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74,497
Piano & keyboards
Piano solo
54,433
Piano, Voice
37,143
Easy Piano
17,231
Piano, Vocal and Guitar
9,854
Organ
6,511
C Instruments
4,463
Big Note Piano
3,499
Piano Accompaniment
2,642
1 Piano, 4 hands
1,688
Accordion
1,066
Piano Trio: piano, violin, cello
887
Piano (band part)
538
2 Pianos, 4 hands
408
Piano Quartet: piano, 2 violins, cello
254
Piano Quartet: piano, violin, viola, cello
204
Organ, Trumpet (duet)
164
Organ, Piano (duet)
134
Harpsichord
128
Piano Quintet: piano, 2 violins, viola, cello
115
Keyboard
90
1 Piano, 6 hands
72
2 Pianos, 8 hands
30
2 Accordions
11
Fake Book
5
2 Organs (duet)
4
Accordion and Orchestra
4
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3
Organ, Voice
3
Accordion, Piano
3
Accordion ensemble
3
Piano ensembles
2
Accordion - Piano, Voice, Guitar chords
2
Accordion, String(s)
2
Organ and Orchestra
1
+ 29 instrumentations
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Retract
Guitars
Guitar notes and tablatures
7,362
Guitar
5,387
Melody line, (Lyrics) and Chords
2,476
Ukulele
2,005
Bass guitar
1,611
Guitar (band part)
937
Lyrics and Chords
851
2 Guitars (duet)
810
Mandolin
487
Dulcimer
310
Piano, Guitar (duet)
287
4 Guitars (Quartet)
229
Banjo
209
3 Guitars (trio)
122
Guitar Ensemble
101
Baritone Ukulele
30
Electric Bass (band part)
29
2 Dulcimers (duet)
27
Mandolin, Guitar (duet)
23
Mandolin, Piano (duet)
17
Guitar, Violin, Cello (trio)
17
2 Ukuleles
16
Lap Steel Guitar
15
Ukulele Ensemble
8
Dobro
6
2 Mandolins (duet)
5
Guitar, String Quartet
3
Guitar, Orchestra
3
Plectrum Orchestra
3
Guitar Tab, Voice, Bass, Drum
2
Guitar, Flute, Clarinet
2
Lute
1
3 Dulcimers (trio)
1
Zither
1
+ 29 instrumentations
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Retract
Voice
Choral SATB
32,191
Choral 3-part
10,388
Choral 2-part
8,547
Choral TTBB
7,423
Choral SSAA
5,047
Choral Unison
4,434
Choral Instrumental Pak
3,960
Vocal duet, Piano
2,733
Vocal duet
1,132
Voice solo
887
Choral
809
Soprano voice, Piano
710
Alto voice, Piano
508
Tenor voice, Piano
466
High voice
427
Baritone voice, Piano
316
Low voice, Piano
192
Medium voice, Piano
167
Choral SSAATTBB
119
Tenor voice
97
Choral SSATB
93
Choral SSAB a cappella
64
Soprano voice
52
Choral SSATTB
41
Mezzo-Soprano voice, Piano
31
Low voice
28
Soli, Mixted choir and accompaniment
25
Choral SSAB, Piano
22
Voice, Guitar
15
Choral SSAATB
12
Choral SSAATB A Cappella
10
Choral SATBB
10
Choral SAATB A Cappella
7
Choral, Orchestra
7
Soprano voice, Orchestra
7
Choral SATTBB A Cappella
6
High voice, Piano
4
Choral, Organ
4
Medium Voice
3
Voix Masculines
3
Vocal duet, Organ
2
Baritone voice
1
Choral SSATBB
1
+ 38 instrumentations
-
Retract
Woodwind
Flute and Piano
6,266
Saxophone (band part)
5,455
Saxophone Quartet: 4 saxophones
5,141
Clarinet and Piano
4,641
Flute
4,301
Woodwind Quintet: flute, oboe, bassoon, clarinet, horn
3,972
Flute, Oboe, Clarinet, Bassoon
3,709
Oboe, Piano (duet)
3,556
Clarinet
3,544
2 Saxophones (duet)
3,378
Alto Saxophone and Piano
3,278
2 Flutes (duet)
3,088
Clarinet Quartet: 4 clarinets
2,975
Alto Saxophone
2,654
Tenor Saxophone and Piano
2,501
2 Clarinets (duet)
2,391
Tenor Saxophone
2,271
Oboe (band part)
1,799
Soprano Saxophone and Piano
1,720
Saxophone Quintet: 5 Saxophones
1,563
Flute Quartet: 4 flutes
1,561
Clarinet (band part)
1,390
3 Clarinets (trio)
1,309
Flute and Guitar
1,169
Saxophone
1,157
Flute, Clarinet (duet)
1,107
3 Saxophones (trio)
991
Clarinet Ensemble
891
Flute (band part)
850
Flute Trio: 3 flutes
775
Baritone Saxophone, Piano
752
Flute ensemble
701
Clarinet Quintet: 5 clarinets
642
Saxophone ensemble
628
2 Oboes (duet)
623
Clarinet, Violin (duet)
590
Descant (Soprano) Recorder
555
Oboe
532
English horn, Piano
518
2 Recorders (duet)
515
Saxophone, Clarinet (duet)
514
Oboe, Bassoon (duet)
508
Flute, Violin
493
Oboe, Clarinet (duet)
437
Flute, Violin, Piano
374
Flute, Oboe, Clarinet (trio)
364
Treble (Alto) Recorder
357
Recorder
336
Ocarina
329
Soprano Saxophone
325
Harmonica
317
Flute, Clarinet and Bassoon.
308
Flute Quintet : 5 flutes
299
Bass Clarinet, Piano
295
Clarinet, Trumpet (duet)
293
Clarinet, Guitar (duet)
272
Recorder Quartet
270
Flute, Oboe (duet)
263
Clarinet, Bassoon (duet)
250
Flute, Violoncello
245
Clarinet and Viola
232
Oboe, Clarinet, Bassoon (trio)
229
Flute, Viola (duet)
229
Flute, Saxophone (duet)
208
Oboe, Flute
207
Flute, Clarinet, Piano (trio)
202
Flute, Trumpet (duet)
190
English Horn
187
Clarinet, Harp (duet)
164
Clarinet, Cello (duet)
161
Flute, Oboe, Bassoon
150
Baritone Saxophone
148
Oboe, Cello
143
Flute, Violin and Violoncello
141
2 Flutes, Piano
133
2 Clarinets, Piano
126
Recorder Ensemble
122
Flute, Cello, Piano (trio)
119
Flute, Clarinet, Violin (trio)
98
Flute, Oboe, Violin
98
3 Recorders (trio)
97
Treble (Alto) Recorder, Piano
96
Pennywhistle
90
Oboe, Violin (duet)
83
Flute, Trombone (duet)
81
Flute, Bassoon, and Piano
81
Descent (Soprano) Recorder, Piano
81
Clarinet, Cello, Piano (trio)
79
5 Recorders
75
Tenor Recorder
73
2 Saxophones, Piano
70
Eb Instruments
68
Flute, Oboe, Piano (trio)
68
Piccolo
64
Saxophone and Guitar
62
Flute, harp and violin
61
Oboe, Guitar (duet)
58
Oboe and viola (duet)
57
English Horn, Guitar (duet)
57
Flute, Viola and Piano
54
2 Clarinets, Bassoon
48
Clarinet, Trombone (duet)
47
Saxophone and Piano
47
Bass Clarinet
42
Bagpipe
41
Piccolo, Piano
38
Saxophone and Organ
34
Recorder, Piano
34
Flute, Violin, Violoncello and Piano
33
Flute, trombone and piano
33
Flute, Tuba (duet)
30
Clarinet, Bassoon, Piano (trio)
30
Flute, Clarinet, Horn and Bassoon (Quartet)
29
Flute, Harp and Cello
29
3 Oboes
28
4 Oboes
28
Oboe, Trumpet (duet)
28
Saxophone, Violin (duet)
27
Saxophone and Harp
26
Oboe, Harp
25
Clarinet, trumpet and piano
25
Flute, Organ (duet)
24
Wind ensemble
23
Recorder, Guitar (duet)
22
Clarinet, Tuba
21
Oboe, Trombone (duet)
21
Flute and Strings Trio
20
Clarinette, Viola and Piano (trio)
18
Flute, French horn (duet)
18
Oboe, Cello and Piano
17
Oboe, Bassoon and Piano
16
Flute, Cello, Guitar
15
Clarinet, Double bass (duet)
14
Clarinet Quintet: Clarinet, String Quartet
13
Oboe, Clarinet and Piano (Trio)
12
2 English horns and Pianoforte
12
Clarinet, Organ
10
Clarinet Quartet: Clarinet, Violin, Viola, Cello
10
Oboe, Violin, Viola and Violoncello (Quartet)
10
Recorder, Harp
8
Flute, Viola and harp
8
Oboe, Violin, Piano
8
English horn, Harp (duet)
8
Flute, Violin, Guitar
8
Treble (Alto) Recorder, Basso continuo
7
Saxophone and cello
6
Flute and String Quartet
6
Flute, Orchestra
6
2 Recorders, Piano
5
Flute, Basso continuo
5
Clarinet, Orchestra
5
Saxophone, Bassoon (duet)
4
2 Oboes, Piano
4
2 Flutes, Basso continuo
4
Oboe ensemble
4
2 Oboes and Basson
3
Pan Flute
3
Melodica
3
Saxophone, Tuba (duet)
3
2 Flutes, 2 Clarinets (Quartet)
3
Harmonica, Piano
2
2 Harmonicas
2
3 Recorders, Piano
2
Oboe, Organ
2
2 Flutes and Harp
2
Flute, viola, cello and guitar
1
Descant (Soprano) Recorder, Basso continuo
1
2 Oboes and English horn
1
Clarinet, Saxophone, Piano
1
Oboe and Orchestra
1
2 Oboes, 2 Horns and 2 Bassoons
1
2 Recorders, Guitar
1
Flute, Viola and Cello
1
+ 168 instrumentations
-
Retract
Woodbrass
Brass Quintet: 2 trumpets, horn, trombone, tuba
4,491
Trumpet
3,697
Trombone (band part)
3,203
Trumpet, Piano
3,046
Trumpet (band part)
3,011
Trombone and Piano
3,009
Brass quartet : 2 trumpets, trombone, tuba
2,792
Trombone
2,715
French Horn and Piano
2,094
French horn
1,730
2 Trumpets (duet)
1,236
Tuba
1,148
Brass Quartet: 2 trumpets, horn, trombone
1,009
2 Trombones (duet)
1,008
Brass Quartet
992
Tuba and Piano
961
French horn (band part)
840
Tuba (band part)
654
Trumpet, Trombone (duet)
634
Brass Quartet: 4 trombones
549
2 French horns (duet)
547
Euphonium, Piano (duet)
542
English horn, Piano
518
Trumpet, Saxophone (duet)
452
Brass Quartet: 4 horns
437
Euphonium
424
Trumpet, Horn (duert)
318
Trombone ensemble
273
3 Trombones (trio)
227
2 Euphoniums and 2 Tubas
205
Brass Trio
195
English Horn
187
2 Tubas (duet)
175
Trumpet ensemble
168
4 Tubas
127
Horn Ensemble
122
Brass Quartet: 4 trumpets
118
3 Trumpets (trio)
98
Brass Quartet: 2 trumpets, 2 trombones
81
Trombone, Tuba (duet)
72
Trumpet, Tuba (duet)
71
Tuba and Organ
66
Bb Instruments
64
Euphonium, Tuba (duet)
61
Bass Clef Instruments
60
Bass Trombone
59
English Horn, Guitar (duet)
57
Horn, Cello (duet)
56
Trombone, Organ
48
2 Trumpets, Keyboard (piano or organ)
46
Trumpet, Cello (duet)
42
Trumpet, Bassoon (duet)
40
Trumpet, violin (duet)
40
Trombone, Horn (duet)
39
Horn, Tuba (duet)
37
Trumpet, Cello, Piano
35
2 Euphoniums (duet)
34
Bass Trombone and Piano
34
French Horn and Harp
31
Tuba or Euphonium or Saxhorn
30
3 French horns (trio)
28
Trombone, Violin (duet)
27
Trumpet, Trombone, Piano
26
Trumpet, Harp
26
Trombone, cello (duet)
25
French horn and Basson (duet)
25
Clarinet, Horn (duet)
19
2 Trombones, Piano
18
Trumpet and Guitar
18
Horn, Trumpet, Trombone (trio)
17
Horn and Organ
17
3 Tubas (trio)
17
Cornet
14
2 English horns and Pianoforte
12
Tuba ensemble
9
English horn, Harp (duet)
8
Brass Quintet: 2 trumpets, horn, 2 trombones
7
F Instruments
7
Cornet and Piano
7
Brass quartet : Horn, Trombone, Tuba, B-Flat Trumpet
7
2 French horns, Piano
6
Trombone and Orchestra
6
Horn and Orchestra
5
Trombone, Viola (duet)
5
Horn, Cello and Piano
5
3 Euphoniums
4
Trumpet, Euphonium (duet)
3
Euphonium (band part)
3
Cornet and Orchestra
2
4 Euphoniums
2
Euphonium or Saxhorn and Piano
1
Trumpet, Orchestra
1
+ 87 instrumentations
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Retract
Strings
String Quartet: 2 violins, viola, cello
12,777
Violin and Piano
7,201
Violin
5,373
Cello, Piano
4,693
Harp
3,912
Viola, Piano
3,716
Cello
3,693
Violin, Cello (duet)
2,473
Viola
2,291
String Trio: violin, viola, cello
2,230
2 Violins (duet)
2,195
2 Cellos (duet)
1,397
Violin (band part)
1,361
Violin, Viola (duet)
1,187
String Quintet: 2 violins, viola, cello, bass
1,132
Doublebass (band part)
1,130
Double Bass
908
2 Violas (duet)
903
Viola (band part)
901
Double bass, Piano (duet)
885
String Trio: 2 violins, cello
863
Harp, Flute (duet)
490
Piano Trio: Violin, Viola, Piano
481
Viola, Cello (duet)
466
String Trio: 3 violins
419
Violin, Guitar (duet)
412
Cello (band part)
367
4 Cellos
362
2 Harps (duet)
302
Harp, Violin (duet)
253
Cello, Guitar (duet)
225
String Trio: 3 cellos
201
String quartet: 4 violins
193
String Trio: 2 violins, viola
192
2 Double basses (duet)
166
Cello, String Bass (duet)
154
Viola, Guitar (duet)
151
Violin, Bassoon (duet)
131
String Trio: 3 violas
120
String Quartet : 4 violas
105
String Quintet: 2 violins, 2 violas, cello
83
String trio
74
Harp, Cello (duet)
62
Viola and Bassoon
61
2 Violins, Piano
58
Violin, Clarinet, Piano (trio)
52
Harp, Voice
52
Viola and Harp
52
Cello, Organ
47
String Quintet: 2 violins, viola, 2 cellos
45
Violin ensemble
40
Flute, Doublebass (duet)
37
4 Double Basses
34
Viola ensemble
29
Harp, Violin, Violoncello
25
Cello, Orchestra
24
Violin, Tuba (duet)
24
2 Cellos, Piano
23
Violin, Organ
23
Harp and Piano
18
Cello Ensemble
18
3 double basses
13
Harp and mandolin
13
Harp, Trombone (duet)
13
Violin, Basso continuo
12
Violoncello, Basso continuo
11
Violin, Cello, Clarinet
11
Autoharp
10
Violin, Trumpet and Piano
9
3 Harps
9
Harp (band part)
8
2 Violas, Piano
7
Harp, String quartet
4
Viola, Organ
4
4 Harps
3
Harp and Organ
3
5 Harps
2
2 Violins and Basso
2
Viola and orchestra
2
+ 74 instrumentations
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Retract
Orchestra & Percussion
Concert band
24,219
String Orchestra
6,081
Jazz Ensemble
4,980
Orchestra
4,973
Brass ensemble
3,175
Handbells
3,105
Marching band
2,837
Chamber Orchestra
1,684
Drums
1,433
Jazz combo
1,420
Percussion (band part)
826
Percussion Ensemble
636
Drum (band part)
619
Marimba
211
Percussion
207
Timpani (band part)
194
Flexible Instrumentation
156
Vibraphone
129
Xylophone, Piano
91
Xylophone
84
Woodwind Quintet
50
Piano and Orchestra
50
String Quintet : 2 Violins, Viola, Violoncello, Doublebass, Keyboard
40
Timpani
36
Orchestra, Violin
30
Big band
25
2 Xylophones
24
Woodwind Quartet: any 4 woodwinds
18
Snare drums
16
Brass Quintet: other combinaisons
16
School Ensemble
10
Xylophone (band part)
9
Vibraphone and Marimba
9
Vibraphone (band part)
7
3 Marimbas
5
Marimba, Piano (duet)
4
Marimba and Organ
4
Xylophone or Marimba or Vibraphone
4
Conga
2
Voice and Orchestra
2
3 Percussions
2
2 Marimbas
2
Bodhran
2
Cajon
2
Bongos
2
Marimba or Xylophone and Piano
1
2 Snare Drums (duet)
1
2 Percussions
1
+ 43 instrumentations
-
Retract
Others
Musical course - Solfege
155
Music Theory
10
Stationery
1
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4951
A Ceremony of Lessons and Carols - Instrumental Ensemble Score and Parts
#
Orchestra
#
Christmas
#
Jean Anne Shafferman and Anna
#
A Ceremony of Lessons and Caro
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SheetMusicPlus
Percussion, Electronic Keyboard, Handbell 3 octaves - Digital Download A Simple Service for Choir and Congregation. Composed by Jean Anne Shafferman an...
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Percussion, Electronic Keyboard, Handbell 3 octaves - Digital Download A Simple Service for Choir and Congregation. Composed by Jean Anne Shafferman and Anna Laura Page. Choral Cantatas. Christmas. Instrumental Ensemble Score and Parts. 206 pages. Lorenz Publishing Company #30/2591L. Published by Lorenz Publishing Company
Orchestration: Lloyd Larson.
Filled with charm and warmth, this traditional service is thoughtfully designed for performance by choirs of all sizes with a minimum of preparation and cost. Beloved traditional scripture readings are tightly interwoven with twenty-six carols that include just a touch of Handel and Bach! A continuous flow of carols both accompanies the scripture readings and flows seamlessly into simple arrangements for choir, choir with vocal solo or duet, and choir with congregation. One unique feature is an optional four-hand piano score that adds budget-friendly sparkle! Another welcome option is a simple handbell and percussion score with synth strings and two-hand piano. Flexibly conceived, this program can be performed in its entirety, lasting approximately 30-35 minutes, or shortened to conform to your particular Christmas needs.
$179.95
Destiny For A New
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Orchestra
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ADVANCED
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Contemporary
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Joshua A
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Destiny For A New
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Joshua A. Idio
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SheetMusicPlus
Full Orchestra - Advanced - Digital Download Composed by Joshua A. Idio. 21st Century, 20th Century, Romantic Period, Contemporary Classical, Repertoir...
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Full Orchestra - Advanced - Digital Download Composed by Joshua A. Idio. 21st Century, 20th Century, Romantic Period, Contemporary Classical, Repertoire. Score, Set of Parts. 85 pages. Published by Joshua A. Idio
Composed by Joshua A. Idio. (ASCAP Licensed) Orchestral Music. Concert Opener music. Full score and parts.
Symphony Orchestra - Grade 5
Motivational and Exhilarating! This grand “movie-esque” scoring sends the audience through a heart-pounding epiphany of song and soul. With its use of moving melodies, surprising rhythms, and evocative instrumentation, the courage to take on the world has never felt more achievable. The inspiring begins now!
$125.00
Rondo in A minor for Viola and Orchestra
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Orchestra
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ADVANCED
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Contemporary
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Joel Jacklich
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Joel Jacklich (ASCAP)
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Rondo in A minor for Viola and
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Joel Jacklich
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SheetMusicPlus
Chamber Orchestra - Level 5 - Digital Download SKU: A0.723062 Composed by Joel Jacklich (ASCAP). Arranged by Joel Jacklich (ASCAP). Contemporary. Score a...
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Chamber Orchestra - Level 5 - Digital Download SKU: A0.723062 Composed by Joel Jacklich (ASCAP). Arranged by Joel Jacklich (ASCAP). Contemporary. Score and parts. 154 pages. Joel Jacklich #2075161. Published by Joel Jacklich (A0.723062). This is an arrangement by the composer of his Rondo in A minor (originally written for Guitar and Orchestra) for Viola and Orchestra. There is also a version arranged for Cello and Orchestra. In October, 2014, after my most recent commission, the creative juices were still flowing, and I felt the urge to write a work for guitar and orchestra (which I had always wanted to do, partly inspired by the memories Pepe Romero's performances with my orchestra forty years earlier). Amazingly, within two days I had, except for a few minor corrections, a completed work. The result was the Rondo in A minor for Guitar and Orchestra, which I dedicated to my friend, Sir Pepe Romero, with the greatest respect and admiration. In December of 2014, I realized the work was easily accessible for either viola or cello and created versions of the piece for solo cello and orchestra, and also a version for solo viola and orchestra. The work is rondo-like in form, but does not strictly follow all the rules. The form of the work is a kind of a musical palindrome: A B A C A D A C A B A (including a cadenza in the final rondo statement). The presence of castanets gives the work a bit of a Spanish flair. The piece is scored for pairs of flutes, oboes, clarinets in A, bassoons, horns, and trumpets in C; with timpani, castanets, and strings (8,8,5,5,3). Parts for clarinets and trumpets in B-flat are included in the set for those orchestras lacking clarinets in A or trumpets in C.
$65.00
Symphony No. 3 in A minor, op. 17 (parts)
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Orchestra
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ADVANCED
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Adrian Gagiu
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Symphony No. 3 in A minor, op.
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Adrian Gagiu
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SheetMusicPlus
Full Orchestra - Level 5 - Digital Download SKU: A0.1357497 Composed by Adrian Gagiu. 20th Century,Classical,Contemporary. 291 pages. Adrian Gagiu #94204...
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Full Orchestra - Level 5 - Digital Download SKU: A0.1357497 Composed by Adrian Gagiu. 20th Century,Classical,Contemporary. 291 pages. Adrian Gagiu #942043. Published by Adrian Gagiu (A0.1357497). The orchestral parts of the Third Symphony (2000, revised 2023), an ambitious, modernist/neoclassical composition for orchestra and chorus with four vocal soloists. It may represent a search for harmony within and/or without and is a huge, subtle variations form on a theme that appears clearly and in full only in the Finale.The chromatic, first movement (Andante maestoso) begins mysteriously with A's in the unaccompanied violins, like a tuning or a seed of what is to come. These A's are adorned with oscillations which gradually become wider leaps until they reach the fifth (as in the beginning of the future full theme), and the other instruments join gradually. The mood is dark, tragic, pensive, and somehow abstract, as the music wanders in an almost improvisatory manner through chromatic modes and goes crescendo-decrescendo back again to the bare, cryptic A's.The energetic second movement (Allegro) is an enormous scherzo toying with the second melodic cell of the full theme, a descending tetrachord. This vital, Dionysian frenzy (in strong contrast to the Apollonian, severe contemplation in the first movement) leads only to its exhaustion and to the disorientated, slow Trio: first, an almost atonal tenor monologue accompanied by harp (on verses from Dante's Purgatory), then a quotation from Beethoven's sketches for a planned overture on the B-A-C-H motif, followed by a fugal section on the same archetypal motif and again a tenor monologue (on verses from Eminescu's Satire No. 4), this time with organ accompaniment and more and more tortured until the choral exclamations and the final cymbal clash. The search seemed in vain, so the rhythmic fury of the scherzo returns, but in mirror, as minor modes replaced the major ones on the same material.The Finale (Larghetto-Allegro-Larghetto) was inspired by the last scene in Goethe's Faust, part 2. After a cryptic variation for choir a cappella, the full theme appears at last in the orchestra, setting a lyric, appeased mood and more diatonic harmonies, while it reconciles the introspection of the first movement and the emotional and vital aspects of the second, although occasional attempts are made to escape, striving more and more towards the ending (with four vocal soloists and chorus). The parenthetic structure of the finale is a holographic reflection of the general form of the whole symphony, alternating gentle, contemplative episodes with exuberant or majestic fugatos. Towards the ending, ecstatic, big, complex quartal chords suggest the limits of perception and language (on the final stanzas from Dante's Paradise), until the sonority becomes again more and more rarefied and the journey returns to its starting point from the first movement: the 'tuning' A's in the violins.Total duration: 54 min. Performing Rights Organization: SOCAN. The mp3 audio clip is the second movement.
$210.00
Symphony No. 3 in A minor, op. 17
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Orchestra
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ADVANCED
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Contemporary
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Adrian Gagiu
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Symphony No. 3 in A minor, op.
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Adrian Gagiu
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SheetMusicPlus
Full Orchestra - Level 5 - Digital Download SKU: A0.1356636 Composed by Adrian Gagiu. 20th Century,Classical,Contemporary. 215 pages. Adrian Gagiu #94126...
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Full Orchestra - Level 5 - Digital Download SKU: A0.1356636 Composed by Adrian Gagiu. 20th Century,Classical,Contemporary. 215 pages. Adrian Gagiu #941262. Published by Adrian Gagiu (A0.1356636). The score, parts and vocal score of the Third Symphony (2000, revised 2023), an ambitious, modernist/neoclassical composition for orchestra and chorus with four vocal soloists. It may represent a search for harmony within and/or without and is a huge, subtle variations form on a theme that appears clearly and in full only in the Finale. The chromatic, first movement (Andante maestoso) begins mysteriously with A's in the unaccompanied violins, like a tuning or a seed of what is to come. These A's are adorned with oscillations which gradually become wider leaps until they reach the fifth (as in the beginning of the future full theme), and the other instruments join gradually. The mood is dark, tragic, pensive, and somehow abstract, as the music wanders in an almost improvisatory manner through chromatic modes and goes crescendo-decrescendo back again to the bare, cryptic A's. The energetic second movement (Allegro) is an enormous scherzo toying with the second melodic cell of the full theme, a descending tetrachord. This vital, Dionysian frenzy (in strong contrast to the Apollonian, severe contemplation in the first movement) leads only to its exhaustion and to the disorientated, slow Trio: first, an almost atonal tenor monologue accompanied by harp (on verses from Dante's Purgatory), then a quotation from Beethoven's sketches for a planned overture on the B-A-C-H motif, followed by a fugal section on the same archetypal motif and again a tenor monologue (on verses from Eminescu's Satire No. 4), this time with organ accompaniment and more and more tortured until the choral exclamations and the final cymbal clash. The search seemed in vain, so the rhythmic fury of the scherzo returns, but in mirror, as minor modes replaced the major ones on the same material. The Finale (Larghetto-Allegro-Larghetto) was inspired by the last scene in Goethe's Faust, part 2. After a cryptic variation for choir a cappella, the full theme appears at last in the orchestra, setting a lyric, appeased mood and more diatonic harmonies, while it reconciles the introspection of the first movement and the emotional and vital aspects of the second, although occasional attempts are made to escape, striving more and more towards the ending (with four vocal soloists and chorus). The parenthetic structure of the finale is a holographic reflection of the general form of the whole symphony, alternating gentle, contemplative episodes with exuberant or majestic fugatos. Towards the ending, ecstatic, big, complex quartal chords suggest the limits of perception and language (on the final stanzas from Dante's Paradise), until the sonority becomes again more and more rarefied and the journey returns to its starting point from the first movement: the 'tuning' A's in the violins. Total duration: 54 min. Performing Rights Organization: SOCAN. The mp3 audio clip is the second movement.
$210.00
Fugue: "Wear Pearls and Smile" (A Pairing with Beethoven's Symphony #2) - Extracted Parts
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Orchestra
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ADVANCED
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Contemporary
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Benjamin Harry Sajo
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Fugue: "Wear Pearls and Smile"
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Benjamin Sajo
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SheetMusicPlus
Full Orchestra - Level 5 - Digital Download SKU: A0.1018924 Composed by Benjamin Harry Sajo. 20th Century,Contemporary. Score and parts. 76 pages. Benjam...
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Full Orchestra - Level 5 - Digital Download SKU: A0.1018924 Composed by Benjamin Harry Sajo. 20th Century,Contemporary. Score and parts. 76 pages. Benjamin Sajo #6072951. Published by Benjamin Sajo (A0.1018924). Fugue: Wear Pearls and Smile is, on the outset, a fast, rambunctious adventure for many voices playing at the same time. It was conceived as a pairing for the equally vivacious second symphony of Ludwig van Beethoven–his 250th birthday is this year–but can stand on its own as one of my hardest, most challenging works to cook up.This piece is dedicated to those forced to appear positive when internally they’re falling apart. The title is inspired by a quote that’s been with me for a while, Why is it that men can be bastards and women must wear pearls and smile? by Lynn Hecht Schafren, the celebrated American jurist famous for campaigning for gender equity in courts. I’m taking the quote out of its initial context, but the power of that quote, for me, exemplifies how hard it is to maintain a sense of emotional decorum and dignity when you’re authentically a hot mess. And what’s more of a musical hot mess than a fugue?There are two realities to this piece. I’ll quote Dmitri Shostakovich, from his autobiography: The rejoicing is forced, created under threat, […] It’s as if someone were beating you with a stick and saying, ‘Your business is rejoicing, your business is rejoicing,’ and you rise, shaky, and go marching off, muttering ‘Our business is rejoicing, our business is rejoicing.’ On the one hand, it is insincere happiness, cloying perhaps. But the other truth, I’ll quote Oscar Hammerstein II, from The King and I: While shivering in my shoes / I strike a careless pose / And whistle a happy tune / And no one ever knows, / I'm afraid. I forced myself, against all impulses of my current being, to forge happiness. This piece, with its origin being a mental puzzle (fugues are puzzles), it became a construct where I could lift myself up and regain a sense of purpose. Therefore, it is invented–out of a literal need to survive–pure, genuine happiness.Future Performances: If you are interested in performing this work, please e-mail me.ABOUT THE COMPOSER: Benjamin Sajo (b. 1988) is a Canadian composer of contemporary classical music, as well as an educator. Since developing a fiercely independent creative voice upon the completion of his studies at Western (2010) and McGill Universities (2013), he continues to find inspiration from the intersection of mythology, art, and nature upon the contemporary human experience. In 2019, he released his premiere album of original music, The Great War Sextet: Canadian War Poetry with Trombone & Strings , with support from the Ontario Arts Council. He is a member of SOCAN and the League of Canadian Composers.
$31.50
Fugue: "Wear Pearls and Smile" (A Pairing with Beethoven's Symphony #2) - Conductor's Score
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Orchestra
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ADVANCED
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Contemporary
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Benjamin Harry Sajo
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Fugue: "Wear Pearls and Smile"
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Benjamin Sajo
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SheetMusicPlus
Full Orchestra - Level 5 - Digital Download SKU: A0.1018921 Composed by Benjamin Harry Sajo. 20th Century,Contemporary. Score and parts. 35 pages. Benjam...
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Full Orchestra - Level 5 - Digital Download SKU: A0.1018921 Composed by Benjamin Harry Sajo. 20th Century,Contemporary. Score and parts. 35 pages. Benjamin Sajo #6072943. Published by Benjamin Sajo (A0.1018921). Fugue: Wear Pearls and Smile is, on the outset, a fast, rambunctious adventure for many voices playing at the same time. It was conceived as a pairing for the equally vivacious second symphony of Ludwig van Beethoven–his 250th birthday is this year–but can stand on its own as one of my hardest, most challenging works to cook up.This piece is dedicated to those forced to appear positive when internally they’re falling apart. The title is inspired by a quote that’s been with me for a while, Why is it that men can be bastards and women must wear pearls and smile? by Lynn Hecht Schafren, the celebrated American jurist famous for campaigning for gender equity in courts. I’m taking the quote out of its initial context, but the power of that quote, for me, exemplifies how hard it is to maintain a sense of emotional decorum and dignity when you’re authentically a hot mess. And what’s more of a musical hot mess than a fugue?There are two realities to this piece. I’ll quote Dmitri Shostakovich, from his autobiography: The rejoicing is forced, created under threat, […] It’s as if someone were beating you with a stick and saying, ‘Your business is rejoicing, your business is rejoicing,’ and you rise, shaky, and go marching off, muttering ‘Our business is rejoicing, our business is rejoicing.’ On the one hand, it is insincere happiness, cloying perhaps. But the other truth, I’ll quote Oscar Hammerstein II, from The King and I: While shivering in my shoes / I strike a careless pose / And whistle a happy tune / And no one ever knows, / I'm afraid. I forced myself, against all impulses of my current being, to forge happiness. This piece, with its origin being a mental puzzle (fugues are puzzles), it became a construct where I could lift myself up and regain a sense of purpose. Therefore, it is invented–out of a literal need to survive–pure, genuine happiness.Future Performances: If you are interested in performing this work, please e-mail me.ABOUT THE COMPOSER: Benjamin Sajo (b. 1988) is a Canadian composer of contemporary classical music, as well as an educator. Since developing a fiercely independent creative voice upon the completion of his studies at Western (2010) and McGill Universities (2013), he continues to find inspiration from the intersection of mythology, art, and nature upon the contemporary human experience. In 2019, he released his premiere album of original music, The Great War Sextet: Canadian War Poetry with Trombone & Strings , with support from the Ontario Arts Council. He is a member of SOCAN and the League of Canadian Composers.
$20.00
Theme and Variations on a Chinese New Year Theme for Extended Orchestra - Set of all parts
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Orchestra
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INTERMEDIATE
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Contemporary
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Jeremy Goh, Daniel Cheng
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Theme and Variations on a Chin
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Jeremy Goh
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SheetMusicPlus
Full Orchestra - Level 3 - Digital Download SKU: A0.1027336 Composed by Jeremy Goh, Daniel Cheng. Contemporary. Score and parts. 78 pages. Jeremy Goh #12...
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Full Orchestra - Level 3 - Digital Download SKU: A0.1027336 Composed by Jeremy Goh, Daniel Cheng. Contemporary. Score and parts. 78 pages. Jeremy Goh #12125. Published by Jeremy Goh (A0.1027336). We present a work composed as a tongue-in-cheek expression of a popular street tune heard today, put through a series of 5 variations that explore different styles. It works in both a satirical as well as sophisticated manner vertically and horizontally, and uses multiple cliches that will get the audience perking up in recognition. The theme, 贺新年, is a common tune sung in Chinese New Year celebrations. In the heart of celebrating the New Year, this piece is written playable by musicians of all ages, whether in schools or as community orchestras and bands, to come together by the common celebratory notion in a work for an extended orchestra, including the saxophone and euphonium. Written by Daniel Cheng and Jeremy Goh, we hope that this season this piece can bring both laughter and reverence to the street tune, blown out of proportion in style and size. Starting the work is an atonal entry, built on tone rows and planing, legacies of Shoenberg and his contemporaries, before decomposing into an exceedingly lively statement of the theme. This is then juxtaposed beside a trip to tribal communities with interlocking rhythms and a modal distortion of the melody. From the modal mess and deviation from diatonicism, we then return to the prim and proper style of Mozart and Haydn in a short Classical variation. As if to mock its neat stature, this then is shattered with a juxtaposition beside a variation in the style of Shostakovich, modelled after the controversial Leningrad symphony, which draws on a different dimension of the theme, its banality, and propagating and emulsifying it to terrifying levels as it is distorted. Finally, a schreckenfanfare is directed marking an entry into a tribute to one of the greatest legends in music composition, with Beethoven along with its transcendental qualities of cyclism, and use of learned styles, methods of maintaining tension etc., bringing a grand ending to the 10 minute long work.
$4.99
Symphony No. 2 ... A Phantasmagorey Ballet (1998)
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Orchestra
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INTERMEDIATE/ADVANCED
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Thomas Oboe Lee
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Symphony No. 2 ... A Phantasma
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Thomas Oboe Lee
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SheetMusicPlus
Full Orchestra - Level 4 - Digital Download SKU: A0.869368 Composed by Thomas Oboe Lee. 20th Century,Baroque,Classical,Contemporary,Romantic Period. Scor...
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Full Orchestra - Level 4 - Digital Download SKU: A0.869368 Composed by Thomas Oboe Lee. 20th Century,Baroque,Classical,Contemporary,Romantic Period. Score and parts. 126 pages. Thomas Oboe Lee #33643. Published by Thomas Oboe Lee (A0.869368). Instrumentation: 3232-4331-timp-2perc-pf-hp-strings. Program note. Nineteen ninety-eight marks the tenth anniversary of my plunge into the world of ballet. I continue to take classes three or four times a week. It's fun, athletic, and challenging. And I'm still working on the basic notion of spotting in my pirouettes ... So when Max Hobart of the Civic Symphony Orchestra of Boston agreed to premiere a new work of mine I knew it had to be a symphonic ballet. Coincidentally, I discovered that my favorite cartoonist, Edward Gorey, is also a balletomane. He lived in New York City between 1953 and 1986 and never missed a single performance of the New York City Ballet. Apparently his leaving New York to live permanently on Cape Cod was prompted by the death of George Balanchine in 1983. Among Edward Gorey's many books there is one, The Gilded Bat, about a young woman, Maud Splaytoe, and her adventures in the ballet world. She dies in the end when the plane she is in flies into a great, dark bird. Hmmm, I thought, The Gilded Bat would make a nice adagio movement. To complete the work, I found four other Gorey books that attracted me in mood and texture: The Nursery Frieze - dogs running across the edge of a nursery ceiling, barking out words whose sequence provides no sense or meaning, e.g., Archipelago, cardamon, obloquy, ignavia, samisen, bandages, wax, Gavelkind, ... ; The Raging Tide - a fantastical story about four creatures, Figbash, Hooglyboo, Naeelah and Skrump, who would not stop abusing each other; The Utter Zoo - an alphabet book of zoo animals of Edward Gorey's concoction, e.g., Ampoo, Boggerslosh, Crunk, Dawbis, Epitwee, ... ; and The Blue Aspic - a macabre story of a mad fan, Jasper Ankle, who stalks an opera diva, Ortenzia Caviglia. When he finally meets her at the stage-door after a performance, he stabs her in the throat and cries, J'ai trouvé Hortense! Symphony No. 2 ... A Phantasmagorey Ballet is in five movements: I. The Nursery Frieze, Con moto. II. The Gilded Bat Adagio: Pas seul for Mirella Splatova, aka Maud SplaytoeIII. The Raging Tide Presto: Pas de Quatre for Figbash, Hooglyboo, Naeelah and Skrump. IV. The Blue Aspic Allegro: Valzer alla Prokofiev ... Pas de deux for Jasper Ankle and Ortenzia Caviglia. V. The Utter Zoo Largo: Grand Funk Finale. This work is dedicated to my wife, Kristin Beckwith, whom I met ten years ago at the Boston Ballet, and who continues to be my one and only ballet teacher.Audio link: https://thomasoboelee.bandcamp.com/album/symphony-no-2-a-phantasmagorey-ballet-1998
$9.99
The Satyricon, A Balletic Roman Sex Comedy in 3 Acts, Individual Parts 1 (Woodwinds and Brass)
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Orchestra
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ADVANCED
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James Nathaniel Holland
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The Satyricon, A Balletic Roma
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James Nathaniel Holland
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SheetMusicPlus
Full Orchestra - Level 5 - Digital Download SKU: A0.730492 Composed by James Nathaniel Holland. Contemporary,Musical/Show. Score and parts. 484 pages. Ja...
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Full Orchestra - Level 5 - Digital Download SKU: A0.730492 Composed by James Nathaniel Holland. Contemporary,Musical/Show. Score and parts. 484 pages. James Nathaniel Holland #4800547. Published by James Nathaniel Holland (A0.730492). Advisory: Ballet story contains adult situation and themes. Not suitable for audiences or performers under the age of 18. INDIVIDUAL INSTRUMENT PARTS 1 (Woodwinds and Brass). Piano Score, Full Orchestral Score, Individual Parts (Part 2) Sold Separately. American composer, James Nathaniel Holland, brings a ballet adapted from the first century Roman novel by Gaius Petronius (cir. 50 A.D.) to the stage. An entertaining ballet for adults (not suitable for general audiences under the age of 18), celebrating the male ballet dancer's physique and a laugh at our own human sexuality. The comedy is a romp of three gay protagonists and their adventures and misadventure in ancient Rome and their characters; an ex-gladiator, Enclopius, his young lover, Giton, and an upper class snob, Ascyltos. It should also be said that this ballet is not pure gratuitous vulgarity, there is a interweaving story containing a deeper message of real human relationships, the satire of ancient Roman archetypes, and a humorous glimpse into ancient Roman life that still rings true even 2,000 plus years later. Regardless of the subject matter, Holland's original music is fantastic tapestry of counterpoint, set in a sort of atonal-ism and heavy percussion, evoking a period of history no longer available to us. Although not all cues and counterpoint is contained here, this piano score is extremely useful for either a performance with 2 pianos and percussion and a dance company, a director's/choreographer's score, or a concise conductor's score, or rehearsal score. Measure numbers line up with the full score. An orchestral, performance CD is available for those company's on a budget.
$70.25
The Satyricon, A Balletic Roman Sex Comedy in 3 Acts, Full Orchestral Score
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Orchestra
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ADVANCED
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James Nathaniel Holland
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The Satyricon, A Balletic Roma
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James Nathaniel Holland
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SheetMusicPlus
Full Orchestra - Level 5 - Digital Download SKU: A0.730493 Composed by James Nathaniel Holland. Contemporary,Musical/Show. Score and parts. 370 pages. Ja...
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Full Orchestra - Level 5 - Digital Download SKU: A0.730493 Composed by James Nathaniel Holland. Contemporary,Musical/Show. Score and parts. 370 pages. James Nathaniel Holland #4800668. Published by James Nathaniel Holland (A0.730493). Advisory: Ballet story contains adult situation and themes. Not suitable for audiences or performers under the age of 18. FULL ORCHESTRAL SCORE (with stage directions). Piano Score, Individual Parts (Parts 1 and 2) Sold Separately. American composer, James Nathaniel Holland, brings a ballet adapted from the first century Roman novel by Gaius Petronius (cir. 50 A.D.) to the stage. An entertaining ballet for adults (not suitable for general audiences under the age of 18), celebrating the male ballet dancer's physique and a laugh at our own human sexuality. The comedy is a romp of three gay protagonists and their adventures and misadventure in ancient Rome and their characters; an ex-gladiator, Enclopius, his young lover, Giton, and an upper class snob, Ascyltos. It should also be said that this ballet is not pure gratuitous vulgarity, there is a interweaving story containing a deeper message of real human relationships, the satire of ancient Roman archetypes, and a humorous glimpse into ancient Roman life that still rings true even 2,000 plus years later. Regardless of the subject matter, Holland's original music is fantastic tapestry of counterpoint, set in a sort of atonal-ism and heavy percussion, evoking a period of history no longer available to us. Although not all cues and counterpoint is contained here, this piano score is extremely useful for either a performance with 2 pianos and percussion and a dance company, a director's/choreographer's score, or a concise conductor's score, or rehearsal score. Measure numbers line up with the full score. An orchestral, performance CD is available for those company's on a budget.
$32.50
S. Prokofiev: Fleetingness, op. 22, (1915-17), orchestrated by A. Leytush - Score Only
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Orchestra
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INTERMEDIATE
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Contemporary
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S
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A
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Comfort 2
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S. Prokofiev: Fleetingness, op
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Arkady Leytush
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SheetMusicPlus
Full Orchestra - Level 3 - Digital Download SKU: A0.1344002 Composed by S. Prokofiev. Arranged by A. Leytush. 20th Century. 181 pages. Arkady Leytush #92...
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Full Orchestra - Level 3 - Digital Download SKU: A0.1344002 Composed by S. Prokofiev. Arranged by A. Leytush. 20th Century. 181 pages. Arkady Leytush #929484. Published by Arkady Leytush (A0.1344002). 1. Fear & Comfort 2. Slumber 3. Under & Above Water 4. Manipulate Magician 5. Bird Commotion 6. Tree of Us 7. Harp (original name) 8. Melancholy 9. In the Park 10. Grimaces 11. Jester 12. Lame Grasshopper & Dragonfly 13. Laziness 14. Tin Soldiers & Ballerina 15. Premonition of Impending Disaster 16. Unrealistic Hopes 17. Tears & Calm 18. Reverie 19. Overturn 20. Dreams About the FutureThe reason for writing was the poems of K. D. Balmont, two lines of which Prokofiev chose as an epigraph: “In every fleeting moment I see worlds, full of changing rainbow playâ€. In 1940-42, the famous avant-garde artist Alexander Rodchenko created a series of drawings illustrating “Fleetingnessâ€.
$100.00
Aubade: A Pairing with Beethoven's Symphony #1 - Extracted Parts
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Orchestra
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INTERMEDIATE/ADVANCED
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Contemporary
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Benjamin Harry Sajo
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Aubade: A Pairing with Beethov
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Benjamin Sajo
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SheetMusicPlus
Full Orchestra - Level 4 - Digital Download SKU: A0.1018920 Composed by Benjamin Harry Sajo. 20th Century,Contemporary. Score and parts. 39 pages. Benjam...
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Full Orchestra - Level 4 - Digital Download SKU: A0.1018920 Composed by Benjamin Harry Sajo. 20th Century,Contemporary. Score and parts. 39 pages. Benjamin Sajo #6064807. Published by Benjamin Sajo (A0.1018920). Programme Notes: It is said that the darkest hour of the night comes just before the dawn. – Thomas Fuller Mornings are powerful and evocative moments. The chorus of birds, one species after another, unite in a wild and genuine polyphony while the dew and mist evaporate upon the rising of the sun, encouraging goosebumps and shivers from an open window, tempered or exhilarated by a cup of coffee. Have you ever actively witnessed the sun’s sultry and intense ascension from the cradle of the horizon? That is what this piece, Aubade, or Dawn Song, is about. An aubade is the twin of a night-time serenade; an aubade is a love song originating amongst the medieval Provençal troubadours, depicting the morning departure between two lovers. An aubade is a song in honor of the slow cosmic percolation of a late summer morning. On a personal level, the composer is reminded of his own experiences camping in Northern Canada as a young man–a simpler and less demanding time. This piece formally begins the series I composed during the Covid-19 quarantine conditions of 2020, to serve as potential contemporary preludes for each of Ludwig van Beethoven’s nine symphonies–his two hundred and fiftieth anniversary was this year!–though they can all stand on their own on any program. The connection, in this case, is with his first symphony; I envisioned, once my piece concludes, his beautiful drawn-out chords presenting themselves–the dawn of his special genius.About the Composer: Benjamin Sajo (b. 1988) is a Canadian composer of contemporary classical music, as well as an educator. Since developing a fiercely independent creative voice upon the completion of his studies at Western (2010) and McGill Universities (2013), he continues to find inspiration from the intersection of mythology, art, and nature upon the contemporary human experience. In 2019, he released his premiere album of original music, The Great War Sextet: Canadian War Poetry with Trombone & Strings, with support from the Ontario Arts Council. He is a member of SOCAN and the League of Canadian Composers.
$31.50
Aubade: A Pairing with Beethoven's Symphony #1 - Conductor's Score
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Orchestra
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INTERMEDIATE/ADVANCED
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Contemporary
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Benjamin Harry Sajo
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Aubade: A Pairing with Beethov
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Benjamin Sajo
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SheetMusicPlus
Full Orchestra - Level 4 - Digital Download SKU: A0.1018901 Composed by Benjamin Harry Sajo. 20th Century,Contemporary. Score and parts. 27 pages. Benjam...
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Full Orchestra - Level 4 - Digital Download SKU: A0.1018901 Composed by Benjamin Harry Sajo. 20th Century,Contemporary. Score and parts. 27 pages. Benjamin Sajo #6064731. Published by Benjamin Sajo (A0.1018901). Programme Notes: It is said that the darkest hour of the night comes just before the dawn. – Thomas Fuller Mornings are powerful and evocative moments. The chorus of birds, one species after another, unite in a wild and genuine polyphony while the dew and mist evaporate upon the rising of the sun, encouraging goosebumps and shivers from an open window, tempered or exhilarated by a cup of coffee. Have you ever actively witnessed the sun’s sultry and intense ascension from the cradle of the horizon? That is what this piece, Aubade, or Dawn Song, is about. An aubade is the twin of a night-time serenade; an aubade is a love song originating amongst the medieval Provençal troubadours, depicting the morning departure between two lovers. An aubade is a song in honor of the slow cosmic percolation of a late summer morning. On a personal level, the composer is reminded of his own experiences camping in Northern Canada as a young man–a simpler and less demanding time. This piece formally begins the series I composed during the Covid-19 quarantine conditions of 2020, to serve as potential contemporary preludes for each of Ludwig van Beethoven’s nine symphonies–his two hundred and fiftieth anniversary was this year!–though they can all stand on their own on any program. The connection, in this case, is with his first symphony; I envisioned, once my piece concludes, his beautiful drawn-out chords presenting themselves–the dawn of his special genius.About the Composer: Benjamin Sajo (b. 1988) is a Canadian composer of contemporary classical music, as well as an educator. Since developing a fiercely independent creative voice upon the completion of his studies at Western (2010) and McGill Universities (2013), he continues to find inspiration from the intersection of mythology, art, and nature upon the contemporary human experience. In 2019, he released his premiere album of original music, The Great War Sextet: Canadian War Poetry with Trombone & Strings, with support from the Ontario Arts Council. He is a member of SOCAN and the League of Canadian Composers.
$20.00
Focus on Grace ... A concerto for jazz saxophone and orchestra (2010)
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Orchestra
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INTERMEDIATE/ADVANCED
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Thomas Oboe Lee
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Focus on Grace ... A concerto
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Thomas Oboe Lee
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SheetMusicPlus
Full Orchestra - Level 4 - Digital Download SKU: A0.869355 Composed by Thomas Oboe Lee. 20th Century,Classical,Contemporary,Jazz,Romantic Period. Score a...
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Full Orchestra - Level 4 - Digital Download SKU: A0.869355 Composed by Thomas Oboe Lee. 20th Century,Classical,Contemporary,Jazz,Romantic Period. Score and parts. 73 pages. Thomas Oboe Lee #15875. Published by Thomas Oboe Lee (A0.869355). Instrumentation: solo alto saxophone & 2222-4231-perc-drumset-strings. Program note. Maestro Max Hobart called me in the spring of 2009 and told me to check out this young jazz phenom on the saxophone named Grace Kelly. I said OK, that’s cool. That summer we went to the Regatta Bar in Harvard Square to hear her play with her band, and I was duly impressed by her musicality, soulfulness and chops. Max asked if I would be interested in writing a concerto for her and the Wellesley Symphony. I said, Sure. It sounds like a great idea. One of the most cherished jazz records in my vast collection is the collaboration between Stan Getz and Eddie Sauter entitled Focus. Eddie, who used to be an arranger for the Benny Goodman Band in the forties, went on to create the Sauter Finegan Band in the early fifties. The band was one of the first to include the piccolo, oboe, bassoon, harp, celesta, French horn, tuba, xylophone, glockenspiel, chimes, timpani, and other unusual symphonic instruments in the standard big band format of trumpets, trombones, saxophones and rhythm section of piano, bass and drum set. On the album Focus Eddie Sauter composed seven tracks of music for string orchestra and rhythm section. Stan Getz did not have a written part - he just improvised over the written music. If you are not familiar with this recording, then you will do yourself a huge favor if you go find it and add it to your own CD collection. The music is phenomenal and Stan is on top of his game, soaring above the strings with endless melodic inventions, flights of imagination and whimsy! It is one of those desert island CDs one should not be without. When I emailed Grace about this project and mentioned Stan Getz’s Focus, she said, It’s one of my favorite albums. So, we got off on a positive note immediately. My work, Focus on Grace … Concerto for Jazz Saxophone and Orchestra, is very much inspired both by the Stan Getz album and by the performances I heard of Grace and her band. The first movement is based on a funk groove in D minor: Grace’s part is initially written-out but she improvises freely in the coda. The second movement is a boss nova: as in the Stan Getz album, Grace does not have a written part but improvises over a set of chord changes provided by the orchestra. The third and last movement is an Afro-Cuban groove in six-eight: Grace has a written melody at first but soon launches into improvisation on a 12-bar blues in F. She ends the concerto in a free cadenza to show off her virtuosity and saxophone chops. ENJOY!!!
$9.99
You Give Love A Bad Name
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Orchestra
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INTERMEDIATE/ADVANCED
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Rock
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Bon Jovi
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Brett A Foster
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You Give Love A Bad Name
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Brett A Foster
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SheetMusicPlus
Full Orchestra - Level 4 - Digital Download SKU: A0.1260631 By Bon Jovi. By Desmond Child, Jon Bon Jovi, and Richie Sambora. Arranged by Brett A Foster. ...
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Full Orchestra - Level 4 - Digital Download SKU: A0.1260631 By Bon Jovi. By Desmond Child, Jon Bon Jovi, and Richie Sambora. Arranged by Brett A Foster. 20th Century,Contemporary,Rock. Score and Parts. 12 pages. Brett A Foster #853824. Published by Brett A Foster (A0.1260631). You Give Love a Bad Name is a song by American rock band Bon Jovi, released as the first single from their 1986 album Slippery When Wet. Written by Jon Bon Jovi, Richie Sambora, and Desmond Child about a woman who has jilted her lover, the song reached No. 1 on the U.S. Billboard Hot 100 on November 29, 1986, and became the band's first number one hit. This Pops style arrangement for full orchestra (with optional parts for Saxophone and Rock Rhythm Section) is sure to be a sing along hit for your next concert. If you are looking for a great combined choral orchestral work, the arrangement also features optional parts for a TTBB Choir and Piano. The arrangement works with and without the choir. A TTBB Choral Arrangement is also available for separate sale, for those who don't have the luxury of a full orchestra.
$79.00
I. Stravinsky – Serenade in A, Orchestrated by A. Leytush - Score Only
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Orchestra
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INTERMEDIATE/ADVANCED
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Classical
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Igor Stravinsky
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A
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I. Stravinsky – Serenade in
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Arkady Leytush
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SheetMusicPlus
Full Orchestra - Level 4 - Digital Download SKU: A0.1374158 Composed by Igor Stravinsky. Arranged by A. Leytush. 20th Century. 94 pages. Arkady Leytush #...
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Full Orchestra - Level 4 - Digital Download SKU: A0.1374158 Composed by Igor Stravinsky. Arranged by A. Leytush. 20th Century. 94 pages. Arkady Leytush #958734. Published by Arkady Leytush (A0.1374158). This 4-part suite is called Serenade in A. This name, chosen by its author, completely exhausts the content of this music and emphasizes the main idea of the composition, as well as the tonality of all parts. Each part provides comprehensive details in this series and has its own title. I emphasize that this is by no means a programmatic essay. The nature of each part and their internal content pushed me to follow my interpretation of each part in the orchestral transcription. 1. Hymne is essentially nothing more than a Hymn of love! His character, sublime above the everyday, is, as it were, raised to the surface and presented in bright, broad strokes as an irrefutable truth. 2. Romanza - I perceive it as a kind of parody of a love romance with the main sentiments and elements inherent in this genre. This is by no means a refutation of love, but only some irony over the false, pretentious way of expressing this feeling. The grotesque character is emphasized whenever possible by the orchestration. 3. Rondoletto - this part, from the very beginning in my orchestration, resembles the multi-voiced play of musicians preparing to play, testing the sound of their instruments, tuning them and playing out. 4. Cadenza Finala - the nature of the music is the union and rapture of love. In my orchestration there can be traced duets of various instruments and orchestra groups such as: a pair of Flutes, a pair of Oboes, Clarinets, Trumpets, Trombones, 1st and 2nd Violins. This feature of the pairs I have chosen should emphasize their relationship and relatedness.
$60.00
We Need A Little Christmas
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Orchestra
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ADVANCED
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Christmas
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Kimberley Locke
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Bryan Kidd
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We Need A Little Christmas
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BryanKiddMusic.com
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SheetMusicPlus
Full Orchestra - Level 5 - Digital Download SKU: A0.1164372 By Kimberley Locke. By Jerry Herman. Arranged by Bryan Kidd. Christmas,Holiday,Standards. Sco...
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Full Orchestra - Level 5 - Digital Download SKU: A0.1164372 By Kimberley Locke. By Jerry Herman. Arranged by Bryan Kidd. Christmas,Holiday,Standards. Score and Parts. 101 pages. BryanKiddMusic.com #764719. Published by BryanKiddMusic.com (A0.1164372). With a touch of John Philip Sousa, a spiritedly bright opener for your Christmas Season concert. Jerry Herman’s “We Need a Little Christmas†was introduced by Angela Lansbury and Beatrice Arthur in the 1966 Tony Award-winning Broadway production, Mame. A subsequent cover later that year by Percy Faith and His Orchestra and Chorus further established it as a seasonal favorite – other notable artists include the Muppets, Johnny Mathis, Idina Menzel and Pentatonix. This set includes a full score* and complete set of instrumental parts. NOTE: The SSATB Chorus is only shown on the score (for reference) and is NOT included as a separate part in this set. You are legally required to purchase as many copies of the choral parts as there are members of your chorus (includes rehearsal piano). Choral Parts Click Here Brass high note: Trumpet D6 (with an optional F6); Trombone A4 *A letter-size (8.5x11) score is included with the set; a more easily read Tabloid (11x17) score is available separately (RECOMMENDED). Tabloid Score Click HereWith 26 years of service, Bryan Kidd retired as the Chief Composer and Arranger for The United States Navy Band, Washington, D.C.  Bryan's writing, conducting, and teaching experience range from elementary through collegiate and professional levels. Currently, he is the Composer/Arranger-in-Residence for the American Festival Pops Orchestra founded by Conductor Emeritus, Anthony Maiello, a professional ensemble affiliated with George Mason University, Fairfax, Virginia.Please visit BryanKiddMusic.comÂ
$75.00
Symphony No. 2: A Countryside Symphony, Op. 10
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Orchestra
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INTERMEDIATE/ADVANCED
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Chris Knapp
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Symphony No. 2: A Countryside
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Chris Knapp
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SheetMusicPlus
Full Orchestra - Level 4 - Digital Download SKU: A0.1322184 Composed by Chris Knapp. 21st Century,Classical. 177 pages. Chris Knapp #910544. Published by...
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Full Orchestra - Level 4 - Digital Download SKU: A0.1322184 Composed by Chris Knapp. 21st Century,Classical. 177 pages. Chris Knapp #910544. Published by Chris Knapp (A0.1322184). Symphony No. 2 celebrates nature and brings a new approach to the traditional Pastoral style in symphonic writing. Symphony No. 2: A Countryside Symphony is in 3 movements:I: The Pastures (A moderate opening before a rhythmic Vivace)II: A Storm Gathers (A moody, slow opening, which builds to a dramatic middle section before a gentle release to finish)III: Nature's Festival (a rousing, joyous finish).This is written for a medium orchestra and is accessible for both and amateur and professional orchestras.
$30.99
Diehnelt: Striadica - A Symphonic Passage - SCORE
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Orchestra
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INTERMEDIATE/ADVANCED
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Contemporary
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Kim Diehnelt
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Diehnelt: Striadica - A Sympho
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Kim Diehnelt
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SheetMusicPlus
Full Orchestra - Level 4 - Digital Download SKU: A0.809057 Composed by Kim Diehnelt. Contemporary. Score and parts. 28 pages. Kim Diehnelt #4367718. Publ...
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Full Orchestra - Level 4 - Digital Download SKU: A0.809057 Composed by Kim Diehnelt. Contemporary. Score and parts. 28 pages. Kim Diehnelt #4367718. Published by Kim Diehnelt (A0.809057). Striadica: A Symphonic PassageThe every-day, reshaped by contingencies. The time-bound path twists through certainty, bewilderment, and fragile reconstruction. Upon release, recognition arrives.Duration: 8 - 9 mins.I was specifically asked to write a work where everyone had something to play. As is my usual style, I tend to allow the second players and less-prominent instruments a chance to shine, and in general shake up the usual orchestral hierarchy. (The second violins, for example, even get their own solo passage!)The wind parts are much more individualized, where the first part may have a completely different line than the second.A colleague who is a trombone player challenged me to write parts that sing for his instrument; hence the word dolce occurs in the low brass parts. Although the low brass parts are rather simple, they do require finesse and nuance.In general, none of the parts are overly challenging; rather, I hope each player finds the music allows them the opportunity to express themselves both individually and as an ensemble.Instrumentation1 Piccolo2 Flutes2 Oboes2 Clarinets in A2 Bassoons4 Horns in F2 Trumpets in C3 Trombones (2 Tenor, 1 Bass Trombone)1 TubaTimpani (B / D)Percussion: Wood Blocks, Snare Drum1 HarpStrings------Commissioned by the Lake Forest Civic Orchestra, IL. Premiere performance May, 2018This item contains ONLY THE SCORE. The PDF, when printed double sided will make for an 8 ½ by 11 score with a left margin suitable for comb binding. (Please consider a larger sized comb than usual so pages may be turned quietly!) A full set of hard-copy parts are available directly from Kim Diehnelt. (Kim@KimDiehnelt.com)© 2017 Kim Diehnelt (ASCAP)
$8.99
A Soldier's Memory - Instrumental Parts
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Orchestra
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EASY
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Christian James Jesse
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A Soldier's Memory - Instrumen
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Christian James Jesse
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SheetMusicPlus
Full Orchestra - Level 2 - Digital Download SKU: A0.940117 Composed by Christian James Jesse. Contemporary,Film/TV,Folk,Holiday,Patriotic. Score and part...
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Full Orchestra - Level 2 - Digital Download SKU: A0.940117 Composed by Christian James Jesse. Contemporary,Film/TV,Folk,Holiday,Patriotic. Score and parts. 99 pages. Christian James Jesse #5751477. Published by Christian James Jesse (A0.940117). After each tour of duty, every soldier has a range of emotions and thoughts racing through his or her head as the make the trip home. A Soldier’s Memory explores a few of those emotions including feelings of heroism, memories of being reunited and PTSD flashbacks. I wanted to share my love and support of our nation’s military by telling a more realistic story rather than an idealized victorious celebration. Coming from a family of many veterans, I am honored to write a piece remembering our nation’s veterans’ stories.-A Soldier’s Memory was commissioned by Maestro Hector Guzman for the Irving Symphony Orchestra as part of the SMU-Irving Symphony Orchestra Student Composer-in-Residence program for the 2018-2019 Concert Season. A Soldier’s Memory premiered on November 3rd, 2018 at the Irving Arts Center by the Irving Symphony Orchestra conducted by Maestro Hector Guzman. -https://christianjesse.com/a-soldiers-memory
$20.00
A Soldier's Memory - Conductor Score - Score Only
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Orchestra
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EASY
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Christian James Jesse
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A Soldier's Memory - Conductor
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Christian James Jesse
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SheetMusicPlus
Full Orchestra - Level 2 - Digital Download SKU: A0.940116 Composed by Christian James Jesse. Contemporary,Film/TV,Folk,Holiday,Patriotic. Score and part...
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Full Orchestra - Level 2 - Digital Download SKU: A0.940116 Composed by Christian James Jesse. Contemporary,Film/TV,Folk,Holiday,Patriotic. Score and parts. 32 pages. Christian James Jesse #5751467. Published by Christian James Jesse (A0.940116). After each tour of duty, every soldier has a range of emotions and thoughts racing through his or her head as the make the trip home. A Soldier’s Memory explores a few of those emotions including feelings of heroism, memories of being reunited and PTSD flashbacks. I wanted to share my love and support of our nation’s military by telling a more realistic story rather than an idealized victorious celebration. Coming from a family of many veterans, I am honored to write a piece remembering our nation’s veterans’ stories.-A Soldier’s Memory was commissioned by Maestro Hector Guzman for the Irving Symphony Orchestra as part of the SMU-Irving Symphony Orchestra Student Composer-in-Residence program for the 2018-2019 Concert Season. A Soldier’s Memory premiered on November 3rd, 2018 at the Irving Arts Center by the Irving Symphony Orchestra conducted by Maestro Hector Guzman. -https://christianjesse.com/a-soldiers-memory
$20.00
A Well-Traveled Road
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Orchestra
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ADVANCED
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Contemporary
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Daniel Burwasser
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A Well-Traveled Road
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Head and Stem
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SheetMusicPlus
Full Orchestra - Level 5 - Digital Download SKU: A0.1090419 By Daniel Burwasser. By Daniel Burwasser. 20th Century,Contemporary. Score and Parts. 278 pag...
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Full Orchestra - Level 5 - Digital Download SKU: A0.1090419 By Daniel Burwasser. By Daniel Burwasser. 20th Century,Contemporary. Score and Parts. 278 pages. Head and Stem #694597. Published by Head and Stem (A0.1090419). A Well-Traveled Road was first sketched in the summer of 1989. It was revised and orchestrated in 1992 for a recording on MMC (now defunct) by the Slovak Radio and Television Orchestra under the direction of Robert Stankovsky. This video represents a revised version from the original 1992 score and 1995 recording. NOTES from 1995: I have always been intrigued with the transformational potentiality of themes. A Well-Traveled Road explores the diverse possibilities of the development of a single motive. I have incorporated certain principles of sonata form, although this music is more episodic in nature than three-part. It is foremost mono-thematic (the theme is first announced in the horns and trumpets). The idea then undergoes several permutations in the form of episodes, including a fleeting waltz, a form of which I am quite fond. The title of the piece itself is a metaphorical allusion to this process. The harmonic language in the work is predominantly tonal. By contemporary music standards, about one-half consonant and one-half dissonant. I do not prescribe to any type of harmonic system or any other such rationale in this work (or seldom in any of my recent work). I prefer using a more intuitive approach to harmony, reserving dissonance for spice and for enhancing the dramatic element of the music. Daniel BurwasserFor more information, go to: https://www.danielburwasser.com/To contact the composer directly, go to: danielburwasser9@gmail.comYoutube channel: https://www.youtube.com/@danielburwasser60.
$70.00
A. N. Scriabin - Valse in A flat major, Op. 38, Orchestrated by A. Leytush
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Orchestra
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INTERMEDIATE/ADVANCED
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Classical
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A
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Arkady Leytush
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A. N. Scriabin - Valse in A fl
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Arkady Leytush
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SheetMusicPlus
Full Orchestra - Level 4 - Digital Download SKU: A0.1144178 Composed by A. N. Scriabin. Arranged by Arkady Leytush. Classical. Score and parts. 45 pages....
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Full Orchestra - Level 4 - Digital Download SKU: A0.1144178 Composed by A. N. Scriabin. Arranged by Arkady Leytush. Classical. Score and parts. 45 pages. Arkady Leytush #744498. Published by Arkady Leytush (A0.1144178). This wonderful salon waltz by A.N. Scriabin, I hope, will now receive the status of a concert waltz. Deciding to orchestrate was not so easy, as the many piano interpretations of this music point directly to the extremely refined approach to this composition, including flexible rubato and subtle nuances. Nevertheless, the internal possibilities of this music give, it seems to me, the right to a greater scope, various timbre colors of the orchestra and, ultimately, moving to a different scale of sound. The orchestral transcription of this waltz allows the symphony orchestra to fully express itself, including a huge palette of sounds from the most tender and transparent episodes to full and brilliant tutti. I would also like to note that this work, first of all, is my modest contribution to the celebration of the 150th anniversary of the birth of this genius of Russian music.
$60.00
Like a River Glorious
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Orchestra
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EASY
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Sacred music
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WYE VALLEY
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Robert Myers
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Like a River Glorious
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WheatMyer Music
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SheetMusicPlus
Full Orchestra - Level 2 - Digital Download SKU: A0.976716 Composed by WYE VALLEY. Arranged by Robert Myers. Christian,Sacred. Score and parts. 35 pages....
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Full Orchestra - Level 2 - Digital Download SKU: A0.976716 Composed by WYE VALLEY. Arranged by Robert Myers. Christian,Sacred. Score and parts. 35 pages. WheatMyer Music #4794181. Published by WheatMyer Music (A0.976716). Opening from and closing into gentle whispers over a snare ostinato and steady quarter note pulse in the low voices, the dynamic swell and ebb of this setting of WYE VALLEY depicts all the majestic, stately, abiding grandeur of a mighty river and, despite its brevity, portrays a sense of perpetuity. And this in itself is a metaphor of the order, peace, and timelessness of God’s eternal kingdom. With a short introduction and conclusion the music takes one turn through the WYE VALLEY melody to create an orchestral prelude from the graceful tune. Like a River Glorious is meant to be ready to play in one setting and so can be added to your program with little fuss. It functions well as a liturgical prelude or postlude or it would be well-fitted to a transitional role, even in a secular setting.Find more music and news at wheatmyermusic.com/ and www.facebook.com/WheatMyerMusic.
$45.00
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