00:57] X E major, 2/4, [01:03] Xi E major, 3/8, [01:27] Xii A minor, 3/4, [01:17] Xiii D-flat major, 2/2, [00:51] Xiv D major, 2/4, [00:47] Xv F major, 2/2, [00:43] Xvi E minor, 3/8, [00:52] Xvii G minor, 2/2, [00:49] Xviii E-flat major, 2/2, [00:51] Xix D minor, 2/2, [01:05] Xx B-flat major, 2/2, [00:53] Xxi E minor, 5/8, [00:51] Xxii F minor, 2/4, [01:02] Xxiii C minor, 2/2, [00:53] Xxiv C-sharp minor, 2/4, [01:00] Xxv A-flat major, 6/8, [01:07] Xxvi F major, 2/2, [00:51] Xxvii G major, 2/2, [00:53] Xxviii F major, 6/4, [01:01] Xxix C major, 6/8, [01:01] Xxx C-sharp major, 2/2, [01:01] Xxxi B minor, 2/2, [00:53] Xxxii A major, 4/4, [00:55] Xxxiii F-sharp minor, 6/8, [01:07] Xxxiv B-flat minor, 4/4, [01:05] Xxxv B major, 2/2, [00:57] Xxxvi G-sharp minor, 6/8, [01:13] Xxxvii F-sharp major, 4/4, [01:01] Xxxviii D major, 6/4, [00:58] Xxxix B-flat minor, 2/2, [01:13] Xl C major, 4/4, [00:59] Xli B minor, 7/4, [00:46] Xlii F major, 5/2, [00:55] Xliii G major, 2/2, [01:15] Xliv C major, 2/2, [00:51] Xlv D major, 2/4, [00:45] Xlvi E-flat major, 6/8, [00:44] Xlvii D minor, 4/4, [00:53] Xlviii E minor, 3/8, [00:44] Xlix E major, 3/4, [00:52] L. D major, 4/2, [01:11]
$15.90
Moonlight Sonata by Beethoven for Choral and Piano
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Choral SATB
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EASY
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Classical
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Ludwig van Beethoven
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Ander
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Moonlight Sonata by Beethoven
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Woods Only, Arrangements
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SheetMusicPlus
Choral Choir,Choral (SATB) - Level 2 - Digital Download SKU: A0.1150939 Composed by Ludwig van Beethoven. Arranged by Ander. Christmas,Classical,March,Ro...
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Choral Choir,Choral (SATB) - Level 2 - Digital Download SKU: A0.1150939 Composed by Ludwig van Beethoven. Arranged by Ander. Christmas,Classical,March,Romantic Period,Wedding. 23 pages. Woods Only, Arrangements #751125. Published by Woods Only, Arrangements (A0.1150939). This arrangement adapted for choir SATB and piano was designed to make its listeners weep with emotion, because the adaptation preserves the original essence of the work, keeping its integrity faithful to what Beethoven wanted to transmit, with only a slight change in tone and addition of harmonic resources in the structure of the arrangement. Even though it is a funeral march, it is well suited for any musical performance occasion, being intended for beginner students who want to immerse themselves in the universe of romantic music, and nothing better than starting with the transitional composer of this period, which also does not prevent professional teachers from using it for recitals, academic presentations or didactic material in their classes as an ensemble practice. Ludwig van Beethoven's Piano Sonata No. 14 in C minor sharp, Op. 27, No. 2, is one of his most popular compositions and was an audience favorite even in his day. Written when Beethoven was 31, the Moonlight Sonata (Mondscheinsonate in German) was composed after he finished some commissioned works, but there is no evidence that he was hired to write this work. It did not receive its nickname until 1832, five years after Beethoven's death. It was the critic Ludwig Rellstab who compared the music to a moonlighting on Lake Lucerne. This comparison was adopted as a nickname for the work. Called Quasi una fantasia by the author - like its companion Op. 27, No. 1 - the piece was completed in 1801 and dedicated the following year to one of the composer's pupils. Beethoven chose to open the sonata with a slow, hypnotic arpeggio movement, the best known of the entire work. The dotted rhythm of its minimal melody evokes the tradition of 'Trauermusik' (funeral music).
$9.99
Excerpta tractati logico Philosophici
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Choral SATB
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Elisabeth Lutyens
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Excerpta tractati logico Philo
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Schott Music - Digital
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SheetMusicPlus
Mixed choir (SATB) - Digital Download SKU: S9.Q19261 Motet. Composed by Elisabeth Lutyens. This edition: score. Downloadable, Score. Op. 27. Durat...
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Mixed choir (SATB) - Digital Download SKU: S9.Q19261 Motet. Composed by Elisabeth Lutyens. This edition: score. Downloadable, Score. Op. 27. Duration 10 minutes. Schott Music - Digital #Q19261. Published by Schott Music - Digital (S9.Q19261).
$9.99
VOCALIZZI: Concone Panofka Seidler Tosti - volume 1
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Choral SATB
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EASY
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Concone Panofka Seidler Tosti
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Antonio Cericola
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VOCALIZZI: Concone Panofka Sei
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Antonio Cericola
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SheetMusicPlus
Choral Choir (SATB) - Level 2 - Digital Download SKU: A0.934266 Composed by Concone Panofka Seidler Tosti. Arranged by Antonio Cericola. Instructional. O...
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Choral Choir (SATB) - Level 2 - Digital Download SKU: A0.934266 Composed by Concone Panofka Seidler Tosti. Arranged by Antonio Cericola. Instructional. Octavo. 165 pages. Antonio Cericola #6329505. Published by Antonio Cericola (A0.934266). I migliori e più belli vocalizzi, lezioni e solfeggi cantati tratti dalle opere storiche più importanti della didattica del belcanto internazionale. Unica nel panorama editoriale e didattico, questa edizione annovera tutti i vocalizzi trasportati per tutte le estensioni vocali in tre tonalità diverse. Questa comodità sarà senz’altro utile non solo ai pianisti accompagnatori (che avranno a portata di mano la stessa composizione già trasposta), ma anche agli insegnanti. Gli allievi più illuminati e musicalmente più evoluti, inoltre, potrebbero esercitare la stessa lezione in tonalità diverse per fini didattici e musicali. Una chiarissima impaginazione e formattazione musicale contraddistingue questa edizione da tutte le altre esistenti. La raccolta si articola in due volumi.Questi vocalizzi del primo volume: 1 - G. Concone - Op. 9 n° 1 § 2 - G. Concone - Op. 9 n° 2 § 3 - G. Concone - Op. 9 n° 3 § 4 - H. Panofka - Op. 85 n° 2 § 5 - F. P. Tosti - Piccolo solfeggio n° 1 § 6 - G. Concone - Op. 9 n° 4 § 7 - F. P. Tosti - Piccolo solfeggio n° 2 § 8 - G. Concone - Op. 9 n° 5 § 9 - G. Concone - Op. 9 n° 27 § 10 - F. P. Tosti - Piccolo solfeggio n° 5 § 11 - F. P. Tosti - Piccolo solfeggio n° 3 § 12 - G. Seidler - Melodia n° 1 § 13 - H. Panofka - Op. 85 n° 3 § 14 - F. P. Tosti - Piccolo solfeggio n° 4 § 15 - H. Panofka - Op .85 n° 6 § 16 - H. Panofka - Op. 81 n° 9 § 17 - G. Seidler - Melodia n° 3 § 18 - H. Panofka - Op. 81 n° 8 § 19 - G. Concone - Op. 9 n° 6 § 20 - F. P. Tosti - Piccolo solfeggio n° 6 § 21 - F. P. Tosti - Piccolo solfeggio n° 8 § 22 - G. Concone - Op. 9 n° 11. The best and most beautiful vocalizations, lessons and sung solfeggi taken from the most important historical works of the teaching of international bel canto. Unique in the publishing and educational landscape, this edition includes all the vocalizations carried for all the vocal extensions in three different tones. This convenience will certainly be useful not only to accompanying pianists (who will have the same composition already transposed to hand), but also to teachers. Furthermore, the more enlightened and musically advanced students could practice the same lesson in different tones for educational and musical purposes. A very clear layout and musical formatting distinguishes this edition from all the other existing ones. The collection is divided into two volumes: vocalizations present in the first volume: 1 - G. Concone - Op. 9 n° 1 § 2 - G. Concone - Op. 9 n° 2 § 3 - G. Concone - Op. 9 n° 3 § 4 - H. Panofka - Op. 85 n° 2 § 5 - F. P. Tosti - Piccolo solfeggio n° 1 § 6 - G. Concone - Op. 9 n° 4 § 7 - F. P. Tosti - Piccolo solfeggio n° 2 § 8 - G. Concone - Op. 9 n° 5 § 9 - G. Concone - Op. 9 n° 27 § 10 - F. P. Tosti - Piccolo solfeggio n° 5 § 11 - F. P. Tosti - Piccolo solfeggio n° 3 § 12 - G. Seidler - Melodia n° 1 § 13 - H. Panofka - Op. 85 n° 3 § 14 - F. P. Tosti - Piccolo solfeggio n° 4 § 15 - H. Panofka - Op .85 n° 6 § 16 - H. Panofka - Op. 81 n° 9 § 17 - G. Seidler - Melodia n° 3 § 18 - H. Panofka - Op. 81 n° 8 § 19 - G. Concone - Op. 9 n° 6 § 20 - F. P. Tosti - Piccolo solfeggio n° 6 § 21 - F. P. Tosti - Piccolo solfeggio n° 8 § 22 - G. Concone - Op. 9 n° 11.
$14.99
Lábios de sabor a mar / Sea flavour lips (Choir+Piano)
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Choral SATB
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INTERMEDIATE/ADVANCED
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Rudesindo Soutelo
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Choir & Piano
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Lábios de sabor a mar / Sea f
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Publisher by Rudesindo Soutelo
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SheetMusicPlus
Choral Choir (SATB) - Level 4 - Digital Download SKU: A0.1271766 Composed by Rudesindo Soutelo. Arranged by Choir & Piano. 20th Century,A Cappella,Classi...
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Choral Choir (SATB) - Level 4 - Digital Download SKU: A0.1271766 Composed by Rudesindo Soutelo. Arranged by Choir & Piano. 20th Century,A Cappella,Classical,Contemporary. Octavo. 30 pages. Publisher by Rudesindo Soutelo #864117. Published by Publisher by Rudesindo Soutelo (A0.1271766). À memoria da actriz Cruz ComesanhaLábios de sabor a mar (Derradeira epÃstola) / Sea flavour lips (Last epistle) for Choir and Piano [ca. 7' 34]Première: 27-V-2023. Igreja de Santo António, Lisboa. Int.: Coro da Academia Nacional Superior de Orquestra (ANSO). Dir: Rafael Araújo.The origin of this work is the emotional emptiness I felt when I received the news of the death of a close friend in an unfortunate accident at home. The text was constructed with ideas and phrases taken from the poetic correspondence we had exchanged in the previous months. A few years later, I plucked up the courage to write the music, firstly for Choir a Cappella, followed by a version for Brass Quintet and another for Voice and Piano. This new edition for Choir has been revised in its entirety and includes, as an option, the Piano.The English translation of the text at the end of the score is not intended to be sung. It is only inserted to help singers who do not understand Portuguese to comprehend the message.The complexes that organise the harmonic and melodic structure are [6, 2, 5, 1, 3], [10, 9, 2, 8] and [4, 8, 9, 7].--oOo--A origem desta obra está no vazio emocional que me produziu a notÃcia da morte de uma Ãntima amiga, num infortunado acidente caseiro. O texto foi construido com ideias e frases retiradas da correspondência poética que trocáramos nos meses anteriores. Alguns anos depois, ganhei coragem para escrever a música, primeiramente para Coro a Cappella, seguindo-se uma versão para Quinteto de Metais e outra para Voz e Piano. Esta nova edição para Coro foi revista na sua totalidade e inclui, como opção, o Piano.A tradução inglesa do texto, no final da partitura, não é para ser cantada. Só se insere para ajudar na compreensão da mensagem, aos cantores que não percebam português. Os complexos que organizam a estrutura harmónica e melódica são [6, 2, 5, 1, 3], [10, 9, 2, 8] e [4, 8, 9, 7].ISWC: T-041.574.843-4ISMN: 979-0-707704-16-5.
$3.00
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