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558
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595
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209
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163
Easy Piano
142
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31
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30
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26
Big Note Piano
23
1 Piano, 4 hands
9
Piano Trio: piano, violin, cello
5
Organ, Piano (duet)
3
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2 Pianos, 4 hands
2
Accordion
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Piano (band part)
1
2 Accordions
1
1 Piano, 6 hands
1
Piano Quintet: piano, 2 violins, viola, cello
1
Harpsichord
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+ 15 instrumentations
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78
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52
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46
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2
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1
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4 Guitars (Quartet)
1
2 Guitars (duet)
1
Banjo
1
Plectrum Orchestra
1
Lap Steel Guitar
1
+ 12 instrumentations
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Voice
Choral SATB
254
Choral 3-part
61
Choral TTBB
56
Choral Instrumental Pak
32
Choral 2-part
31
Choral SSAA
25
Voice solo
19
Choral Unison
18
Vocal duet
14
Vocal duet, Piano
12
Soprano voice, Piano
9
High voice
8
Choral
6
Baritone voice, Piano
4
Soprano voice
3
Alto voice, Piano
3
Choral SSAATTBB
3
Tenor voice
2
Tenor voice, Piano
2
Medium voice, Piano
1
Choral SSATTB
1
Voix Masculines
1
Low voice
1
+ 18 instrumentations
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Retract
Woodwind
Flute and Piano
63
Saxophone (band part)
61
Clarinet (band part)
48
Saxophone
48
Flute
44
Clarinet
43
Clarinet and Piano
38
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31
Alto Saxophone and Piano
30
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28
Woodwind Quintet: flute, oboe, bassoon, clarinet, horn
22
Alto Saxophone
21
Oboe (band part)
21
Flute, Oboe, Clarinet, Bassoon
21
Tenor Saxophone and Piano
20
Flute (band part)
18
Clarinet Quartet: 4 clarinets
17
Tenor Saxophone
15
2 Saxophones (duet)
13
Soprano Saxophone and Piano
11
English horn, Piano
9
2 Flutes (duet)
9
2 Clarinets (duet)
8
Baritone Saxophone, Piano
6
Treble (Alto) Recorder
6
Flute Quartet: 4 flutes
6
Saxophone ensemble
5
Flute ensemble
5
Oboe
4
Clarinet, Guitar (duet)
4
Flute, Clarinet (duet)
4
Flute and Guitar
4
2 Clarinets, Piano
3
Flute Trio: 3 flutes
3
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3
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3
Bass Clarinet
2
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2
Oboe, Bassoon (duet)
2
Clarinet, Cello, Piano (trio)
2
Clarinet, Violin (duet)
2
Clarinet, Harp (duet)
2
Flute, Clarinet, Piano (trio)
2
Ocarina
2
Saxophone Quintet: 5 Saxophones
2
2 Flutes, Piano
2
Harmonica
2
Flute, Violin, Piano
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Oboe, Flute
2
3 Clarinets (trio)
2
Flute, Violin, Violoncello and Piano
1
3 Recorders (trio)
1
Oboe, Clarinet (duet)
1
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1
Flute Quintet : 5 flutes
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1
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1
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1
Clarinet and Viola
1
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1
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1
Flute, Trombone (duet)
1
Flute, Oboe, Bassoon
1
3 Saxophones (trio)
1
Recorder Quartet
1
2 Oboes (duet)
1
+ 63 instrumentations
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Retract
Woodbrass
Trumpet
44
Trombone
38
Trumpet (band part)
34
Trombone (band part)
31
Trombone and Piano
27
Brass Quintet: 2 trumpets, horn, trombone, tuba
25
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21
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20
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20
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17
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15
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12
Tuba
10
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9
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8
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6
2 Trumpets (duet)
4
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4
Brass Quartet: 4 trombones
4
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3
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3
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3
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2
Brass Quartet: 2 trumpets, horn, trombone
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4 Tubas
2
2 French horns (duet)
2
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1
2 Euphoniums and 2 Tubas
1
Trumpet, Trombone, Piano
1
3 Trombones (trio)
1
Trumpet, Horn (duert)
1
+ 26 instrumentations
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Retract
Strings
String Quartet: 2 violins, viola, cello
73
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65
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36
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34
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34
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32
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31
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13
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10
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8
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7
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6
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5
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4
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3
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2
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2
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2
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2
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1
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1
Piano Trio: Violin, Viola, Piano
1
Harp, Flute (duet)
1
+ 28 instrumentations
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Retract
Orchestra & Percussion
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224
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81
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48
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40
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34
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32
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21
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19
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5
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2
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2
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1
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1
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+ 16 instrumentations
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Tenor voice
Sheetmusic to print
2 sheet music found
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1
All Gone
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Tenor voice
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INTERMEDIATE
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Broadway
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Tim J Spencer
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All Gone
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Tim J Spencer/Green Panda Music
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SheetMusicPlus
Tenor Voice,Vocal Solo - Level 3 - Digital Download SKU: A0.866330 Composed by Tim J Spencer. Musical/Show,Pop,Rock. 6 pages. Tim J Spencer/Green Panda M...
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Tenor Voice,Vocal Solo - Level 3 - Digital Download SKU: A0.866330 Composed by Tim J Spencer. Musical/Show,Pop,Rock. 6 pages. Tim J Spencer/Green Panda Music #44887. Published by Tim J Spencer/Green Panda Music (A0.866330). A rock/pop ballad for male voice. This was originally in a concept musical called 'Idol' and is a song about the moment when the dream seems lost. It is along the lines of Bon Jovi, Robbie Williams and other soft Rock artists. This song forms part of the Tim Spencer Songbook and is was created by UK songwriter Tim J. Spencer (PRS). Contact details : Green Panda Music music@greenpandamusic.com www.greenpandatheatre.co.uk.
$5.99
Gregory Sullivan Isaacs: Songs From Calamus for tenor voice and piano
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Tenor voice
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ADVANCED
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Gregory Sullivan Isaacs
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Gregory Sullivan Isaacs: Songs
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Musik Fabrik Music Publishing
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SheetMusicPlus
Tenor Voice,Vocal Solo - Level 5 - Digital Download SKU: A0.533282 Composed by Gregory Sullivan Isaacs. Contemporary,Holiday,Love. 21 pages. Musik Fabrik...
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Tenor Voice,Vocal Solo - Level 5 - Digital Download SKU: A0.533282 Composed by Gregory Sullivan Isaacs. Contemporary,Holiday,Love. 21 pages. Musik Fabrik Music Publishing #2331251. Published by Musik Fabrik Music Publishing (A0.533282). Whitman only published one book – Leaves of Grass – but it was always a work in progress. He added poems and revised others for each succeeding edition. Thus, the first edition (1819) was a small book with only 12 poems and the last, often refered to as the Deathbed Edition (1892), contained over 400. Some of these he wrote in “clusters†of related poems. Such is the case with the Calamus cluster. The title was chosen to alert the reader that these were poems about what he called “the love of comrades,†“manly love†or with the code word, “adhesiveness.†The concept of homosexuality, as we know it today, was very different in Whitman’s time, but violently socially taboo. Acorus calamus is a reed-like species of marsh grass. In Poetry and Prose, Whitman wrote that it s a … very large and aromatic grass, or root, spears three feet high—often called 'sweet flag'—grows all over the Northern and Middle States.†The phallic plant has always been a symbol of love and associated with the Greek myth of Kalamos, son of the river god who loved the youth Karpos. When Karpos died in a swimming accident, Kalamos transformed himself into a reed so he could always be near the spot where his beloved died, and the rustling of the reeds in the winds sounds like moans of mourning. The Calamus cluster, 39 poems in all, recount the story of a manly love found and lost from the perspective of some time later. They are bittersweet memories. I chose four poems for my own cluster. They represent the four stages of such a relationship: initial attraction, first coy interactions, full-blossomed love, and the bitterness of it’s ending. It is possible that these events actually happened or that they all occurred in the poets mind without ever revealing his thoughts to the intended. Some musical devices, such as the rustling of the leaves in the third song and the constant use of seconds as two people who are close but not yet together in the second one, are obvious. But, other than some indications of tempo, I hesitate to give out remarks about how to perform the songs, or even metronome markings, that might give the singer a preconceived notion. This situation has happened to everyone. So, I say to the singer: revive the memories of a similar event in your life: a particularly heartbreaking one is best. Bring the telling of that memory to the vivid present, and tell us that story as if it ending some time ago but the hurt remains strong, If, by some chance, the singer has not had this experience, he should wait to sing this cycle until he has. The composer
$16.95
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