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Violin and Viola
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9,964
Piano & keyboards
Piano Quartet: piano, violin, viola, cello
522
Piano Quintet: piano, 2 violins, viola, cello
482
Piano solo
96
Piano Accompaniment
47
Easy Piano
22
Piano, Voice
21
Piano, Vocal and Guitar
15
Piano Trio: piano, violin, cello
15
2 Pianos, 4 hands
7
1 Piano, 4 hands
5
Piano (band part)
3
Organ
3
C Instruments
3
Harpsichord
2
Piano Quartet: piano, 2 violins, cello
2
Piano Quintet: piano, violin, viola, cello, double bass
1
2 Accordions
1
+ 12 instrumentations
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10
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6
2 Guitars (duet)
5
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1
Mandolin
1
4 Guitars (Quartet)
1
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1
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275
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28
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15
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7
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4
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3
Vocal duet, Piano
2
Soli, Mixted choir and accompaniment
2
Medium voice, Piano
1
Choral SSATB
1
Baritone voice, Piano
1
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95
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89
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89
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85
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67
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52
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52
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43
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13
4 Oboes
11
Clarinet Quintet: Clarinet, String Quartet
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7
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3
Flute, Clarinet and Bassoon.
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2
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2
Saxophone ensemble
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2
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1
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1
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1
Clarinette, Viola and Piano (trio)
1
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1
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1
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1
Flute, Viola and harp
1
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1
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52
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47
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22
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21
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20
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19
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16
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11
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4
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4
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3
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3
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2
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2
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1
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1
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1
3 Trumpets (trio)
1
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25,378
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3,966
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2,485
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1,703
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691
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485
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345
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129
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111
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93
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86
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You've selected:
Violin and Viola
PDF
Saxophone ensemble
Sheetmusic to print
2 sheet music found
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1
Bach: Brandenburg Concerto No. 3 for Saxophone Choir
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Saxophone ensemble
#
INTERMEDIATE/ADVANCED
#
Classical
#
Johann Sebastian Bach
#
James M
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Bach: Brandenburg Concerto No.
#
jmsgu3
#
SheetMusicPlus
Saxophone Ensemble,Woodwind Ensemble Alto Saxophone,Baritone Saxophone,Bass Saxophone,Soprano Saxophone - Level 4 - Digital Download SKU: A0.1402348 Comp...
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Saxophone Ensemble,Woodwind Ensemble Alto Saxophone,Baritone Saxophone,Bass Saxophone,Soprano Saxophone - Level 4 - Digital Download SKU: A0.1402348 Composed by Johann Sebastian Bach. Arranged by James M. Guthrie. Baroque,Contest,Festival,Historic,Standards,Traditional. 149 pages. Jmsgu3 #985560. Published by jmsgu3 (A0.1402348). Bach's Brandenburg Concerto No. 3 is significant for its composition and structure. It features nine solo strings divided into three groups of violins, violas, and cellos, showcasing a colorful instrumentation and demanding performance requirements. The concerto opens majestically with distinct groupings of soloists by instrument, maintaining these divisions throughout the movement with moments of independence for each soloist. The closing movement, a vigorous allegro, follows a similar pattern with the nine players divided by instrument. Additionally, the concerto includes a two-note adagio cadence where musicians were intended to improvise a link between the outer movements. This concerto is a prime example of the Baroque concerto style. It demonstrates Bach's mastery in creating intricate and harmonious compositions that challenge performers while showcasing the beauty of different instruments working together harmoniously.The historical context of Bach's Brandenburg Concertos is rooted in the Baroque era and Bach's circumstances. Composed around 1711-1720 and dedicated in 1721 to Christian Ludwig, the Margrave of Brandenburg, these concertos were a collection of six concerti grossi that showcased a balance between various groups of soloists and a small orchestra. Bach's decision to compile these concertos was influenced by his need for employment and his encounter with Christian Ludwig, who commissioned several works after being impressed by his performance in Berlin around 1719. Despite Bach's hopes for a position at the Brandenburg court, the Margrave did not pay for the work, possibly because the pieces were revisions of earlier compositions rather than new creations specifically for him. Moreover, the Brandenburg Concertos exemplify the concerto grosso genre popular during the Baroque era, featuring a more significant number of soloists than usual and expansive music that showcases a variety of instruments in different combinations. Bach's innovative use of instruments like trumpets, recorders, French horns, oboes, flutes, violino piccolo, violas da gamba, and harpsichord in these concertos highlights his creativity and mastery in composing intricate and diverse musical pieces. The historical significance lies in Bach's ability to blend different musical styles and forms while creating a set of concertos that music lovers cherish today.
$74.95
Maggiolata-Hubay-saxophone octet
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Saxophone ensemble
#
EASY
#
Jeno Hubay
#
Phil Beaman
#
Maggiolata-Hubay-saxophone oct
#
Phil Beaman
#
SheetMusicPlus
Saxophone Ensemble,Woodwind Ensemble Alto Saxophone,Baritone Saxophone,Soprano Saxophone,Tenor Saxophone - Level 2 - Digital Download SKU: A0.844678 Comp...
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Saxophone Ensemble,Woodwind Ensemble Alto Saxophone,Baritone Saxophone,Soprano Saxophone,Tenor Saxophone - Level 2 - Digital Download SKU: A0.844678 Composed by Jeno Hubay. Arranged by Phil Beaman. Romantic Period,Standards. 17 pages. Phil Beaman #5012615. Published by Phil Beaman (A0.844678). Maggiolata is the Italian name of an ancient Spring Festival celebrated on May 1st, hence the subtitle Song of May. Jeno Hubay, Head of the Violin Dept at the Budapest Academy of Music, wrote this piece to be as light and celebratory as a perfect spring day. My arrangement abridges and slightly simplifies this classical standard which was originally written for Viola and Piano. I reduced it from 6 1/2 minutes to 2 1/2 minutes by focusing on the recapitulation of the main theme but also included opening and closing cadenzas. I have scored it for a Saxophone Octet; 1 Soprano, 4 Altos, 2 Tenors, 1 Baritone. The Soprano Sax has the melody throughout. The Altos and Tenors have occasional countermelody, but mostly pulse ensemble rich chords while the Bari sits on pedal tones. Overall, it creates a rich, balanced saxophone sound which utilizes the full range of the instrument. Fairly easy, but sounds more advanced with its full chords and the dramatic interpretation markings I have added.9 page score, 1 page parts; 17 pages total5 minutes with repeat
$13.99
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