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You Say Run
PDF
Concert band
Sheetmusic to print
6 sheet music found
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1
When You Say Nothing At All
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Concert band
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EASY
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Pop music
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Alison Krauss & Union Station
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Tom Rundle-Wood
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When You Say Nothing At All
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Tom Rundle-Wood
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SheetMusicPlus
Concert Band - Level 2 - Digital Download SKU: A0.1085379 By Alison Krauss & Union Station. By Don Schlitz and Paul Overstreet. Arranged by Tom Rundle-Wo...
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Concert Band - Level 2 - Digital Download SKU: A0.1085379 By Alison Krauss & Union Station. By Don Schlitz and Paul Overstreet. Arranged by Tom Rundle-Wood. Pop. Score and parts. 29 pages. Tom Rundle-Wood #689527. Published by Tom Rundle-Wood (A0.1085379). 90s classic!!
$49.99
You Say Run
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Concert band
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INTERMEDIATE
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Film/TV
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Hayashi Yuki
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James Miller
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You Say Run
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James Miller
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SheetMusicPlus
Concert Band - Level 3 - Digital Download SKU: A0.1175104 By Hayashi Yuki. By Yuki Hayashi. Arranged by James Miller. Film/TV. Score and Parts. 28 pages....
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Concert Band - Level 3 - Digital Download SKU: A0.1175104 By Hayashi Yuki. By Yuki Hayashi. Arranged by James Miller. Film/TV. Score and Parts. 28 pages. James Miller #775249. Published by James Miller (A0.1175104). This is a song from the popular anime My Hero Academia, It has been transposed and modified into a concert band format in order to enhance it's inspiring melody.
$59.99
Monody
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Concert band
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INTERMEDIATE/ADVANCED
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Christian F
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Stephen Cai
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Monody
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Stephen Cai
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SheetMusicPlus
Concert Band - Level 4 - Digital Download SKU: A0.1285185 Composed by Christian F. J. Buettner, John Tuananh Dang, and Rajan S. Arranged by Stephen Cai. ...
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Concert Band - Level 4 - Digital Download SKU: A0.1285185 Composed by Christian F. J. Buettner, John Tuananh Dang, and Rajan S. Arranged by Stephen Cai. 21st Century,Video Game. Score and Parts. 66 pages. Stephen Cai #876297. Published by Stephen Cai (A0.1285185). Monody - TheFatRat (Christian F. J. Buettner) arr. Stephen Cai for Concert BandProgram Notes:MUSIC As a sequel to Pigstep by Lena Raine and Exodus by Ernest Gold, I have decided to take on the challenge of arranging the ever-famous glitch hop song, Monody by Christian Buettner (known more prominently by his online alias, TheFatRat).Similarly to Pigstep, my first arrangement, I ran into the challenge of instrumentation, as Monody’s original soundtrack almost entirely consisted of electronic instruments. However, I used the same technique I did with Pigstep to overcome this problem: assign basslines to low brass, treble melodies to mid-range instruments, and high parts to upper woodwinds. Unlike Pigstep, Monody pushed me to be more creative with the percussion section, as I had to puzzle out recreating all of the numerous sound effects throughout the piece with traditional percussion instruments. I even decided to notate a conch shell line for the war horn present at the beginning and the coda! At the end, however, it all came together nicely, and I came to realize that both this song and the process of arranging it represent a journey, albeit in different contexts. The word “Monody†refers to, in a literal sense, a song sung to mourn one’s death, which accordingly fits with my view of the piece as a journey where the narrator loses their companion. Writing the introduction measures (M.22) carried me through the genuine feelings of embarking on a mythical undertaking as the original soundtrack intends to portray. The lively middle section (M.70) was enjoyable to write as well, because the music itself is upbeat and full of energy. Finally, arranging the solo section was probably my most memorable experience. The slow and subtly melancholic character of the melody (the oboe solo) very closely alludes to the narrator’s mourning, and the enchanting lyrics originally written for this section further confirms their loss:    I still hear you in the breeze,    See your shadows in the trees;    Holding on, memories never change. The chords and harmonies that the original soundtrack provided were relatively simple to transcribe, and I found joy complementing them with luscious percussion effects. This is my interpretation of Monody, and I believe that it would be best performed as a journey, one which we can relate to as it encompasses the theme of loss; a monody. ARTWORK I also took up the challenge of creating original cover artwork for Monody, and I have to say, my level of appreciation for artists of any kind has skyrocketed ever since that endeavor. It took nearly two months of watching YouTube tutorials, onerous idea crunching, and using my sister’s drawing tablet, but I had nevertheless completed it with advice from some of my more experience peers (including my sister). Formal Credits: Cai, Stephen and Rachel Cai. “Monody†Arrangement for Concert Band cover. 2023 Lastly, I want to say thanks to my friend Matteo Sohn for being such a huge musical inspiration, and thank you for acknowledging my arrangement!
$59.99
Medioevo By Jannes Jacobs
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Concert band
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Contemporary
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Jannes Jacobs
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Medioevo By Jannes Jacobs
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Jannes Jacobs
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SheetMusicPlus
Concert Band - Digital Download SKU: A0.1012109 Composed by Jannes Jacobs. Contemporary. Score and parts. 359 pages. Jannes Jacobs #3569171. Published by...
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Concert Band - Digital Download SKU: A0.1012109 Composed by Jannes Jacobs. Contemporary. Score and parts. 359 pages. Jannes Jacobs #3569171. Published by Jannes Jacobs (A0.1012109). Medioevo is a Composition based on impressions from the dark ages. The composer wrote the piece to take you on a journey through this remarkable period of time.Part 1: The Promised Beginning Land Of Departurethe part opens with a decisive rhythm in the lower brass, woodwind and percussion section. The theme played by the woodwinds is written to give the listeners a middle eastern feeling. This represents the crusades. The higher brass section play a nice and static counter theme.Part 2: Enchanted DominionThis section a bit mysterious and magic, played by mallets and flutes. The theme from the Oboe represents the ghost of a warlock trapped on the dominion. As we pas trough the dominion we need the protection of the church represented by the Harpsichord (clavecimbel) and clarinets.Part 3: The rustling ForestsAfter leaving the Enchanted Dominion we gallop with our horse trough the Rustling Forests. These forest show fast winds and have a lyric theme played by the trumpets and saxesPart 4: The SquareOnce trough the Forests we get to the Village square where the market is on going. We have several sales men selling their goods. These are represented in the themes of the woodwinds. The confusion gets to much and we try to hide from the sales men. The trumpets represent this part in a piano 5/4 movement which bring a big contrast trough the noises from the market place. In the end we need to get through the market place so we find a way to keep the sales men away by playing a wonderful legato melody which the dwarf’s taught us.Part 5: Dwarf’sThese social and kind people have a little village outside of the town where joyful melodies sound from both children as adults and elderly dwarf’s. the themes are divided under the different solo players of the woodwind sections.Part 6: Run or HideAfter a nice time with the Dwarf’s we continue our path but soon we face a large army coming our way. What do we do Run or Hide? This part is full of different melodies and counter melodies to represent the indecisiveness of the Dark Ages.Part 7: NeverlandWe arrive in the land of the elves where the tenor sax and horns play an agitato atmosphere to represent our hart beat when we see these beautiful creatures. The themes from the flutes and euphoniums show the grace and beauty of the elves. While the harp creates an elf like atmosphere.Part 8 The castle Gardenswe arrive in the castle gardens. These gardens are the most beautiful in the whole land. It makes the orchestra say Ahh. While the percussion section gives it a magical feeling. After being amassed we soon find out that these gardens are made for the Authorities and paid by our tax money which gives us a double feeling. Should this money not be better spend on good music?Part 9 Black Powderafter we find out the castle lord wrongly used or tax money we go and find some black powder to blow him up. After being hunted down by the castle lord trying to get some black powder. We find ourselves in the glorious fight.Part 10: Rageour glorious fight with the castle lord continues into an enormous climax where we are stroke down and ends up with a one way ticket to the graveyard.Part 11: The GraveyardThe whole orchestra sings a spiritual song to guide us into the afterlives. An angle comes to collect our soul (represented by the piccolo flute). And slowly or name is forgotten.
$15.00
Eternal Flame
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Concert band
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INTERMEDIATE
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Pop music
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The Bangles
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Tom Rundle-Wood
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Eternal Flame
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Tom Rundle-Wood
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SheetMusicPlus
Concert Band - Level 3 - Digital Download SKU: A0.1205434 By The Bangles. By Billy Steinberg, Susanna Hoffs, and Tom Kelly. Arranged by Tom Rundle-Wood. ...
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Concert Band - Level 3 - Digital Download SKU: A0.1205434 By The Bangles. By Billy Steinberg, Susanna Hoffs, and Tom Kelly. Arranged by Tom Rundle-Wood. Pop. Score and parts. 31 pages. Tom Rundle-Wood #803623. Published by Tom Rundle-Wood (A0.1205434). Say my name... do you feel the same...?You know it. This is either by the Bangles or Eternal depending on generation. Flex-ensembleOptional Vocal parts.
$49.99
Overture - Oklahoma!
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Concert band
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INTERMEDIATE/ADVANCED
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Oscar Hammerstein and Richard
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John Ivor Holland
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Overture - Oklahoma!
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John Ivor Holland
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SheetMusicPlus
Concert Band - Level 4 - Digital Download SKU: A0.1216155 Composed by Oscar Hammerstein and Richard Rodgers. Arranged by John Ivor Holland. 20th Century,...
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Concert Band - Level 4 - Digital Download SKU: A0.1216155 Composed by Oscar Hammerstein and Richard Rodgers. Arranged by John Ivor Holland. 20th Century,Broadway,Film/TV,Musical/Show. Score and Parts. 114 pages. John Ivor Holland #812763. Published by John Ivor Holland (A0.1216155). Celebrating its 80th anniversary on Broadway 2023, the tune-packed show must have been a delight for audiences experiencing the very first collaboration between Richard Rodgers and Oscar Hammerstein II. The original production opened on March 31, 1943 and was a box office hit, running for an unprecedented 2,212 performances, later enjoying award-winning revivals, national tours, foreign productions and an Oscar-winning 1955 film adaptation. It has long been a popular choice for school and community productions and won a special Pulitzer Prize in 1944. The bright and breezy Overture presents many of the shows great songs, including The Farmer and The Cowman, People Will Say We're In Love, Out of My Dreams and of course, Oklahoma! A sure-fire way to get a concert started is with an overture, so why not try this one with your band, it's bound to be a crowd-pleaser!
$79.99
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