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--INSTRUMENTS--
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776
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4,058
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2,463
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68
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45
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36
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30
Organ
21
Piano Trio: piano, violin, cello
4
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3
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2
2 Pianos, 4 hands
1
Organ, Trumpet (duet)
1
Piano Quartet: piano, 2 violins, cello
1
Accordion
1
+ 9 instrumentations
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Guitar
29
Melody line, (Lyrics) and Chords
11
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10
Bass guitar
8
4 Guitars (Quartet)
6
Piano, Guitar (duet)
6
Ukulele
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2 Guitars (duet)
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Lyrics and Chords
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Banjo
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Mandolin, Guitar (duet)
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Guitar, Violin, Cello (trio)
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3 Guitars (trio)
1
+ 9 instrumentations
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Voice
Choral SATB
964
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46
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25
Choral TTBB
25
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13
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6
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5
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4
Tenor voice
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2
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2
Mezzo-Soprano voice, Piano
2
Medium voice, Piano
2
Low voice, Piano
1
Soprano voice
1
Tenor voice, Piano
1
+ 14 instrumentations
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Woodwind
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32
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25
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21
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21
Alto Saxophone
14
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12
2 Flutes (duet)
12
Oboe (band part)
12
Saxophone Quartet: 4 saxophones
10
Woodwind Quintet: flute, oboe, bassoon, clarinet, horn
10
Clarinet
10
Tenor Saxophone and Piano
9
2 Saxophones (duet)
7
Flute, Oboe, Clarinet, Bassoon
7
Soprano Saxophone and Piano
7
Saxophone Quintet: 5 Saxophones
7
Flute, Violin and Violoncello
5
3 Clarinets (trio)
5
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5
3 Saxophones (trio)
4
2 Clarinets (duet)
4
Clarinet, Cello, Piano (trio)
4
Clarinet Quintet: 5 clarinets
4
Flute Quartet: 4 flutes
4
Flute Trio: 3 flutes
3
Flute and Guitar
3
2 Flutes, Piano
3
Flute, trombone and piano
3
2 Clarinets, Piano
3
Flute, Violin, Violoncello and Piano
3
Flute, Clarinet (duet)
3
Clarinet Ensemble
3
Flute ensemble
3
Saxophone ensemble
2
Flute, Clarinet, Piano (trio)
2
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2
Clarinet, Violin (duet)
2
Flute, Violoncello
2
Treble (Alto) Recorder
2
Recorder Quartet
2
English horn, Piano
2
Recorder
2
Clarinet, trumpet and piano
2
Flute, Cello, Guitar
1
Flute, Oboe, Clarinet (trio)
1
Flute, Viola and Piano
1
Oboe, Bassoon (duet)
1
Tenor Saxophone
1
Flute, Bassoon, and Piano
1
Oboe, Cello
1
Harmonica
1
Flute, Clarinet and Bassoon.
1
Flute Quintet : 5 flutes
1
Descant (Soprano) Recorder
1
Saxophone, Clarinet (duet)
1
Flute, Oboe, Piano (trio)
1
Flute, French horn (duet)
1
Oboe, Flute
1
Clarinet, Cello (duet)
1
Oboe, Guitar (duet)
1
+ 55 instrumentations
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Woodbrass
Trombone and Piano
23
Trumpet, Piano
20
Brass Quintet: 2 trumpets, horn, trombone, tuba
14
French Horn and Piano
13
Trumpet
13
Trombone
10
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9
Tuba
8
Brass Quartet: 2 trumpets, horn, trombone
6
Trumpet (band part)
3
Trumpet ensemble
2
Trumpet, Trombone (duet)
2
Brass Quartet: 4 trombones
2
English horn, Piano
2
Brass Quartet: 4 trumpets
2
French horn
2
Brass quartet : 2 trumpets, trombone, tuba
1
Clarinet, Horn (duet)
1
4 Tubas
1
Trombone ensemble
1
2 Trombones (duet)
1
2 Trumpets (duet)
1
Brass Quartet: 4 horns
1
+ 18 instrumentations
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Retract
Strings
String Quartet: 2 violins, viola, cello
76
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43
Violin
37
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30
Cello
18
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18
Harp
16
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16
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15
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10
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8
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7
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7
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6
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5
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5
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4
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4
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3
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2
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2
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2
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2
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2
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1
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1
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1
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1
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1
4 Cellos
1
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1
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1
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1
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1
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28 sheet music found
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1
26
Can't Take My Eyes Off Of You
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Orchestra
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INTERMEDIATE
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Frankie Valli
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Brad Esbensen
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Can't Take My Eyes Off Of You
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Brad Esbensen Music Services
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SheetMusicPlus
Full Orchestra - Level 3 - Digital Download SKU: A0.774473 By Frankie Valli. By Bob Crewe and Bob Gaudio. Arranged by Brad Esbensen. Contemporary,Pop. Sc...
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Full Orchestra - Level 3 - Digital Download SKU: A0.774473 By Frankie Valli. By Bob Crewe and Bob Gaudio. Arranged by Brad Esbensen. Contemporary,Pop. Score and Parts. 77 pages. Brad Esbensen Music Services #6230073. Published by Brad Esbensen Music Services (A0.774473). This arrangement, in the key of C major and loosely following the same form as the Franki Valli Four Seasons recording, is a vocal feature with SATB choir and full orchestral accompaniment. This arrangement is sure to be a welcome addition to your program with performers and audience alike! I hope you enjoy performing this chart and if you would like it transposed into another key or would like alternate parts/instrumental combinations, please e-mail me at brad@bemus.com.au www.bemus.com.au.
$60.00
Where is Love? (I. My Heart Cries Out) (2. Hope Arises) for orchestra and trumpet solo
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Orchestra
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INTERMEDIATE
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Contemporary
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M
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Where is Love?
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M. L. Daniels
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SheetMusicPlus
Full Orchestra - Level 3 - Digital Download SKU: A0.834159 Composed by M. L. Daniels. Contemporary. Score and parts. 8 pages. M. L. Daniels #6137383. Pub...
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Full Orchestra - Level 3 - Digital Download SKU: A0.834159 Composed by M. L. Daniels. Contemporary. Score and parts. 8 pages. M. L. Daniels #6137383. Published by M. L. Daniels (A0.834159). Trumpet solo with orchestra accomp., My Heart Cries Out is the first movement of Where is Love? The 2nd movement is Hope Arises. This beautiful trumpet solo needs a very fine trumpeter with a good tone for best results. The first movement is very romantic, and will sound best with trumpet vibrato. Show off your all-state trumpeter! The orchestral accompaniment is quite easy.
$30.00
Focus on Grace ... A concerto for jazz saxophone and orchestra (2010)
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Orchestra
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INTERMEDIATE/ADVANCED
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Thomas Oboe Lee
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Focus on Grace ... A concerto
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Thomas Oboe Lee
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SheetMusicPlus
Full Orchestra - Level 4 - Digital Download SKU: A0.869355 Composed by Thomas Oboe Lee. 20th Century,Classical,Contemporary,Jazz,Romantic Period. Score a...
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Full Orchestra - Level 4 - Digital Download SKU: A0.869355 Composed by Thomas Oboe Lee. 20th Century,Classical,Contemporary,Jazz,Romantic Period. Score and parts. 73 pages. Thomas Oboe Lee #15875. Published by Thomas Oboe Lee (A0.869355). Instrumentation: solo alto saxophone & 2222-4231-perc-drumset-strings. Program note. Maestro Max Hobart called me in the spring of 2009 and told me to check out this young jazz phenom on the saxophone named Grace Kelly. I said OK, that’s cool. That summer we went to the Regatta Bar in Harvard Square to hear her play with her band, and I was duly impressed by her musicality, soulfulness and chops. Max asked if I would be interested in writing a concerto for her and the Wellesley Symphony. I said, Sure. It sounds like a great idea. One of the most cherished jazz records in my vast collection is the collaboration between Stan Getz and Eddie Sauter entitled Focus. Eddie, who used to be an arranger for the Benny Goodman Band in the forties, went on to create the Sauter Finegan Band in the early fifties. The band was one of the first to include the piccolo, oboe, bassoon, harp, celesta, French horn, tuba, xylophone, glockenspiel, chimes, timpani, and other unusual symphonic instruments in the standard big band format of trumpets, trombones, saxophones and rhythm section of piano, bass and drum set. On the album Focus Eddie Sauter composed seven tracks of music for string orchestra and rhythm section. Stan Getz did not have a written part - he just improvised over the written music. If you are not familiar with this recording, then you will do yourself a huge favor if you go find it and add it to your own CD collection. The music is phenomenal and Stan is on top of his game, soaring above the strings with endless melodic inventions, flights of imagination and whimsy! It is one of those desert island CDs one should not be without. When I emailed Grace about this project and mentioned Stan Getz’s Focus, she said, It’s one of my favorite albums. So, we got off on a positive note immediately. My work, Focus on Grace … Concerto for Jazz Saxophone and Orchestra, is very much inspired both by the Stan Getz album and by the performances I heard of Grace and her band. The first movement is based on a funk groove in D minor: Grace’s part is initially written-out but she improvises freely in the coda. The second movement is a boss nova: as in the Stan Getz album, Grace does not have a written part but improvises over a set of chord changes provided by the orchestra. The third and last movement is an Afro-Cuban groove in six-eight: Grace has a written melody at first but soon launches into improvisation on a 12-bar blues in F. She ends the concerto in a free cadenza to show off her virtuosity and saxophone chops. ENJOY!!!
$9.99
One Sows for the Benefit of Another Age - Orchestra
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Orchestra
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ADVANCED
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Contemporary
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Kyle Vanderburg
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One Sows for the Benefit of An
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NoteForge
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SheetMusicPlus
Full Orchestra - Level 5 - Digital Download SKU: A0.1002835 Composed by Kyle Vanderburg. Contemporary. Score and parts. 112 pages. NoteForge #5793397. Pu...
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Full Orchestra - Level 5 - Digital Download SKU: A0.1002835 Composed by Kyle Vanderburg. Contemporary. Score and parts. 112 pages. NoteForge #5793397. Published by NoteForge (A0.1002835). I started writing what would become One Sows for the Benefit of Another Age in 2013, as I was sketching ideas for what became a piano trio. I liked what I had created, but two things became evident: The piece was destined to be for orchestra, and I was not good enough as a composer to finish it. Over the next seven years, I kept returning to this piece in my spare time, adding some sections, tweaking some others, and at some point I gained the experience to finish it. But the trade-off was that I no longer had the time. At least until Spring of 2020, when the COVID-19 pandemic put most of my projects on hold, and I was able to return to--and finish--the work.The title came last. My ideas while I was writing centered around Americana (I was listening to a lot of Copland, Barber, and Ives) and infusing my history and experience in the Ozarks and on the plains. I knew I wanted to make use of the idea of illumination, of dawn. I wanted to start in the shadows and end aglow. The darkness was such a defining feature that my working title was Aegri Somnia, loosely translated from Latin as troubled dreams. As I continued working, I realized that the focus wasn't the darkness--the focus was the change.I discuss change a lot in my teaching. Students often see change as transformative change--massive, radical, sweeping change, like winning the lottery, or winning an audition. Transformative change is easy--it usually involves hoping for a situation or a Deus ex Machina, and if it happens, it benefits us immediately. Iterative change, however--small, repeated, incremental change that builds up over time--is hard. An extra half-hour of work every day, a little extra contributed to savings every month, these changes add up over time and become significant. But it requires intention and action, and it doesn't reap immediate benefits. It may not end up benefitting us at all.One Sows changes iteratively. It starts from a dark place, but is sprinkled with seeds of hope. A descending motive introduced in the violins brings us out of the darkness, albeit slowly. The idea spreads, develops, and eventually becomes part of a new idea, a new paradigm, that takes over.In searching for a title, I came across Serit ut alteri saeclo prosit, North Dakota's Latin state motto, whose English translation is the title of this work. It's a recent addition to the North Dakota statutes, but a timeless message. Our work isn't finished yet.
$49.99
Concerto in C major for Violin and Orchestra - Reconstruction of Beethoven WoO 5
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Orchestra
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ADVANCED
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Classical
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Ludwig van Beethoven, Cees Nie
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Upstream Music
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Concerto in C major for Violin
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Upstream Music
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SheetMusicPlus
Full Orchestra - Level 5 - Digital Download SKU: A0.933525 Composed by Ludwig van Beethoven, Cees Nieuwenhuizen. Arranged by Upstream Music. Classical. S...
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Full Orchestra - Level 5 - Digital Download SKU: A0.933525 Composed by Ludwig van Beethoven, Cees Nieuwenhuizen. Arranged by Upstream Music. Classical. Score and parts. 56 pages. Upstream Music #6353323. Published by Upstream Music (A0.933525). There are four known works of Beethoven for the violin and orchestra genre. They were written during the 1790-1806 period. These are the Violin Romance in G major Opus 40, the Violin Romance in F major Opus 50, the Violin Concerto in D major Opus 61 (1806) and the earlier Violin Concerto in C major WoO 5 (Hess 10). The latter was left to us as a fragment which Beethoven most probably composed in Bonn, between 1790 and 1792. The fragment contains 259 bars, fully written out and than stops abruptly….as if the score was torn in two. The composition is broken off exactly 15 bars into the development. The motif in the last known bars 258 and 259 initiated the task of joining the development as reliably as possible to the rest of the work.In the additional 258 bars, Cees took Beethovenꞌs material into consideration; also in the development, reprise and coda. The most remarkable is the coda. Cees uses a third related key here, which may seem strange at first but was used more often by Beethoven himself, for example in his Violin Concerto in D major Opus 61. It was necessary to compose this work backwards in a manner of speaking. In other words: Cees had to give all the global lines that Beethoven had so masterfully written as correct a place as possible in the score. With respect to earlier completions by colleagues, Cees did not set out by literally copying and transposing the exposition in the reprise. His aim was to write a completion as creatively as possible and still use Beethovenꞌs material and intricate weave ofvoices to the full. Hopefully this completed version will be a respected contribution to the rich violin literature
$59.00
Jesus Is The Way (Anthem) - Orchestration
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Orchestra
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INTERMEDIATE
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Sacred music
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Gospel/Spiritual
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Christopher R
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Jesus Is The Way
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Christopher Brown
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SheetMusicPlus
Full Orchestra - Level 3 - Digital Download SKU: A0.747198 Composed by Christopher R. Brown. Christian,Gospel,Praise & Worship,Sacred. Score and parts. 7...
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Full Orchestra - Level 3 - Digital Download SKU: A0.747198 Composed by Christopher R. Brown. Christian,Gospel,Praise & Worship,Sacred. Score and parts. 77 pages. Christopher Brown #4628085. Published by Christopher Brown (A0.747198). About the song: In John 14, Jesus says, I am the way, the truth and the life. No one comes to the Father except through me. We are severely mistaken if we think that any other road leads to peace with God. No amount of good deeds could pay for the debt we owe. But we are also mistaken if we think that we are too far gone from Christ's reach. This song is a message for both the self-righteous and the hopeless. There is a Way that leads to life forevermore with our Heavenly Father, and His Name is Jesus Christ. All who enter through the gate of Christ by faith will be saved. He came that you might have life, and have it to the full. Rejoice! If you can believe, believe!Can be performed with piano accompaniment only, OR with additional band members (rhythm chart included), OR with full orchestra.Please Note:You can purchase individual copies of the choral score separately on Sheet Music Plus. Performance of this piece requires the purchase of one choral score per singer.Included in your Purchase:Full ScoreChoral Score (SATB with Solo)Piano AccompanimentRhythm ChartDrumsetFlute 1, 2Oboe (opt. Soprano Sax doubles)Clarinet 1, 2Horn 1, 2 (opt. Alto Sax doubles)Trumpet 1, 2Trumpet 3Trombone 1, 2 (opt. Tenor Sax doubles)Trombone 3/ Tuba (opt. Bari Sax doubles)Percussion 1, 2HarpViolin 1, 2ViolaCelloString Bass (opt. Bass Clarinet/ Bassoon doubles)Lyrics:Verse 1There’s a way that seems right to the human eye,A path that we think is best.We pretend to go on believing,That a good life can pass the test.But the best that we have to offer,Is no more than a filthy rag.When we stand before God, the Father,There is only one Name that will save.Chorus 1Jesus is The Way,Jesus is The Truth,Jesus is The Life for me and you.Jesus is The Door,And all who enter through,Will be saved and be made new.Jesus is The Way.Verse 2We were shackled in chains of sin and shame,Walking blinded by selfish gain.Every turn led to disappointment,Wanting more with each passing day.Prechorus 2But the blood of a precious Saviour,Can remove every guilty stain.He will carry your ev’ry burden,There is hope in Him today!Chorus 2Jesus is The Way,Jesus is The Truth,Jesus is The Life for me and you.Jesus is The Door,And all who enter through,Will be saved and be made new.Jesus is The Way,Jesus is The Way.BridgeStraight and narrow is the road that leads to life forevermore,There’s only One Who paid the price,The perfect, spotless sacrifice,Only Jesus Christ!Chorus 3Jesus is The Way,Jesus is The Truth,Jesus is The Life for me and you.Jesus is The Door,And all who enter through,Will be saved and be made new.Jesus is The Way,Jesus is The Way,Jesus is The Way!
$49.99
(you Make Me Feel Like) A Natural Woman
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Orchestra
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INTERMEDIATE
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Aretha Franklin
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Sam Shoup
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(you Make Me Feel Like) A Natu
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Sam Shoup
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SheetMusicPlus
Full Orchestra - Level 3 - Digital Download SKU: A0.1270386 By Aretha Franklin. By Carole King, Gerry Goffin, and Jerry Wexler. Arranged by Sam Shoup. Hi...
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Full Orchestra - Level 3 - Digital Download SKU: A0.1270386 By Aretha Franklin. By Carole King, Gerry Goffin, and Jerry Wexler. Arranged by Sam Shoup. Hip-Hop,Pop,R & B,Rock,Soul. Score and Parts. 93 pages. Sam Shoup #862778. Published by Sam Shoup (A0.1270386). The soulful ballad sung by Aretha Franklin and others, arranged for full orchestra with rhythm section, solo vocal, two background vocals, and optional sax section. Instrumentation is 2-2-2-2, 2 alto saxes (opt.), 2 tenor saxes (opt.), bari sax (opt.), 4-3-3-1, T, electric guitar (solo), electric bass, piano, drumset, harp, and strings. there is a guitar solo also. Intermediate difficulty. Score is 11 x 17, parts are 8 1/2 x 11.
$90.00
Levitating
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Orchestra
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Pop music
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Dua Lipa
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Will Wilkins
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B
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Levitating
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Will Wilkins
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SheetMusicPlus
Full Orchestra - Digital Download By Dua Lipa. By Clarence Coffee Jr., Sarah Hudson, Stephen Kozmeniuk, and Dua Lipa. Arranged by Will Wilkins. Conte...
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Full Orchestra - Digital Download By Dua Lipa. By Clarence Coffee Jr., Sarah Hudson, Stephen Kozmeniuk, and Dua Lipa. Arranged by Will Wilkins. Contemporary, Hip- Hop, Pop, R & B. Score and parts. 57 pages. Published by Will Wilkins
$49.99
ON THE BIKE PATH
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Orchestra
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INTERMEDIATE
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Contemporary
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John Myers
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ON THE BIKE PATH
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John Myers
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SheetMusicPlus
Full Orchestra - Level 3 - Digital Download SKU: A0.1027278 Composed by John Myers. 20th Century,Contemporary. Score and parts. 41 pages. John Myers #284...
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Full Orchestra - Level 3 - Digital Download SKU: A0.1027278 Composed by John Myers. 20th Century,Contemporary. Score and parts. 41 pages. John Myers #2846523. Published by John Myers (A0.1027278). Intermediate Orchestra piece Composed by John Myers. Score and Parts. Duration: 4:45.As a young boy, riding a bike was an exciting time. There was adventure! ...Freedom to explore. Mom would say, Be back by dinner time....and quickly, I was off - the wind in my face, and yes ...sometimes, even a spill or two. This is an original piece that gets the imagination going, capturing that amazing experience on a bike. I hope you enjoy this work ...and enjoy the ride!! Note: optional spoken parts for Group and Solo Voice. ...Kick-stand up ...instruments up ...and off we go!!
$15.00
Carson Cooman: Flute Concerto (2006) for flute and orchestra, score and solo part
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Orchestra
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ADVANCED
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Carson Cooman
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Carson Cooman: Flute Concerto
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Musik Fabrik Music Publishing
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SheetMusicPlus
Full Orchestra - Level 5 - Digital Download SKU: A0.533762 Composed by Carson Cooman. Contemporary,Standards. Score and parts. 55 pages. Musik Fabrik Mus...
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Full Orchestra - Level 5 - Digital Download SKU: A0.533762 Composed by Carson Cooman. Contemporary,Standards. Score and parts. 55 pages. Musik Fabrik Music Publishing #3043953. Published by Musik Fabrik Music Publishing (A0.533762). Flute Concerto (2006) was commissioned by flutist Judith von Hopf and theKiev Philharmonic and premiered by them under the direction of GuidoLamell. The work is in two movements: Chanson and Fantasy Variations.The first movement, Chanson, is an extended “song†that develops through avariety of textures. The opening song material is centered around G#. In turn,this G# is revealed to be a quasi-dominant of a D centered sonority. (A briefcoda returns to G#, in preparation for the D center of the second movement.)The second movement, Fantasy Variations, is cast as two presentations ofthe theme surrounding five free variations, plus a coda. The theme serves asthe basis of the musical material for each variation as well as the structuraltemplate for each. Also, each variation contains material referring backspecifically to the previous variation.The opening theme is declamatory and massive. The first variation is fastand limber. The second variation is introspective and stratified. The thirdvariation is fleeting. The fourth variation is distant and spare. The fifthvariation is fast and driving. The final theme begins whispered and slowlyregains its declamatory nature before a brief and intense coda ends the workin a blaze.This item is the score and the solo part only. The orchestral parts are on rental from the publisher. The piano reduction is for sale as a seperate item.Instrumentation2 Flutes (2nd dbl. Picc.)2 OboesEnglish Horn2 Clarinets in BbBass Clarinet in Bb2 Bassoons4 Horns in F/Bb2 Trumpets in C2 TrombonesTubaPercussion (2 players)I: tubular bells, crotales, bass drum, whip/slapstickII: vibraphone (motor off), snare drum(Percussion I needs one rosined bow.Percussion II needs one rosined bow.)PianoSolo Flute(If necessary, discreet amplification of the soloist is acceptable.)Violin IViolin IIViolaCelloContrabass(at least two players [ideally more] must have machine extension to low C)
$25.95
Only from Blood Does Freedom Grow (Full Score and Parts)
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Orchestra
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EASY
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Stanley M Hoffman
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Stanley M Hoffman
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Only from Blood Does Freedom G
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stanleymhoffman.com
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SheetMusicPlus
Full Orchestra - Level 2 - Digital Download SKU: A0.1465707 Composed by Stanley M Hoffman. Arranged by Stanley M Hoffman. 21st Century,Classical,Patrioti...
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Full Orchestra - Level 2 - Digital Download SKU: A0.1465707 Composed by Stanley M Hoffman. Arranged by Stanley M Hoffman. 21st Century,Classical,Patriotic. 136 pages. Stanleymhoffman.com #1044317. Published by stanleymhoffman.com (A0.1465707). Based on one of only several poems written by my mother, Jewish Holocaust survivor Rita Hoffman of blessed memory (1927–2018), Only from Blood Does Freedom Grow echoes the words of Hatikvah (The Hope), the national anthem of Israel. I have to believe that she wrote this poem around 1948 because of how it is worded. I of course knew the source of inspiration for this poem when I reread it not long ago—something I had not done since the 1990s—but its having been inspired by Hatikvah was really driven home to me by a Facebook comment. That comment inspired me to compose a piece in which the opening and closing sections are based on the opening melody of Hatikvah, but in which the middle section is newly composed. “Israel was not created in order to disappear - Israel will endure and flourish. It is the child of hope and the home of the brave. It can neither be broken by adversity nor demoralized by success. It carries the shield of democracy, and it honors the sword of freedom.” —John F. KennedyMy mother’s brief memoirs are housed at the United States Holocaust Memorial Museum in Washington, DC. https://collections.ushmm.org/search/catalog/irn502129—Stanley M. Hoffman, 25 June 2024—Only from Blood Does Freedom Grow For so many years a voice sounded in Jewish hearts saying,“We want to have a home, we want to have a life again.”Enough blood has already streamed through rivers,the blood shed by our brothers *[and sisters],they, who for freedom of strangers and nation died.Now, the dream we dreamt for a long time has been awakened in us.We want to fight for our state, our country.The moment that we have been waiting for and been praying fortwo thousand years has brought us a spark of hope.We must not despair, for we are nevertheless Jews.We must and must want to persevere.A time will come which itself will become a symbol of our tragedy,and which will remain forever in our hearts -a burning flame, and a joyful feast. —Rita Hoffman (1927–2018)Words: © Copyright 1948 by The Estate of Rita Hoffman.All rights reserved. Used by permission.—Instrumentation 2 Flutes (2 Piccolos)2 Oboes2 Clarinets in Bb2 Bassoons 4 Horns in F2 Trumpets in Bb2 TrombonesTubaTam-tamTimpaniStringsDurationca. 2:30
$68.00
Hello Friend - Orchestra Concert Score - Score Only
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Orchestra
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INTERMEDIATE
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Zane Kuchera
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Zane Kuchera
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Hello Friend - Orchestra Conce
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Zane Kuchera Music
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SheetMusicPlus
Full Orchestra - Level 3 - Digital Download SKU: A0.1460432 By Zane Kuchera. By Music by Zane Kuchera and Words by Paul Norman Tapp. Arranged by Zane Kuc...
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Full Orchestra - Level 3 - Digital Download SKU: A0.1460432 By Zane Kuchera. By Music by Zane Kuchera and Words by Paul Norman Tapp. Arranged by Zane Kuchera. Broadway,Film/TV,Jazz,Musical/Show,Pop,Singer/Songwriter. 9 pages. Zane Kuchera Music #1039364. Published by Zane Kuchera Music (A0.1460432). 6/12/24 Zane Kuchera Music released “Hello Friend” (Pop/Jazz) performed by the BBC Symphony Orchestra, a professional library. Lyrics inspired 50 years ago during the viewing of a PBS series about Chopin and George Sands. This song is one friend speaking directly to the other about life, love, illusion, entrapment, reinvention and aspiration. Words by Paul Norman Tapp, music & performance by Zane Kuchera.Reviews:“Remarkable... the angles of Miles Davis, the flow and soar of Gershwin. No wonder the lyric waited 50 years for music. Crazy good dynamics. Wonderful.” - P.N.T.“It sounds like something off of Harry Potter. It's very beautiful.” - A.I.M.“So beautiful Zane. The sweeping ocean and dance timed perfectly to the sweeping tide and movements of life. Thank you!” - B.M.“Beautiful imagery, majestic music, breathtakingly brilliant masterpiece.” - E.M.J.
$4.95
Symphony No. 5 ... Utopia Parkway (2003) full score
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Orchestra
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INTERMEDIATE/ADVANCED
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Thomas Oboe Lee
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Symphony No. 5 ... Utopia Park
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Thomas Oboe Lee
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SheetMusicPlus
Full Orchestra - Level 4 - Digital Download SKU: A0.869677 Composed by Thomas Oboe Lee. 20th Century,Contemporary,Romantic Period. Score and parts. 147 p...
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Full Orchestra - Level 4 - Digital Download SKU: A0.869677 Composed by Thomas Oboe Lee. 20th Century,Contemporary,Romantic Period. Score and parts. 147 pages. Thomas Oboe Lee #5968133. Published by Thomas Oboe Lee (A0.869677). Conceptually it all began a year ago when I came upon a book edited by Jonathan Safran Foer, A Convergence of Birds: Original Fiction and Poetry Inspired by the Work of Joseph Cornell. It is a beautiful book for the mind and the eyes: imaginative short stories and poetry alongside magnificently rendered color-plate reproductions of several Joseph Cornell box constructions. The book led me to a biography by Deborah Solomon, Utopia Parkway, and the germ of a symphonic work for Joseph Cornell was born.Symphony No. 5 ... Utopia Parkway is in five movements.I. Allegro marcato 3708 Utopia Parkway, Flushing, NYII. Lento The Enchanted Wanderer ... for Hedy LaMarr, 1941III. Avian scherzo Habitat Group for a Shooting Gallery, 1943IV. Allegro ... à la Can-can A Pantry Ballet ... for Jacques Offenbach, 1942 V. Moderato Apotheosis: Mary Baker Eddy, Christian ScientistJoseph Cornell lived most of his life with his mother and brother Robert at 3807 Utopia Parkway, Flushing, NY. The first movement, Allegro marcato, is a musical rendition of Joseph’s daily commute into Manhattan where he frequently visited dime stores, junk shops, used book stores, the New City Public Library, art galleries, movie houses and restaurants like Bickford’s and Schraft’s.The Enchanted Wanderer is a collage work on paper by Joseph Cornell – a tribute to Hedy Lamarr. Hollywood fascinated Cornell. He made several box constructions as tributes to movie stars like Lauren Bacall, Jennifer Jones, Greta Garbo, Audrey Hepburn, etc.Avian scherzo. Many of Cornell’s boxes featured cutout pictures of parakeets, parrots and cockatoos. Habitat Group for a Shooting Gallery is an especially evocative box of his aviary series. There are four birds in it, amidst other odds and ends. A number is attached to each one. There is a crack in the glass encasement – as if hit by a bullet. Blood splatters from the head of one of the birds. . In between the shooting gallery music, there is a Trio: a requiem for the dead cockatoo.Allegro ... à la Can-can. Cornell attended the ballet fervently. He made many box constructions inspired by ballet dancers: Fanny Cerrito, Marie Taglioni, Tamara Toumanova, Zizi Jeanmaire, Allegra Kent, etc. A Pantry Ballet for Jacques Offenbach is a very funny box with five red plastic lobsters in tutus. I provided a polka as background music. This movement is dedicated to Allegra Kent – a friend and confidante of Cornell.Joseph Cornell was an active member of the Christian Science Church for all of his adult life. He attended services regularly, and taught Sunday-school classes. For a while he even worked as an attendant in a Christian Science Reading Room in Great Neck, NY. In the Christian Science Hymnal I found several hymns written by the founder, Mary Baker Eddy, set to music by a number of different composers. I wrote a new tune to her hymn, Shepherd, show me how to go. The last movement, Apotheosis, is a theme and variations on this tune. It begins like a singing congregation, and it ends with the opening of Heaven’s doors – for Joseph, of course.Audio link: https://thomasoboelee.bandcamp.com/album/symphony-no-5-utopia-parkway-2003
$9.99
Divinum Mysterium
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Orchestra
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INTERMEDIATE/ADVANCED
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12th Century Plainchant
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Robert Myers
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Oboe 1,2
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Divinum Mysterium
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WheatMyer Music
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SheetMusicPlus
Full Orchestra - Level 4 - Digital Download SKU: A0.976721 Composed by 12th Century Plainchant. Arranged by Robert Myers. Christian,Christmas,Contemporar...
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Full Orchestra - Level 4 - Digital Download SKU: A0.976721 Composed by 12th Century Plainchant. Arranged by Robert Myers. Christian,Christmas,Contemporary,Sacred. Score and parts. 76 pages. WheatMyer Music #4798079. Published by WheatMyer Music (A0.976721). DIVINUM MYSTERIUM is a chant tune dating to the 12th century which is associated with the hymn, Of the Father's Love Begotten, based on the Latin hymn, Corde natus ex parentis, written by Prudentius in the late 4th / early 5th century. This is thus one of the very oldest texts and tunes still sung in our churches today. The shape and flow of this arrangement, which includes quotations from CANTIQUE de NOEL (O Holy Night) – Adolphe Adam (1844), was strongly influenced by what one writer described as the strong wave shapes of the tune. I’ve attempted to make these waves a significant feature of the piece, featured in both the constant crescendo/decrescendos and the interweaving of the two tunes. And, just as ocean waves don’t arrive in steady rhythms, these musical waves are variable – sometimes closely spaced, sometimes not, and sometimes overlapping. The unique character of each of the three major sections is implied in their headings: (1) with mystery and wonder, (2) Joyfully – a child is born, and (3) contemplative – God is with us. The opening section portrays the mystery of the trinity (the hymn text was written as an apology for the Nicene Creed) mixed with the wonder of the Creator God lying in a manger. Since the tune is derived from medieval chant, I wanted this section to reflect the loose metrical nature of that genre, so the melodic phrasing should predominate over any sense of meter up to letter C. The initial tonal and metrical ambiguity and the fractured melodic lines gradually meld into conventional tonality and clear statements of the two main themes. Don’t let the poco rit. just before C be too poco. Build a definite sense of tension in anticipation of the Presto section. The Presto section presents the first complete statement of the main theme. I felt a strong, rhythmic treatment should follow the ambiguity of the opening to reflect the joy of the Messiah’s incarnation realized. However, the gravity of the text demands avoidance of frivolity and banality. Thus, I used a combination of the long, flowing lines with a syncopated pulse and echoing rhythms to produce what I hope is a fresh but still reverent treatment of this ancient hymn – one that produces a kaleidoscope of tonal color. Arriving at the third section at letter F, the asymmetrical pulse gradually shifts into a straight 3 pattern. The slower tempo and return of the secondary theme call us to reflect on the import of God now with us. The marking of Let off the gas and coast to the end is a word picture of how the tempo should draw to a close, as would an expert helmsman allow the ship’s momentum to stop just as it taps the dock. One parting moment is provided to savor the woodwinds closing phrase from CANTIQUE de NOEL. Robert Myers S.D.G. INSTRUMENTATION Fl 1,2; Oboe 1,2; Bb Cl 1,2 ; Bsn 1,2 Hn in F 1/2, 3/4; C Tpt 1,2 (Opt Bb Tpt 1,2); Tbn 1, 2; Tuba Timpani Perc. 1 (cymbals, tam-tam, vibraphone) Perc. 2 (chimes, snare) Perc. 3 (concert toms (4), bass drum) Vln 1,2; Vla 1,2; VC; DB
$75.00
Elegy Sentimentale for Orchestra
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Orchestra
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Keith Terrett
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Elegy Sentimentale for Orchest
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Keith Terrett
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SheetMusicPlus
Full Orchestra - Digital Download SKU: A0.746748 Composed by Keith Terrett. Contemporary,World. 33 pages. Keith Terrett #3129265. Published by Keith Terr...
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Full Orchestra - Digital Download SKU: A0.746748 Composed by Keith Terrett. Contemporary,World. 33 pages. Keith Terrett #3129265. Published by Keith Terrett (A0.746748). ere at last is my ’’Elegy sentimentale’’ for orchestra, and my first original composition (opus 1), for full symphony orchestra.I hope it makes an excellent piece for amateur and professional orchestras alike; with some challenging and interesting string, woodwind and brass writing for all.I envisage the ’’Elegy’’ eventually making a good piece of film music, and in consequence any directors or producers looking for a movie theme; please feel free to contact me!Elegy Sentimenatle is a mournful & melancholic work, suited for performances on the concert platform.A Supreme Work of Art!The Elegy Sentimentale opens impressively. Keith Terrett plants a C deep in virgin soil; orchestrated brilliantly for bassoon, harp and delineated by pizzicato double basses this bass line is a tree of a forest; and we are at once held by the strength of the roots. The tonality is immediately clear, and there is a grand feeling of space and power in the wide layout of the score. A lone solo clarinet high in the tessitura accompanied by a solo cello with a counter subject state the opening eight bar theme which embodies the seeds of two ideas, which supplies the generating force for the slightly agitated Piu Mosso which follows. The counter subject given by the solo cello at the beginning is now reiterated by the plaintive voice of a solo oboe and a third motif makes an appearance in the solo clarinet; oboe and clarinet duet beautifully over arpeggiated rhythmic impulses in the harp. A new subject of an accompanying nature, derived from all the material thus far presented now comes off at a tangent on the strings cascading downwards and accompanying woodwind who, play the chief melodic subject while horns cry in anguish. This first section is then repeated; I found the whole experience spiritual, detached and wondering, intensified by the breath-taking stillness. Mr Terrett in the middle section that follows now uses his full orchestral forces; after a key change the emotional charge that follows is cataclysmic in its cry of anguish; the main theme is stated in a full dress orchestral tutti, which is then repeated. The music ebbs and flows with slight variations in the woodwind recalling the main ideas; at the very end high strings bring consolation and finally peace. Keith Terrett shows an admirable command of orchestration and melodic construction and combines these qualities with rare imagination and insight.Gerald Manning
$30.00
Symphony No. 6 ... The Penobscot River (2004) for chorus and orchestra
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Orchestra
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INTERMEDIATE/ADVANCED
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Thomas Oboe Lee
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Symphony No. 6 ... The Penobsc
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Thomas Oboe Lee
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SheetMusicPlus
Full Orchestra - Level 4 - Digital Download SKU: A0.869295 Composed by Thomas Oboe Lee. 20th Century,Baroque,Classical,Contemporary,Romantic Period. Scor...
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Full Orchestra - Level 4 - Digital Download SKU: A0.869295 Composed by Thomas Oboe Lee. 20th Century,Baroque,Classical,Contemporary,Romantic Period. Score and parts. 149 pages. Thomas Oboe Lee #431379. Published by Thomas Oboe Lee (A0.869295). Instrumentation: 3222-4231-timp-2perc-hp-chorus-strings Program note:It has been a wonderful two years of thinking, learning and working on my Continental Harmony Project with the Bangor Symphony Orchestra. It is a rare occasion that a composer in the 21st century would receive a commission to write a musical work of such scale: a 40-minute piece for symphony orchestra, 200-plus chorus and a ballet company. At the Bangor Public Library I found some wonderful evocative 19th century texts for the chorus about the city of Bangor and its environs: the Penobscot River, Mt. Ktaadn, the logging industry, the native American culture, etc. At times I felt overwhelmed, but most of the times I was exuberant and quite inspired by the music that came forth in the process. The premiere is less than a month away, and I am looking forward to it. Susan Jonason, Executive Director of the Bangor Symphony, has made the occasion a very public one: a free concert on a Saturday evening! I hope the audience will go home humming the tunes from the work as they walk into the crisp, cool Bangor night.Formally the work is in five movements. The first, third and fifth movements are choral, and the two in between are orchestral. In the premiere, the Robinson Ballet will dance in the orchestral movements. The first movement is about the Penobscot River from winter to spring. The melting of the ice is a harbinger of things to come: warmer weather, for instance; but it has also contributed to a lot of flooding in the city of Bangor and its surroundings.The second movement is a waltz, a grand 19th century ballroom waltz for the ladies of the rich lumber barons. They come to the ball showing off their latest hats and gowns from London, Paris and Milan.The third movement is about the woods and the people who work in them. Thoreau’s text about Mt. Ktaadn is full of awesome thoughts about how nature is beautiful, yet unkind to man. It is followed by a J.G. Whittier lyric entitled The Logger’s Boast. The original song had twenty stanzas to it. I whittled it down to five. I don’t know what the original song sounded like, so I made up my own version of a lumberjack’s drinking song.The fourth movement is a wild, drunken polka. After a long week of working in the woods the lumbermen come back to the city and spend all their earnings on booze, women and gambling. And they dance the night away …The last movement begins with a funeral march for Joe Attien, a native American who was Thoreau’s guide when he came up here in the 1900’s. The work ends with a rousing march, a centennial hymn to the city of Bangor. God bless our city Bangor, now! On this its birthday morn …NB: The two ballet movements, II. La Valse and IV. Drunken Polka, are optional.
$9.99
Tombland Fanfare
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Orchestra
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ADVANCED
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Contemporary
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Eoin Buchanan
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Tombland Fanfare
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7plc Music
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SheetMusicPlus
Full Orchestra - Level 5 - Digital Download SKU: A0.1017072 Composed by Eoin Buchanan. Contemporary. Score and parts. 87 pages. 7plc Music #6079111. Publ...
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Full Orchestra - Level 5 - Digital Download SKU: A0.1017072 Composed by Eoin Buchanan. Contemporary. Score and parts. 87 pages. 7plc Music #6079111. Published by 7plc Music (A0.1017072). At the centre of the Norfolk city of Norwich lies Tombland. The name evokes thoughts of haunting, death and Black Plague burial pits. Actually Tombland simply means empty space and it was here that Norwich market was sited. Violence seems to have been a recurring theme in the history of Tombland. In 1549 Robert Kett led a rebellion against the enclosure of common land. After a fierce attack on Bishop Bridge, Kett and his band of followers gained access to the city and took the Mayor, Thomas Codd, prisoner. Having spent a number of years as a clergyman in the Diocese of Norwich, I can tell you that this area is very different nowadays. However, its Normal cathedral and older buildings still offer a sense of struggles past, present and future. Inspired by Ray Sampson’s book, Tombland, this original work for full orchestra uses harmonic and rhythmic dissonance to portray the violent and oppressive struggle between those with and ‘those without. The blacksmith’s anvil heralds village life with church bells sounding and flute introducing children playing in the village square. Very quickly the scene changes as Basses offer a deep threatening tone and slowly the rhythmic confusion builds to an eventual climax. Horns then introduce a quasi carillon Dies Irae theme and flutes and piccolo enter with a haunting bird call until low strings and Cor Anglais begin the build up to chaos once again. The work’s false, dying ending suddenly gives way to a sacred style chorale leading to the very abrupt Malcolm Arnold style ending.
$35.00
Testament Cues - Score Only
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Orchestra
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INTERMEDIATE/ADVANCED
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Film/TV
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James Horner
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Chris Siddall
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Testament Cues - Score Only
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Chris Siddall Music Publishing
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SheetMusicPlus
Full Orchestra - Level 4 - Digital Download SKU: A0.1265999 Composed by James Horner. Arranged by Chris Siddall. Film/TV. 48 pages. Chris Siddall Music P...
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Full Orchestra - Level 4 - Digital Download SKU: A0.1265999 Composed by James Horner. Arranged by Chris Siddall. Film/TV. 48 pages. Chris Siddall Music Publishing #858732. Published by Chris Siddall Music Publishing (A0.1265999). 1983 saw the release of director Lynne Littman’s adaptation of Carol Amen’s short story The Last Testament. Originally produced for PBS’s “American Playhouseâ€, the quality of the movie was considered so high that Paramount decided to purchase the rights for a full theatrical release, and received an Oscar nomination for lead actress Jane Alexander.Testament is an unreservedly stark and disturbing experience, following a suburban family as they endure the effects of nuclear fallout.At this point in his career James Horner had already hit the mainstream with his immense science fiction music, with this project falling between his two Star Trek offerings.  His work here is built for an ensemble of only ten players, usually consisting of duets or solo horn or woodwind performances, with the occasional addition of a small choir.  Whilst having an overall sombre tone, there are moments of hope and unexpected heroism, and Horner’s score is an excellent example of how much can be achieved with a small ensemble.Now musicians, music students, conductors – any music lover – can study the complete score from Testament in this high-quality edition, carefully reproduced and edited from the original handwritten manuscript.Includes foreword by Testament director, Lynne Littman.
$35.00
The Glastry Pearl. Tone Poem Elegy For My Mum.
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Orchestra
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ADVANCED
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Geraldine
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The Glastry Pearl. Tone Poem E
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Geraldine
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SheetMusicPlus
Full Orchestra - Level 5 - Digital Download SKU: A0.1315331 Composed by Geraldine (Denny) Green. 21st Century,Classical,Contemporary,Romantic Period. 468...
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Full Orchestra - Level 5 - Digital Download SKU: A0.1315331 Composed by Geraldine (Denny) Green. 21st Century,Classical,Contemporary,Romantic Period. 468 pages. Geraldine (Denny) Green at Oakmountmusic #904077. Published by Geraldine (Denny) Green at Oakmountmusic (A0.1315331). Duration : Approx. 30 minutesInstrumentationFlutes 1&2Piccolo/Flute 3Oboes 1&2Cor AnglaisClarinets 1&2 in BflatBass Clarinet in Bflat (To Low C)Bassoons 1&2Horns 1 – 4 in FTrumpets 1&2 in BflatTenor Trombones 1&2Bass TromboneTubaTimpani – 4Bass Drum, Sleigh Bells, Temple Blocks, Maracas, Cymbals – Crash and Suspended Snare Drum,Tambourine Triangle Tubular Bell (only 1 B bell required) Glockenspeil XylophoneCelestaHarpViolins 1&2ViolasCellosDouble BassesAbout The WorkOn Tuesday March 24th 2020, one day into the first UK national Lockdown at the start of the worldwide Covid-19 Pandemic, my Mum died! She was 91 and had been poorly with many different illnesses for the previous 6 months, so we knew it was coming. But the timing and unfathomable sadness of her death, together with the start of a worldwide pandemic, little did I know it at the time, was to bring forth from me a tsunami of music the likes of which I hadn’t written for many years. A set of six solo studies for various members of the clarinet family came first, written between March 20th and April 20th. As I wrote them they were orchestrating themselves in my head and forming something else as well. That “something else†grew and grew, as the Six Studies intertwined themselves around each other and expanded together, joining forces with two brand new themes to form what soon was to become an immense orchestral work. The title was easy. Glastry is a tiny district in the middle of the Co.Down countryside of Northern Ireland, where my Mum was born and brought up. And Pearl was her name. Her full name was actually Margaret Mary Ward (eventually to become Denny when she married my Dad, Colum Denny, from Belfast), but everyone always called her Pearl. The nickname was bestowed upon her just after she was born on February 28th 1929 and stuck ever since.The Glastry Pearl is a tribute to my Mum and the great and mighty person she was to me and all who knew her. It employs at least one theme or motif from each of the Six Studies For Various Solo Clarinets and uses them throughout the work in the from of Leitmotifs. It was only when the work was nearing completion that I began to wonder how to describe it. Freddy Naftel, a good composer friend of mine, suggested that Tone Poem was a fitting description and I immediately agreed. The music itself is completely tonal and highly Romantic, yet also peppered with exciting contemporary disonance. I believe it to be a good, and hopefully fun, challenge to symphony orchestras, both professional and high standard amateur alike. It offers everything from the the somber opening to the hilarious and wildly energetic central Waltz, to the glorious soaring final section, so plenty of variety to please many palates.
$200.00
Death Theme
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Orchestra
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INTERMEDIATE/ADVANCED
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Ennio Morricone
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John Langley (at Studio Orches
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Death Theme
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www.studio-orchestrations.com
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SheetMusicPlus
Full Orchestra - Level 4 - Digital Download SKU: A0.1284734 Composed by Ennio Morricone. Arranged by John Langley (at Studio Orchestrations). 20th Centur...
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Full Orchestra - Level 4 - Digital Download SKU: A0.1284734 Composed by Ennio Morricone. Arranged by John Langley (at Studio Orchestrations). 20th Century,Broadway,Chamber,Film/TV,Musical/Show. Score and Parts. 14 pages. Www.studio-orchestrations.com #875911. Published by www.studio-orchestrations.com (A0.1284734). This is one of Ennio Morricone's most evocative and yearning themes from the Kevin Costner and Sean Connery classic THE UNTOUCHABLES directed by Brian De Palma. The theme comes where Malone has been brutally/mortally shot and wounded and gives Elliott Ness, his friend, the critical information to enable him to arrest Al Capone's bookeeper before dying. Malone's murder is one of the most unexpected and shocking moments on celluloid when it happens but Morricone's theme is full of pathos and lament for a much loved character.For your event/concert of film music, this is a short but always moving piece that hopefully will fit around your other programming ideas. In a market where loud film music is all the rage, this offers a beautiful sorbet to an evening of movie classics.This arrangement is written for Solo Alto Saxophone (Default solo instrument)Solo Alto Flute* (alternative solo instrument)Acoustic guitar (or Harp)*Strings* Morricone does use Alto Flute to play a version of this theme earlier in the soundtrack and this can make a contemplative and quiet version of the same music so your group can choose instrumentation, esepcially where no saxophone is available in your group or concert; also if your group doesn't have a guitar then this can be played by Harp as well.
$80.00
Thierry Pélicant: Concerto for contrabass and orchestra, score only
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Orchestra
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ADVANCED
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Thierry Pélicant
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Thierry Pélicant: Concerto fo
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Musik Fabrik Music Publishing
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SheetMusicPlus
Full Orchestra - Level 5 - Digital Download SKU: A0.534554 Composed by Thierry Pélicant. 20th Century,Contemporary,Standards. Score and parts. 136 pag...
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Full Orchestra - Level 5 - Digital Download SKU: A0.534554 Composed by Thierry Pélicant. 20th Century,Contemporary,Standards. Score and parts. 136 pages. Musik Fabrik Music Publishing #4283537. Published by Musik Fabrik Music Publishing (A0.534554). In 2004, the Orchestre Philharmonique de l’Oise commissioned its musical director, t Thierry Pélicant, this concerto for the late Claude Caens, the principal contrabass of this orchestra. This great artist, who was friends with everyone in this ensemble, wanted everyone to have a part in the festivities, not only the strings, but also the winds, the horns, the trumpets and the percussion, and also that they all should be heard ! Thierry Pélicant wrote therefore a concerto which is at once very symphonic – and for this reason, it is strongly advised that the contrabass be amplified – but also a piece which would express the friendship between the orchestra and the soloist. This concerto strives to be both warm and lyrical : it is not a virtuoso showpiece, inspite of the real technical that it offers to the soloist and which he would do well to try to hid them from the audience. It is also not a battle between the orchestra and this gentle giant : they stroll together, sometimes joyously, sometimes with nostalgia and go through the strong storms which do not fail to present themselves, smiling together and finding them to be envigorating.The work is scored for (2(Pic)2(EH)22/2200/Timp/2perc/strings) and lasts aproximately 23 minutes. The orchestral parts are on rental from the pubilsher. The piano reduction with the solo part is available for sale on this site.Thierry Pélicant was born in 1957 at Sainte-Adresse, France. After studying the organ and the horn, his meeting with Jean-Claude Hartemann, the Musical Director of the Opéra Comique in Paris lead him to decide to explore conducting. He was the student of Haremann for fifteen years. He is the Musical Director of the André Messager Orchestre and has also directed the Orchestre Philharmonique de l’Oise since 1980, one of the oldest French orchestras, since it was founded in 1750. A passionate ssupporter of French music, Pélicant reconstructed the Messe solennelle of L.V.A Boïeldieu and Te Deum of 1792 by Philidor and premièred and recorded the Suite Parnassienne, Massenet’s last work. At the same time, he has also served the music of our time in premièring or recording the works of Dazzi, Marchand, Braconnier, Bénard, Drouin, Preschez, etc. As a composer, musical grammar and stylistic debates only interest him from afar. As a true gourmet (since cooking is another of his passions), he strives to write the music that pleases him, that would be enjoyable to play and which would be enjoyable to hear, hopefully with real pleasure and in which he tries to express the emotions and the pleasant or surprising states of being which, to hime, these works are tied. Through this process, he has created concertos (for oboe, for bassoon, for organ, for contrabass), Escales & paysages, ma monumental literary concerto for narrator, piano and orchestra, written for his friend Dominique Preschez, Operas (Histoires comme ça, Ribouldingue, Élise et le fantôme) ; With the poet Luis Porquet, he wrote the song cycle Ombre légère (for soprano, harp and orchestre), Rhapsodie du Havre (for tenor and chamber orchestra, a commission from the Forum de Normandie to commemorate the 500 years of the founding of the city Le Havre), Et de toi, Bethleem, Christmas oratorio for baritone, chorus and orchestra and, finally, commissioned by the Orchestre de l’Oise in honor of the centennial of the First World War 14, fresque de la Grande Guerre, for the tenor Daniel Gà lvez-Vallejo, children’s chorus and orchestra. In the area of chamber music, he has written a sonata for horn and piano, for the Festival de Giverny, Borée (quintet for oboe and strings), Sextuor d’été, and Milonga (septet inspired by the World of Tango Music). Published in 2005, his novel Carnets de Walter Crane, explores the sufferings of a composer who has the obligation to write a string quartet ...
$38.95
Thierry Pélicant: Concerto for contrabass and orchestra, piano reduction and solo part
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Orchestra
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ADVANCED
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Thierry Pélicant
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Thierry Pélicant: Concerto fo
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Musik Fabrik Music Publishing
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SheetMusicPlus
Full Orchestra - Level 5 - Digital Download SKU: A0.534555 Composed by Thierry Pélicant. 20th Century,Contemporary,Standards. Score and parts. 46 page...
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Full Orchestra - Level 5 - Digital Download SKU: A0.534555 Composed by Thierry Pélicant. 20th Century,Contemporary,Standards. Score and parts. 46 pages. Musik Fabrik Music Publishing #4283543. Published by Musik Fabrik Music Publishing (A0.534555). In 2004, the Orchestre Philharmonique de l’Oise commissioned its musical director, t Thierry Pélicant, this concerto for the late Claude Caens, the principal contrabass of this orchestra. This great artist, who was friends with everyone in this ensemble, wanted everyone to have a part in the festivities, not only the strings, but also the winds, the horns, the trumpets and the percussion, and also that they all should be heard ! Thierry Pélicant wrote therefore a concerto which is at once very symphonic – and for this reason, it is strongly advised that the contrabass be amplified – but also a piece which would express the friendship between the orchestra and the soloist. This concerto strives to be both warm and lyrical : it is not a virtuoso showpiece, inspite of the real technical that it offers to the soloist and which he would do well to try to hid them from the audience. It is also not a battle between the orchestra and this gentle giant : they stroll together, sometimes joyously, sometimes with nostalgia and go through the strong storms which do not fail to present themselves, smiling together and finding them to be envigorating.The work is scored for (2(Pic)2(EH)22/2200/Timp/2perc/strings) and lasts aproximately 23 minutes. The orchestral parts are on rental from the pubilsher. The full score is available for sale on this site.Thierry Pélicant was born in 1957 at Sainte-Adresse, France. After studying the organ and the horn, his meeting with Jean-Claude Hartemann, the Musical Director of the Opéra Comique in Paris lead him to decide to explore conducting. He was the student of Haremann for fifteen years. He is the Musical Director of the André Messager Orchestre and has also directed the Orchestre Philharmonique de l’Oise since 1980, one of the oldest French orchestras, since it was founded in 1750. A passionate ssupporter of French music, Pélicant reconstructed the Messe solennelle of L.V.A Boïeldieu and Te Deum of 1792 by Philidor and premièred and recorded the Suite Parnassienne, Massenet’s last work. At the same time, he has also served the music of our time in premièring or recording the works of Dazzi, Marchand, Braconnier, Bénard, Drouin, Preschez, etc. As a composer, musical grammar and stylistic debates only interest him from afar. As a true gourmet (since cooking is another of his passions), he strives to write the music that pleases him, that would be enjoyable to play and which would be enjoyable to hear, hopefully with real pleasure and in which he tries to express the emotions and the pleasant or surprising states of being which, to hime, these works are tied. Through this process, he has created concertos (for oboe, for bassoon, for organ, for contrabass), Escales & paysages, ma monumental literary concerto for narrator, piano and orchestra, written for his friend Dominique Preschez, Operas (Histoires comme ça, Ribouldingue, Élise et le fantôme) ; With the poet Luis Porquet, he wrote the song cycle Ombre légère (for soprano, harp and orchestre), Rhapsodie du Havre (for tenor and chamber orchestra, a commission from the Forum de Normandie to commemorate the 500 years of the founding of the city Le Havre), Et de toi, Bethleem, Christmas oratorio for baritone, chorus and orchestra and, finally, commissioned by the Orchestre de l’Oise in honor of the centennial of the First World War 14, fresque de la Grande Guerre, for the tenor Daniel Gà lvez-Vallejo, children’s chorus and orchestra. In the area of chamber music, he has written a sonata for horn and piano, for the Festival de Giverny, Borée (quintet for oboe and strings), Sextuor d’été, and Milonga (septet inspired by the World of Tango Music). Published in 2005, his novel Carnets de Walter Crane, explores the sufferings of a composer who has the obligation to write a string quartet ...
$29.95
Touched by the Christ - Orchestral Score and Parts
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Orchestra
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Lloyd Larson
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an officer to Caiaphas
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Touched by the Christ - Orches
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Lorenz Publishing - Digital Sheet Music
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SheetMusicPlus
Orchestra - Digital Download SKU: LX.30-2423L The followers of Jesus reflect on His final days. Composed by Lloyd Larson. Choral Cantatas. Easter,...
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Orchestra - Digital Download SKU: LX.30-2423L The followers of Jesus reflect on His final days. Composed by Lloyd Larson. Choral Cantatas. Easter, Lent. Orchestral Score and Parts. 434 pages. Lorenz Publishing - Digital Sheet Music #e30/2423L. Published by Lorenz Publishing - Digital Sheet Music (LX.30-2423L). UPC: 000308120899. Orchestration: Brant Adams.This compelling reflection upon Jesus’ final days is viewed through His eyes and the eyes of those surrounding Him: Mary, sister of Martha; an officer to Caiaphas; Judas; Peter; Jesus Himself; Pilate; Mary, the mother of Jesus; Mary Magdalene; and Thomas. A sequence of dramatic, scripture-based monologues tells the story, alternating with Lloyd Larson’s masterfully inspired music as the “voice of the believer†responds. Flexibly conceived, this work may be presented as simply or as elaborately as you wish, depending upon your resources and preferences. Performance options range from use as a source of single anthems for your seasonal service needs to a short worship program with monologues and choruses or a special, fully staged production. It is our hope that this work will prompt your own reflections upon the great wonder and mystery of the Incarnate God Who, for the love of His people, humbled Himself, dying for our salvation and triumphing over death.
$349.95
Coleção: Piano Musical II
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Orchestra
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EASY
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Charles Francois Gounod, E di
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Marcelo Torca
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Coleção: Piano Musical II
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Marcelo Torca
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SheetMusicPlus
Full Orchestra - Level 2 - Digital Download SKU: A0.896911 Composed by Charles Francois Gounod, E di Cápua, Edward Elgar, Franz von Suppe, Frederic Ch...
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Full Orchestra - Level 2 - Digital Download SKU: A0.896911 Composed by Charles Francois Gounod, E di Cápua, Edward Elgar, Franz von Suppe, Frederic Chopin, George Frideric Handel, Giuseppe Verdi, Jacques Offenbach, Johannes Brahms, and Pyotr Tchaikowsky. Arranged by Marcelo Torca. Children,Instructional,Romantic Period. Score and parts. 373 pages. Marcelo Torca #2548819. Published by Marcelo Torca (A0.896911). Piano Musical – Projeto Projeto de música onde tem por objetivo ensinar música lendo partitura, formar conjuntos e inserir o piano nos conjuntos formados. O repertório utilizado contém músicas: Barroca; Clássica; Romântica; Moderna; Contemporânea; Brasileira. Os instrumentos que fazem parte do conjunto formado são: Piano; Teclado; Bandolim; Flauta-Doce; Cavaquinho; Bateria; Baixo elétrico; Guitarra; Violão; Viola Caipira; Percussão. Os arranjos são organizados em três nÃveis: *Primeiro NÃvel consiste em fazer acompanhamento simples utilizando notas musicais de ritmo simples de acordo com o instrumento a ser aprendido; *Segundo NÃvel consiste em fazer acompanhamento e partes do solo da música, o ritmo já é mais elaborado; *Terceiro NÃvel consiste em fazer solo da música, com um ritmo elaborado. As aulas para o primeiro nÃvel e segundo são em grupo de até cinco pessoas, a do terceiro nÃvel são individuais tendo a duração de uma hora por semana. Os três nÃveis fazem ensaios semanais juntos, formando conjuntos, a duração do ensaio é de uma hora. O repertório tem a função de introduzir o som do piano em conjunto, levar o conhecimento de um repertório pianÃstico ao conhecimento do público, dar uma noção de música de todos os tempos e valorizar músicas brasileiras, composta por autores brasileiros podendo ser erudita ou popular.
$18.00
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