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18 sheet music found
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1
Music under the stars
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Piano solo
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ADVANCED
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Contemporary
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Ingunn Ligaarden
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Music under the stars
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Ingunn Ligaarden
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SheetMusicPlus
Piano Solo - Level 5 - Digital Download SKU: A0.806626 Composed by Ingunn Ligaarden. Contemporary. Score. 10 pages. Ingunn Ligaarden #3456251. Published ...
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Piano Solo - Level 5 - Digital Download SKU: A0.806626 Composed by Ingunn Ligaarden. Contemporary. Score. 10 pages. Ingunn Ligaarden #3456251. Published by Ingunn Ligaarden (A0.806626). Music for piano solo composed by Ingunn Ligaarden - pianist, organist, composer - www.ingunn.seDuration 7 min.
$7.99
Hommage an Ursula [piano solo]
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Piano solo
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ADVANCED
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Juan MarÃa Solare
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thus, there are 25 sections
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Hommage an Ursula [piano solo]
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Juan Maria Solare
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SheetMusicPlus
Piano Solo - Level 5 - Digital Download SKU: A0.1335536 Composed by Juan MarÃa Solare. 20th Century,21st Century,Classical,Contemporary,Contest,Festiv...
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Piano Solo - Level 5 - Digital Download SKU: A0.1335536 Composed by Juan MarÃa Solare. 20th Century,21st Century,Classical,Contemporary,Contest,Festival. Score. 19 pages. Juan Maria Solare #921371. Published by Juan Maria Solare (A0.1335536). Hommage to Ursula is a piano piece in memory of Ursula Görsch (1932-2023). The piece is based on the six sounding letters of her last name (GERSCH, where the O is omitted, the R represents RE - the D note in Spanish, Italian, or Turkish - and the S represents the E flat, 'Es' in German), as well as on the remaining six notes of the total chromatic scale (C#, F, F#, Ab, A, B). Both Pitch Class Sets are identical from an intervallic perspective - transposed by a tritone. Such coincidences confirm to me that I am on the right path, at least musically.The reference to Turkey is not coincidental, as Ursula taught in Istanbul for many years.The initial texture of the piece - a kind of toccata with many repeated notes - is a purely musical homage to Ursula: she used this texture in some passages of her compositions. Besides that, this piece contains no direct quotation from Ursula's music.The work Hommage an Ursula is based on a series of 12 notes. The original version (Prime) and the inverted version (Inversed) alternate. From these 24 versions of the series, 24 sections result. I add a final section based on the original series ('Das Ende im Anfange'*); thus, there are 25 sections.To order the 5 motivic elements, I generate a Latin square. The 5 elements do not rotate, but, in each of the 5 main sections, the initial motive is always the same (A), and the order of the other four (BCDE) changes, permutating according to the following Latin square:A BCDEA CEBDA DBECA EDCBA BCDEThis work can then be considered as a derivation of the 'theme and variations' structure, with the peculiarity that there are five sub-themes that are rearranged in each of the variations.This piece lasts about 11 minutes. The premiere, performed by the composer (that is, by myself), took place on November 26, 2023, at the Konzertsaal of the Hochschule für Künste in Bremen, during the concert 'Gedenkkonzert Ursula Görsch und Harald Kruse', as part of the 73rd Hausmusikwoche, organized by the DTKV (German Association of Sound Artists) in cooperation with the ABK (Circle of Composers in Bremen).This is not an easy piece to listen to. It is absolutely consistent but perhaps monotonous. During the premiere, the yawns of someone in the audience prompted me to briefly interrupt the performance to inform them that the end was near. After the concert, one of the organizers suggested to me that the piece was too 'anstrengend' (demanding, exhausting). It is up to the gentle pianists to risk experiencing the same as me.* 'Das Ende im Anfange' reads the legend that can be read in the circle of tonalities reproduced by Johann Friedrich Michael Wiedeburg in his treatise Der sich selbst informirende Clavierspieler (Leipzig and Halle, 1765-1775, Verlag der Buchhandlung des Waisenhauses).Juan MarÃa SolareBremen, September & December 2023.
$4.00
America The Beautiful
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Piano solo
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INTERMEDIATE/ADVANCED
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Barbra Streisand
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Timothy Stapay
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America The Beautiful
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Timothy Stapay
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SheetMusicPlus
Piano Solo - Level 4 - Digital Download SKU: A0.1254594 By Barbra Streisand. By Katherine Lee Bates, Samuel A. Ward. Arranged by Timothy Stapay. Film/TV,...
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Piano Solo - Level 4 - Digital Download SKU: A0.1254594 By Barbra Streisand. By Katherine Lee Bates, Samuel A. Ward. Arranged by Timothy Stapay. Film/TV,Historic,Holiday,Patriotic,Singer/Songwriter. Score. 4 pages. Timothy Stapay #848195. Published by Timothy Stapay (A0.1254594). This is an arrangement of America The Beautiful, written for upper intermediate level piano. It contains an introduction using Battle Hymn Of The Republic.America the Beautiful is a patriotic American song. Its lyrics were written by Katharine Lee Bates and its music was composed by church organist and choirmaster Samuel A. Ward at Grace Episcopal Church in Newark, New Jersey. The two never met.In 1893, at the age of 33, Bates, an English professor at Wellesley College, had taken a train trip to Colorado Springs, Colorado, to teach at Colorado College. Several of the sights on her trip inspired her, and they found their way into her poem.Lyrics:O beautiful for spacious skiesFor amber waves of grainFor purple mountain majestiesAbove the fruited plain!America! America!God shed his grace on theeAnd crown thy good with brotherhoodFrom sea to shining sea!O beautiful for pilgrim feetWhose stern impassioned stressA thoroughfare of freedom beatAcross the wilderness!America! America!God mend thine every flawConfirm thy soul in self-controlThy liberty in law!O beautiful for heroes provedIn liberating strifeWho more than self their country lovedAnd mercy more than life!America! America!May God thy gold refineTill all success be noblenessAnd every gain divine! O beautiful for patriot dreamThat sees beyond the yearsThine alabaster cities gleamUndimmed by human tears!America! America!God shed his grace on theeAnd crown thy good with brotherhoodFrom sea to shining sea!O beautiful for halcyon skiesFor amber waves of grainFor purple mountain majestiesAbove the enameled plain!America! America!God shed his grace on theeTill souls wax fair as earth and airAnd music-hearted sea!O beautiful for pilgrims feetWhose stem impassioned stressA thoroughfare for freedom beatAcross the wilderness!America! America!God shed his grace on theeTill paths be wrought throughWilds of thoughtBy pilgrim foot and knee! O beautiful for glory-taleOf liberating strifeWhen once and twiceFor man's availMen lavished precious life!America! America!God shed his grace on theeTill selfish gain no longer stainThe banner of the free!O beautiful for patriot dreamThat sees beyond the yearsThine alabaster cities gleamUndimmed by human tears!America! America!God shed his grace on theeTill nobler men keep once againThy whiter jubilee!
$5.99
Passacaglia On EGD For Piano
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Piano solo
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INTERMEDIATE/ADVANCED
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Thomas R
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Passacaglia On EGD For Piano
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Thomas R. Schadl
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SheetMusicPlus
Piano Solo - Level 4 - Digital Download SKU: A0.912491 Composed by Thomas R. Schadl. Concert,Contemporary,Instructional,Standards. Score. 4 pages. Thomas...
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Piano Solo - Level 4 - Digital Download SKU: A0.912491 Composed by Thomas R. Schadl. Concert,Contemporary,Instructional,Standards. Score. 4 pages. Thomas R. Schadl #3569713. Published by Thomas R. Schadl (A0.912491). Passacaglia On EGD For Piano follows the dance style that exists in a triple time. The feature in the theme consists of notes that start in a forward direction, followed by its retrograde direction. Here is how the theme is organized. The first four bars contains EGDC#EBF#A. The notes of the next four bars are arranged this way: AF#BEC#DGE.To perform this work, one may apply the damper pedal for each note of the theme from bars 1-8. Apply the damper pedal for each quarter-note beat from bars 9 to 48. From measures 49-72, the pedal may not be used to allow clarity of the theme; however, the pedal may be used from bars 73 to the end of the piece.Structure of the six-note row:E G D D# G# FC# E B C F D F# A E F A# GF G# D# E A F#C D# A# B E C#D# F# C# D G E E to E diagonal row F to D# diagonal rowX0 E Y0 FX1 C# G Y1 G# DX2 F# E D Y2 D# F GX3 F A B D# Y3 D C A# F#X4 C G# E C G# Y4 G B F A C#X5 D# D# D# F F F Y5 E E E E E EX6 F# A# E A# D Y6 C# A D# B GX7 C# B A G Y7 F# G# A# DX8 D E F# Y8 F# D# C#X9 G C# Y9 C F#X10 E Y10 D#The purpose of writing this piece, based on EGD, is to show how a simple motive is expanded by applying various compositional techniques.
$4.99
Selection of every Minuets From Notebook for Anna Magdalena Bach
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Piano solo
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INTERMEDIATE
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Christian Petzold, Georg Bohm,
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Alex E
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Selection of every Minuets Fro
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Müller Publishing company
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SheetMusicPlus
Piano Solo - Level 3 - Digital Download SKU: A0.1342549 Composed by Christian Petzold, Georg Bohm, Johann Sebastian Bach, and W. F. Bach. Arranged by Ale...
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Piano Solo - Level 3 - Digital Download SKU: A0.1342549 Composed by Christian Petzold, Georg Bohm, Johann Sebastian Bach, and W. F. Bach. Arranged by Alex E. Baroque,Chamber,Classical,Medieval,Traditional. Score. 41 pages. Müller Publishing company #928047. Published by Müller Publishing company (A0.1342549). Selection of every Minuets From Notebook for Anna Magdalena BachI am pleased to present you all with a very special opportunity to acquire a treasure from Johann Sebastian Bach's musical works. It is the anthology Selection of Every Minuets from Notebook for Anna Magdalena Bach, the result of my remarkable research and editing work.  This publication brings together the minuets written for harpsichord or clavichord contained in Bach's original handwritten notebooks dated from 1722 and 1725. These pieces were created by Bach as musical gifts for his wife Anna Magdalena, likely to be enjoyed during her domestic studies of the harpsichord or clavichord.I myself have diligently carried out the careful work of researching, transcribing and editing this important repertoire, faithfully preserving the notation and style of the era. In this way, musicians and scholars will be able to enjoy the works in their original form, without any adaptations.We now have in a single, easily legible edition, all pieces organized with great care in the same sequence as in the manuscripts.Whether for the study of the master's style or simply for enjoyment, this anthology will preserve under my curation Bach's most intimate creations in a practical and accessible way.I am pleased to announce that in addition to the complete anthology, individual score editions from the collection are also available from our profile on the Müller Publishing company website. I guarantee that students and professors alike will greatly value the content's wealth of teachings.I warmly invite you all to acquire your copy - a gift to yourself and to music history. It will be an investment that will enhance any collection.I hope to count on your support for this endeavor. I will be grateful for any feedback or suggestions to further improve this project.
$10.00
Pocket Piano Proficiency: the quickest way to understand and learn the skills you need
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Piano solo
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Folkloric/Traditional
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Dr
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Pocket Piano Proficiency: the
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Deborah Rambo Sinn at The Underground Conservatory
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SheetMusicPlus
Piano Solo - Digital Download SKU: A0.1296630 Composed by Dr. Deborah Rambo Sinn, Author. Traditional. Score. 276 pages. Deborah Rambo Sinn at The Underg...
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Piano Solo - Digital Download SKU: A0.1296630 Composed by Dr. Deborah Rambo Sinn, Author. Traditional. Score. 276 pages. Deborah Rambo Sinn at The Underground Conservatory #886807. Published by Deborah Rambo Sinn at The Underground Conservatory (A0.1296630). Finally, a piano skills book that you don't have to lug around! This 260+ page book fits on your phone or tablet and can be opened in any PDF reader, like Adobe Acrobat or forScore. Pocket Piano Proficiency: a revolutionary way to learn the skills you need offers basic piano skills in a new way. Author and veteran piano instructor Deborah Rambo Sinn wanted to find a solution for getting students to learn these solidly and efficiently–along with finding a way to combine this with developing excellent aural skills. Ultimately, she sought a way to quickly make these skills relevant to understanding larger concepts of music theory. Traditionally, it takes a long time of learning individual skills before a student can grasp how they all work together. Pocket Piano Proficiency flips this model, introducing tasks in chunks of like material. The circle of fifths appears from the first pages, demonstrating connections between keys from the start. The book’s pedagogical organization moves students from the easiest to more complex skills, allowing them to scaffold successfully from one chapter to the next. The eBook format allows for a new way of learning these skills that a black and white printed book does not afford. Each page contains several layers of helpful material that can be accessed by zooming in and out. Because only one level of information can be accessed at a time, students need to assimilate information from around the page to successfully complete each task (see video.) Additionally, the use of color cues for tasks further organizes each chapter. As an example, red is used for the simplest keys or most common concepts. Additionally, the use of color cues for tasks further organizes each chapter. As an example, red is used for the simplest keys or most common concepts.
$21.99
Numb
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Piano solo
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INTERMEDIATE
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Isadar
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Numb
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Mainya Music Publishing
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SheetMusicPlus
Piano Solo - Level 3 - Digital Download SKU: A0.1203048 By Isadar. By Isadar. 20th Century,Contemporary,Jazz,New Age. Score. 7 pages. Mainya Music Publis...
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Piano Solo - Level 3 - Digital Download SKU: A0.1203048 By Isadar. By Isadar. 20th Century,Contemporary,Jazz,New Age. Score. 7 pages. Mainya Music Publishing (BMI) #801732. Published by Mainya Music Publishing (BMI) (A0.1203048). Contains:Numb - taken from the Isadar solo piano collection, The Purple Heart (improvisational solo piano) (available soon on SMP) Sounds like: Keith Jarrett's Köln Concert, Bill Evans, Liz Story, George Winston, early Windham Hill solo piano artists Transcribed by:  David Shenton ( https://www.shentonmusic.com/ ) verbatim to the sound recording Album & Songbook review by:  Kathy Parsons (MainlyPiano.com):The Purple Heart is Isadar’s solo piano tribute and memorial to the people who lost their lives in the 9/11/01 tragedy. Recorded as a 56-minute improvisation on 12/25/02, the music is thoughtful, somber, and quite elegant. There are actually thirteen pieces on the CD, but they segue into each other, making it difficult to tell where one song ends and another begins. This is very definitely NOT a problem, as the album unfolds naturally and organically, asking questions, looking inward, and expressing shock and grief. However, this is not music about only despair or rage. I also hear hope and determination as well as quiet reverence - the strange mix of emotions we all felt during those dark days. Titles include From Cradle to Coffin, Bravery, Numb, New York Skyline, and Truth. Isadar has a wonderful way of wearing his heart on his musical sleeve, pouring deep emotion and heartfelt expression into his music. The music was recorded in one take, but rather than meandering all over the place, Isadar used recurring themes that make the work cohesive and consistent enough to hold together even after many listens. This is a very strong and passionate work, but it was recorded with a rather quiet voice which allows it to be very comfortable and soothing background music as well as evocative solo piano music for concentrated and focused listening. The Purple Heart Sheet Music Collection is a note-for-note solo piano transcription of Isadar’s 2003 memorial CD by the same name (transcribed by David Shenton). The recording and book are a tribute to those who died in the attacks of 9/11/2001. The music was recorded in one take and although there are thirteen titles, the pieces segue into each other, creating a seamless 56-minute improvisation. The book indicates where the various pieces begin and end, but can also be played as one long piece. Although the theme of the music is very somber and bleak, the music covers the broad range of emotions we all felt during that period - anger, sadness, hope, determination, resolve, fear, grief, etc. Although the recording is an improvisation, Isadar incorporates a recurring theme that holds the work together as a single entity. Some pieces are very slow while others are lively and even fast. All thirteen pieces are in C minor/Eb major, but the variety of moods and tempos keep the music evolving without becoming repetitious. When the recurring theme pops up, it’s like seeing an old friend!The difficulty in playing someone’s improvisation is that the creation of the music was spontaneous and free-flowing. It isn’t easy to read an improvisation and give the music that quality of freedom. Less advanced pianists might find this frustrating. The time signatures change frequently, but a competent pianist will have no trouble with that. As I was playing this book, I sensed that I was looking directly into Isadar’s heart and feeling what he was feeling as the music was being born - a very powerful experience! Isadar is an artist on both Enlightened Piano Radio & Whisperings Solo Piano Radio, featuring today's biggest names in solo piano music.
$5.99
Opus Covid: Piano en Cuarentena
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Piano solo
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INTERMEDIATE
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Editorial Copistas Acuario
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Opus Covid: Piano en Cuarenten
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Editorial Copistas Acuario
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SheetMusicPlus
Piano Solo - Level 3 - Digital Download SKU: A0.1109507 By Editorial Copistas Acuario. By Joel Diaz Suero, José Enrique Soñé Almonte, and Samuel...
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Piano Solo - Level 3 - Digital Download SKU: A0.1109507 By Editorial Copistas Acuario. By Joel Diaz Suero, José Enrique Soñé Almonte, and Samuel Beethoven Rodriguez Herrera. Chamber,Classical,Contemporary,Latin,Multicultural,World. Score. 92 pages. Editorial Copistas Acuario #711911. Published by Editorial Copistas Acuario (A0.1109507). Con la inquietud de compartir y dar a conocer nuestro trabajo, un dÃa decidimos formar un grupo que reuniera a todos los compañeros cercanos que tuviesen la misma inquietud de organizarse y exponer sus composiciones. El resultado se convierte en este pequeño libro donde cada uno deja su personalidad al momento de componer. Bajo la temática «Piano en Cuarentena» las obras que aquà se exponen parten de ese sentimiento de introspección y clausura, asà como la remembranza de la libertad en el mundo pre-pandémico dominicano. Este proyecto espera abrir una puerta que motive a más compositores a sumarse en las próximas ediciones. Y asÃ, a largo plazo ver como progresamos de manera grupal e individual al momento de plasmar las ideas que surgen a través de nuestro proceso creativo musical.
$9.99
WHEN I SURVEY THE WONDROUS CROSS with Overhead PDF Text
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Piano solo
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INTERMEDIATE/ADVANCED
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Sacred music
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Edward Miller & Lowell Mason -
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Wanda Cooley
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WHEN I SURVEY THE WONDROUS CRO
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Wanda J. COOLEY
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SheetMusicPlus
Piano Solo - Level 4 - Digital Download SKU: A0.931667 Composed by Edward Miller & Lowell Mason - music and Isaac Watts - words. Arranged by Wanda Cooley...
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Piano Solo - Level 4 - Digital Download SKU: A0.931667 Composed by Edward Miller & Lowell Mason - music and Isaac Watts - words. Arranged by Wanda Cooley. Easter,Sacred. Score. 15 pages. Wanda J. COOLEY #6272917. Published by Wanda J. COOLEY (A0.931667). This arrangement begins in a lightly syncopated, contemporary style over a pedal tone. The second verse is built on sixths, creating an open, hollow background. Next, a slow chordal style in verse three contemplates the scene at the cross, and the final verse bursts forth in bold sixteenth- note patterns in both hands which actually play quite easily together, contrary to how 'busy' the music appears on the page. A repetition of demands my soul, my life, my all' brings the value of the cross back down to serious contemplation. The length is 4 minutes.WHEN I SURVEY THE WONDROUS CROSS is also available at SMP within IN THE CROSS, a pianist's complete kit for presenting the Gospel thru 10 hymn arrangements sequenced with Overhead PowerPoint Texts. Also included are program and organizational aids, narratives, and promotional graphics so that the pianist's only responsibility is playing the music!
$3.99
Mahler Symphony n.1 for Piano, mov. 3
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Piano solo
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Classical
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Gustav Mahler
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Tiziano de Felice
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Mahler Symphony n.1 for Piano,
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Tiziano de Felice
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SheetMusicPlus
Piano Solo - Digital Download SKU: A0.898025 Composed by Gustav Mahler. Arranged by Tiziano de Felice. 20th Century. Score. 11 pages. Tiziano de Felice #...
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Piano Solo - Digital Download SKU: A0.898025 Composed by Gustav Mahler. Arranged by Tiziano de Felice. 20th Century. Score. 11 pages. Tiziano de Felice #3411679. Published by Tiziano de Felice (A0.898025). Piano transcription of the 3rd movement from Mahler's 1st SymphonyMahler’s 1st Symphony represents a gigantic narration of nature’s power, starting from its birth out of the inorganic up towards a grueling struggle between the good and the evil of all living beings. The 1st movement brings in fact the famous indication Wie ein Naturlaut (like a natural sound) which is rendered melodically with the interval of descending 4th (the interval symbol of man); the course of nature passes from brighter areas to darker ones but manages to flow into the 2nd movement, which is a decisive and sure triumph of life, a feeling ripe with flourishing and fruitfulness. The 3rd movement is the moment in which the destructive and deadly aspect of nature appears more clear than ever, a movement showing what Freud called the Das Unheimlich which Mahler represents by inserting the melody of the song Frère Jacques (Brother John), repurposed in a minor key like a macabre and grotesque funeral march. This existential laceration will recompose itself in the 4h and last movement, in which the final struggle between the negative and the positive force of nature will take place.The transcription is of medium/advanced level, and it includes as much music as possible from Mahler's original score. It is also useful for study purposes at the piano if paired with the orchestral score.
$18.99
GRACE GREATER THAN OUR SIN with Overhead PDF Text
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Piano solo
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INTERMEDIATE/ADVANCED
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Daniel B
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Wanda Cooley
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GRACE GREATER THAN OUR SIN wit
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Wanda J. COOLEY
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SheetMusicPlus
Piano Solo - Level 4 - Digital Download SKU: A0.946955 Composed by Daniel B. Towner & Julia H. Johnston, Fanny Crosby & William H. Doane. Arranged by Wan...
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Piano Solo - Level 4 - Digital Download SKU: A0.946955 Composed by Daniel B. Towner & Julia H. Johnston, Fanny Crosby & William H. Doane. Arranged by Wanda Cooley. 20th Century,Easter,Sacred. Score. 14 pages. Wanda J. COOLEY #6259173. Published by Wanda J. COOLEY (A0.946955). This arrangement begins in a flowing style which builds to a cascade of five-finger embellishments at its climax. Motifs unify and propel as the accelerating motion leads to the reiteration of the paramount message: God's Grace...(is)...Greater than all our Sin! The hymn Jesus Keep Me Near the Cross appears briefly to support this reflection. Length: 3:45 min. PDF Overhead PowerPoint Text sequences to the piano score.GRACE CREATER THAN OUR SIN is also available at SMP inside IN THE CROSS, a pianist's complete kit for presenting the Gospel thru 10 hymn arrangements sequenced with Overhead PowerPoint Texts. Also included are bulletin and program templates and organizational aids, narratives, and promotional graphics so that the pianist's only responsibility is playing the music! Grace Greater than Our Sin - Daniel B. Towner & Julia H. Johnston, Jesus Keep Me Near the Cross - Fanny Crosby & William H. Doane.
$3.99
Jesus Shall Reign Where'er the Sun
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Piano solo
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ADVANCED
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John Hatton
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Paul Thurmond
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Jesus Shall Reign Where'er the
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Paul Thurmond
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SheetMusicPlus
Piano Solo - Level 5 - Digital Download SKU: A0.828227 Composed by John Hatton. Arranged by Paul Thurmond. 20th Century,Baroque,Christian,Sacred. Score. ...
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Piano Solo - Level 5 - Digital Download SKU: A0.828227 Composed by John Hatton. Arranged by Paul Thurmond. 20th Century,Baroque,Christian,Sacred. Score. 7 pages. Paul Thurmond #4968929. Published by Paul Thurmond (A0.828227). Tune: DUKE STREETUse: Prelude, PostludeOne Sunday my church was singing Jesus Shall Reign Where’er the Sun as the opening hymn. It’s our tradition that the last stanza of a hymn is sung in unison, so that I as the organist can change the harmonization and keep things interesting. Sometimes I know ahead of time what I’m going to do, and sometimes I make it up on the spot.On this particular morning I planned on being spontaneous. (Can spontaneity be planned?) When we got to the final stanza, I threw on the 16′ pedal reed and went to town.I don’t know if this is the case for all musicians, but while I’m playing my brain is working on several different levels. Most of these are involved in actually playing the music, but there’s also a running commentary on how things are going. This commentary is usually really boring: It’s going okay. It’s going okay. It’s going okay. Sometimes the messages are more interesting: Uh-oh. She just dropped her mute. I missed that chord; remember to circle it when we’re done. My page turner appears to be on fire.So: We’re in the final stanza of Jesus Shall Reign Where’er the Sun. Big, majestic hymn. Over a hundred congregants and choir members are enthusiastically singing in unison. I’m leading them from the organ with an improvised accompaniment that involves all of my limbs. It’s fair to say that I was concentrating hard.Suddenly the commentary part of my brain breaks in: Dude, your feet are totally playing Canon in D. Cool!Canon in D is the most famous work of Johann Pachelbel, a German composer who preceded Bach by a few decades. It’s overused at weddings, but it’s actually a really good piece of music. The original is for three violins and a basso continuo part, which would usually have been played by harpsichord and cello. In this case, the basso continuo plays the same eight measures again and again throughout the piece. This technique of repetition is called a ground bass. While that’s going on, the violins play several different themes on top of it.When I was improvising that Sunday, my feet had accidentally wandered into that ground bass part, which happened to fit nicely with the melody we were singing. During the sermon (sorry Pastor!) I started going through the violin themes in my head, seeing if any of them could also match up with the hymn tune. Some of them worked and some didn’t. I decided to write a sort of theme and variations, where the hymn tune appears in various forms. Sometimes it’s played along with one of the violin themes, and sometimes a violin theme serves as an interlude on its own. And except for one passage, the left hand is always playing some version of the basso continuo theme. I also changed the meter from 4/4 to 3/4 to make it more interesting. It culminates in a climax worthy of a king. I hope you enjoy it.
$4.99
Follajes. Pasillo con letra y música por: Fabio Alberto Ramírez
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Piano solo
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INTERMEDIATE/ADVANCED
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Fabio Alberto RamÃrez
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Juan Carlos Cortés Aguirre
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Follajes. Pasillo con letra y
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Juan Carlos Cortés Aguirre
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SheetMusicPlus
Piano Solo - Level 4 - Digital Download SKU: A0.1121031 By Fabio Alberto RamÃrez. By Fabio Alberto RamÃrez. Arranged by Juan Carlos Cortés Aguir...
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Piano Solo - Level 4 - Digital Download SKU: A0.1121031 By Fabio Alberto RamÃrez. By Fabio Alberto RamÃrez. Arranged by Juan Carlos Cortés Aguirre. Folk,Instructional,Latin,Multicultural,Traditional,World. Score. 3 pages. Juan Carlos Cortés Aguirre #722223. Published by Juan Carlos Cortés Aguirre (A0.1121031). Transcripción musical para piano solo por: JUAN CARLOS CORTÉS A. Fabio Alberto RamÃrez S. Nació en la capital Caldense. Adelantó estudios profesionales de Publicidad en la Universidad Católica de Manizales; con posgrado en Comunicación Organizacional en la Universidad de Manizales. Productor, músico , autor y compositor de música Andina Colombiana; incursionando en otros géneros , pero su pasión es el folclor de nuestra tierra. Ha sido jurado de los más importantes concursos nacionales tales como: Festival Nacional Mono Núñez ,Festival Nacional Cotrafa en Bello-Antioquia , Festival Nacional del Pasillo en Aguadas-Caldas , Festival Nacional del Bambuco en Pereira-Risaralda, Festival Nacional de duetos “Hermanos Moncada†en Armenia-QuindÃo, entre otros certámenes. Homenajeado por la AlcaldÃa Mayor de Bogotá , RCN Radio y el Instituto Distrital de Cultural y Turismo en los 450 años de fundación de la capital Colombiana; en el Festival Nacional del Pasillo en Aguadas-Caldas, en el IV Festival de la Colombianidad en Riosucio-Caldas, AlcaldÃa de Manizales: grado Comendador , Comité de Cafeteros del QuindÃo, y el Comité de Cafeteros de Caldas, entre otros. Ganador en el Festival Nacional Mono Núñez: doble premio con los temas : “Me voy a olvidar†y el bambuco “La Cascadaâ€; en los concursos ICFES-CRES: 1996 y 1999, 2do puesto Festival Internacional del Bolero de Pereira-Risaralda con la obra “Miéntemeâ€. Tiene 4 producciones discográficas: • Olor a Leña. • Nueva Música Colombiana. • Destellos. • Vivencias y • Una recopilación con sus mejores obras. Actualmente labora en: • La Universidad de Manizales. • Estudio 7 Producciones. http://fabioalbertoramirezs.blogspot.... Follajes Pasillo con letra y música por: Fabio Alberto RamÃrez Introducción: Allá en la lejanÃa quiero mostrarte, como rÃe la vida en obras de arte, (2ª: Son para ti) pinceles naturales (2ª: Se ve el color) pintan paisajes, (2ª: De norte a sur) los árboles exponen sin preocuparse. Nubes viajeras van pasajeras, de aquellas sombras que da el follaje, risueñas ya se duermen (2a: Donde amar) con la pradera, (2a: Dum, dum, Dum) las ramas de aquel tronco voz de madera. Yo nunca olvidé, (2a: Olvide) que en su fresco lo amé, (2a Allà donde lo amé) y arrullado en sus hojas me perfumó de raÃz, verdes momentos de amor. Introducción: Los llantos del invierno ya se alejaron, en la orilla del rÃo flores brotaron, (2a: son para ti) y en tÃmidos rincones (2a: Se abrazan ya) tallos mojados (2a: Inquieto amor) se abrazan y se miran enamorados. Yo nunca olvidé, (2a: Olvide) que en su fresco lo amé, (2a Allà donde lo amé) y arrullado en sus hojas me perfumó de raÃz, verdes momentos de amor. (2a: De amor).
$7.99
Beyond The Sea
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Piano solo
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INTERMEDIATE/ADVANCED
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Bobby Darin
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Tobi A Crawford
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Beyond The Sea
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Tobi Crawford
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SheetMusicPlus
Piano - Level 4 - Digital Download SKU: A0.1398436 By Bobby Darin. By Albert Lasry, Charles Trenet, and Jack Lawrence. Arranged by Tobi A Crawford. Conte...
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Piano - Level 4 - Digital Download SKU: A0.1398436 By Bobby Darin. By Albert Lasry, Charles Trenet, and Jack Lawrence. Arranged by Tobi A Crawford. Contemporary,Jazz. Score (Chords/Lyrics). 7 pages. Tobi Crawford #981711. Published by Tobi Crawford (A0.1398436). This arrangement came to me over a number of weeks in a very organic way that began with the ostinato piano figure that prevails throughout the piece. I began playing it unattached to any tune and I just liked the way the line descended in the left hand and how I had to find voicings in the right hand that made harmonic sense – like a puzzle. As I was playing around with this puzzle, thoughts of my father were swirling around in my head – I was at the end of a 4 year period of separation from my parents owing to the fact that I’m a Canadian expat living in the US and the borders were closed for a long time because of Covid, and then I had work visa issues and my parents were getting older before my eyes. They were also losing friends to cancer and other ailments and my dad, in particular, had experienced the loss of many close family members and friends during our separation and it was taking a toll. One day I sat down and played the now familiar-to-me ostinato but randomly I started to sing “Beyond the Sea†over it and it fit perfectly. I thought it a happy coincidence. As the days went on I committed to putting my ostinato with Beyond the Sea and the lyrics started to seep into my brain. I have, of course, heard these lyrics many times before, (who hasn’t seen Finding Nemo?) but the lyrics didn’t mean what I thought they meant… They’re NOT about the ocean, they are about my dad!!! Well, kind of… I realized, through careful reflection and by slowing the words down, that the lyrics are talking about a person in heaven who is patiently waiting for their partner to join them. Somewhere beyond the seaShe’s there watching for me…It’s far beyond the starsIt’s near beyond the moon And the lyrics end with them meeting, “We’ll meet beyond the shore, we’ll kiss just like before,†and the song ends with: “and never again I’ll go sailing.†It’s like the big bang went off in my head about why all these thoughts of my dad, and his friends, and this arrangement, and what it all meant suddenly just MADE SENSE and I was able to start formulating a plan. Performance Suggestions: The improvisation solo in the middle should be free of any traditional “scat syllables†and should be more of a lament. Listen to singers like Aubrey Johnson and Sara Gazarek improvise on ballads for inspiration.
$25.00
Angel Voices - Piano
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Piano solo
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INTERMEDIATE
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Edouard Batiste
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Arte Nova Music Lab
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Angel Voices - Piano
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Arte Nova Music Lab
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SheetMusicPlus
Piano Solo - Level 3 - Digital Download SKU: A0.742397 Composed by Edouard Batiste. Arranged by Arte Nova Music Lab. Children,Concert,Romantic Period,Sta...
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Piano Solo - Level 3 - Digital Download SKU: A0.742397 Composed by Edouard Batiste. Arranged by Arte Nova Music Lab. Children,Concert,Romantic Period,Standards,World. Score. 2 pages. Arte Nova Music Lab #3003021. Published by Arte Nova Music Lab (A0.742397). Édouard Batiste was a French composer and organist born in Paris on 28 March 1820, and studied at the Imperial Conservatoire as a teenager, winning prizes in solfège, harmony and accompaniment, counterpoint and fugue, and organ. In 1840, he won the Prix de Rome together with François Bazin.[1]In 1842, he became the organist at Saint-Nicolas-des-Champs church in Paris, where he remained for 12 years, before becoming organist at Saint-Eustache Church. While at Saint-Eustache, he performed the organ in the premiere of Hector Berlioz's Te Deum in April 1855, conducted by the composer.[1] He died in Paris on 9 November 1876. Taken from https://en.wikipedia.org/wiki/Édouard_Batiste
$5.00
Chanson in A minor
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Piano solo
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INTERMEDIATE
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Bedrich Smetana
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Zellev
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Chanson in A minor
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Zellev Music
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SheetMusicPlus
Piano Solo - Level 3 - Digital Download SKU: A0.1403603 Composed by Bedrich Smetana. Arranged by Zellev. 19th Century,Classical,Historic,Multicultural,Wo...
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Piano Solo - Level 3 - Digital Download SKU: A0.1403603 Composed by Bedrich Smetana. Arranged by Zellev. 19th Century,Classical,Historic,Multicultural,World. Score. 3 pages. Zellev Music #986782. Published by Zellev Music (A0.1403603). Key Signature: A MinorTime Signature: 2/4Tempo: ModeratoDifficulty: IntermediateBedřich Smetana (2 March 1824 – 12 May 1884) was a Czech composer who pioneered the development of a musical style that became closely identified with his people's aspirations to a cultural and political revival. He has been regarded in his homeland as the father of Czech music. Internationally he is best known for his 1866 opera The Bartered Bride and for the symphonic cycle Má vlast (My Fatherland), which portrays the history, legends and landscape of the composer's native Bohemia. It contains the famous symphonic poem Vltava, also popularly known by its German name Die Moldau (in English, The Moldau).All but a handful of Smetana's compositions before his departure for Gothenburg are piano works. Some of these early pieces have been dismissed by music historian Harold Schonberg as bombastic virtuoso rhetoric derived from Liszt. Under Proksch, however, Smetana acquired more polish, as revealed in works such as the G minor Sonata of 1846 and the E-flat Polka of the same year. The set of Six Characteristic Pieces of 1848 was dedicated to Liszt, who described it as the most outstanding, finely felt and finely finished pieces that have recently come to my note. In this period Smetana planned a cycle of so-called album leaves, short pieces in every major and minor key, after the manner of Chopin's Preludes. The project became somewhat disorganised; in the pieces completed, some keys are repeated while others are unrepresented. After Smetana's final return from Gothenburg, when he committed himself primarily to the development of Czech opera, he wrote nothing for the piano for 13 years.[https://en.wikipedia.org/wiki/Bed%C5%99ich_Smetana].
$4.00
Dora PejaÄević: Ouverture in D minor for large orchestra, (op.49) / Arrangement for piano by Yuki
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Piano solo
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ADVANCED
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Dora PejaÄević
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Yuki Hasegawa
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Dora PejaÄević: Ouvertu
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Edition les bons concerts
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SheetMusicPlus
Piano Solo - Level 5 - Digital Download SKU: A0.1033842 Composed by Dora PejaÄević. Arranged by Yuki Hasegawa. 20th Century,Concert. Score. 15 pag...
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Piano Solo - Level 5 - Digital Download SKU: A0.1033842 Composed by Dora PejaÄević. Arranged by Yuki Hasegawa. 20th Century,Concert. Score. 15 pages. Edition les bons concerts #6662747. Published by Edition les bons concerts (A0.1033842). Dora PejaÄević, born in Budapest in 1885 and died in Munich in 1923, was a composer of the Croatian noble family.This Ouverture en ré mineur pour grand orchestre is one of her fascinating collection of works that allow for deep expression through the use of harmony that sometimes pushes the limits, as is typical around the beginning of the 20th century.This piano reduction was commissioned by the Japan Croatia Music Society and was completed in August 2021, and premiered in Tokyo on 18 September by the great pianist Mr. Tomohiro Adachi.Arranger Yuki Hasegawa, biography Arranger, pianist, conductor and producer. She completed the department of piano at the Kunitachi College of Music, and the departments of chamber music, eÌcriture musicale and orchestration at the Conservatoire SupeÌrieur de Paris-CNR. She also studied eÌcriture musicale at the CNSM-Lyon. She studied under Profs. Alain Louvier, Bernard de Crépy and other representative professors in France in terms of composition and arrangement. She later completed the conducting biennio department at the Milano Civica Scuola di Musica Claudio Abbado, and in recent years has been the guest conductor at the Japan Croatia Music Society. She travels to various parts of Croatia to research music, visits music research institutes and composers, and strives for understanding. As a chamber musician, she has also worked on numerous experimental harmony works of the same era as Dora PejacÌŒevicÌ, and has also recorded on CD. She is a member of the Irish Music Rights Organisation. Her works can be licensed for performance by representative organisations in each country. (Regarding the use of recording, she has withdrawn her works from Songtrust management and she is considering joining MCPS). Representative of the Edition les bons concerts and cooperating artist of the Pro Arte Musicae Co., Ltd. Japan. (As of Dec. 2021) Latest information & inquiries: https://yukihasegawa.com
$24.95
Softly and Tenderly, Book 2
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Piano solo
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Sacred music
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Dale Wood
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Gilbert M
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Softly and Tenderly, Book 2
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Sacred Music Press
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SheetMusicPlus
Piano - Moderately Advanced SKU: LO.70-1484S Mediations of Hymn Arrangements by Dale Wood, Arranged for Piano by Gilbert M. Martin. Composed by Da...
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Piano - Moderately Advanced SKU: LO.70-1484S Mediations of Hymn Arrangements by Dale Wood, Arranged for Piano by Gilbert M. Martin. Composed by Dale Wood. Arranged by Gilbert M. Martin. Sacred. Sacred Music Press #70/1484S. Published by Sacred Music Press (LO.70-1484S). UPC: 000308098921.The Softly and Tenderly organ collections by this remarkable composer/arranger have become some of the most popular publications in The Sacred Music Press and standard repertoire for the church organist. Several years ago, Mr. Wood rearranged a few of those organ settings in a superb set for piano (Book 1, 70/1107S), and Mr. Martin continues the series with a second book of sensitive and warm arrangements of gentle and beloved hymn melodies.
Song List
: Wonderous Love When I Survey The Wonderous Cross Sweet Hour of Prayer Beneath The Cross Of Jesus Voluntary on Jefferson The King Of Love My Shepherd Is Jesus Calls Us Oer the Tumult
$22.95
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