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--INSTRUMENTS--
ACCORDION
AUTOHARP
BAGPIPE
BANJO
BASS
BASSOON
BOOKS
BOUZOUKI
BUGLE
CHORAL - VOCAL…
CLARINET
CORNET
DIDGERIDOO
DJ GEAR
DRUM
DULCIMER
ENGLISH HORN
EUPHONIUM
FLUTE
FRENCH HORN
GUITAR
HANDBELLS
HARMONICA
HARP
HARPSICHORD
LAP STEEL GUIT…
LUTE
MANDOLIN
MARCHING BAND
MARIMBA
MUSIC COURSE
OBOE
OCARINA
ORCHESTRA - BA…
ORGAN
PANPIPES
PERCUSSION
PIANO
RECORDER
SAXOPHONE
SYNTHESIZER K…
TROMBONE
TRUMPET
TUBA
UKULELE
VIBRAPHONE
VIOLA
VIOLIN - FIDDL…
VIOLONCELLO - …
XYLOPHONE
ZITHER
them down
PDF/Flash
Not classified
10,522
Piano & keyboards
Piano solo
6,653
Easy Piano
2,402
Piano, Voice
1,312
Piano, Vocal and Guitar
746
C Instruments
653
Organ
480
Piano Accompaniment
216
1 Piano, 4 hands
216
Accordion
202
Big Note Piano
120
Piano Trio: piano, violin, cello
108
2 Pianos, 4 hands
59
Piano Quartet: piano, 2 violins, cello
30
Piano (band part)
23
Piano Quartet: piano, violin, viola, cello
21
Piano Quintet: piano, 2 violins, viola, cello
20
Harpsichord
18
Organ, Trumpet (duet)
15
Organ, Piano (duet)
11
Keyboard
6
1 Piano, 6 hands
6
Accordion, Piano
5
2 Pianos, 8 hands
4
2 Accordions
3
Accordion ensemble
2
Accordion, String(s)
1
Fake Book
1
+ 22 instrumentations
-
Retract
Guitars
Guitar notes and tablatures
550
Guitar
522
Bass guitar
411
Melody line, (Lyrics) and Chords
256
Ukulele
145
Mandolin
119
Piano, Guitar (duet)
59
2 Guitars (duet)
51
Lyrics and Chords
39
Guitar (band part)
26
4 Guitars (Quartet)
24
3 Guitars (trio)
14
Dulcimer
13
Banjo
12
Guitar Ensemble
7
Mandolin, Guitar (duet)
3
2 Dulcimers (duet)
2
Guitar, Violin, Cello (trio)
2
Baritone Ukulele
1
Electric Bass (band part)
1
Guitar Tab, Voice, Bass, Drum
1
Ukulele Ensemble
1
Guitar, String Quartet
1
2 Mandolins (duet)
1
+ 19 instrumentations
-
Retract
Voice
Choral SATB
5,664
Choral 3-part
1,204
Choral Unison
1,057
Choral 2-part
1,034
Choral TTBB
415
Vocal duet, Piano
277
Choral SSAA
225
Choral Instrumental Pak
128
Vocal duet
100
Alto voice, Piano
51
Soprano voice, Piano
51
Baritone voice, Piano
39
Tenor voice, Piano
36
Voice solo
34
High voice
28
Medium voice, Piano
18
Choral SSATB
12
Low voice, Piano
11
Choral SSAATTBB
10
Choral
5
Tenor voice
5
Choral SSATTB
5
Mezzo-Soprano voice, Piano
3
Choral SATBB
2
Choral SSAB, Piano
2
Low voice
2
Soprano voice
2
Choral SSAB a cappella
1
Soli, Mixted choir and accompaniment
1
Voix Masculines
1
+ 25 instrumentations
-
Retract
Woodwind
Saxophone Quartet: 4 saxophones
723
Flute and Piano
675
2 Saxophones (duet)
668
Woodwind Quintet: flute, oboe, bassoon, clarinet, horn
658
Flute
533
Clarinet
517
Clarinet and Piano
517
Flute, Oboe, Clarinet, Bassoon
489
Oboe, Piano (duet)
429
Alto Saxophone and Piano
395
2 Flutes (duet)
382
Alto Saxophone
367
2 Clarinets (duet)
366
Clarinet Quartet: 4 clarinets
318
Tenor Saxophone and Piano
312
Saxophone (band part)
307
Saxophone Quintet: 5 Saxophones
307
Tenor Saxophone
259
Soprano Saxophone and Piano
240
Oboe (band part)
236
Saxophone
229
Flute, Clarinet (duet)
172
Clarinet Ensemble
155
2 Oboes (duet)
148
3 Saxophones (trio)
145
Clarinet (band part)
144
Flute Quartet: 4 flutes
140
Saxophone, Clarinet (duet)
140
Descant (Soprano) Recorder
135
Saxophone ensemble
128
Flute ensemble
123
Baritone Saxophone, Piano
119
Oboe, Bassoon (duet)
109
3 Clarinets (trio)
104
Flute and Guitar
98
Clarinet, Violin (duet)
97
Oboe, Clarinet (duet)
93
Oboe
90
2 Recorders (duet)
87
Clarinet, Trumpet (duet)
86
Flute Trio: 3 flutes
74
Clarinet Quintet: 5 clarinets
72
Recorder
70
Treble (Alto) Recorder
69
Flute (band part)
66
Flute, Violin
59
Oboe, Flute
58
English horn, Piano
58
Harmonica
56
Bass Clarinet, Piano
56
Flute, Viola (duet)
49
Clarinet and Viola
47
Flute, Saxophone (duet)
47
Flute, Trumpet (duet)
45
Soprano Saxophone
43
Recorder Quartet
39
Flute Quintet : 5 flutes
38
Flute, Oboe (duet)
37
Clarinet, Bassoon (duet)
33
Flute, Clarinet and Bassoon.
32
Flute, Oboe, Clarinet (trio)
27
Oboe, Clarinet, Bassoon (trio)
27
Flute, Oboe, Bassoon
24
Flute, Violoncello
24
Clarinet, Cello (duet)
23
Flute, Violin, Piano
20
Baritone Saxophone
19
English Horn
18
Oboe, Guitar (duet)
17
Clarinet, Guitar (duet)
17
5 Recorders
15
Clarinet, Trombone (duet)
14
Oboe, Cello
13
Flute, Oboe, Piano (trio)
12
Flute, Clarinet, Horn and Bassoon (Quartet)
11
Ocarina
11
3 Recorders (trio)
10
Tenor Recorder
10
Oboe, Violin (duet)
9
Oboe, Trumpet (duet)
9
Saxophone, Violin (duet)
8
Flute, Clarinet, Piano (trio)
8
Piccolo, Piano
8
2 Clarinets, Piano
8
Treble (Alto) Recorder, Piano
8
3 Oboes
8
Descent (Soprano) Recorder, Piano
8
Flute, Bassoon, and Piano
8
Saxophone and Guitar
8
2 Saxophones, Piano
7
Recorder Ensemble
7
Piccolo
6
Flute, Organ (duet)
6
Flute, Cello, Piano (trio)
6
Clarinet, Cello, Piano (trio)
6
Flute, Violin and Violoncello
6
2 Flutes, Piano
5
4 Oboes
5
English Horn, Guitar (duet)
5
Flute, Viola and Piano
5
Flute, harp and violin
5
Flute, Violin, Violoncello and Piano
4
Wind ensemble
4
Clarinet, Bassoon, Piano (trio)
4
Saxophone and Organ
4
Saxophone and Harp
4
Flute, Trombone (duet)
4
Saxophone, Bassoon (duet)
3
2 Clarinets, Bassoon
3
Recorder, Piano
3
Oboe and viola (duet)
3
2 English horns and Pianoforte
3
Oboe, Clarinet and Piano (Trio)
2
Flute, Viola and Cello
2
Oboe, Harp
2
Bass Clarinet
2
Clarinette, Viola and Piano (trio)
2
Flute and Strings Trio
2
Clarinet, trumpet and piano
2
Clarinet, Organ
2
Clarinet, Harp (duet)
2
Flute, trombone and piano
2
Flute, Clarinet, Violin (trio)
1
Flute, Tuba (duet)
1
Flute, Basso continuo
1
Pennywhistle
1
Flute, Oboe, Violin
1
Flute, Violin, Guitar
1
Bagpipe
1
Oboe, Bassoon and Piano
1
Oboe, Trombone (duet)
1
Oboe ensemble
1
Recorder, Guitar (duet)
1
Treble (Alto) Recorder, Basso continuo
1
Flute, French horn (duet)
1
Clarinet, Tuba
1
Oboe, Violin, Viola and Violoncello (Quartet)
1
+ 132 instrumentations
-
Retract
Woodbrass
Brass Quintet: 2 trumpets, horn, trombone, tuba
680
Trumpet
522
Trombone and Piano
432
Trumpet, Piano
426
Trombone
380
Brass quartet : 2 trumpets, trombone, tuba
349
French Horn and Piano
291
French horn
285
Trumpet (band part)
225
2 Trumpets (duet)
217
2 Trombones (duet)
194
Trombone (band part)
194
Brass Quartet
188
Tuba
167
Tuba and Piano
157
Brass Quartet: 2 trumpets, horn, trombone
136
Trumpet, Trombone (duet)
110
Trumpet, Saxophone (duet)
106
2 French horns (duet)
99
French horn (band part)
93
Euphonium, Piano (duet)
80
Brass Quartet: 4 trombones
70
Trumpet ensemble
62
English horn, Piano
58
Tuba (band part)
55
Brass Quartet: 4 horns
55
Trombone ensemble
54
Trumpet, Horn (duert)
46
2 Tubas (duet)
43
Euphonium
40
2 Euphoniums and 2 Tubas
39
Horn Ensemble
34
Brass Quartet: 4 trumpets
22
Trombone, Tuba (duet)
21
4 Tubas
21
Tuba and Organ
20
Brass Trio
20
3 Trombones (trio)
20
3 Trumpets (trio)
19
English Horn
18
2 Euphoniums (duet)
12
Trombone, Horn (duet)
11
Bass Trombone
11
Bass Trombone and Piano
11
Brass Quartet: 2 trumpets, 2 trombones
11
Trumpet, Tuba (duet)
11
Trumpet, Bassoon (duet)
11
Horn, Cello (duet)
10
Trumpet, violin (duet)
8
Trombone, cello (duet)
8
Horn, Tuba (duet)
7
Trumpet, Cello (duet)
6
3 French horns (trio)
6
Euphonium, Tuba (duet)
6
English Horn, Guitar (duet)
5
Clarinet, Horn (duet)
4
French horn and Basson (duet)
4
Trombone, Violin (duet)
3
French Horn and Harp
3
Trombone, Organ
3
2 English horns and Pianoforte
3
3 Tubas (trio)
2
3 Euphoniums
2
Cornet and Orchestra
1
Horn and Organ
1
Trumpet, Cello, Piano
1
2 Trombones, Piano
1
Horn and Orchestra
1
2 French horns, Piano
1
Tuba ensemble
1
Horn, Trumpet, Trombone (trio)
1
Trumpet, Orchestra
1
+ 67 instrumentations
-
Retract
Strings
String Quartet: 2 violins, viola, cello
1,635
Violin
736
Violin and Piano
727
Cello
524
Cello, Piano
523
Viola, Piano
413
Violin, Cello (duet)
367
Viola
355
2 Violins (duet)
297
2 Cellos (duet)
261
Violin (band part)
251
String Trio: violin, viola, cello
237
String Quintet: 2 violins, viola, cello, bass
211
Harp
197
2 Violas (duet)
180
Violin, Viola (duet)
170
Double Bass
146
Viola (band part)
124
Double bass, Piano (duet)
121
String Trio: 2 violins, cello
98
Viola, Cello (duet)
75
Doublebass (band part)
71
Piano Trio: Violin, Viola, Piano
53
4 Cellos
49
Cello (band part)
44
String Trio: 3 cellos
40
String Trio: 3 violins
33
Violin, Guitar (duet)
31
String Trio: 3 violas
23
2 Harps (duet)
22
String quartet: 4 violins
22
String Trio: 2 violins, viola
22
2 Double basses (duet)
21
Cello, Guitar (duet)
19
String Quartet : 4 violas
19
Violin, Bassoon (duet)
17
Cello, String Bass (duet)
15
Viola, Guitar (duet)
13
Viola and Bassoon
12
String Quintet: 2 violins, 2 violas, cello
12
Harp, Voice
11
Harp, Violin (duet)
9
Violin ensemble
9
Harp, Flute (duet)
7
Viola ensemble
7
Flute, Doublebass (duet)
6
4 Double Basses
6
String Quintet: 2 violins, viola, 2 cellos
5
Cello, Orchestra
4
2 Violins, Piano
4
Violin, Clarinet, Piano (trio)
3
Harp, Cello (duet)
3
Violin, Organ
3
Cello Ensemble
3
2 Cellos, Piano
3
Viola and Harp
2
Cello, Organ
2
Harp and mandolin
1
Viola, Organ
1
Violin, Cello, Clarinet
1
Harp, Trombone (duet)
1
Violin, Tuba (duet)
1
Harp and Piano
1
4 Harps
1
+ 59 instrumentations
-
Retract
Orchestra & Percussion
Concert band
5,190
String Orchestra
1,054
Orchestra
1,021
Marching band
805
Brass ensemble
438
Jazz Ensemble
390
Handbells
378
Chamber Orchestra
201
Drums
128
Percussion (band part)
126
Jazz combo
117
Percussion Ensemble
62
Marimba
35
Drum (band part)
27
Percussion
23
Xylophone, Piano
21
Vibraphone
15
2 Xylophones
14
Timpani (band part)
13
String Quintet : 2 Violins, Viola, Violoncello, Doublebass, Keyboard
8
Xylophone
8
Piano and Orchestra
6
Brass Quintet: other combinaisons
4
Flexible Instrumentation
2
Big band
1
Marimba, Piano (duet)
1
Snare drums
1
Xylophone or Marimba or Vibraphone
1
Orchestra, Violin
1
+ 24 instrumentations
-
Retract
Others
Instruments
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EUPHONIUM
FLUGELHORN
FLUTE
GUITAR
HANDBELLS
HARMONICA
HARP
HARPSICHORD
HORN
LUTE, THEOR…
MANDOLIN
MARCHING BA…
MARIMBA
MUSICAL COU…
NO SCORES
OBOE
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ORCHESTRA P…
ORGAN - ORG…
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PERCUSSION
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SAXOPHONE
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--INSTRUMENTS--
ACCORDION
AUTOHARP
BAGPIPE
BANJO
BASS
BASSOON
BOOKS
BOUZOUKI
BUGLE
CHORAL - VOCAL…
CLARINET
CORNET
DIDGERIDOO
DJ GEAR
DRUM
DULCIMER
ENGLISH HORN
EUPHONIUM
FLUTE
FRENCH HORN
GUITAR
HANDBELLS
HARMONICA
HARP
HARPSICHORD
LAP STEEL GUIT…
LUTE
MANDOLIN
MARCHING BAND
MARIMBA
MUSIC COURSE
OBOE
OCARINA
ORCHESTRA - BA…
ORGAN
PANPIPES
PERCUSSION
PIANO
RECORDER
SAXOPHONE
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TROMBONE
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2 Pianos, 4 hands
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59 sheet music found
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1
26
51
Keyboard accompaniment for liturgical anthems
#
2 Pianos, 4 hands
#
INTERMEDIATE
#
Various
#
Chidiebere Oku
#
Keyboard accompaniment for lit
#
CIDUC
#
SheetMusicPlus
2 Pianos,4 Hands,Piano Duet - Level 3 - Digital Download SKU: A0.705931 By Various. By Handel, Haydn, Beethoven. Arranged by Chidiebere Oku. Baroque,Clas...
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2 Pianos,4 Hands,Piano Duet - Level 3 - Digital Download SKU: A0.705931 By Various. By Handel, Haydn, Beethoven. Arranged by Chidiebere Oku. Baroque,Classical,Contest,Festival,Opera,Sacred. Score. 204 pages. CIDUC #314501. Published by CIDUC (A0.705931). Compilation of accompaniment to popular classical choral works by two keyboards (using appropriate orchestral tone registrations).
$14.99
Addams Family Theme
#
2 Pianos, 4 hands
#
BEGINNER
#
Film/TV
#
Halloween
#
Vic Mizzy
#
Art
#
Addams Family Theme
#
Art.o Artaud
#
SheetMusicPlus
2 Pianos,4 Hands,Piano Duet - Level 1 - Digital Download SKU: A0.1119509 Composed by Vic Mizzy. Arranged by Art.o Artaud. Chamber,Children,Film/TV,Holida...
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2 Pianos,4 Hands,Piano Duet - Level 1 - Digital Download SKU: A0.1119509 Composed by Vic Mizzy. Arranged by Art.o Artaud. Chamber,Children,Film/TV,Holiday,Instructional. Score. 3 pages. Art.o Artaud #720921. Published by Art.o Artaud (A0.1119509). Arrangement for two EASY level pianos of Vic Mizzy's Addams Family Theme, student/teacher duet, Halloween song.
$4.99
Suite for two Pianos, Op. 20, 4th Movement, Theme & Variations
#
2 Pianos, 4 hands
#
INTERMEDIATE
#
Contemporary
#
David Cundy
#
Variations.
#
Suite for two Pianos, Op. 20,
#
David Cundy
#
SheetMusicPlus
Instrumental Duet Instrumental Duet,Piano - Level 3 - Digital Download SKU: A0.904977 Composed by David Cundy. Contemporary. Score and parts. 13 pages. D...
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Instrumental Duet Instrumental Duet,Piano - Level 3 - Digital Download SKU: A0.904977 Composed by David Cundy. Contemporary. Score and parts. 13 pages. David Cundy #3077357. Published by David Cundy (A0.904977). Suite for two Pianos, Op. 20, 4th Movement, Theme & Variations.
$3.99
Mission Impossible Theme
#
2 Pianos, 4 hands
#
INTERMEDIATE
#
Film/TV
#
Danny Elfman
#
poon
#
Mission Impossible Theme
#
poon
#
SheetMusicPlus
2 Pianos,4 Hands,Piano Duet - Level 3 - Digital Download SKU: A0.1246366 Composed by Danny Elfman. Arranged by poon. Film/TV,Pop. Score. 8 pages. Poon #8...
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2 Pianos,4 Hands,Piano Duet - Level 3 - Digital Download SKU: A0.1246366 Composed by Danny Elfman. Arranged by poon. Film/TV,Pop. Score. 8 pages. Poon #841117. Published by poon (A0.1246366).
$4.99
Theme from Swan Lake - Keyboard Ensemble
#
2 Pianos, 4 hands
#
EASY
#
Classical
#
P
#
Christian Bennedsen
#
Theme from Swan Lake - Keyboar
#
Christian Bennedsen
#
SheetMusicPlus
Large Ensemble 2 Pianos,4 Hands,Digital Keyboard - Level 2 - Digital Download SKU: A0.766914 Composed by P. Tchaikovsky. Arranged by Christian Bennedsen....
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Large Ensemble 2 Pianos,4 Hands,Digital Keyboard - Level 2 - Digital Download SKU: A0.766914 Composed by P. Tchaikovsky. Arranged by Christian Bennedsen. Romantic Period. Score and parts. 9 pages. Christian Bennedsen #6681685. Published by Christian Bennedsen (A0.766914). KEYBOARD ENSEMBLE – WORKSHOP FOR PIANO STUDENTS
$4.99
Mozart - Theme from Symphony No. 40 - Keyboard Ensemble
#
2 Pianos, 4 hands
#
EASY
#
Classical
#
Wolfgang Amadeus Mozart
#
Christian Bennedsen
#
Mozart - Theme from Symphony N
#
Christian Bennedsen
#
SheetMusicPlus
Large Ensemble 2 Pianos,4 Hands,Digital Keyboard - Level 2 - Digital Download SKU: A0.766911 Composed by Wolfgang Amadeus Mozart. Arranged by Christian B...
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Large Ensemble 2 Pianos,4 Hands,Digital Keyboard - Level 2 - Digital Download SKU: A0.766911 Composed by Wolfgang Amadeus Mozart. Arranged by Christian Bennedsen. Classical. Score and parts. 11 pages. Christian Bennedsen #6681623. Published by Christian Bennedsen (A0.766911). KEYBOARD ENSEMBLE – WORKSHOP FOR PIANO STUDENTS
$4.99
James Bond Theme
#
2 Pianos, 4 hands
#
EASY
#
Contemporary
#
Monty Norman
#
Christian Bennedsen
#
James Bond Theme
#
Christian Bennedsen
#
SheetMusicPlus
Large Ensemble 2 Pianos,4 Hands,Digital Keyboard - Level 2 - Digital Download SKU: A0.766922 Composed by Monty Norman. Arranged by Christian Bennedsen. C...
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Large Ensemble 2 Pianos,4 Hands,Digital Keyboard - Level 2 - Digital Download SKU: A0.766922 Composed by Monty Norman. Arranged by Christian Bennedsen. Contemporary. Score and parts. 12 pages. Christian Bennedsen #6682641. Published by Christian Bennedsen (A0.766922). KEYBOARD ENSEMBLE – WORKSHOP FOR PIANO STUDENTS
$12.99
Avenger Theme
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2 Pianos, 4 hands
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INTERMEDIATE/ADVANCED
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Contemporary
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Haim Saban, Jeremy Adam Sweet,
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Kris McNaney
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Avenger Theme
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Kris McNaney
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SheetMusicPlus
2 Pianos,4 Hands,Piano Duet - Level 4 - Digital Download SKU: A0.928325 Composed by Haim Saban, Jeremy Adam Sweet, Jeremy Sweet, Ron Kenan, and Shuki Lev...
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2 Pianos,4 Hands,Piano Duet - Level 4 - Digital Download SKU: A0.928325 Composed by Haim Saban, Jeremy Adam Sweet, Jeremy Sweet, Ron Kenan, and Shuki Levy. Arranged by Kris McNaney. Contemporary. Score. 19 pages. Kris McNaney #5373247. Published by Kris McNaney (A0.928325). 4-part piano piece written for Primo I, Secondo I, Primo II, and Secondo II. This was arranged for piano extravaganzas with multiple pianos being played at the same time. A minimum of two pianos is required to play this piece with two players at each piano. The skill level required for this is Advanced Intermediate.
$4.99
Theme form Moldau - Keyboard Ensemble
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2 Pianos, 4 hands
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EASY
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Classical
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Bedrich Smetana
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Christian Bennedsen
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Theme form Moldau - Keyboard E
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Christian Bennedsen
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SheetMusicPlus
Large Ensemble 2 Pianos,4 Hands,Digital Keyboard - Level 2 - Digital Download SKU: A0.766915 Composed by Bedrich Smetana. Arranged by Christian Bennedsen...
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Large Ensemble 2 Pianos,4 Hands,Digital Keyboard - Level 2 - Digital Download SKU: A0.766915 Composed by Bedrich Smetana. Arranged by Christian Bennedsen. Romantic Period. Score and parts. 14 pages. Christian Bennedsen #6681711. Published by Christian Bennedsen (A0.766915). KEYBOARD ENSEMBLE – WORKSHOP FOR PIANO STUDENTS
$4.99
The Office - Theme
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2 Pianos, 4 hands
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EASY
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Jay Ferguson
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Arr
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The Office - Theme
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Alvaro Metzger
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SheetMusicPlus
2 Pianos,4 Hands,Piano Duet - Level 2 - Digital Download SKU: A0.1163581 Composed by Jay Ferguson. Arranged by Arr. Alvaro Metzger. Comedy,Film/TV,New Ag...
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2 Pianos,4 Hands,Piano Duet - Level 2 - Digital Download SKU: A0.1163581 Composed by Jay Ferguson. Arranged by Arr. Alvaro Metzger. Comedy,Film/TV,New Age,Rock. Score. 2 pages. Alvaro Metzger #763924. Published by Alvaro Metzger (A0.1163581). Beautiful Melody. For Piano 4 HANDS or 2 PIANOS. BEGINNERS level. Same key as the original.Professional QUALITY
$4.99
Carmen Fantasy
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2 Pianos, 4 hands
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ADVANCED
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Classical
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Alexander Rosenblatt
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Carmen Fantasy
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Schott Music - Digital
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SheetMusicPlus
2 pianos - difficult - Digital Download On themes from the opera by Georges Bizet. Composed by Alexander Rosenblatt. This edition: Sheet music. Downl...
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2 pianos - difficult - Digital Download On themes from the opera by Georges Bizet. Composed by Alexander Rosenblatt. This edition: Sheet music. Downloadable. Duration 10 minutes. Schott Music - Digital #Q11389. Published by Schott Music - Digital
Alexander Rosenblatt, born in Moscow in 1956, completed his piano and composition studies at the renowned conservatoire of his home town. In his compositions, he combines classical elements with jazz elements to form an original blend of styles, a very characteristic musical language. He made himself a name as a pianist, especially in the piano duo with O. Sinking, a genre which then earned him great success as a creative artist as well: In 2001 he won a special award for his 'Modern Piano Duet' at the International Composition Competition in Tokyo.
In his 'Carmen Fantasy' Rosenblatt uses themes from Bizet's opera in a clever and witty manner, spicing them with jazzy rhythms and surprising harmonies - virtuoso fireworks for two pianos.
$16.99
5 Easy Pieces for 2 pianos Books 1, 2, 3, 4 and 5 - 25 Classics - 2 pianos, 4 hands by Simon Peberdy
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2 Pianos, 4 hands
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INTERMEDIATE
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Classical
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Piano II: Various, Piano I:
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Simon Peberdy
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5 Easy Pieces for 2 pianos Boo
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Simon Peberdy
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SheetMusicPlus
2 pianos, 4 hands - Early Intermediate - Digital Download Composed by Piano II: Various, Piano I: Simon Peberdy. Arranged by Simon Peberdy. Classical...
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2 pianos, 4 hands - Early Intermediate - Digital Download Composed by Piano II: Various, Piano I: Simon Peberdy. Arranged by Simon Peberdy. Classical Period, Baroque Period, Repertoire, General Instructional, Children's Music. 70 pages. Published by Simon Peberdy
Have fun with 25 newly arranged pieces for 2 pianos, 4 hands with a brand new additional piano part by Simon Peberdy.
This anthology is a special offer giving you a saving $10 compared to if you buy the books separately.
This is a collection of books 1-5 of my series of Easy Pieces for 2 pianos, 4 hands.
Excellent for learners with other learners or teachers, or for more advanced pianists wanting to have some fun sight reading on 2 pianos.
Book 1: https://www.youtube.com/watch?v=nsxdXu3Q9DY
Schumann - Stückchen
W A Mozart - Menuett
Tschaikowsky - Old French song
G F Handel - Sarabande
Haydn - German Dance
Book 2: https://www.youtube.com/watch?v=WvSNEp_eq-w
Haydn - Shepherd's Song
Mozart - Air from a String Quartet
Handel - Sonatina in B flat
Rathgeber - Vivace in A
Hook - Pastorale
Book 3: https://www.youtube.com/watch?v=7BugdfBm_2Y
W.A. Mozart - Minuet in F (K5)
Hook - Tempo di Minuetto
J.S. Bach - Gavotte en Rondeau
Gurlitt - Wild Mignonette
W.F. Bach - Menuett
Book 4: (https://www.youtube.com/watch?v=lwNeO_YaBEI
Hook - Air
Müller - Study in A minor
Purcell - Round O'
Couperin - Gavotte
Rameau - Minuet
Book 5: https://www.youtube.com/watch?v=eRbF5QeR95Q
J.S. Bach - Minuet in G (I)
J.S. Bach - Minuet in G minor
J.S. Bach - Minuet in G (II)
J.S. Bach - Minuet in A minor
J.S. Bach - Minuet in D minor
Arranged for 2 pianos, 4 hands by Simon Peberdy.
The pieces are also available individually from www.simonpeberdymusic.com
If you print out everything, there are 70 pages.
The mp3 is of Rameau's Minuet from Book 4 and is computer generated, I'm afraid. To hear the other pieces, please call them up individually from www.simonpeberdymusic.com
$19.99
Studies No. 6 & 7
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2 Pianos, 4 hands
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ADVANCED
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Studies
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Conlon Nancarrow
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Studies No. 6 & 7
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Schott Music - Digital
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SheetMusicPlus
Transcribed for two pianos by Thomas Ades. Composed by Conlon Nancarrow (1912-1997). This edition: Sheet music. Downloadable. Duration 14 minutes. Sch...
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Transcribed for two pianos by Thomas Ades. Composed by Conlon Nancarrow (1912-1997). This edition: Sheet music. Downloadable. Duration 14 minutes. Schott Music - Digital #Q40444. Published by Schott Music - Digital
Nancarrow's music for player piano with .acrobatic complexity .that sounds .hardly performable has been known for more than four decades. The traditional notation is replaced by the accurate manual punching of individual holes in player piano roles, thus enabling multi-part sounds and rhythmic counterpoints in irrational relations which could never be played so accurately by human performers.
Fortunately, Nancarrow's less complex studies are again and again arranged for a wide variety of live instrumentation. The arrangement for two pianos by the renowned British composer and conductor Thomas Adè.s (*1971) presents the ideal opportunity for every experienced pianist to not only listen to the studies but to play them as well.
$48.99
CURVE, Between the Octaves - A Piano Duo Suite (Movement 4 of 7)
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2 Pianos, 4 hands
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Classical
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dislocation I mean a degree of
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Jenni Roditi
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CURVE, Between the Octaves - A
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Jenni Roditi
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SheetMusicPlus
Instrumental Duet,Keyboard - Digital Download SKU: A0.1497852 Composed by Jenni Roditi. 21st Century,Classical,Contemporary. 17 pages. Jenni Roditi #1074...
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Instrumental Duet,Keyboard - Digital Download SKU: A0.1497852 Composed by Jenni Roditi. 21st Century,Classical,Contemporary. 17 pages. Jenni Roditi #1074264. Published by Jenni Roditi (A0.1497852). Piano Duo 2 pianos/4 hands. Curve, Between the Octaves points to a fugal past, where lines enter and build in stately flow. It invites lines to intermingle, without assuming they will all arrive somewhere, or at the same time. A certain intensity builds, then scales, both up and down, free themselves from the discussion of the interleaving lines. The chromaticism suggests curving between harmonies, and is nearly always ambivalent. An assertive chordal climax intervenes to shake off the tensions, yet this peels away into further curvatures that twist and twirl, until a final resting point agrees to present itself. Names of all the movements in the suite Between the Octaves in the right order are Initiate, Surrender, Thread, Curve, Encircle, Ritualise, Ignite. The whole suite follows a long line from movement 1 to movement 7. However, individual pieces are well suited to be played alone too. Piano Duo is ideally two Steinway grands, otherwise, whatever is available. An enjoyment of the tensions and relationships generated between the two instruments: grand-upright, upright-electronic keyboard is to be explored as a positive. Each piece creates its own world in the suite and can be part of smaller subgroups taken from the suite, in any combination, but the order of the pieces needs to be maintained if more than one is played. Here is a taste of the background to the musical world of this 53 minute compositional suite. During a reflective time I read the following: The whole philosophy of dharma art (Buddhist art) is that you don't try to be artistic, but you just approach objects as they are, and the message comes through automatically. (Chogyam Trungpa Rinpoche, from 'True Perception The Path of Dharma Art.' Shambhala 2008, p.133.) The 'objects as they are' became the 'octaves as they are'. As the pieces were composed the octaves had a centring and clarifying role that allowed other material to circulate around or play against them. They acted as pivots, repetitions, drones, ostinati, pointillist nodes, pedals, melodic features, struts, harmonic turnpikes, breathing spaces, bass lines: musical imperatives. The octaves called the musical shots most of the time. When the music pulled a semitone up or down and away from the octaves (as it did quite often) it was especially telling in the context of the ringing spaces the octaves were creating. I became interested in the subtle dislocation that two pianos could provide. By dislocation I mean a degree of tension between the natural acoustics of the two instruments in the room and the players idiosyncrasies as musicians. The whole point of this work was to examine the nature of my syntax, grammar, and compositional thinking. The title demanded one thing above all: what notes am I going to use between these octaves?? My choice of notes was derived in most instances from the tempo, pitch, and rhythm of the initial octaves at the beginning of each piece alongside the individual word titles that I set out to explore as musical images. The audio was developed from Sibelius software, via MIDI to Logic samples of a Steinway grand piano.
$20.00
SURRENDER, Between the Octaves, A Piano Duo Suite (Movement 2 of 7)
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2 Pianos, 4 hands
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Classical
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dislocation I mean a degree of
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Jenni Roditi
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SURRENDER, Between the Octaves
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Jenni Roditi
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SheetMusicPlus
Instrumental Duet,Keyboard - Digital Download SKU: A0.1497843 Composed by Jenni Roditi. 21st Century,Classical,Contemporary. 12 pages. Jenni Roditi #1074...
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Instrumental Duet,Keyboard - Digital Download SKU: A0.1497843 Composed by Jenni Roditi. 21st Century,Classical,Contemporary. 12 pages. Jenni Roditi #1074255. Published by Jenni Roditi (A0.1497843). Piano Duo - 2 pianos, 4 hands. Surrender, Between the Octaves was the piece that was composed first in the suite. It exposes a simple call to return to the beginning, to return to a pure act of listening. This note..ah, now that note.. oh. This is how the piece was written - one note at a time. Listening from within a space (its original title) of resonance, of edges and meetings, of disappearances and repetitions that reflect on this gentle body of notes. There is a slow hearing that may, or may not create a tone-journey.Names of all the movements in the suite Between the Octaves in the right order are Initiate, Surrender, Thread, Curve, Encircle, Ritualise, Ignite. The whole suite follows a long line from movement 1 to movement 7. However, individual pieces are well suited to be played alone too. Piano Duo is ideally two Steinway grands, otherwise, whatever is available. An enjoyment of the tensions and relationships generated between the two instruments: grand-upright, upright-electronic keyboard is to be explored as a positive. Each piece creates its own world in the suite and can be part of smaller subgroups taken from the suite, in any combination, but the order of the pieces needs to be maintained if more than one is played. Here is a taste of the background to the musical world of this 53 minute compositional suite. During a reflective time I read the following: The whole philosophy of dharma art (Buddhist art) is that you don't try to be artistic, but you just approach objects as they are, and the message comes through automatically. (Chogyam Trungpa Rinpoche, from 'True Perception The Path of Dharma Art.' Shambhala 2008, p.133.) The 'objects as they are' became the 'octaves as they are'. As the pieces were composed the octaves had a centring and clarifying role that allowed other material to circulate around or play against them. They acted as pivots, repetitions, drones, ostinati, pointillist nodes, pedals, melodic features, struts, harmonic turnpikes, breathing spaces, bass lines: musical imperatives. The octaves called the musical shots most of the time. When the music pulled a semitone up or down and away from the octaves (as it did quite often) it was especially telling in the context of the ringing spaces the octaves were creating. I became interested in the subtle dislocation that two pianos could provide. By dislocation I mean a degree of tension between the natural acoustics of the two instruments in the room and the players idiosyncrasies as musicians. The whole point of this work was to examine the nature of my syntax, grammar, and compositional thinking. The title demanded one thing above all: what notes am I going to use between these octaves?? My choice of notes was derived in most instances from the tempo, pitch, and rhythm of the initial octaves at the beginning of each piece alongside the individual word titles that I set out to explore as musical images. The audio was developed from Sibelius software, via MIDI to Logic samples of a Steinway grand piano.
$20.00
THREAD, Between the Octaves A Piano Duo Suite (Movement 3 of 7)
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2 Pianos, 4 hands
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Classical
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dislocation I mean a degree of
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Jenni Roditi
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THREAD, Between the Octaves A
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Jenni Roditi
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SheetMusicPlus
Instrumental Duet,Keyboard - Digital Download SKU: A0.1497847 Composed by Jenni Roditi. 21st Century,Classical,Contemporary. 11 pages. Jenni Roditi #1074...
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Instrumental Duet,Keyboard - Digital Download SKU: A0.1497847 Composed by Jenni Roditi. 21st Century,Classical,Contemporary. 11 pages. Jenni Roditi #1074259. Published by Jenni Roditi (A0.1497847). Piano Duo 2 pianos/4 hands. Thread, Between the Octaves grew out of the call the make a single line weave between the octaves. Line was the original title. Thread, as a word, brings more texture to the title and describes what the line is actually doing, threading around the harmony. A secondary thread is heard after a while, echoing and shading the primary line, with its own treble weave. It was like going back to the beginning of making melody again.Names of all the movements in the suite Between the Octaves in the right order are Initiate, Surrender, Thread, Curve, Encircle, Ritualise, Ignite. The whole suite follows a long line from movement 1 to movement 7. However, individual pieces are well suited to be played alone too. Piano Duo is ideally two Steinway grands, otherwise, whatever is available. An enjoyment of the tensions and relationships generated between the two instruments: grand-upright, upright-electronic keyboard is to be explored as a positive. Each piece creates its own world in the suite and can be part of smaller subgroups taken from the suite, in any combination, but the order of the pieces needs to be maintained if more than one is played. Here is a taste of the background to the musical world of this 53 minute compositional suite. During a reflective time I read the following: The whole philosophy of dharma art (Buddhist art) is that you don't try to be artistic, but you just approach objects as they are, and the message comes through automatically. (Chogyam Trungpa Rinpoche, from 'True Perception The Path of Dharma Art.' Shambhala 2008, p.133.) The 'objects as they are' became the 'octaves as they are'. As the pieces were composed the octaves had a centring and clarifying role that allowed other material to circulate around or play against them. They acted as pivots, repetitions, drones, ostinati, pointillist nodes, pedals, melodic features, struts, harmonic turnpikes, breathing spaces, bass lines: musical imperatives. The octaves called the musical shots most of the time. When the music pulled a semitone up or down and away from the octaves (as it did quite often) it was especially telling in the context of the ringing spaces the octaves were creating. I became interested in the subtle dislocation that two pianos could provide. By dislocation I mean a degree of tension between the natural acoustics of the two instruments in the room and the players idiosyncrasies as musicians. The whole point of this work was to examine the nature of my syntax, grammar, and compositional thinking. The title demanded one thing above all: what notes am I going to use between these octaves?? My choice of notes was derived in most instances from the tempo, pitch, and rhythm of the initial octaves at the beginning of each piece alongside the individual word titles that I set out to explore as musical images. The audio was developed from Sibelius software, via MIDI to Logic samples of a Steinway grand piano.
$20.00
ENCIRCLE, Between the Octaves - A Piano Duo Suite (Movement 5 of 7)
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2 Pianos, 4 hands
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INTERMEDIATE/ADVANCED
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Classical
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dislocation I mean a degree of
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Jenni Roditi
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ENCIRCLE, Between the Octaves
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Jenni Roditi
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SheetMusicPlus
Instrumental Duet,Keyboard - Level 4 - Digital Download SKU: A0.1497857 Composed by Jenni Roditi. 21st Century,Classical,Contemporary. 19 pages. Jenni Ro...
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Instrumental Duet,Keyboard - Level 4 - Digital Download SKU: A0.1497857 Composed by Jenni Roditi. 21st Century,Classical,Contemporary. 19 pages. Jenni Roditi #1074269. Published by Jenni Roditi (A0.1497857). Piano Duo 2 pianos/4 hands. Encircle, Between the Octaves, originally called rotate as its impetus was to generate a steadily rotating music. Encircle was later chosen as a more evocative word. The harmony surprised me as it suggested shifts and colourations that I would not have expected to conjure. Two upper rotating parts with melodic narrative are supported by bass and baritone lower parts. The final section adds a dance-like short form to end what could otherwise have run and run and run. Names of all the movements in the suite Between the Octaves in the right order are Initiate, Surrender, Thread, Curve, Encircle, Ritualise, Ignite. The whole suite follows a long line from movement 1 to movement 7. However, individual pieces are well suited to be played alone too. Piano Duo is ideally two Steinway grands, otherwise, whatever is available. An enjoyment of the tensions and relationships generated between the two instruments: grand-upright, upright-electronic keyboard is to be explored as a positive. Each piece creates its own world in the suite and can be part of smaller subgroups taken from the suite, in any combination, but the order of the pieces needs to be maintained if more than one is played. Here is a taste of the background to the musical world of this 53 minute compositional suite. During a reflective time I read the following: The whole philosophy of dharma art (Buddhist art) is that you don't try to be artistic, but you just approach objects as they are, and the message comes through automatically. (Chogyam Trungpa Rinpoche, from 'True Perception The Path of Dharma Art.' Shambhala 2008, p.133.) The 'objects as they are' became the 'octaves as they are'. As the pieces were composed the octaves had a centring and clarifying role that allowed other material to circulate around or play against them. They acted as pivots, repetitions, drones, ostinati, pointillist nodes, pedals, melodic features, struts, harmonic turnpikes, breathing spaces, bass lines: musical imperatives. The octaves called the musical shots most of the time. When the music pulled a semitone up or down and away from the octaves (as it did quite often) it was especially telling in the context of the ringing spaces the octaves were creating. I became interested in the subtle dislocation that two pianos could provide. By dislocation I mean a degree of tension between the natural acoustics of the two instruments in the room and the players idiosyncrasies as musicians. The whole point of this work was to examine the nature of my syntax, grammar, and compositional thinking. The title demanded one thing above all: what notes am I going to use between these octaves?? My choice of notes was derived in most instances from the tempo, pitch, and rhythm of the initial octaves at the beginning of each piece alongside the individual word titles that I set out to explore as musical images. The audio was developed from Sibelius software, via MIDI to Logic samples of a Steinway grand piano.
$20.00
IGNITE, Between the Octaves - A Piano Duo Suite (Movement 7 of 7)
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2 Pianos, 4 hands
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INTERMEDIATE/ADVANCED
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Classical
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dislocation I mean a degree of
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Jenni Roditi
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IGNITE, Between the Octaves -
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Jenni Roditi
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SheetMusicPlus
Instrumental Duet,Keyboard - Level 4 - Digital Download SKU: A0.1497866 Composed by Jenni Roditi. 21st Century,Classical,Contemporary. 24 pages. Jenni Ro...
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Instrumental Duet,Keyboard - Level 4 - Digital Download SKU: A0.1497866 Composed by Jenni Roditi. 21st Century,Classical,Contemporary. 24 pages. Jenni Roditi #1074279. Published by Jenni Roditi (A0.1497866). Piano Duo - 2 pianos/4 hands. Ignite, Between the Octaves began with the impetus of static ‘pulsation’ (its original title) on repeated octaves. The piece is a fizzing dash of nodal vortices, small, then larger, spinning and tumbling and all the way to the finish line. This piece brings the complete suite of 7 pieces to a dynamic close, with a sense of ignition to new beginnings. The music echoes the opening F octaves of Initiate (movement 1). Names of all the movements in the suite Between the Octaves in the right order are Initiate, Surrender, Thread, Curve, Encircle, Ritualise, Ignite. The whole suite follows a long line from movement 1 to movement 7. However, individual pieces are well suited to be played alone too. Piano Duo is ideally two Steinway grands, otherwise, whatever is available. An enjoyment of the tensions and relationships generated between the two instruments: grand-upright, upright-electronic keyboard is to be explored as a positive. Each piece creates its own world in the suite and can be part of smaller subgroups taken from the suite, in any combination, but the order of the pieces needs to be maintained if more than one is played. Here is a taste of the background to the musical world of this 53 minute compositional suite. During a reflective time I read the following: The whole philosophy of dharma art (Buddhist art) is that you don't try to be artistic, but you just approach objects as they are, and the message comes through automatically. (Chogyam Trungpa Rinpoche, from 'True Perception The Path of Dharma Art.' Shambhala 2008, p.133.) The 'objects as they are' became the 'octaves as they are'. As the pieces were composed the octaves had a centring and clarifying role that allowed other material to circulate around or play against them. They acted as pivots, repetitions, drones, ostinati, pointillist nodes, pedals, melodic features, struts, harmonic turnpikes, breathing spaces, bass lines: musical imperatives. The octaves called the musical shots most of the time. When the music pulled a semitone up or down and away from the octaves (as it did quite often) it was especially telling in the context of the ringing spaces the octaves were creating. I became interested in the subtle dislocation that two pianos could provide. By dislocation I mean a degree of tension between the natural acoustics of the two instruments in the room and the players idiosyncrasies as musicians. The whole point of this work was to examine the nature of my syntax, grammar, and compositional thinking. The title demanded one thing above all: what notes am I going to use between these octaves?? My choice of notes was derived in most instances from the tempo, pitch, and rhythm of the initial octaves at the beginning of each piece alongside the individual word titles that I set out to explore as musical images. The audio was developed from Sibelius software, via MIDI to Logic samples of a Steinway grand piano.
$20.00
RITUALISE, Between the Octaves - A Piano Duo Suite (Movement 6 of 7)
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2 Pianos, 4 hands
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INTERMEDIATE/ADVANCED
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Contemporary
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dislocation I mean a degree of
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Jenni Roditi
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RITUALISE, Between the Octaves
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Jenni Roditi
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SheetMusicPlus
Instrumental Duet,Keyboard - Level 4 - Digital Download SKU: A0.1497861 Composed by Jenni Roditi. 21st Century,Classical,Contemporary. 26 pages. Jenni Ro...
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Instrumental Duet,Keyboard - Level 4 - Digital Download SKU: A0.1497861 Composed by Jenni Roditi. 21st Century,Classical,Contemporary. 26 pages. Jenni Roditi #1074273. Published by Jenni Roditi (A0.1497861). Piano Duo 2 pianos/4 hands. Ritualise, Between the Octaves finally found its identity with the word ritualise. It began as announce, became pronounce, then declare and went as far a pontificate for a title. At that point I realised I was mocking my own music and needed to take it more seriously. Ritualise brought out a meaning to the music that I hadn’t wanted to admit to. It is quite folk-like, in a primal and entrancing kind of way. I can imagine a communal dance for some ceremonial purpose in this music with both public and private elements.Names of all the movements in the suite Between the Octaves in the right order are Initiate, Surrender, Thread, Curve, Encircle, Ritualise, Ignite. The whole suite follows a long line from movement 1 to movement 7. However, individual pieces are well suited to be played alone too. Piano Duo is ideally two Steinway grands, otherwise, whatever is available. An enjoyment of the tensions and relationships generated between the two instruments: grand-upright, upright-electronic keyboard is to be explored as a positive. Each piece creates its own world in the suite and can be part of smaller subgroups taken from the suite, in any combination, but the order of the pieces needs to be maintained if more than one is played. Here is a taste of the background to the musical world of this 53 minute compositional suite. During a reflective time I read the following: The whole philosophy of dharma art (Buddhist art) is that you don't try to be artistic, but you just approach objects as they are, and the message comes through automatically. (Chogyam Trungpa Rinpoche, from 'True Perception The Path of Dharma Art.' Shambhala 2008, p.133.) The 'objects as they are' became the 'octaves as they are'. As the pieces were composed the octaves had a centring and clarifying role that allowed other material to circulate around or play against them. They acted as pivots, repetitions, drones, ostinati, pointillist nodes, pedals, melodic features, struts, harmonic turnpikes, breathing spaces, bass lines: musical imperatives. The octaves called the musical shots most of the time. When the music pulled a semitone up or down and away from the octaves (as it did quite often) it was especially telling in the context of the ringing spaces the octaves were creating. I became interested in the subtle dislocation that two pianos could provide. By dislocation I mean a degree of tension between the natural acoustics of the two instruments in the room and the players idiosyncrasies as musicians. The whole point of this work was to examine the nature of my syntax, grammar, and compositional thinking. The title demanded one thing above all: what notes am I going to use between these octaves?? My choice of notes was derived in most instances from the tempo, pitch, and rhythm of the initial octaves at the beginning of each piece alongside the individual word titles that I set out to explore as musical images. The audio was developed from Sibelius software, via MIDI to Logic samples of a Steinway grand piano.
$20.00
INITIATE, Between the Octaves - A Piano Duo Suite (Movement 1 of 7)
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2 Pianos, 4 hands
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ADVANCED
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Classical
#
dislocation I mean a degree of
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Jenni Roditi
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INITIATE, Between the Octaves
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Jenni Roditi
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SheetMusicPlus
Instrumental Duet,Keyboard - Level 5 - Digital Download SKU: A0.1497831 Composed by Jenni Roditi. 21st Century,Classical,Contemporary. 24 pages. Jenni Ro...
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Instrumental Duet,Keyboard - Level 5 - Digital Download SKU: A0.1497831 Composed by Jenni Roditi. 21st Century,Classical,Contemporary. 24 pages. Jenni Roditi #1074235. Published by Jenni Roditi (A0.1497831). For Piano Duo - 2 pianos/4hands. Initiate, Between the Octaves, the opening piece in the suite, is a sparky, rhythmic and post-modern hoquet, of some wit and almost perpetual bounciness. A ricocheting of quickly contrasting dynamics with occasional switches to distant moments. Three big plunges into legato emotional flow, release the popping bubbles of the fiery staccato material. A short final chorale settles and grounds the quick cuts, swoops and build ups that have propelled the whole piece. Names of all the movements in the suite Between the Octaves in the right order are Initiate, Surrender, Thread, Curve, Encircle, Ritualise, Ignite. The whole suite follows a long line from movement 1 to movement 7. However, individual pieces are well suited to be played alone too. Piano Duo is ideally two Steinway grands, otherwise, whatever is available. An enjoyment of the tensions and relationships generated between the two instruments: grand-upright, upright-electronic keyboard is to be explored as a positive. Each piece creates its own world in the suite and can be part of smaller subgroups taken from the suite, in any combination, but the order of the pieces needs to be maintained if more than one is played. Here is a taste of the background to the musical world of this 53 minute compositional suite. During a reflective time I read the following: The whole philosophy of dharma art (Buddhist art) is that you don't try to be artistic, but you just approach objects as they are, and the message comes through automatically. (Chogyam Trungpa Rinpoche, from 'True Perception The Path of Dharma Art.' Shambhala 2008, p.133.) The 'objects as they are' became the 'octaves as they are'. As the pieces were composed the octaves had a centring and clarifying role that allowed other material to circulate around or play against them. They acted as pivots, repetitions, drones, ostinati, pointillist nodes, pedals, melodic features, struts, harmonic turnpikes, breathing spaces, bass lines: musical imperatives. The octaves called the musical shots most of the time. When the music pulled a semitone up or down and away from the octaves (as it did quite often) it was especially telling in the context of the ringing spaces the octaves were creating. I became interested in the subtle dislocation that two pianos could provide. By dislocation I mean a degree of tension between the natural acoustics of the two instruments in the room and the players idiosyncrasies as musicians. The whole point of this work was to examine the nature of my syntax, grammar, and compositional thinking. The title demanded one thing above all: what notes am I going to use between these octaves?? My choice of notes was derived in most instances from the tempo, pitch, and rhythm of the initial octaves at the beginning of each piece alongside the individual word titles that I set out to explore as musical images. The audio was developed from Sibelius software, via MIDI to Logic samples of a Steinway grand piano.
$20.00
Germaine Tailleferre: Trois Études for two pianos
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2 Pianos, 4 hands
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ADVANCED
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achieving the physical decline
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Germaine Tailleferre
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Germaine Tailleferre: Trois É
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Musik Fabrik Music Publishing
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SheetMusicPlus
Instrumental Duet Instrumental Duet,Piano - Level 5 - Digital Download SKU: A0.534483 Composed by Germaine Tailleferre. 20th Century,Concert,Standards. S...
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Instrumental Duet Instrumental Duet,Piano - Level 5 - Digital Download SKU: A0.534483 Composed by Germaine Tailleferre. 20th Century,Concert,Standards. Score and parts. 65 pages. Musik Fabrik Music Publishing #3534799. Published by Musik Fabrik Music Publishing (A0.534483). This work was written in the first months of 1942 while Tailleferre was living in Grasse, in the socolled« Free Zone » of occupied France during the Second World War and was completed just asTailleferre was forced to flee France with her daughter. As the wife of Jean Lageat, who had been thesecretary of the French socialist Léon Blum during the « Front Populaire » period just before the Warand who was at that time in the US working against the Vichy Government, and as someone who wasnot unvocal about her political views, this could not have been a comfortable situation. Tailleferre left arecord of what she experienced during this period in an article written for the American music journal «Modern Music » which she wrote shortly after arriving in America in the Spring of 1942 :« Notwithstanding their staunch spirit of resistence, the people under German rule today areincreasingly bowed down under their burdens. By achieving the physical decline of the French, theNazis hope that spiritual collapse will ensue. However, after two years of quasi-famine, France remainspround and great, although the necessity of liberation grows daily more urgent.....For an artist to workunder these conditions is almost impossible. The mere effort of subsisting wastes time and absorbsenergy ; The means to work are also lacking.....Musical composition is made practically impossiblethrough lack of music paper. For more than a year, I sought in vain to find paper in Lyon, Marseillesand Nice on which to copy an orchestral score...Two years of experience under German rule havetaught me that all expressions of pride, dignity, spirit , aspiration of the human will can be made onlyclaudestinely. It is a historical truth that the human mind makes its greatest progress under freedom ».Under such circumstances, it is a miracle that this work exists at all. The three movement work wasdedicated to the famous Marguerite Long, for whom Tailleferre had already written several short worksfor piano solo, and François Lang, a pianist who was closely linked with the Group des Six and whohad performed in the première of the 1934 Concerto Grosso for Two Pianos, 8 Solo Voices, SaxophoneQuartet and Orchestra and for whom Tailleferre wrote two cadenzas for concerti by Mozart and Haydn.The work opens with sunny, optimistism in a mood similar to the opening movement of the ConcertoGrosso, but quickly the mood changes to more dramatic themes. The second movement seems tosubjectively express a rupture with the past and a tragic melancholy. The final third movement isextremely dramatic and almost frightening with it’s force.When Tailleferre left France in the Spring of 1942, having been warned by a neighbor that she wasgoing to be arrested if she didn’t leave immediately, she left the score in a two-piano version, probablydue to the fact that there was no music paper to be had to copy the score. When she returned to Francein 1946, she learned that François Lang had been deported to Auschwitz where he died. Musical life inFrance had been completely changed by the War years. Tailleferre put the work aside and forgot aboutit, perhaps wanting to forget the hardships that she had lived through and the loss of many of her friendsassociated with these years.Tailleferre's version for two pianos is published by Musik Fabrik and the work may be performed inthat version. It is clear however, that the work was intended to be orchestrated and the editors hope thatthe present orchestration will allow the work to finally be presented as Tailleferre conceived duringsome of the darkest years of the Twentieth century.
$32.95
F. Kuhlau Sonatine Op. 20 No. 1 Third Movement for 2 Pianos
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2 Pianos, 4 hands
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INTERMEDIATE/ADVANCED
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Classical
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Frederich Kuhlau
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Philip Kim
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F. Kuhlau Sonatine Op. 20 No.
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Philip Kim
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SheetMusicPlus
2 Pianos,4 Hands,Piano Duet - Level 4 - Digital Download SKU: A0.743879 Composed by Frederich Kuhlau. Arranged by Philip Kim. Classical. Score. 11 pages....
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2 Pianos,4 Hands,Piano Duet - Level 4 - Digital Download SKU: A0.743879 Composed by Frederich Kuhlau. Arranged by Philip Kim. Classical. Score. 11 pages. Philip Kim #1900279. Published by Philip Kim (A0.743879). I wrote a second piano part for this lovely sonatine by Kulau for my students to introduce them to chamber music. I hope you enjoy them as well. There are 1st and 2nd movements also and are uploaded separately. I have also uploaded all 3 movements of this sonatine as a single download. Youtube link: https://youtu.be/tYugVedixf4.
$7.00
Muzio Clementi Sonatine Op. 36 No. 1 Second Movement for 2 Pianos
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2 Pianos, 4 hands
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INTERMEDIATE
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Classical
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Muzio Clementi
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Philip Kim
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Muzio Clementi Sonatine Op. 36
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Philip Kim
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SheetMusicPlus
2 Pianos,4 Hands,Piano Duet - Level 3 - Digital Download SKU: A0.743883 Composed by Muzio Clementi. Arranged by Philip Kim. Classical. Score. 3 pages. Ph...
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2 Pianos,4 Hands,Piano Duet - Level 3 - Digital Download SKU: A0.743883 Composed by Muzio Clementi. Arranged by Philip Kim. Classical. Score. 3 pages. Philip Kim #1900307. Published by Philip Kim (A0.743883). I wrote a second piano part for this lovely sonatine by Clementi for my students to introduce them to chamber music. I hope you enjoy them as well. 1st and 3rd movements are uploaded separately as well as all 3 movements combined as a single file. Youtube link: https://youtu.be/5lqLu3VpCiE.
$7.00
Muzio Clementi Sonatine Op. 36 No. 4 Third Movement for 2 Pianos
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2 Pianos, 4 hands
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INTERMEDIATE
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Classical
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Muzio Clementi
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Philip Kim
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Muzio Clementi Sonatine Op. 36
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Philip Kim
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SheetMusicPlus
2 Pianos,4 Hands,Piano Duet - Level 3 - Digital Download SKU: A0.743888 Composed by Muzio Clementi. Arranged by Philip Kim. Classical. Score. 6 pages. Ph...
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2 Pianos,4 Hands,Piano Duet - Level 3 - Digital Download SKU: A0.743888 Composed by Muzio Clementi. Arranged by Philip Kim. Classical. Score. 6 pages. Philip Kim #1900431. Published by Philip Kim (A0.743888). I wrote a second piano part for this lovely sonatine by Clementi for my students to introduce them to chamber music. I hope you enjoy them as well. 1st and 2nd movements are uploaded separately as well as all 3 movements combined as a single file.
$7.00
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