Home page
Browse Free-scores.com
--INSTRUMENTS--
ACCORDION
AUTOHARP
BAGPIPE
BANJO
BASS
BASSOON
BOOKS
BOUZOUKI
BUGLE
CHORAL - VOCAL…
CLARINET
CORNET
DIDGERIDOO
DJ GEAR
DRUM
DULCIMER
ENGLISH HORN
EUPHONIUM
FLUTE
FRENCH HORN
GUITAR
HANDBELLS
HARMONICA
HARP
HARPSICHORD
LAP STEEL GUIT…
LUTE
MANDOLIN
MARCHING BAND
MARIMBA
MUSIC COURSE
OBOE
OCARINA
ORCHESTRA - BA…
ORGAN
PANPIPES
PERCUSSION
PIANO
RECORDER
SAXOPHONE
SYNTHESIZER K…
TROMBONE
TRUMPET
TUBA
UKULELE
VIBRAPHONE
VIOLA
VIOLIN - FIDDL…
VIOLONCELLO - …
XYLOPHONE
ZITHER
I can
PDF/Flash
Not classified
5,037
Piano & keyboards
Piano solo
4,741
Piano, Voice
1,880
Piano, Vocal and Guitar
1,432
Easy Piano
700
C Instruments
634
Big Note Piano
355
Organ
339
Accordion
161
1 Piano, 4 hands
70
2 Pianos, 4 hands
53
Piano Accompaniment
48
Piano Trio: piano, violin, cello
34
Piano Quintet: piano, 2 violins, viola, cello
10
Keyboard
10
Piano (band part)
8
Organ, Trumpet (duet)
7
Piano Quartet: piano, violin, viola, cello
7
Piano Quartet: piano, 2 violins, cello
7
Organ, Piano (duet)
6
Harpsichord
4
Accordion ensemble
1
1 Piano, 6 hands
1
+ 17 instrumentations
-
Retract
Guitars
Guitar
562
Bass guitar
553
Guitar notes and tablatures
435
Melody line, (Lyrics) and Chords
267
Ukulele
147
Piano, Guitar (duet)
124
Lyrics and Chords
84
2 Guitars (duet)
27
4 Guitars (Quartet)
25
Guitar (band part)
20
Banjo
15
Mandolin
14
Dulcimer
8
3 Guitars (trio)
8
Guitar Ensemble
5
Baritone Ukulele
5
Dobro
2
Mandolin, Guitar (duet)
2
Guitar, Violin, Cello (trio)
2
Lap Steel Guitar
1
Electric Bass (band part)
1
2 Dulcimers (duet)
1
2 Ukuleles
1
+ 18 instrumentations
-
Retract
Voice
Choral SATB
1,583
Choral 3-part
460
Choral 2-part
439
Voice solo
319
Choral TTBB
203
Vocal duet, Piano
172
Choral Unison
164
Choral SSAA
108
Choral Instrumental Pak
100
Vocal duet
57
Soprano voice, Piano
34
High voice
32
Choral
29
Alto voice, Piano
16
Baritone voice, Piano
16
Tenor voice, Piano
15
Medium voice, Piano
9
Low voice, Piano
7
Mezzo-Soprano voice, Piano
5
Tenor voice
4
Choral SSAB, Piano
3
Choral SSATTB
3
Choral SSATB
3
Choral SAATB A Cappella
1
Soli, Mixted choir and accompaniment
1
Low voice
1
Choral SSAATTBB
1
Choral SSAB a cappella
1
+ 23 instrumentations
-
Retract
Woodwind
Saxophone
1,050
Flute
771
Clarinet
583
Flute and Piano
395
Oboe, Piano (duet)
348
Clarinet and Piano
315
Alto Saxophone and Piano
265
Tenor Saxophone and Piano
239
Alto Saxophone
222
Tenor Saxophone
218
2 Saxophones (duet)
164
Saxophone Quartet: 4 saxophones
164
Saxophone (band part)
161
Woodwind Quintet: flute, oboe, bassoon, clarinet, horn
143
Flute, Oboe, Clarinet, Bassoon
122
2 Flutes (duet)
117
Recorder
114
Clarinet Quartet: 4 clarinets
98
2 Clarinets (duet)
96
Oboe (band part)
92
Flute Quartet: 4 flutes
81
Soprano Saxophone and Piano
79
Saxophone Quintet: 5 Saxophones
67
Clarinet Ensemble
65
Saxophone ensemble
53
Descant (Soprano) Recorder
52
Flute and Guitar
51
Flute, Clarinet (duet)
46
Baritone Saxophone, Piano
45
2 Oboes (duet)
44
Soprano Saxophone
37
Oboe
36
Flute ensemble
36
Flute Trio: 3 flutes
29
3 Saxophones (trio)
26
Oboe, Bassoon (duet)
26
Flute (band part)
24
3 Clarinets (trio)
24
Recorder Quartet
22
Clarinet (band part)
22
Clarinet, Guitar (duet)
20
Oboe, Clarinet (duet)
20
2 Recorders (duet)
18
Flute, Violin
17
English horn, Piano
17
Clarinet Quintet: 5 clarinets
17
Saxophone, Clarinet (duet)
14
Clarinet, Violin (duet)
14
Bass Clarinet, Piano
14
Clarinet and Viola
14
Flute, Violoncello
14
Flute, Violin and Violoncello
12
Treble (Alto) Recorder
11
Oboe, Flute
11
Flute, Viola (duet)
11
Flute Quintet : 5 flutes
11
Flute, Violin, Piano
10
Clarinet, Trumpet (duet)
10
English Horn
9
English Horn, Guitar (duet)
8
Oboe, Guitar (duet)
8
Tenor Recorder
6
Flute, Harp and Cello
6
Oboe, Clarinet, Bassoon (trio)
6
Flute, Bassoon, and Piano
6
Flute, harp and violin
5
Pennywhistle
5
Clarinet, Cello (duet)
5
Flute, Oboe (duet)
5
Flute, Saxophone (duet)
5
Flute, Oboe, Clarinet (trio)
5
Saxophone and Guitar
5
Treble (Alto) Recorder, Piano
5
2 Flutes, Piano
5
Flute, Clarinet, Piano (trio)
5
Clarinet, Harp (duet)
5
Flute, Cello, Piano (trio)
4
Clarinet Quintet: Clarinet, String Quartet
4
Flute, Trombone (duet)
4
Descent (Soprano) Recorder, Piano
4
Baritone Saxophone
4
2 Saxophones, Piano
4
Ocarina
3
Oboe, Bassoon and Piano
3
3 Recorders (trio)
3
Clarinet, Cello, Piano (trio)
3
2 English horns and Pianoforte
3
Eb Instruments
3
Flute, Oboe, Bassoon
3
2 Clarinets, Piano
3
Piccolo
3
Recorder Ensemble
3
Clarinet, Bassoon (duet)
3
Flute, Clarinet and Bassoon.
3
Piccolo, Piano
2
Flute, Viola and Piano
2
Harmonica
2
Clarinet, Trombone (duet)
2
Flute and Strings Trio
2
Flute, trombone and piano
2
Clarinet, Bassoon, Piano (trio)
2
Saxophone, Violin (duet)
2
Flute, Oboe, Piano (trio)
2
Treble (Alto) Recorder, Basso continuo
1
Clarinet, Tuba
1
Oboe, Cello
1
Flute, Viola and Cello
1
Flute and String Quartet
1
Saxophone and Piano
1
Bagpipe
1
5 Recorders
1
Clarinet, Organ
1
Clarinet, Orchestra
1
Saxophone and Organ
1
2 Oboes, Piano
1
Flute, Clarinet, Violin (trio)
1
Oboe, Harp
1
Flute, French horn (duet)
1
Clarinet, trumpet and piano
1
4 Oboes
1
Clarinette, Viola and Piano (trio)
1
Clarinet, Double bass (duet)
1
+ 117 instrumentations
-
Retract
Woodbrass
Trumpet
593
Trombone
473
Trombone and Piano
269
Brass Quintet: 2 trumpets, horn, trombone, tuba
239
Trumpet, Piano
201
Trumpet (band part)
122
Brass quartet : 2 trumpets, trombone, tuba
104
French horn
100
French Horn and Piano
92
Trombone (band part)
86
Tuba
62
2 Trumpets (duet)
48
Brass Quartet
44
Trumpet ensemble
43
2 Trombones (duet)
42
Euphonium
40
Trombone ensemble
34
Brass Quartet: 4 trombones
33
Tuba and Piano
32
Trumpet, Trombone (duet)
31
Brass Quartet: 2 trumpets, horn, trombone
24
Euphonium, Piano (duet)
23
2 French horns (duet)
17
English horn, Piano
17
French horn (band part)
16
2 Tubas (duet)
13
Brass Trio
13
Trombone, Tuba (duet)
12
Tuba (band part)
12
Trumpet, Saxophone (duet)
11
Brass Quartet: 4 horns
11
Brass Quartet: 4 trumpets
9
English Horn
9
2 Euphoniums and 2 Tubas
9
English Horn, Guitar (duet)
8
Trumpet, Horn (duert)
6
2 Euphoniums (duet)
5
3 Trumpets (trio)
4
Horn Ensemble
4
Trumpet, violin (duet)
4
Bass Clef Instruments
4
Bb Instruments
4
Brass Quintet: 2 trumpets, horn, 2 trombones
3
2 English horns and Pianoforte
3
Brass Quartet: 2 trumpets, 2 trombones
2
Trumpet, Cello (duet)
2
Trumpet, Cello, Piano
2
2 French horns, Piano
1
Trumpet, Tuba (duet)
1
3 Trombones (trio)
1
4 Tubas
1
Euphonium, Tuba (duet)
1
Bass Trombone and Piano
1
Tuba ensemble
1
2 Trombones, Piano
1
2 Trumpets, Keyboard (piano or organ)
1
Tuba or Euphonium or Saxhorn
1
Horn and Organ
1
Trombone and Orchestra
1
Clarinet, Horn (duet)
1
4 Euphoniums
1
Trumpet, Euphonium (duet)
1
+ 57 instrumentations
-
Retract
Strings
String Quartet: 2 violins, viola, cello
1,049
Violin
831
Violin and Piano
466
Violin, Cello (duet)
442
Cello
430
String Trio: violin, viola, cello
367
Viola, Piano
318
Cello, Piano
300
Viola
250
Harp
235
String Quintet: 2 violins, viola, cello, bass
158
2 Harps (duet)
156
2 Violins (duet)
130
Violin, Viola (duet)
102
2 Cellos (duet)
74
2 Violas (duet)
71
Double Bass
65
String Trio: 2 violins, cello
55
Viola (band part)
46
Viola, Cello (duet)
35
Double bass, Piano (duet)
32
Violin (band part)
29
Doublebass (band part)
26
Violin, Guitar (duet)
25
String Trio: 3 violins
20
Harp, Flute (duet)
19
Harp, Violin (duet)
18
Cello, String Bass (duet)
16
Piano Trio: Violin, Viola, Piano
16
Cello, Guitar (duet)
16
String quartet: 4 violins
14
2 Double basses (duet)
13
4 Cellos
13
Harp, Cello (duet)
11
String Trio: 2 violins, viola
11
Violin ensemble
10
2 Violins, Piano
9
Viola and Harp
9
Viola ensemble
7
String Quintet: 2 violins, 2 violas, cello
7
String Trio: 3 cellos
7
Flute, Doublebass (duet)
6
Harp, Voice
6
Viola, Guitar (duet)
6
String Trio: 3 violas
5
Cello, Orchestra
5
String Quartet : 4 violas
4
String Quintet: 2 violins, viola, 2 cellos
4
Harp, Violin, Violoncello
4
4 Double Basses
4
Cello (band part)
3
Harp and Piano
3
2 Violas, Piano
2
Cello, Organ
1
Viola and Bassoon
1
Violin, Clarinet, Piano (trio)
1
3 Harps
1
Cello Ensemble
1
2 Cellos, Piano
1
Violin, Tuba (duet)
1
+ 55 instrumentations
-
Retract
Orchestra & Percussion
Concert band
584
Orchestra
445
Drums
421
String Orchestra
391
Chamber Orchestra
219
Jazz Ensemble
198
Brass ensemble
157
Handbells
106
Marching band
68
Percussion Ensemble
59
Jazz combo
58
Marimba
23
Percussion
13
Drum (band part)
13
Percussion (band part)
13
Xylophone, Piano
5
Woodwind Quintet
5
Vibraphone
5
3 Marimbas
4
String Quintet : 2 Violins, Viola, Violoncello, Doublebass, Keyboard
4
Timpani
3
Piano and Orchestra
2
Xylophone
2
Flexible Instrumentation
1
School Ensemble
1
Orchestra, Violin
1
+ 21 instrumentations
-
Retract
Others
Musical course - Solfege
1
Free Sheet music
Instruments
ACCORDION
BAGPIPE
BALALAIKA
BANJO
BASS
BASSOON
BLANK SHEET…
BOOKS
BOUZOUKI
BUGLE
CELLO - VIO…
CHARANGO
CHOIR - VOC…
CLARINET
CORNET
DOBRO - GUI…
DOUBLE BASS
DRUM
DULCIMER
ELECTRONIC …
ENGLISH HOR…
EUPHONIUM
FLUGELHORN
FLUTE
GUITAR
HANDBELLS
HARMONICA
HARP
HARPSICHORD
HORN
LUTE, THEOR…
MANDOLIN
MARCHING BA…
MARIMBA
MUSICAL COU…
NO SCORES
OBOE
ORCHESTRA -…
ORCHESTRA P…
ORGAN - ORG…
OTHER INSTR…
OUD
PANPIPES
PEDAL STEEL…
PERCUSSION
PIANO
RECORDER
SAXOPHONE
TROMBONE
TRUMPET
TUBA
UKULELE
VIBRAPHONE
VIELLE A RO…
VIOLA
VIOLA DA GA…
VIOLIN - FI…
WHISTLE
XYLOPHONE
ZITHER
Musician's shop
Sheet music books
Digital sheet music
Music equipment
Gift ideas
About free-scores.com
$
$
EUR €
USD $
GBP £
CAD $
CNY ¥
Français
Free Sheet Music
6
Digital Sheet Music
34
Sheet Music Books
68
Music Equipment
865
Digital scores
(access after purchase)
Post mailing
Digital sheet music
← INSTRUMENTATIONS
SORTING AND FILTERS
SORTING AND FILTERS
Sorting and filtering :
--INSTRUMENTS--
ACCORDION
AUTOHARP
BAGPIPE
BANJO
BASS
BASSOON
BOOKS
BOUZOUKI
BUGLE
CHORAL - VOCAL…
CLARINET
CORNET
DIDGERIDOO
DJ GEAR
DRUM
DULCIMER
ENGLISH HORN
EUPHONIUM
FLUTE
FRENCH HORN
GUITAR
HANDBELLS
HARMONICA
HARP
HARPSICHORD
LAP STEEL GUIT…
LUTE
MANDOLIN
MARCHING BAND
MARIMBA
MUSIC COURSE
OBOE
OCARINA
ORCHESTRA - BA…
ORGAN
PANPIPES
PERCUSSION
PIANO
RECORDER
SAXOPHONE
SYNTHESIZER K…
TROMBONE
TRUMPET
TUBA
UKULELE
VIBRAPHONE
VIOLA
VIOLIN - FIDDL…
VIOLONCELLO - …
XYLOPHONE
ZITHER
style (all)
AFRICAN
AMERICANA
ASIAN
BLUEGRASS
BLUES
CELTIC - IRISH - SCO…
CHILDREN - KIDS : MU…
CHRISTIAN (contempor…
CHRISTMAS - CAROLS -…
CLASSICAL - BAROQUE …
CONTEMPORARY - 20-21…
CONTEMPORARY - NEW A…
COUNTRY
FINGERSTYLE - FINGER…
FLAMENCO
FOLK ROCK
FOLK SONGS - TRADITI…
FRENCH SONGS
FUNK
GOSPEL - SPIRITUAL -…
HALLOWEEN
INSTRUCTIONAL : CHOR…
INSTRUCTIONAL : METH…
INSTRUCTIONAL : STUD…
JAZZ
JAZZ GYPSY - SWING
JEWISH - KLEZMER
LATIN - BOSSA - WORL…
LATIN POP ROCK
MEDIEVAL - RENAISSAN…
METAL - HARD
MOVIE (WALT DISNEY)
MOVIE - TV
MUSICALS - BROADWAYS…
OLD TIME - EARLY ROC…
OPERA
PATRIOTIC MUSIC
POLKA
POP ROCK - CLASSIC R…
POP ROCK - MODERN - …
POP ROCK - POP MUSIC
PUNK
RAGTIME
REGGAE
SOUL - R&B - HIP HOP…
TANGO
THANKSGIVING
VIDEO GAMES
WEDDING - LOVE - BAL…
WORSHIP - PRAISE
Relevance
Best sellers
Prices - to +
Prices + to -
New releases
A-Z
skill (all)
beginner
easy
intermediate
avanced
expert
Sellers (all)
Musicnotes
Note4Piano
Noviscore
Profs-edition
Quickpartitions
SheetMusicPlus
Tomplay
Virtualsheetmusic
with audio
with video
with play-along
You've selected:
I can
PDF
Soprano voice, Piano
Sheetmusic to print
34 sheet music found
<
1
26
I Heard the Bells on Christmas Day--vocal solo
#
Soprano voice, Piano
#
INTERMEDIATE
#
John Baptiste Calkin
#
Beka Wilson
#
I Heard the Bells on Christmas
#
Beka Wilson
#
SheetMusicPlus
Soprano voice,Vocal Solo - Level 3 - Digital Download SKU: A0.786516 Composed by John Baptiste Calkin. Arranged by Beka Wilson. Christian,Christmas,Gospe...
(+)
Soprano voice,Vocal Solo - Level 3 - Digital Download SKU: A0.786516 Composed by John Baptiste Calkin. Arranged by Beka Wilson. Christian,Christmas,Gospel,Sacred. 6 pages. Beka Wilson #6100937. Published by Beka Wilson (A0.786516). This arrangement of I Heard the Bells on Christmas Day is suitable for holiday concerts, church services, or contests. This arrangement is also available as a solo for flute, oboe, clarinet, bassoon, alto sax, tenor sax, F horn, trumpet, trombone, violin, viola, and cello.5 pages, includes piano score and individual voice part.Approximately 2:45 in length (@80 bpm). Starts in concert E flat then changes keys to F for the last verse.Want this arrangement for a different set of instruments or in a different key? Shoot me an email at bekmars10@gmail.com for a custom version of this arrangement that I can post on Sheet Music Plus for you.
$6.99
I am worth nothing (PÄ«ntci nakÄmmam axÄm) for soprano and piano
#
Soprano voice, Piano
#
INTERMEDIATE/ADVANCED
#
Adrienne Inglis
#
I am worth nothing
#
Adrienne Inglis
#
SheetMusicPlus
Soprano voice,Vocal Solo - Level 4 - Digital Download SKU: A0.953635 Composed by Adrienne Inglis (ASCAP). Contemporary,Sacred,World. 16 pages. Adrienne I...
(+)
Soprano voice,Vocal Solo - Level 4 - Digital Download SKU: A0.953635 Composed by Adrienne Inglis (ASCAP). Contemporary,Sacred,World. 16 pages. Adrienne Inglis (ASCAP) #6883999. Published by Adrienne Inglis (ASCAP) (A0.953635). Hot off the press! Dramatic, almost operatic song for soprano and piano (with rattle and mallet) that brings to life the tragic story of two Coahuilteco sisters sold into slavery during the Spanish mission era in Texas I am worth nothing (2022), a song for soprano and piano by Adrienne Inglis (ASCAP)Commissioned by Inversion Ensemble for Eternal Graffiti April 9, 2022, Austin, TexasProgram note: Commissioned by Inversion Ensemble and composed by Adrienne Inglis, I am worth nothing sets a stunning Coahuilteco/English poem by Texas poet Lisa Kay Adam. From the phrase PÄ«ntci nakÄmmam axÄm (I am worth nothing), Adam creates a vivid story of two young Coahuiltecan sisters and their encounters with newly arrived Spanish settlers and mission priests in the eighteenth century. Musically, the florid phrases and haunting modalities join with the sounds of drums and melancholic bells to paint a picture of exploitation, early death, and a lost way of life in the western gulf coastal plains.Text: I am not worthy - PÄ«ntci nakÄmmam axÄm, poem by Lisa Kay Adam from her book xuÄi: mission, house, village, town, published in 2018 by Lamar University Literary Press, used with permissionDuration: 9:06 (at most)World premiere: Eternal Graffiti with soprano Katrina Saporsantos and pianist Benjamin Dia April 9, 2022 Austin, Texashttps://www.chaskimusic.com/adrienne
$4.99
All I Need
#
Soprano voice, Piano
#
EASY
#
Sacred music
#
Stephen DeCesare
#
All I Need
#
Exultet Music
#
SheetMusicPlus
Soprano voice,Vocal Solo - Level 2 - Digital Download SKU: A0.617959 Composed by Stephen DeCesare. Christian,Praise & Worship,Sacred. 8 pages. Exultet Mu...
(+)
Soprano voice,Vocal Solo - Level 2 - Digital Download SKU: A0.617959 Composed by Stephen DeCesare. Christian,Praise & Worship,Sacred. 8 pages. Exultet Music #2004977. Published by Exultet Music (A0.617959). Tender and moving Praise and Worship hymn for Soprano solo and Piano that deals with the topic of All I need is to know Christ. Accessible and appropriate for any church or concert setting. Can be used many times throughout the liturgical year.CCLI Song Number: 7119080
$4.99
I am Home
#
Soprano voice, Piano
#
INTERMEDIATE
#
Jenny McKinney
#
Rebecca Brinkerhoff
#
I am Home
#
Jennifer McKinney
#
SheetMusicPlus
Soprano voice,Vocal Solo - Level 3 - Digital Download SKU: A0.958056 Composed by Jenny McKinney. Arranged by Rebecca Brinkerhoff. Christian,Contemporary,...
(+)
Soprano voice,Vocal Solo - Level 3 - Digital Download SKU: A0.958056 Composed by Jenny McKinney. Arranged by Rebecca Brinkerhoff. Christian,Contemporary,Sacred,Spiritual. 5 pages. Jennifer McKinney #3222315. Published by Jennifer McKinney (A0.958056). (for Larry) Taken from the Empty Arms Companion Songbook, this song carries a message of hope that your loved one is in a place of peace, with God, Home. The Empty Arms collection of stories and Companion Songbook can be purchased in their entirety at www.jennymcknneymusic.com. Special thanks to Tami Creamer, Tori Ingram, Caylea Ingram, Christine Jardine, and Kerry Richards for their help on this project.
$2.99
Poems: If I can Stop One Heart
#
Soprano voice, Piano
#
Contemporary
#
Troy Dickerson, poem by Emily
#
Poems: If I can Stop One Heart
#
Troy Dickerson
#
SheetMusicPlus
Soprano voice,Vocal Solo - Digital Download SKU: A0.1024408 Composed by Troy Dickerson, poem by Emily Dickinson. Contemporary. 2 pages. Troy Dickerson #6...
(+)
Soprano voice,Vocal Solo - Digital Download SKU: A0.1024408 Composed by Troy Dickerson, poem by Emily Dickinson. Contemporary. 2 pages. Troy Dickerson #6896581. Published by Troy Dickerson (A0.1024408). A setting of a famous poem by Emily Dickinson for soprano voice and piano.
$2.99
All I Can Do Is Dream (Rehearsal Track)
#
Soprano voice, Piano
#
Stephen DeCesare
#
All I Can Do Is Dream
#
Exultet Music
#
SheetMusicPlus
Piano,Soprano voice - Digital Download SKU: A0.1052247 Composed by Stephen DeCesare. Broadway,Contemporary,Film/TV,Musical/Show,Opera. Full Performance. ...
(+)
Piano,Soprano voice - Digital Download SKU: A0.1052247 Composed by Stephen DeCesare. Broadway,Contemporary,Film/TV,Musical/Show,Opera. Full Performance. Duration 161. Exultet Music #3213729. Published by Exultet Music (A0.1052247). Dramatic love musical-theatre power ballad from the musical The Competition (which is available on this site), that is scored for a Soprano Solo and Piano accompaniment. Accessible and appropriate for any concert or audition setting.
$3.99
Kindertodtenlieder (2020) for soprano and piano
#
Soprano voice, Piano
#
INTERMEDIATE/ADVANCED
#
Thomas Oboe Lee
#
Kindertodtenlieder
#
Thomas Oboe Lee
#
SheetMusicPlus
Soprano voice,Vocal Solo - Level 4 - Digital Download SKU: A0.869653 Composed by Thomas Oboe Lee. 20th Century,Contemporary,Romantic Period. 68 pages. Th...
(+)
Soprano voice,Vocal Solo - Level 4 - Digital Download SKU: A0.869653 Composed by Thomas Oboe Lee. 20th Century,Contemporary,Romantic Period. 68 pages. Thomas Oboe Lee #5751651. Published by Thomas Oboe Lee (A0.869653). I am not a huge fan of Mahler's music but his Kindertotenlieder is a cultural gem! I inadvertently discovered that the poet Friedrich Rückert who penned Kindertodtenlieder (yes, with a d ... LOL!) wrote 400-plus of these KTL poems after his two youngest children died of scarlet fever. I bought the book @ Amazon. After plowing through 442 of them, I winnowed it down to ten poems for my song cycle. It is scored for soprano and piano. NB: I cannot afford an orchestra, and it would be too much unnecessary work. LOL!!! The entire song cycle has a duration of ca. 35 minutes. It ends like a mechanical music box while the soprano sings a lullaby. Sleep is of course a perfect metaphor for being dead. Enjoy!!!https://thomasoboelee.bandcamp.com/album/kindertodtenlieder-2020
$9.99
Pictures at an exHERbition
#
Soprano voice, Piano
#
INTERMEDIATE/ADVANCED
#
Contemporary
#
Sally Whitwell
#
Pictures at an exHERbition
#
Sally Whitwell
#
SheetMusicPlus
Soprano voice,Vocal Solo - Level 4 - Digital Download SKU: A0.873044 Composed by Sally Whitwell. Contemporary. 12 pages. Sally Whitwell #6130719. Publish...
(+)
Soprano voice,Vocal Solo - Level 4 - Digital Download SKU: A0.873044 Composed by Sally Whitwell. Contemporary. 12 pages. Sally Whitwell #6130719. Published by Sally Whitwell (A0.873044). If you really pushed me to make a call, Mussorsgky’s Pictures at an Exhibition would be one of my favourite pieces in the classical repertoire. Somewhat outrageously, for a pianist, I prefer the colours and textures of the orchestrated version. I reasonably regularly listen to it, especially in transit. But to be honest, it’s not the kind of music that I perform all that often i.e. music by dead, white, male composers. I mean, it’s 2020 and as the meme says I can’t believe I still have to protest this sh*t. And I feel it too for those in the visual art world. I mean, things are a good deal better over there in contemporary art world, where women are exhibited regularly and everyone seems to embrace it without a fuss. As for women artists from centuries gone by, it’s less good news but they’re working on it. I’m reminded of the situation daily as my older brother, who is excellent at choosing gifts thoughtfully, gave me some Guerrilla Girls merchandise which I use as an iPad cover. Entitled Advantages of Being a Woman Artist, it’s a list of truths that’s pretty relatable for any creative woman. My favourite bit - Being reassured that whatever kind of art you make it will be labeled feminine. Ooft. Too real. And so I conceived of this song cycle as a kind of gift for those fighting the traditional, patriarchal structures of the entire creative sector. Three songs, inspired by three works by three wonderful Australian women artists of last century. All are depictions of scenes around Sydney Harbour. In-curve is inspired by Grace Cossington Smith’s The Bridge in-curve, a depiction of an unfinished Sydney Harbour Bridge, painted in 1930 The Code is inspired by Thea Proctor’s woodcut print Women with fans. It is thought to be a portrait of two other artists, printmakers Ethel Spowers and Eveline Syme, sitting above Rushcutters Bay. Where would we sail? is inspired by a very different view of the same location Still life and Rushcutters Bay by Margaret Olley.
$10.00
Si yo nunca desapareciera (HIGH VOICE)
#
Soprano voice, Piano
#
INTERMEDIATE/ADVANCED
#
Kristian S Rodriguez
#
Si yo nunca desapareciera
#
Kristian S. Rodriguez
#
SheetMusicPlus
Soprano voice,Vocal Solo - Level 4 - Digital Download SKU: A0.1023335 Composed by Kristian S Rodriguez. 20th Century,Contemporary,Latin. 10 pages. Kristi...
(+)
Soprano voice,Vocal Solo - Level 4 - Digital Download SKU: A0.1023335 Composed by Kristian S Rodriguez. 20th Century,Contemporary,Latin. 10 pages. Kristian S. Rodriguez #5191597. Published by Kristian S. Rodriguez (A0.1023335). I composed this piece as part of a larger song cycle, Colores mexicanos, which I wrote as part of an undergraduate thesis, Colores mexicanos: The Mexican Art Song and Setting Mexican Texts to Music (2016). This cycle explores various texts from various perspectives throughout Mexican history, culture, and society, while reflecting influences from Mexican folk and academic music within the composition. Si yo nunca... is the second piece in the cycle, and like the first, it features text from the Cantares mexicanos, written by Mexica authors during the beginning of the Spanish viceroyalty period in the 16th century. This text uses vague, abstract language to emphasize the idea that human culture never truly disappears, and it’s fitting for a state freshly defeated by another civilization. The musical setting features the Andulusian cadence, a compositional device frequently used in Latin American music, distorted across various octaves and in various figures, as the singer suggests that there is more after death, a fitting metaphor for an ancient yet very active culture that still pervades Mexican society today.
$3.99
Holy Holy Holy--vocal soprano solo
#
Soprano voice, Piano
#
INTERMEDIATE
#
Sacred music
#
Gospel/Spiritual
#
Reginald Heber, John B
#
Beka Wilson
#
Holy Holy Holy--vocal soprano
#
Beka Wilson
#
SheetMusicPlus
Soprano voice,Vocal Solo - Level 3 - Digital Download SKU: A0.786534 Composed by Reginald Heber, John B. Dykes. Arranged by Beka Wilson. Christian,Gospel...
(+)
Soprano voice,Vocal Solo - Level 3 - Digital Download SKU: A0.786534 Composed by Reginald Heber, John B. Dykes. Arranged by Beka Wilson. Christian,Gospel,Sacred,Spiritual. 6 pages. Beka Wilson #6246117. Published by Beka Wilson (A0.786534). Holy, Holy, Holy has long been a favorite hymn across many denominations, and this arrangement for vocal solo is a perfect calming special music piece for a church service. The piano accompaniment includes chording so the accompanist may ad lib as they wish. This arrangement is also available on Sheet Music Plus as a solo for alto voice (key of C/D), tenor voice (key of E flat/F), bass voice (key of C/D); as an instrumental solo for flute, oboe, clarinet, bassoon, alto sax, tenor sax, F horn, trumpet, trombone, violin, viola, and cello; and as an instrumental duet for harp/flute, harp/violin, harp/viola, and harp/cello.Length: approximately 4 minutes (85bpm)6 pages (includes score and separate melody/word sheet for the vocalist)Do you like this arrangement but want it in a different key? Shoot me an email at bekmars10@gmail.com for a custom version of this arrangement that I can post on Sheet Music Plus for you.
$6.99
Christ the Lord is Risen Today--vocal solo (treble clef)
#
Soprano voice, Piano
#
INTERMEDIATE/ADVANCED
#
Charles Wesley, Robert William
#
Beka Wilson
#
Christ the Lord is Risen Today
#
Beka Wilson
#
SheetMusicPlus
Soprano voice,Vocal Solo - Level 4 - Digital Download SKU: A0.786607 Composed by Charles Wesley, Robert Williams. Arranged by Beka Wilson. Christian,East...
(+)
Soprano voice,Vocal Solo - Level 4 - Digital Download SKU: A0.786607 Composed by Charles Wesley, Robert Williams. Arranged by Beka Wilson. Christian,Easter,Gospel,Sacred. 8 pages. Beka Wilson #6322519. Published by Beka Wilson (A0.786607). Christ the Lord is Risen Today by Charles Wesley is one of the classic favorites for celebrating the Resurrection. It would be a perfect special music piece for Easter, communion, or any other church service.This arrangement is also available as a solo for voice, flute, oboe, clarinet, bassoon, alto sax, tenor sax, F horn, trumpet, trombone, violin, viola, and cello.Length: approximately 3 minutes Level: advanced (for instrumental)8 pages (includes score and separate solo part)Want this arrangement in a different key or for a different set of instruments? Shoot me an email at bekmars10@gmail.com for a custom version of this arrangement that I can post on Sheet Music Plus for you.
$6.99
God Rest Ye Merry Gentlemen--vocal solo (treble clef)
#
Soprano voice, Piano
#
INTERMEDIATE
#
Traditional
#
Beka Wilson
#
God Rest Ye Merry Gentlemen--v
#
Beka Wilson
#
SheetMusicPlus
Soprano voice,Vocal Solo - Level 3 - Digital Download SKU: A0.786725 Composed by Traditional. Arranged by Beka Wilson. Christian,Christmas,Gospel,Sacred....
(+)
Soprano voice,Vocal Solo - Level 3 - Digital Download SKU: A0.786725 Composed by Traditional. Arranged by Beka Wilson. Christian,Christmas,Gospel,Sacred. 6 pages. Beka Wilson #6408755. Published by Beka Wilson (A0.786725). As one of the oldest Christmas carols around, God Rest Ye Merry Gentlemen is instantly recognizable and a perfect addition for a Christmas gig, recital, or church service.Length: around 4 minutes6 pages (includes score and separate vocal part)This arrangement is available as a solo for voice (piano or harp accompaniment), flute, oboe, clarinet, bassoon, alto sax, tenor sax, F horn, trumpet, trombone, violin, viola, and cello. It is also available as a duet for two harps, flute/harp, violin/harp, viola/harp, and cello/harp.Want this arrangement in a different key or for a different set of instruments? Shoot me an email at bekmars10@gmail.com for a custom version of this arrangement that I can post on Sheet Music Plus for you.
$6.99
Qual fiamma...Stridono lassù (Nedda's Aria) from Pagliacci - Accessible Accompaniments Edition
#
Soprano voice, Piano
#
ADVANCED
#
Classical
#
Ruggiero Leoncavallo
#
Nicole Elyse DiPaolo
#
Qual fiamma...Stridono lassù
#
Nicole Elyse DiPaolo
#
SheetMusicPlus
Soprano voice,Vocal Solo - Level 5 - Digital Download SKU: A0.799606 Composed by Ruggiero Leoncavallo. Arranged by Nicole Elyse DiPaolo. Romantic Period....
(+)
Soprano voice,Vocal Solo - Level 5 - Digital Download SKU: A0.799606 Composed by Ruggiero Leoncavallo. Arranged by Nicole Elyse DiPaolo. Romantic Period. 6 pages. Nicole Elyse DiPaolo #3420731. Published by Nicole Elyse DiPaolo (A0.799606). The first of its kind, and the seventh entry in Nicole Elyse DiPaolo's Accessible Accompaniments series of aria reductions, this is a genuinely playable and slightly simplified piano/vocal reduction of Stridono lassù, Nedda's famous aria from Leoncavallo's Pagliacci. Sopranos who love this aria no longer need to fear bringing it in for auditions, last-minute performing engagements, or other situations in which the pianist may have to sight-read from the chaotic, poorly notated, and technically demanding vocal score. Pianists may now enjoy playing this aria comfortably, without risking strain/injury by trying to play the harp lines that nobody can hear anyway!All Accessible Accompaniments, including this one, boast several unique features:1. No reduction ever requires stretches of over an octave, not including bass notes meant to be held or fudged with the pedal (though octaves may also contain chord tones within them). This reduces the amount of rearranging that smaller-handed pianists must already do. Obviously, further reworkings are to be expected and pianists should feel free to add to or modify what I’ve provided.2. I’ve included less essential, but potentially desirable additional voices/passages in cue-size noteheads so that pianists can easily see them, but know that they are not necessary in a sink or swim accompanying situation. Presenting less essential material in cue-size noteheads also reduces visual clutter on the page.3. In addition to the composer’s markings, when needed, I have included hints on particular notes to bring out when the singer is likely to need them as a pitch anchor or when it is not obvious which line should be brought out within the texture.4. All page turns have been carefully selected so as to result in the least possible disruption to the pianist. When an inevitable page turn precedes a potentially surprising note or chord, I’ve included the next downbeat’s notes in cue-size stemless noteheads at the end of the preceding measure.5. When known, I’ve noted alternate cuts that singers might like to take within certain arias.6. In some cases I’ve modernized spelling conventions for easier readability (for example, by replacing ß with ss in German arias) and occasionally I've enharmonically respelled brief passages for greater clarity.About the Arranger: Praised as a sensitive pianist and outstanding accompanist who delivers powerful interpretations, Nicole Elyse DiPaolo enjoys a multifaceted career as a sought-after collaborative pianist, educational composer, arranger, coach, private teacher, and adjunct music professor. Currently based in the Cleveland area, Ms. DiPaolo has appeared as a concerto soloist with the Ambassador Chamber Players on multiple occasions and as a recitalist, collaborator, and presenter worldwide. Currently, Ms. DiPaolo is an online Adjunct Lecturer in Music at Indiana University; the Principal Theory Teacher at Liberty Park Music, an online-only video subscription-based music school; an invited blog contributor and guest instructor at Tonebase; and a sought-after online instructor of piano, music theory, and composition who includes partimento and historical improvisation in her curricula. For more information, please visit http://ndipaolo.musicaneo.com .
$8.95
Grossmächtige Prinzessin (Zerbinetta's Aria, Complete) from Ariadne auf Naxos - Accessible Accompan
#
Soprano voice, Piano
#
ADVANCED
#
Classical
#
Richard Strauss
#
Nicole Elyse DiPaolo
#
Grossmächtige Prinzessin
#
Nicole Elyse DiPaolo
#
SheetMusicPlus
Soprano voice,Vocal Solo - Level 5 - Digital Download SKU: A0.799613 Composed by Richard Strauss. Arranged by Nicole Elyse DiPaolo. 20th Century,Romantic...
(+)
Soprano voice,Vocal Solo - Level 5 - Digital Download SKU: A0.799613 Composed by Richard Strauss. Arranged by Nicole Elyse DiPaolo. 20th Century,Romantic Period. 17 pages. Nicole Elyse DiPaolo #5022029. Published by Nicole Elyse DiPaolo (A0.799613). The first of its kind, and the sixth entry in Nicole Elyse DiPaolo's Accessible Accompaniments series of aria reductions, this is a genuinely playable and piano/vocal reduction of Grossmächtige Prinzessin, Zerbinetta's famous aria from Strauss's Ariadne auf Naxos (second version, 1916). Coloratura sopranos who love this aria no longer need to fear bringing it in for auditions, last-minute performing engagements, or other situations in which the pianist may have to sight-read from the chaotic and sometimes unplayable vocal score. Pianists may now enjoy playing this aria comfortably, without risking strain/injury.This aria is also available to purchase in smaller sections, as commonly offered in auditions, at reduced prices. They include a score beginning at Noch glaub' ich and one beginning at So war es mit Pagliazzo. To see previews of those sections within the aria, please visit their respective SheetMusicPlus pages. The edition you are viewing here is the complete aria, covering rehearsal nos. 100-130.All Accessible Accompaniments, including this one, boast several unique features:1. No reduction ever requires stretches of over an octave, not including bass notes meant to be held or fudged with the pedal (though octaves may also contain chord tones within them). This reduces the amount of rearranging that smaller-handed pianists must already do. Obviously, further reworkings are to be expected and pianists should feel free to add to or modify what I’ve provided.2. I’ve included less essential, but potentially desirable additional voices/passages in cue-size noteheads so that pianists can easily see them, but know that they are not necessary in a sink or swim accompanying situation. Presenting less essential material in cue-size noteheads also reduces visual clutter on the page.3. In addition to the composer’s markings, when needed, I have included hints on particular notes to bring out when the singer is likely to need them as a pitch anchor or when it is not obvious which line should be brought out within the texture.4. All page turns have been carefully selected so as to result in the least possible disruption to the pianist when possible. When an inevitable page turn precedes a potentially surprising note or chord, I’ve included the next downbeat’s notes in cue-size stemless noteheads at the end of the preceding measure.5. When known, I’ve noted alternate cuts that singers might like to take within certain arias.6. In some cases I’ve modernized spelling conventions for easier readability (for example, by replacing ß with ss in German arias) and occasionally I've enharmonically respelled brief passages for greater clarity.About the Arranger: Praised as a sensitive pianist and outstanding accompanist who delivers powerful interpretations, Nicole Elyse DiPaolo enjoys a multifaceted career as a sought-after collaborative pianist, educational composer, arranger, coach, private teacher, and adjunct music professor. Currently based in the Cleveland area, Ms. DiPaolo has appeared as a concerto soloist with the Ambassador Chamber Players on multiple occasions and as a recitalist, collaborator, and presenter worldwide. Currently, Ms. DiPaolo is an online Adjunct Lecturer in Music at Indiana University; the Principal Theory Teacher at Liberty Park Music, an online-only video subscription-based music school; an invited blog contributor and guest instructor at Tonebase; and a sought-after online instructor of piano, music theory, and composition who includes partimento and historical improvisation in her curricula. For more information, please visit http://ndipaolo.musicaneo.com .
$13.95
Grossmächtige Prinzessin (Zerbinetta, from Noch glaub' ich) from Ariadne auf Naxos - Accessible Acc
#
Soprano voice, Piano
#
Classical
#
Richard Strauss
#
Nicole Elyse DiPaolo
#
Grossmächtige Prinzessin
#
Nicole Elyse DiPaolo
#
SheetMusicPlus
Soprano voice,Vocal Solo - Digital Download SKU: A0.799614 Composed by Richard Strauss. Arranged by Nicole Elyse DiPaolo. 20th Century,Romantic Period. 1...
(+)
Soprano voice,Vocal Solo - Digital Download SKU: A0.799614 Composed by Richard Strauss. Arranged by Nicole Elyse DiPaolo. 20th Century,Romantic Period. 12 pages. Nicole Elyse DiPaolo #5022031. Published by Nicole Elyse DiPaolo (A0.799614). The first of its kind, and the sixth entry in Nicole Elyse DiPaolo's Accessible Accompaniments series of aria reductions, this is a genuinely playable and piano/vocal reduction of Grossmächtige Prinzessin, Zerbinetta's famous aria from Strauss's Ariadne auf Naxos (second version, 1916). Please note that the version on this page is a cut beginning from Noch glaub' ich and the complete aria, from rehearsal nos. 100-130, is available separately. Coloratura sopranos who love this aria no longer need to fear bringing it in for auditions, last-minute performing engagements, or other situations in which the pianist may have to sight-read from the chaotic and sometimes unplayable vocal score. Pianists may now enjoy playing this aria comfortably, without risking strain/injury.In addition to the current cut, one beginning at So war es mit Pagliazzo is also available. To see previews of those sections within the aria, please visit their respective SheetMusicPlus pages.All Accessible Accompaniments, including this one, boast several unique features:1. No reduction ever requires stretches of over an octave, not including bass notes meant to be held or fudged with the pedal (though octaves may also contain chord tones within them). This reduces the amount of rearranging that smaller-handed pianists must already do. Obviously, further reworkings are to be expected and pianists should feel free to add to or modify what I’ve provided.2. I’ve included less essential, but potentially desirable additional voices/passages in cue-size noteheads so that pianists can easily see them, but know that they are not necessary in a sink or swim accompanying situation. Presenting less essential material in cue-size noteheads also reduces visual clutter on the page.3. In addition to the composer’s markings, when needed, I have included hints on particular notes to bring out when the singer is likely to need them as a pitch anchor or when it is not obvious which line should be brought out within the texture.4. All page turns have been carefully selected so as to result in the least possible disruption to the pianist when possible. When an inevitable page turn precedes a potentially surprising note or chord, I’ve included the next downbeat’s notes in cue-size stemless noteheads at the end of the preceding measure.5. When known, I’ve noted alternate cuts that singers might like to take within certain arias.6. In some cases I’ve modernized spelling conventions for easier readability (for example, by replacing ß with ss in German arias) and occasionally I've enharmonically respelled brief passages for greater clarity.About the Arranger: Praised as a sensitive pianist and outstanding accompanist who delivers powerful interpretations, Nicole Elyse DiPaolo enjoys a multifaceted career as a sought-after collaborative pianist, educational composer, arranger, coach, private teacher, and adjunct music professor. Currently based in the Cleveland area, Ms. DiPaolo has appeared as a concerto soloist with the Ambassador Chamber Players on multiple occasions and as a recitalist, collaborator, and presenter worldwide. Currently, Ms. DiPaolo is an online Adjunct Lecturer in Music at Indiana University; the Principal Theory Teacher at Liberty Park Music, an online-only video subscription-based music school; an invited blog contributor and guest instructor at Tonebase; and a sought-after online instructor of piano, music theory, and composition who includes partimento and historical improvisation in her curricula. For more information, please visit http://ndipaolo.musicaneo.com .
$10.95
Arrière! Je réchauffe les bons (Fire Aria) - L'enfant et les sortilèges - Accessible Accompaniments
#
Soprano voice, Piano
#
ADVANCED
#
Opera
#
Classical
#
Maurice Ravel
#
Nicole Elyse DiPaolo
#
Arrière! Je réchauffe les bo
#
Nicole Elyse DiPaolo
#
SheetMusicPlus
Soprano voice,Vocal Solo - Level 5 - Digital Download SKU: A0.1185473 Composed by Maurice Ravel. Arranged by Nicole Elyse DiPaolo. Classical,Opera. 6 pag...
(+)
Soprano voice,Vocal Solo - Level 5 - Digital Download SKU: A0.1185473 Composed by Maurice Ravel. Arranged by Nicole Elyse DiPaolo. Classical,Opera. 6 pages. Nicole Elyse DiPaolo #785149. Published by Nicole Elyse DiPaolo (A0.1185473). The first of its kind, this is a genuinely playable and slightly-to-moderately simplified piano/vocal reduction of Arrière! Je réchauffe les bons, the Fire Aria from Ravel's L'enfant et les sortilèges (1925)​. Sopranos who love this aria no longer need to fear bringing it in for auditions, last-minute performing engagements, or other situations in which the pianist may have to sight-read from the often chaotic vocal score, particularly if the murmuring section after the standard audition cut, which is very poorly rendered in the standard reduction, is also being included. Pianists may now enjoy playing this aria comfortably, without risking strain/injury or audition-room chaos.This Accessible Accompaniment is more generous than standard audition cuts, ending just before L'enfant re-enters with j'ai peur. It is 91 measures in total and ideal for recitals as well. All Accessible Accompaniments, including this one, boast several unique features:1. No reduction ever requires stretches of over an octave, not including bass notes meant to be held or “fudged†with the pedal (though octaves may also contain chord tones within them). This reduces the amount of rearranging that smaller-handed pianists must already do. Obviously, further reworkings are to be expected and pianists should feel free to add to or modify what I’ve provided.2. I’ve included less essential, but potentially desirable additional voices/passages in cue-size noteheads so that pianists can easily see them, but know that they are not necessary in a “sink or swim†accompanying situation. Presenting less essential material in cue-size noteheads also reduces visual clutter on the page. 3. In addition to the composer’s markings, when needed, I have included hints on particular notes to bring out when the singer is likely to need them as a pitch anchor or when it is not obvious which line should be brought out within the texture.4. All page turns have been carefully selected so as to result in the least possible disruption to the pianist when possible. 5. When known, I’ve noted alternate cuts that singers might like to take within certain arias. 6. In some cases I’ve modernized spelling conventions for easier readability (for example, by replacing “߆with “ss†in German arias) and occasionally I've enharmonically respelled brief passages for greater clarity. I’ve also replaced some text “cresc.†and “dim.†markings with hairpins, which are easier to see in high-pressure sight-reading situations.About the Arranger:Praised as a sensitive pianist and outstanding accompanist who delivers powerful interpretations, Nicole Elyse DiPaolo enjoys a multifaceted career as a sought-after collaborative pianist, educational composer, arranger, coach, private teacher, and adjunct music professor. Currently based in the Cleveland area, Ms. DiPaolo has appeared as a concerto soloist with the Ambassador Chamber Players on multiple occasions and as a recitalist, collaborator, and presenter worldwide. Currently, Ms. DiPaolo is an online Adjunct Lecturer in Music at Indiana University; the Principal Theory Teacher at Liberty Park Music, an online-only video subscription-based music school; an invited blog contributor and guest instructor at Tonebase; and a sought-after online instructor of piano, music theory, and composition who includes partimento and historical improvisation in her curricula. For more information, please visit http://ndipaolo.musicaneo.com .
$8.95
Grossmächtige Prinzessin (Zerbinetta, from So war es) from Ariadne auf Naxos - Accessible Accompani
#
Soprano voice, Piano
#
ADVANCED
#
Classical
#
Richard Strauss
#
Nicole Elyse DiPaolo
#
Grossmächtige Prinzessin
#
Nicole Elyse DiPaolo
#
SheetMusicPlus
Soprano voice,Vocal Solo - Level 5 - Digital Download SKU: A0.799615 Composed by Richard Strauss. Arranged by Nicole Elyse DiPaolo. 20th Century,Romantic...
(+)
Soprano voice,Vocal Solo - Level 5 - Digital Download SKU: A0.799615 Composed by Richard Strauss. Arranged by Nicole Elyse DiPaolo. 20th Century,Romantic Period. 9 pages. Nicole Elyse DiPaolo #5022033. Published by Nicole Elyse DiPaolo (A0.799615). The first of its kind, and the sixth entry in Nicole Elyse DiPaolo's Accessible Accompaniments series of aria reductions, this is a genuinely playable and piano/vocal reduction of Grossmächtige Prinzessin, Zerbinetta's famous aria from Strauss's Ariadne auf Naxos (second version, 1916). Please note that the version on this page is a cut beginning from So war es mit Pagliazzo and the complete aria, from rehearsal nos. 100-130, is available separately. Coloratura sopranos who love this aria no longer need to fear bringing it in for auditions, last-minute performing engagements, or other situations in which the pianist may have to sight-read from the chaotic and sometimes unplayable vocal score. Pianists may now enjoy playing this aria comfortably, without risking strain/injury.In addition to the current cut, one beginning at Noch glaub' ich is also available. To see previews of that section within the aria and a preview of the complete aria, please visit their respective SheetMusicPlus pages.All Accessible Accompaniments, including this one, boast several unique features:1. No reduction ever requires stretches of over an octave, not including bass notes meant to be held or fudged with the pedal (though octaves may also contain chord tones within them). This reduces the amount of rearranging that smaller-handed pianists must already do. Obviously, further reworkings are to be expected and pianists should feel free to add to or modify what I’ve provided.2. I’ve included less essential, but potentially desirable additional voices/passages in cue-size noteheads so that pianists can easily see them, but know that they are not necessary in a sink or swim accompanying situation. Presenting less essential material in cue-size noteheads also reduces visual clutter on the page.3. In addition to the composer’s markings, when needed, I have included hints on particular notes to bring out when the singer is likely to need them as a pitch anchor or when it is not obvious which line should be brought out within the texture.4. All page turns have been carefully selected so as to result in the least possible disruption to the pianist when possible. When an inevitable page turn precedes a potentially surprising note or chord, I’ve included the next downbeat’s notes in cue-size stemless noteheads at the end of the preceding measure.5. When known, I’ve noted alternate cuts that singers might like to take within certain arias.6. In some cases I’ve modernized spelling conventions for easier readability (for example, by replacing ß with ss in German arias) and occasionally I've enharmonically respelled brief passages for greater clarity.About the Arranger: Praised as a sensitive pianist and outstanding accompanist who delivers powerful interpretations, Nicole Elyse DiPaolo enjoys a multifaceted career as a sought-after collaborative pianist, educational composer, arranger, coach, private teacher, and adjunct music professor. Currently based in the Cleveland area, Ms. DiPaolo has appeared as a concerto soloist with the Ambassador Chamber Players on multiple occasions and as a recitalist, collaborator, and presenter worldwide. Currently, Ms. DiPaolo is an online Adjunct Lecturer in Music at Indiana University; the Principal Theory Teacher at Liberty Park Music, an online-only video subscription-based music school; an invited blog contributor and guest instructor at Tonebase; and a sought-after online instructor of piano, music theory, and composition who includes partimento and historical improvisation in her curricula. For more information, please visit http://ndipaolo.musicaneo.com .
$8.95
Some World Far From Ours
#
Soprano voice, Piano
#
INTERMEDIATE/ADVANCED
#
Contemporary
#
Sally Whitwell
#
Some World Far From Ours
#
Sally Whitwell
#
SheetMusicPlus
Soprano voice,Vocal Solo - Level 4 - Digital Download SKU: A0.873021 Composed by Sally Whitwell. Contemporary. 8 pages. Sally Whitwell #3867171. Publishe...
(+)
Soprano voice,Vocal Solo - Level 4 - Digital Download SKU: A0.873021 Composed by Sally Whitwell. Contemporary. 8 pages. Sally Whitwell #3867171. Published by Sally Whitwell (A0.873021). Composer’s Note - Some World Far From OursA principle source of inspiration for composers is surely a performer of great talent and skill. Percy Bysshe Shelley proves that this is true not only for composers but for poets as well. His dear friend Jane Williams -- the never proven conjecture is that she was actually his lover -- could sing like a bird and also play flute, harp and guitar. In S​ ome World Far From Ours,​ I so enjoyed bringing some musical life to a text that praises a musician from a poet who understands how a singing voice can transport a listener in a was that speech cannot.-- Sally Whitwell
$1.99
Stillness (High)
#
Soprano voice, Piano
#
INTERMEDIATE
#
Jocelyn Scofield
#
Stillness
#
Bilsco Music
#
SheetMusicPlus
Soprano voice,Vocal Solo - Level 3 - Digital Download SKU: A0.992611 Composed by Jocelyn Scofield. Contemporary,Standards. 6 pages. Bilsco Music #3500763...
(+)
Soprano voice,Vocal Solo - Level 3 - Digital Download SKU: A0.992611 Composed by Jocelyn Scofield. Contemporary,Standards. 6 pages. Bilsco Music #3500763. Published by Bilsco Music (A0.992611). Description: Stillness is a classical art song by Los Angeles-based composer, Jocelyn Scofield. It was premiered in Los Angeles, CA in 2018.Range: F4-Ab6, Key: Fminor, Length: 2:50, Tempo: 105bpmText: Around me Is a storm of chaos and pain Around me Is a battle of hate and blameAnd I am lost in this war I am searching, desperate forStillness StillnessInside me Is a space where chaos can not breathe Inside me Is a grace where hate can not feedWhen I close my eyes When I calm my wearied mindI am breath I am body I am peace I amStillness Stillness
$4.99
My Soul Doth Magnify the Lord
#
Soprano voice, Piano
#
INTERMEDIATE/ADVANCED
#
Richard J
#
to B flat 5
#
My Soul Doth Magnify the Lord
#
Barber Music Company
#
SheetMusicPlus
Soprano voice,Vocal Solo - Level 4 - Digital Download SKU: A0.915690 Composed by Richard J. Barber. 20th Century,Christian,Christmas,Contemporary,Sacred....
(+)
Soprano voice,Vocal Solo - Level 4 - Digital Download SKU: A0.915690 Composed by Richard J. Barber. 20th Century,Christian,Christmas,Contemporary,Sacred. 7 pages. Barber Music Company #3867877. Published by Barber Music Company (A0.915690). Soprano solo with piano accompaniment. Text: Luke 1:46-48, KJV. Duration: 2:26. Range: B 3 to B flat 5. Works as a worship service special during the Christmas season. Originally I wrote it as part of a cantata several years ago. Someday maybe I will try to publish that cantata here. Would love to hear from you with your comments and questions. Dick Barber: aspiringtungerrjb@sbcglobal.net.
$2.00
Civility
#
Soprano voice, Piano
#
INTERMEDIATE/ADVANCED
#
Melanie B
#
Civility
#
Melanie B Guerin
#
SheetMusicPlus
Soprano voice,Vocal Solo - Level 4 - Digital Download SKU: A0.854332 Composed by Melanie B. Guerin. Broadway,Contemporary,Musical/Show. 7 pages. Melanie ...
(+)
Soprano voice,Vocal Solo - Level 4 - Digital Download SKU: A0.854332 Composed by Melanie B. Guerin. Broadway,Contemporary,Musical/Show. 7 pages. Melanie B Guerin #6110663. Published by Melanie B Guerin (A0.854332). Comedic song for a soprano who has decided this is no time to be nice! This is an uptempo song with some challenging modulations and a wide range (G3-B5), but a catchy tune and lyrics that poke fun of the belligerence of modern society.The world today’s gone mad, they say,And I feel it’s a fitting rebuke,No sooner you’re meeting a stranger,Than he’s telling you Put up your dukes, There’s no longer a role for a peaceful soul,When you’re caught between muscle and might,If you’re gonna get through,There’s just one thing to do,So you take a deep breath,And you join in the fight! Hit ‘em again,If it’s rough, make it rougher,Someone’s gotta suffer,But you’ll be the one who survives,When they’re aiming to give you the worst,You can beat ‘em by hitting ‘em first!Then hit ‘em again,Hit ‘em again,Hit ‘em again. Hit ‘em again,Make it long, make it lasting,They’re practically askingFor a pummeling right in the puss,They’ll remember how right you areWhen you leave ‘em a permanent scar,Hit ‘em again,Hit ‘em again,Hit ‘em again. A swine who would sooner cut you than concede,But he won’t look half as tough when his nose is bleeding,You can spout your facts and figures but eventually you findIt’s better to make him have to change his pants than change his mind. Hit him again,Make him dance, make him dizzy,Sure it’s brutal, but is heNot a villain deserving of grief?He’s a louse and unless I’m mistook,All his geese should be thoroughly cooked!So hit him again,And then… Hit him again,Make him shake, make him shudder,When he’s starting to sputter,It’s then you go in for the kill,Leave him all in a heap on the pitch,‘Til he’s crying like some little bitch!Hit him again,Hit him again,Hit him again, and then again!
$4.75
O Sachs! Mein Freund! (Eva's Aria) from Die Meistersinger - Accessible Accompaniments Edition
#
Soprano voice, Piano
#
ADVANCED
#
Richard Wagner
#
Nicole Elyse DiPaolo
#
O Sachs! Mein Freund!
#
Nicole Elyse DiPaolo
#
SheetMusicPlus
Soprano voice,Vocal Solo - Level 5 - Digital Download SKU: A0.1303524 By Richard Wagner. By Richard Wagner. Arranged by Nicole Elyse DiPaolo. 19th Centur...
(+)
Soprano voice,Vocal Solo - Level 5 - Digital Download SKU: A0.1303524 By Richard Wagner. By Richard Wagner. Arranged by Nicole Elyse DiPaolo. 19th Century,Classical,Opera,Romantic Period. 5 pages. Nicole Elyse DiPaolo #893099. Published by Nicole Elyse DiPaolo (A0.1303524). The first of its kind, this is a genuinely playable piano/vocal reduction of O Sachs! Mein Freund!, Eva's aria from Richard Wagner's Die Meistersinger von Nurnberg. Dramatic sopranos who love this aria no longer need to fear bringing it in for auditions, last-minute performing engagements, or other situations in which the pianist is unlikely to know this aria and may become rattled by the chaotic piano reductions in the currently available vocal scores. Pianists with limited practice time may now enjoy playing this aria comfortably as well. Because vocal line/orchestral doublings are characteristic of Wagner, those have been preserved in this edition. All Accessible Accompaniments, including this one, boast several unique features:1. No reduction ever requires stretches of over an octave, not including bass notes meant to be held or “fudged†with the pedal (though octaves may also contain chord tones within them). This reduces the amount of rearranging that smaller-handed pianists must already do. Obviously, further reworkings are to be expected and pianists should feel free to add to or modify what I’ve provided.2. I’ve included less essential, but potentially desirable additional voices/passages in cue-size noteheads so that pianists can easily see them, but know that they are not necessary in a “sink or swim†accompanying situation. Presenting less essential material in cue-size noteheads also reduces visual clutter on the page.3. In addition to the composer’s markings, when needed, I have included hints on particular notes to bring out when the singer is likely to need them as a pitch anchor or when it is not obvious which line should be brought out within the texture.4. All page turns have been carefully selected so as to result in the least possible disruption to the pianist when possible. When an inevitable page turn precedes a potentially surprising note or chord, I’ve included the next downbeat’s notes in cue-size stemless noteheads at the end of the preceding measure.5. When known, I’ve noted alternate cuts that singers might like to take within certain arias.6. In some cases I’ve modernized spelling conventions for easier readability (for example, by replacing “߆with “ss†in German arias) and occasionally I've enharmonically respelled brief passages for greater clarity.
$8.95
The Raven Himself is Hoarse, William Shakespeare: text from MACBETH
#
Soprano voice, Piano
#
ADVANCED
#
Mary Ann Joyce
#
The Raven Himself is Hoarse, W
#
Mary Ann Joyce-Walter
#
SheetMusicPlus
Soprano voice,Vocal Solo - Level 5 - Digital Download SKU: A0.989224 Composed by Mary Ann Joyce. Concert,Contemporary. 7 pages. Mary Ann Joyce-Walter #62...
(+)
Soprano voice,Vocal Solo - Level 5 - Digital Download SKU: A0.989224 Composed by Mary Ann Joyce. Concert,Contemporary. 7 pages. Mary Ann Joyce-Walter #6204787. Published by Mary Ann Joyce-Walter (A0.989224). Lady Macbeth's Soliloquy, The Raven Himself is Hoarse, is from Act I - Scene V. She plots to have Duncan murdered and ispraying to herself to have the direst cruelty!....Make thick my blood The work is highly dramatic and operatic. The work was composed for Anna Tonna and Isabel Perez for their concert in Lincoln Center in 2018.
$5.99
<
1
26
© 2000 - 2024
Home
-
New releases
-
Composers
Legal notice
-
Full version
