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You've selected:
Air from Water Music
PDF
Piano, Voice
Sheetmusic to print
5 sheet music found
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1
Breathe (in The Air)
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Piano, Voice
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EASY
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Contemporary
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Pink Floyd
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Jeff Tincher
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Breathe
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Jeff Tincher
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SheetMusicPlus
Piano,Vocal,Voice - Level 2 - Digital Download SKU: A0.586065 By Pink Floyd. By David Gilmour, Richard Wright, and Roger Waters. Arranged by Jeff Tincher...
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Piano,Vocal,Voice - Level 2 - Digital Download SKU: A0.586065 By Pink Floyd. By David Gilmour, Richard Wright, and Roger Waters. Arranged by Jeff Tincher. Contemporary. Score. 5 pages. Jeff Tincher #6567859. Published by Jeff Tincher (A0.586065). Here is the first musical piece from Pink Floyd's Dark Side Of The Moon. In the original key. Duration = 3:10. Visit my websites: https://jefftincher.wixsite.com/sheetmusic, https://jefftincher.wixsite.com/music, https://www.facebook.com/jefftincherpublishing.
$5.99
Pink Floyd - Nobody Home
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Piano, Voice
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INTERMEDIATE
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Rock
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Pink Floyd
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Mario Stallbaumer
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Pink Floyd - Nobody Home
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Mario Stallbaumer
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SheetMusicPlus
Piano Solo, Piano/Vocal/Chords - Intermediate - Digital Download By Pink Floyd. Arranged by Mario Stallbaumer. 5 pages. Published by Mario Stallbau...
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Piano Solo, Piano/Vocal/Chords - Intermediate - Digital Download By Pink Floyd. Arranged by Mario Stallbaumer. 5 pages. Published by Mario Stallbaumer
Here's how to play "Nobody Home" by Pink Floyd on piano!
With this sheet music, you get an accurate piano arrangement of the whole song which is not too hard to play, and sounds beautiful!
The melody is included in the piano part, so it makes for a wonderful instrumental (piano solo) cover.
However, you can also use this piano arrangement to accompany a singer, or sing along yourself - this sheet music comes with the song's full lyrics and chords.
"Nobody Home" is a song from Pink Floyd's 1979 album "The Wall", which is considered to be one of the greatest albums of all time.
Here are the full lyrics to Pink Floyd's "Nobody Home" (written by Roger Waters):
I've got a little black book with my poems in
Got a bag with a toothbrush and a comb in
When I'm a good dog, they sometimes throw me a bone in
I got elastic bands keepin' my shoes on
Got those swollen-hand blues
I got thirteen channels of shit on the T.V. to choose from
I've got electric light
And I've got second sight
I got amazing powers of observation
And that is how I know
When I try to get through
On the telephone to you
There'll be nobody home
I've got the obligatory Hendrix perm
And the inevitable pinhole burns
All down the front of my favorite satin shirt
I've got nicotine stains on my fingers
I've got a silver spoon on a chain
Got a grand piano to prop up my mortal remains
I've got wild staring eyes
And I've got a strong urge to fly
But I got nowhere to fly to
Ooh, babe when I pick up the phone
there's still nobody home
I've got a pair of Gohills boots
But I got fading roots
$4.99
Toasting Mother Earth
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Piano, Voice
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ADVANCED
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Ross Fiddes
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dependent, fragile offspring
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Toasting Mother Earth
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Ross Fiddes
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SheetMusicPlus
Piano,Vocal,Voice - Level 5 - Digital Download SKU: A0.1255098 Composed by Ross Fiddes. 21st Century,Chamber,Classical,Contemporary. Score. 25 pages. Ros...
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Piano,Vocal,Voice - Level 5 - Digital Download SKU: A0.1255098 Composed by Ross Fiddes. 21st Century,Chamber,Classical,Contemporary. Score. 25 pages. Ross Fiddes #848692. Published by Ross Fiddes (A0.1255098). It was in the aftermath of the 2020 summer bushfires in Australia that soprano Ayse Goknur Shanala rang me from Cyprus to suggest I compose a work about climate change, a subject of concern for me.  My research for lyrics did not elicit anything I considered suitable, so I turned to Derek Dowding, a local poet, singer, actor, raconteur, and a person vitally interested in the future of humanity and of the planet.Derek and I had worked together before – he brilliantly performed the role of Abelard in the workshopping and concert performances of my hybrid opera “Abelard and Heloiseâ€, which, in 1997, won the supreme CONDA (City of Newcastle Drama Award)  for ‘Outstanding Achievement in Newcastle Theatre’ against some 200 other stage productions in Newcastle’s bi-centenary year.Derek worked long and late on the lyrics for the work, producing an emotional document covering history, cause and effect.  His words produced musical responses from me which I consider react appropriately to both his words and the subject matter. I hope our listeners will agree.For the musical treatment I had to consider that the length of the work, through-sung, 20+ minutes, required a recurrent grounding to avoid too many thematic ideas getting in the way of the words.  To that end, I created a quasi-reflective section which appears, rondo-style, quite a few times during the length of the piece.  And, for further cohesion, I built an ABA (ternary) section early to address certain word structures.  Mostly, the various sections followed the stanza structure provided by Derek, with some combinations.  My musical style is essentially melodic, but with dramatic and other episodes, be they tonal, astringent, harmonically indecisive and so on.  In building the work I was principally influenced by the impact and flow of the words.The work is quite mammoth for both the singer and the pianist.  I was absolutely delighted that Anna Fraser again premiered a work of mine – in 2015 she marvellously premiered another major composition of mine, reviewed here:  http://soundslikesydney.com.au/reviews/concert-review-the-man-in-the-other-roomacacia-quartetanna-fraser/19830.htmlWe can only hope that the new work ultimately adds to the chorus of warnings and concern about the climactic future that awaits if we continue to ignore or postpone dramatic and urgent attention to addressing the causes of climate change.A living orb cloaked white and blue and greenRevolving and evolving, tight-hugged in orbit flightWe ride her back; dependent, fragile offspring.Suckling all the while …but have we bonded?A world unlike any other world we’ve seenGifted with Water, Air, Earth and perfect Light.The essentials of life. Freely, these gifts she brings.Free for all but how have we responded?                                   Poem© 2020 Derek DowdingRoss FiddesJanuary 2023.
$35.00
April Come She Will
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Piano, Voice
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INTERMEDIATE
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Simon And Garfunkel
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Mario Stallbaumer
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April Come She Will
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Mario Stallbaumer
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SheetMusicPlus
Piano,Vocal,Voice - Level 3 - Digital Download SKU: A0.1381419 By Simon And Garfunkel. By Paul Simon. Arranged by Mario Stallbaumer. Folk,Pop. Score. 3 p...
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Piano,Vocal,Voice - Level 3 - Digital Download SKU: A0.1381419 By Simon And Garfunkel. By Paul Simon. Arranged by Mario Stallbaumer. Folk,Pop. Score. 3 pages. Mario Stallbaumer #966131. Published by Mario Stallbaumer (A0.1381419). With this sheet music, you can play April Come She Will by Simon & Garfunkel on the piano!It's an accurate, carefully created piano arrangement of the famous folk song.For better playability, it has been transposed by one half step (from Ab to G major). April Come She Will was written by Paul Simon in 1964, and recorded by Simon & Garfunkel for their legendary 1966 album Sounds of Silence. The melancholic folk song makes for a beautiful piano ballad!If you want to see more of my work, you can visit my YouTube channel.You can also take a look at more of my Simon & Garfunkel piano arrangements:The Sound of SilenceScarborough Fair / CanticleBridge Over Troubled Water
$4.99
Footprints In The Garden
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Piano, Voice
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INTERMEDIATE
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Sacred music
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Cheryl Prazak
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Jon Burr
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Footprints In The Garden
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Cheryl Prazak
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SheetMusicPlus
Piano,Vocal,Voice - Level 3 - Digital Download SKU: A0.1294831 By Cheryl Prazak. By Lyrics: Cheryl Prazak and music: Oscar Ahnfelt. Arranged by Jon Burr....
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Piano,Vocal,Voice - Level 3 - Digital Download SKU: A0.1294831 By Cheryl Prazak. By Lyrics: Cheryl Prazak and music: Oscar Ahnfelt. Arranged by Jon Burr. Christian,Country,Praise & Worship. Score. 8 pages. Cheryl Prazak #885157. Published by Cheryl Prazak (A0.1294831). “Cast your bread upon the waters†- Ecclesiastes 11:1Lyricist Cheryl Prazak blends eclectic and nostalgic lyric themes with lively renditions of traditional tunes in her new release “Hearts Aflame.â€Working with arranger/producer Jon Burr of arrangerforhire.com, and the wonderful vocalist Sammie Jane, these tracks were created for your enjoyment in the celebration of Christ.The album title and song Hearts Aflame were inspired by the 2023 Asbury Revival at Asbury University in Wilmore, Kentucky.Footprints In The GardenOn the path were footprints in the garden, whose they were, I could not find a sign.Thinking I was alone in the garden, I supposed the footprints to be mine.I could not hear your sweet voice pleading, summoning me from a world somewhere.You were in the garden interceding, but I didn’t remember that You care. I could not hear your kind voice calling, lost was I in a world of despair.On my heavy heart your voice was falling, I had long forgotten You were there.Now I hear your voice gently whispering, falling softly as the morning dew.I can feel your loving touch refreshing, bidding me to start my life anew.All the time You were there in the garden, giving me your love and strength sublime.I thought I was alone in the garden; wondrously, You were there all the time.But now your gentle voice I am hearing, breaking through the din and through the fray.Yours the voice of my kind Master speaking, in the garden from which I did stray.Like roses lost within a labyrinth, still fragrantly blossom in the rain.In the garden now two sets of footprints, that is where my roses bloom again.That is where my roses bloom again.
$4.99
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