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--INSTRUMENTS--
ACCORDION
AUTOHARP
BAGPIPE
BANJO
BASS
BASSOON
BOOKS
BOUZOUKI
BUGLE
CHORAL - VOCAL…
CLARINET
CORNET
DIDGERIDOO
DJ GEAR
DRUM
DULCIMER
ENGLISH HORN
EUPHONIUM
FLUTE
FRENCH HORN
GUITAR
HANDBELLS
HARMONICA
HARP
HARPSICHORD
LAP STEEL GUIT…
LUTE
MANDOLIN
MARCHING BAND
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MUSIC COURSE
OBOE
OCARINA
ORCHESTRA - BA…
ORGAN
PANPIPES
PERCUSSION
PIANO
RECORDER
SAXOPHONE
SYNTHESIZER K…
TROMBONE
TRUMPET
TUBA
UKULELE
VIBRAPHONE
VIOLA
VIOLIN - FIDDL…
VIOLONCELLO - …
XYLOPHONE
ZITHER
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PDF/Flash
Not classified
43,971
Piano & keyboards
Piano solo
1,769
Piano, Voice
1,323
Accordion
850
Easy Piano
714
Piano, Vocal and Guitar
434
C Instruments
404
Piano Accompaniment
299
Organ
132
1 Piano, 4 hands
67
Piano (band part)
37
Piano Quintet: piano, 2 violins, viola, cello
25
2 Pianos, 4 hands
23
Piano Quartet: piano, violin, viola, cello
21
Piano Trio: piano, violin, cello
19
Accordion ensemble
15
2 Accordions
14
Piano Quintet: piano, violin, viola, cello, double bass
6
Organ, Piano (duet)
6
Big Note Piano
5
Organ, Trumpet (duet)
5
1 Piano, 6 hands
5
Harpsichord
3
Fake Book
2
Keyboard
2
Accordion and Orchestra
2
2 Pianos, 8 hands
2
Accordion, Piano
1
Piano Quartet: piano, 2 violins, cello
1
Piano Trio: mixed chamber instrumentation
1
+ 24 instrumentations
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Retract
Guitars
Bass guitar
10,457
Guitar notes and tablatures
603
Guitar
394
Electric Bass (band part)
387
Melody line, (Lyrics) and Chords
243
Piano, Guitar (duet)
81
Guitar (band part)
79
Ukulele
44
Guitar Tab, Voice, Bass, Drum
40
4 Guitars (Quartet)
39
Mandolin, Piano (duet)
35
Guitar Ensemble
29
2 Guitars (duet)
26
Lyrics and Chords
21
2 Dulcimers (duet)
18
Dulcimer
16
3 Guitars (trio)
9
Mandolin
9
Mandolin, Guitar (duet)
4
Banjo
2
Guitar, Flute, Clarinet
2
Ukulele Ensemble
2
Guitar, Violin, Cello (trio)
1
2 Ukuleles
1
2 Mandolins (duet)
1
Guitar, Orchestra
1
+ 21 instrumentations
-
Retract
Voice
Choral Instrumental Pak
4,623
Choral SATB
2,388
Choral 2-part
1,447
Choral TTBB
986
Vocal duet, Piano
860
Choral 3-part
717
Choral SSAA
555
Voice solo
539
Low voice, Piano
506
Vocal duet
295
Choral Unison
109
Choral
69
Low voice
47
Baritone voice, Piano
46
High voice
42
Soli, Mixted choir and accompaniment
22
Medium voice, Piano
18
Soprano voice, Piano
18
Alto voice, Piano
17
Choral SSATB
11
Children choir
11
Tenor voice, Piano
10
Tenor voice
5
Choral SSAATTBB
5
Choral SSATTB
3
Baritone voice
2
Choral SSAB, Piano
1
Mezzo-Soprano voice, Piano
1
Voice, Guitar
1
Choral SATBB
1
Voice, Basso continuo
1
+ 26 instrumentations
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Retract
Woodwind
Woodwind Quintet: flute, oboe, bassoon, clarinet, horn
7,317
Flute, Oboe, Clarinet, Bassoon
6,558
Clarinet (band part)
2,830
Clarinet Quartet: 4 clarinets
2,566
Oboe, Bassoon (duet)
1,067
Clarinet Ensemble
879
2 Clarinets (duet)
852
Bass Clarinet, Piano
724
Flute, Clarinet and Bassoon.
711
Flute ensemble
676
Clarinet Quintet: 5 clarinets
649
3 Clarinets (trio)
605
Clarinet, Bassoon (duet)
579
Flute, Oboe, Bassoon
535
Oboe, Clarinet, Bassoon (trio)
502
Flute Quartet: 4 flutes
442
Oboe, Piano (duet)
413
Saxophone Quintet: 5 Saxophones
404
Saxophone ensemble
398
Bass Clarinet
338
Saxophone Quartet: 4 saxophones
311
Saxophone (band part)
251
2 Recorders (duet)
244
Flute and Piano
207
Clarinet
206
Flute Quintet : 5 flutes
201
Recorder Quartet
199
2 Flutes (duet)
194
Clarinet and Piano
183
Flute
178
Tenor Saxophone and Piano
176
Flute, Bassoon, and Piano
175
Alto Saxophone and Piano
164
Recorder, Piano
158
2 Saxophones (duet)
153
Recorder Ensemble
129
Flute Trio: 3 flutes
124
2 Clarinets, Bassoon
101
Recorder
93
3 Saxophones (trio)
91
3 Recorders (trio)
90
Clarinet, Bassoon, Piano (trio)
76
Flute, Clarinet, Horn and Bassoon (Quartet)
73
Soprano Saxophone and Piano
63
Treble (Alto) Recorder, Basso continuo
55
Saxophone, Bassoon (duet)
49
Alto Saxophone
46
Flute, Violin, Piano
42
2 Oboes (duet)
42
Flute, Clarinet (duet)
41
Flute (band part)
40
Flute, Basso continuo
38
2 Clarinets, Piano
37
Baritone Saxophone, Piano
35
5 Recorders
34
Oboe, Bassoon and Piano
32
Tenor Saxophone
32
Flute and Guitar
27
Oboe (band part)
23
Oboe
17
Flute, Oboe, Clarinet (trio)
16
Clarinet, Double bass (duet)
16
Descant (Soprano) Recorder
14
Wind ensemble
14
Clarinet, Violin (duet)
13
Saxophone, Clarinet (duet)
13
Saxophone
12
Clarinet, Cello (duet)
11
Descant (Soprano) Recorder, Basso continuo
11
3 Oboes
10
Clarinet, Guitar (duet)
10
4 Oboes
9
2 Oboes and Basson
9
English horn, Piano
9
Flute, Violin
9
Clarinet, Trumpet (duet)
8
Oboe, Clarinet (duet)
8
Flute, Violoncello
8
Oboe, Flute
7
Soprano Saxophone
7
Tenor Recorder
7
Piccolo
7
English Horn
7
Oboe, Cello
6
Baritone Saxophone
6
Clarinet and Viola
6
Flute, Violin and Violoncello
6
2 Flutes, Basso continuo
6
Treble (Alto) Recorder, Piano
5
Saxophone and Guitar
5
Clarinet, Harp (duet)
5
Flute, Trombone (duet)
5
Flute, Saxophone (duet)
5
English Horn, Guitar (duet)
4
Oboe, Harp
4
Flute, Trumpet (duet)
4
Treble (Alto) Recorder
4
Eb Instruments
3
Descent (Soprano) Recorder, Piano
3
Flute, Cello, Piano (trio)
3
Saxophone and Harp
3
Oboe, Clarinet, Bassoon and Piano
3
Saxophone and Orchestra
3
Flute, Clarinet, Violin (trio)
2
2 English horns and Pianoforte
2
Harmonica
2
Flute, Oboe (duet)
2
Piccolo, Piano
2
2 clarinets, 2 bassoons
2
Clarinet, Trombone (duet)
2
Clarinet, Orchestra
2
Clarinet Quintet: Clarinet, String Quartet
2
Oboe ensemble
2
Flute, Organ (duet)
2
Flute, Viola (duet)
2
Flute, Harp and Cello
1
English horn, Harp (duet)
1
2 Saxophones, Piano
1
Clarinet, Cello, Piano (trio)
1
Saxophone and Piano
1
Flute, Orchestra
1
Flute, Oboe, Piano (trio)
1
Clarinet, Tuba
1
2 Oboes, 2 Horns and 2 Bassoons
1
Bagpipe
1
2 Recorders, Guitar
1
2 Flutes, Piano
1
Flute, Cello, Guitar
1
Oboe and Orchestra
1
+ 124 instrumentations
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Retract
Woodbrass
Bass Clef Instruments
788
Trombone (band part)
596
Brass Quintet: 2 trumpets, horn, trombone, tuba
545
Brass Quartet: 4 trombones
446
Trombone and Piano
318
Bass Trombone and Piano
281
Brass quartet : 2 trumpets, trombone, tuba
232
Trumpet (band part)
177
Trombone ensemble
173
Tuba and Piano
171
Trombone
170
2 Trombones (duet)
138
Bass Trombone
123
Trumpet, Bassoon (duet)
119
Euphonium, Piano (duet)
95
Trumpet, Piano
93
French Horn and Piano
89
Trumpet
70
Tuba
59
3 Trombones (trio)
58
Euphonium
52
Brass Quartet: 4 horns
50
French horn and Basson (duet)
49
Brass Quartet: 2 trumpets, horn, trombone
48
Tuba (band part)
46
2 French horns (duet)
46
French horn (band part)
46
Brass Quartet
45
2 Euphoniums and 2 Tubas
45
Trumpet, Trombone (duet)
41
2 Trumpets (duet)
39
French horn
37
2 Tubas (duet)
34
Euphonium, Tuba (duet)
27
Trombone, Tuba (duet)
26
2 Euphoniums (duet)
14
Brass Trio
14
Tuba and Organ
12
4 Tubas
12
Trumpet, Saxophone (duet)
11
Horn Ensemble
10
English horn, Piano
9
3 Trumpets (trio)
8
English Horn
7
Trumpet ensemble
6
3 French horns (trio)
5
Brass Quartet: 4 trumpets
5
French Horn and Harp
5
Trumpet, Harp
5
English Horn, Guitar (duet)
4
3 Tubas (trio)
4
Trumpet, Tuba (duet)
3
Trombone and Orchestra
3
Trombone, Organ
3
Horn, Cello (duet)
3
Trombone, Horn (duet)
3
Trumpet, Euphonium (duet)
3
Trumpet, Horn (duert)
2
2 English horns and Pianoforte
2
Brass Quartet: 2 trumpets, 2 trombones
2
Flügelhorn
2
Bb Instruments
2
English horn, Harp (duet)
1
Trumpet, violin (duet)
1
Trumpet and Guitar
1
Euphonium (band part)
1
Cornet and Orchestra
1
Trumpet, Trombone, Piano
1
Horn, Trumpet, Trombone (trio)
1
Tuba ensemble
1
+ 65 instrumentations
-
Retract
Strings
Doublebass (band part)
4,961
Double Bass
2,445
String Quintet: 2 violins, viola, cello, bass
2,036
String Quartet: 2 violins, viola, cello
1,964
Double bass, Piano (duet)
1,771
2 Double basses (duet)
354
Violin
328
Cello, String Bass (duet)
327
String Trio: violin, viola, cello
269
Cello, Piano
262
Violin, Bassoon (duet)
257
Violin and Piano
250
Violin, Cello (duet)
246
Cello
168
Viola, Piano
167
Viola and Bassoon
167
2 Cellos (duet)
150
Harp
129
Violin (band part)
84
4 Double Basses
66
Violin, Viola (duet)
66
Flute, Doublebass (duet)
60
Violin, Basso continuo
55
2 Violins (duet)
53
String Quintet: 2 violins, viola, 2 cellos
52
String Trio: 2 violins, cello
52
Viola
49
2 Violas (duet)
48
Cello (band part)
43
Violoncello, Basso continuo
41
4 Cellos
41
3 double basses
40
2 Violins and Basso
39
String Quintet: 2 violins, 2 violas, cello
36
Viola (band part)
32
Harp, Flute (duet)
27
String Trio: 3 cellos
25
Viola, Cello (duet)
21
Harp, Violin (duet)
21
2 Harps (duet)
20
Viola and Harp
19
String trio
19
String Trio: 3 violins
18
Harp, Cello (duet)
17
Violin, Double bass (duet)
16
String Trio: 3 violas
15
Cello, Guitar (duet)
10
Violin, Guitar (duet)
8
Cello, Orchestra
5
Piano Trio: Violin, Viola, Piano
4
Harp, Voice
4
Cello Ensemble
4
String quartet: 4 violins
4
Double basses ensemble
3
String Trio: 2 violins, viola
3
Violin ensemble
2
Harp, Violin, Violoncello
2
String Quartet : 4 violas
2
Harp, Trombone (duet)
2
Viola ensemble
2
2 Cellos, Piano
1
Violin, Cello, Clarinet
1
Viola, Guitar (duet)
1
3 Harps
1
2 Violins, Piano
1
Cello, Organ
1
+ 61 instrumentations
-
Retract
Orchestra & Percussion
Concert band
8,846
Jazz Ensemble
3,678
String Orchestra
3,020
Marching band
2,470
Orchestra
2,425
Brass ensemble
892
Jazz combo
814
Chamber Orchestra
570
Drums
398
Handbells
297
Percussion Ensemble
218
Drum (band part)
201
Percussion
69
String Quintet : 2 Violins, Viola, Violoncello, Doublebass, Keyboard
61
Percussion (band part)
48
Timpani
23
Snare drums
17
Marimba
16
Piano and Orchestra
14
Xylophone, Piano
14
Big band
12
School Ensemble
11
Timpani (band part)
8
Flexible Instrumentation
8
Vibraphone
5
Woodwind Quintet
5
Orchestra, Violin
4
Vibraphone and Marimba
2
3 Marimbas
2
Xylophone
1
Voice and Orchestra
1
Brass Quintet: other combinaisons
1
+ 27 instrumentations
-
Retract
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5
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4
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2
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1
Sonata Hymnica No. 6
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2 Pianos, 4 hands
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INTERMEDIATE/ADVANCED
#
James Siddons
#
Sonata Hymnica No. 6
#
James Siddons Music and Writings
#
SheetMusicPlus
2 Pianos,4 Hands,Piano Duet - Level 4 - Digital Download SKU: A0.972673 Composed by James Siddons. Contemporary,Folk,Jazz,Spiritual. Score. 25 pages. Jam...
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2 Pianos,4 Hands,Piano Duet - Level 4 - Digital Download SKU: A0.972673 Composed by James Siddons. Contemporary,Folk,Jazz,Spiritual. Score. 25 pages. James Siddons Music and Writings #6698569. Published by James Siddons Music and Writings (A0.972673). Performance NoteSonata Hymnica No. 6 is scored for two pianos and three performers. One performer (or player) sits at Piano I and may also serve as the conductor. At Piano II, Performer 1 plays from the treble staff and Performer 2 plays from the bass staff. There are possible variations in this, such as having four pianos (two pianos doubling the other two), or having two performers at Piano I, with Performer 2 playing only the bass-staff rhythmic pattern that begins in measure 37. A standing conductor (not playing piano) may be desired.  Although repetitive, the music in this sonata rarely repeats itself exactly; hence, further minor improvisations by the performers are appropriate, keeping with the improvisatory nature of oral tradition. Program Note (for use in concert programs) by James Siddons  The Sonata Hymnica series by James Siddons consists of piano solos that explore the world of American hymns and vernacular religious songs in the 1880-1920 era, when rural and small-town churches relied on pianos for music, and, in an age before microphones and amplification, the acoustics of wooden floors, walls, and high ceilings. These sonatas are not hymn arrangements but explorations of the sounds that can be created by a piano in a reverberant environment, all the while keeping in mind the essential message of the familiar words sung to the various hymn tunes. Sonata Hymnica No. 6 is the first in the series to be for piano ensemble, and the second (after No. 3) to be based on the worship music of the 19th-century African American church. This sixth sonata also explores the singing world of the black congregation and choir as well as the piano. Their singing was shaped by the sounds and intonations of the piano and the heritage of European music behind it, as well as the contours and cadences of the religious folk songs known as Spirituals. But the black congregations also sang hymns and choruses from the Classical tradition, and the Spirituals became the basis of many adaptations by white arrangers. Thus, we may speak of standardized adaptations of Spirituals as white black music, and black performance styles of Classical works as black white music. Piano ragtime music is a non-religious example of white music (the military march) made into black white music by the blending in of the syncopated rag rhythm. Sonata Hymnica No. 6 explores the intermingling of these two strains of American music as heard in the 19th-century black church. In his classic book The Souls of Black Folk (Chicago, 1903), W. E. B. Du Bois confesses to not being a musician but nonetheless finding himself enthralled by the music of the Southern 19th-century African Americans. He refers to their singing as the Frenzy or ‘Shouting,’ when the Spirit of the Lord passed by, and seizing the devotee, made him mad with supernatural joy . . . stamping, shrieking, and shouting, the rushing to and fro and waving of arms, the weeping and laughing, the vision and the trance (p. 116). On another page, Du Bois speaks of . . . the songs of my fathers . . . swelling with song, instinct for life, tremendous treble and darkening bass (p. 163). Sonata Hymnica No. 6 uses the African call and response form as well as percussive polyrhythms.
$10.00
Chorale Prelude Op.67 N.49 for Piano Duet (2 Pianos)
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2 Pianos, 4 hands
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INTERMEDIATE
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Max Reger
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Cristiano Vecchi
#
L
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Chorale Prelude Op.67 N.49 for
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Cristiano Vecchi
#
SheetMusicPlus
2 Pianos,4 Hands,Piano Duet - Level 3 - Digital Download SKU: A0.963576 Composed by Max Reger. Arranged by Cristiano Vecchi. Christian,Concert,Instructio...
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2 Pianos,4 Hands,Piano Duet - Level 3 - Digital Download SKU: A0.963576 Composed by Max Reger. Arranged by Cristiano Vecchi. Christian,Concert,Instructional,Romantic Period,Sacred. Score. 16 pages. Cristiano Vecchi #6589577. Published by Cristiano Vecchi (A0.963576). Werde munter mein Gemüte (Be alert, my soul):a warm chorale prelude with a rhythmic diminutio in the way of the ancient fantasia and an interesting dynamic bass part, originally composed for Organ by Max Reger in five real parts. Arrangement for two Pianos. Since the 1st Piano Part is easier, this arrangement can be played by pupil and teacher, in a recital or for a sight-reading exercitation. Added extra parts to replace the 1st Piano with two instruments, like a Piano Trio: R.H. Fl. Ob. Vl. Vla. Cl.Bb Sopr.Sax Cl. Eb; L.H. Bass Fl. Engl. or French Horn Cl.Bb Bsn. Vlc. Vla. Bass Cl. Tenor Sax Alto Sax.Duration: 1'35.Also available for Woodwind Quintet, String Quintet (in D Major like this one).SCORE and PARTS. MP3 also available on this website.My entire production on my Youtube Channel: https://www.youtube.com/channel/UCe9Kd87V90fbPsUBU5gaXKw/playlists.
$3.99
ENCIRCLE, Between the Octaves - A Piano Duo Suite (Movement 5 of 7)
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2 Pianos, 4 hands
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INTERMEDIATE/ADVANCED
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Classical
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dislocation I mean a degree of
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Jenni Roditi
#
ENCIRCLE, Between the Octaves
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Jenni Roditi
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SheetMusicPlus
Instrumental Duet,Keyboard - Level 4 - Digital Download SKU: A0.1497857 Composed by Jenni Roditi. 21st Century,Classical,Contemporary. 19 pages. Jenni Ro...
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Instrumental Duet,Keyboard - Level 4 - Digital Download SKU: A0.1497857 Composed by Jenni Roditi. 21st Century,Classical,Contemporary. 19 pages. Jenni Roditi #1074269. Published by Jenni Roditi (A0.1497857). Piano Duo 2 pianos/4 hands. Encircle, Between the Octaves, originally called rotate as its impetus was to generate a steadily rotating music. Encircle was later chosen as a more evocative word. The harmony surprised me as it suggested shifts and colourations that I would not have expected to conjure. Two upper rotating parts with melodic narrative are supported by bass and baritone lower parts. The final section adds a dance-like short form to end what could otherwise have run and run and run. Names of all the movements in the suite Between the Octaves in the right order are Initiate, Surrender, Thread, Curve, Encircle, Ritualise, Ignite. The whole suite follows a long line from movement 1 to movement 7. However, individual pieces are well suited to be played alone too. Piano Duo is ideally two Steinway grands, otherwise, whatever is available. An enjoyment of the tensions and relationships generated between the two instruments: grand-upright, upright-electronic keyboard is to be explored as a positive. Each piece creates its own world in the suite and can be part of smaller subgroups taken from the suite, in any combination, but the order of the pieces needs to be maintained if more than one is played. Here is a taste of the background to the musical world of this 53 minute compositional suite. During a reflective time I read the following: The whole philosophy of dharma art (Buddhist art) is that you don't try to be artistic, but you just approach objects as they are, and the message comes through automatically. (Chogyam Trungpa Rinpoche, from 'True Perception The Path of Dharma Art.' Shambhala 2008, p.133.) The 'objects as they are' became the 'octaves as they are'. As the pieces were composed the octaves had a centring and clarifying role that allowed other material to circulate around or play against them. They acted as pivots, repetitions, drones, ostinati, pointillist nodes, pedals, melodic features, struts, harmonic turnpikes, breathing spaces, bass lines: musical imperatives. The octaves called the musical shots most of the time. When the music pulled a semitone up or down and away from the octaves (as it did quite often) it was especially telling in the context of the ringing spaces the octaves were creating. I became interested in the subtle dislocation that two pianos could provide. By dislocation I mean a degree of tension between the natural acoustics of the two instruments in the room and the players idiosyncrasies as musicians. The whole point of this work was to examine the nature of my syntax, grammar, and compositional thinking. The title demanded one thing above all: what notes am I going to use between these octaves?? My choice of notes was derived in most instances from the tempo, pitch, and rhythm of the initial octaves at the beginning of each piece alongside the individual word titles that I set out to explore as musical images. The audio was developed from Sibelius software, via MIDI to Logic samples of a Steinway grand piano.
$20.00
Mozart: Concerto for Two Pianos K.365 for string ensemble and piano
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2 Pianos, 4 hands
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ADVANCED
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Classical
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Wolfgang Amadeus Mozart
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Sahun Hong
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Mozart: Concerto for Two Piano
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Sahun Hong
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SheetMusicPlus
String Ensemble Cello,Double Bass,Piano,Viola,Violin - Level 5 - Digital Download SKU: A0.1017629 Composed by Wolfgang Amadeus Mozart. Arranged by Sahun ...
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String Ensemble Cello,Double Bass,Piano,Viola,Violin - Level 5 - Digital Download SKU: A0.1017629 Composed by Wolfgang Amadeus Mozart. Arranged by Sahun Hong. Classical. Score and parts. 105 pages. Sahun Hong #6209261. Published by Sahun Hong (A0.1017629). Mozart, arr. Sahun Hong: Concerto for Two PIanos, K.365version for string ensemble (two violins, viola, cello, bass) and two pianosDownloadable PDF - score and parts
$69.99
Summer In The City
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2 Pianos, 4 hands
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BEGINNER
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Bobby Ljunggren, Eva Lindblad,
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Warren & Debby
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Summer In The City
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World Music
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SheetMusicPlus
2 Pianos,4 Hands,Piano Duet - Level 1 - Digital Download SKU: A0.829557 Composed by Bobby Ljunggren, Eva Lindblad, Haken Almqvist, Jakke Erixson, Justin ...
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2 Pianos,4 Hands,Piano Duet - Level 1 - Digital Download SKU: A0.829557 Composed by Bobby Ljunggren, Eva Lindblad, Haken Almqvist, Jakke Erixson, Justin Drew Tanter, Mika Guillory, and Nadir Khayat. Arranged by Warren & Debby. Children,Contemporary,Pop. Score. 2 pages. World Music #436369. Published by World Music (A0.829557). Easy Piano for 2 pianos!! An easy piano arrangement where beginning students can play beautiful music by reading sheet music! In this arrangement, piano student 1 divides the melody into the two clefs with both hands and piano 2 student plays the chords in the treble clef and the bass in the bass clef accompanying piano 1.
$5.99
Morceaux(6)
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2 Pianos, 4 hands
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INTERMEDIATE
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Contemporary
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Reinhold Moritzovich Gliere
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KVN klavar
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Morceaux(6)
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Joop van Zoelen
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SheetMusicPlus
2 Pianos,4 Hands,Piano Duet - Level 3 - Digital Download SKU: A0.1406104 Composed by Reinhold Moritzovich Gliere. Arranged by KVN klavar. 20th Century. S...
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2 Pianos,4 Hands,Piano Duet - Level 3 - Digital Download SKU: A0.1406104 Composed by Reinhold Moritzovich Gliere. Arranged by KVN klavar. 20th Century. Score. 3 pages. Joop van Zoelen #989195. Published by Joop van Zoelen (A0.1406104). Opus 41 no.4 Basso OstinatoArrangement in klavar notation.
$4.99
Concerto in C minor for Oboe and Violin (BWV 1060) - 3rd Movt - - 2 pianos
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2 Pianos, 4 hands
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Classical
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Johann Sebastian Bach
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Pietro Prugna
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Concerto in C minor for Oboe a
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Pietro Prugna
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SheetMusicPlus
2 Pianos,4 Hands,Piano Duet - Digital Download SKU: A0.501361 Composed by Johann Sebastian Bach. Arranged by Pietro Prugna. Baroque,Classical,Instruction...
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2 Pianos,4 Hands,Piano Duet - Digital Download SKU: A0.501361 Composed by Johann Sebastian Bach. Arranged by Pietro Prugna. Baroque,Classical,Instructional. Score. 25 pages. Published by Pietro Prugna (A0.501361). This was originally for Oboe and Violin with String Orchestra. This is an arrangement for 2 Pianos. For Piano 1, right hand plays Oboe Solo while left hand plays Strings (violin and viola). For Piano 2, right hand plays Violin Solo while left hand plays Basso Continuo (Cello). In a few bars, minor adjustments made to prevent overlapping. The pdf contains Full Score and Set of Parts (Piano 1, Piano 2).
$1.99
Concerto in C minor for Oboe and Violin (BWV 1060) - 2nd Movt - - 2 pianos
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2 Pianos, 4 hands
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Classical
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Johann Sebastian Bach
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Pietro Prugna
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Concerto in C minor for Oboe a
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Pietro Prugna
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SheetMusicPlus
2 Pianos,4 Hands,Piano Duet - Digital Download SKU: A0.501267 Composed by Johann Sebastian Bach. Arranged by Pietro Prugna. Baroque,Christmas,Classical,E...
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2 Pianos,4 Hands,Piano Duet - Digital Download SKU: A0.501267 Composed by Johann Sebastian Bach. Arranged by Pietro Prugna. Baroque,Christmas,Classical,Easter,Wedding. Score. 17 pages. Published by Pietro Prugna (A0.501267). This was originally for Oboe and Violin with String Orchestra. This is an arrangement for 2 Pianos. For Piano 1, right hand plays Oboe Solo while left hand plays Strings (violin and viola). For Piano 2, right hand plays Violin Solo while left hand plays Basso Continuo (Cello). The Oboe and Violin Solos (right hands) are played 1 octave higher (as indicated in the clefs). In a few bars, minor adjustments made to prevent overlapping. The pdf contains Full Score and Set of Parts (Piano 1, Piano 2).
$1.99
Concerto in C minor for Oboe and Violin (BWV 1060) - 1st Movt - - 2 pianos
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2 Pianos, 4 hands
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Classical
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Johann Sebastian Bach
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Pietro Prugna
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Concerto in C minor for Oboe a
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Pietro Prugna
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SheetMusicPlus
2 Pianos,4 Hands,Piano Duet - Digital Download SKU: A0.500758 Composed by Johann Sebastian Bach. Arranged by Pietro Prugna. Baroque,Christmas,Classical,E...
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2 Pianos,4 Hands,Piano Duet - Digital Download SKU: A0.500758 Composed by Johann Sebastian Bach. Arranged by Pietro Prugna. Baroque,Christmas,Classical,Easter,Instructional. Score. 31 pages. Published by Pietro Prugna (A0.500758). This was originally for Oboe and Violin with String Orchestra. This is an arrangement for 2 Pianos. For Piano 1, right hand plays Oboe Solo while left hand plays Strings (violin and viola). For Piano 2, right hand plays Violin Solo while left hand plays Basso Continuo (Cello). In a few bars, minor adjustments made to prevent overlapping. The pdf contains Full Score and Set of Parts (Piano 1, Piano 2).
$1.99
Double Violin Concerto in D minor (BWV 1043) - 1st Movt - - 2 pianos
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2 Pianos, 4 hands
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Classical
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Johann Sebastian Bach
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Pietro Prugna
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Double Violin Concerto in D mi
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Pietro Prugna
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SheetMusicPlus
2 Pianos,4 Hands,Piano Duet - Digital Download SKU: A0.502000 Composed by Johann Sebastian Bach. Arranged by Pietro Prugna. Baroque,Classical,Instruction...
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2 Pianos,4 Hands,Piano Duet - Digital Download SKU: A0.502000 Composed by Johann Sebastian Bach. Arranged by Pietro Prugna. Baroque,Classical,Instructional. Score. 27 pages. Published by Pietro Prugna (A0.502000). This was originally for Double Violin with String Orchestra. This is an arrangement for 2 Pianos. For Piano 1, right hand plays Violin I Solo while left hand plays Strings (violin and viola). For Piano 2, right hand plays Violin II Solo while left hand plays Basso Continuo (Cello). In a few bars, minor adjustments made to prevent overlapping. The pdf contains Full Score and Set of Parts (Piano 1, Piano 2).
$1.99
Double Violin Concerto in D minor (BWV 1043) - 2nd Movt - - 2 pianos
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2 Pianos, 4 hands
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Classical
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Johann Sebastian Bach
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Pietro Prugna
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Double Violin Concerto in D mi
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Pietro Prugna
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SheetMusicPlus
2 Pianos,4 Hands,Piano Duet - Digital Download SKU: A0.497954 Composed by Johann Sebastian Bach. Arranged by Pietro Prugna. Baroque,Christmas,Classical,E...
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2 Pianos,4 Hands,Piano Duet - Digital Download SKU: A0.497954 Composed by Johann Sebastian Bach. Arranged by Pietro Prugna. Baroque,Christmas,Classical,Easter,Wedding. Score. 17 pages. Published by Pietro Prugna (A0.497954). This was originally for Double Violin with String Orchestra. This is an arrangement for 2 Pianos. For Piano 1, right hand plays Violin I Solo while left hand plays Strings (violin and viola). For Piano 2, right hand plays Violin II Solo while left hand plays Basso Continuo (Cello). In a few bars, minor adjustments made to prevent overlapping. The pdf contains Full Score and Set of Parts (Piano 1, Piano 2).
$1.99
Double Violin Concerto in D minor (BWV 1043) - 3rd Movt - - 2 pianos
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2 Pianos, 4 hands
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Classical
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Johann Sebastian Bach
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Pietro Prugna
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Double Violin Concerto in D mi
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Pietro Prugna
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SheetMusicPlus
2 Pianos,4 Hands,Piano Duet - Digital Download SKU: A0.503131 Composed by Johann Sebastian Bach. Arranged by Pietro Prugna. Baroque,Classical,Contest,Fes...
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2 Pianos,4 Hands,Piano Duet - Digital Download SKU: A0.503131 Composed by Johann Sebastian Bach. Arranged by Pietro Prugna. Baroque,Classical,Contest,Festival,Instructional. Score. 31 pages. Published by Pietro Prugna (A0.503131). This was originally for Double Violin with String Orchestra. This is an arrangement for 2 Pianos. For Piano 1, right hand plays Violin I Solo while left hand plays Strings (violin and viola). For Piano 2, right hand plays Violin II Solo while left hand plays Basso Continuo (Cello). In a few bars, minor adjustments made to prevent overlapping. The pdf contains Full Score and Set of Parts (Piano 1, Piano 2).
$1.99
SURRENDER, Between the Octaves, A Piano Duo Suite (Movement 2 of 7)
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2 Pianos, 4 hands
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Classical
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dislocation I mean a degree of
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Jenni Roditi
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SURRENDER, Between the Octaves
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Jenni Roditi
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SheetMusicPlus
Instrumental Duet,Keyboard - Digital Download SKU: A0.1497843 Composed by Jenni Roditi. 21st Century,Classical,Contemporary. 12 pages. Jenni Roditi #1074...
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Instrumental Duet,Keyboard - Digital Download SKU: A0.1497843 Composed by Jenni Roditi. 21st Century,Classical,Contemporary. 12 pages. Jenni Roditi #1074255. Published by Jenni Roditi (A0.1497843). Piano Duo - 2 pianos, 4 hands. Surrender, Between the Octaves was the piece that was composed first in the suite. It exposes a simple call to return to the beginning, to return to a pure act of listening. This note..ah, now that note.. oh. This is how the piece was written - one note at a time. Listening from within a space (its original title) of resonance, of edges and meetings, of disappearances and repetitions that reflect on this gentle body of notes. There is a slow hearing that may, or may not create a tone-journey.Names of all the movements in the suite Between the Octaves in the right order are Initiate, Surrender, Thread, Curve, Encircle, Ritualise, Ignite. The whole suite follows a long line from movement 1 to movement 7. However, individual pieces are well suited to be played alone too. Piano Duo is ideally two Steinway grands, otherwise, whatever is available. An enjoyment of the tensions and relationships generated between the two instruments: grand-upright, upright-electronic keyboard is to be explored as a positive. Each piece creates its own world in the suite and can be part of smaller subgroups taken from the suite, in any combination, but the order of the pieces needs to be maintained if more than one is played. Here is a taste of the background to the musical world of this 53 minute compositional suite. During a reflective time I read the following: The whole philosophy of dharma art (Buddhist art) is that you don't try to be artistic, but you just approach objects as they are, and the message comes through automatically. (Chogyam Trungpa Rinpoche, from 'True Perception The Path of Dharma Art.' Shambhala 2008, p.133.) The 'objects as they are' became the 'octaves as they are'. As the pieces were composed the octaves had a centring and clarifying role that allowed other material to circulate around or play against them. They acted as pivots, repetitions, drones, ostinati, pointillist nodes, pedals, melodic features, struts, harmonic turnpikes, breathing spaces, bass lines: musical imperatives. The octaves called the musical shots most of the time. When the music pulled a semitone up or down and away from the octaves (as it did quite often) it was especially telling in the context of the ringing spaces the octaves were creating. I became interested in the subtle dislocation that two pianos could provide. By dislocation I mean a degree of tension between the natural acoustics of the two instruments in the room and the players idiosyncrasies as musicians. The whole point of this work was to examine the nature of my syntax, grammar, and compositional thinking. The title demanded one thing above all: what notes am I going to use between these octaves?? My choice of notes was derived in most instances from the tempo, pitch, and rhythm of the initial octaves at the beginning of each piece alongside the individual word titles that I set out to explore as musical images. The audio was developed from Sibelius software, via MIDI to Logic samples of a Steinway grand piano.
$20.00
THREAD, Between the Octaves A Piano Duo Suite (Movement 3 of 7)
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2 Pianos, 4 hands
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Classical
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dislocation I mean a degree of
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Jenni Roditi
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THREAD, Between the Octaves A
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Jenni Roditi
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SheetMusicPlus
Instrumental Duet,Keyboard - Digital Download SKU: A0.1497847 Composed by Jenni Roditi. 21st Century,Classical,Contemporary. 11 pages. Jenni Roditi #1074...
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Instrumental Duet,Keyboard - Digital Download SKU: A0.1497847 Composed by Jenni Roditi. 21st Century,Classical,Contemporary. 11 pages. Jenni Roditi #1074259. Published by Jenni Roditi (A0.1497847). Piano Duo 2 pianos/4 hands. Thread, Between the Octaves grew out of the call the make a single line weave between the octaves. Line was the original title. Thread, as a word, brings more texture to the title and describes what the line is actually doing, threading around the harmony. A secondary thread is heard after a while, echoing and shading the primary line, with its own treble weave. It was like going back to the beginning of making melody again.Names of all the movements in the suite Between the Octaves in the right order are Initiate, Surrender, Thread, Curve, Encircle, Ritualise, Ignite. The whole suite follows a long line from movement 1 to movement 7. However, individual pieces are well suited to be played alone too. Piano Duo is ideally two Steinway grands, otherwise, whatever is available. An enjoyment of the tensions and relationships generated between the two instruments: grand-upright, upright-electronic keyboard is to be explored as a positive. Each piece creates its own world in the suite and can be part of smaller subgroups taken from the suite, in any combination, but the order of the pieces needs to be maintained if more than one is played. Here is a taste of the background to the musical world of this 53 minute compositional suite. During a reflective time I read the following: The whole philosophy of dharma art (Buddhist art) is that you don't try to be artistic, but you just approach objects as they are, and the message comes through automatically. (Chogyam Trungpa Rinpoche, from 'True Perception The Path of Dharma Art.' Shambhala 2008, p.133.) The 'objects as they are' became the 'octaves as they are'. As the pieces were composed the octaves had a centring and clarifying role that allowed other material to circulate around or play against them. They acted as pivots, repetitions, drones, ostinati, pointillist nodes, pedals, melodic features, struts, harmonic turnpikes, breathing spaces, bass lines: musical imperatives. The octaves called the musical shots most of the time. When the music pulled a semitone up or down and away from the octaves (as it did quite often) it was especially telling in the context of the ringing spaces the octaves were creating. I became interested in the subtle dislocation that two pianos could provide. By dislocation I mean a degree of tension between the natural acoustics of the two instruments in the room and the players idiosyncrasies as musicians. The whole point of this work was to examine the nature of my syntax, grammar, and compositional thinking. The title demanded one thing above all: what notes am I going to use between these octaves?? My choice of notes was derived in most instances from the tempo, pitch, and rhythm of the initial octaves at the beginning of each piece alongside the individual word titles that I set out to explore as musical images. The audio was developed from Sibelius software, via MIDI to Logic samples of a Steinway grand piano.
$20.00
IGNITE, Between the Octaves - A Piano Duo Suite (Movement 7 of 7)
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2 Pianos, 4 hands
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INTERMEDIATE/ADVANCED
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Classical
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dislocation I mean a degree of
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Jenni Roditi
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IGNITE, Between the Octaves -
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Jenni Roditi
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SheetMusicPlus
Instrumental Duet,Keyboard - Level 4 - Digital Download SKU: A0.1497866 Composed by Jenni Roditi. 21st Century,Classical,Contemporary. 24 pages. Jenni Ro...
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Instrumental Duet,Keyboard - Level 4 - Digital Download SKU: A0.1497866 Composed by Jenni Roditi. 21st Century,Classical,Contemporary. 24 pages. Jenni Roditi #1074279. Published by Jenni Roditi (A0.1497866). Piano Duo - 2 pianos/4 hands. Ignite, Between the Octaves began with the impetus of static ‘pulsation’ (its original title) on repeated octaves. The piece is a fizzing dash of nodal vortices, small, then larger, spinning and tumbling and all the way to the finish line. This piece brings the complete suite of 7 pieces to a dynamic close, with a sense of ignition to new beginnings. The music echoes the opening F octaves of Initiate (movement 1). Names of all the movements in the suite Between the Octaves in the right order are Initiate, Surrender, Thread, Curve, Encircle, Ritualise, Ignite. The whole suite follows a long line from movement 1 to movement 7. However, individual pieces are well suited to be played alone too. Piano Duo is ideally two Steinway grands, otherwise, whatever is available. An enjoyment of the tensions and relationships generated between the two instruments: grand-upright, upright-electronic keyboard is to be explored as a positive. Each piece creates its own world in the suite and can be part of smaller subgroups taken from the suite, in any combination, but the order of the pieces needs to be maintained if more than one is played. Here is a taste of the background to the musical world of this 53 minute compositional suite. During a reflective time I read the following: The whole philosophy of dharma art (Buddhist art) is that you don't try to be artistic, but you just approach objects as they are, and the message comes through automatically. (Chogyam Trungpa Rinpoche, from 'True Perception The Path of Dharma Art.' Shambhala 2008, p.133.) The 'objects as they are' became the 'octaves as they are'. As the pieces were composed the octaves had a centring and clarifying role that allowed other material to circulate around or play against them. They acted as pivots, repetitions, drones, ostinati, pointillist nodes, pedals, melodic features, struts, harmonic turnpikes, breathing spaces, bass lines: musical imperatives. The octaves called the musical shots most of the time. When the music pulled a semitone up or down and away from the octaves (as it did quite often) it was especially telling in the context of the ringing spaces the octaves were creating. I became interested in the subtle dislocation that two pianos could provide. By dislocation I mean a degree of tension between the natural acoustics of the two instruments in the room and the players idiosyncrasies as musicians. The whole point of this work was to examine the nature of my syntax, grammar, and compositional thinking. The title demanded one thing above all: what notes am I going to use between these octaves?? My choice of notes was derived in most instances from the tempo, pitch, and rhythm of the initial octaves at the beginning of each piece alongside the individual word titles that I set out to explore as musical images. The audio was developed from Sibelius software, via MIDI to Logic samples of a Steinway grand piano.
$20.00
CURVE, Between the Octaves - A Piano Duo Suite (Movement 4 of 7)
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2 Pianos, 4 hands
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Classical
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dislocation I mean a degree of
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Jenni Roditi
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CURVE, Between the Octaves - A
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Jenni Roditi
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SheetMusicPlus
Instrumental Duet,Keyboard - Digital Download SKU: A0.1497852 Composed by Jenni Roditi. 21st Century,Classical,Contemporary. 17 pages. Jenni Roditi #1074...
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Instrumental Duet,Keyboard - Digital Download SKU: A0.1497852 Composed by Jenni Roditi. 21st Century,Classical,Contemporary. 17 pages. Jenni Roditi #1074264. Published by Jenni Roditi (A0.1497852). Piano Duo 2 pianos/4 hands. Curve, Between the Octaves points to a fugal past, where lines enter and build in stately flow. It invites lines to intermingle, without assuming they will all arrive somewhere, or at the same time. A certain intensity builds, then scales, both up and down, free themselves from the discussion of the interleaving lines. The chromaticism suggests curving between harmonies, and is nearly always ambivalent. An assertive chordal climax intervenes to shake off the tensions, yet this peels away into further curvatures that twist and twirl, until a final resting point agrees to present itself. Names of all the movements in the suite Between the Octaves in the right order are Initiate, Surrender, Thread, Curve, Encircle, Ritualise, Ignite. The whole suite follows a long line from movement 1 to movement 7. However, individual pieces are well suited to be played alone too. Piano Duo is ideally two Steinway grands, otherwise, whatever is available. An enjoyment of the tensions and relationships generated between the two instruments: grand-upright, upright-electronic keyboard is to be explored as a positive. Each piece creates its own world in the suite and can be part of smaller subgroups taken from the suite, in any combination, but the order of the pieces needs to be maintained if more than one is played. Here is a taste of the background to the musical world of this 53 minute compositional suite. During a reflective time I read the following: The whole philosophy of dharma art (Buddhist art) is that you don't try to be artistic, but you just approach objects as they are, and the message comes through automatically. (Chogyam Trungpa Rinpoche, from 'True Perception The Path of Dharma Art.' Shambhala 2008, p.133.) The 'objects as they are' became the 'octaves as they are'. As the pieces were composed the octaves had a centring and clarifying role that allowed other material to circulate around or play against them. They acted as pivots, repetitions, drones, ostinati, pointillist nodes, pedals, melodic features, struts, harmonic turnpikes, breathing spaces, bass lines: musical imperatives. The octaves called the musical shots most of the time. When the music pulled a semitone up or down and away from the octaves (as it did quite often) it was especially telling in the context of the ringing spaces the octaves were creating. I became interested in the subtle dislocation that two pianos could provide. By dislocation I mean a degree of tension between the natural acoustics of the two instruments in the room and the players idiosyncrasies as musicians. The whole point of this work was to examine the nature of my syntax, grammar, and compositional thinking. The title demanded one thing above all: what notes am I going to use between these octaves?? My choice of notes was derived in most instances from the tempo, pitch, and rhythm of the initial octaves at the beginning of each piece alongside the individual word titles that I set out to explore as musical images. The audio was developed from Sibelius software, via MIDI to Logic samples of a Steinway grand piano.
$20.00
RITUALISE, Between the Octaves - A Piano Duo Suite (Movement 6 of 7)
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2 Pianos, 4 hands
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INTERMEDIATE/ADVANCED
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Contemporary
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dislocation I mean a degree of
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Jenni Roditi
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RITUALISE, Between the Octaves
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Jenni Roditi
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SheetMusicPlus
Instrumental Duet,Keyboard - Level 4 - Digital Download SKU: A0.1497861 Composed by Jenni Roditi. 21st Century,Classical,Contemporary. 26 pages. Jenni Ro...
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Instrumental Duet,Keyboard - Level 4 - Digital Download SKU: A0.1497861 Composed by Jenni Roditi. 21st Century,Classical,Contemporary. 26 pages. Jenni Roditi #1074273. Published by Jenni Roditi (A0.1497861). Piano Duo 2 pianos/4 hands. Ritualise, Between the Octaves finally found its identity with the word ritualise. It began as announce, became pronounce, then declare and went as far a pontificate for a title. At that point I realised I was mocking my own music and needed to take it more seriously. Ritualise brought out a meaning to the music that I hadn’t wanted to admit to. It is quite folk-like, in a primal and entrancing kind of way. I can imagine a communal dance for some ceremonial purpose in this music with both public and private elements.Names of all the movements in the suite Between the Octaves in the right order are Initiate, Surrender, Thread, Curve, Encircle, Ritualise, Ignite. The whole suite follows a long line from movement 1 to movement 7. However, individual pieces are well suited to be played alone too. Piano Duo is ideally two Steinway grands, otherwise, whatever is available. An enjoyment of the tensions and relationships generated between the two instruments: grand-upright, upright-electronic keyboard is to be explored as a positive. Each piece creates its own world in the suite and can be part of smaller subgroups taken from the suite, in any combination, but the order of the pieces needs to be maintained if more than one is played. Here is a taste of the background to the musical world of this 53 minute compositional suite. During a reflective time I read the following: The whole philosophy of dharma art (Buddhist art) is that you don't try to be artistic, but you just approach objects as they are, and the message comes through automatically. (Chogyam Trungpa Rinpoche, from 'True Perception The Path of Dharma Art.' Shambhala 2008, p.133.) The 'objects as they are' became the 'octaves as they are'. As the pieces were composed the octaves had a centring and clarifying role that allowed other material to circulate around or play against them. They acted as pivots, repetitions, drones, ostinati, pointillist nodes, pedals, melodic features, struts, harmonic turnpikes, breathing spaces, bass lines: musical imperatives. The octaves called the musical shots most of the time. When the music pulled a semitone up or down and away from the octaves (as it did quite often) it was especially telling in the context of the ringing spaces the octaves were creating. I became interested in the subtle dislocation that two pianos could provide. By dislocation I mean a degree of tension between the natural acoustics of the two instruments in the room and the players idiosyncrasies as musicians. The whole point of this work was to examine the nature of my syntax, grammar, and compositional thinking. The title demanded one thing above all: what notes am I going to use between these octaves?? My choice of notes was derived in most instances from the tempo, pitch, and rhythm of the initial octaves at the beginning of each piece alongside the individual word titles that I set out to explore as musical images. The audio was developed from Sibelius software, via MIDI to Logic samples of a Steinway grand piano.
$20.00
INITIATE, Between the Octaves - A Piano Duo Suite (Movement 1 of 7)
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2 Pianos, 4 hands
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ADVANCED
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Classical
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dislocation I mean a degree of
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Jenni Roditi
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INITIATE, Between the Octaves
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Jenni Roditi
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SheetMusicPlus
Instrumental Duet,Keyboard - Level 5 - Digital Download SKU: A0.1497831 Composed by Jenni Roditi. 21st Century,Classical,Contemporary. 24 pages. Jenni Ro...
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Instrumental Duet,Keyboard - Level 5 - Digital Download SKU: A0.1497831 Composed by Jenni Roditi. 21st Century,Classical,Contemporary. 24 pages. Jenni Roditi #1074235. Published by Jenni Roditi (A0.1497831). For Piano Duo - 2 pianos/4hands. Initiate, Between the Octaves, the opening piece in the suite, is a sparky, rhythmic and post-modern hoquet, of some wit and almost perpetual bounciness. A ricocheting of quickly contrasting dynamics with occasional switches to distant moments. Three big plunges into legato emotional flow, release the popping bubbles of the fiery staccato material. A short final chorale settles and grounds the quick cuts, swoops and build ups that have propelled the whole piece. Names of all the movements in the suite Between the Octaves in the right order are Initiate, Surrender, Thread, Curve, Encircle, Ritualise, Ignite. The whole suite follows a long line from movement 1 to movement 7. However, individual pieces are well suited to be played alone too. Piano Duo is ideally two Steinway grands, otherwise, whatever is available. An enjoyment of the tensions and relationships generated between the two instruments: grand-upright, upright-electronic keyboard is to be explored as a positive. Each piece creates its own world in the suite and can be part of smaller subgroups taken from the suite, in any combination, but the order of the pieces needs to be maintained if more than one is played. Here is a taste of the background to the musical world of this 53 minute compositional suite. During a reflective time I read the following: The whole philosophy of dharma art (Buddhist art) is that you don't try to be artistic, but you just approach objects as they are, and the message comes through automatically. (Chogyam Trungpa Rinpoche, from 'True Perception The Path of Dharma Art.' Shambhala 2008, p.133.) The 'objects as they are' became the 'octaves as they are'. As the pieces were composed the octaves had a centring and clarifying role that allowed other material to circulate around or play against them. They acted as pivots, repetitions, drones, ostinati, pointillist nodes, pedals, melodic features, struts, harmonic turnpikes, breathing spaces, bass lines: musical imperatives. The octaves called the musical shots most of the time. When the music pulled a semitone up or down and away from the octaves (as it did quite often) it was especially telling in the context of the ringing spaces the octaves were creating. I became interested in the subtle dislocation that two pianos could provide. By dislocation I mean a degree of tension between the natural acoustics of the two instruments in the room and the players idiosyncrasies as musicians. The whole point of this work was to examine the nature of my syntax, grammar, and compositional thinking. The title demanded one thing above all: what notes am I going to use between these octaves?? My choice of notes was derived in most instances from the tempo, pitch, and rhythm of the initial octaves at the beginning of each piece alongside the individual word titles that I set out to explore as musical images. The audio was developed from Sibelius software, via MIDI to Logic samples of a Steinway grand piano.
$20.00
Piano Concerto No. 4 "The Bells" 2 Pianos, 4 Hands
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2 Pianos, 4 hands
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ADVANCED
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Contemporary
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James Nathaniel Holland
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Piano Concerto No. 4 "The Bell
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James Nathaniel Holland
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SheetMusicPlus
2 Pianos,4 Hands,Piano Duet - Level 5 - Digital Download SKU: A0.730503 Composed by James Nathaniel Holland. Contemporary. Score. 57 pages. James Nathani...
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2 Pianos,4 Hands,Piano Duet - Level 5 - Digital Download SKU: A0.730503 Composed by James Nathaniel Holland. Contemporary. Score. 57 pages. James Nathaniel Holland #5866929. Published by James Nathaniel Holland (A0.730503). American classical music composer James Nathaniel Holland brings you the fourth of his piano concertos, a two movement piece called The Bells The first is the lonely chime ringing from a cathedral over the city or countryside, a style reminiscent of Debussy and Ravel, and a beautiful 2nd singing theme in right hand. The second movement transports us to the mystic Italian castle high on the mountain. Instrumentation in the orchestral is: Picc/Fl1, fl2, ob12, cl Bb 12, Bsn 12, Hrn 123,Tpt Bb 1.2.3. (sometimes with mute), trmb 12, tba, timpPercussion Player #1 and #2, Bass Drum/Glockenspiel/Chimes, Piano Soloist, Strings This publication is for 4 hands and 2 pianos (orchestra reduction) to be used for rehearsal. Duration: 25 minutes. One of the easier piano concertos in the repertoire.
$8.25
A Good Night
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2 Pianos, 4 hands
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EASY
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Michael Drake
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Michael Drake
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A Good Night
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Michael Gene Drake
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SheetMusicPlus
2 Pianos,4 Hands,Piano Duet - Level 2 - Digital Download SKU: A0.1347922 By Michael Drake. By Michael Drake. Arranged by Michael Drake. Contemporary,Wedd...
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2 Pianos,4 Hands,Piano Duet - Level 2 - Digital Download SKU: A0.1347922 By Michael Drake. By Michael Drake. Arranged by Michael Drake. Contemporary,Wedding. Score. 27 pages. Michael Gene Drake #932736. Published by Michael Gene Drake (A0.1347922). A Good Night a 5 piece composition for rhythm or multiple pianos. Melody, Harmony, Piano, Motive and Bass. www.drakemusic.com michaeldrakemusic@outlook.com.
$15.00
Piano Concerto No. 6, Two Pianos/Four Hands
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2 Pianos, 4 hands
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INTERMEDIATE/ADVANCED
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James Nathaniel Holland
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Piano Concerto No. 6, Two Pian
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James Nathaniel Holland
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SheetMusicPlus
2 Pianos,4 Hands,Piano Duet - Level 4 - Digital Download SKU: A0.1321769 Composed by James Nathaniel Holland. 21st Century,Classical,Contemporary. Score....
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2 Pianos,4 Hands,Piano Duet - Level 4 - Digital Download SKU: A0.1321769 Composed by James Nathaniel Holland. 21st Century,Classical,Contemporary. Score. 52 pages. James Nathaniel Holland #910236. Published by James Nathaniel Holland (A0.1321769). 2 PIANOS/4 HANDS (Piano 2, Reduced Orchestra)  Number 6 of 21st century, American composer James Nathaniel Holland’s Piano Concertos for smaller orchestra and piano soloist.  This lively piece contains three distinct movements.  Movement one giggles and bubbles with triumphant glee;  movement 2, a quiet rocking; ending with movement 3, a neo-classical style with modern sensibilities.  Good for smaller hand, intermediate advanced level. (License or permission to perform may apply.)Instrumentation:  Fl, Ob, Cl Bb 1.2., Bsn, Hrn 1.2, Tpt, Trom, Timp, Perc. (Cymbal w/soft mallet, Crash Cymbals, Splash cymbal, high hat, bass drum, wood block) PIANO SOLOIST, StringsTwo Pianos/Four Hands, Full Score only, and Full Score with Instrument Parts, all sold separately.Total Duration:  Approximately 30 minutes.
$13.25
Amethyst Sunset - 2 Pianos & Percussion - PDF score and parts
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2 Pianos, 4 hands
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ADVANCED
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Contemporary
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Jennifer Bellor
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Amethyst Sunset - 2 Pianos & P
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Bellor
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SheetMusicPlus
2 Pianos,4 Hands,Piano Duet - Level 5 - Digital Download SKU: A0.1000137 Composed by Jennifer Bellor. 20th Century,Concert,Contemporary. Score. 92 pages....
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2 Pianos,4 Hands,Piano Duet - Level 5 - Digital Download SKU: A0.1000137 Composed by Jennifer Bellor. 20th Century,Concert,Contemporary. Score. 92 pages. Bellor #6491589. Published by Bellor (A0.1000137). 2 pianos and percussion (2 players) Duration: 9:00Percussion 1 (Vibraphone, Triangle, Gong)Percussion 2 (Triangle, Tam-tam, Suspended Cymbal, Bass Drum)Parts include: Part for 2 pianos, individual part for each piano, 2 percussion parts For more information about the music, please visit www.jenniferbellor.com.
$25.00
Piano Concerto No. 5, for Full Orchestra and Piano Soloist, Two Pianos/Four Hands
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2 Pianos, 4 hands
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ADVANCED
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James Nathaniel Holland
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Piano Concerto No. 5, for Full
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James Nathaniel Holland
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SheetMusicPlus
2 Pianos,4 Hands,Piano Duet - Level 5 - Digital Download SKU: A0.1287203 Composed by James Nathaniel Holland. 21st Century,Contemporary. Score. 72 pages....
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2 Pianos,4 Hands,Piano Duet - Level 5 - Digital Download SKU: A0.1287203 Composed by James Nathaniel Holland. 21st Century,Contemporary. Score. 72 pages. James Nathaniel Holland #878214. Published by James Nathaniel Holland (A0.1287203). TWO PIANOS/FOUR HANDS (Piano 2 is Orchestral Reduction)  The fifth of 21st century, Moonlight on the Seas, American composer James Nathaniel Holland’s Piano Concertos.  This colorful piece evokes moonlight and the sea. Movement one evokes a tempestuous storm with crashing and churning waves against the rocky coast.  Movement is maritime serenity and three returns to tempestuous emotions. (License or permission to perform may apply.)Instrumentation:  Fl 1.2., Ob, EH, Cl Bb 1.2., Bsn 1.2., Hrn 1.2.3., Tpt 1.2.3., Trom 1.2., Tba, Timp, Perc. (Cymbal w/soft mallet, Crash Cymbals, Splash cymbal,Snare, Bass Drum, Glockenspiel ) PIANO SOLOIST, Hrp., StringsTwo Pianos/Four Hands, Full Score only, and Full Score with Instrument Parts, all sold separately.Total Duration:  Approximately 30 minutes.
$13.99
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