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Three Classic Forms
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2 sheet music found
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1
Scale Forms for Classical Guitar - two and three octaves
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Guitar
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INTERMEDIATE/ADVANCED
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Instructional
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John Pinno
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Scale Forms for Classical Guit
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John Pinno
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SheetMusicPlus
Solo Guitar - Level 4 - Digital Download SKU: A0.775461 Composed by John Pinno. Instructional. Individual part. 4 pages. John Pinno #3547705. Published b...
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Solo Guitar - Level 4 - Digital Download SKU: A0.775461 Composed by John Pinno. Instructional. Individual part. 4 pages. John Pinno #3547705. Published by John Pinno (A0.775461). Two and three octave scales for classical guitar, including major and melodic minor scales, and in three octaves when possible, and two octaves when not. These are presented as a basic form, and as the form is learned, the same fingerings can be used, beginning on successive frets. These forms were based loosely on those of Andres Segovia, but with some modifications.
$7.00
in memoriam Aretha Franklin: a sonata-prelude and fugue in C minor for solo guitar
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Guitar
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ADVANCED
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Jeremiah Lawson
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in memoriam Aretha Franklin: a
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Jeremiah Lawson
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SheetMusicPlus
Solo Guitar - Level 5 - Digital Download SKU: A0.1102997 Composed by Jeremiah Lawson. Blues,Classical,Rock. Individual part. 7 pages. Jeremiah Lawson #70...
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Solo Guitar - Level 5 - Digital Download SKU: A0.1102997 Composed by Jeremiah Lawson. Blues,Classical,Rock. Individual part. 7 pages. Jeremiah Lawson #706323. Published by Jeremiah Lawson (A0.1102997). This is a 7-page score for solo guitar in two-movements, both in C minor. The opening sonata-prelude has an exposition, development and recapitulation and uses two themes, both of which use the gesture of a rising second as either core thematic or accompaniment material. There are places indicated in the score where a performer can improvise embellishments or substitutions in the return of Theme 1 in the recapitulation. The fugue is written in three voices with a subject and countersubject. It has two expositions, the first based on the primary form and the second on a somewhat free retrograde form of the initial fugue subject. I use fragmented forms of the subject to create blues and 5/4 episodes after the grand stretto that signals the structural climax of the fugue. This work is pretty difficult but although I wrote it on classical guitar it may also be played on acoustic or electric guitars with whatever timbre modifications strike your fancy.
$5.00
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