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4626
Gabrieli: Jubilate Deo Ch. 136 for Concert Band
#
Concert band
#
EASY
#
Giovanni Gabrieli
#
James M
#
Gabrieli: Jubilate Deo Ch. 136
#
jmsgu3
#
SheetMusicPlus
Concert Band - Level 2 - Digital Download SKU: A0.549200 Composed by Giovanni Gabrieli. Arranged by James M. Guthrie. Easter,Renaissance,Standards. 27 pa...
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Concert Band - Level 2 - Digital Download SKU: A0.549200 Composed by Giovanni Gabrieli. Arranged by James M. Guthrie. Easter,Renaissance,Standards. 27 pages. Jmsgu3 #3458689. Published by jmsgu3 (A0.549200). Giovanni Gabrieli: Jubilate Deo (Ch. 136). Instrumentation: small concert band, no percussion. Here is a stunningly beautiful example of Renaissance polyphony and a mesmerizing fast-paced recital number. Program this initially to set an exciting mood or as an encore to leave the listeners in a jubilant afterglow. The parts are not tricky, but plan to rehearse the many subtleties of dynamic contrast between the various sub-groups and the overall articulations. Innovations First of all, Gabrieli preferred sacred vocal and, indeed, instrumental music. Hence, he concentrated on music that consequently took advantage of resonance and reverberation for maximum effect. Gabrieli may have invented dynamics – or was the first to indicate them, such as in his Sonata Pian’ e Forte. Consequently, he was also a pioneer in spatial techniques. He, therefore, developed and used very specific notation to indicate instrumentation. Gabrieli experimented with assembling massive instrumental forces into isolated groups separated by space. In this way, he consequently contributed heavily to the Baroque Concertato style. Polychoral Works Gabrieli probably used the layout of the San Marco church for his experiments. This is because he worked there as a musician and composer. Furthermore, the church had two choir lofts facing each other. He indeed used these to create striking spatial effects between instrumental forces. Indeed, many of his works are composed such that a choir or instrumental group could first be heard on one side, followed by a group response. Sometimes there was probably a third group near the main altar as well. Spatial Music Above all, Gabrieli studied carefully detailed groups of instruments and singers. Furthermore, it seems like he created precise directions for instrumentation in rather more than two groups. Because they could be appropriately situated, the instruments could consequently be heard with perfect clearness at distant locations. As a result, arrangements that seem bizarre on paper can, in contrast, sound perfectly in balance. First Works Finally, Gabrieli published his first motets and his uncle Andrea's compositions in Concerti (1587). These compositions furthermore indicate considerable usage of dialogue and echo effects. Consequently, here we see low and high choirs with the variance between their ranges indicated by instrumental accompaniment. Gabrieli’s later motets Sacrae Symphoniae (1597) seem to move away from close antiphony. In contrast, he moves towards not simply echoing the material but developing it by sequential choral entrances. Even more, he takes this procedure to the extreme in the Motet Omnes Gentes. Unlike earlier works, the instruments are an essential part of the presentation, only parts marked: Capella are supposed to be sung. Homophony Hence, after 1605, Gabrieli moves to a much more homophonic style. He writes sections purely for instruments – called Sinfonia – and smaller sections for vocal soloists, accompanied by a basso continuo.
$47.95
Elegy Sentimentale for Concert Band
#
Concert band
#
Keith Terrett
#
Elegy Sentimentale for Concert
#
Keith Terrett
#
SheetMusicPlus
Concert Band - Digital Download SKU: A0.746749 Composed by Keith Terrett. Contemporary,World. 39 pages. Keith Terrett #3129275. Published by Keith Terret...
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Concert Band - Digital Download SKU: A0.746749 Composed by Keith Terrett. Contemporary,World. 39 pages. Keith Terrett #3129275. Published by Keith Terrett (A0.746749). Here at last is my ’’Elegy sentimentale’’ for Concert Band, and an original composition.I hope it makes an excellent piece for amateur and professional bands alike; with some challenging and interesting woodwind and brass writing for all.I envisage the ’’Elegy’’ eventually making a good piece of film music, and in consequence any directors or producers looking for a movie theme; please feel free to contact me!Elegy Sentimenatle is a mournful & melancholic work, suited for performances on the concert platform.A Supreme Work of Art!The Elegy Sentimentale opens impressively. Keith Terrett plants a C deep in virgin soil; orchestrated brilliantly for bassoon, harp and delineated by pizzicato double basses this bass line is a tree of a forest; and we are at once held by the strength of the roots. The tonality is immediately clear, and there is a grand feeling of space and power in the wide layout of the score. A lone solo clarinet high in the tessitura accompanied by a solo cello with a counter subject state the opening eight bar theme which embodies the seeds of two ideas, which supplies the generating force for the slightly agitated Piu Mosso which follows. The counter subject given by the solo cello at the beginning is now reiterated by the plaintive voice of a solo oboe and a third motif makes an appearance in the solo clarinet; oboe and clarinet duet beautifully over arpeggiated rhythmic impulses in the harp. A new subject of an accompanying nature, derived from all the material thus far presented now comes off at a tangent on the strings cascading downwards and accompanying woodwind who, play the chief melodic subject while horns cry in anguish. This first section is then repeated; I found the whole experience spiritual, detached and wondering, intensified by the breath-taking stillness. Mr Terrett in the middle section that follows now uses his full orchestral forces; after a key change the emotional charge that follows is cataclysmic in its cry of anguish; the main theme is stated in a full dress orchestral tutti, which is then repeated. The music ebbs and flows with slight variations in the woodwind recalling the main ideas; at the very end high strings bring consolation and finally peace. Keith Terrett shows an admirable command of orchestration and melodic construction and combines these qualities with rare imagination and insight.Gerald Manning
$30.00
Gabrieli: Sonata Pian e Forte Ch. 175 for Concert Band
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Concert band
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INTERMEDIATE
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Gabrieli
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James M
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Gabrieli: Sonata Pian e Forte
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jmsgu3
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SheetMusicPlus
Concert Band - Level 3 - Digital Download SKU: A0.549215 Composed by Gabrieli. Arranged by James M. Guthrie, ASCAP. Renaissance,Standards. Score and Part...
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Concert Band - Level 3 - Digital Download SKU: A0.549215 Composed by Gabrieli. Arranged by James M. Guthrie, ASCAP. Renaissance,Standards. Score and Parts. 47 pages. Jmsgu3 #3467666. Published by jmsgu3 (A0.549215). A musical monument: the first known composition in history to employ dynamics. Instrumentation: Medium-sized Concert Band. 1 PiccoloAt least 2 flutes, clarinets, alto & tenor saxesAt least 1 bass clarinetAt least  2 trumpets, horns, trombones & tubas4 timpaniScore: 20 pg. 81 measures. Duration: 3:45 at half-note = 86. Innovations First of all, Gabrieli preferred sacred vocal and certainly instrumental music. Hence, he concentrated on music that consequently took advantage of resonance and likewise reverberation for maximum effect. Seems like Gabrieli may have invented dynamics – or was rather the first to indicate them such as in his Sonata Pian’ e Forte. Consequently, he was also a pioneer in spatial techniques. He, therefore, developed and used very specific notation to indicate instrumentation. Gabrieli experimented with assembling massive instrumental forces into isolated groups separated by space. In this way, he consequently contributed heavily to the Baroque Concertato style. Polychoral Works Gabrieli probably used the layout of the San Marco church for his experiments. This is because he worked there as a musician and composer. Furthermore, the church had two choir lofts facing each other. He certainly used these to create striking spatial effects between instrumental forces. Certainly, many of his works are composed such that a choir or instrumental group could first be heard on one side, then consequently followed by a response from the group on the other side. Sometimes there was probably a third group positioned near the main altar as well. Spatial Music Above all, Gabrieli studied carefully detailed groups of instruments and singers. Furthermore, it seems like he created precise directions for instrumentation in rather than two groups. The instruments, because they could be appropriately situated, could consequently be heard with perfect clearness at distant locations. As a result, arrangements that seem bizarre on paper, can in contrast sound perfectly in balance. First Works Finally, Gabrieli published his first motets along with his uncle Andrea's compositions in Concerti (1587). These compositions furthermore indicate considerable usage of dialogue and echo effects. Consequently, here we see low and high choirs with the variance between their ranges indicated by instrumental accompaniment. Seems like Gabrieli’s later motets Sacrae Symphoniae (1597) move away from close antiphony. In contrast, he moves towards not simply echoing the material, but developing it through sequential choral entrances. Even more, he takes this procedure to the extreme in the Motet Omnes Gentes. Unlike earlier works, here the instruments are certainly an essential part of the presentation. Also, only parts marked: Capella are supposed to be sung. Homophony Hence, after 1605, Gabrieli moves to a much more homophonic style. He writes sections purely for instruments – which calls Sinfonia – and smaller sections for vocal soloists, accompanied by a basso continuo. Â
$47.95
Symbology for Concert Band
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Concert band
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INTERMEDIATE/ADVANCED
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Contemporary
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Sy Brandon
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Symbology for Concert Band
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Sy Brandon
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SheetMusicPlus
Concert Band - Level 4 - Digital Download SKU: A0.755270 Composed by Sy Brandon. 20th Century,Concert,Contemporary. Score and parts. 182 pages. Sy Brando...
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Concert Band - Level 4 - Digital Download SKU: A0.755270 Composed by Sy Brandon. 20th Century,Concert,Contemporary. Score and parts. 182 pages. Sy Brandon #4353935. Published by Sy Brandon (A0.755270). This composition is inspired by the symbology present in the suits of a deck of cards. It is in one continuous movement that is divided into four sections. Spades (death) is a funeral march that uses frequent dotted rhythms, outbursts of anger, and a lyrical, somber descending melody. A change of mood that is accomplished by brightening the harmony leads into Hearts (romance). This section follows a loose AABA form. The A sections contain lyrical lines and lush harmony. The B section is freer in rhythm and represents a dialogue between two lovers. The last measure of this section introduces a dotted rhythm motive that is used throughout the next section, Diamonds (riches). This section is subtitled riches instead of wealth because riches implies money for money’s sake rather than the benefits it can buy. It is in the style of a frenzied waltz as if those with the riches are at an elaborate ball totally unaware of the restlessness going on around them. Towards the end of this section, a chromatic line begins to insert itself, suggesting the uprising and war (Clubs) that follows. A dissonant chord transitions the listener into Clubs (war) section. This section begins powerfully with repeated chords resembling people shooting at each other. The shooting motif appears frequently throughout. Different melodic ideas represent the battle between forces. The tide of the battle keeps going back and forth, but nobody actually wins. The piece ends with the sound of death and destruction, therefore starting the cycle of the suits over again. The score prints on legal size paper and the parts on letter.
$39.99
Gabrieli: Canzon Septimi Toni Ch 172 for Concert Band
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Concert band
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INTERMEDIATE
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Gabrieli
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James M
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Gabrieli: Canzon Septimi Toni
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jmsgu3
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SheetMusicPlus
Concert Band - Level 3 - Digital Download SKU: A0.549206 Composed by Gabrieli. Arranged by James M. Guthrie, ASCAP. Renaissance,Standards. Score and Part...
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Concert Band - Level 3 - Digital Download SKU: A0.549206 Composed by Gabrieli. Arranged by James M. Guthrie, ASCAP. Renaissance,Standards. Score and Parts. 29 pages. Jmsgu3 #3461981. Published by jmsgu3 (A0.549206). Duration 3:00. Score 9 pg. Parts 2 pg. ea. Instrumentation: small wind band, no percussion. Innovations First of all, Gabrieli preferred sacred vocal and certainly instrumental music. Hence, he concentrated on music that consequently took advantage of resonance and likewise reverberation for maximum effect. Seems like Gabrieli may have invented dynamics – or was rather the first to indicate them such as in his Sonata Pian’ e Forte. Consequently, he was also a pioneer in spatial techniques. He therefore developed and used very specific notation to indicate instrumentation. Gabrieli experimented with assembling massive instrumental forces into isolated groups separated by space. In this way, he consequently contributed heavily to the Baroque Concertato style. Polychoral Works Gabrieli probably used the layout of the San Marco church for his experiments. This is because he worked there as a musician and composer. Furthermore, the church had two choir lofts facing each other. He certainly used these to create striking spatial effects between instrumental forces. Certainly, many of his works are composed such that a choir or instrumental group could first be heard on one side, then consequently followed by a response from the group on the other side. Sometimes there was probably a third group positioned near the main altar as well. Spatial Music Above all, Gabrieli studied carefully detailed groups of instruments and singers. Furthermore, it seems like he created precise directions for instrumentation in rather more than two groups. The instruments, because they could be appropriately situated, could consequently be heard with perfect clearness at distant locations. As a result, arrangements which seem bizarre on paper, can in contrast sound perfectly in-balance. First Works Finally, Gabrieli published his first motets along with his uncle Andrea's compositions in Concerti (1587). These compositions furthermore indicate considerable usage of dialogue and echo effects. Consequently, here we see low and high choirs with the variance between their ranges indicated by instrumental accompaniment. Seems like Gabrieli’s later motets Sacrae Symphoniae (1597) move away from close antiphony. In contrast, he moves towards not simply echoing the material, but developing it by sequential choral entrances. Even more, he takes this procedure to the extreme in the Motet Omnes Gentes. Unlike earlier works, here the instruments are certainly an essential part of the presentation. Also, only parts marked: Capella are supposed to be sung. Homophony Hence, after 1605, Gabrieli moves to a much more homophonic style. He writes sections purely for instruments – which calls Sinfonia – and smaller sections for vocal soloists, accompanied by a basso continuo.
$47.95
The Royal Hussar (Ceremonial Slow March) for Concert/Wind Band ''Keith Terrett Classic March Collect
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Concert band
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INTERMEDIATE
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Keith Terrett
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Scipio
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The Royal Hussar
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Keith Terrett
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SheetMusicPlus
Concert Band - Level 3 - Digital Download SKU: A0.746511 Composed by Keith Terrett. 20th Century,Patriotic,World. 32 pages. Keith Terrett #1989071. Publi...
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Concert Band - Level 3 - Digital Download SKU: A0.746511 Composed by Keith Terrett. 20th Century,Patriotic,World. 32 pages. Keith Terrett #1989071. Published by Keith Terrett (A0.746511). A slow march I entitled The Royal Hussar, is an original ceremonial slow march of mine, suitable for indoor or outdoor performance. Slow March: This is a ceremonial pace, used for funeral marches and when a unit’s colours are marched out in front of the troops. The feet are kept parallel to the ground and the arms are never used. In the United States Marine Corps, arms swing as the distance they normally would in quicktime, but at the same pace as marching. U.S. Marine Color Guards do not swing their arms. Slow March is typically used in the Marine Corps for funeral details and ceremonies such as the Marine Corps Ball (when the cake is escorted out). In Spain, Latin America, and the Philippines this is done during religious processions whenever a military band joins it. This march style is the official parade march in the armed forces of Bolivia and Ecuador and the military academies and schools of Venezuela, done with the goose step during parades and ceremonies. The standard pace is 60 paces per minute. Famous slow marches include:Preobrajensky Regimental Slow March Presented to the Royal Marines by Admiral of the Fleet The Earl Mountbatten of Burma on 10th June 1964 and first performed as the Regimental Slow March of the Royal Marines on Horse Guards Parade that night. The march was composed by the Russian composer Donajowsky for the Russian Tzar’s Preobrajensky Guard. The Royal Hussars Slow March ’Coburg’, a tune composed by Haydn and arranged by Grant-James in the late 19th Century, is without doubt one of the most well-known and famous Slow Marches to be written. ’The Eagle’, which itself is a combination of the 14th and 20th Hussars slow marches is also a very strong march, but not widely known outside 14th/20th King’s Hussars’ circles. The Garb of Old Gaul (sometimes given as Auld Gaul) is an 18th-century patriotic Scottish march and song about Highland soldiers during the Seven Years War. The music was written by General John Reid, who was a senior officer of the 42nd Regiment of Foot (The Black Watch) during the Seven Years War. The words have traditionally been attributed to Sir Harry Erskine (1710 -1765). Robert Burns described it as This excellent loyal Scottish song and states that it first appeared in print in Herd’s Collection of 1769. Alternative titles include The Highland Character and The Highland or 42nd Regiment’s March. The tune was originally a quick march but was later rearranged as a slow march. Other famous slow marches of the British Army include Golden Spurs & Scipio. Put away Scipio, Coburg & Garb of Old gaul, time for a newcomer on the block! For more of my original music, great arrangements and all the national anthems of the world, check out my on-line stores: http://www.scoreexchange.com/profiles/keith_terret http://musicforalloccasions.org.uk http://www.sheetmusicplus.com/search?Ntt=keith+terrett Need an anthem fast? They are ALL in my store! All my anthem arrangements are also available for Orchestra, Recorders, Saxophones, Wind, Brass and Flexible band. If you need an anthem urgently for an instrumentation not in my store, let me know via e-mail, and I will arrange it for you FOC if possible! keithterrett@gmail.com.
$29.99
Forget You (25-Piece Digital Pack)
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Concert band
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EASY
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Pop music
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Cee Lo Green
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Michael Brown
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Forget You
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Hal Leonard - Digital
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SheetMusicPlus
Concert band Mallet Percussion - Level 2 - Digital Download SKU: HX.226832 By Cee Lo Green. By Ari Levine, Brody Brown, Bruno Mars, Philip Lawrence, and ...
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Concert band Mallet Percussion - Level 2 - Digital Download SKU: HX.226832 By Cee Lo Green. By Ari Levine, Brody Brown, Bruno Mars, Philip Lawrence, and Thomas Callaway. Arranged by Michael Brown. Funk,Pop,Rock,Soul. Individual instrument part. 1 pages. Hal Leonard - Digital #0. Published by Hal Leonard - Digital (HX.226832).
Digital Pack includes
:
Forget You - Full Score
Forget You - Flute
Forget You - Oboe
Forget You - Bassoon
Forget You - Bb Clarinet 1
Forget You - Bb Clarinet 2
Forget You - Bb Clarinet 3
Forget You - Eb Alto Clarinet
Forget You - Bb Bass Clarinet
Forget You - Eb Alto Saxophone 1
Forget You - Eb Alto Saxophone 2
Forget You - Bb Tenor Saxophone
Forget You - Eb Baritone Saxophone
Forget You - Bb Trumpet 1
Forget You - Bb Trumpet 2
Forget You - F Horn
Forget You - Trombone
Forget You - Baritone B.C.
Forget You - Baritone T.C.
Forget You - Tuba
Forget You - Bass
Forget You - Percussion 1
Forget You - Percussion 2
Forget You - Percussion 3
Forget You - Mallet Percussion
$40.00
Your Favorite Thanksgiving and Harvest Hymns for Wind Instruments
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Concert band
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EASY
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Sacred music
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Various
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Colin Kirkpatrick
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Your Favorite Thanksgiving and
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Colin Kirkpatrick Publications
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SheetMusicPlus
Concert Band - Level 2 - Digital Download SKU: A0.522168 Composed by Various. Arranged by Colin Kirkpatrick. Christian,Holiday,Praise & Worship,Sacred. S...
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Concert Band - Level 2 - Digital Download SKU: A0.522168 Composed by Various. Arranged by Colin Kirkpatrick. Christian,Holiday,Praise & Worship,Sacred. Score and parts. 185 pages. Colin Kirkpatrick Publications #4727417. Published by Colin Kirkpatrick Publications (A0.522168). This new collection of Thanksgiving and Harvest hymns contains all your favorites, or at least, most of them. It’s probably all you’ll ever need for thanksgiving and harvest festivals and the arrangements can be used for virtually any combination of wind instruments. This is an essential title for any band library or for any ensembles that are called upon to provide music for schools or churches. There’s also an optional but useful simplified keyboard part intended for less experienced keyboard players. The left hand plays only the bass part most of the time, with the right hand part kept as simple as possible. The piano part too means that you can use the arrangements as solos, duets or trios. These arrangements are intended either as stand-alone pieces that could be used as interludes in a service, or they could be used to accompany solo, choral or congregational singing. The score and all the parts are contained in a single PDF file. The following 25 hymns are included: All Creatures of our God and King (Lasst uns Erfreuen); As the Sun doth Daily Rise (Innocents); All Things Bright and Beautiful (Bright and Beautiful); Bringing in the Sheaves (George Minor); Come Ye Thankful People Come (St George’s Windsor); Fair Waved the Golden Corn (Holyrood); Fill your hearts with Joy and Gladness (Ode to Joy); For the Beauty of the Earth (Dix); For the Fruits of His Creation (Ar Hyd y Nos); Glorious Things of Thee are Spoken (Austrian Hymn); Immortal, Invisible (St Denio); Let all Things now Living (Ash Grove); Let us with a Gladsome Mind (Monkland); Now Thank we all Our God (Nun danket); Praise and Thanksgiving (Bunessan); Praise God for the Harvest (Stowey); Praise my Soul the King of Heaven (Lauda anima); Praise to the Lord the Almighty (Lob den herren); Rejoice the Lord is King (Darwall’s 148th); Sing to the Lord of Harvest (Wie lieblich ist der maien); This is my Father’s World (Terra Beata); To thee, O Lord, our Hearts we Raise (Golden Sheaves); We Gather Together (Kremser); We plough the Fields and Scatter (Wir pflügen); Praise God from whom all Blessings Flow (Old Hundredth) The publication consists of a four-staff score for each hymn plus: Part 1 in B flat (clarinet, trumpet, cornet, soprano sax); Part 1 in C (8ve higher for flute, oboe); Part 1 in E flat (alto saxophone, E flat clarinet); Part 2 in B flat (clarinet, trumpet, cornet, flugelhorn); Part 2 in C (8ve higher for flute, oboe); Part 2 in E flat (alto saxophone); Part 3 in B flat (tenor saxophone, B flat baritone); Part 3 in C (bass clef for trombone, bassoon); Part 3 in E flat (E flat tenor horn, alto saxophone, alto clarinet); Part 3 in F (French horn in F); Part 4 in B flat (B flat bass clarinet, B flat bass); Part 4 in C (bass clef for trombone, bass trombone, bassoon, tuba); Part 4 in E flat (E flat baritone saxophone, E flat bass).
$29.95
"Clarinet Concert Concertino" for Wind Band based on music by A.E.Williams arranged by S.Davies
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Concert band
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INTERMEDIATE/ADVANCED
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A
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Stephen Davies
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"Clarinet Concert Concertino"
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Stephen Davies
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SheetMusicPlus
Concert Band - Level 4 - Digital Download SKU: A0.891956 Composed by A.E.Williams. Arranged by Stephen Davies. 20th Century,Standards. Score and Parts. 7...
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Concert Band - Level 4 - Digital Download SKU: A0.891956 Composed by A.E.Williams. Arranged by Stephen Davies. 20th Century,Standards. Score and Parts. 74 pages. Stephen Davies #6094485. Published by Stephen Davies (A0.891956).   CLARINET CONCERT CONCERTINO FOR WIND BAND I don’t normally enter long descriptions of my arrangements, nothing worse than seeing that little sign on the bottom right saying ‘see more’, however this piece has a rather interesting story that I’d like to share with you! It was maybe 8 or 9 years ago that I helped in the library of the Band Of The Guards Association, a group of musicians who were all members of the Household Division Bandsin London, that is to say the Grenadier, Coldstream, Scots, Irish, Welsh, Life Guards and Blues & Royals bands, chiefly known the world over for Changing The Guard at Buckingham Palace and many other ceremonial occasions. The Band Of The Guards Association were privileged to rehearse at the Royal Hospital Chelsea, home of the famous Chelsea Pensioners, renowned for their Redcoats and medals as veterans of the British Army. Our library of music for the band at the time was held in an air raid shelter deep in the cellars underneath the labyrinthine corridors of the old building built by Sir Christopher Wren back in the 1680’s. When I say ‘air raid shelter’, that is exactly what it was like! Can’t go into too much detail, but suffice it to say that it was like being transported back in time! But this is where the library was kept, complete with dusty shelves, blackout warnings, obsolete bulb replacements and tunnels to the Thames! The man in charge of the library was Mr.Gordon ‘Joe’ Stafford, former Solo Clarinet with HM Band Of The Welsh Guards (ret’d), a fine player of that instrument in his day, and revered as such even now. About 8 years ago, our ‘underground ‘ library was deemed a fire hazard, and we were ‘invited’ to move it elsewhere. As we had our practice room nearby in the Chelsea Hospital, we decided to relocate the whole library there, shelving being built and constructed by enthusiastic band members. Joe Stafford and myself were not particularly enthusiastic about this, but it had to be done. Having looked at the enormous amount of music to be moved, we thought about ditching some of the scores which would never be played again, for instance selections of musicals long forgotten, scores with multiple missing parts etc. Lots of that music went to local music organisations simply for sight reading purposes, and the more complete versions went to bands and orchestras to bolster their stock of scores. After the laborious sorting out in the air raid shelter, Joe and I had the unenviable task of discarding the scores and parts that were incomplete, defaced, or just basically useless. It was an arbitrary case of ‘keep or throw’, and at the time we were doing this, Joe was desperate for a pint in the bar! I agreed, and was anyway on my last batch of throwaways when I found a piece titled ‘Clarinet Concerto’, by A.E.Williams. Written in pencil, with ancient sellotape, and signed by all the people who played it many years ago, including the Soloist and composer, I thought that that should not be binned, so I kept it! Joe Stafford suggested that I should ‘get it out there’ , so I have. Incidentally it has a cracking Cadenza towards the end, it was a bit smudged in the original score, but I’ve filled in the gaps!! This would be an ideal addition to the band repertoire for Clarinet!
$49.99
Adaptable Duets for the Young Band Musician Volume One - C Treble Transposition
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Concert band
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Instructional
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John McAllister
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Adaptable Duets for the Young
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John McAllister
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SheetMusicPlus
Small Ensemble Flute,Marimba,Oboe,Vibraphone,Xylophone - Digital Download SKU: A0.778243 Composed by John McAllister. Instructional. Score and parts. 6 p...
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Small Ensemble Flute,Marimba,Oboe,Vibraphone,Xylophone - Digital Download SKU: A0.778243 Composed by John McAllister. Instructional. Score and parts. 6 pages. John McAllister #6735717. Published by John McAllister (A0.778243). This set of ten (easy) duets is for young band musicians. It would fall into the grade 1-1.5 range and these are perfect for an early introduction into chamber music. The best part is they're available for ALL instruments. Young players can mix and match with their friends, regardless of the instrument they play - flute, clarinet, bass clarinet, alto saxophone, tenor saxophone, baritone saxophone, trumpet, French horn, trombone, baritone, tuba, euphonium, mallets, etc. Each of the duets explores a slightly different style- light and playful, moderato--basic, slow and legato, scherzo, maestroso/regal/triumphant, and more. The independence needed to achieve these duets is not too difficult, making it work for a maximum variety of young players.
$2.00
Ten Adaptable Duets for Young Band Musicians - Volume One - ALL Transpositions
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Concert band
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BEGINNER
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Instructional
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John McAllister
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Ten Adaptable Duets for Young
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John McAllister
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SheetMusicPlus
Large Ensemble Alto Saxophone,Baritone Saxophone,Bassoon,Clarinet,Euphonium,Flute,Horn,Marimba,Oboe,Tenor Saxophone,Trombone,Trumpet,Tuba,Vibraphone,Xylophone -...
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Large Ensemble Alto Saxophone,Baritone Saxophone,Bassoon,Clarinet,Euphonium,Flute,Horn,Marimba,Oboe,Tenor Saxophone,Trombone,Trumpet,Tuba,Vibraphone,Xylophone - Level 1 - Digital Download SKU: A0.778242 Composed by John McAllister. Instructional. Score and parts. 42 pages. John McAllister #6735531. Published by John McAllister (A0.778242). This set of ten (easy) duets is for young band musicians. It would fall into the grade 1-1.5 range and these are perfect for an early introduction into chamber music. The best part is they're available for ALL instruments. Young players can mix and match with their friends, regardless of the instrument they play - flute, clarinet, bass clarinet, alto saxophone, tenor saxophone, baritone saxophone, trumpet, French horn, trombone, baritone, tuba, euphonium, mallets, etc. Each of the duets explores a slightly different style- light and playful, moderato--basic, slow and legato, scherzo, maestroso/regal/triumphant, and more. The independence needed to achieve these duets is not too difficult, making it work for a maximum variety of young players.
$10.00
They Walked in the Valley of Fire: Mallets
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Concert band
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Instructional
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Roland Barrett
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Festival.
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They Walked in the Valley of F
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Alfred Music - Digital Sheet Music
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SheetMusicPlus
Concert Band - Digital Download SKU: AX.00-PC-0017402_M1 Mallets. Composed by Roland Barrett. Instructional. Part. 3 pages. Alfred Music - Digital...
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Concert Band - Digital Download SKU: AX.00-PC-0017402_M1 Mallets. Composed by Roland Barrett. Instructional. Part. 3 pages. Alfred Music - Digital Sheet Music #00-PC-0017402_M1. Published by Alfred Music - Digital Sheet Music (AX.00-PC-0017402_M1). UPC: 038081516172.Inspired by the Valley of Fire state park in the southwest United States that boasts stunning red sandstone formations created more than 150 million years ago. Located in Nevada's oldest state park in the Mojave Desert, at certain times of the day, when reflecting the sun's rays, these brilliant sandstone formations create the visual illusion of actually being on fire. An emotional composition that is a perfect for concert and contest performances alike. Juxtaposing bold and peaceful musical statements, this compelling composition concludes with burning intensity. (4:00)Concert/Contest; Festival.
$3.00
They Walked in the Valley of Fire: E-flat Baritone Saxophone
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Concert band
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Instructional
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Roland Barrett
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Festival.
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They Walked in the Valley of F
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Alfred Music - Digital Sheet Music
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SheetMusicPlus
Concert Band - Digital Download SKU: AX.00-PC-0017402_BTX E-flat Baritone Saxophone. Composed by Roland Barrett. Instructional. Part. 2 pages. Alf...
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Concert Band - Digital Download SKU: AX.00-PC-0017402_BTX E-flat Baritone Saxophone. Composed by Roland Barrett. Instructional. Part. 2 pages. Alfred Music - Digital Sheet Music #00-PC-0017402_BTX. Published by Alfred Music - Digital Sheet Music (AX.00-PC-0017402_BTX). UPC: 038081516172.Inspired by the Valley of Fire state park in the southwest United States that boasts stunning red sandstone formations created more than 150 million years ago. Located in Nevada's oldest state park in the Mojave Desert, at certain times of the day, when reflecting the sun's rays, these brilliant sandstone formations create the visual illusion of actually being on fire. An emotional composition that is a perfect for concert and contest performances alike. Juxtaposing bold and peaceful musical statements, this compelling composition concludes with burning intensity. (4:00)Concert/Contest; Festival.
$3.00
When I Survey the Wondrous Cross (Folk Tune - O Waly, Waly) arr. David Catherwood for Flex. ensemble
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Concert band
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INTERMEDIATE
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Traditional
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David Catherwood
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When I Survey the Wondrous Cro
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Opus 3 Music
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SheetMusicPlus
Concert Band - Level 3 - Digital Download SKU: A0.739479 Composed by Traditional. Arranged by David Catherwood. Easter,Folk,Multicultural,Wedding,World. ...
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Concert Band - Level 3 - Digital Download SKU: A0.739479 Composed by Traditional. Arranged by David Catherwood. Easter,Folk,Multicultural,Wedding,World. Score and parts. 19 pages. Opus 3 Music #5030855. Published by Opus 3 Music (A0.739479). This arrangement of the well loved English Folk song O Waly, Waly will work equally well as an accompaniment for Choirs or Congregations singing When I survey the Wondrous Cross or it may also be used as an effective instrumental item during the Easter period.For secular use the folk song would also work well for smaller groups playing at weddings or other functions.The arrangement allows for a great deal of flexibility in presentation and will sound complete with as few as four players yet the scoring allows for expansion up to a full symphonic orchestra, concert band or brass bandAs with all music available from Opus 3 Music this arrangement has been well tried and tested in performanceA full set contains a score and a generous set of parts (with permissionto copy to suit your own requirements) for the following instruments:Part 1 in C (Oboe 1, Violin 1)Part 1 in C (Flute)Part 1 in Bb (Clarinet 1 in Bb, Trumpet/Cornet 1 in Bb)Part 2 in C (Oboe 2, Violin 2)Part 2 in Bb (Clarinet 2 in Bb, Trumpet/Cornet 2 in Bb)Part 2 in Eb (Ato Saxophone, Eb Horn)Part 3 in C (Bassoon 1, Trombone)Part 3 in Eb (Alto Saxophone, Eb Horn)Part 3 in F (Horn in F)Part 3 in alto clef (Viola)Part 3 in Bb (Tenor Saxophone, Bb Trombone/Baritone (treble clef)Part 4 in C (Cello, Double Bass, Bassoon 2, Bass Trombone)Part 4 in Eb (Baritone Saxophone, Eb Bass Tuba (treble clef)Part 4 in Bb Bb Bass Tuba (treble clef)Extra optional part in Bb (Euphonium (treble clef)PercussionWhen I survey the wondrous crossOn which the Prince of glory diedMy richest gain I count but lossAnd pour contempt on all my pride
$9.50
Canadian Armed Forces Salute
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Concert band
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INTERMEDIATE/ADVANCED
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Calixa Lavalee, George Dyson,
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James Bicigo
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Canadian Armed Forces Salute
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Polar Publications
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SheetMusicPlus
Concert Band - Level 4 - Digital Download SKU: A0.757854 Composed by Calixa Lavalee, George Dyson, Kenneth Alford, and William Boyce. Arranged by James B...
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Concert Band - Level 4 - Digital Download SKU: A0.757854 Composed by Calixa Lavalee, George Dyson, Kenneth Alford, and William Boyce. Arranged by James Bicigo. Graduation,Patriotic,Standards. Score and parts. 105 pages. Polar Publications #4808653. Published by Polar Publications (A0.757854). The march themes of the Canadian Armed Forces (Army, Navy, Air Force) and the popular Colonel Bogey (all others who serve), are combined with parts of O Canada in a medley that honours members of the armed forces and veterans. Perfect for remembrance day events or Canada Day events. Could be played by string quartet by eliminating the cello part and performing the bass part on cello.
$60.00
Kalla
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Concert band
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Contemporary
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Jazz
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Allan Gilliland
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Kalla
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Allan Nimmo Gilliland
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SheetMusicPlus
Concert Band - Digital Download SKU: A0.987813 Composed by Allan Gilliland. Contemporary,Jazz. Score and parts. 117 pages. Allan Nimmo Gilliland #42353. ...
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Concert Band - Digital Download SKU: A0.987813 Composed by Allan Gilliland. Contemporary,Jazz. Score and parts. 117 pages. Allan Nimmo Gilliland #42353. Published by Allan Nimmo Gilliland (A0.987813). The word Kalla is Norwegian for call, a theme that appears both in the inspiration for this piece and the structure of the work itself. Commissioned by the 2009 National Youth Band of Canada and funded through a grant from MacEwan University’s Centre for the Arts Research and Scholarly Activity Fund, the work was premiered May 13, 2009 by the National Youth Band of Canada under the direction of Dr. Shelley Jagow, featuring Dean McNeill as the soloist. For me Kalla is a crossover piece stylistically for the soloist. It draws upon both classical and jazz inspired techniques including traditional cadenzas with virtuosic runs and triple tonguing and contrasting sections featuring jazz plunger techniques, a unique sound not often heard in band music. The trumpet culture at turn of the century (late 19th century-early 20th century) in New Orleans was the inspiration for Kalla. Trumpet players would go down to the river and play a note to see how long it took the echo to come back. Soon, another trumpet would answer, higher and louder, and the game of one-upsmanship would begin. Trumpet calls and answers from across the city would sound. Kalla is based on this concept of call and response with the opening trumpet call coming physically from three different places in the concert hall. As the piece develops call and response continues between the soloist and ensemble.
$100.00
Sinfonietta - A Symphony in Three Movements for Grade 3 Concert Band
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Concert band
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EASY
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Gregory Fritze
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Sinfonietta - A Symphony in Th
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Musica Nova USA
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SheetMusicPlus
Concert Band - Level 2 - Digital Download SKU: A0.917410 Composed by Gregory Fritze. 20th Century,Classical,Contemporary,Instructional,Standards. Score a...
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Concert Band - Level 2 - Digital Download SKU: A0.917410 Composed by Gregory Fritze. 20th Century,Classical,Contemporary,Instructional,Standards. Score and parts. 267 pages. Musica Nova USA #6078853. Published by Musica Nova USA (A0.917410). Sinfonietta (alternate title SinfonÃa de Vino y Aceite de Magallon) is a composition for concert band that can be played by any band whether it has 100 players or 30 players. It is at grade 3 level of difficulty and has several substitute parts for ensembles that may not have complete instrumentation. Although the scoring includes piccolo, oboes, bassoons, and French horns, these instruments are not needed to command a good performance.Sinfonietta adheres to classical forms of symphonies by composers such as Mozart, Haydn and Beethoven. The forms are very clear so the players of the band can learn this important history. The first movement is in standard Sonata Allegro form.The second movement is in A B A form and features a solo trumpet. The third movementis in a Rondo form (A B A C A) with three distinct themes. The work was commissioned in 2017 by the town of Magallón, Spain in celebration of the town’s industries of wine and olive oil. The mayor of the town of 1,000 inhabitants, Victor Manuel Chueca Rodriguez, was specific in his request for a composition at grade 3 level of difficulty. He also suggested the title as Symphony. Since it a three-movement composition instead of a four-movement composition (the normal Minuet and Trio movement is not included in this piece), the title of Sinfonietta instead of Symphony is used.Gregory Fritzeis a prize-winning composer and Fulbright Scholar, as well as an active performer and conductor. His compositions have been performed more than one thousand times in over twenty-six countries. He has written over ninety compositionsfor orchestra, band, chamber ensemblesand soloists. He has won over sixty composition awards both nationally and internationally, including First Prize in the 1st WASBE (World Association of Symphonic Bands and Ensembles) International Composition Contest2017, First Prize Winner of Reneé Fisher Composition Prize, First Prize Winner in Concurso Bienal de Composición de Musica para Banda, Ciudad de Santa Cruz de Tenerife (Spain), Menzione d'Onore (highest award given) of the Mario Bernardo Angelo-Comneno International Music Competition by the Accademia Angelica Costantiniana Arti E Scienze (Italy), First Prize in the TUBA International Etude Composition Competition, the IBLA Grand Prize (Italy), 2nd Prize in the 2nd WASBE International Composition Contest 2019, several awards from The American Prize, annual composition awards from Standard Awards Panel of American Society of Composers, Authors, and Publishers and many others. He has been commissioned by The Rhode Island Philharmonic Orchestra, The Army Band Pershing’s Own of Washington, DC, The Banda Municipal of Bilbao, The Primativa de Lliria, and others. His compositions include works published by several publishers in the United States, South America and Europe and have been performed extensively throughout the world. He has thirty-three compositions commercially recorded on Albany Records, MSR Classics, Crystal Records, Mark Records and others. He has been a guest lecturer, conductor and performer at many colleges, universities and music festivals in the United States, Canada, Japan, South America and Europe. He was born in Allentown, Pennsylvania in 1954 and has Composition degrees from the Boston Conservatory and Indiana University. He now resides in Daytona Beach Shores, Florida.
$75.00
Adaptable Duets for the Young Band Musician Volume One - Bass Clef
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Concert band
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BEGINNER
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John McAllister
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Adaptable Duets for the Young
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John McAllister
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SheetMusicPlus
Small Ensemble Bassoon,Euphonium,Trombone - Level 1 - Digital Download SKU: A0.778246 Composed by John McAllister. Instructional,Standards. Score and par...
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Small Ensemble Bassoon,Euphonium,Trombone - Level 1 - Digital Download SKU: A0.778246 Composed by John McAllister. Instructional,Standards. Score and parts. 6 pages. John McAllister #6736039. Published by John McAllister (A0.778246). This set of ten (easy) duets is for young band musicians. It would fall into the grade 1-1.5 range and these are perfect for an early introduction into chamber music. The best part is they're available for ALL instruments. Young players can mix and match with their friends, regardless of the instrument they play - flute, clarinet, bass clarinet, alto saxophone, tenor saxophone, baritone saxophone, trumpet, French horn, trombone, baritone, tuba, euphonium, mallets, etc. Each of the duets explores a slightly different style- light and playful, moderato--basic, slow and legato, scherzo, maestroso/regal/triumphant, and more. The independence needed to achieve these duets is not too difficult, making it work for a maximum variety of young players.
$2.00
The Fog Meets the Storm for small wind band and percussion
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Concert band
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INTERMEDIATE/ADVANCED
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Contemporary
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James M Johnson
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The Fog Meets the Storm for sm
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Myles Music James Johnson
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SheetMusicPlus
Concert Band - Level 4 - Digital Download SKU: A0.995515 Composed by James M Johnson. Contemporary. Score and parts. 38 pages. Myles Music James Johnson ...
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Concert Band - Level 4 - Digital Download SKU: A0.995515 Composed by James M Johnson. Contemporary. Score and parts. 38 pages. Myles Music James Johnson #3577869. Published by Myles Music James Johnson (A0.995515). Duration: 4: 23level: intermediate to advancedConcert festival type of piece!Fog Meets the Storm to program notes: One of my goals was to create a piece that demonstrates many different mood changes and sound effects, that we experience in the climate that we live in. Whether we are journeying to the mountains or driving to work, mother nature is always on display. Therefore, I believe mother nature symbolizes pleasure, pain, and despair. Having the opportunity to grow up in New England and now living in Maine, I have seen a WIDE variety of weather within just a period of 24 hours! While living on the West Coast I will never forget my drive on the 395 going north and seeing the Sierra Nevada mountains (to my left) tall and grand with snow covered mountain tops! To the right, you would see and feel the hot desert! Although the performers do not need to envision mountaintops or deserts you need to respect the different sections and moods of the piece and know that everything is changing around us, all the time. As musical artists, we can convey our life journeys through our individual sound as well as the ensemble; whether it’s through enjoying nature, life’s challenges, and celebrations! Enjoy making traditional sounds and nontraditional sounds with your instrument.
$50.00
They Walked in the Valley of Fire: Baritone B.C.
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Concert band
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Instructional
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Roland Barrett
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Festival.
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They Walked in the Valley of F
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Alfred Music - Digital Sheet Music
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SheetMusicPlus
Concert Band - Digital Download SKU: AX.00-PC-0017402_BBC1 Baritone B.C.. Composed by Roland Barrett. Instructional. Part. 2 pages. Alfred Music -...
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Concert Band - Digital Download SKU: AX.00-PC-0017402_BBC1 Baritone B.C.. Composed by Roland Barrett. Instructional. Part. 2 pages. Alfred Music - Digital Sheet Music #00-PC-0017402_BBC1. Published by Alfred Music - Digital Sheet Music (AX.00-PC-0017402_BBC1). UPC: 038081516172.Inspired by the Valley of Fire state park in the southwest United States that boasts stunning red sandstone formations created more than 150 million years ago. Located in Nevada's oldest state park in the Mojave Desert, at certain times of the day, when reflecting the sun's rays, these brilliant sandstone formations create the visual illusion of actually being on fire. An emotional composition that is a perfect for concert and contest performances alike. Juxtaposing bold and peaceful musical statements, this compelling composition concludes with burning intensity. (4:00)Concert/Contest; Festival.
$3.00
They Walked in the Valley of Fire: Baritone T.C.
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Concert band
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Instructional
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Roland Barrett
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Festival.
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They Walked in the Valley of F
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Alfred Music - Digital Sheet Music
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SheetMusicPlus
Concert Band - Digital Download SKU: AX.00-PC-0017402_BTC1 Baritone T.C.. Composed by Roland Barrett. Instructional. Part. 2 pages. Alfred Music -...
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Concert Band - Digital Download SKU: AX.00-PC-0017402_BTC1 Baritone T.C.. Composed by Roland Barrett. Instructional. Part. 2 pages. Alfred Music - Digital Sheet Music #00-PC-0017402_BTC1. Published by Alfred Music - Digital Sheet Music (AX.00-PC-0017402_BTC1). UPC: 038081516172.Inspired by the Valley of Fire state park in the southwest United States that boasts stunning red sandstone formations created more than 150 million years ago. Located in Nevada's oldest state park in the Mojave Desert, at certain times of the day, when reflecting the sun's rays, these brilliant sandstone formations create the visual illusion of actually being on fire. An emotional composition that is a perfect for concert and contest performances alike. Juxtaposing bold and peaceful musical statements, this compelling composition concludes with burning intensity. (4:00)Concert/Contest; Festival.
$3.00
Adaptable Duets for the Young Band Musician Volume One - Bb Transposition
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Concert band
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BEGINNER
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Instructional
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John McAllister
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Adaptable Duets for the Young
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John McAllister
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SheetMusicPlus
Small Ensemble Clarinet,Euphonium,Soprano Saxophone,Tenor Saxophone,Trumpet - Level 1 - Digital Download SKU: A0.778244 Composed by John McAllister. Inst...
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Small Ensemble Clarinet,Euphonium,Soprano Saxophone,Tenor Saxophone,Trumpet - Level 1 - Digital Download SKU: A0.778244 Composed by John McAllister. Instructional. Score and parts. 6 pages. John McAllister #6735719. Published by John McAllister (A0.778244). This set of ten (easy) duets is for young band musicians. It would fall into the grade 1-1.5 range and these are perfect for an early introduction into chamber music. The best part is they're available for ALL instruments. Young players can mix and match with their friends, regardless of the instrument they play - flute, clarinet, bass clarinet, alto saxophone, tenor saxophone, baritone saxophone, trumpet, French horn, trombone, baritone, tuba, euphonium, mallets, etc. Each of the duets explores a slightly different style- light and playful, moderato--basic, slow and legato, scherzo, maestroso/regal/triumphant, and more. The independence needed to achieve these duets is not too difficult, making it work for a maximum variety of young players.
$2.00
They Walked in the Valley of Fire: 1st Trombone
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Concert band
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Instructional
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Roland Barrett
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Festival.
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They Walked in the Valley of F
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Alfred Music - Digital Sheet Music
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SheetMusicPlus
Concert Band - Digital Download SKU: AX.00-PC-0017402_TN1 1st Trombone. Composed by Roland Barrett. Instructional. Part. 2 pages. Alfred Music - D...
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Concert Band - Digital Download SKU: AX.00-PC-0017402_TN1 1st Trombone. Composed by Roland Barrett. Instructional. Part. 2 pages. Alfred Music - Digital Sheet Music #00-PC-0017402_TN1. Published by Alfred Music - Digital Sheet Music (AX.00-PC-0017402_TN1). UPC: 038081516172.Inspired by the Valley of Fire state park in the southwest United States that boasts stunning red sandstone formations created more than 150 million years ago. Located in Nevada's oldest state park in the Mojave Desert, at certain times of the day, when reflecting the sun's rays, these brilliant sandstone formations create the visual illusion of actually being on fire. An emotional composition that is a perfect for concert and contest performances alike. Juxtaposing bold and peaceful musical statements, this compelling composition concludes with burning intensity. (4:00)Concert/Contest; Festival.
$3.00
Canadian Armed Forces Salute
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Concert band
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INTERMEDIATE
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Calixa Lavalee, Kenneth Alford
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James Bicigo
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Canadian Armed Forces Salute
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Polar Publications
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SheetMusicPlus
Concert Band - Level 3 - Digital Download SKU: A0.757852 Composed by Calixa Lavalee, Kenneth Alford, Traditional (RCAF), and William Boyce. Arranged by J...
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Concert Band - Level 3 - Digital Download SKU: A0.757852 Composed by Calixa Lavalee, Kenneth Alford, Traditional (RCAF), and William Boyce. Arranged by James Bicigo. Graduation,Patriotic,Standards. Score and parts. 76 pages. Polar Publications #4806329. Published by Polar Publications (A0.757852). Canadian Armed Forces march themes (Army, Navy, Air Force) and the popular Colonel Bogey (all others who serve) are combined with parts of O Canada in a medley honouring those who serve and have served, This arrangement is for flexible band instrumentation. It can be played with a full band, or any combination of the five parts. Perfect for Remembrance Day events and Canada Day events.
$50.00
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