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A
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Not classified
74,497
Piano & keyboards
Piano solo
54,433
Piano, Voice
37,143
Easy Piano
17,231
Piano, Vocal and Guitar
9,854
Organ
6,511
C Instruments
4,463
Big Note Piano
3,499
Piano Accompaniment
2,642
1 Piano, 4 hands
1,688
Accordion
1,066
Piano Trio: piano, violin, cello
887
Piano (band part)
538
2 Pianos, 4 hands
408
Piano Quartet: piano, 2 violins, cello
254
Piano Quartet: piano, violin, viola, cello
204
Organ, Trumpet (duet)
164
Organ, Piano (duet)
134
Harpsichord
128
Piano Quintet: piano, 2 violins, viola, cello
115
Keyboard
90
1 Piano, 6 hands
72
2 Pianos, 8 hands
30
2 Accordions
11
Fake Book
5
2 Organs (duet)
4
Accordion and Orchestra
4
All Instruments
3
Organ, Voice
3
Accordion, Piano
3
Accordion ensemble
3
Piano ensembles
2
Accordion - Piano, Voice, Guitar chords
2
Accordion, String(s)
2
Organ and Orchestra
1
+ 29 instrumentations
-
Retract
Guitars
Guitar notes and tablatures
7,362
Guitar
5,387
Melody line, (Lyrics) and Chords
2,476
Ukulele
2,005
Bass guitar
1,611
Guitar (band part)
937
Lyrics and Chords
851
2 Guitars (duet)
810
Mandolin
487
Dulcimer
310
Piano, Guitar (duet)
287
4 Guitars (Quartet)
229
Banjo
209
3 Guitars (trio)
122
Guitar Ensemble
101
Baritone Ukulele
30
Electric Bass (band part)
29
2 Dulcimers (duet)
27
Mandolin, Guitar (duet)
23
Mandolin, Piano (duet)
17
Guitar, Violin, Cello (trio)
17
2 Ukuleles
16
Lap Steel Guitar
15
Ukulele Ensemble
8
Dobro
6
2 Mandolins (duet)
5
Guitar, String Quartet
3
Guitar, Orchestra
3
Plectrum Orchestra
3
Guitar Tab, Voice, Bass, Drum
2
Guitar, Flute, Clarinet
2
Lute
1
3 Dulcimers (trio)
1
Zither
1
+ 29 instrumentations
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Retract
Voice
Choral SATB
32,191
Choral 3-part
10,388
Choral 2-part
8,547
Choral TTBB
7,423
Choral SSAA
5,047
Choral Unison
4,434
Choral Instrumental Pak
3,960
Vocal duet, Piano
2,733
Vocal duet
1,132
Voice solo
887
Choral
809
Soprano voice, Piano
710
Alto voice, Piano
508
Tenor voice, Piano
466
High voice
427
Baritone voice, Piano
316
Low voice, Piano
192
Medium voice, Piano
167
Choral SSAATTBB
119
Tenor voice
97
Choral SSATB
93
Choral SSAB a cappella
64
Soprano voice
52
Choral SSATTB
41
Mezzo-Soprano voice, Piano
31
Low voice
28
Soli, Mixted choir and accompaniment
25
Choral SSAB, Piano
22
Voice, Guitar
15
Choral SSAATB
12
Choral SSAATB A Cappella
10
Choral SATBB
10
Choral SAATB A Cappella
7
Choral, Orchestra
7
Soprano voice, Orchestra
7
Choral SATTBB A Cappella
6
High voice, Piano
4
Choral, Organ
4
Medium Voice
3
Voix Masculines
3
Vocal duet, Organ
2
Baritone voice
1
Choral SSATBB
1
+ 38 instrumentations
-
Retract
Woodwind
Flute and Piano
6,266
Saxophone (band part)
5,455
Saxophone Quartet: 4 saxophones
5,141
Clarinet and Piano
4,641
Flute
4,301
Woodwind Quintet: flute, oboe, bassoon, clarinet, horn
3,972
Flute, Oboe, Clarinet, Bassoon
3,709
Oboe, Piano (duet)
3,556
Clarinet
3,544
2 Saxophones (duet)
3,378
Alto Saxophone and Piano
3,278
2 Flutes (duet)
3,088
Clarinet Quartet: 4 clarinets
2,975
Alto Saxophone
2,654
Tenor Saxophone and Piano
2,501
2 Clarinets (duet)
2,391
Tenor Saxophone
2,271
Oboe (band part)
1,799
Soprano Saxophone and Piano
1,720
Saxophone Quintet: 5 Saxophones
1,563
Flute Quartet: 4 flutes
1,561
Clarinet (band part)
1,390
3 Clarinets (trio)
1,309
Flute and Guitar
1,169
Saxophone
1,157
Flute, Clarinet (duet)
1,107
3 Saxophones (trio)
991
Clarinet Ensemble
891
Flute (band part)
850
Flute Trio: 3 flutes
775
Baritone Saxophone, Piano
752
Flute ensemble
701
Clarinet Quintet: 5 clarinets
642
Saxophone ensemble
628
2 Oboes (duet)
623
Clarinet, Violin (duet)
590
Descant (Soprano) Recorder
555
Oboe
532
English horn, Piano
518
2 Recorders (duet)
515
Saxophone, Clarinet (duet)
514
Oboe, Bassoon (duet)
508
Flute, Violin
493
Oboe, Clarinet (duet)
437
Flute, Violin, Piano
374
Flute, Oboe, Clarinet (trio)
364
Treble (Alto) Recorder
357
Recorder
336
Ocarina
329
Soprano Saxophone
325
Harmonica
317
Flute, Clarinet and Bassoon.
308
Flute Quintet : 5 flutes
299
Bass Clarinet, Piano
295
Clarinet, Trumpet (duet)
293
Clarinet, Guitar (duet)
272
Recorder Quartet
270
Flute, Oboe (duet)
263
Clarinet, Bassoon (duet)
250
Flute, Violoncello
245
Clarinet and Viola
232
Oboe, Clarinet, Bassoon (trio)
229
Flute, Viola (duet)
229
Flute, Saxophone (duet)
208
Oboe, Flute
207
Flute, Clarinet, Piano (trio)
202
Flute, Trumpet (duet)
190
English Horn
187
Clarinet, Harp (duet)
164
Clarinet, Cello (duet)
161
Flute, Oboe, Bassoon
150
Baritone Saxophone
148
Oboe, Cello
143
Flute, Violin and Violoncello
141
2 Flutes, Piano
133
2 Clarinets, Piano
126
Recorder Ensemble
122
Flute, Cello, Piano (trio)
119
Flute, Clarinet, Violin (trio)
98
Flute, Oboe, Violin
98
3 Recorders (trio)
97
Treble (Alto) Recorder, Piano
96
Pennywhistle
90
Oboe, Violin (duet)
83
Flute, Trombone (duet)
81
Flute, Bassoon, and Piano
81
Descent (Soprano) Recorder, Piano
81
Clarinet, Cello, Piano (trio)
79
5 Recorders
75
Tenor Recorder
73
2 Saxophones, Piano
70
Eb Instruments
68
Flute, Oboe, Piano (trio)
68
Piccolo
64
Saxophone and Guitar
62
Flute, harp and violin
61
Oboe, Guitar (duet)
58
Oboe and viola (duet)
57
English Horn, Guitar (duet)
57
Flute, Viola and Piano
54
2 Clarinets, Bassoon
48
Clarinet, Trombone (duet)
47
Saxophone and Piano
47
Bass Clarinet
42
Bagpipe
41
Piccolo, Piano
38
Saxophone and Organ
34
Recorder, Piano
34
Flute, Violin, Violoncello and Piano
33
Flute, trombone and piano
33
Flute, Tuba (duet)
30
Clarinet, Bassoon, Piano (trio)
30
Flute, Clarinet, Horn and Bassoon (Quartet)
29
Flute, Harp and Cello
29
3 Oboes
28
4 Oboes
28
Oboe, Trumpet (duet)
28
Saxophone, Violin (duet)
27
Saxophone and Harp
26
Oboe, Harp
25
Clarinet, trumpet and piano
25
Flute, Organ (duet)
24
Wind ensemble
23
Recorder, Guitar (duet)
22
Clarinet, Tuba
21
Oboe, Trombone (duet)
21
Flute and Strings Trio
20
Clarinette, Viola and Piano (trio)
18
Flute, French horn (duet)
18
Oboe, Cello and Piano
17
Oboe, Bassoon and Piano
16
Flute, Cello, Guitar
15
Clarinet, Double bass (duet)
14
Clarinet Quintet: Clarinet, String Quartet
13
Oboe, Clarinet and Piano (Trio)
12
2 English horns and Pianoforte
12
Clarinet, Organ
10
Clarinet Quartet: Clarinet, Violin, Viola, Cello
10
Oboe, Violin, Viola and Violoncello (Quartet)
10
Recorder, Harp
8
Flute, Viola and harp
8
Oboe, Violin, Piano
8
English horn, Harp (duet)
8
Flute, Violin, Guitar
8
Treble (Alto) Recorder, Basso continuo
7
Saxophone and cello
6
Flute and String Quartet
6
Flute, Orchestra
6
2 Recorders, Piano
5
Flute, Basso continuo
5
Clarinet, Orchestra
5
Saxophone, Bassoon (duet)
4
2 Oboes, Piano
4
2 Flutes, Basso continuo
4
Oboe ensemble
4
2 Oboes and Basson
3
Pan Flute
3
Melodica
3
Saxophone, Tuba (duet)
3
2 Flutes, 2 Clarinets (Quartet)
3
Harmonica, Piano
2
2 Harmonicas
2
3 Recorders, Piano
2
Oboe, Organ
2
2 Flutes and Harp
2
Flute, viola, cello and guitar
1
Descant (Soprano) Recorder, Basso continuo
1
2 Oboes and English horn
1
Clarinet, Saxophone, Piano
1
Oboe and Orchestra
1
2 Oboes, 2 Horns and 2 Bassoons
1
2 Recorders, Guitar
1
Flute, Viola and Cello
1
+ 168 instrumentations
-
Retract
Woodbrass
Brass Quintet: 2 trumpets, horn, trombone, tuba
4,491
Trumpet
3,697
Trombone (band part)
3,203
Trumpet, Piano
3,046
Trumpet (band part)
3,011
Trombone and Piano
3,009
Brass quartet : 2 trumpets, trombone, tuba
2,792
Trombone
2,715
French Horn and Piano
2,094
French horn
1,730
2 Trumpets (duet)
1,236
Tuba
1,148
Brass Quartet: 2 trumpets, horn, trombone
1,009
2 Trombones (duet)
1,008
Brass Quartet
992
Tuba and Piano
961
French horn (band part)
840
Tuba (band part)
654
Trumpet, Trombone (duet)
634
Brass Quartet: 4 trombones
549
2 French horns (duet)
547
Euphonium, Piano (duet)
542
English horn, Piano
518
Trumpet, Saxophone (duet)
452
Brass Quartet: 4 horns
437
Euphonium
424
Trumpet, Horn (duert)
318
Trombone ensemble
273
3 Trombones (trio)
227
2 Euphoniums and 2 Tubas
205
Brass Trio
195
English Horn
187
2 Tubas (duet)
175
Trumpet ensemble
168
4 Tubas
127
Horn Ensemble
122
Brass Quartet: 4 trumpets
118
3 Trumpets (trio)
98
Brass Quartet: 2 trumpets, 2 trombones
81
Trombone, Tuba (duet)
72
Trumpet, Tuba (duet)
71
Tuba and Organ
66
Bb Instruments
64
Euphonium, Tuba (duet)
61
Bass Clef Instruments
60
Bass Trombone
59
English Horn, Guitar (duet)
57
Horn, Cello (duet)
56
Trombone, Organ
48
2 Trumpets, Keyboard (piano or organ)
46
Trumpet, Cello (duet)
42
Trumpet, Bassoon (duet)
40
Trumpet, violin (duet)
40
Trombone, Horn (duet)
39
Horn, Tuba (duet)
37
Trumpet, Cello, Piano
35
2 Euphoniums (duet)
34
Bass Trombone and Piano
34
French Horn and Harp
31
Tuba or Euphonium or Saxhorn
30
3 French horns (trio)
28
Trombone, Violin (duet)
27
Trumpet, Trombone, Piano
26
Trumpet, Harp
26
Trombone, cello (duet)
25
French horn and Basson (duet)
25
Clarinet, Horn (duet)
19
2 Trombones, Piano
18
Trumpet and Guitar
18
Horn, Trumpet, Trombone (trio)
17
Horn and Organ
17
3 Tubas (trio)
17
Cornet
14
2 English horns and Pianoforte
12
Tuba ensemble
9
English horn, Harp (duet)
8
Brass Quintet: 2 trumpets, horn, 2 trombones
7
F Instruments
7
Cornet and Piano
7
Brass quartet : Horn, Trombone, Tuba, B-Flat Trumpet
7
2 French horns, Piano
6
Trombone and Orchestra
6
Horn and Orchestra
5
Trombone, Viola (duet)
5
Horn, Cello and Piano
5
3 Euphoniums
4
Trumpet, Euphonium (duet)
3
Euphonium (band part)
3
Cornet and Orchestra
2
4 Euphoniums
2
Euphonium or Saxhorn and Piano
1
Trumpet, Orchestra
1
+ 87 instrumentations
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Retract
Strings
String Quartet: 2 violins, viola, cello
12,777
Violin and Piano
7,201
Violin
5,373
Cello, Piano
4,693
Harp
3,912
Viola, Piano
3,716
Cello
3,693
Violin, Cello (duet)
2,473
Viola
2,291
String Trio: violin, viola, cello
2,230
2 Violins (duet)
2,195
2 Cellos (duet)
1,397
Violin (band part)
1,361
Violin, Viola (duet)
1,187
String Quintet: 2 violins, viola, cello, bass
1,132
Doublebass (band part)
1,130
Double Bass
908
2 Violas (duet)
903
Viola (band part)
901
Double bass, Piano (duet)
885
String Trio: 2 violins, cello
863
Harp, Flute (duet)
490
Piano Trio: Violin, Viola, Piano
481
Viola, Cello (duet)
466
String Trio: 3 violins
419
Violin, Guitar (duet)
412
Cello (band part)
367
4 Cellos
362
2 Harps (duet)
302
Harp, Violin (duet)
253
Cello, Guitar (duet)
225
String Trio: 3 cellos
201
String quartet: 4 violins
193
String Trio: 2 violins, viola
192
2 Double basses (duet)
166
Cello, String Bass (duet)
154
Viola, Guitar (duet)
151
Violin, Bassoon (duet)
131
String Trio: 3 violas
120
String Quartet : 4 violas
105
String Quintet: 2 violins, 2 violas, cello
83
String trio
74
Harp, Cello (duet)
62
Viola and Bassoon
61
2 Violins, Piano
58
Violin, Clarinet, Piano (trio)
52
Harp, Voice
52
Viola and Harp
52
Cello, Organ
47
String Quintet: 2 violins, viola, 2 cellos
45
Violin ensemble
40
Flute, Doublebass (duet)
37
4 Double Basses
34
Viola ensemble
29
Harp, Violin, Violoncello
25
Cello, Orchestra
24
Violin, Tuba (duet)
24
2 Cellos, Piano
23
Violin, Organ
23
Harp and Piano
18
Cello Ensemble
18
3 double basses
13
Harp and mandolin
13
Harp, Trombone (duet)
13
Violin, Basso continuo
12
Violoncello, Basso continuo
11
Violin, Cello, Clarinet
11
Autoharp
10
Violin, Trumpet and Piano
9
3 Harps
9
Harp (band part)
8
2 Violas, Piano
7
Harp, String quartet
4
Viola, Organ
4
4 Harps
3
Harp and Organ
3
5 Harps
2
2 Violins and Basso
2
Viola and orchestra
2
+ 74 instrumentations
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Retract
Orchestra & Percussion
Concert band
24,219
String Orchestra
6,081
Jazz Ensemble
4,980
Orchestra
4,973
Brass ensemble
3,175
Handbells
3,105
Marching band
2,837
Chamber Orchestra
1,684
Drums
1,433
Jazz combo
1,420
Percussion (band part)
826
Percussion Ensemble
636
Drum (band part)
619
Marimba
211
Percussion
207
Timpani (band part)
194
Flexible Instrumentation
156
Vibraphone
129
Xylophone, Piano
91
Xylophone
84
Woodwind Quintet
50
Piano and Orchestra
50
String Quintet : 2 Violins, Viola, Violoncello, Doublebass, Keyboard
40
Timpani
36
Orchestra, Violin
30
Big band
25
2 Xylophones
24
Woodwind Quartet: any 4 woodwinds
18
Snare drums
16
Brass Quintet: other combinaisons
16
School Ensemble
10
Xylophone (band part)
9
Vibraphone and Marimba
9
Vibraphone (band part)
7
3 Marimbas
5
Marimba, Piano (duet)
4
Marimba and Organ
4
Xylophone or Marimba or Vibraphone
4
Conga
2
Voice and Orchestra
2
3 Percussions
2
2 Marimbas
2
Bodhran
2
Cajon
2
Bongos
2
Marimba or Xylophone and Piano
1
2 Snare Drums (duet)
1
2 Percussions
1
+ 43 instrumentations
-
Retract
Others
Musical course - Solfege
155
Music Theory
10
Stationery
1
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401
SURRENDER, Between the Octaves, A Piano Duo Suite (Movement 2 of 7)
#
2 Pianos, 4 hands
#
Classical
#
dislocation I mean a degree of
#
Jenni Roditi
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SURRENDER, Between the Octaves
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Jenni Roditi
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SheetMusicPlus
Instrumental Duet,Keyboard - Digital Download SKU: A0.1497843 Composed by Jenni Roditi. 21st Century,Classical,Contemporary. 12 pages. Jenni Roditi #1074...
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Instrumental Duet,Keyboard - Digital Download SKU: A0.1497843 Composed by Jenni Roditi. 21st Century,Classical,Contemporary. 12 pages. Jenni Roditi #1074255. Published by Jenni Roditi (A0.1497843). Piano Duo - 2 pianos, 4 hands. Surrender, Between the Octaves was the piece that was composed first in the suite. It exposes a simple call to return to the beginning, to return to a pure act of listening. This note..ah, now that note.. oh. This is how the piece was written - one note at a time. Listening from within a space (its original title) of resonance, of edges and meetings, of disappearances and repetitions that reflect on this gentle body of notes. There is a slow hearing that may, or may not create a tone-journey.Names of all the movements in the suite Between the Octaves in the right order are Initiate, Surrender, Thread, Curve, Encircle, Ritualise, Ignite. The whole suite follows a long line from movement 1 to movement 7. However, individual pieces are well suited to be played alone too. Piano Duo is ideally two Steinway grands, otherwise, whatever is available. An enjoyment of the tensions and relationships generated between the two instruments: grand-upright, upright-electronic keyboard is to be explored as a positive. Each piece creates its own world in the suite and can be part of smaller subgroups taken from the suite, in any combination, but the order of the pieces needs to be maintained if more than one is played. Here is a taste of the background to the musical world of this 53 minute compositional suite. During a reflective time I read the following: The whole philosophy of dharma art (Buddhist art) is that you don't try to be artistic, but you just approach objects as they are, and the message comes through automatically. (Chogyam Trungpa Rinpoche, from 'True Perception The Path of Dharma Art.' Shambhala 2008, p.133.) The 'objects as they are' became the 'octaves as they are'. As the pieces were composed the octaves had a centring and clarifying role that allowed other material to circulate around or play against them. They acted as pivots, repetitions, drones, ostinati, pointillist nodes, pedals, melodic features, struts, harmonic turnpikes, breathing spaces, bass lines: musical imperatives. The octaves called the musical shots most of the time. When the music pulled a semitone up or down and away from the octaves (as it did quite often) it was especially telling in the context of the ringing spaces the octaves were creating. I became interested in the subtle dislocation that two pianos could provide. By dislocation I mean a degree of tension between the natural acoustics of the two instruments in the room and the players idiosyncrasies as musicians. The whole point of this work was to examine the nature of my syntax, grammar, and compositional thinking. The title demanded one thing above all: what notes am I going to use between these octaves?? My choice of notes was derived in most instances from the tempo, pitch, and rhythm of the initial octaves at the beginning of each piece alongside the individual word titles that I set out to explore as musical images. The audio was developed from Sibelius software, via MIDI to Logic samples of a Steinway grand piano.
$20.00
RITUALISE, Between the Octaves - A Piano Duo Suite (Movement 6 of 7)
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2 Pianos, 4 hands
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INTERMEDIATE/ADVANCED
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Contemporary
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dislocation I mean a degree of
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Jenni Roditi
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RITUALISE, Between the Octaves
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Jenni Roditi
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SheetMusicPlus
Instrumental Duet,Keyboard - Level 4 - Digital Download SKU: A0.1497861 Composed by Jenni Roditi. 21st Century,Classical,Contemporary. 26 pages. Jenni Ro...
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Instrumental Duet,Keyboard - Level 4 - Digital Download SKU: A0.1497861 Composed by Jenni Roditi. 21st Century,Classical,Contemporary. 26 pages. Jenni Roditi #1074273. Published by Jenni Roditi (A0.1497861). Piano Duo 2 pianos/4 hands. Ritualise, Between the Octaves finally found its identity with the word ritualise. It began as announce, became pronounce, then declare and went as far a pontificate for a title. At that point I realised I was mocking my own music and needed to take it more seriously. Ritualise brought out a meaning to the music that I hadn’t wanted to admit to. It is quite folk-like, in a primal and entrancing kind of way. I can imagine a communal dance for some ceremonial purpose in this music with both public and private elements.Names of all the movements in the suite Between the Octaves in the right order are Initiate, Surrender, Thread, Curve, Encircle, Ritualise, Ignite. The whole suite follows a long line from movement 1 to movement 7. However, individual pieces are well suited to be played alone too. Piano Duo is ideally two Steinway grands, otherwise, whatever is available. An enjoyment of the tensions and relationships generated between the two instruments: grand-upright, upright-electronic keyboard is to be explored as a positive. Each piece creates its own world in the suite and can be part of smaller subgroups taken from the suite, in any combination, but the order of the pieces needs to be maintained if more than one is played. Here is a taste of the background to the musical world of this 53 minute compositional suite. During a reflective time I read the following: The whole philosophy of dharma art (Buddhist art) is that you don't try to be artistic, but you just approach objects as they are, and the message comes through automatically. (Chogyam Trungpa Rinpoche, from 'True Perception The Path of Dharma Art.' Shambhala 2008, p.133.) The 'objects as they are' became the 'octaves as they are'. As the pieces were composed the octaves had a centring and clarifying role that allowed other material to circulate around or play against them. They acted as pivots, repetitions, drones, ostinati, pointillist nodes, pedals, melodic features, struts, harmonic turnpikes, breathing spaces, bass lines: musical imperatives. The octaves called the musical shots most of the time. When the music pulled a semitone up or down and away from the octaves (as it did quite often) it was especially telling in the context of the ringing spaces the octaves were creating. I became interested in the subtle dislocation that two pianos could provide. By dislocation I mean a degree of tension between the natural acoustics of the two instruments in the room and the players idiosyncrasies as musicians. The whole point of this work was to examine the nature of my syntax, grammar, and compositional thinking. The title demanded one thing above all: what notes am I going to use between these octaves?? My choice of notes was derived in most instances from the tempo, pitch, and rhythm of the initial octaves at the beginning of each piece alongside the individual word titles that I set out to explore as musical images. The audio was developed from Sibelius software, via MIDI to Logic samples of a Steinway grand piano.
$20.00
THREAD, Between the Octaves A Piano Duo Suite (Movement 3 of 7)
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2 Pianos, 4 hands
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Classical
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dislocation I mean a degree of
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Jenni Roditi
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THREAD, Between the Octaves A
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Jenni Roditi
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SheetMusicPlus
Instrumental Duet,Keyboard - Digital Download SKU: A0.1497847 Composed by Jenni Roditi. 21st Century,Classical,Contemporary. 11 pages. Jenni Roditi #1074...
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Instrumental Duet,Keyboard - Digital Download SKU: A0.1497847 Composed by Jenni Roditi. 21st Century,Classical,Contemporary. 11 pages. Jenni Roditi #1074259. Published by Jenni Roditi (A0.1497847). Piano Duo 2 pianos/4 hands. Thread, Between the Octaves grew out of the call the make a single line weave between the octaves. Line was the original title. Thread, as a word, brings more texture to the title and describes what the line is actually doing, threading around the harmony. A secondary thread is heard after a while, echoing and shading the primary line, with its own treble weave. It was like going back to the beginning of making melody again.Names of all the movements in the suite Between the Octaves in the right order are Initiate, Surrender, Thread, Curve, Encircle, Ritualise, Ignite. The whole suite follows a long line from movement 1 to movement 7. However, individual pieces are well suited to be played alone too. Piano Duo is ideally two Steinway grands, otherwise, whatever is available. An enjoyment of the tensions and relationships generated between the two instruments: grand-upright, upright-electronic keyboard is to be explored as a positive. Each piece creates its own world in the suite and can be part of smaller subgroups taken from the suite, in any combination, but the order of the pieces needs to be maintained if more than one is played. Here is a taste of the background to the musical world of this 53 minute compositional suite. During a reflective time I read the following: The whole philosophy of dharma art (Buddhist art) is that you don't try to be artistic, but you just approach objects as they are, and the message comes through automatically. (Chogyam Trungpa Rinpoche, from 'True Perception The Path of Dharma Art.' Shambhala 2008, p.133.) The 'objects as they are' became the 'octaves as they are'. As the pieces were composed the octaves had a centring and clarifying role that allowed other material to circulate around or play against them. They acted as pivots, repetitions, drones, ostinati, pointillist nodes, pedals, melodic features, struts, harmonic turnpikes, breathing spaces, bass lines: musical imperatives. The octaves called the musical shots most of the time. When the music pulled a semitone up or down and away from the octaves (as it did quite often) it was especially telling in the context of the ringing spaces the octaves were creating. I became interested in the subtle dislocation that two pianos could provide. By dislocation I mean a degree of tension between the natural acoustics of the two instruments in the room and the players idiosyncrasies as musicians. The whole point of this work was to examine the nature of my syntax, grammar, and compositional thinking. The title demanded one thing above all: what notes am I going to use between these octaves?? My choice of notes was derived in most instances from the tempo, pitch, and rhythm of the initial octaves at the beginning of each piece alongside the individual word titles that I set out to explore as musical images. The audio was developed from Sibelius software, via MIDI to Logic samples of a Steinway grand piano.
$20.00
ENCIRCLE, Between the Octaves - A Piano Duo Suite (Movement 5 of 7)
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2 Pianos, 4 hands
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INTERMEDIATE/ADVANCED
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Classical
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dislocation I mean a degree of
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Jenni Roditi
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ENCIRCLE, Between the Octaves
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Jenni Roditi
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SheetMusicPlus
Instrumental Duet,Keyboard - Level 4 - Digital Download SKU: A0.1497857 Composed by Jenni Roditi. 21st Century,Classical,Contemporary. 19 pages. Jenni Ro...
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Instrumental Duet,Keyboard - Level 4 - Digital Download SKU: A0.1497857 Composed by Jenni Roditi. 21st Century,Classical,Contemporary. 19 pages. Jenni Roditi #1074269. Published by Jenni Roditi (A0.1497857). Piano Duo 2 pianos/4 hands. Encircle, Between the Octaves, originally called rotate as its impetus was to generate a steadily rotating music. Encircle was later chosen as a more evocative word. The harmony surprised me as it suggested shifts and colourations that I would not have expected to conjure. Two upper rotating parts with melodic narrative are supported by bass and baritone lower parts. The final section adds a dance-like short form to end what could otherwise have run and run and run. Names of all the movements in the suite Between the Octaves in the right order are Initiate, Surrender, Thread, Curve, Encircle, Ritualise, Ignite. The whole suite follows a long line from movement 1 to movement 7. However, individual pieces are well suited to be played alone too. Piano Duo is ideally two Steinway grands, otherwise, whatever is available. An enjoyment of the tensions and relationships generated between the two instruments: grand-upright, upright-electronic keyboard is to be explored as a positive. Each piece creates its own world in the suite and can be part of smaller subgroups taken from the suite, in any combination, but the order of the pieces needs to be maintained if more than one is played. Here is a taste of the background to the musical world of this 53 minute compositional suite. During a reflective time I read the following: The whole philosophy of dharma art (Buddhist art) is that you don't try to be artistic, but you just approach objects as they are, and the message comes through automatically. (Chogyam Trungpa Rinpoche, from 'True Perception The Path of Dharma Art.' Shambhala 2008, p.133.) The 'objects as they are' became the 'octaves as they are'. As the pieces were composed the octaves had a centring and clarifying role that allowed other material to circulate around or play against them. They acted as pivots, repetitions, drones, ostinati, pointillist nodes, pedals, melodic features, struts, harmonic turnpikes, breathing spaces, bass lines: musical imperatives. The octaves called the musical shots most of the time. When the music pulled a semitone up or down and away from the octaves (as it did quite often) it was especially telling in the context of the ringing spaces the octaves were creating. I became interested in the subtle dislocation that two pianos could provide. By dislocation I mean a degree of tension between the natural acoustics of the two instruments in the room and the players idiosyncrasies as musicians. The whole point of this work was to examine the nature of my syntax, grammar, and compositional thinking. The title demanded one thing above all: what notes am I going to use between these octaves?? My choice of notes was derived in most instances from the tempo, pitch, and rhythm of the initial octaves at the beginning of each piece alongside the individual word titles that I set out to explore as musical images. The audio was developed from Sibelius software, via MIDI to Logic samples of a Steinway grand piano.
$20.00
IGNITE, Between the Octaves - A Piano Duo Suite (Movement 7 of 7)
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2 Pianos, 4 hands
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INTERMEDIATE/ADVANCED
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Classical
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dislocation I mean a degree of
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Jenni Roditi
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IGNITE, Between the Octaves -
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Jenni Roditi
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SheetMusicPlus
Instrumental Duet,Keyboard - Level 4 - Digital Download SKU: A0.1497866 Composed by Jenni Roditi. 21st Century,Classical,Contemporary. 24 pages. Jenni Ro...
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Instrumental Duet,Keyboard - Level 4 - Digital Download SKU: A0.1497866 Composed by Jenni Roditi. 21st Century,Classical,Contemporary. 24 pages. Jenni Roditi #1074279. Published by Jenni Roditi (A0.1497866). Piano Duo - 2 pianos/4 hands. Ignite, Between the Octaves began with the impetus of static ‘pulsation’ (its original title) on repeated octaves. The piece is a fizzing dash of nodal vortices, small, then larger, spinning and tumbling and all the way to the finish line. This piece brings the complete suite of 7 pieces to a dynamic close, with a sense of ignition to new beginnings. The music echoes the opening F octaves of Initiate (movement 1). Names of all the movements in the suite Between the Octaves in the right order are Initiate, Surrender, Thread, Curve, Encircle, Ritualise, Ignite. The whole suite follows a long line from movement 1 to movement 7. However, individual pieces are well suited to be played alone too. Piano Duo is ideally two Steinway grands, otherwise, whatever is available. An enjoyment of the tensions and relationships generated between the two instruments: grand-upright, upright-electronic keyboard is to be explored as a positive. Each piece creates its own world in the suite and can be part of smaller subgroups taken from the suite, in any combination, but the order of the pieces needs to be maintained if more than one is played. Here is a taste of the background to the musical world of this 53 minute compositional suite. During a reflective time I read the following: The whole philosophy of dharma art (Buddhist art) is that you don't try to be artistic, but you just approach objects as they are, and the message comes through automatically. (Chogyam Trungpa Rinpoche, from 'True Perception The Path of Dharma Art.' Shambhala 2008, p.133.) The 'objects as they are' became the 'octaves as they are'. As the pieces were composed the octaves had a centring and clarifying role that allowed other material to circulate around or play against them. They acted as pivots, repetitions, drones, ostinati, pointillist nodes, pedals, melodic features, struts, harmonic turnpikes, breathing spaces, bass lines: musical imperatives. The octaves called the musical shots most of the time. When the music pulled a semitone up or down and away from the octaves (as it did quite often) it was especially telling in the context of the ringing spaces the octaves were creating. I became interested in the subtle dislocation that two pianos could provide. By dislocation I mean a degree of tension between the natural acoustics of the two instruments in the room and the players idiosyncrasies as musicians. The whole point of this work was to examine the nature of my syntax, grammar, and compositional thinking. The title demanded one thing above all: what notes am I going to use between these octaves?? My choice of notes was derived in most instances from the tempo, pitch, and rhythm of the initial octaves at the beginning of each piece alongside the individual word titles that I set out to explore as musical images. The audio was developed from Sibelius software, via MIDI to Logic samples of a Steinway grand piano.
$20.00
CURVE, Between the Octaves - A Piano Duo Suite (Movement 4 of 7)
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2 Pianos, 4 hands
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Classical
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dislocation I mean a degree of
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Jenni Roditi
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CURVE, Between the Octaves - A
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Jenni Roditi
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SheetMusicPlus
Instrumental Duet,Keyboard - Digital Download SKU: A0.1497852 Composed by Jenni Roditi. 21st Century,Classical,Contemporary. 17 pages. Jenni Roditi #1074...
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Instrumental Duet,Keyboard - Digital Download SKU: A0.1497852 Composed by Jenni Roditi. 21st Century,Classical,Contemporary. 17 pages. Jenni Roditi #1074264. Published by Jenni Roditi (A0.1497852). Piano Duo 2 pianos/4 hands. Curve, Between the Octaves points to a fugal past, where lines enter and build in stately flow. It invites lines to intermingle, without assuming they will all arrive somewhere, or at the same time. A certain intensity builds, then scales, both up and down, free themselves from the discussion of the interleaving lines. The chromaticism suggests curving between harmonies, and is nearly always ambivalent. An assertive chordal climax intervenes to shake off the tensions, yet this peels away into further curvatures that twist and twirl, until a final resting point agrees to present itself. Names of all the movements in the suite Between the Octaves in the right order are Initiate, Surrender, Thread, Curve, Encircle, Ritualise, Ignite. The whole suite follows a long line from movement 1 to movement 7. However, individual pieces are well suited to be played alone too. Piano Duo is ideally two Steinway grands, otherwise, whatever is available. An enjoyment of the tensions and relationships generated between the two instruments: grand-upright, upright-electronic keyboard is to be explored as a positive. Each piece creates its own world in the suite and can be part of smaller subgroups taken from the suite, in any combination, but the order of the pieces needs to be maintained if more than one is played. Here is a taste of the background to the musical world of this 53 minute compositional suite. During a reflective time I read the following: The whole philosophy of dharma art (Buddhist art) is that you don't try to be artistic, but you just approach objects as they are, and the message comes through automatically. (Chogyam Trungpa Rinpoche, from 'True Perception The Path of Dharma Art.' Shambhala 2008, p.133.) The 'objects as they are' became the 'octaves as they are'. As the pieces were composed the octaves had a centring and clarifying role that allowed other material to circulate around or play against them. They acted as pivots, repetitions, drones, ostinati, pointillist nodes, pedals, melodic features, struts, harmonic turnpikes, breathing spaces, bass lines: musical imperatives. The octaves called the musical shots most of the time. When the music pulled a semitone up or down and away from the octaves (as it did quite often) it was especially telling in the context of the ringing spaces the octaves were creating. I became interested in the subtle dislocation that two pianos could provide. By dislocation I mean a degree of tension between the natural acoustics of the two instruments in the room and the players idiosyncrasies as musicians. The whole point of this work was to examine the nature of my syntax, grammar, and compositional thinking. The title demanded one thing above all: what notes am I going to use between these octaves?? My choice of notes was derived in most instances from the tempo, pitch, and rhythm of the initial octaves at the beginning of each piece alongside the individual word titles that I set out to explore as musical images. The audio was developed from Sibelius software, via MIDI to Logic samples of a Steinway grand piano.
$20.00
INITIATE, Between the Octaves - A Piano Duo Suite (Movement 1 of 7)
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2 Pianos, 4 hands
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ADVANCED
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Classical
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dislocation I mean a degree of
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Jenni Roditi
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INITIATE, Between the Octaves
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Jenni Roditi
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SheetMusicPlus
Instrumental Duet,Keyboard - Level 5 - Digital Download SKU: A0.1497831 Composed by Jenni Roditi. 21st Century,Classical,Contemporary. 24 pages. Jenni Ro...
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Instrumental Duet,Keyboard - Level 5 - Digital Download SKU: A0.1497831 Composed by Jenni Roditi. 21st Century,Classical,Contemporary. 24 pages. Jenni Roditi #1074235. Published by Jenni Roditi (A0.1497831). For Piano Duo - 2 pianos/4hands. Initiate, Between the Octaves, the opening piece in the suite, is a sparky, rhythmic and post-modern hoquet, of some wit and almost perpetual bounciness. A ricocheting of quickly contrasting dynamics with occasional switches to distant moments. Three big plunges into legato emotional flow, release the popping bubbles of the fiery staccato material. A short final chorale settles and grounds the quick cuts, swoops and build ups that have propelled the whole piece. Names of all the movements in the suite Between the Octaves in the right order are Initiate, Surrender, Thread, Curve, Encircle, Ritualise, Ignite. The whole suite follows a long line from movement 1 to movement 7. However, individual pieces are well suited to be played alone too. Piano Duo is ideally two Steinway grands, otherwise, whatever is available. An enjoyment of the tensions and relationships generated between the two instruments: grand-upright, upright-electronic keyboard is to be explored as a positive. Each piece creates its own world in the suite and can be part of smaller subgroups taken from the suite, in any combination, but the order of the pieces needs to be maintained if more than one is played. Here is a taste of the background to the musical world of this 53 minute compositional suite. During a reflective time I read the following: The whole philosophy of dharma art (Buddhist art) is that you don't try to be artistic, but you just approach objects as they are, and the message comes through automatically. (Chogyam Trungpa Rinpoche, from 'True Perception The Path of Dharma Art.' Shambhala 2008, p.133.) The 'objects as they are' became the 'octaves as they are'. As the pieces were composed the octaves had a centring and clarifying role that allowed other material to circulate around or play against them. They acted as pivots, repetitions, drones, ostinati, pointillist nodes, pedals, melodic features, struts, harmonic turnpikes, breathing spaces, bass lines: musical imperatives. The octaves called the musical shots most of the time. When the music pulled a semitone up or down and away from the octaves (as it did quite often) it was especially telling in the context of the ringing spaces the octaves were creating. I became interested in the subtle dislocation that two pianos could provide. By dislocation I mean a degree of tension between the natural acoustics of the two instruments in the room and the players idiosyncrasies as musicians. The whole point of this work was to examine the nature of my syntax, grammar, and compositional thinking. The title demanded one thing above all: what notes am I going to use between these octaves?? My choice of notes was derived in most instances from the tempo, pitch, and rhythm of the initial octaves at the beginning of each piece alongside the individual word titles that I set out to explore as musical images. The audio was developed from Sibelius software, via MIDI to Logic samples of a Steinway grand piano.
$20.00
Piano Quintet in A minor
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2 Pianos, 4 hands
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ADVANCED
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Florence B
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Mena Williams (b
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Piano Quintet in A minor
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Mena C. Williams | The Unfinished Symphony
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SheetMusicPlus
2 Pianos,4 Hands,Piano Duet - Level 5 - Digital Download SKU: A0.1440150 Composed by Florence B. Price (1887-1953). Arranged by Mena Williams (b. 2002). ...
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2 Pianos,4 Hands,Piano Duet - Level 5 - Digital Download SKU: A0.1440150 Composed by Florence B. Price (1887-1953). Arranged by Mena Williams (b. 2002). 20th Century,Classical. Score. 90 pages. Mena C. Williams | The Unfinished Symphony #1020099. Published by Mena C. Williams | The Unfinished Symphony (A0.1440150). In 1903, Florence B. Price (1887-1953) attended the New England Conservatory for piano, organ, and composition. When Price graduated from NEC in 1910, she returned to Arkansas, bringing music education to her hometown. Unfortunately, due to increased racially charged hostility within Little Rock, Arkansas, Florence Price and many other families who participated in the Great Migration moved to Chicago in 1927, where she found new musical studies and performance opportunities. The opportunity that launched Price’s musical career as a composer was when she won the Wanamaker Prize in 1932 for her Symphony in e minor and became the first Black woman composer to have a major orchestral work performed by an American orchestra. Four years later, Price composed Quintet in a minor for Piano and Strings. Within the Quintet, there are four movements, the “Allegro non troppo”, the “Andante con moto”, the “Juba”, and the “Scherzo”. Quintet in A Minor for Piano and Strings utilizes many of Florence Price’s trademark stylistic ideas, imbuing her music with harmonic freshness and a creative and organic structural approach as well as melodies that reflect her spiritual and cultural heritage, all stemming from how Price’s music brings together the European-classical tradition and African American spirituals and folk tunes. Florence Price was a deeply religious person who brought the music of the African American church and the influences of Romantic composers such as Dvořák and Tchaikovsky. Thus further resulting in the overall appeal of Price’s music. The captivating lyricism and juba (a dance that originated from plantation enslaved people in the Southern US) rhythmic devices.
$4.99
Reflections on a Winter's Morning
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2 Pianos, 4 hands
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ADVANCED
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Matthew Nunes
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Reflections on a Winter's Morn
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Matthew Nunes Music
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SheetMusicPlus
2 Pianos,4 Hands,Piano Duet - Level 5 - Digital Download SKU: A0.1263486 Composed by Matthew Nunes. Chamber,Christmas,Classical. Score. 32 pages. Matthew...
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2 Pianos,4 Hands,Piano Duet - Level 5 - Digital Download SKU: A0.1263486 Composed by Matthew Nunes. Chamber,Christmas,Classical. Score. 32 pages. Matthew Nunes Music #856450. Published by Matthew Nunes Music (A0.1263486). Listen to this piece hereCommissioned by James EhmerReflections on a Winter’s Morning is a piece especially composed for James Ehmer, a composer, euphonium player, and soon to be medical student, as a personal thank you for his generous donation to my “Get Matt to Maryland†Rally via rally.org. James came to me with two wonderful poems describing idyllic winter scenes and the awe of a morning’s sun. These instantly reminded me of the first mornings I would ever wake to snow fall. The two pianos share multiple roles in recalling these moments: the persistence of an alarm clock in a drowsy morning, the first few fluttering snowflakes, a child teeming with excitement, and finally the grandeur of the sun reigning over the flurry.Orlando, May 2014- Matthew Nunes.
$9.99
A Footbridge at Dusk
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2 Pianos, 4 hands
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Classical
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Frederic Chopin
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Gary D
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A Footbridge at Dusk
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DR GARY D BELSHAW
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SheetMusicPlus
2 Pianos,4 Hands,Piano Duet - Digital Download SKU: A0.796773 Composed by Frederic Chopin. Arranged by Gary D. Belshaw (ASCAP). Contemporary. Score. 3 pa...
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2 Pianos,4 Hands,Piano Duet - Digital Download SKU: A0.796773 Composed by Frederic Chopin. Arranged by Gary D. Belshaw (ASCAP). Contemporary. Score. 3 pages. DR GARY D BELSHAW #6319919. Published by DR GARY D BELSHAW (A0.796773). Duration: a little over 2 minutes. A soothing mood piece built on a Chopin Prelude. Perfect for recital performance on digital keyboards, either as a duet for student and teacher, or with overlaid tracks recorded independently by a solo player. A great opportunity to develop a pianist's ability to play well with others (including him/herself ) - to collaborate in performance, yielding control of elements of performance - tempo, tempo changes, dynamic balance, etc. .
$4.99
Air from a string quartet by Mozart for 2 pianos (additional piano part by Simon Peberdy)
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2 Pianos, 4 hands
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EASY
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Piano II: Mozart, PIano I: Sim
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Simon Peberdy
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Air from a string quartet by M
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Simon Peberdy
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SheetMusicPlus
2 Pianos,4 Hands,Piano Duet - Level 2 - Digital Download SKU: A0.757055 Composed by Piano II: Mozart, PIano I: Simon Peberdy. Arranged by Simon Peberdy. ...
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2 Pianos,4 Hands,Piano Duet - Level 2 - Digital Download SKU: A0.757055 Composed by Piano II: Mozart, PIano I: Simon Peberdy. Arranged by Simon Peberdy. Children,Instructional,Standards. Score. 4 pages. Simon Peberdy #3680441. Published by Simon Peberdy (A0.757055). One of a series of classics in new arrangements, with a new additional piano part by Simon Peberdy. Piano II is the original piece. The pieces are of grade 3 standard, so a great introduction to playing music for 2 pianos.This piece appears (with separate piano parts too) in the collection 5 Easy Pieces for 2 Pianos Book 2 arranged by Simon Peberdy, a second book of arrangements to follow 5 Easy Pieces for 2 Pianos  Book 1. There is also a Book 3.Video of all of Book 2: https://youtu.be/WvSNEp_eq-wFor more compositions and arrangements, please visit www.simonpeberdymusic.comThe mp3 is a computer generated one at the moment, I'm afraid.
$1.99
Hymns of Reflection for Two Pianos (A Collection of 5 Piano Duets for 2 Pianos, 4 Hands)
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2 Pianos, 4 hands
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INTERMEDIATE
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Sharon Wilson
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Sharon Wilson
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Hymns of Reflection for Two Pi
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Sharon Wilson
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SheetMusicPlus
2 Pianos,4 Hands,Piano Duet - Level 3 - Digital Download SKU: A0.1458057 By Sharon Wilson. By American Folk Song, Grant Colfax Tullar, Henri A. C. Malan,...
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2 Pianos,4 Hands,Piano Duet - Level 3 - Digital Download SKU: A0.1458057 By Sharon Wilson. By American Folk Song, Grant Colfax Tullar, Henri A. C. Malan, Horatio G. Spafford, James L Nicholson, Lowell Mason, Philip P. Bliss, and William G. Fischer. Arranged by Sharon Wilson. 19th Century,Christian,Folk,Lent,Sacred. Score. 75 pages. Sharon Wilson #1037027. Published by Sharon Wilson (A0.1458057). This collection contains 5 uplifting worship hymns arranged as PIANO DUETS (for 2 Pianos, 4 Hands). These arrangements are straight-forward and suitable for intermediate pianists. These cheerful, uplifting arrangements are a welcome addition to the piano repertoire for intermediate students and suitable for performances in a church setting (prelude, offertory, postlude).PIANO 1 and PIANO 2 alternate leading with the melody throughout each song, making these arrangements fun and equally challenging for both players while adding variety for the listeners. For each song there is a combined score (Grand Staff) with both piano parts on each page plus an alternate format with each piano part on separate pages (PIANO 1 and PIANO 2). Each song is also available separately with accompanying preview pages and audio samples. The audio sample plays Face to Face and the YouTube video features It Is Well with My Soul.Song titles included in this collection: Face to FaceIt Is Well with My SoulTake My Life and Let It BeThere Is a FountainWhiter Than SnowVisit Sharon Wilson's website: https://www.SharonWilsonMusic.com/Subscribe to her YouTube Channel: https://youtube.com/@SharonWilsonMusic
$15.00
Study in A minor (August Müller) for 2 pianos 4 hands (additional piano part by Simon Peberdy)
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2 Pianos, 4 hands
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EASY
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Piano II: Müller, PIano I:
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Simon Peberdy
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Study in A minor
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Simon Peberdy
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SheetMusicPlus
2 Pianos,4 Hands,Piano Duet - Level 2 - Digital Download SKU: A0.757071 Composed by Piano II: Müller, PIano I: Simon Peberdy. Arranged by Simon Peberd...
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2 Pianos,4 Hands,Piano Duet - Level 2 - Digital Download SKU: A0.757071 Composed by Piano II: Müller, PIano I: Simon Peberdy. Arranged by Simon Peberdy. Baroque,Children,Classical,Instructional,Standards. Score. 4 pages. Simon Peberdy #4313333. Published by Simon Peberdy (A0.757071). One of a series of classics in new arrangements, with a new additional piano part by Simon Peberdy. Piano II is the original piece. The pieces are of grade 2-3 standard, so a great introduction to playing music for 2 pianos.This piece comes from Easy Pieces for 2 Pianos Book 4, the fourth book in a series of 5.Video of Book 4: https://youtu.be/lwNeO_YaBEIFor more compositions and arrangements, please visit www.simonpeberdymusic.com(The mp3 recording is a computer generated one at the moment).
$1.99
Gian Paolo Chiti: Play On B.A.C.H. for two pianos
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2 Pianos, 4 hands
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ADVANCED
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Gian Paolo Chiti
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Gian Paolo Chiti: Play On B.A.
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Musik Fabrik Music Publishing
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SheetMusicPlus
Instrumental Duet Instrumental Duet,Piano - Level 5 - Digital Download SKU: A0.534395 Composed by Gian Paolo Chiti. Concert,Contemporary,Jazz,Standards. ...
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Instrumental Duet Instrumental Duet,Piano - Level 5 - Digital Download SKU: A0.534395 Composed by Gian Paolo Chiti. Concert,Contemporary,Jazz,Standards. Score and parts. 15 pages. Musik Fabrik Music Publishing #3417517. Published by Musik Fabrik Music Publishing (A0.534395). Gian Paolo Chiti wrote “Play on B.A.C.H.†for the Moreno Gistain Duo, who premièred the work on the 28th February, 2015, for the concert season of the Fundación Juan March in Madrid. It was also recorded for Spanish National Radio. Juan Fernando Moreno Gistain wrote of the work: “It´s an honour for us that Maestro Chiti composed “Play on B.A.C.H.†for our concert programme dedicated to works based on the motif formed by the notes B.A.C.H. “Play on BACH†is a wonderful piece for piano duo and we are sure many duos will perform this in the future. The work has an amazing feeling of nostalgia, humour and charm; the audience loved it at every performance. It´s a masterwork and fits incredibly well in our concert programme.â€
$19.95
I Have a Little Dreidel (The Dreidel Song)
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2 Pianos, 4 hands
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BEGINNER
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Klezmer
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Wanda Canfield
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I Have a Little Dreidel
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Wanda Canfield
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SheetMusicPlus
2 Pianos,4 Hands,Piano Duet - Level 1 - Digital Download SKU: A0.799805 Arranged by Wanda Canfield. Concert,Hanukkah,Jewish,Standards. Score. 12 pages. W...
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2 Pianos,4 Hands,Piano Duet - Level 1 - Digital Download SKU: A0.799805 Arranged by Wanda Canfield. Concert,Hanukkah,Jewish,Standards. Score. 12 pages. Wanda Canfield #3897609. Published by Wanda Canfield (A0.799805). Easy versatile arrangement included several easy solo parts and a simple accompaniment. Parts work together to create a trio at one piano. More players can be added to a second piano! Enough parts to print for at least 6 people. Buying this allows more copies to be made for additional players in one group. Both a normal note and a large, big note with letter inside versions are included.
$3.99
There Is a Fountain (2 Pianos, 4 Hands Duet)
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2 Pianos, 4 hands
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INTERMEDIATE
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Sharon Wilson
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Sharon Wilson
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There Is a Fountain
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Sharon Wilson
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SheetMusicPlus
2 Pianos,4 Hands,Piano Duet - Level 3 - Digital Download SKU: A0.1458068 By Sharon Wilson. By American Folk Song, Folk Song, and William Cowper. Arranged...
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2 Pianos,4 Hands,Piano Duet - Level 3 - Digital Download SKU: A0.1458068 By Sharon Wilson. By American Folk Song, Folk Song, and William Cowper. Arranged by Sharon Wilson. Christian,Easter,Folk,Lent,Sacred. Score. 16 pages. Sharon Wilson #1037039. Published by Sharon Wilson (A0.1458068). The beautiful American folk tune CLEANSING FOUNTAIN has been arranged as a dual piano duet (for 2 pianos, 4 hands). Both parts carry the melody at times making it fun and equally challenging for both players while adding variety for the listeners. Flowing reverently throughout, this piano duet is ideal for a prelude or offertory, or whenever a meditative musical interlude is desired. The purchase price includes a 8-page score with combined PIANO 1 and PIANO 2 parts on each page (Grand Staff) plus an alternate format with the PIANO 1 and PIANO 2 parts on separate pages (3 pages each). This arrangement is one of the 5 hymns in the collection Hymns of Reflection for Two Pianos.Visit Sharon Wilson's website: https://www.SharonWilsonMusic.com/Subscribe to her YouTube Channel: https://youtube.com/@SharonWilsonMusic
$5.99
Easter Hymns for Two Pianos (A Collection of 5 Piano Duets for 2 Pianos, 4 Hands)
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2 Pianos, 4 hands
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INTERMEDIATE
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Sharon Wilson
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Sharon Wilson
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Easter Hymns for Two Pianos
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Sharon Wilson
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SheetMusicPlus
2 Pianos,4 Hands,Piano Duet - Level 3 - Digital Download SKU: A0.1460130 By Sharon Wilson. By Elisha Albright Hoffman, George Job Elvey, Lewis E. Jones, ...
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2 Pianos,4 Hands,Piano Duet - Level 3 - Digital Download SKU: A0.1460130 By Sharon Wilson. By Elisha Albright Hoffman, George Job Elvey, Lewis E. Jones, Matthew Bridges, and Robert Lowry. Arranged by Sharon Wilson. 19th Century,Christian,Easter,Lent,Sacred. Score. 72 pages. Sharon Wilson #1039070. Published by Sharon Wilson (A0.1460130). This collection contains 5 uplifting worship hymns arranged as PIANO DUETS (for 2 Pianos, 4 Hands). These arrangements are straight-forward and suitable for intermediate pianists. These bright and festive arrangements are a welcome addition to the piano repertoire for intermediate students and suitable for performances in a church setting (prelude, offertory, postlude). Though frequently associated with the Easter and Lent season, these arrangements can be performed any time of year as a celebration of Jesus' love for us.PIANO 1 and PIANO 2 alternate leading with the melody throughout each song, making these arrangements fun and equally challenging for both players while adding variety for the listeners. For each song there is a combined score (Grand Staff) with both piano parts on each page plus an alternate format with each piano part on separate pages (PIANO 1 and PIANO 2). Each song is also available separately with accompanying preview pages and audio samples. The audio sample plays Are You Washed in theBlood? and the YouTube video features Christ Arose.Song titles included in this collection: Are You Washed in the Blood?Christ Arose (Low in the Grave He Lay)Crown Him with Many CrownsNothing but the BloodPower in the BloodVisit Sharon Wilson's website: https://www.SharonWilsonMusic.com/Subscribe to her YouTube Channel: https://youtube.com/@SharonWilsonMusic
$15.00
Hymns of Praise for Two Pianos (A Collection of 5 Piano Duets for 2 Pianos, 4 Hands)
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2 Pianos, 4 hands
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INTERMEDIATE
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Sacred music
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Sharon Wilson
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Sharon Wilson
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Hymns of Praise for Two Pianos
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Sharon Wilson
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SheetMusicPlus
2 Pianos,4 Hands,Piano Duet - Level 3 - Digital Download SKU: A0.1455795 By Sharon Wilson. By Charles Wesley, Fanny J. Crosby, John Bacchus Dykes, Luther...
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2 Pianos,4 Hands,Piano Duet - Level 3 - Digital Download SKU: A0.1455795 By Sharon Wilson. By Charles Wesley, Fanny J. Crosby, John Bacchus Dykes, Luther B. Bridgers, Reginald Heber, William H. Doane, and William J. Kirkpatrick. Arranged by Sharon Wilson. 19th Century,Christian,Easter,Praise & Worship,Sacred. Score. 61 pages. Sharon Wilson #1034892. Published by Sharon Wilson (A0.1455795). This collection contains 5 favorite praise hymns arranged as PIANO DUETS (for 2 Pianos, 4 Hands). These arrangements are straight-forward and suitable for intermediate pianists. An optional repeat is provided for some songs in case a longer selection is desired. These cheerful, uplifting arrangements are a welcome addition to the piano repertoire for intermediate students and suitable for performances in a church setting (prelude, offertory, postlude).PIANO 1 and PIANO 2 alternate leading with the melody throughout each song, making these arrangements fun and equally challenging for both players while adding variety for the listeners. For each song there is a combined score (Grand Staff) with both piano parts on each page plus an alternate format with each piano part on separate pages (PIANO 1 and PIANO 2). Each song is also available separately with accompanying preview pages and audio samples. The audio sample plays one verse of And Can It Be? and the YouTube video features To God Be the Glory.Song titles included in this collection: And Can It Be?He Keeps Me SingingHoly, Holy, HolyRedeemed, How I Love to Proclaim ItTo God Be the GloryVisit Sharon Wilson's website: https://www.SharonWilsonMusic.com/Subscribe to her YouTube Channel: https://youtube.com/@SharonWilsonMusic
$15.00
Sounds of Creation (A Collection of 7 Keyboard Duets, for 2 Pianos, 4 Hands)
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2 Pianos, 4 hands
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INTERMEDIATE
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Sharon Wilson
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Sharon Wilson
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some soothing, some startling
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Sounds of Creation
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Sharon Wilson
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SheetMusicPlus
2 Pianos,4 Hands,Piano Duet - Level 3 - Digital Download SKU: A0.1407365 By Sharon Wilson. By Sharon Wilson. Arranged by Sharon Wilson. 20th Century,Chri...
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2 Pianos,4 Hands,Piano Duet - Level 3 - Digital Download SKU: A0.1407365 By Sharon Wilson. By Sharon Wilson. Arranged by Sharon Wilson. 20th Century,Christian,Contemporary,Instructional,New Age. Score. 87 pages. Sharon Wilson #990042. Published by Sharon Wilson (A0.1407365). Take a walk in the woods, along a sandy beach, or beside a rushing river. Listen to the sounds of nature: birds warbling, frogs croaking, leaves rustling, streams splashing, waves crashing -- sounds abound; some soothing, some startling.  This collection features 7 piano duets inspired by the sounds of nature. Filled with simple melodies, repeating themes, and echoing harmonies, these dual keyboard arrangements (for 2 Pianos, 4 Hands) are as inspirational to play as they are to listen to. These duets sounds equally pleasing whether played on two acoustic pianos or played on two keyboards with unique sounds. For each song there is a grand staff with both piano parts on each page plus the alternate format with each piano part on separate pages. Each duet is also available separately with accompanying preview pages and audio samples. Titles included in this collection: PreludePastoralSerenadeIntermezzoNocturneFantasiaFinale Visit Sharon Wilson's website: https://www.SharonWilsonMusic.com/Subscribe to her YouTube Channel: https://youtube.com/@SharonWilsonMusic
$17.99
Minuet in A minor (J S Bach) from the little music book of Anna Magdalena, Arr Simon Peberdy
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2 Pianos, 4 hands
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EASY
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Piano II: J S Bach, Piano I: S
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Simon Peberdy
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Minuet in A minor
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Simon Peberdy
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SheetMusicPlus
Small Ensemble 2 Pianos,4 Hands,Piano Duet - Level 2 - Digital Download SKU: A0.757079 Composed by Piano II: J S Bach, Piano I: Simon Peberdy. Arranged b...
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Small Ensemble 2 Pianos,4 Hands,Piano Duet - Level 2 - Digital Download SKU: A0.757079 Composed by Piano II: J S Bach, Piano I: Simon Peberdy. Arranged by Simon Peberdy. Baroque,Children,Instructional,Standards. Score. 4 pages. Simon Peberdy #4350643. Published by Simon Peberdy (A0.757079). One of a series of classics in new arrangements, with a new additional piano part by Simon Peberdy. Piano II is the original piece. The pieces are of grade 2-3 standard, so a great introduction to playing music for 2 pianos.This piece comes from Easy Pieces for 2 Pianos Book 5, (Book 1, 2, 3 & 4 are also available). Video of Book 5: https://youtu.be/eRbF5QeR95QFor more compositions and arrangements, please visit www.simonpeberdymusic.com(The mp3 recording is a computer generated one at the moment).
$1.99
Sussex Carol (On Christmas Night) fun Christmas Carol Variations for 2 pianos, 4 hands (on a traditi
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2 Pianos, 4 hands
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INTERMEDIATE
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Christmas
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Simon Peberdy
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Sussex Carol
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Simon Peberdy
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SheetMusicPlus
2 Pianos,4 Hands,Piano Duet - Level 3 - Digital Download SKU: A0.757141 Composed by Simon Peberdy (on a traditional carol melody). Christmas,Contemporary...
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2 Pianos,4 Hands,Piano Duet - Level 3 - Digital Download SKU: A0.757141 Composed by Simon Peberdy (on a traditional carol melody). Christmas,Contemporary. Score. 5 pages. Simon Peberdy #6657991. Published by Simon Peberdy (A0.757141). Another in a series of Christmas Carol Variations for 2 pianos, 4 hands.(Also available in a piano duet version)Please visit http://wwwsimonpeberdymusic.com for more new music.
$3.99
A Christmas Tale for piano 4-hands | New edition 2020
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2 Pianos, 4 hands
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INTERMEDIATE/ADVANCED
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Christmas
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Lena Orsa
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Lena Orsa
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A Christmas Tale for piano 4-h
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Lena Orsa
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SheetMusicPlus
2 Pianos,4 Hands,Piano Duet - Level 4 - Digital Download SKU: A0.913873 Composed by Lena Orsa. Arranged by Lena Orsa. Children,Christmas,Concert,Contempo...
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2 Pianos,4 Hands,Piano Duet - Level 4 - Digital Download SKU: A0.913873 Composed by Lena Orsa. Arranged by Lena Orsa. Children,Christmas,Concert,Contemporary,Standards. Score. 12 pages. Lena Orsa #6115343. Published by Lena Orsa (A0.913873). A Christmas Tale. It's a fairytale atmosphere but not quite. I wrote this piece after watching Gremlins movie, so there is a place for both magic and sarcasm.
$7.99
"A Youthful Vow" from An Icelandic Suite
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2 Pianos, 4 hands
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INTERMEDIATE/ADVANCED
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Ingunn Bjarnadóttir
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Richard Simm
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"A Youthful Vow" from An Icela
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Richard Simm
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SheetMusicPlus
2 Pianos,4 Hands,Piano Duet - Level 4 - Digital Download SKU: A0.1135493 Composed by Ingunn Bjarnadóttir. Arranged by Richard Simm. 20th Century,Chamb...
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2 Pianos,4 Hands,Piano Duet - Level 4 - Digital Download SKU: A0.1135493 Composed by Ingunn Bjarnadóttir. Arranged by Richard Simm. 20th Century,Chamber,Classical,Folk,Multicultural,World. Score. 2 pages. Richard Simm #735542. Published by Richard Simm (A0.1135493). The last song in this set was composed by Ingunn Bjarnadóttir, a uniquely gifted Icelandic woman who made up tunes from her earliest childhood without any formal musical training at all. Later, her husband wrote down the melodic lines, and she gradually came to the attention of Iceland's musical society, where her large output now commands great respect among those who know their country's cultural history. Her melodies lend themselves well to conventional harmonic treatment, yet their unique character has something ethereal about it, as if it refuses to be tied to the conventional rules of mere academic musical logic. This tune, for example, ends in a key very remote from its beginning, yet it follows a perfect logic of its own! The arranger is indebted to the composer's daughter for her generous permission to use Ingunn's lovely melody, Æskuheit.
$4.95
He's A Pirate
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2 Pianos, 4 hands
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INTERMEDIATE
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Film/TV
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Geoffrey Zanelli, Hans Zimmer,
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Marcos Fernandez-Barrero
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He's A Pirate
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Marcos Fernandez-Barrero
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SheetMusicPlus
2 Pianos,4 Hands,Piano Duet - Level 3 - Digital Download SKU: A0.1083190 Composed by Geoffrey Zanelli, Hans Zimmer, and Klaus Badelt. Arranged by Marcos ...
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2 Pianos,4 Hands,Piano Duet - Level 3 - Digital Download SKU: A0.1083190 Composed by Geoffrey Zanelli, Hans Zimmer, and Klaus Badelt. Arranged by Marcos Fernandez-Barrero. 20th Century,Classical,Contemporary,Film/TV,Pop. Score. 5 pages. Marcos Fernandez-Barrero #687422. Published by Marcos Fernandez-Barrero (A0.1083190). An arrangement for a piano duet (four hands piano or 2 pianos) of He's A Pirate (from Pirates Of The Caribbean). This version passes the melody in between the two different pianists so it is an ideal piece for chamber exams, such as the performance exams of the GCSE or A-Levels of the UK. It is also ideal for academic enviroments or coursework of duetos or chamber groups at conservatoire level.
$4.99
A Shropshire Lad - Rhapsody
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2 Pianos, 4 hands
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ADVANCED
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Richard Simm
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Richard Simm
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A Shropshire Lad - Rhapsody
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Richard Simm
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SheetMusicPlus
2 Pianos,4 Hands,Piano Duet - Level 5 - Digital Download SKU: A0.1288884 By Richard Simm. By George Butterworth. Arranged by Richard Simm. 20th Century,C...
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2 Pianos,4 Hands,Piano Duet - Level 5 - Digital Download SKU: A0.1288884 By Richard Simm. By George Butterworth. Arranged by Richard Simm. 20th Century,Chamber,Classical,Folk,Multicultural,World. Score. 11 pages. Richard Simm #879723. Published by Richard Simm (A0.1288884). George Butterworth was a uniquely gifted composer and arranger of English folk songs, who was tragically killed in action during WW1 at the age of only 31.His small output included the song cycle, A Shropshire Lad, from which he expanded the first song, Loveliest of Trees into a wonderful orchestral rhapsody.The music is full of passion, but also the most delicate sensitivity, capturing the romantic essence of the English countryside from bygone days.This arrangement by Richard Simm for two pianos now gives pianists access to this beautiful music.
$7.95
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