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--INSTRUMENTS--
ACCORDION
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CHORAL - VOCAL…
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DIDGERIDOO
DJ GEAR
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DULCIMER
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Without a Song
PDF/Flash
Not classified
749
Piano & keyboards
Piano solo
436
Organ
308
Easy Piano
281
Piano, Voice
139
Piano, Vocal and Guitar
68
C Instruments
31
Big Note Piano
13
Piano Trio: piano, violin, cello
5
1 Piano, 4 hands
2
Piano Quartet: piano, 2 violins, cello
2
2 Pianos, 4 hands
1
Accordion
1
+ 7 instrumentations
-
Retract
Guitars
Bass guitar
30
Guitar
28
Guitar notes and tablatures
28
2 Guitars (duet)
12
Melody line, (Lyrics) and Chords
11
Ukulele
9
Dulcimer
6
Banjo
2
Baritone Ukulele
1
Guitar, Violin, Cello (trio)
1
4 Guitars (Quartet)
1
3 Guitars (trio)
1
+ 7 instrumentations
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Retract
Voice
Choral SATB
178
Baritone voice, Piano
65
Alto voice, Piano
60
Choral 3-part
59
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56
Tenor voice, Piano
50
Choral TTBB
42
Choral SSAA
36
Choral 2-part
33
Choral Unison
27
Low voice, Piano
22
High voice
20
Vocal duet
7
Vocal duet, Piano
6
Voice solo
5
Tenor voice
4
Low voice
4
Choral SSAATTBB
1
Choral SSATTB
1
Vocal duet, Organ
1
Voice, Guitar
1
Medium voice, Piano
1
Soprano voice
1
+ 18 instrumentations
-
Retract
Woodwind
Clarinet and Piano
90
Oboe, Piano (duet)
88
Flute and Piano
78
Alto Saxophone and Piano
73
Clarinet
71
Flute
56
Alto Saxophone
52
Saxophone Quartet: 4 saxophones
47
Woodwind Quintet: flute, oboe, bassoon, clarinet, horn
43
2 Saxophones (duet)
42
Flute, Oboe, Clarinet, Bassoon
42
2 Clarinets (duet)
38
Saxophone Quintet: 5 Saxophones
36
Tenor Saxophone
33
2 Flutes (duet)
29
Oboe
27
Tenor Saxophone and Piano
24
Clarinet Quartet: 4 clarinets
24
Oboe (band part)
23
Saxophone (band part)
22
2 Oboes (duet)
17
Soprano Saxophone and Piano
17
3 Clarinets (trio)
16
Baritone Saxophone, Piano
15
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12
2 Recorders (duet)
11
Flute, Clarinet (duet)
10
Oboe, Clarinet (duet)
10
Clarinet Ensemble
9
3 Saxophones (trio)
8
Flute Quartet: 4 flutes
7
English horn, Piano
7
Oboe, Bassoon (duet)
7
Clarinet, Bassoon (duet)
6
Bass Clarinet, Piano
6
Flute, Oboe (duet)
6
Flute ensemble
6
Descant (Soprano) Recorder
5
Saxophone ensemble
5
Recorder Quartet
4
Flute, Clarinet, Horn and Bassoon (Quartet)
4
Clarinet Quintet: 5 clarinets
4
5 Recorders
4
Soprano Saxophone
4
Flute, Oboe, Piano (trio)
3
Baritone Saxophone
3
Oboe, Flute
3
Pennywhistle
3
Clarinet, Guitar (duet)
3
Flute, Clarinet and Bassoon.
3
Bass Clarinet
3
Ocarina
3
Saxophone, Clarinet (duet)
2
Clarinet, Violin (duet)
2
Flute Quintet : 5 flutes
2
Flute, Violoncello
2
Oboe, Bassoon and Piano
2
Clarinet, Cello (duet)
2
Clarinet, Trumpet (duet)
2
Recorder
2
3 Recorders (trio)
2
Flute, Violin
2
2 Clarinets, Piano
2
Flute, Trumpet (duet)
1
English Horn, Guitar (duet)
1
Oboe, Cello
1
2 Oboes, Piano
1
Harmonica
1
English Horn
1
Oboe, Clarinet and Piano (Trio)
1
2 Flutes, Piano
1
Clarinet and Viola
1
Clarinet, Harp (duet)
1
Flute, Violin, Piano
1
Saxophone
1
Saxophone and Harp
1
Oboe, Clarinet, Bassoon (trio)
1
Oboe, Harp
1
Flute Trio: 3 flutes
1
Recorder Ensemble
1
Flute, Saxophone (duet)
1
+ 76 instrumentations
-
Retract
Woodbrass
Trumpet, Piano
79
French Horn and Piano
72
Brass Quintet: 2 trumpets, horn, trombone, tuba
64
Trombone
57
Trumpet
55
French horn
53
Trombone and Piano
43
Tuba and Piano
33
Tuba
31
Brass quartet : 2 trumpets, trombone, tuba
30
2 Trumpets (duet)
21
Brass Quartet: 4 trombones
17
2 Trombones (duet)
17
2 French horns (duet)
16
Trumpet, Trombone (duet)
15
Brass Quartet
15
Euphonium, Piano (duet)
14
Brass Quartet: 2 trumpets, horn, trombone
14
2 Tubas (duet)
11
English horn, Piano
7
Trumpet, Horn (duert)
6
Trombone, Horn (duet)
3
Trumpet, Tuba (duet)
3
Horn, Tuba (duet)
3
3 Trombones (trio)
2
Trumpet (band part)
2
Trumpet, Saxophone (duet)
2
Trombone ensemble
2
Brass Quartet: 4 horns
2
Trumpet ensemble
2
2 Euphoniums and 2 Tubas
2
Horn Ensemble
2
Bass Trombone
1
2 Trombones, Piano
1
English Horn, Guitar (duet)
1
Trombone, Tuba (duet)
1
French Horn and Harp
1
Trumpet, Trombone, Piano
1
English Horn
1
Euphonium
1
Bass Clef Instruments
1
Trumpet, Harp
1
+ 37 instrumentations
-
Retract
Strings
String Quartet: 2 violins, viola, cello
162
Violin and Piano
133
Viola, Piano
107
Cello, Piano
89
Cello
86
Violin
83
Violin, Cello (duet)
58
Viola
54
Harp
39
String Quintet: 2 violins, viola, cello, bass
35
Double Bass
33
Double bass, Piano (duet)
25
2 Violins (duet)
25
2 Cellos (duet)
18
2 Violas (duet)
16
String Trio: violin, viola, cello
15
Violin, Viola (duet)
14
Viola (band part)
11
2 Double basses (duet)
7
String Trio: 2 violins, cello
6
Viola, Cello (duet)
6
Harp, Flute (duet)
5
String Quintet: 2 violins, viola, 2 cellos
4
4 Cellos
3
Piano Trio: Violin, Viola, Piano
3
Cello, Guitar (duet)
2
Violin (band part)
2
String Quintet: 2 violins, 2 violas, cello
2
2 Cellos, Piano
1
4 Harps
1
Violin, Bassoon (duet)
1
String Trio: 3 violins
1
Harp, Violin (duet)
1
Harp, Cello (duet)
1
Cello, String Bass (duet)
1
String Quartet : 4 violas
1
Viola and Harp
1
Violin, Cello, Clarinet
1
2 Violas, Piano
1
+ 34 instrumentations
-
Retract
Orchestra & Percussion
Concert band
68
String Orchestra
56
Orchestra
34
Brass ensemble
31
Jazz Ensemble
10
Drums
8
Chamber Orchestra
8
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6
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6
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4
Marimba
3
String Quintet : 2 Violins, Viola, Violoncello, Doublebass, Keyboard
2
Xylophone, Piano
2
Marimba, Piano (duet)
1
Marching band
1
Percussion Ensemble
1
+ 11 instrumentations
-
Retract
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Without a Song
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Brass ensemble
Sheetmusic to print
31 sheet music found
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1
26
Without You
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Brass ensemble
#
INTERMEDIATE
#
Contemporary
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David Guetta Featuring Usher
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Max Stannard
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Without You
#
Max Stannard Music
#
SheetMusicPlus
Brass Ensemble - Level 3 - Digital Download SKU: A0.773435 By David Guetta Featuring Usher. By David Guetta, Frederic Riesterer, Giorgio Tuinfort, Rico L...
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Brass Ensemble - Level 3 - Digital Download SKU: A0.773435 By David Guetta Featuring Usher. By David Guetta, Frederic Riesterer, Giorgio Tuinfort, Rico Love, Taio Cruz, and Usher Raymond. Arranged by Max Stannard. Contemporary. Score and parts. 46 pages. Max Stannard Music #3125519. Published by Max Stannard Music (A0.773435). Without You is a song by French DJ David Guetta. The song features the vocals of R&B singer Usher, who told Billboard magazine that the project was maybe the biggest song I've made in my life. The arrangement for brass band adds a fanfare introduction but retains the songs driving beat in an albeit, slightly more Baroque style. Duration: 3.30 www.maxstannardmusic.com @MStannardMusic.
$40.00
A Song Without Words (For Brass Ensembles)
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Brass ensemble
#
INTERMEDIATE/ADVANCED
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Anthony Prudent
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A Song Without Words
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Anthony Prudent
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SheetMusicPlus
Brass Ensemble - Level 4 - Digital Download SKU: A0.917778 Composed by Anthony Prudent. Contemporary,Standards. Score and parts. 39 pages. Anthony Pruden...
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Brass Ensemble - Level 4 - Digital Download SKU: A0.917778 Composed by Anthony Prudent. Contemporary,Standards. Score and parts. 39 pages. Anthony Prudent #5195423. Published by Anthony Prudent (A0.917778). Hello to all who happen to stumble onto this piece! My name is Anthony Prudent, and I am a student at the Fiorello H. LaGuardia High School in New York City. This piece is an original composition that was written for the Brass Ensemble in the school. The world premiere of the song occurred on Tuesday, January the 7th. As such, I am distributing this work so that any ensemble, for school or otherwise, can perform it! The piece is roughly three and a half minutes long. However, it can be found challenging at times. Nevertheless, it is a fun piece to perform anywhere and is an excellent form of repertoire for brass players looking for something to engage with their performing groups.
$6.99
Canzon IV a 6 - No. 198
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Brass ensemble
#
INTERMEDIATE/ADVANCED
#
Classical
#
Giovanni Gabrieli
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Randy A
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Canzon IV a 6 - No. 198
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Randy A. Steinberg
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SheetMusicPlus
Brass Ensemble - Level 4 - Digital Download SKU: A0.870397 Composed by Giovanni Gabrieli. Arranged by Randy A. Steinberg. Baroque. Score and parts. 31 pa...
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Brass Ensemble - Level 4 - Digital Download SKU: A0.870397 Composed by Giovanni Gabrieli. Arranged by Randy A. Steinberg. Baroque. Score and parts. 31 pages. Randy A. Steinberg #1988451. Published by Randy A. Steinberg (A0.870397). Giovanni Gabrieli was no mere composer. He was an event. The figure at the nexus of many things all coming together in one grand tide. The greatest church in the greatest city of Europe. Freedom of intellectual thought. A Venetian School of composers at the forefront of musical innovation. The printing press and musical publishing. A Doge (Chief Magistrate or Duke) willing to spend, and spend big, on musical pomp and ceremony. A dearth of wealth and money to fund the grandest celebrations. He was the leading Italian composer and organist in Venice at its greatest heights at the chasm between the end of the Renaissance and the beginning of the Baroque period in music. Presented here is a Canzona published around 1615 for 6 brass. A variety of substitute parts are also included to handle the trombone parts with French horns and tubas. A great work that draws from Gabrieli’s many styles. The piece starts with a song like tune that is repeated throughout. Each variation is separated by a 3/4 dance-like chanson repeated throughout. The final cadence is classic Gabrieli with its grand finale. A Gabrieli instrumental ensemble work that provides listeners with a variety of common Gabrieli touches all in one piece without requiring a lot of musical forces.
$3.99
Gremlins, Trolls and Hobgoblins: A Scary Halloween Mashup
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Brass ensemble
#
INTERMEDIATE/ADVANCED
#
Halloween
#
F
#
F
#
Gremlins, Trolls and Hobgoblin
#
Sweetwater Brass Press
#
SheetMusicPlus
Brass Ensemble - Level 4 - Digital Download SKU: A0.808712 Composed by F. Leslie Smith. Arranged by F. Leslie Smith. Children. Score and parts. 37 pages....
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Brass Ensemble - Level 4 - Digital Download SKU: A0.808712 Composed by F. Leslie Smith. Arranged by F. Leslie Smith. Children. Score and parts. 37 pages. Sweetwater Brass Press #6656487. Published by Sweetwater Brass Press (A0.808712).   Gremlins, trolls and hobgoblins. All are imaginary or supernatural, products of folklore. The first is a mischievous elf. The second, a product of Scandinavian imaginations, is a rather unattractive dwarf (or maybe a giant) that dwells in caves or on mountains. The third is a small, hirsute and naughty household spirit. In other words, these are just the types of beings that show up on your doorstep on October 31 evenings threatening to play tricks unless you provide treats.  This composition exemplifies not only these creatures, but also the witches, skeletons, ghosts, vampires, black cats and other scary beings that populate Halloween. Written in the key of C minor with a 6/8 time signature, it rolls along at a suggested tempo of 96 BPM. Based primarily on the traditional melody, The Hearse Song (the worms crawl in, the worms crawl out), it also quotes the composer’s own The Eerie Night and Chopin’s Marche Funèbre. And like the worms of the song, the melodies work their way sinuously in and out among the five instruments. Most notes are well within normal playing range: Trumpet 1’s highest is five A notes above its staff; Tuba’s lowest, G below the staff. There are no tricky rhythmic figures. It’s just a fun piece for Halloween . . . or any time of the year.  Completed in 2021, performance time for Gremlins, Trolls and Hobgoblins runs about 3 minutes, 33 seconds. The composer, Les Smith, will be happy to provide substitute parts (for example, treble clef baritone for trombone) at no charge. He would also like to receive your suggestions, comments, corrections and criticisms. Contact him directly at lessmith61@bellsouth.net. For more arrangements by Les, enter Sweetwater Brass Press (without the quotation marks) in the search box. (Also, purchase of this piece entitles you to your choice of another of his arrangements at no charge; send a copy of your purchase receipt directly to him at lessmith61@bellsouth.net.)
$7.95
SONG from Joseph Andrews of Henry Fielding
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Brass ensemble
#
INTERMEDIATE/ADVANCED
#
Contemporary
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Derrick Thom
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SONG from Joseph Andrews of He
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Derrick Thom. Lewis
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SheetMusicPlus
Brass Ensemble - Level 4 - Digital Download SKU: A0.975886 Composed by Derrick Thom. Lewis. 20th Century,Classical. Score and parts. 42 pages. Derrick Th...
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Brass Ensemble - Level 4 - Digital Download SKU: A0.975886 Composed by Derrick Thom. Lewis. 20th Century,Classical. Score and parts. 42 pages. Derrick Thom. Lewis #5985225. Published by Derrick Thom. Lewis (A0.975886). This is a tonal, classical style song in 6/8 rhythm at Andante, mostly, accompanied by Oboe, 3 Horns and Tuba. The lyric, by Henry Fielding (1723), is about the wooing of a young lovely, with attendant difficulties. Duration = 7 minutes 14 seconds. Besides the score and parts, there is also included a piano + vocal score. This can be used for performance (without the small ensemble), or for preparation for performance of the singer with the small wind-band. Note: the instrumental coda is a little shorter in the piano version, therefore the piano should not be used together with the wind-band.
$27.00
M'appari tutt' amor (“Mostly Martha”)
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Brass ensemble
#
INTERMEDIATE/ADVANCED
#
Friedrich von Flotow
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F
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M'appari tutt' amor
#
Sweetwater Brass Press
#
SheetMusicPlus
Brass Ensemble - Level 4 - Digital Download SKU: A0.1049261 Composed by Friedrich von Flotow. Arranged by F. Leslie Smith. Classical,Pop,Romantic Period....
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Brass Ensemble - Level 4 - Digital Download SKU: A0.1049261 Composed by Friedrich von Flotow. Arranged by F. Leslie Smith. Classical,Pop,Romantic Period. Score and parts. 18 pages. Sweetwater Brass Press #653628. Published by Sweetwater Brass Press (A0.1049261). The first performance of "Martha, or The Market at Richmond," a romantic comic opera by the German composer Friedrich von Flotow, took place in Vienna in 1847. Subsequent presentations were performed in a number of other languages, including Hungarian, Czech, English and Italian. Two of the most memorable arias from Martha are “The Last Rose of Summer” and “Ach! so fromm.” “Last Rose” was, of course, based on the poem by Thomas Moore. “Ach! So fromm,” known more familiarly by its Italian lyric, “M'appari, tutt'amor,” was an original composition by Flotow, a piece he had composed for an earlier opera and inserted into Act 3 of Martha as Lyonel’s tenor solo. In 1955, The Crew Cuts, a Canadian pop singing group, recorded a song titled “Mostly Martha.” Written by Dorcas Cochran (words) and Ralph Sterling (music), it charted in early 1956. As so many pop song writers have done, Sterling borrowed the melody from a piece of classical music: “M’appari.” While “M’appari” and “Mostly Martha” share the same melody, the words and sentiment are quite different. Lyonel laments that Martha has left him, while The Crew Cuts jauntily proclaim, “Mostly Martha, Mostly Martha. What has she got? She's got the most.” This brass quintet arrangement takes a middle ground. It follows closely the basic structure of Flotow’s operatic aria but does so in a sort-of up-tempo manner and with a great deal of variation in the accompaniment. It’s not really The-Crew-Cut-style “She’s got the most,” but it’s certainly more positive than Lyonel’s song of longing. The piece starts with a suggested tempo of 90 bpm, changes to 80 at section C, and speeds up to 92 at the end. All instruments get a turn playing the melody, and there are no really tricky rhythmic patterns. There are, however, grace notes, rallentandos, an “a piacere” and a number of fermatas. All notes are, for the most part, within normal playing range of each of the five instruments, with two exceptions: near the end Trumpet 1 has an A above its staff, followed two measures later by a high B-flat. Completed in 2022, performance time runs about 2 minutes, 45 seconds. The arranger, Les Smith, will be happy to provide substitute parts (for example, treble clef baritone for trombone) at no charge. He would like to receive your suggestions, comments, corrections and criticisms. Also, purchase of this piece entitles you to your choice of another of his arrangements at no charge; send a copy of your purchase receipt to him directly at lessmith61@bellsouth.net. For more arrangements by Les, enter "Sweetwater Brass Press" (without the quotation marks) in the search box. (Also, purchase of this piece entitles you to your choice of another of his arrangements at no charge; send a copy of your purchase receipt directly to him at lessmith61@bellsouth.net.)
$7.95
Annie Overture
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Brass ensemble
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EASY
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Charles Strouse and Martin Cha
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James Moule
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Annie Overture
#
James Moule
#
SheetMusicPlus
Brass Ensemble - Level 2 - Digital Download SKU: A0.489928 Composed by Charles Strouse and Martin Charnin. Arranged by James Moule. 20th Century,Broadway...
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Brass Ensemble - Level 2 - Digital Download SKU: A0.489928 Composed by Charles Strouse and Martin Charnin. Arranged by James Moule. 20th Century,Broadway,Musical/Show. Score and parts. 24 pages. James Moule #106032. Published by James Moule (A0.489928). This is the second quintet for brass, based on four songs from the Broadway Musical, Annie: You're Never Fully Dressed Without a Smile, We'd Like to Thank you, Herbert Hoover, Something Was Missing and Annie. Parts are comfortably pitched for intermediate players. While designed for the traditional English brass band quintet (two cornets, tenor horn, baritone and Eb tuba), Parts 4 & 5 are also given at concert pitch and a Part 3 french horn part is provided. The set is excellent for both concerts and junior contests. The set comes with a full conductor's score. Total playing time is about 4'50.
$12.99
Piano Man
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Brass ensemble
#
INTERMEDIATE
#
Rock
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Billy Joel
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Eric Fregoso
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Piano Man
#
Eric Fregoso
#
SheetMusicPlus
Brass Ensemble - Level 3 - Digital Download SKU: A0.901064 By Billy Joel. By Billy Joel. Arranged by Eric Fregoso. Pop,Rock. Score and parts. 79 pages. E...
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Brass Ensemble - Level 3 - Digital Download SKU: A0.901064 By Billy Joel. By Billy Joel. Arranged by Eric Fregoso. Pop,Rock. Score and parts. 79 pages. Eric Fregoso #3907065. Published by Eric Fregoso (A0.901064). Billy Joel's hit Piano Man arranged for Brass Quintet + optional rhythm section by Eric Fregoso.This arrangement covers the entire song length. Run time: ~5:40Instrumentation1st Bb Trumpet, 2nd Bb Trumpet, F Horn, Trombone (alt. Euphonium/Baritone), Tuba; Piano, Drumset, Accordion, Mandolin, Electric Bass GuitarNotesWithout a rhythm section, this arrangement should still feel and sound complete with most parts covered.This purchase will also include a shorter brass only score.Guitar instruments include notation & tabs.ContactFor any questions, feel free to contact musicnerdmidi@gmail.com or through YouTube https://www.youtube.com/musicnerdmidi.
$17.49
Because
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Brass ensemble
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INTERMEDIATE
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Guy d'Hardelot
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F
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e
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Because
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Sweetwater Brass Press
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SheetMusicPlus
Brass Ensemble - Level 3 - Digital Download SKU: A0.808703 Composed by Guy d'Hardelot (1858 – 1936). Arranged by F. Leslie Smith. Holiday,Romantic...
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Brass Ensemble - Level 3 - Digital Download SKU: A0.808703 Composed by Guy d'Hardelot (1858 – 1936). Arranged by F. Leslie Smith. Holiday,Romantic Period,Spiritual,Wedding. Score and parts. 18 pages. Sweetwater Brass Press #6072651. Published by Sweetwater Brass Press (A0.808703).     This song is a great piece to play for a general concert. But it really shines in matrimonial settings. The fact is: No wedding is complete without the performance of Because.    Helen Guy, the daughter of an English sea captain and a French singer, was born at Château d'Hardelot in France. She entered the Paris Conservatory at age 15, and in her early 20s composed a musical setting for Victor Hugo’s Sans toi, which gained some popularity. She composed over 300 songs using the name Guy d'Hardelot. She was also a noted piano accompanist. After marrying W.I. Rhodes, she settled in London and taught singing. As a composer, she is best remembered for Because (Parce Que), for which she wrote both the music and the French words. It was first published in 1902 with English lyrics by Edward Teschemacher and has since been recorded many times by many different artists.    This arrangement was derived from the 1902 Chappell & Co. score in C major for piano and voice. For the most part, however, the musical setting is original and different. Throughout most of the piece, Horn in F carries the melody with Trombone and Tuba providing an arpeggio accompaniment. Trumpets 1 and 2 play a syncopation figure for the opening and the end but during the majority of the arrangement they provide an antiphonal response to the melody. The opening is marked Poco Adagio with a suggested metronome setting of 76, but the tempo does vary rather frequently. All notes are well within the range of each instrument; e.g., B-flat Trumpets’ highest note is G at the top of their staff, while Tuba’s lowest note is A below the staff. All-in-all, this arrangement is a beautiful and poignant setting for an old favorite, a real crowd pleaser.    Completed in 2020, performance time for Because runs about 3 minutes, 22 seconds. The arranger, Les Smith, will be happy to provide substitute parts (for example, treble clef baritone for trombone) at no charge; contact him directly at lessmith61@bellsouth.net. For more arrangements by Les, enter Sweetwater Brass Press (without the quotation marks) in the search box. (Also, purchase of this piece entitles you to your choice of another of his arrangements at no charge; send a copy of your purchase receipt directly to him at lessmith61@bellsouth.net.)
$6.99
Monteverdi - The Sixth Book of Madrigals - 06. Una donna fra I' altre
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Brass ensemble
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INTERMEDIATE
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Classical
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Claudio Monteverdi
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Mike Lyons
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Monteverdi - The Sixth Book of
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Lyons Music Services
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SheetMusicPlus
Brass Ensemble - Level 3 - Digital Download SKU: A0.767275 Composed by Claudio Monteverdi. Arranged by Mike Lyons. Baroque,Renaissance. Score and parts. ...
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Brass Ensemble - Level 3 - Digital Download SKU: A0.767275 Composed by Claudio Monteverdi. Arranged by Mike Lyons. Baroque,Renaissance. Score and parts. 17 pages. Lyons Music Services #3218689. Published by Lyons Music Services (A0.767275). As part of my continuing project to transcribe Monteverdi's madrigals onto winds, here is the 6th book. In this book we see a much greater development towards dramatic representation. In a way, this book is divisible into two Scenes with a number of single items in between. The vocal lines are all much more complex and we can also see the beginnings of monodic writing appear in the semi-recit sections of some of the songs. Also clearly developing are delineations of the voices into soloists and chorus. Several songs in this book are almost akin to arias, with clear soloistic writing for the higher voices (Cantus/Tenor). The first four songs form a kind of introductory 'scena', which Monteverdi calls Lamento d'Arianna. A little later, there is a set of 6 songs which he grouped together under the title Sestina. Here, the song is describing One woman amongst the others, honest and beautiful. Now, there's flattery for you! There is a subtitle to this song Concertato nel clavicembalo - Conducted from the harpsichord. Obviously, this is not possible in this transcription. The continuo part has been incorporated into the rests of all of the parts, without swamping the leading voices. As with all things madrigalian, the lyrics are rife with double entendres. Monteverdi uses some very close dissonances to describe death and release.
$5.99
Plaisir d'amour
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Brass ensemble
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INTERMEDIATE
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Jean-Paul-Égide Martini
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F
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Plaisir d'amour
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Sweetwater Brass Press
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SheetMusicPlus
Brass Ensemble - Level 3 - Digital Download SKU: A0.808686 Composed by Jean-Paul-Égide Martini (1741–1816). Arranged by F. Leslie Smith. Class...
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Brass Ensemble - Level 3 - Digital Download SKU: A0.808686 Composed by Jean-Paul-Égide Martini (1741–1816). Arranged by F. Leslie Smith. Classical,Holiday,Love,Wedding. Score and parts. 23 pages. Sweetwater Brass Press #3689775. Published by Sweetwater Brass Press (A0.808686). This is one of the most beautifully arranged short pieces in the Sweetwater Brass Press catalog. Jean-Paul-Égide Martini wrote Plaisir d'amour in 1784. He took the words from a poem that appears in Célestine, a short novel by Jean-Pierre Claris de Florian. The poem begins, Plaisir d'amour ne dure qu'un moment (The pleasure of love lasts only a moment). Over the years, Martini’s melody has proved popular with other composers, including Hector Berlioz and Louis van Waefelghem. Two relatively recent songs that made use of the plaintiff refrain are the Christian hymn, My God Loves Me and the song Can't Help Falling in Love, which was performed by Elvis Presley in the film, Blue Hawaii. This arrangement is not technically difficult, but it does require discipline and interpretation. As in the original, there are two key changes, F to A-flat and then back to F. The time signature has been changed from Martini’s 6/8 to ¾ but retains all relative note values. Trumpet 1 plays the melody with occasional harmony from Trumpet 2. Horn in F provides arpeggio accompaniment throughout most of the song, with some help from Tuba and Trombone. With respect to high and low notes: Trumpet 1 has one A5 grace note (to a G5 quarter note); Trumpet 2 has three above-staff quarter notes in a row, A5, B5 and A5; Trombone has one F4; and Tuba has a number of F1 notes and one section of octave jumps involving F2 to F3 and A2 to A3. This arrangement was completed in 2018, and performance time runs about 3 minutes, 51 seconds. The arranger, Les Smith, would be very interested in your comments; contact him at lessmith@ufl.edu or leave a review on the SheetMusicPlus website. For more arrangements by Les, enter Sweetwater Brass Press (without the quotation marks) in the SheetMusicPlus search box.
$6.95
My Funny Valentine
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Brass ensemble
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INTERMEDIATE
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Rock
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Richard Rodgers
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F
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My Funny Valentine
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Sweetwater Brass Press
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SheetMusicPlus
Brass Ensemble - Level 3 - Digital Download SKU: A0.808663 Composed by Richard Rodgers. Arranged by F. Leslie Smith. Pop,Rock. Score and parts. 21 pages....
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Brass Ensemble - Level 3 - Digital Download SKU: A0.808663 Composed by Richard Rodgers. Arranged by F. Leslie Smith. Pop,Rock. Score and parts. 21 pages. Sweetwater Brass Press #2853385. Published by Sweetwater Brass Press (A0.808663). My Funny Valentine is a show tune from the 1937 Richard Rodgers and Lorenz Hart musical Babes in Arms. In the play, a character named Billie Smith sings the song to Valentine Val LaMar. Two years later, the film version of the play was released, but the plot had been revised to the extent that it kept only a couple of songs from the stage version; My Funny Valentine was not one of them. Nonetheless, the song became both a pop and a jazz standard and has been recorded many times. This version has a distinctly baroque feel.Completed in 2016, this arrangement runs about 3 minutes, 29 seconds. The arranger, Les Smith, can be reached at lessmith@ufl.edu. For more arrangements by Les, enter Sweetwater Brass Press (without the quotation marks) in the SheetMusicPlus search box.
$15.00
Summertime
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Brass ensemble
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INTERMEDIATE
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Jazz
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Dorothy Heyward, Du Bose Heywa
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Kevin P Holdgate
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Summertime
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Kevin P Holdgate
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SheetMusicPlus
Brass Ensemble - Level 3 - Digital Download SKU: A0.790942 Composed by Dorothy Heyward, Du Bose Heyward, George Gershwin, and Ira Gershwin. Arranged by K...
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Brass Ensemble - Level 3 - Digital Download SKU: A0.790942 Composed by Dorothy Heyward, Du Bose Heyward, George Gershwin, and Ira Gershwin. Arranged by Kevin P Holdgate. Jazz. Score and parts. 24 pages. Kevin P Holdgate #4321551. Published by Kevin P Holdgate (A0.790942). SummertimeArranged as a solo for Tenor Horn and Brass BandSummertime is an aria composed in 1934 by George Gershwin for the 1935 opera Porgy and Bess. The lyrics are by DuBose Heyward, the author of the novel Porgy on which the opera was based, although the song is also co-credited to Ira Gershwin by ASCAP.[1]The song soon became a popular and much recorded jazz standard, described as without doubt ... one of the finest songs the composer ever wrote ... Gershwin's highly evocative writing brilliantly mixes elements of jazz and the song styles of blacks in the southeast United States from the early twentieth century.[
$19.99
There’ll Be Some Changes Made
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Brass ensemble
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INTERMEDIATE/ADVANCED
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W
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F
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There’ll Be Some Changes Mad
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Sweetwater Brass Press
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SheetMusicPlus
Brass Ensemble - Level 4 - Digital Download SKU: A0.808689 Composed by W. Benton Overstreet (1888-1935). Arranged by F. Leslie Smith. Graduation,Holiday,...
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Brass Ensemble - Level 4 - Digital Download SKU: A0.808689 Composed by W. Benton Overstreet (1888-1935). Arranged by F. Leslie Smith. Graduation,Holiday,Jazz,Traditional. Score and parts. 30 pages. Sweetwater Brass Press #4331333. Published by Sweetwater Brass Press (A0.808689). William Benton Overstreet did it all-played piano, wrote songs, led bands. Probably the accomplishment for which he’s most remembered today is his composing of There’ll Be Some Changes Made, published in 1921. Billy Higgins, popular stage comedian, wrote the lyrics, and Ethel Waters, then just 24, recorded the song on the Black Swan label. The disc quickly achieved hit status, and the song has remained popular across multiple musical platform styles ever since. This arrangement is a happy, fun piece and includes some of the great (and familiar) Vaudeville-style ornaments and phrases. It’s a real toe-tapper. For the most part this arrangement is up-tempo, about 140 bpm. It does slow to 92 at the first iteration of the verse and again for the final ¬6 measures of the piece. Time signature is 4/4 except for measure 89, which is 6/4. The key is B-flat throughout, and the melody weaves among all instruments. Trumpet 1 plays B5 (B-flat trumpet’s high C) briefly at measures 4 and 35 and for two measures at the very end of the piece. Tuba plays G3 briefly several times in measures 90-93. Other than that, there are no exceptionally out-of-normal-range notes. Trumpets 1 and 2 may wish to double-tongue at measure 64. This arrangement was completed in 2019, and performance time runs about 3 minutes, 30 seconds. The arranger, Les Smith, would be very interested in your comments; contact him at lessmith@ufl.edu. For more arrangements by Les, enter Sweetwater Brass Press (without the quotation marks) in the SheetMusicPlus search box.
$13.95
Tipplers Revel (XCIX Utres Cervisiae in Muro and other bacchanalian airs)
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Brass ensemble
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INTERMEDIATE/ADVANCED
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F
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Tipplers Revel
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Sweetwater Brass Press
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SheetMusicPlus
Brass Ensemble - Level 4 - Digital Download SKU: A0.1093770 Composed by F. Leslie Smith. Folk,Holiday,Traditional. Score and parts. 57 pages. Sweetwater ...
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Brass Ensemble - Level 4 - Digital Download SKU: A0.1093770 Composed by F. Leslie Smith. Folk,Holiday,Traditional. Score and parts. 57 pages. Sweetwater Brass Press #697853. Published by Sweetwater Brass Press (A0.1093770).     The dictionary defines revel as “a time or instance of carefree fun.†The verb tipple refers to the imbibing of spirits. A tippler is one who drinks beer, wine, whiskey or other such spirituous liquids. So a tipplers revel would be a gathering of folks who, in the words of Dolly Parton’s “Two Doors Down,†are “laughing and drinking and having a party.†    This Tipplers Revel is a compilation of traditional drinking songs. It begins and ends with that bane of school trips, faculty sponsors, bus drivers and chaperones, “99 Bottles of Beer on the Wall.†And between those two bookends come “Rye Whiskey,†“Little Brown Jug,†“Landlord, Fill the Flowing Bowl,†“Jimmy Crack Corn,†“Beer, Beer, Beer (An Ode to Charlie Mops, The Man Who Invented Beer),†“Hot Time in the Old Town Tonight,†“Wein, Weib und Gesang [Wine, Woman, and Song],†“Drink to Me Only with Thine Eyes,†“There Is a Tavern in the Town,†“Good Night, Ladies,†“How Dry I Am,†and brief quotes from about a half dozen other melodies associated with quaffing.     For the most part, this arrangement’s time signature is 4/4 and should be played at about 120 BPM. There are, however, two sections of 3/4 time, one of which is marked “tempo di valse,†and the opening and ending few measures should be played rather slowly.     The music should be well within the normal range of the group. Possible exceptions: trumpets play their A above the staff a couple of times.     There are quite a few 16th notes in the allegro sections. (And one could make the argument that at least two sections ought to have been written in 6/8 time. But they weren’t.)     Completed in 2022, performance time runs about 6 minutes, 43 seconds. The arranger, Les Smith, will be happy to provide substitute parts (for example, treble clef baritone for trombone) at no charge. He would like to receive your suggestions, comments, corrections and criticisms. For more arrangements by Les, enter Sweetwater Brass Press (without the quotation marks) in the Sheet Music Plus or Sheet Music Direct search box. (Also, purchase of this piece entitles you to your choice of another of his arrangements at no charge; send a copy of your purchase receipt directly to him at lessmith61@bellsouth.net.) Â
$7.95
Good 4 U
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Brass ensemble
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EASY
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Rock
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Olivia Rodrigo
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Alex Wilson
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Good 4 U
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Alexander Wilson
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SheetMusicPlus
Brass Band Euphonium,Horn,Trombone,Trumpet,Tuba - Level 2 - Digital Download SKU: A0.1367830 By Olivia Rodrigo. By Daniel Nigro, Hayley Williams, Josh Fa...
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Brass Band Euphonium,Horn,Trombone,Trumpet,Tuba - Level 2 - Digital Download SKU: A0.1367830 By Olivia Rodrigo. By Daniel Nigro, Hayley Williams, Josh Farro, and Olivia Rodrigo. Arranged by Alex Wilson. Pop,Rock. 26 pages. Alexander Wilson #952206. Published by Alexander Wilson (A0.1367830). Olivia Rodrigo is the queen of breakup songs, and good 4 u (released in 2021) is one of her most popular. From the snarky verse to the rockin' chorus, it's a very exciting and recognizable song, plus it's got enough variety to be still be a great tune without the words.This arrangement is about 3 minutes in length and scored for 2 trumpets, 2 horns, 2 trombones, euphonium, and tuba. Euphonium TC and BC parts both included.
$12.99
In the Evening by the Moonlight
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Brass ensemble
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INTERMEDIATE
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James Bland
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F
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In the Evening by the Moonligh
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Sweetwater Brass Press
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SheetMusicPlus
Brass Ensemble - Level 3 - Digital Download SKU: A0.817619 Composed by James Bland. Arranged by F. Leslie Smith. Folk,Spiritual,Traditional. Score and pa...
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Brass Ensemble - Level 3 - Digital Download SKU: A0.817619 Composed by James Bland. Arranged by F. Leslie Smith. Folk,Spiritual,Traditional. Score and parts. 28 pages. Sweetwater Brass Press #424503. Published by Sweetwater Brass Press (A0.817619). James Alan Bland, composer of “In the Evening by the Moonlight,” was a prolific song writer. He is said to have created the words and music for more than 600 compositions. Born in 1854 to a free African American family in Flushing, New York, he made a name for himself as musician, composer and minstrel performer. Among his compositions were “Oh, Dem Golden Slippers,” “In the Morning in the Bright Light” and “De Golden Wedding.” His most famous song by far was “Carry Me Back to Old Virginny,” which the State of Virginia used as its official anthem for over 50 years. Bland, in keeping with his persona as a minstrel, wrote the lyrics to “In the Evening by the Moonlight” in dialect. Years passed and sensitivities changed, but the song’s poignant melody and basic sentiment survived. Latter day recordings, such as those by Bing Crosby and the Ray Charles Singers, dropped the dialect and objectionable terms. One of the most notable versions was by singer, pianist and civil rights activist Nina Simone, released in 1960 on the album Nina at Newport. This brass quintet version begins with the group instrumentally humming along under an eight-measure Horn in F introduction. The first statement of the melody initially takes the form of a partial call-and-response between a Trombone/Horn duo and Trumpet 1, then switches to an exchange between Trumpet 1 and Tuba. Next, the melody is repeated but in a rhythmic pattern reminiscent of the 1880 tune “Here Dem Bells”; Tuba plays counterpoint. Third time around, the melody is presented almost exactly as Bland wrote it and as Hitchcock’s Music Store published it in 1880. Finally, the tempo slows and the melody is presented as so many have sung it around campfires at YMCA, 4-H and other youth camps all over the country: softly and tenderly. The arrangement ends with a brief recapitulation of the introduction. There are no really difficult or tricky rhythms in this arrangement. Trumpet 1’s highest note, which occurs in Section D, is A above its staff; Tuba’s lowest, G below the staff. Otherwise, there are no exceptionally high or low notes. The piece opens in the key of F major then, about halfway through, changes to G major. Tempo opens with a suggested MM of 104, speeds up to 120, slows to 66, increases again to 122 and finally slows to 66. Completed in 2022, performance time runs about 4 minutes, 22 seconds. The arranger, Les Smith, will be happy to provide substitute parts (for example, treble clef baritone for trombone) at no charge. He would also like to receive your suggestions, comments, corrections and criticisms. Contact him directly at lessmith61@bellsouth.net. For more arrangements by Les, enter "Sweetwater Brass Press" (without the quotation marks) in the SheetMusicPlus or Sheet Music Direct search box. (Also, purchase of this piece entitles you to your choice of another of his arrangements at no charge; send a copy of your purchase receipt directly to him at lessmith61@bellsouth.net.)
$7.95
Come, Josephine in My Flying Machine
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Brass ensemble
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INTERMEDIATE
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Fred Fisher
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F
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Come, Josephine in My Flying M
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Sweetwater Brass Press
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SheetMusicPlus
Brass Ensemble - Level 3 - Digital Download SKU: A0.808706 Composed by Fred Fisher. Arranged by F. Leslie Smith. Folk,Holiday,Jazz,Patriotic,Traditional....
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Brass Ensemble - Level 3 - Digital Download SKU: A0.808706 Composed by Fred Fisher. Arranged by F. Leslie Smith. Folk,Holiday,Jazz,Patriotic,Traditional. Score and parts. 40 pages. Sweetwater Brass Press #6215233. Published by Sweetwater Brass Press (A0.808706).     Orville and Wilbur Wright made their famous flight in late 1903; this song was published seven years later: Fred Fisher’s music with Alfred Bryan’s lyrics. The words form a narrative of a young man attempting to get his girlfriend to go up with him in his flying machine. And, that would take much more daring on her part than one might realize today. The year 1910 was still early days for aviation; most airplanes were still made of wood, wire and fabric and looked liked giant gliders. Supposedly, the Josephine of the song was Josephine Sarah Magner, reputed to be America’s first female parachutist. Magner married Leslie Burt Haddock, whose aviation career started in balloons, and made her first jump in 1905. During the next dozen years, she made more than 500 jumps. Pretty daring!    This arrangement is quirky and an absolute delight to play (and to listen to)! The first half is set in the song’s native ¾ time. The takeoff is the introduction, followed by the chorus, then the verse and again the chorus as the melody loops, rolls and spins through the five instruments. A middle section briefly quotes two other aerialist tunes-He flies through the air with the greatest of ease and Up in the air Junior Birdmen-and serves as a transition to cut time. A swing version of the chorus brings us in for a landing and final fade.    The arrangement begins in the key of C major and changes to G major during the transitional section. Suggested tempo is 76 bpm throughout. The arrangement comprises 202 measures: Horn in F plays the most notes, followed by Trombone and Tuba, while Trumpets get off relatively lightly. All notes are well within the normal playing range of the instruments; Trumpet 1 does, however, play A above its staff several times.    Completed in 2021, performance time for Come, Josephine in My Flying Machine runs about 3 minutes, 45 seconds. The arranger, Les Smith, will be happy to provide substitute parts (for example, treble clef baritone for trombone) at no charge; contact him directly at lessmith61@bellsouth.net. For more arrangements by Les, enter Sweetwater Brass Press (without the quotation marks) in the search box. (Also, purchase of this piece entitles you to your choice of another of his arrangements at no charge; send a copy of your purchase receipt directly to him at lessmith61@bellsouth.net.)
$6.99
Kingdom Coming (The Year of Jubilo)
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Brass ensemble
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INTERMEDIATE/ADVANCED
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Henry Clay Work
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F
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Kingdom Coming
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Sweetwater Brass Press
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SheetMusicPlus
Brass Ensemble - Level 4 - Digital Download SKU: A0.808688 Composed by Henry Clay Work (1832-1884). Arranged by F. Leslie Smith. Children,Folk,Holiday,Pa...
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Brass Ensemble - Level 4 - Digital Download SKU: A0.808688 Composed by Henry Clay Work (1832-1884). Arranged by F. Leslie Smith. Children,Folk,Holiday,Patriotic. Score and parts. 31 pages. Sweetwater Brass Press #4111581. Published by Sweetwater Brass Press (A0.808688). Henry Clay Work, Civil War era song writer and abolitionist, composed Kingdom Coming in 1862. Chicago’s Root & Cady published it in April of that year, Christy’s Minstrels premiered it and it became enormously popular. The lyrics to Kingdom Coming, also known as The Year of Jubilo, were written as though slaves in the Confederacy were celebrating their upcoming freedom. However, the song was actually released eight months before President Lincoln issued the Emancipation Proclamation. Interestingly, Kingdom Coming also gained popularity in the South. A Southern edition was published in August in 1864, and the song remained a favorite in the former Confederacy for some years. Kingdom Coming has been used as theme or background music in a number of film, television and radio settings. Almost certainly its most popular iteration in modern times was the Sauter-Finegan Orchestra’s 1952 recording under the title Doodletown Fifers. This arrangement is a show-off piece for each member of the quintet. It moves along at a brisk pace of about 108, begins in the key of C and changes to A-flat, then B-flat. The first time through the melody, all instruments perform ensemble. Each succeeding repetition features an instrumentalist, starting with tuba and working up to Trumpet 1. The piece ends with another ensemble version. There are no exceptionally out-of-normal-playing-range notes: Trumpets 1 and 2 both play their B-flat below the scale several times, and Trumpet 2 plays G below the scale; Horn in F also plays its G below the scale; Trombone’s range is G at the bottom of the scale to D above the scale; Tuba’s lowest note is A-flat below the scale. Trumpet 1 will probably triple tongue its repetition of the melody, and some triple tonguing may be called for near the end of the piece for Trumpets 1 and 2 and Trombone. This arrangement was completed in 2018, and performance time runs just under 4 minutes. The arranger, Les Smith, would be very interested in your comments; contact him at lessmith@ufl.edu. For more arrangements by Les, enter Sweetwater Brass Press (without the quotation marks) in the SheetMusicPlus search box.
$9.97
Gliding Dance of the Maidens from Polovtsian Dances ("Stranger In Paradise")
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Brass ensemble
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INTERMEDIATE
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Alexander Borodin
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F
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Gliding Dance of the Maidens f
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Sweetwater Brass Press
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SheetMusicPlus
Brass Ensemble - Level 3 - Digital Download SKU: A0.808675 Composed by Alexander Borodin (1833–1887). Arranged by F. Leslie Smith. Broadway,Holida...
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Brass Ensemble - Level 3 - Digital Download SKU: A0.808675 Composed by Alexander Borodin (1833–1887). Arranged by F. Leslie Smith. Broadway,Holiday,Musical/Show,Romantic Period,Wedding. Score and parts. 19 pages. Sweetwater Brass Press #3130463. Published by Sweetwater Brass Press (A0.808675).     The defeat of Igor Svyatoslavich, a Rus’ prince, in his 1185 campaign against invading Cuman (Polovtsy) tribes was immortalized in the Russian epic, The Lay of Igor’s Campaign. Seven centuries later, Alexander Borodin started work on an opera based on that old tale. Borodin died before finishing, but Nikolai Rimsky-Korsakov and Alexander Glazunov completed Prince Igor, and it was performed for the first time in 1890. Sixty-three years later the Broadway production Kismet opened featuring songs adapted by Robert Wright and George Forrest from the music of Borodin. Arguably, the most popular of the show’s songs was Stranger in Paradise, which was based on the Gliding Dance of the Maidens from the Polovtsian Dances of Prince Igor.     This beautiful brass quintet arrangement of Gliding Dance of the Maidens was adapted from the orchestra score. The key is A major, time signature is 4/4 and tempo marking is Andantino at the opening, slowing to a suggested quarter note = 63 at measure 15. Trumpets, Horn in F and Trombone all play a few grace notes. Highest notes for Trumpets are their G-sharp just above the staff; for Trombone, E above the staff. While not particularly challenging technically, the key to playing this piece is interpretation and feeling.    This arrangement was completed in 2017, and performance time runs about 2 minutes, 38 seconds. The arranger, Les Smith, will be happy to provide substitute parts (for example, treble clef baritone for trombone) at no charge; contact him directly at lessmith61@bellsouth.net. For more arrangements by Les, enter Sweetwater Brass Press (without the quotation marks) in the search box. (Also, purchase of this piece entitles you to your choice of another of his arrangements at no charge; send a copy of your purchase receipt directly to him at lessmith61@bellsouth.net.)
$7.00
Come, Ye Thankful People, Come (St. George’s, Windsor)
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Brass ensemble
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Christmas
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George Job Elvey
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F
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Come, Ye Thankful People, Come
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Sweetwater Brass Press
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SheetMusicPlus
Brass Ensemble - Digital Download SKU: A0.808697 Composed by George Job Elvey. Arranged by F. Leslie Smith. Christmas,Holiday. Score and parts. 28 pages....
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Brass Ensemble - Digital Download SKU: A0.808697 Composed by George Job Elvey. Arranged by F. Leslie Smith. Christmas,Holiday. Score and parts. 28 pages. Sweetwater Brass Press #4999815. Published by Sweetwater Brass Press (A0.808697).   Henry Alford (1810–1871), Church of England cleric and man of many talents, wrote the words for Come, Ye Thankful People, Come in 1844. Fourteen years later, Alford’s hymn was set to a melody composed by George J. Elvey (1816–1893). Elvey had named the tune St. George’s, Windsor after the chapel in Windsor, England, where he was organist. The first verse of the hymn rejoices in the harvest and calls for celebrants to Come to God's own temple, come; raise the song of harvest home! As such, the hymn gained popularity in the United States as a celebration of Thanksgiving.  In keeping with the song’s celebratory and triumphal nature, this arrangement uses a fanfare as the recurring motif. The fanfare opens the piece, followed by a rejoicing, exultant first statement of the melody. In the second statement, the fanfare figure returns and forms the structure for the section. The third statement is styled as a kind of rondo; the fourth and last, grandioso. The fourth statement also changes key twice--F to B-flat, then to E-flat--includes a walking bass part and ends with, again, the fanfare. The piece should be played Allegro moderato, about 120 bpm, and there are no really tricky rhythmic figures. Most notes are well within the normal range of the five instruments-Trombone’s highest are a couple of high F notes; Trumpet 1, high A notes. So most players will have little or no trouble.   This arrangement was completed in 2019, and performance time runs about 3 minutes, 44 seconds. The arranger, Les Smith, will be happy to provide substitute parts (for example, treble clef baritone for trombone) at no charge; contact him directly at lessmith61@bellsouth.net. For more arrangements by Les, enter Sweetwater Brass Press (without the quotation marks) in the SheetMusicPlus search box. (Also, purchase of this piece entitles you to your choice of another of his arrangements at no charge; send a copy of your purchase receipt directly to him at lessmith61@bellsouth.net.)
$6.95
Alexander’s Ragtime Band
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Brass ensemble
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INTERMEDIATE/ADVANCED
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Irving Berlin
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F
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Alexander’s Ragtime Band
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Sweetwater Brass Press
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SheetMusicPlus
Brass Ensemble - Level 4 - Digital Download SKU: A0.808684 Composed by Irving Berlin (1888–1989). Arranged by F. Leslie Smith. Holiday,Jazz,Patrio...
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Brass Ensemble - Level 4 - Digital Download SKU: A0.808684 Composed by Irving Berlin (1888–1989). Arranged by F. Leslie Smith. Holiday,Jazz,Patriotic. Score and parts. 42 pages. Sweetwater Brass Press #3582931. Published by Sweetwater Brass Press (A0.808684). Irving Berlin’s composition Alexander’s Ragtime Band was not only his first hit, it was also one of the most popular songs ever. It first gained widespread recognition when Emma Carus sang it in Chicago in 1911, and then it really took off when Al Jolson performed it in New York. It’s no wonder the popularity of Alexander’s has been so long-lived. Both words and music are absolutely bouncy and upbeat. The lyrics proclaim the Ragtime Band to be the best . . . in the land and invite the listener to come on and hear the group, even to meet its leader! The tune is energetic and lively, a salute to the toe-tapping Dixieland style that even then was developing in New Orleans.  This arrangement takes the natural exuberance of the melody and raises it a couple of notches. Wide open and sprightly, it features the trombone, but also gives each of the other parts a chance to shine, too. In addition to several iterations of the well-known chorus, it also includes the seldom-heard verse and even throws in a few true ragtime licks, quotes from Scott Joplin and Percy Wenrich. The tempo is a bouncy, cut-time 76, with some fairly tricky rhythms and one ritardando near the middle. Trumpet 1 plays a couple of notes above its staff, one A and one B. Trombone plays F above its staff several times and one brief G. Tuba’s lowest note is F below the staff. This arrangement was completed in 2018, and performance time runs about 4 minutes, 33 seconds. The arranger, Les Smith, would be very interested in your comments; contact him at lessmith@ufl.edu or leave a review on the SheetMusicPlus website. For more arrangements by Les, enter Sweetwater Brass Press (without the quotation marks) in the SheetMusicPlus or Sheet Music Direct search box. (Also, purchase of this piece entitles you to your choice of another of his arrangements at no charge; send a copy of your purchase receipt directly to him at lessmith61@bellsouth.net.)
$9.95
Hello! Ma Baby
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Brass ensemble
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INTERMEDIATE/ADVANCED
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Joseph E
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F
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Hello! Ma Baby
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Sweetwater Brass Press
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SheetMusicPlus
Brass Ensemble - Level 4 - Digital Download SKU: A0.808659 Composed by Joseph E. Howard and Ida Emerson. Arranged by F. Leslie Smith. Pop,Traditional. Sc...
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Brass Ensemble - Level 4 - Digital Download SKU: A0.808659 Composed by Joseph E. Howard and Ida Emerson. Arranged by F. Leslie Smith. Pop,Traditional. Score and parts. 23 pages. Sweetwater Brass Press #2070943. Published by Sweetwater Brass Press (A0.808659). Prerecorded wax cylinders were first marketed in 1889. Ten years later, when this Howard and Emerson tune was published, those cylinders were referred to as records, and Arthur Collins made the first recording of Hello! Ma Baby. The lyrics tell the tale of a guy who has a girlfriend he knows only through the telephone. This was one of the first songs to deal with the telephone (that medium, too, being still pretty new). The chorus was kicked back into the spotlight in 1955 when a certain movie frog sang and danced his way across a Warner Brothers cartoon background. The current version used the 1899 sheet music as its source, but is a completely original arrangement that enhances the ragtime feel of the music. This is an infectious piece that is fun to play and a toe-tapper for the audience. Completed in 2016, this arrangement’s performance time runs about 3 minutes, 20 seconds. Contact the arranger, Les Smith, at lessmith@ufl.edu. If you like this novelty number, be sure to check out Sweetwater's Funeral March of a Marionette, Goodbye! So Long! I'm Headin' Home! Put Your Arms Around Me, Honey, Somebody Stole My Gal and Teddy Bears' Picnic. For more arrangements by Les, enter Sweetwater Brass Press (without the quotation marks) in the search box. (Also, purchase of this piece entitles you to your choice of another of his arrangements at no charge; send a copy of your purchase receipt directly to him at lessmith61@bellsouth.net.)
$7.00
Elementary Ensembles, Volume 1, for Winds and Melodic Percussion
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Brass ensemble
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BEGINNER
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Jim Evans
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Elementary Ensembles, Volume 1
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beginning.band
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SheetMusicPlus
Brass Ensemble - Level 1 - Digital Download SKU: A0.768557 Composed by Jim Evans. Concert,Standards. Score and parts. 160 pages. Beginning.band #5372703....
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Brass Ensemble - Level 1 - Digital Download SKU: A0.768557 Composed by Jim Evans. Concert,Standards. Score and parts. 160 pages. Beginning.band #5372703. Published by beginning.band (A0.768557). A collection of six duets and six trios written with the youngest players in mind!Ranges limited so that students can focus on rhythmic accuracy, tone quality, dynamics, and expression.Rhythms are limited to whole, dotted half, half, quarter, and paired eighth notes. Rhythms that even the youngest musicians can count! No syncopation!Each piece is about one minute in length to accommodate the limited stamina of younger players.A variety of styles and moods to motivate studentsEvery measure of each part is numbered! You're welcome! Duets may be performed by any two instruments, with like or mixed instrumentation, but if you use mixed instrumentation you may have better results if upper instruments play the top line and lower instruments play the bottom line. Also, it may be preferable to avoid having two tubas, as the results may be less desirable.Trios should be performed by two higher pitched instruments and one lower pitched instrument. Parts 1 and 2 could be flute, clarinet, alto sax, tenor sax, trumpet, or horn. Part 3 should be at least one octave lower, and should be bassoon, bass clarinet, baritone saxophone, trombone, baritone, or tuba.Books for Flute/Oboe, Bb treble, Eb treble, Tenor Saxophone, Horn, Bass Clef, Tuba, Bells/XylophoneNotesDuetsSneaking AroundMeter: 4/4Key: BbRange: A - GFocus: Staccato, Slur, Phrasing, Dynamic ContrastCountry DanceMeter: 3/4Key: BbRange: A - GFocus: Staccato, Triple Meter, PhrasingAll Aboard!Meter: 4/4Key: C minorRange: Bb - AbFocus: Staccato, Slur, Phrasing, Dynamic Contrast,Note: The second part on this piece may be especially challenging for young flute, oboe, and trombone players.Give and TakeMeter: 3/2Key: BbRange: Bb - FFocus: Interplay between voices, especially contrasting staccato and legato, Triple MeterNote: The meter signature of 3/2 allows for livelier rhythmic content without presenting sixteenth notes. Students should be able to read it in 6/4, then perform it in three when they get a feel for it.Night SongMeter: 4/4Key: EbRange: Ab - AbFocus: Legato, Phrasing, BalanceAdagiettoMeter: 3/4Key:EbRange: Ab - AbFocus: Legato, Phrasing, Balance, IndependenceTriosParlor DanceMeter: 4/4Key: BbRange: A - GFocus: Staccato, Slur, PhrasingBow and CurtsyMeter: 3/4Key: EbRange: Low A GFocus: Pickups, Staccato, Triple MeterHopscotchMeter: 4/4Key: EbRange: Ab - AbFocus: Staccato, BalanceGalliardMeter: 3/4Key: BbRange: A - GFocus: Phrasing, BalanceOn a CarouselMeter: 4/4Key: EbRange: Ab - AbFocus: Pickups, IndependenceHymnMeter: 3/4Key:EbRange: Low G - AbFocus: Legato, Phrasing, Balance
$30.00
Pretty Eyed Baby
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Brass ensemble
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INTERMEDIATE/ADVANCED
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Contemporary
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Eldridge/Gillespie
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F
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Pretty Eyed Baby
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Sweetwater Brass Press
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SheetMusicPlus
Brass Ensemble - Level 4 - Digital Download SKU: A0.808709 By Eldridge/Gillespie. By Leo Mosley, Mary Lou Williams, William Luther Johnson, and William W...
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Brass Ensemble - Level 4 - Digital Download SKU: A0.808709 By Eldridge/Gillespie. By Leo Mosley, Mary Lou Williams, William Luther Johnson, and William Willie Johnson. Arranged by F. Leslie Smith. Contemporary. Score and parts. 28 pages. Sweetwater Brass Press #6433397. Published by Sweetwater Brass Press (A0.808709). Mary Lou Williams learned to play piano on her own at age 3. By age 6 she was playing piano to help support her large family. At age 15, she turned professional, and by the time she was 20, she had made a name for herself nationally not only as a jazz musician but also as an arranger and composer. In 1943, she wrote a piece titled Satchel Mouth Baby, which she recorded the next year with her group, Mary Lou and her Chosen Five. Three years later, Bill Johnson and His Musical Notes recorded Williams’ song after he and Leo Snub Mosley had worked on the lyrics and changed the title to Pretty Eyed Baby. Others would go on to record Pretty Eyed Baby, among them: Frankie Laine and Jo Stafford, Jane Turzy, Johnnie Ray, Peggy Lee and Roy Eldridge. This arrangement skips along at about 120 bpm. It contains common swing rhythmic figures, and all notes are well within the normal playing range of most brass musicians. Horn in F and Trombone carry the melodic load, but all instruments get a turn at playing lead. This is a fun piece, so don’t be surprised if your audience starts clapping along while you’re playing. Completed in 2021, performance time for Pretty Eyed Baby runs about 3 minutes,9 seconds. The arranger, Les Smith, will be happy to provide substitute parts (for example, treble clef baritone for trombone) at no charge; contact him directly at lessmith61@bellsouth.net. For more arrangements by Les, enter Sweetwater Brass Press (without the quotation marks) in the SheetMusicPlus search box.
$12.99
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