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8 sheet music found
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1
Posthumous Songs
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Medium voice, Piano
#
ADVANCED
#
Contemporary
#
Erich Wolfgang Korngold
#
Posthumous Songs
#
Schott Music - Digital
#
SheetMusicPlus
Medium voice and piano - advanced - Digital Download First Edition. Composed by Erich Wolfgang Korngold (1897-1957). This edition: Sheet music. Filmkom...
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Medium voice and piano - advanced - Digital Download First Edition. Composed by Erich Wolfgang Korngold (1897-1957). This edition: Sheet music. Filmkomponist, Wunderkind, Musikgeschichte. Downloadable. Op. 1. Duration 20 minutes. Schott Music - Digital #Q3113. Published by Schott Music - Digital
German.
Erich Wolfgang Korngold was one of the greatest child prodigies in the history of music.
His early songs, now published for the first time, reveal the young composer's extraordinary talent. Based on the musical language of the late Romantic period, .he created a unique world of sounds .for Eichendorff's poems: full of melodic expanse, refined harmony and sparkling inventive genius. For the first time, this edition shows the .early work .of a composer who later became one of Hollywood's most successful composers of film scores.
$29.99
Posthumous Songs
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Medium voice, Piano
#
ADVANCED
#
Erich Wolfgang Korngold
#
Posthumous Songs
#
Schott Music - Digital
#
SheetMusicPlus
Medium voice and piano - advanced - Digital Download SKU: S9.Q23047 First Edition. Composed by Erich Wolfgang Korngold. This edition: Sheet music....
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Medium voice and piano - advanced - Digital Download SKU: S9.Q23047 First Edition. Composed by Erich Wolfgang Korngold. This edition: Sheet music. Downloadable. Op. 2. Duration 28 minutes. Schott Music - Digital #Q23047. Published by Schott Music - Digital (S9.Q23047). German.Following the success of the first volume, Schott now presents the second volume of songs by Erich Wolfgang Korngold, published for the first time. They date from the early creative period of the 'child prodigy' and already show the extraordinary talent of the young composer. On the basis of the late Romantic musical language, he developed a totally individual sound world full of melodic breadth, refined harmony and sparkling inventiveness. Many of these marvellous songs were composed for certain events; with the operetta-like Die Gansleber im Hause Duschnitz, Korngold managed to write a real 'Viennese delicacy'. With the help of these two songbooks, singers, pianists and music lovers can, for the first time, get to know the musical beginnings of the composer who was later to become one of the most successful composers of film music in Hollywood.
$27.99
Jacques Leguerney: Sept Poèmes de François Maynard for medium voice and piano
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Medium voice, Piano
#
INTERMEDIATE/ADVANCED
#
Contemporary
#
Jacques Leguerney
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Jacques Leguerney: Sept Poème
#
Musik Fabrik Music Publishing
#
SheetMusicPlus
Medium-Low Voice,Vocal Solo - Level 4 - Digital Download SKU: A0.534413 Composed by Jacques Leguerney. 20th Century,Concert,Standards. 38 pages. Musik Fa...
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Medium-Low Voice,Vocal Solo - Level 4 - Digital Download SKU: A0.534413 Composed by Jacques Leguerney. 20th Century,Concert,Standards. 38 pages. Musik Fabrik Music Publishing #3478897. Published by Musik Fabrik Music Publishing (A0.534413). 1. Plaintes d'Orphée2. Ã?pigramme à un mauvais payeur3. à Chloris4. D'une maigre dame5. Dans le fôret6. Secret Amour 7. Complients à une duègnehttps://www.youtube.com/watch?v=Uo7KQ89pzz4Gérard Souzay, French baritone, said of Jacques Leguerneyâ??s music: â??How does one describe this music which is, at the same time, classic and modern? It is pure, but colorfully nuanced; it speaks to the heart as well as the mind: at times calm; at times witty; wise, yet sensual. The music of Jacques Leguerney is un jardin à la française, both elegant and stylish.â? Jacques Leguerney was born in Le Havre on 19 November 1906. His uncle bought his first piano and encouraged him to study and write music. He wrote chamber works, and took a few semesters of harmony with Nadia Boulanger, who arranged for a performance of his Epitaphe guerrière and Clair de lune in a concert organized by the Société musical indépendante at the Salle Pleyel. However, he decided not to continue his studies. He felt that his gift was natural and spontaneous, and that anyone who understood music should not have to do exercises to learn to compose. In 1928, Jane Bathori took an interest in Leguerney, including two songs during her tour in Argentina, and the following year at the Salle Erard in Paris. In 1932, when his father died, Leguerney took over the family business and stopped composing until the outbreak of World War II. The period extending from the German occupation of France to the end of the 1940s constitutes one of the important periods of Leguerneyâ??s musical life. He began his extended song cycle, Poèmes de la Pléiade, and wrote many songs upon poems of Paul-Jean Toulet. He also continued to compose chamber music, including the Sonatine pour violon et piano, the â??Fantasie pour pianoâ? and the Quatuor à cordes en Ré. An important year for Leguerney was 1943. He met musical colleagues who would become his major interpreters. These included Gérard Souzay as well as his half-sister, soprano Geneviève Touraine; pianist Jacqueline Robin (Bonneau), Pierre Bernac, and Francis Poulenc. Robin (Bonneau) particularly influenced Leguerneyâ??s style. His piano accompaniments were created specifically for her virtuosic and sensitive style of pianism. Bernac observed that Leguerney wrote melodies de pianiste. In 1946, Leguerney created a ballet on the mythological story of Endymion. The premiere was at the Opéra de Paris on 27 July 1949, with choreography by Serge Lifar. The Opéra de Paris immediately commissioned a second work, which was La Vénus noire, based upon a short story by Prosper Mérimée. This ballet was never produced, due to disagreements with the choreographer. Leguerney became discouraged and this situation was to lead to the end of his interest in composing. However, the years 1950-1954 brought Leguerney widespread recognition as he created his beautiful mélodie cycles including La Nuit, La Solitude (for piano as well as an orchestration), Le Paysage, and Le Carnaval, as well as the cantata Psaume LXII de David. Gérard Souzay requested many new works for his recitals and premiered La Nuit, Le Carnaval and
$19.95
Let Us Go Rejoicing (Vocal solo)
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Medium voice, Piano
#
BEGINNER
#
Sacred music
#
Christian contemporary
#
Stephen DeCesare
#
Let Us Go Rejoicing
#
Exultet Music
#
SheetMusicPlus
Medium-High Voice,Vocal Solo - Level 1 - Digital Download SKU: A0.1106907 By Stephen DeCesare. By Stephen DeCesare. Advent,Christian,Contemporary,Praise ...
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Medium-High Voice,Vocal Solo - Level 1 - Digital Download SKU: A0.1106907 By Stephen DeCesare. By Stephen DeCesare. Advent,Christian,Contemporary,Praise & Worship,Sacred. 7 pages. Exultet Music #709773. Published by Exultet Music (A0.1106907). Majestic arrangement based on Psalm 122 that is scored for a Vocal solo with Organ accompaniment. Can be used for various times throughout the liturgical year but especially during the last weeks of Ordinary Time and the First Week of Advent. An accompaniment track is also available.
$4.99
Bel Canto
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Medium voice, Piano
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Charles Panzera
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Bel Canto
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Schott Music - Digital
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SheetMusicPlus
Medium voice and piano - Digital Download SKU: S9.Q5508 The most rewarding vocalises of the celebrated Italian School. Composed by Charles Panzera...
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Medium voice and piano - Digital Download SKU: S9.Q5508 The most rewarding vocalises of the celebrated Italian School. Composed by Charles Panzera. This edition: Sheet music. Downloadable. Schott Music - Digital #Q5508. Published by Schott Music - Digital (S9.Q5508). For anyone aspring to an authentic career, the mere possession of a fine vocal organ is not sufficient justification. The voice must be worked upon and disciplined. In Italy, the home of bel canto, all difficulties were found divided with infinite care into groups. Our taxing modern repertoire from a technical point of view, more than ever requires the utilisation, naturally after due selection, of such training material. Having chosen from this vast store house, those elements conducive to the furtherance of progress, may our first volume be presented with a sincere tribute to those masters of the past, but in reality of all time.
$13.99
Songs
#
Medium voice, Piano
#
INTERMEDIATE
#
Max Kowalski
#
Songs
#
Schott Music - Digital
#
SheetMusicPlus
Medium voice and piano - intermediate - Digital Download SKU: S9.Q46013 Composed by Max Kowalski. This edition: Sheet music. Downloadable. Op. 2. Duratio...
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Medium voice and piano - intermediate - Digital Download SKU: S9.Q46013 Composed by Max Kowalski. This edition: Sheet music. Downloadable. Op. 2. Duration 28 minutes. Schott Music - Digital #Q46013. Published by Schott Music - Digital (S9.Q46013). German.Max Kowalski (1882–1956) was a full-time lawyer who never gave up on his passion for music: singing lessons during his law studies, conducting and counterpoint classes, among others, at Dr. Hoch’s Konservatorium in addition to his work at his own law office in Frankfurt. While studying, he already published his first works; 15 song cycles were published until 1933. In the years that followed, the Jewish-born Kowalski was restricted in working both as a lawyer and as a composer due to his persecution by the National Socialists. In 1938 he was arrested, deported to the concentration camp of Buchenwald and finally forced to flee into exile in London. Contemporaries called Kowalski a lyricist among the composers. The choice of texts of his songs shows his great knowledge and love of German literature. For example, he set to music texts by Friedrich Hölderlin or Rainer Maria Rilke, but also Indian or Japanese poems. Kowalski left numerous unpublished songs which are published by Schott Music in a two-volume edition: Volume 1 (ED 22586) contains his Jewish songs (1935-37), the Heinrich Heine cycle (1937) and all English-language songs (1941-46). Volume 2 (ED 22587) contains Kowalski's late works: the songs based on texts by Friedrich Hölderlin (1950) and the Geisha Lieder according to Klabund (1951).
$21.99
Songs
#
Medium voice, Piano
#
INTERMEDIATE
#
Max Kowalski
#
Songs
#
Schott Music - Digital
#
SheetMusicPlus
Medium voice and piano - intermediate - Digital Download SKU: S9.Q46010 Composed by Max Kowalski. This edition: Sheet music. Downloadable. Op. 1. Duratio...
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Medium voice and piano - intermediate - Digital Download SKU: S9.Q46010 Composed by Max Kowalski. This edition: Sheet music. Downloadable. Op. 1. Duration 28 minutes. Schott Music - Digital #Q46010. Published by Schott Music - Digital (S9.Q46010). German • English.Max Kowalski (1882–1956) was a full-time lawyer who never gave up on his passion for music: singing lessons during his law studies, conducting and counterpoint classes, among others, at Dr. Hoch’s Konservatorium in addition to his work at his own law office in Frankfurt. While studying, he already published his first works; 15 song cycles were published until 1933. In the years that followed, the Jewish-born Kowalski was restricted in working both as a lawyer and as a composer due to his persecution by the National Socialists. In 1938 he was arrested, deported to the concentration camp of Buchenwald and finally forced to flee into exile in London. Contemporaries called Kowalski a lyricist among the composers. The choice of texts of his songs shows his great knowledge and love of German literature. For example, he set to music texts by Friedrich Hölderlin or Rainer Maria Rilke, but also Indian or Japanese poems. Kowalski left numerous unpublished songs which are published by Schott Music in a two-volume edition: Volume 1 (ED 22586) contains his Jewish songs (1935-37), the Heinrich Heine cycle (1937) and all English-language songs (1941-46). Volume 2 (ED 22587) contains Kowalski's late works: the songs based on texts by Friedrich Hölderlin (1950) and the Geisha Lieder according to Klabund (1951).
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