Home page
Browse Free-scores.com
--INSTRUMENTS--
ACCORDION
AUTOHARP
BAGPIPE
BANJO
BASS
BASSOON
BOOKS
BOUZOUKI
BUGLE
CHORAL - VOCAL…
CLARINET
CORNET
DIDGERIDOO
DJ GEAR
DRUM
DULCIMER
ENGLISH HORN
EUPHONIUM
FLUTE
FRENCH HORN
GUITAR
HANDBELLS
HARMONICA
HARP
HARPSICHORD
LAP STEEL GUIT…
LUTE
MANDOLIN
MARCHING BAND
MARIMBA
MUSIC COURSE
OBOE
OCARINA
ORCHESTRA - BA…
ORGAN
PANPIPES
PERCUSSION
PIANO
RECORDER
SAXOPHONE
SYNTHESIZER K…
TROMBONE
TRUMPET
TUBA
UKULELE
VIBRAPHONE
VIOLA
VIOLIN - FIDDL…
VIOLONCELLO - …
XYLOPHONE
ZITHER
Op.1
PDF/Flash
Not classified
1,872
Piano & keyboards
Piano, Voice
2,932
Piano solo
2,806
Easy Piano
374
1 Piano, 4 hands
292
Organ
161
Piano Trio: piano, violin, cello
43
Accordion
30
Piano, Vocal and Guitar
24
C Instruments
20
2 Pianos, 4 hands
19
Piano Quartet: piano, violin, viola, cello
9
Piano Accompaniment
8
Piano Quintet: piano, 2 violins, viola, cello
7
Big Note Piano
5
Harpsichord
5
1 Piano, 6 hands
5
Keyboard
3
Piano Quartet: piano, 2 violins, cello
2
2 Accordions
2
Organ, Piano (duet)
2
+ 15 instrumentations
-
Retract
Guitars
Guitar
225
Guitar notes and tablatures
95
2 Guitars (duet)
32
Ukulele
27
Melody line, (Lyrics) and Chords
13
4 Guitars (Quartet)
5
Bass guitar
4
Piano, Guitar (duet)
3
Guitar, Violin, Cello (trio)
3
3 Guitars (trio)
2
Banjo
1
Mandolin
1
Lap Steel Guitar
1
+ 8 instrumentations
-
Retract
Voice
Voice solo
116
Choral SATB
109
Choral TTBB
32
Medium voice, Piano
24
Choral 3-part
23
Choral 2-part
11
Vocal duet, Piano
8
Choral SSAA
7
High voice, Piano
6
Choral
6
High voice
5
Low voice, Piano
4
Soprano voice, Piano
4
Choral SSATTB
3
Choral Unison
3
Choral SSAATTBB
3
Soprano voice, Orchestra
2
Choral SSATB
2
Baritone voice, Piano
2
Soprano voice
1
Voice, Guitar
1
Vocal duet
1
Choral SATBB
1
Choral SSAATB
1
+ 19 instrumentations
-
Retract
Woodwind
Flute and Piano
207
Woodwind Quintet: flute, oboe, bassoon, clarinet, horn
126
Clarinet and Piano
123
Clarinet
119
Clarinet Quartet: 4 clarinets
118
Flute
108
Oboe, Piano (duet)
85
2 Flutes (duet)
82
Alto Saxophone and Piano
70
2 Saxophones (duet)
67
Flute Quartet: 4 flutes
65
2 Clarinets (duet)
60
Clarinet (band part)
57
Tenor Saxophone and Piano
54
Oboe (band part)
49
Flute, Oboe, Clarinet, Bassoon
48
Saxophone Quartet: 4 saxophones
47
Saxophone (band part)
38
3 Recorders (trio)
38
Soprano Saxophone and Piano
37
Alto Saxophone
37
2 Recorders (duet)
31
Flute and Guitar
31
English horn, Piano
29
3 Clarinets (trio)
29
Baritone Saxophone, Piano
28
2 Oboes (duet)
27
Tenor Saxophone
25
Recorder
20
Clarinet Ensemble
19
Saxophone
18
Descant (Soprano) Recorder
18
Flute (band part)
16
Clarinet Quintet: 5 clarinets
16
Oboe, Bassoon (duet)
15
Bass Clarinet, Piano
15
Saxophone Quintet: 5 Saxophones
15
Recorder Quartet
15
Flute Trio: 3 flutes
14
Flute, Basso continuo
14
Treble (Alto) Recorder, Basso continuo
13
3 Saxophones (trio)
13
Clarinet and Viola
12
Flute, Violoncello
12
Saxophone ensemble
12
Flute, Clarinet and Bassoon.
10
Flute, Clarinet (duet)
10
Flute, Viola (duet)
9
Harmonica
9
Flute ensemble
9
Treble (Alto) Recorder
9
Descent (Soprano) Recorder, Piano
8
Flute, Oboe, Clarinet (trio)
8
Oboe
8
Flute, Violin, Piano
8
2 English horns and Pianoforte
7
Oboe, Clarinet, Bassoon (trio)
7
Flute Quintet : 5 flutes
7
Oboe, Clarinet (duet)
6
Clarinet, Cello (duet)
6
Flute, Oboe, Bassoon
6
Treble (Alto) Recorder, Piano
6
Clarinet, Bassoon (duet)
6
Clarinet, Violin (duet)
5
Wind ensemble
5
Flute, Violin
5
English Horn
5
Clarinet Quintet: Clarinet, String Quartet
5
Piccolo, Piano
5
5 Recorders
5
2 Clarinets, Bassoon
4
Flute and Strings Trio
4
Flute, Cello, Guitar
3
Clarinet, Orchestra
3
2 Clarinets, Piano
3
Flute, Oboe, Piano (trio)
3
Flute, Clarinet, Piano (trio)
3
Flute, Violin and Violoncello
2
Ocarina
2
English Horn, Guitar (duet)
2
Flute, Bassoon, and Piano
2
Clarinet, Guitar (duet)
2
3 Oboes
2
Flute, Viola and Piano
2
Flute, Cello, Piano (trio)
2
Oboe, Violin, Viola and Violoncello (Quartet)
2
Flute, Viola and Cello
2
Tenor Recorder
2
Clarinet Quartet: Clarinet, Violin, Viola, Cello
2
Flute and String Quartet
1
Clarinette, Viola and Piano (trio)
1
Oboe, Cello
1
Flute, Orchestra
1
Clarinet, Bassoon, Piano (trio)
1
Flute, Clarinet, Horn and Bassoon (Quartet)
1
Saxophone and Piano
1
Recorder Ensemble
1
Oboe, Flute
1
Flute, Oboe (duet)
1
2 Flutes, Piano
1
Pennywhistle
1
Recorder, Piano
1
+ 97 instrumentations
-
Retract
Woodbrass
Trumpet
105
French horn
103
Brass Quintet: 2 trumpets, horn, trombone, tuba
91
Trumpet (band part)
78
Brass quartet : 2 trumpets, trombone, tuba
70
Trombone and Piano
59
Trombone
56
Trumpet, Piano
54
French Horn and Piano
44
Trombone (band part)
38
2 French horns (duet)
32
English horn, Piano
29
Euphonium, Piano (duet)
25
Brass Quartet
23
Tuba
19
Brass Quartet: 2 trumpets, horn, trombone
18
2 Trumpets (duet)
16
French horn (band part)
16
Tuba and Piano
15
2 Trombones (duet)
9
Brass Quartet: 4 horns
8
Brass Quartet: 4 trombones
8
2 English horns and Pianoforte
7
Trumpet, Trombone (duet)
7
2 Tubas (duet)
6
Trombone ensemble
5
English Horn
5
Brass Trio
5
Euphonium
5
Tuba (band part)
5
4 Tubas
4
2 Euphoniums (duet)
4
Bass Trombone and Piano
4
Horn Ensemble
4
Horn, Tuba (duet)
3
Trumpet, Horn (duert)
3
Trombone, Horn (duet)
3
Cornet
3
Trombone, Tuba (duet)
3
Trumpet and Guitar
3
Trumpet, Tuba (duet)
3
English Horn, Guitar (duet)
2
Tuba and Organ
2
2 Euphoniums and 2 Tubas
2
Brass Quartet: 4 trumpets
2
Trumpet, Orchestra
2
Trumpet, Bassoon (duet)
1
French Horn and Harp
1
Trumpet ensemble
1
Trumpet, Cello (duet)
1
Brass quartet : Horn, Trombone, Tuba, B-Flat Trumpet
1
Horn, Cello (duet)
1
Tuba ensemble
1
Euphonium, Tuba (duet)
1
French horn and Basson (duet)
1
+ 50 instrumentations
-
Retract
Strings
String Quartet: 2 violins, viola, cello
509
Violin
342
Violin and Piano
309
Cello, Piano
169
Cello
136
Viola, Piano
120
Violin (band part)
116
Viola
114
2 Violins (duet)
71
Violin, Cello (duet)
61
Viola (band part)
56
2 Cellos (duet)
54
String Trio: violin, viola, cello
49
2 Violas (duet)
43
Violin, Viola (duet)
34
Double Bass
21
Viola, Cello (duet)
21
String trio
20
Cello (band part)
20
String Trio: 3 violins
17
Cello, String Bass (duet)
17
Harp
17
String Trio: 2 violins, cello
16
Double bass, Piano (duet)
15
String Quintet: 2 violins, viola, cello, bass
14
Doublebass (band part)
13
2 Violins and Basso
12
4 Cellos
12
Violin, Guitar (duet)
11
Violin, Basso continuo
10
Cello, Orchestra
9
String Quintet: 2 violins, 2 violas, cello
8
2 Violins, Piano
8
Cello, Guitar (duet)
8
2 Double basses (duet)
7
Flute, Doublebass (duet)
6
String Trio: 3 cellos
6
Viola and Bassoon
5
String quartet: 4 violins
4
Piano Trio: Violin, Viola, Piano
4
Harp, Violin (duet)
4
Violoncello, Basso continuo
4
String Trio: 3 violas
4
Violin, Bassoon (duet)
4
2 Harps (duet)
3
String Trio: 2 violins, viola
3
Violin, Organ
3
String Quartet : 4 violas
3
Viola, Guitar (duet)
2
String Quintet: 2 violins, viola, 2 cellos
1
4 Double Basses
1
Violin, Cello, Clarinet
1
Harp, Flute (duet)
1
3 double basses
1
Harp, Cello (duet)
1
Viola and Harp
1
+ 51 instrumentations
-
Retract
Orchestra & Percussion
Orchestra
222
String Orchestra
219
Concert band
146
Chamber Orchestra
100
Percussion Ensemble
28
Piano and Orchestra
20
Brass ensemble
20
Percussion (band part)
17
Orchestra, Violin
15
Handbells
6
Timpani (band part)
6
Drums
5
Percussion
4
Woodwind Quartet: any 4 woodwinds
2
Jazz Ensemble
2
Marimba
2
Drum (band part)
1
Vibraphone
1
Marimba or Xylophone and Piano
1
Xylophone
1
Woodwind Quintet
1
Marching band
1
+ 17 instrumentations
-
Retract
Others
Free Sheet music
Instruments
ACCORDION
BAGPIPE
BALALAIKA
BANJO
BASS
BASSOON
BLANK SHEET…
BOOKS
BOUZOUKI
BUGLE
CELLO - VIO…
CHARANGO
CHOIR - VOC…
CLARINET
CORNET
DOBRO - GUI…
DOUBLE BASS
DRUM
DULCIMER
ELECTRONIC …
ENGLISH HOR…
EUPHONIUM
FLUGELHORN
FLUTE
GUITAR
HANDBELLS
HARMONICA
HARP
HARPSICHORD
HORN
LUTE, THEOR…
MANDOLIN
MARCHING BA…
MARIMBA
MUSICAL COU…
NO SCORES
OBOE
ORCHESTRA -…
ORCHESTRA P…
ORGAN - ORG…
OTHER INSTR…
OUD
PANPIPES
PEDAL STEEL…
PERCUSSION
PIANO
RECORDER
SAXOPHONE
TROMBONE
TRUMPET
TUBA
UKULELE
VIBRAPHONE
VIELLE A RO…
VIOLA
VIOLA DA GA…
VIOLIN - FI…
WHISTLE
XYLOPHONE
ZITHER
Musician's shop
Sheet music books
Digital sheet music
Music equipment
Gift ideas
About free-scores.com
$
$
EUR €
USD $
GBP £
CAD $
CNY ¥
Français
Free Sheet Music
904
Digital Sheet Music
2,932
Sheet Music Books
1,218
Music Equipment
30,667
Digital scores
(access after purchase)
Post mailing
Digital sheet music
← INSTRUMENTATIONS
SORTING AND FILTERS
SORTING AND FILTERS
Sorting and filtering :
--INSTRUMENTS--
ACCORDION
AUTOHARP
BAGPIPE
BANJO
BASS
BASSOON
BOOKS
BOUZOUKI
BUGLE
CHORAL - VOCAL…
CLARINET
CORNET
DIDGERIDOO
DJ GEAR
DRUM
DULCIMER
ENGLISH HORN
EUPHONIUM
FLUTE
FRENCH HORN
GUITAR
HANDBELLS
HARMONICA
HARP
HARPSICHORD
LAP STEEL GUIT…
LUTE
MANDOLIN
MARCHING BAND
MARIMBA
MUSIC COURSE
OBOE
OCARINA
ORCHESTRA - BA…
ORGAN
PANPIPES
PERCUSSION
PIANO
RECORDER
SAXOPHONE
SYNTHESIZER K…
TROMBONE
TRUMPET
TUBA
UKULELE
VIBRAPHONE
VIOLA
VIOLIN - FIDDL…
VIOLONCELLO - …
XYLOPHONE
ZITHER
style (all)
AFRICAN
AMERICANA
ASIAN
BLUEGRASS
BLUES
CELTIC - IRISH - SCO…
CHILDREN - KIDS : MU…
CHRISTIAN (contempor…
CHRISTMAS - CAROLS -…
CLASSICAL - BAROQUE …
CONTEMPORARY - 20-21…
CONTEMPORARY - NEW A…
COUNTRY
FINGERSTYLE - FINGER…
FLAMENCO
FOLK ROCK
FOLK SONGS - TRADITI…
FRENCH SONGS
FUNK
GOSPEL - SPIRITUAL -…
HALLOWEEN
INSTRUCTIONAL : CHOR…
INSTRUCTIONAL : METH…
INSTRUCTIONAL : STUD…
JAZZ
JAZZ GYPSY - SWING
JEWISH - KLEZMER
LATIN - BOSSA - WORL…
LATIN POP ROCK
MEDIEVAL - RENAISSAN…
METAL - HARD
MOVIE (WALT DISNEY)
MOVIE - TV
MUSICALS - BROADWAYS…
OLD TIME - EARLY ROC…
OPERA
PATRIOTIC MUSIC
POLKA
POP ROCK - CLASSIC R…
POP ROCK - MODERN - …
POP ROCK - POP MUSIC
PUNK
RAGTIME
REGGAE
SOUL - R&B - HIP HOP…
TANGO
THANKSGIVING
VIDEO GAMES
WEDDING - LOVE - BAL…
WORSHIP - PRAISE
Relevance
Best sellers
Prices - to +
Prices + to -
New releases
A-Z
skill (all)
beginner
easy
intermediate
avanced
expert
Sellers (all)
Musicnotes
Note4Piano
Noviscore
Profs-edition
Quickpartitions
SheetMusicPlus
Tomplay
Virtualsheetmusic
with audio
with video
with play-along
You've selected:
Op.1
PDF
Piano, Voice
Sheetmusic to print
2,932 sheet music found
<
1
26
51
....
2926
MEDTNER: "Angel" Op.1 bis Original key (D-flat major) DICTION SCORE with IPA & translation
#
Piano, Voice
#
ADVANCED
#
Medtner
#
Russian for Singers
#
MEDTNER: "Angel" Op.1 bis Orig
#
Natalia Melnik
#
SheetMusicPlus
Piano,Vocal,Voice - Level 5 - Digital Download SKU: A0.1477884 By Medtner. By Medtner. Arranged by Russian for Singers. 19th Century,20th Century,Classic...
(+)
Piano,Vocal,Voice - Level 5 - Digital Download SKU: A0.1477884 By Medtner. By Medtner. Arranged by Russian for Singers. 19th Century,20th Century,Classical,Opera,Romantic Period. Score. 8 pages. Natalia Melnik #1055266. Published by Natalia Melnik (A0.1477884). Nikolai Medtner Ангел / Angel / AngelОp 1 bisLyrics by M.LermontovORIGINAL KEY (D-flat major)Range:E♭4 - G♭5 (C6 - optional) (Soprano, Mezzo-Soprano)E♭3 - G♭4 (C5 - optional) (Tenor)Diction score - sheet music with IPA phonetics, word-by-word translation and grammatically correct translation.FREE DOWNLOAD! A quick and comprehensive tutorial on Russian phonetics: https://www.russian4singers.com/russian-diction-for-singers-1FULL SONG PACK including Diction score (sheet music with IPA phonetics and translations), Diction audio guide, Music coaching audio guide (Voice line + piano line), Rehearsal backing track (Piano line only)https://www.russian4singers.com/product-page-2/medtner-angel-op-1-bis-original-key-d-flat-major-full-packWe are offering a range of Russian diction coaching services:- individual coaching- group webinars- lectures on Russian Music Literature for singersPlease visit our website for more information https://www.russian4singers.com/bookingPlease SUBSCRIBE to Russian for Singers YouTube Channel https://youtu.be/5zsE7qBEcug
$12.50
Erlkonig Op.1, D328 - Bb Major
#
Piano, Voice
#
Classical
#
Franz Schubert
#
Change the Key
#
Erlkonig Op.1, D328 - Bb Major
#
Change the Key
#
SheetMusicPlus
Vocal Solo,Voice - Digital Download SKU: A0.856864 Composed by Franz Schubert. Arranged by Change the Key. Romantic Period. 12 pages. Change the Key #313...
(+)
Vocal Solo,Voice - Digital Download SKU: A0.856864 Composed by Franz Schubert. Arranged by Change the Key. Romantic Period. 12 pages. Change the Key #3135117. Published by Change the Key (A0.856864). Erlkonig Op.1, D328 by Schubert transposed to Bb Major for voice and piano. Vocal range C - G.
$6.00
Op. 1, No. 1: Tu demandes pourquoi from Songs of Gouvy, V2 (Downloadable)
#
Piano, Voice
#
INTERMEDIATE
#
MeeAe Cecilia Nam and Theodore
#
Op. 1, No. 1: Tu demandes pour
#
E. C. Schirmer Music Company - Digital
#
SheetMusicPlus
Voice and piano - Medium - Digital Download SKU: MQ.8492-25E Composed by MeeAe Cecilia Nam and Theodore Gouvy. Instrument part. 6 pages. E. C. Schirmer M...
(+)
Voice and piano - Medium - Digital Download SKU: MQ.8492-25E Composed by MeeAe Cecilia Nam and Theodore Gouvy. Instrument part. 6 pages. E. C. Schirmer Music Company - Digital #8492-25E. Published by E. C. Schirmer Music Company - Digital (MQ.8492-25E). French.Gouvy was known for writing some of the most beautiful melodies of the Romantic period. His style is a combination of German forms and an early French romantic harmonic structure. His writing for the piano in the songs is totally unified in mood and description with the voice, just as the piano is in Schubert’s songs. The equal partnership of the vocal line and piano interact closely to bring the poetry vividly into life with unimaginable artistic heights and unbridled passion.This volume includes Gouvy songs set to 18 poems of Philippe Desportes (1546–1606), and 18 poems of Moritz Hartmann (1821–1872). The elements of Romantic love poetry, such as enchanting love and its pain, and the personifying of nature, are fluently described with a great sensitivity in both voice and piano. Gouvy’s melody stir up the imagination because of his special treatment of words through a distinguishable and melodious vocal line, and his story telling and poetic treatment and development of the piano accompaniment. His compositional artistry places him in the upper echelons of art-song composers. One should note that Gouvy had a special fondness for the 16th Century poetry of La Pléiade (a group of Renaissance French poets, led by Pièrre de Ronsard (1524–1585). Desportes was truly the heir to Ronsard; however his work, when compared to that of Ronsard, is filled with greater abstraction and greater fluidity. Desportes seems to avoid any of the passionate anger that is occasionally characteristic of La Pléiade. This may be an indication that Desportes lived in a less distressed time. It also seems necessary to point out that he learned much in his early career by copying and studying the earlier works of La Pléiade. This has led some scholars to label him as a plagiarist, but it is important to realize that all the members of La Pléiade copied from each other when they wished to learn something new, and truly understand the style of the other poets in the group. Gouvy’s only choice of poems from his contemporaries, were the works of Moritz Hartmann (1821–1872), a good friend of Gouvy’s. Much of his poetry was strongly political in support of freedom of the individual. He traveled to Leipzig in 1845, but when the authorities discovered a volume of patriotic poems entitled Kelch und Schwert (Chalice and Sword), he fled to Belgium and France. It is at this time that he possibly met Théodore Gouvy. Eighteen poems of Hartmann were translated from German to French by the French poet, Adolph Larmande, of whom very little is known. Pierre Toussaint Adolphe Larmande seems to have been a rather obscure poet and musician. We know that he taught music theory at the Paris Conservatory at the same time Anton Reicha and Michele Carafa were on the faculty. We also know that in 1847 he married an English woman by the name of Marie Caroline Bradley. There are random documents, such as a Certificate of Arrival in London, England, in 1837, but there are no birth and death dates given, and that includes his obituary notice. Contents:18 Sonnets et Chansons de Desportes pour ténor ou soprano et piano, Op. 45 Six poésies allemandes de Moritz Hartmann pour baryton et piano, Op. 21 Douze poésies allemandes de Moritz Hartmann pour ténor et piano, Op. 26 (Poésies françaises d’Adolphe Larmande).
$3.00
Op. 1, No. 2: Barque légère, mon coeur from Songs of Gouvy, V2 (Downloadable)
#
Piano, Voice
#
INTERMEDIATE
#
MeeAe Cecilia Nam and Theodore
#
Op. 1, No. 2: Barque légère,
#
E. C. Schirmer Music Company - Digital
#
SheetMusicPlus
Voice and piano - Medium - Digital Download SKU: MQ.8492-26E Composed by MeeAe Cecilia Nam and Theodore Gouvy. Instrument part. 7 pages. E. C. Schirmer M...
(+)
Voice and piano - Medium - Digital Download SKU: MQ.8492-26E Composed by MeeAe Cecilia Nam and Theodore Gouvy. Instrument part. 7 pages. E. C. Schirmer Music Company - Digital #8492-26E. Published by E. C. Schirmer Music Company - Digital (MQ.8492-26E). French.Gouvy was known for writing some of the most beautiful melodies of the Romantic period. His style is a combination of German forms and an early French romantic harmonic structure. His writing for the piano in the songs is totally unified in mood and description with the voice, just as the piano is in Schubert’s songs. The equal partnership of the vocal line and piano interact closely to bring the poetry vividly into life with unimaginable artistic heights and unbridled passion.This volume includes Gouvy songs set to 18 poems of Philippe Desportes (1546–1606), and 18 poems of Moritz Hartmann (1821–1872). The elements of Romantic love poetry, such as enchanting love and its pain, and the personifying of nature, are fluently described with a great sensitivity in both voice and piano. Gouvy’s melody stir up the imagination because of his special treatment of words through a distinguishable and melodious vocal line, and his story telling and poetic treatment and development of the piano accompaniment. His compositional artistry places him in the upper echelons of art-song composers. One should note that Gouvy had a special fondness for the 16th Century poetry of La Pléiade (a group of Renaissance French poets, led by Pièrre de Ronsard (1524–1585). Desportes was truly the heir to Ronsard; however his work, when compared to that of Ronsard, is filled with greater abstraction and greater fluidity. Desportes seems to avoid any of the passionate anger that is occasionally characteristic of La Pléiade. This may be an indication that Desportes lived in a less distressed time. It also seems necessary to point out that he learned much in his early career by copying and studying the earlier works of La Pléiade. This has led some scholars to label him as a plagiarist, but it is important to realize that all the members of La Pléiade copied from each other when they wished to learn something new, and truly understand the style of the other poets in the group. Gouvy’s only choice of poems from his contemporaries, were the works of Moritz Hartmann (1821–1872), a good friend of Gouvy’s. Much of his poetry was strongly political in support of freedom of the individual. He traveled to Leipzig in 1845, but when the authorities discovered a volume of patriotic poems entitled Kelch und Schwert (Chalice and Sword), he fled to Belgium and France. It is at this time that he possibly met Théodore Gouvy. Eighteen poems of Hartmann were translated from German to French by the French poet, Adolph Larmande, of whom very little is known. Pierre Toussaint Adolphe Larmande seems to have been a rather obscure poet and musician. We know that he taught music theory at the Paris Conservatory at the same time Anton Reicha and Michele Carafa were on the faculty. We also know that in 1847 he married an English woman by the name of Marie Caroline Bradley. There are random documents, such as a Certificate of Arrival in London, England, in 1837, but there are no birth and death dates given, and that includes his obituary notice. Contents:18 Sonnets et Chansons de Desportes pour ténor ou soprano et piano, Op. 45 Six poésies allemandes de Moritz Hartmann pour baryton et piano, Op. 21 Douze poésies allemandes de Moritz Hartmann pour ténor et piano, Op. 26 (Poésies françaises d’Adolphe Larmande).
$3.00
Op. 1, No. 7: Dans un songe enchanté from Songs of Gouvy, V2 (Downloadable)
#
Piano, Voice
#
INTERMEDIATE
#
MeeAe Cecilia Nam and Theodore
#
Op. 1, No. 7: Dans un songe en
#
E. C. Schirmer Music Company - Digital
#
SheetMusicPlus
Voice and piano - Medium - Digital Download SKU: MQ.8492-31E Composed by MeeAe Cecilia Nam and Theodore Gouvy. Instrument part. 7 pages. E. C. Schirmer M...
(+)
Voice and piano - Medium - Digital Download SKU: MQ.8492-31E Composed by MeeAe Cecilia Nam and Theodore Gouvy. Instrument part. 7 pages. E. C. Schirmer Music Company - Digital #8492-31E. Published by E. C. Schirmer Music Company - Digital (MQ.8492-31E). French.Gouvy was known for writing some of the most beautiful melodies of the Romantic period. His style is a combination of German forms and an early French romantic harmonic structure. His writing for the piano in the songs is totally unified in mood and description with the voice, just as the piano is in Schubert’s songs. The equal partnership of the vocal line and piano interact closely to bring the poetry vividly into life with unimaginable artistic heights and unbridled passion.This volume includes Gouvy songs set to 18 poems of Philippe Desportes (1546–1606), and 18 poems of Moritz Hartmann (1821–1872). The elements of Romantic love poetry, such as enchanting love and its pain, and the personifying of nature, are fluently described with a great sensitivity in both voice and piano. Gouvy’s melody stir up the imagination because of his special treatment of words through a distinguishable and melodious vocal line, and his story telling and poetic treatment and development of the piano accompaniment. His compositional artistry places him in the upper echelons of art-song composers. One should note that Gouvy had a special fondness for the 16th Century poetry of La Pléiade (a group of Renaissance French poets, led by Pièrre de Ronsard (1524–1585). Desportes was truly the heir to Ronsard; however his work, when compared to that of Ronsard, is filled with greater abstraction and greater fluidity. Desportes seems to avoid any of the passionate anger that is occasionally characteristic of La Pléiade. This may be an indication that Desportes lived in a less distressed time. It also seems necessary to point out that he learned much in his early career by copying and studying the earlier works of La Pléiade. This has led some scholars to label him as a plagiarist, but it is important to realize that all the members of La Pléiade copied from each other when they wished to learn something new, and truly understand the style of the other poets in the group. Gouvy’s only choice of poems from his contemporaries, were the works of Moritz Hartmann (1821–1872), a good friend of Gouvy’s. Much of his poetry was strongly political in support of freedom of the individual. He traveled to Leipzig in 1845, but when the authorities discovered a volume of patriotic poems entitled Kelch und Schwert (Chalice and Sword), he fled to Belgium and France. It is at this time that he possibly met Théodore Gouvy. Eighteen poems of Hartmann were translated from German to French by the French poet, Adolph Larmande, of whom very little is known. Pierre Toussaint Adolphe Larmande seems to have been a rather obscure poet and musician. We know that he taught music theory at the Paris Conservatory at the same time Anton Reicha and Michele Carafa were on the faculty. We also know that in 1847 he married an English woman by the name of Marie Caroline Bradley. There are random documents, such as a Certificate of Arrival in London, England, in 1837, but there are no birth and death dates given, and that includes his obituary notice. Contents:18 Sonnets et Chansons de Desportes pour ténor ou soprano et piano, Op. 45 Six poésies allemandes de Moritz Hartmann pour baryton et piano, Op. 21 Douze poésies allemandes de Moritz Hartmann pour ténor et piano, Op. 26 (Poésies françaises d’Adolphe Larmande).
$3.00
Op. 1, No. 5: La chanson du printemps from Songs of Gouvy, V2 (Downloadable)
#
Piano, Voice
#
INTERMEDIATE
#
MeeAe Cecilia Nam and Theodore
#
Op. 1, No. 5: La chanson du pr
#
E. C. Schirmer Music Company - Digital
#
SheetMusicPlus
Voice and piano - Medium - Digital Download SKU: MQ.8492-29E Composed by MeeAe Cecilia Nam and Theodore Gouvy. Instrument part. 5 pages. E. C. Schirmer M...
(+)
Voice and piano - Medium - Digital Download SKU: MQ.8492-29E Composed by MeeAe Cecilia Nam and Theodore Gouvy. Instrument part. 5 pages. E. C. Schirmer Music Company - Digital #8492-29E. Published by E. C. Schirmer Music Company - Digital (MQ.8492-29E). French.Gouvy was known for writing some of the most beautiful melodies of the Romantic period. His style is a combination of German forms and an early French romantic harmonic structure. His writing for the piano in the songs is totally unified in mood and description with the voice, just as the piano is in Schubert’s songs. The equal partnership of the vocal line and piano interact closely to bring the poetry vividly into life with unimaginable artistic heights and unbridled passion.This volume includes Gouvy songs set to 18 poems of Philippe Desportes (1546–1606), and 18 poems of Moritz Hartmann (1821–1872). The elements of Romantic love poetry, such as enchanting love and its pain, and the personifying of nature, are fluently described with a great sensitivity in both voice and piano. Gouvy’s melody stir up the imagination because of his special treatment of words through a distinguishable and melodious vocal line, and his story telling and poetic treatment and development of the piano accompaniment. His compositional artistry places him in the upper echelons of art-song composers. One should note that Gouvy had a special fondness for the 16th Century poetry of La Pléiade (a group of Renaissance French poets, led by Pièrre de Ronsard (1524–1585). Desportes was truly the heir to Ronsard; however his work, when compared to that of Ronsard, is filled with greater abstraction and greater fluidity. Desportes seems to avoid any of the passionate anger that is occasionally characteristic of La Pléiade. This may be an indication that Desportes lived in a less distressed time. It also seems necessary to point out that he learned much in his early career by copying and studying the earlier works of La Pléiade. This has led some scholars to label him as a plagiarist, but it is important to realize that all the members of La Pléiade copied from each other when they wished to learn something new, and truly understand the style of the other poets in the group. Gouvy’s only choice of poems from his contemporaries, were the works of Moritz Hartmann (1821–1872), a good friend of Gouvy’s. Much of his poetry was strongly political in support of freedom of the individual. He traveled to Leipzig in 1845, but when the authorities discovered a volume of patriotic poems entitled Kelch und Schwert (Chalice and Sword), he fled to Belgium and France. It is at this time that he possibly met Théodore Gouvy. Eighteen poems of Hartmann were translated from German to French by the French poet, Adolph Larmande, of whom very little is known. Pierre Toussaint Adolphe Larmande seems to have been a rather obscure poet and musician. We know that he taught music theory at the Paris Conservatory at the same time Anton Reicha and Michele Carafa were on the faculty. We also know that in 1847 he married an English woman by the name of Marie Caroline Bradley. There are random documents, such as a Certificate of Arrival in London, England, in 1837, but there are no birth and death dates given, and that includes his obituary notice. Contents:18 Sonnets et Chansons de Desportes pour ténor ou soprano et piano, Op. 45 Six poésies allemandes de Moritz Hartmann pour baryton et piano, Op. 21 Douze poésies allemandes de Moritz Hartmann pour ténor et piano, Op. 26 (Poésies françaises d’Adolphe Larmande).
$3.00
Op. 1, No. 3: Adieu from Songs of Gouvy, V2 (Downloadable)
#
Piano, Voice
#
INTERMEDIATE
#
MeeAe Cecilia Nam and Theodore
#
Op. 1, No. 3: Adieu from Songs
#
E. C. Schirmer Music Company - Digital
#
SheetMusicPlus
Voice and piano - Medium - Digital Download SKU: MQ.8492-27E Composed by MeeAe Cecilia Nam and Theodore Gouvy. Instrument part. 7 pages. E. C. Schirmer M...
(+)
Voice and piano - Medium - Digital Download SKU: MQ.8492-27E Composed by MeeAe Cecilia Nam and Theodore Gouvy. Instrument part. 7 pages. E. C. Schirmer Music Company - Digital #8492-27E. Published by E. C. Schirmer Music Company - Digital (MQ.8492-27E). French.Gouvy was known for writing some of the most beautiful melodies of the Romantic period. His style is a combination of German forms and an early French romantic harmonic structure. His writing for the piano in the songs is totally unified in mood and description with the voice, just as the piano is in Schubert’s songs. The equal partnership of the vocal line and piano interact closely to bring the poetry vividly into life with unimaginable artistic heights and unbridled passion.This volume includes Gouvy songs set to 18 poems of Philippe Desportes (1546–1606), and 18 poems of Moritz Hartmann (1821–1872). The elements of Romantic love poetry, such as enchanting love and its pain, and the personifying of nature, are fluently described with a great sensitivity in both voice and piano. Gouvy’s melody stir up the imagination because of his special treatment of words through a distinguishable and melodious vocal line, and his story telling and poetic treatment and development of the piano accompaniment. His compositional artistry places him in the upper echelons of art-song composers. One should note that Gouvy had a special fondness for the 16th Century poetry of La Pléiade (a group of Renaissance French poets, led by Pièrre de Ronsard (1524–1585). Desportes was truly the heir to Ronsard; however his work, when compared to that of Ronsard, is filled with greater abstraction and greater fluidity. Desportes seems to avoid any of the passionate anger that is occasionally characteristic of La Pléiade. This may be an indication that Desportes lived in a less distressed time. It also seems necessary to point out that he learned much in his early career by copying and studying the earlier works of La Pléiade. This has led some scholars to label him as a plagiarist, but it is important to realize that all the members of La Pléiade copied from each other when they wished to learn something new, and truly understand the style of the other poets in the group. Gouvy’s only choice of poems from his contemporaries, were the works of Moritz Hartmann (1821–1872), a good friend of Gouvy’s. Much of his poetry was strongly political in support of freedom of the individual. He traveled to Leipzig in 1845, but when the authorities discovered a volume of patriotic poems entitled Kelch und Schwert (Chalice and Sword), he fled to Belgium and France. It is at this time that he possibly met Théodore Gouvy. Eighteen poems of Hartmann were translated from German to French by the French poet, Adolph Larmande, of whom very little is known. Pierre Toussaint Adolphe Larmande seems to have been a rather obscure poet and musician. We know that he taught music theory at the Paris Conservatory at the same time Anton Reicha and Michele Carafa were on the faculty. We also know that in 1847 he married an English woman by the name of Marie Caroline Bradley. There are random documents, such as a Certificate of Arrival in London, England, in 1837, but there are no birth and death dates given, and that includes his obituary notice. Contents:18 Sonnets et Chansons de Desportes pour ténor ou soprano et piano, Op. 45 Six poésies allemandes de Moritz Hartmann pour baryton et piano, Op. 21 Douze poésies allemandes de Moritz Hartmann pour ténor et piano, Op. 26 (Poésies françaises d’Adolphe Larmande).
$3.00
Op. 1, No. 12: La nuit après l’orage from Songs of Gouvy, V2 (Downloadable)
#
Piano, Voice
#
INTERMEDIATE
#
MeeAe Cecilia Nam and Theodore
#
Op. 1, No. 12: La nuit après
#
E. C. Schirmer Music Company - Digital
#
SheetMusicPlus
Voice and piano - Medium - Digital Download SKU: MQ.8492-36E Composed by MeeAe Cecilia Nam and Theodore Gouvy. Instrument part. 5 pages. E. C. Schirmer M...
(+)
Voice and piano - Medium - Digital Download SKU: MQ.8492-36E Composed by MeeAe Cecilia Nam and Theodore Gouvy. Instrument part. 5 pages. E. C. Schirmer Music Company - Digital #8492-36E. Published by E. C. Schirmer Music Company - Digital (MQ.8492-36E). French.Gouvy was known for writing some of the most beautiful melodies of the Romantic period. His style is a combination of German forms and an early French romantic harmonic structure. His writing for the piano in the songs is totally unified in mood and description with the voice, just as the piano is in Schubert’s songs. The equal partnership of the vocal line and piano interact closely to bring the poetry vividly into life with unimaginable artistic heights and unbridled passion.This volume includes Gouvy songs set to 18 poems of Philippe Desportes (1546–1606), and 18 poems of Moritz Hartmann (1821–1872). The elements of Romantic love poetry, such as enchanting love and its pain, and the personifying of nature, are fluently described with a great sensitivity in both voice and piano. Gouvy’s melody stir up the imagination because of his special treatment of words through a distinguishable and melodious vocal line, and his story telling and poetic treatment and development of the piano accompaniment. His compositional artistry places him in the upper echelons of art-song composers. One should note that Gouvy had a special fondness for the 16th Century poetry of La Pléiade (a group of Renaissance French poets, led by Pièrre de Ronsard (1524–1585). Desportes was truly the heir to Ronsard; however his work, when compared to that of Ronsard, is filled with greater abstraction and greater fluidity. Desportes seems to avoid any of the passionate anger that is occasionally characteristic of La Pléiade. This may be an indication that Desportes lived in a less distressed time. It also seems necessary to point out that he learned much in his early career by copying and studying the earlier works of La Pléiade. This has led some scholars to label him as a plagiarist, but it is important to realize that all the members of La Pléiade copied from each other when they wished to learn something new, and truly understand the style of the other poets in the group. Gouvy’s only choice of poems from his contemporaries, were the works of Moritz Hartmann (1821–1872), a good friend of Gouvy’s. Much of his poetry was strongly political in support of freedom of the individual. He traveled to Leipzig in 1845, but when the authorities discovered a volume of patriotic poems entitled Kelch und Schwert (Chalice and Sword), he fled to Belgium and France. It is at this time that he possibly met Théodore Gouvy. Eighteen poems of Hartmann were translated from German to French by the French poet, Adolph Larmande, of whom very little is known. Pierre Toussaint Adolphe Larmande seems to have been a rather obscure poet and musician. We know that he taught music theory at the Paris Conservatory at the same time Anton Reicha and Michele Carafa were on the faculty. We also know that in 1847 he married an English woman by the name of Marie Caroline Bradley. There are random documents, such as a Certificate of Arrival in London, England, in 1837, but there are no birth and death dates given, and that includes his obituary notice. Contents:18 Sonnets et Chansons de Desportes pour ténor ou soprano et piano, Op. 45 Six poésies allemandes de Moritz Hartmann pour baryton et piano, Op. 21 Douze poésies allemandes de Moritz Hartmann pour ténor et piano, Op. 26 (Poésies françaises d’Adolphe Larmande).
$3.00
Op. 1, No. 10: À la gloire, au bonheur! from Songs of Gouvy, V2 (Downloadable)
#
Piano, Voice
#
INTERMEDIATE
#
MeeAe Cecilia Nam and Theodore
#
Op. 1, No. 10: À la gloire, a
#
E. C. Schirmer Music Company - Digital
#
SheetMusicPlus
Voice and piano - Medium - Digital Download SKU: MQ.8492-34E Composed by MeeAe Cecilia Nam and Theodore Gouvy. Instrument part. 8 pages. E. C. Schirmer M...
(+)
Voice and piano - Medium - Digital Download SKU: MQ.8492-34E Composed by MeeAe Cecilia Nam and Theodore Gouvy. Instrument part. 8 pages. E. C. Schirmer Music Company - Digital #8492-34E. Published by E. C. Schirmer Music Company - Digital (MQ.8492-34E). French.Gouvy was known for writing some of the most beautiful melodies of the Romantic period. His style is a combination of German forms and an early French romantic harmonic structure. His writing for the piano in the songs is totally unified in mood and description with the voice, just as the piano is in Schubert’s songs. The equal partnership of the vocal line and piano interact closely to bring the poetry vividly into life with unimaginable artistic heights and unbridled passion.This volume includes Gouvy songs set to 18 poems of Philippe Desportes (1546–1606), and 18 poems of Moritz Hartmann (1821–1872). The elements of Romantic love poetry, such as enchanting love and its pain, and the personifying of nature, are fluently described with a great sensitivity in both voice and piano. Gouvy’s melody stir up the imagination because of his special treatment of words through a distinguishable and melodious vocal line, and his story telling and poetic treatment and development of the piano accompaniment. His compositional artistry places him in the upper echelons of art-song composers. One should note that Gouvy had a special fondness for the 16th Century poetry of La Pléiade (a group of Renaissance French poets, led by Pièrre de Ronsard (1524–1585). Desportes was truly the heir to Ronsard; however his work, when compared to that of Ronsard, is filled with greater abstraction and greater fluidity. Desportes seems to avoid any of the passionate anger that is occasionally characteristic of La Pléiade. This may be an indication that Desportes lived in a less distressed time. It also seems necessary to point out that he learned much in his early career by copying and studying the earlier works of La Pléiade. This has led some scholars to label him as a plagiarist, but it is important to realize that all the members of La Pléiade copied from each other when they wished to learn something new, and truly understand the style of the other poets in the group. Gouvy’s only choice of poems from his contemporaries, were the works of Moritz Hartmann (1821–1872), a good friend of Gouvy’s. Much of his poetry was strongly political in support of freedom of the individual. He traveled to Leipzig in 1845, but when the authorities discovered a volume of patriotic poems entitled Kelch und Schwert (Chalice and Sword), he fled to Belgium and France. It is at this time that he possibly met Théodore Gouvy. Eighteen poems of Hartmann were translated from German to French by the French poet, Adolph Larmande, of whom very little is known. Pierre Toussaint Adolphe Larmande seems to have been a rather obscure poet and musician. We know that he taught music theory at the Paris Conservatory at the same time Anton Reicha and Michele Carafa were on the faculty. We also know that in 1847 he married an English woman by the name of Marie Caroline Bradley. There are random documents, such as a Certificate of Arrival in London, England, in 1837, but there are no birth and death dates given, and that includes his obituary notice. Contents:18 Sonnets et Chansons de Desportes pour ténor ou soprano et piano, Op. 45 Six poésies allemandes de Moritz Hartmann pour baryton et piano, Op. 21 Douze poésies allemandes de Moritz Hartmann pour ténor et piano, Op. 26 (Poésies françaises d’Adolphe Larmande).
$3.00
Op. 1, No. 8: Illusions perdues from Songs of Gouvy, V2 (Downloadable)
#
Piano, Voice
#
INTERMEDIATE
#
MeeAe Cecilia Nam and Theodore
#
Op. 1, No. 8: Illusions perdue
#
E. C. Schirmer Music Company - Digital
#
SheetMusicPlus
Voice and piano - Medium - Digital Download SKU: MQ.8492-32E Composed by MeeAe Cecilia Nam and Theodore Gouvy. Instrument part. 8 pages. E. C. Schirmer M...
(+)
Voice and piano - Medium - Digital Download SKU: MQ.8492-32E Composed by MeeAe Cecilia Nam and Theodore Gouvy. Instrument part. 8 pages. E. C. Schirmer Music Company - Digital #8492-32E. Published by E. C. Schirmer Music Company - Digital (MQ.8492-32E). French.Gouvy was known for writing some of the most beautiful melodies of the Romantic period. His style is a combination of German forms and an early French romantic harmonic structure. His writing for the piano in the songs is totally unified in mood and description with the voice, just as the piano is in Schubert’s songs. The equal partnership of the vocal line and piano interact closely to bring the poetry vividly into life with unimaginable artistic heights and unbridled passion.This volume includes Gouvy songs set to 18 poems of Philippe Desportes (1546–1606), and 18 poems of Moritz Hartmann (1821–1872). The elements of Romantic love poetry, such as enchanting love and its pain, and the personifying of nature, are fluently described with a great sensitivity in both voice and piano. Gouvy’s melody stir up the imagination because of his special treatment of words through a distinguishable and melodious vocal line, and his story telling and poetic treatment and development of the piano accompaniment. His compositional artistry places him in the upper echelons of art-song composers. One should note that Gouvy had a special fondness for the 16th Century poetry of La Pléiade (a group of Renaissance French poets, led by Pièrre de Ronsard (1524–1585). Desportes was truly the heir to Ronsard; however his work, when compared to that of Ronsard, is filled with greater abstraction and greater fluidity. Desportes seems to avoid any of the passionate anger that is occasionally characteristic of La Pléiade. This may be an indication that Desportes lived in a less distressed time. It also seems necessary to point out that he learned much in his early career by copying and studying the earlier works of La Pléiade. This has led some scholars to label him as a plagiarist, but it is important to realize that all the members of La Pléiade copied from each other when they wished to learn something new, and truly understand the style of the other poets in the group. Gouvy’s only choice of poems from his contemporaries, were the works of Moritz Hartmann (1821–1872), a good friend of Gouvy’s. Much of his poetry was strongly political in support of freedom of the individual. He traveled to Leipzig in 1845, but when the authorities discovered a volume of patriotic poems entitled Kelch und Schwert (Chalice and Sword), he fled to Belgium and France. It is at this time that he possibly met Théodore Gouvy. Eighteen poems of Hartmann were translated from German to French by the French poet, Adolph Larmande, of whom very little is known. Pierre Toussaint Adolphe Larmande seems to have been a rather obscure poet and musician. We know that he taught music theory at the Paris Conservatory at the same time Anton Reicha and Michele Carafa were on the faculty. We also know that in 1847 he married an English woman by the name of Marie Caroline Bradley. There are random documents, such as a Certificate of Arrival in London, England, in 1837, but there are no birth and death dates given, and that includes his obituary notice. Contents:18 Sonnets et Chansons de Desportes pour ténor ou soprano et piano, Op. 45 Six poésies allemandes de Moritz Hartmann pour baryton et piano, Op. 21 Douze poésies allemandes de Moritz Hartmann pour ténor et piano, Op. 26 (Poésies françaises d’Adolphe Larmande).
$3.00
Op. 1, No. 4: Mon âme est près de toi from Songs of Gouvy, V2 (Downloadable)
#
Piano, Voice
#
INTERMEDIATE
#
MeeAe Cecilia Nam and Theodore
#
Op. 1, No. 4: Mon âme est pr
#
E. C. Schirmer Music Company - Digital
#
SheetMusicPlus
Voice and piano - Medium - Digital Download SKU: MQ.8492-28E Composed by MeeAe Cecilia Nam and Theodore Gouvy. Instrument part. 6 pages. E. C. Schirmer M...
(+)
Voice and piano - Medium - Digital Download SKU: MQ.8492-28E Composed by MeeAe Cecilia Nam and Theodore Gouvy. Instrument part. 6 pages. E. C. Schirmer Music Company - Digital #8492-28E. Published by E. C. Schirmer Music Company - Digital (MQ.8492-28E). French.Gouvy was known for writing some of the most beautiful melodies of the Romantic period. His style is a combination of German forms and an early French romantic harmonic structure. His writing for the piano in the songs is totally unified in mood and description with the voice, just as the piano is in Schubert’s songs. The equal partnership of the vocal line and piano interact closely to bring the poetry vividly into life with unimaginable artistic heights and unbridled passion.This volume includes Gouvy songs set to 18 poems of Philippe Desportes (1546–1606), and 18 poems of Moritz Hartmann (1821–1872). The elements of Romantic love poetry, such as enchanting love and its pain, and the personifying of nature, are fluently described with a great sensitivity in both voice and piano. Gouvy’s melody stir up the imagination because of his special treatment of words through a distinguishable and melodious vocal line, and his story telling and poetic treatment and development of the piano accompaniment. His compositional artistry places him in the upper echelons of art-song composers. One should note that Gouvy had a special fondness for the 16th Century poetry of La Pléiade (a group of Renaissance French poets, led by Pièrre de Ronsard (1524–1585). Desportes was truly the heir to Ronsard; however his work, when compared to that of Ronsard, is filled with greater abstraction and greater fluidity. Desportes seems to avoid any of the passionate anger that is occasionally characteristic of La Pléiade. This may be an indication that Desportes lived in a less distressed time. It also seems necessary to point out that he learned much in his early career by copying and studying the earlier works of La Pléiade. This has led some scholars to label him as a plagiarist, but it is important to realize that all the members of La Pléiade copied from each other when they wished to learn something new, and truly understand the style of the other poets in the group. Gouvy’s only choice of poems from his contemporaries, were the works of Moritz Hartmann (1821–1872), a good friend of Gouvy’s. Much of his poetry was strongly political in support of freedom of the individual. He traveled to Leipzig in 1845, but when the authorities discovered a volume of patriotic poems entitled Kelch und Schwert (Chalice and Sword), he fled to Belgium and France. It is at this time that he possibly met Théodore Gouvy. Eighteen poems of Hartmann were translated from German to French by the French poet, Adolph Larmande, of whom very little is known. Pierre Toussaint Adolphe Larmande seems to have been a rather obscure poet and musician. We know that he taught music theory at the Paris Conservatory at the same time Anton Reicha and Michele Carafa were on the faculty. We also know that in 1847 he married an English woman by the name of Marie Caroline Bradley. There are random documents, such as a Certificate of Arrival in London, England, in 1837, but there are no birth and death dates given, and that includes his obituary notice. Contents:18 Sonnets et Chansons de Desportes pour ténor ou soprano et piano, Op. 45 Six poésies allemandes de Moritz Hartmann pour baryton et piano, Op. 21 Douze poésies allemandes de Moritz Hartmann pour ténor et piano, Op. 26 (Poésies françaises d’Adolphe Larmande).
$3.00
Op. 1, No. 11: Comme la fleur discrète from Songs of Gouvy, V2 (Downloadable)
#
Piano, Voice
#
INTERMEDIATE
#
MeeAe Cecilia Nam and Theodore
#
Op. 1, No. 11: Comme la fleur
#
E. C. Schirmer Music Company - Digital
#
SheetMusicPlus
Voice and piano - Medium - Digital Download SKU: MQ.8492-35E Composed by MeeAe Cecilia Nam and Theodore Gouvy. Instrument part. 4 pages. E. C. Schirmer M...
(+)
Voice and piano - Medium - Digital Download SKU: MQ.8492-35E Composed by MeeAe Cecilia Nam and Theodore Gouvy. Instrument part. 4 pages. E. C. Schirmer Music Company - Digital #8492-35E. Published by E. C. Schirmer Music Company - Digital (MQ.8492-35E). French.Gouvy was known for writing some of the most beautiful melodies of the Romantic period. His style is a combination of German forms and an early French romantic harmonic structure. His writing for the piano in the songs is totally unified in mood and description with the voice, just as the piano is in Schubert’s songs. The equal partnership of the vocal line and piano interact closely to bring the poetry vividly into life with unimaginable artistic heights and unbridled passion.This volume includes Gouvy songs set to 18 poems of Philippe Desportes (1546–1606), and 18 poems of Moritz Hartmann (1821–1872). The elements of Romantic love poetry, such as enchanting love and its pain, and the personifying of nature, are fluently described with a great sensitivity in both voice and piano. Gouvy’s melody stir up the imagination because of his special treatment of words through a distinguishable and melodious vocal line, and his story telling and poetic treatment and development of the piano accompaniment. His compositional artistry places him in the upper echelons of art-song composers. One should note that Gouvy had a special fondness for the 16th Century poetry of La Pléiade (a group of Renaissance French poets, led by Pièrre de Ronsard (1524–1585). Desportes was truly the heir to Ronsard; however his work, when compared to that of Ronsard, is filled with greater abstraction and greater fluidity. Desportes seems to avoid any of the passionate anger that is occasionally characteristic of La Pléiade. This may be an indication that Desportes lived in a less distressed time. It also seems necessary to point out that he learned much in his early career by copying and studying the earlier works of La Pléiade. This has led some scholars to label him as a plagiarist, but it is important to realize that all the members of La Pléiade copied from each other when they wished to learn something new, and truly understand the style of the other poets in the group. Gouvy’s only choice of poems from his contemporaries, were the works of Moritz Hartmann (1821–1872), a good friend of Gouvy’s. Much of his poetry was strongly political in support of freedom of the individual. He traveled to Leipzig in 1845, but when the authorities discovered a volume of patriotic poems entitled Kelch und Schwert (Chalice and Sword), he fled to Belgium and France. It is at this time that he possibly met Théodore Gouvy. Eighteen poems of Hartmann were translated from German to French by the French poet, Adolph Larmande, of whom very little is known. Pierre Toussaint Adolphe Larmande seems to have been a rather obscure poet and musician. We know that he taught music theory at the Paris Conservatory at the same time Anton Reicha and Michele Carafa were on the faculty. We also know that in 1847 he married an English woman by the name of Marie Caroline Bradley. There are random documents, such as a Certificate of Arrival in London, England, in 1837, but there are no birth and death dates given, and that includes his obituary notice. Contents:18 Sonnets et Chansons de Desportes pour ténor ou soprano et piano, Op. 45 Six poésies allemandes de Moritz Hartmann pour baryton et piano, Op. 21 Douze poésies allemandes de Moritz Hartmann pour ténor et piano, Op. 26 (Poésies françaises d’Adolphe Larmande).
$3.00
Op. 1, No. 6: Le Château dans la forêt from Songs of Gouvy, V2 (Downloadable)
#
Piano, Voice
#
INTERMEDIATE
#
MeeAe Cecilia Nam and Theodore
#
Op. 1, No. 6: Le Château dans
#
E. C. Schirmer Music Company - Digital
#
SheetMusicPlus
Voice and piano - Medium - Digital Download SKU: MQ.8492-30E Composed by MeeAe Cecilia Nam and Theodore Gouvy. Instrument part. 5 pages. E. C. Schirmer M...
(+)
Voice and piano - Medium - Digital Download SKU: MQ.8492-30E Composed by MeeAe Cecilia Nam and Theodore Gouvy. Instrument part. 5 pages. E. C. Schirmer Music Company - Digital #8492-30E. Published by E. C. Schirmer Music Company - Digital (MQ.8492-30E). French.Gouvy was known for writing some of the most beautiful melodies of the Romantic period. His style is a combination of German forms and an early French romantic harmonic structure. His writing for the piano in the songs is totally unified in mood and description with the voice, just as the piano is in Schubert’s songs. The equal partnership of the vocal line and piano interact closely to bring the poetry vividly into life with unimaginable artistic heights and unbridled passion.This volume includes Gouvy songs set to 18 poems of Philippe Desportes (1546–1606), and 18 poems of Moritz Hartmann (1821–1872). The elements of Romantic love poetry, such as enchanting love and its pain, and the personifying of nature, are fluently described with a great sensitivity in both voice and piano. Gouvy’s melody stir up the imagination because of his special treatment of words through a distinguishable and melodious vocal line, and his story telling and poetic treatment and development of the piano accompaniment. His compositional artistry places him in the upper echelons of art-song composers. One should note that Gouvy had a special fondness for the 16th Century poetry of La Pléiade (a group of Renaissance French poets, led by Pièrre de Ronsard (1524–1585). Desportes was truly the heir to Ronsard; however his work, when compared to that of Ronsard, is filled with greater abstraction and greater fluidity. Desportes seems to avoid any of the passionate anger that is occasionally characteristic of La Pléiade. This may be an indication that Desportes lived in a less distressed time. It also seems necessary to point out that he learned much in his early career by copying and studying the earlier works of La Pléiade. This has led some scholars to label him as a plagiarist, but it is important to realize that all the members of La Pléiade copied from each other when they wished to learn something new, and truly understand the style of the other poets in the group. Gouvy’s only choice of poems from his contemporaries, were the works of Moritz Hartmann (1821–1872), a good friend of Gouvy’s. Much of his poetry was strongly political in support of freedom of the individual. He traveled to Leipzig in 1845, but when the authorities discovered a volume of patriotic poems entitled Kelch und Schwert (Chalice and Sword), he fled to Belgium and France. It is at this time that he possibly met Théodore Gouvy. Eighteen poems of Hartmann were translated from German to French by the French poet, Adolph Larmande, of whom very little is known. Pierre Toussaint Adolphe Larmande seems to have been a rather obscure poet and musician. We know that he taught music theory at the Paris Conservatory at the same time Anton Reicha and Michele Carafa were on the faculty. We also know that in 1847 he married an English woman by the name of Marie Caroline Bradley. There are random documents, such as a Certificate of Arrival in London, England, in 1837, but there are no birth and death dates given, and that includes his obituary notice. Contents:18 Sonnets et Chansons de Desportes pour ténor ou soprano et piano, Op. 45 Six poésies allemandes de Moritz Hartmann pour baryton et piano, Op. 21 Douze poésies allemandes de Moritz Hartmann pour ténor et piano, Op. 26 (Poésies françaises d’Adolphe Larmande).
$3.00
Op. 1, No. 9: Beaux yeux aimés from Songs of Gouvy, V2 (Downloadable)
#
Piano, Voice
#
INTERMEDIATE
#
MeeAe Cecilia Nam and Theodore
#
Op. 1, No. 9: Beaux yeux aimé
#
E. C. Schirmer Music Company - Digital
#
SheetMusicPlus
Voice and piano - Medium - Digital Download SKU: MQ.8492-33E Composed by MeeAe Cecilia Nam and Theodore Gouvy. Instrument part. 8 pages. E. C. Schirmer M...
(+)
Voice and piano - Medium - Digital Download SKU: MQ.8492-33E Composed by MeeAe Cecilia Nam and Theodore Gouvy. Instrument part. 8 pages. E. C. Schirmer Music Company - Digital #8492-33E. Published by E. C. Schirmer Music Company - Digital (MQ.8492-33E). French.Gouvy was known for writing some of the most beautiful melodies of the Romantic period. His style is a combination of German forms and an early French romantic harmonic structure. His writing for the piano in the songs is totally unified in mood and description with the voice, just as the piano is in Schubert’s songs. The equal partnership of the vocal line and piano interact closely to bring the poetry vividly into life with unimaginable artistic heights and unbridled passion.This volume includes Gouvy songs set to 18 poems of Philippe Desportes (1546–1606), and 18 poems of Moritz Hartmann (1821–1872). The elements of Romantic love poetry, such as enchanting love and its pain, and the personifying of nature, are fluently described with a great sensitivity in both voice and piano. Gouvy’s melody stir up the imagination because of his special treatment of words through a distinguishable and melodious vocal line, and his story telling and poetic treatment and development of the piano accompaniment. His compositional artistry places him in the upper echelons of art-song composers. One should note that Gouvy had a special fondness for the 16th Century poetry of La Pléiade (a group of Renaissance French poets, led by Pièrre de Ronsard (1524–1585). Desportes was truly the heir to Ronsard; however his work, when compared to that of Ronsard, is filled with greater abstraction and greater fluidity. Desportes seems to avoid any of the passionate anger that is occasionally characteristic of La Pléiade. This may be an indication that Desportes lived in a less distressed time. It also seems necessary to point out that he learned much in his early career by copying and studying the earlier works of La Pléiade. This has led some scholars to label him as a plagiarist, but it is important to realize that all the members of La Pléiade copied from each other when they wished to learn something new, and truly understand the style of the other poets in the group. Gouvy’s only choice of poems from his contemporaries, were the works of Moritz Hartmann (1821–1872), a good friend of Gouvy’s. Much of his poetry was strongly political in support of freedom of the individual. He traveled to Leipzig in 1845, but when the authorities discovered a volume of patriotic poems entitled Kelch und Schwert (Chalice and Sword), he fled to Belgium and France. It is at this time that he possibly met Théodore Gouvy. Eighteen poems of Hartmann were translated from German to French by the French poet, Adolph Larmande, of whom very little is known. Pierre Toussaint Adolphe Larmande seems to have been a rather obscure poet and musician. We know that he taught music theory at the Paris Conservatory at the same time Anton Reicha and Michele Carafa were on the faculty. We also know that in 1847 he married an English woman by the name of Marie Caroline Bradley. There are random documents, such as a Certificate of Arrival in London, England, in 1837, but there are no birth and death dates given, and that includes his obituary notice. Contents:18 Sonnets et Chansons de Desportes pour ténor ou soprano et piano, Op. 45 Six poésies allemandes de Moritz Hartmann pour baryton et piano, Op. 21 Douze poésies allemandes de Moritz Hartmann pour ténor et piano, Op. 26 (Poésies françaises d’Adolphe Larmande).
$3.00
Jenner-Waisenkind,in e minor,Op.1 No.3,from '4 Lieder,Op.1'
#
Piano, Voice
#
INTERMEDIATE
#
Classical
#
Jenner
#
OSM Press
#
Jenner-Waisenkind,in e minor,O
#
Open Cloud
#
SheetMusicPlus
Piano,Vocal,Voice - Level 3 - Digital Download SKU: A0.824295 Composed by Jenner. Arranged by OSM Press. Classical. Score. 3 pages. Open Cloud #431129. P...
(+)
Piano,Vocal,Voice - Level 3 - Digital Download SKU: A0.824295 Composed by Jenner. Arranged by OSM Press. Classical. Score. 3 pages. Open Cloud #431129. Published by Open Cloud (A0.824295).
$2.99
Jenner-Waisenkind,in d minor,Op.1 No.3,from '4 Lieder,Op.1'
#
Piano, Voice
#
INTERMEDIATE
#
Classical
#
Jenner
#
OSM Press
#
Jenner-Waisenkind,in d minor,O
#
Open Cloud
#
SheetMusicPlus
Piano,Vocal,Voice - Level 3 - Digital Download SKU: A0.824293 Composed by Jenner. Arranged by OSM Press. Classical. Score. 3 pages. Open Cloud #431127. P...
(+)
Piano,Vocal,Voice - Level 3 - Digital Download SKU: A0.824293 Composed by Jenner. Arranged by OSM Press. Classical. Score. 3 pages. Open Cloud #431127. Published by Open Cloud (A0.824293).
$2.99
Jenner-Noch einmal,in A flat Major,Op.1 No.2,from '4 Lieder,Op.1'
#
Piano, Voice
#
INTERMEDIATE
#
Classical
#
Jenner
#
OSM Press
#
Jenner-Noch einmal,in A flat M
#
Open Cloud
#
SheetMusicPlus
Piano,Vocal,Voice - Level 3 - Digital Download SKU: A0.824286 Composed by Jenner. Arranged by OSM Press. Classical. Score. 4 pages. Open Cloud #431120. P...
(+)
Piano,Vocal,Voice - Level 3 - Digital Download SKU: A0.824286 Composed by Jenner. Arranged by OSM Press. Classical. Score. 4 pages. Open Cloud #431120. Published by Open Cloud (A0.824286).
$3.99
Jenner-Noch einmal,in E Major,Op.1 No.2,from '4 Lieder,Op.1'
#
Piano, Voice
#
INTERMEDIATE
#
Classical
#
Jenner
#
OSM Press
#
Jenner-Noch einmal,in E Major,
#
Open Cloud
#
SheetMusicPlus
Piano,Vocal,Voice - Level 3 - Digital Download SKU: A0.824290 Composed by Jenner. Arranged by OSM Press. Classical. Score. 4 pages. Open Cloud #431124. P...
(+)
Piano,Vocal,Voice - Level 3 - Digital Download SKU: A0.824290 Composed by Jenner. Arranged by OSM Press. Classical. Score. 4 pages. Open Cloud #431124. Published by Open Cloud (A0.824290).
$3.99
Jenner-Noch einmal,in G Major,Op.1 No.2,from '4 Lieder,Op.1'
#
Piano, Voice
#
INTERMEDIATE
#
Classical
#
Jenner
#
OSM Press
#
Jenner-Noch einmal,in G Major,
#
Open Cloud
#
SheetMusicPlus
Piano,Vocal,Voice - Level 3 - Digital Download SKU: A0.824287 Composed by Jenner. Arranged by OSM Press. Classical. Score. 4 pages. Open Cloud #431121. P...
(+)
Piano,Vocal,Voice - Level 3 - Digital Download SKU: A0.824287 Composed by Jenner. Arranged by OSM Press. Classical. Score. 4 pages. Open Cloud #431121. Published by Open Cloud (A0.824287).
$3.99
Jenner-Waisenkind,in b minor,Op.1 No.3,from '4 Lieder,Op.1'
#
Piano, Voice
#
INTERMEDIATE
#
Classical
#
Jenner
#
OSM Press
#
Jenner-Waisenkind,in b minor,O
#
Open Cloud
#
SheetMusicPlus
Piano,Vocal,Voice - Level 3 - Digital Download SKU: A0.824298 Composed by Jenner. Arranged by OSM Press. Classical. Score. 3 pages. Open Cloud #431132. P...
(+)
Piano,Vocal,Voice - Level 3 - Digital Download SKU: A0.824298 Composed by Jenner. Arranged by OSM Press. Classical. Score. 3 pages. Open Cloud #431132. Published by Open Cloud (A0.824298).
$2.99
Jenner-Noch einmal,in B Major,Op.1 No.2,from '4 Lieder,Op.1'
#
Piano, Voice
#
INTERMEDIATE
#
Classical
#
Jenner
#
OSM Press
#
Jenner-Noch einmal,in B Major,
#
Open Cloud
#
SheetMusicPlus
Piano,Vocal,Voice - Level 3 - Digital Download SKU: A0.824284 Composed by Jenner. Arranged by OSM Press. Classical. Score. 4 pages. Open Cloud #431117. P...
(+)
Piano,Vocal,Voice - Level 3 - Digital Download SKU: A0.824284 Composed by Jenner. Arranged by OSM Press. Classical. Score. 4 pages. Open Cloud #431117. Published by Open Cloud (A0.824284).
$3.99
Jenner-Waisenkind,in f minor,Op.1 No.3,from '4 Lieder,Op.1'
#
Piano, Voice
#
INTERMEDIATE
#
Classical
#
Jenner
#
OSM Press
#
Jenner-Waisenkind,in f minor,O
#
Open Cloud
#
SheetMusicPlus
Piano,Vocal,Voice - Level 3 - Digital Download SKU: A0.824296 Composed by Jenner. Arranged by OSM Press. Classical. Score. 3 pages. Open Cloud #431130. P...
(+)
Piano,Vocal,Voice - Level 3 - Digital Download SKU: A0.824296 Composed by Jenner. Arranged by OSM Press. Classical. Score. 3 pages. Open Cloud #431130. Published by Open Cloud (A0.824296).
$2.99
Jenner-Noch einmal,in G flat Major,Op.1 No.2,from '4 Lieder,Op.1'
#
Piano, Voice
#
INTERMEDIATE
#
Classical
#
Jenner
#
OSM Press
#
Jenner-Noch einmal,in G flat M
#
Open Cloud
#
SheetMusicPlus
Piano,Vocal,Voice - Level 3 - Digital Download SKU: A0.824288 Composed by Jenner. Arranged by OSM Press. Classical. Score. 4 pages. Open Cloud #431122. P...
(+)
Piano,Vocal,Voice - Level 3 - Digital Download SKU: A0.824288 Composed by Jenner. Arranged by OSM Press. Classical. Score. 4 pages. Open Cloud #431122. Published by Open Cloud (A0.824288).
$3.99
Jenner-Noch einmal,in A Major,Op.1 No.2,from '4 Lieder,Op.1’
#
Piano, Voice
#
INTERMEDIATE
#
Classical
#
Jenner
#
OSM Press
#
Jenner-Noch einmal,in A Major,
#
Open Cloud
#
SheetMusicPlus
Piano,Vocal,Voice - Level 3 - Digital Download SKU: A0.824281 Composed by Jenner. Arranged by OSM Press. Classical. Score. 4 pages. Open Cloud #431114. P...
(+)
Piano,Vocal,Voice - Level 3 - Digital Download SKU: A0.824281 Composed by Jenner. Arranged by OSM Press. Classical. Score. 4 pages. Open Cloud #431114. Published by Open Cloud (A0.824281).
$3.99
Jenner-Waisenkind,in c sharp minor,Op.1 No.3,from '4 Lieder,Op.1'
#
Piano, Voice
#
INTERMEDIATE
#
Classical
#
Jenner
#
OSM Press
#
Jenner-Waisenkind,in c sharp m
#
Open Cloud
#
SheetMusicPlus
Piano,Vocal,Voice - Level 3 - Digital Download SKU: A0.824291 Composed by Jenner. Arranged by OSM Press. Classical. Score. 3 pages. Open Cloud #431125. P...
(+)
Piano,Vocal,Voice - Level 3 - Digital Download SKU: A0.824291 Composed by Jenner. Arranged by OSM Press. Classical. Score. 3 pages. Open Cloud #431125. Published by Open Cloud (A0.824291).
$2.99
<
1
26
51
....
2926
© 2000 - 2024
Home
-
New releases
-
Composers
Legal notice
-
Full version
