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8 sheet music found
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1
Moonlight Sonata for Acoustic Guitar and Piano Accompaniment
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Guitar
#
BEGINNER
#
Classical
#
Ludwig van Beethoven
#
Valdir Maia
#
Moonlight Sonata for Acoustic
#
Valdir Maia
#
SheetMusicPlus
Solo Guitar - Level 1 - Digital Download SKU: A0.1437239 Composed by Ludwig van Beethoven. Arranged by Valdir Maia. 19th Century,Classical,Romantic Perio...
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Solo Guitar - Level 1 - Digital Download SKU: A0.1437239 Composed by Ludwig van Beethoven. Arranged by Valdir Maia. 19th Century,Classical,Romantic Period,Traditional. Individual part. 7 pages. Valdir Maia #1017312. Published by Valdir Maia (A0.1437239). **Moonlight Sonata for Acoustic Guitar and Piano**Embark on a captivating musical journey with our rendition of Moonlight Sonata for Acoustic Guitar and Piano. Crafted for intermediate guitarists, this arrangement beautifully blends the warm tones of the acoustic guitar with the elegant accompaniment of the piano.Crafted with precision and care, our high-quality PDF ensures clarity in every note, while the included score and parts facilitate seamless ensemble performance. Perfect for musicians eager to explore the romantic era, this arrangement offers a captivating journey through Beethoven's musical genius.Key Features:- Impeccable PDF quality for enhanced readability.- Score and parts included for convenient ensemble playing.- Ideal for intermediate guitarists seeking a rewarding challenge.- Experience the beauty of Moonlight Sonata on acoustic guitar and piano today.Unlock the magic of Moonlight Sonata and add a touch of romance to your repertoire. Seize the opportunity to bring Beethoven's timeless masterpiece to life – purchase your copy now and let the music inspire you.
$9.99
Nadir
#
Guitar
#
Apostolos Paraskevas
#
Nadir
#
Silver Sickle Publications
#
SheetMusicPlus
Solo Guitar - Digital Download SKU: A0.942099 Composed by Apostolos Paraskevas. 20th Century,Contemporary,World. Individual part. 9 pages. Silver Sickle ...
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Solo Guitar - Digital Download SKU: A0.942099 Composed by Apostolos Paraskevas. 20th Century,Contemporary,World. Individual part. 9 pages. Silver Sickle Publications #6227369. Published by Silver Sickle Publications (A0.942099). Nadir (1994) is written for prepared guitar, a term usually associated with a piano in which certain objects have been placed on the strings in order to alter the conventional sound of the instrument. Many composers have written music for prepared piano, among them John Cage, who, according to Mr. Paraskevas, was the inspiration for his transferring of the same technique to the guitar. It is quite possible that nobody has used this kind of technique on the guitar before. After experimenting with various materials, he decided on the use of two metal paper clips, which he puts at specific locations on the fingerboard, so that they best produce the desired sound effect, a sound both harmonic and percussive. Nadir suggests the lowest point, here associated with the notion of death. The piece bears many programmatic references to the struggle between good and evil, life and death, musically portrayed in the persistent ostinato rhythms and the fragmented melodic phrases. Death cuts through in the form of an abrupt strike on the wood, the fingers continue to play but no sound is heard, until two more strikes make their movement stop. Little by little life and sound start again, but the final strike brings about the pessimistic message that fate and death predominate in the end. The piece ends with the inscription ...but sooner or later we live forever - a final optimistic touch. Nadir was the outcome of continuous experimentation on the capabilities of the guitar as an instrument, and all the potential sound effects that one can draw from it. ...Dr. Paraskevas, is an amazingly versatile guitarist. He conquers the many technical challenges of this repertoire with ease, he can sing with the purest tone (try the opening work, Alfonsina y el Mar, and see). What makes Visions of Azure a wonderful guitar CD rather than simply a good one is the last 18 minutes. The guitarist saves his own compositions for last, and if the ear is fatigued at this point in the recital. Paraskevas gives it good reason to wake up....I am sold on Paraskevas's playing, and do not think hunting down the alternatives is necessary. In short, this is an essential CD for those interested in modern classical guitar.
$8.99
Élégie
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Guitar
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INTERMEDIATE
#
Contemporary
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Francis Bebey
#
Ingrid Riollot
#
Élégie
#
Les Editions Doberman-Yppan
#
SheetMusicPlus
Guitar - Intermediate - Digital Download SKU: ZY.DO-1522 Composed by Francis Bebey. Arranged by Ingrid Riollot. Score. 5 pages. Les Editions Doberman-Ypp...
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Guitar - Intermediate - Digital Download SKU: ZY.DO-1522 Composed by Francis Bebey. Arranged by Ingrid Riollot. Score. 5 pages. Les Editions Doberman-Yppan (digital) #DO 1522. Published by Les Editions Doberman-Yppan (digital) (ZY.DO-1522). Francis Bebey est né à Douala en juillet 1929, dans une grande famille où son père, pasteur, luttait pour nourrir ses enfants. Mais Francis a eu l'opportunité d'aller à l'école. Admirant son frère aîné, Marcel Eyidi Bebey, il s'est éduqué, s'est distingué, et a finalement reçu une bourse pour passer son baccalauréat en France.Nous approchions de la fin des années 1950 lorsqu'il est arrivé à La Rochelle. Plus que jamais, dans cette France où les Africains étaient regardés avec curiosité, condescendance ou dédain, Francis s'appuyait sur ses ressources intellectuelles. Travailleur assidu, il a obtenu son baccalauréat, puis s'est installé à Paris où il a commencé des études d'anglais à la Sorbonne. Un jour, il a su ce qui l'attirait vraiment : il voulait faire de la radio. Francis a appris son métier en France et aux Ã?tats-Unis.Après avoir travaillé quelques années comme reporter, il a été embauché en 1961 en tant que fonctionnaire international au Département de l'information de l'UNESCO.Parallèlement, Francis a toujours été attiré par la création musicale. Son activité diurne très sérieuse ne l'empêchait pas de fréquenter les clubs de jazz le soir. Ã? Paris, le jazz, la musique à la mode à cette époque, mais aussi la rumba et la salsa l'attiraient. Il collectionnait les disques et assistait à de nombreux concerts. Avec son complice Manu Dibango, Francis montait sur scène et jouait de la musique.Francis aimait la musique classique depuis son enfance. Il avait grandi en écoutant les cantates et les oratorios de Bach ou Handel que son père chantait au temple. Il s'est passionné pour la guitare, impressionné par les maîtres espagnols et sud-américains, et a décidé d'apprendre à jouer de l'instrument lui-même.Il a commencé à composer des pièces pour guitare, mêlant les diverses influences qui le traversaient avec la musique traditionnelle africaine qu'il portait en lui depuis son enfance. Son approche a captivé le directeur du Centre culturel américain (alors situé dans le quartier de Saint-Germain à Paris), qui lui a offert l'opportunité de se produire devant un public. Francis y a donné son premier récital de guitare (1963) devant un public hypnotisé. Son premier album solo est sorti peu de temps après.Progressivement, Francis est devenu reconnu comme musicien et compositeur. Plusieurs albums de l'ambassadeur africain de la guitare, comme le décrivait la presse, sont sortis. Il a également écrit des livres, au point que sa carrière artistique est devenue difficile à concilier avec sa carrière de fonctionnaire. En 1974, même s'il était devenu le directeur général chargé de la musique à l'UNESCO, il a fait le saut audacieux et a démissionné de cette prestigieuse institution pour se consacrer aux trois activités qui l'intéressaient : la musique, la littérature et le journalisme.Il a exploré le patrimoine musical traditionnel du continent africain, notamment à travers le piano à pouce sanza et la musique polyphonique des pygmées d'Afrique centrale, ou en chantant dans sa langue maternelle et en composant des chansons humoristiques en français !Le succès a suivi. Francis Bebey a parcouru le monde : de la France au Brésil, du Cameroun à la Suède, de l'Allemagne aux Caraïbes, ou du Maroc au Japon... la liste des pays où il a été invité à se produire, à donner des conférences ou à rencontrer des lecteurs est très longue. En plus de la reconnaissance publique, il bénéficiait de la reconnaissance de ses collègues musiciens, tels que le guitariste John Williams ou le Vénézuélien Antonio Lauro, qui l'ont invité à faire partie du jury d'un concours de guitare classique à Caracas.Sa vie était le voyage d'un pionnier africain, un homme enraciné dans son patrimoine culturel et portant un message de partage et d'espoir pour le monde. Son originalité continue de résonner dans le monde entier depuis son décès à la fin du mois de mai 2001.Francis Bebey was born in Douala in July 1929, into a large family where his father, a pastor, struggled to feed his children. But Francis had the opportunity to go to school. Admiring his elder brother, Marcel Eyidi Bebey, he educated himself, distinguished himself, and eventually received a scholarship to go and take his baccalaureate in France.We approached the end of the 1950s when he arrived in La Rochelle. More than ever, in this France where Africans were looked at with curiosity, condescension, or disdain, Francis relied on his intellectual resources. A diligent worker, he obtained his Baccalaureate, then moved to Paris where he started English studies at the Sorbonne. One day, he knew what truly attracted him: he wanted to do radio. Francis learned his craft in France and in the USA.After working for a few years as a reporter, he was hired in 1961 as an international civil servant in the UNESCO Information Department.In parallel, Francis had always been drawn to musical creation. His very serious daytime activity didnâ??t prevent him from frequenting jazz clubs in the evenings. In Paris, the Jazz, the trendy music of that time, but also rumba and salsa attracted him. He collected records and attended numerous concerts. With his accomplice Manu Dibango, Francis took the stage and played music.Francis liked classical music since his childhood. He grew up listening to the cantatas and oratorios of Bach or Handel that his father had sung in the temple. He became passionate about the guitar, impressed by the Spanish and South American masters, and decided to learn to strum the instrument himself.He started composing guitar pieces, blending the various influences that flow through him with the traditional African music he had carried within since childhood. His approach captivated the director of the American Cultural Center (then located in the Saint-Germain neighborhood of Paris), who offered him the opportunity to perform in front of an audience. Francis gave his first guitar recital there (1963) in front of a mesmerized audience. His first solo album was released shortly thereafter.Gradually, Francis became recognized as a musician and composer. Several albums of the African guitar ambassador, as described by the press, were released. He also wrote books, to the point that his artistic career became challenging to reconcile with his career as a civil servant. In 1974, even though he had become the General Manager in charge of music at UNESCO, he took the bold leap and resigned from this prestigious institution to dedicated himself to the three activities that interested him: music, literature, and journalism. He explored the traditional musical heritage of the African continent, notably through the thumb piano sanza, and the polyphonic music of the Central African pygmies, or singing in his native language and composing humoristic songs in French!Success followed. Francis Bebey traveled the world: from France to Brazil, Cameroon to Sweden, Germany to the Carribean, or Morocco to Japan... the list of countries where he was invited to perform, gives lectures, or meets readers is very long. In addition to public recognition, he enjoyed the recognition of his fellow musicians, such as guitarist John Williams or Venezuelan Antonio Lauro, who invited him to be a part of the jury for a classical guitar competition in Caracas.His life was the journey of an African pioneer, a man rooted in his cultural heritage and carrying a message of sharing and hope for the world. His originality continues to vibrate around the world since his passing at the end of May 2001.
$3.95
Temptation rag
#
Guitar
#
ADVANCED
#
Jazz
#
Thomas Henry Lodge
#
Ivan Paschoito
#
Temptation rag
#
Ivan Paschoito
#
SheetMusicPlus
Solo Guitar - Level 5 - Digital Download SKU: A0.900141 Composed by Thomas Henry Lodge. Arranged by Ivan Paschoito. Jazz,Standards. Individual part. 5 pa...
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Solo Guitar - Level 5 - Digital Download SKU: A0.900141 Composed by Thomas Henry Lodge. Arranged by Ivan Paschoito. Jazz,Standards. Individual part. 5 pages. Ivan Paschoito #6638899. Published by Ivan Paschoito (A0.900141). An evergreen hit, published for piano in 1909, that comes to life again in the Joker's opening scenes.
$4.99
Sugar Plum Fairy theme
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Guitar
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BEGINNER
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Classical
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Peter Ilyich Tchaikovsky
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Rodrigo Faleiros
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Sugar Plum Fairy theme
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Rodrigo Faleiros
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SheetMusicPlus
Solo Guitar - Level 1 - Digital Download SKU: A0.1280647 Composed by Peter Ilyich Tchaikovsky. Arranged by Rodrigo Faleiros. 19th Century,Children,Christ...
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Solo Guitar - Level 1 - Digital Download SKU: A0.1280647 Composed by Peter Ilyich Tchaikovsky. Arranged by Rodrigo Faleiros. 19th Century,Children,Christmas,Romantic Period. Individual part. 1 pages. Rodrigo Faleiros #871688. Published by Rodrigo Faleiros (A0.1280647). Immerse yourself in the enchanting world of Tchaikovsky's The Nutcracker with this delightful easy classical guitar arrangement tailored for beginners. This easy classical guitar piano sheet music focuses on the iconic main theme of the Sugar Plum Fairy, allowing novice players to effortlessly bring the magical melody to life. Even those new to the classical guitar can evoke the whimsy and elegance of this timeless ballet classic in a charming and accessible rendition.
$2.99
Sugar Plum Fairy theme
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Guitar
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BEGINNER
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Classical
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Peter Ilyich Tchaikovsky
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Rodrigo Faleiros
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Sugar Plum Fairy theme
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Rodrigo Faleiros
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SheetMusicPlus
Solo Guitar - Level 1 - Digital Download SKU: A0.1280428 Composed by Peter Ilyich Tchaikovsky. Arranged by Rodrigo Faleiros. 19th Century,Children,Christ...
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Solo Guitar - Level 1 - Digital Download SKU: A0.1280428 Composed by Peter Ilyich Tchaikovsky. Arranged by Rodrigo Faleiros. 19th Century,Children,Christmas,Romantic Period. Individual part. 1 pages. Rodrigo Faleiros #871620. Published by Rodrigo Faleiros (A0.1280428). Immerse yourself in the enchanting world of Tchaikovsky's The Nutcracker with this delightful easy classical guitar arrangement tailored for beginners. This easy classical guitar piano sheet music focuses on the iconic main theme of the Sugar Plum Fairy, allowing novice players to effortlessly bring the magical melody to life. Even those new to the classical guitar can evoke the whimsy and elegance of this timeless ballet classic in a charming and accessible rendition. This easy classical guitar sheet music contains chords markings.
$2.99
Sugar Plum Fairy theme
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Guitar
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BEGINNER
#
Classical
#
Peter Ilyich Tchaikovsky
#
Rodrigo Faleiros
#
Sugar Plum Fairy theme
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Rodrigo Faleiros
#
SheetMusicPlus
Solo Guitar - Level 1 - Digital Download SKU: A0.1280654 Composed by Peter Ilyich Tchaikovsky. Arranged by Rodrigo Faleiros. 19th Century,Children,Christ...
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Solo Guitar - Level 1 - Digital Download SKU: A0.1280654 Composed by Peter Ilyich Tchaikovsky. Arranged by Rodrigo Faleiros. 19th Century,Children,Christmas,Romantic Period. Individual part. 1 pages. Rodrigo Faleiros #871709. Published by Rodrigo Faleiros (A0.1280654). Immerse yourself in the enchanting world of Tchaikovsky's The Nutcracker with this delightful easy classical guitar arrangement tailored for beginners. This easy classical guitar piano sheet music focuses on the iconic main theme of the Sugar Plum Fairy, allowing novice players to effortlessly bring the magical melody to life. Even those new to the classical guitar can evoke the whimsy and elegance of this timeless ballet classic in a charming and accessible rendition. This easy classical guitar sheet music contains fingering markings.
$2.99
FANTASIE IMPROMPTU FOR GUITAR SOLO
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Guitar
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INTERMEDIATE/ADVANCED
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Classical
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Frederic Chopin
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Tondi
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FANTASIE IMPROMPTU FOR GUITAR
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ToRa Swarna Diva
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SheetMusicPlus
Solo Guitar - Level 4 - Digital Download SKU: A0.1308881 By Frederic Chopin. By Frederic Chopin. Arranged by Tondi. FR. 19th Century,Classical,Contempora...
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Solo Guitar - Level 4 - Digital Download SKU: A0.1308881 By Frederic Chopin. By Frederic Chopin. Arranged by Tondi. FR. 19th Century,Classical,Contemporary,Early Music,Standards. Individual part. 14 pages. ToRa Swarna Diva #898138. Published by ToRa Swarna Diva (A0.1308881). Fantasie Impromptu is one of the most iconic solo instrumental pieces for pianists around the world. Fantasie Impromptu was written almost 200 years ago by Frederic Chopin (1834). Actually, this work was never published by Chopin. Julian Fontana was the first to publish it.More than 100 years later (1960), Arthur Rubenstein, in a piano recording session of this composition, discovered through an original sheet written by Chopin himself, that this work was a work that had been completed. Inside it is written, composed for, which shows that this work was an order from a nobleman. Chopin was paid to write this. So this is the reason this work was never published. And unfortunately, during the lifetime of two giants in guitar composition and arrangement: F. Tarrega & Agustin Barrios, for some reason, they did not transcribe this great work into guitar playing. In fact, both of them are recorded as having transcribed several Chopin works onto the guitar. And now, after almost old 200 years, this is the most complete guitar transcription from Fantasie Impromptu written by Tondi Rangkuti a.k.a Tondi FR. Written in Key Bm on movt. 1 and B Major in movt 2. Of course this arrangement is intended for the Advanced - Intermediate level. Very suitable for playing at concerts & international guitar competitions.
$22.00
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