Home page
Browse Free-scores.com
--INSTRUMENTS--
ACCORDION
AUTOHARP
BAGPIPE
BANJO
BASS
BASSOON
BOOKS
BOUZOUKI
BUGLE
CHORAL - VOCAL…
CLARINET
CORNET
DIDGERIDOO
DJ GEAR
DRUM
DULCIMER
ENGLISH HORN
EUPHONIUM
FLUTE
FRENCH HORN
GUITAR
HANDBELLS
HARMONICA
HARP
HARPSICHORD
LAP STEEL GUIT…
LUTE
MANDOLIN
MARCHING BAND
MARIMBA
MUSIC COURSE
OBOE
OCARINA
ORCHESTRA - BA…
ORGAN
PANPIPES
PERCUSSION
PIANO
RECORDER
SAXOPHONE
SYNTHESIZER K…
TROMBONE
TRUMPET
TUBA
UKULELE
VIBRAPHONE
VIOLA
VIOLIN - FIDDL…
VIOLONCELLO - …
XYLOPHONE
ZITHER
Over You - Synthesizer
PDF/Flash
Not classified
3,636
Piano & keyboards
Big Note Piano
3,297
Piano solo
2,304
Organ
1,604
Piano, Voice
1,063
Easy Piano
1,018
Piano, Vocal and Guitar
821
C Instruments
270
1 Piano, 4 hands
65
Keyboard
60
Piano Trio: piano, violin, cello
42
Piano Accompaniment
41
2 Pianos, 4 hands
23
Accordion
23
Piano Quartet: piano, 2 violins, cello
11
Piano (band part)
8
Piano Quartet: piano, violin, viola, cello
7
Piano Quintet: piano, 2 violins, viola, cello
7
Harpsichord
3
Organ, Piano (duet)
3
2 Pianos, 8 hands
2
+ 15 instrumentations
-
Retract
Guitars
Bass guitar
402
Guitar notes and tablatures
188
Guitar
159
Melody line, (Lyrics) and Chords
99
Ukulele
90
Mandolin
82
2 Guitars (duet)
37
Lyrics and Chords
24
Guitar (band part)
16
Banjo
15
Dulcimer
14
4 Guitars (Quartet)
10
Piano, Guitar (duet)
8
2 Ukuleles
5
Guitar, Violin, Cello (trio)
1
3 Guitars (trio)
1
Guitar Ensemble
1
Lap Steel Guitar
1
+ 13 instrumentations
-
Retract
Voice
Choral SATB
747
Choral 3-part
269
Choral 2-part
151
Choral TTBB
137
Choral SSAA
137
Choral Unison
95
Alto voice, Piano
71
Baritone voice, Piano
68
Tenor voice, Piano
48
Soprano voice, Piano
47
Tenor voice
28
Soprano voice
24
Choral Instrumental Pak
24
High voice
24
Vocal duet, Piano
17
Voice solo
12
Low voice, Piano
11
Vocal duet
10
Medium voice, Piano
5
Choral SSATB
3
Mezzo-Soprano voice, Piano
2
Choral
2
Soli, Mixted choir and accompaniment
1
Low voice
1
Choral SSAATTBB
1
+ 20 instrumentations
-
Retract
Woodwind
2 Saxophones (duet)
553
Saxophone Quartet: 4 saxophones
293
Clarinet and Piano
291
Flute and Piano
274
Oboe, Piano (duet)
261
Woodwind Quintet: flute, oboe, bassoon, clarinet, horn
234
Flute, Oboe, Clarinet, Bassoon
233
Clarinet
228
2 Clarinets (duet)
217
Flute
211
2 Flutes (duet)
210
Alto Saxophone and Piano
193
Saxophone Quintet: 5 Saxophones
179
Alto Saxophone
174
Saxophone, Clarinet (duet)
171
Tenor Saxophone and Piano
147
Saxophone (band part)
137
2 Oboes (duet)
124
Tenor Saxophone
124
Soprano Saxophone and Piano
119
Clarinet, Violin (duet)
115
Ocarina
111
Clarinet Quartet: 4 clarinets
110
Flute, Clarinet (duet)
110
Descant (Soprano) Recorder
107
Oboe
102
Oboe (band part)
101
3 Saxophones (trio)
96
Baritone Saxophone, Piano
89
Oboe, Clarinet (duet)
82
Clarinet, Trumpet (duet)
81
Saxophone ensemble
77
Oboe, Bassoon (duet)
73
2 Recorders (duet)
66
Flute, Violin
64
Clarinet and Viola
59
Oboe, Flute
56
Clarinet Ensemble
56
3 Clarinets (trio)
54
Flute Quartet: 4 flutes
52
Soprano Saxophone
50
Flute ensemble
48
Flute, Saxophone (duet)
48
Flute, Viola (duet)
42
Flute, Trumpet (duet)
42
Flute Trio: 3 flutes
41
Baritone Saxophone
40
Clarinet Quintet: 5 clarinets
35
English horn, Piano
31
Recorder
30
2 Flutes, Piano
30
Recorder Ensemble
28
Treble (Alto) Recorder
26
Flute, Violin, Piano
23
Oboe, Clarinet, Bassoon (trio)
21
Flute Quintet : 5 flutes
20
Flute, Oboe, Clarinet (trio)
17
Flute and Guitar
16
Harmonica
16
Clarinet, Bassoon (duet)
14
Flute, Violoncello
14
Tenor Recorder
13
Flute (band part)
13
Bass Clarinet, Piano
13
Clarinet, Cello (duet)
12
Recorder Quartet
12
Flute, Clarinet and Bassoon.
11
Flute, Oboe (duet)
11
Flute, Trombone (duet)
11
Flute, Oboe, Bassoon
11
Clarinet, Guitar (duet)
11
Oboe, Cello
9
Flute, Oboe, Piano (trio)
8
Clarinet (band part)
8
Piccolo, Piano
7
English Horn
6
5 Recorders
6
3 Recorders (trio)
5
Flute, Bassoon, and Piano
5
Oboe, Violin (duet)
5
Flute, Clarinet, Horn and Bassoon (Quartet)
5
Treble (Alto) Recorder, Piano
5
Flute, Clarinet, Piano (trio)
4
Pennywhistle
3
Eb Instruments
3
Descent (Soprano) Recorder, Piano
3
2 Clarinets, Piano
3
2 Oboes, Piano
3
Flute, Organ (duet)
2
Clarinet, Cello, Piano (trio)
2
Clarinet, Tuba
2
Oboe, Cello and Piano
2
Flute, Viola and Piano
2
Oboe, Clarinet and Piano (Trio)
2
Piccolo
2
Flute, Cello, Piano (trio)
2
Oboe and viola (duet)
2
Flute, Clarinet, Violin (trio)
2
4 Oboes
2
Oboe, Guitar (duet)
1
Clarinet Quintet: Clarinet, String Quartet
1
Clarinette, Viola and Piano (trio)
1
Flute, Oboe, Violin
1
Clarinet, Double bass (duet)
1
English Horn, Guitar (duet)
1
Clarinet, Trombone (duet)
1
2 Clarinets, Bassoon
1
Clarinet, Harp (duet)
1
Oboe, Harp
1
Oboe, Trombone (duet)
1
2 English horns and Pianoforte
1
Flute, Violin and Violoncello
1
Saxophone
1
Flute, harp and violin
1
Flute, Tuba (duet)
1
Saxophone and Organ
1
Bass Clarinet
1
Flute, Harp and Cello
1
Bagpipe
1
Clarinet, Bassoon, Piano (trio)
1
+ 115 instrumentations
-
Retract
Woodbrass
Brass Quintet: 2 trumpets, horn, trombone, tuba
299
Trumpet, Piano
233
Trumpet
220
Trombone and Piano
202
French Horn and Piano
180
Trombone
168
French horn
143
Tuba
143
Tuba and Piano
138
2 Trombones (duet)
137
Brass quartet : 2 trumpets, trombone, tuba
136
2 Trumpets (duet)
129
Brass Quartet: 2 trumpets, horn, trombone
113
Trumpet, Saxophone (duet)
111
Trumpet, Trombone (duet)
89
2 French horns (duet)
74
Trombone (band part)
50
Brass Quartet
46
Trumpet (band part)
45
Brass Quartet: 4 trombones
33
English horn, Piano
31
2 Tubas (duet)
29
Euphonium, Piano (duet)
24
Trumpet, Horn (duert)
19
Trombone ensemble
18
Brass Quartet: 4 horns
15
Trumpet ensemble
14
French horn (band part)
12
Brass Quartet: 4 trumpets
11
Horn Ensemble
8
3 Trombones (trio)
8
Tuba (band part)
8
Trombone, Tuba (duet)
7
English Horn
6
Trombone, Horn (duet)
6
3 Tubas (trio)
5
Trumpet, Bassoon (duet)
5
Bb Instruments
5
Bass Trombone and Piano
5
Brass Trio
5
Bass Trombone
4
Trumpet, Tuba (duet)
4
4 Tubas
4
Euphonium, Tuba (duet)
4
Bass Clef Instruments
4
Horn, Cello (duet)
4
Trumpet, Cello (duet)
4
2 French horns, Piano
3
2 Euphoniums and 2 Tubas
3
Euphonium
3
2 Euphoniums (duet)
2
2 Trumpets, Keyboard (piano or organ)
2
French horn and Basson (duet)
2
English Horn, Guitar (duet)
1
Trumpet, Euphonium (duet)
1
3 French horns (trio)
1
Trumpet, Trombone, Piano
1
Brass Quartet: 2 trumpets, 2 trombones
1
Horn and Organ
1
Tuba ensemble
1
2 English horns and Pianoforte
1
Trombone, Violin (duet)
1
+ 57 instrumentations
-
Retract
Strings
String Quartet: 2 violins, viola, cello
732
Violin and Piano
349
Violin
346
Cello
285
Viola, Piano
264
Cello, Piano
260
Violin, Cello (duet)
252
2 Violins (duet)
194
Viola
160
2 Cellos (duet)
154
String Quintet: 2 violins, viola, cello, bass
147
Harp
141
2 Violas (duet)
140
Violin, Viola (duet)
135
String Trio: violin, viola, cello
128
Double bass, Piano (duet)
123
Double Bass
122
String Trio: 2 violins, cello
102
Viola, Cello (duet)
31
2 Double basses (duet)
29
Viola (band part)
25
Piano Trio: Violin, Viola, Piano
20
Violin (band part)
17
Doublebass (band part)
16
String Trio: 3 violins
14
String Trio: 3 cellos
13
4 Cellos
13
Cello, String Bass (duet)
12
String Quartet : 4 violas
11
String quartet: 4 violins
10
String Trio: 2 violins, viola
10
String Trio: 3 violas
7
String Quintet: 2 violins, 2 violas, cello
6
Flute, Doublebass (duet)
6
Violin, Bassoon (duet)
6
2 Violins, Piano
5
Violin, Guitar (duet)
4
Harp, Flute (duet)
4
Cello (band part)
4
2 Harps (duet)
4
Cello Ensemble
3
Cello, Guitar (duet)
3
Violin ensemble
3
2 Violas, Piano
3
2 Cellos, Piano
3
Viola ensemble
3
Violin, Clarinet, Piano (trio)
3
Viola and Bassoon
2
Violin, Tuba (duet)
2
String Quintet: 2 violins, viola, 2 cellos
1
Violin, Organ
1
Cello, Orchestra
1
Violin, Cello, Clarinet
1
Viola and Harp
1
3 double basses
1
Harp, Voice
1
Autoharp
1
Harp, Violin (duet)
1
4 Harps
1
+ 54 instrumentations
-
Retract
Orchestra & Percussion
Concert band
1,525
String Orchestra
319
Orchestra
234
Jazz Ensemble
189
Drums
165
Brass ensemble
103
Jazz combo
80
Chamber Orchestra
75
Marching band
56
Handbells
41
Percussion Ensemble
22
Drum (band part)
7
String Quintet : 2 Violins, Viola, Violoncello, Doublebass, Keyboard
4
Percussion (band part)
4
Marimba
3
2 Xylophones
2
Xylophone, Piano
2
Vibraphone
2
Marimba, Piano (duet)
1
Brass Quintet: other combinaisons
1
Bongos
1
Bodhran
1
Big band
1
School Ensemble
1
Xylophone
1
+ 20 instrumentations
-
Retract
Others
Musical course - Solfege
7
Music Theory
2
Free Sheet Music
Instruments
ACCORDION
BAGPIPE
BALALAIKA
BANJO
BASS
BASSOON
BLANK SHEET…
BOOKS
BOUZOUKI
BUGLE
CELLO - VIO…
CHARANGO
CHOIR - VOC…
CLARINET
CORNET
DOBRO - GUI…
DOUBLE BASS
DRUM
DULCIMER
ELECTRONIC …
ENGLISH HOR…
EUPHONIUM
FLUGELHORN
FLUTE
GUITAR
HANDBELLS
HARMONICA
HARP
HARPSICHORD
HORN
LUTE, THEOR…
MANDOLIN
MARCHING BA…
MARIMBA
MUSICAL COU…
NO SCORES
OBOE
ORCHESTRA -…
ORCHESTRA P…
ORGAN - ORG…
OTHER INSTR…
OUD
PANPIPES
PEDAL STEEL…
PERCUSSION
PIANO
RECORDER
SAXOPHONE
TROMBONE
TRUMPET
TUBA
UKULELE
VIBRAPHONE
VIELLE A RO…
VIOLA
VIOLA DA GA…
VIOLIN - FI…
WHISTLE
XYLOPHONE
ZITHER
Musician's shop
Sheet music books
Digital sheet music
Music equipment
Gift ideas
Other Services
Other Services
Top 100
Web directory
Staff paper
Metronome
About free-scores.com
$
$
EUR €
USD $
GBP £
CAD $
CNY ¥
Français
Free Sheet Music
1,226
Digital Sheet Music
75
Sheet Music Books
1
Music Equipment
1,996
Digital scores
(access after purchase)
Post mailing
Digital sheet music
← INSTRUMENTATIONS
SORTING AND FILTERS
SORTING AND FILTERS
Sorting and filtering :
--INSTRUMENTS--
ACCORDION
AUTOHARP
BAGPIPE
BANJO
BASS
BASSOON
BOOKS
BOUZOUKI
BUGLE
CHORAL - VOCAL…
CLARINET
CORNET
DIDGERIDOO
DJ GEAR
DRUM
DULCIMER
ENGLISH HORN
EUPHONIUM
FLUTE
FRENCH HORN
GUITAR
HANDBELLS
HARMONICA
HARP
HARPSICHORD
LAP STEEL GUIT…
LUTE
MANDOLIN
MARCHING BAND
MARIMBA
MUSIC COURSE
OBOE
OCARINA
ORCHESTRA - BA…
ORGAN
PANPIPES
PERCUSSION
PIANO
RECORDER
SAXOPHONE
SYNTHESIZER K…
TROMBONE
TRUMPET
TUBA
UKULELE
VIBRAPHONE
VIOLA
VIOLIN - FIDDL…
VIOLONCELLO - …
XYLOPHONE
ZITHER
style (all)
AFRICAN
AMERICANA
ASIAN
BLUEGRASS
BLUES
CELTIC - IRISH - SCO…
CHILDREN - KIDS : MU…
CHRISTIAN (contempor…
CHRISTMAS - CAROLS -…
CLASSICAL - BAROQUE …
CONTEMPORARY - 20-21…
CONTEMPORARY - NEW A…
COUNTRY
FINGERSTYLE - FINGER…
FLAMENCO
FOLK ROCK
FOLK SONGS - TRADITI…
FRENCH SONGS
FUNK
GOSPEL - SPIRITUAL -…
HALLOWEEN
INSTRUCTIONAL : CHOR…
INSTRUCTIONAL : METH…
INSTRUCTIONAL : STUD…
JAZZ
JAZZ GYPSY - SWING
JEWISH - KLEZMER
LATIN - BOSSA - WORL…
LATIN POP ROCK
MEDIEVAL - RENAISSAN…
METAL - HARD
MOVIE (WALT DISNEY)
MOVIE - TV
MUSICALS - BROADWAYS…
OLD TIME - EARLY ROC…
OPERA
PATRIOTIC MUSIC
POLKA
POP ROCK - CLASSIC R…
POP ROCK - MODERN - …
POP ROCK - POP MUSIC
PUNK
RAGTIME
REGGAE
SOUL - R&B - HIP HOP…
TANGO
THANKSGIVING
VIDEO GAMES
WEDDING - LOVE - BAL…
WORSHIP - PRAISE
Relevance
Best sellers
Prices - to +
Prices + to -
New releases
A-Z
skill (all)
beginner
easy
intermediate
avanced
expert
Sellers (all)
Musicnotes
Note4Piano
Noviscore
Profs-edition
Quickpartitions
SheetMusicPlus
Tomplay
Virtualsheetmusic
with audio
with video
with play-along
You've selected:
Over You - Synthesizer
PDF
Chamber Orchestra
Sheetmusic to print
75 sheet music found
<
1
26
51
Les Indes Galantes - Prologue (Overture)
#
Chamber Orchestra
#
ADVANCED
#
Jean Phillipe Rameau
#
Arte Nova Music Lab
#
Les Indes Galantes - Prologue
#
Arte Nova Music Lab
#
SheetMusicPlus
Chamber Orchestra - Level 5 - Digital Download SKU: A0.742472 Composed by Jean Phillipe Rameau. Arranged by Arte Nova Music Lab. Baroque,Concert,Standard...
(+)
Chamber Orchestra - Level 5 - Digital Download SKU: A0.742472 Composed by Jean Phillipe Rameau. Arranged by Arte Nova Music Lab. Baroque,Concert,Standards,World. Score and parts. 15 pages. Arte Nova Music Lab #4600759. Published by Arte Nova Music Lab (A0.742472). Les Indes galantes (French: The Amorous Indies) Opéra-ballet with a prologue and two entrées. Choreography: Louis Dupré. Music: Jean-Philippe Rameau. Libretto: Louis Fuzelier. Sets: Giovanni-Niccolò Servandoni. First performance: 23 August 1735, Théâtre de l'Académie de Musique, Paris. Principals: David Dumoulin, Louis Dupré, M. le Breton, M. Javellier, Marie Sallé. The premiere, including only the prologue and the first two of its four entrées (acts), was staged by the Académie Royale de Musique at itstheatre in the Palais-Royal in Paris on 23 August 1735, starring the leading singers of the Opéra, Marie Antier, Marie Pélissier, Mlle Errémans, Mlle Petitpas, Denis-François Tribou, Pierre Jélyotte, and Claude-Louis-Dominique Chassé de Chinais, and the dancers Marie Sallé and Louis Dupré. Michel Blondy provided the choreography. The ballet's Premier Menuet was used in the soundtrack of the 2006 film Marie Antoinette. Prologue: The palace of Hebe in the background and her gardens in the wings Hebe, goddess of youth, summons her followers to take part in a festival (Air: Vous, qui d'Hébé suivez les lois). Young French, Spanish, Italians and Poles rush to celebrate with a series of dances, including a musette. The ballet is interrupted by the noise of drums and trumpets. It is Bellona, goddess of war, who arrives on the stage accompanied by warriors bearing flags. Bellona calls on the youths to seek out military glory (Air and chorus: La Gloire vous appelle). Hebe prays to Cupid (L'Amour) to use his power to hold them back. Cupid descends on a cloud with his followers. He decides to abandon Europe in favour of the Indies, where love is more welcome. Taken from https://en.wikipedia.org/wiki/Les_Indes_galantes
$20.00
Over The Rainbow (from The Wizard Of Oz)
#
Chamber Orchestra
#
INTERMEDIATE
#
Film/TV
#
Film/TV
#
Judy Garland
#
Keith Moss
#
Over The Rainbow
#
Keith Moss
#
SheetMusicPlus
Chamber Orchestra - Level 3 - Digital Download SKU: A0.976990 By Judy Garland. By Harold Arlen. Arranged by Keith Moss. Film/TV. Score and parts. 18 page...
(+)
Chamber Orchestra - Level 3 - Digital Download SKU: A0.976990 By Judy Garland. By Harold Arlen. Arranged by Keith Moss. Film/TV. Score and parts. 18 pages. Keith Moss #3466086. Published by Keith Moss (A0.976990). After performing in a string sextett for a few years, it became apparent that the repertoire is limited for this genre, certainly no where near as large as the string quartet works available. I have arranged some pieces that can be used as either programmatic or an encore. Often you just need one or two short pieces to complete your program and these work very well indeed to achieve that. Because they have already been performed, the kinks have been ironed out and are ready to play. Parts are sold in a set and each one contains a cover page, meaning it is possible to print a booklet. For scores of the pieces, please email me on the product link which I will supply free-of-charge. Please provide evidence that you have purchased the parts to obtain a score. For any other requests for arrangements, don't hesitate to contact me
$34.99
MOZART-Debbaut: Overture to "Il re pastore" (The Shepherd king) - Score Only
#
Chamber Orchestra
#
INTERMEDIATE/ADVANCED
#
Classical
#
Wolfgang Amadeus Mozart
#
Robert Debbaut
#
MOZART-Debbaut: Overture to "I
#
ROBERT DEBBAUT
#
SheetMusicPlus
Chamber Orchestra - Level 4 - Digital Download SKU: A0.939402 Composed by Wolfgang Amadeus Mozart. Arranged by Robert Debbaut. Classical,Contest,Festival...
(+)
Chamber Orchestra - Level 4 - Digital Download SKU: A0.939402 Composed by Wolfgang Amadeus Mozart. Arranged by Robert Debbaut. Classical,Contest,Festival,Historic,Opera. 57 pages. ROBERT DEBBAUT #6342173. Published by ROBERT DEBBAUT (A0.939402). This overture would make a lively concert opener for a group with smaller forces, or work just as well with a large string section. In the opera itself (Il re pastore, The Shepherd King; 1775), Mozart's overture  segues directly into the opening scene of Act One. Other Mozart overtures that segue thusly have been arranged with concert endings, such as The Abduction from the Seraglio (arr. Anton Andre) and Idomeneo, King of Crete (arr. Carl Reinecke). Most of the music contained in this arrangement is Mozart's, including the existing material from the original overture, developmental material of that music, and a segment extracted from the opera's final section. The work is about six minutes in length and is scored for one flute, two oboes, two bassoons, two horns in F, two trumpets in C, timpani, and string orchestra. A NotePerformer3 audio file is available from the arranger, as are parts in pdf format. If you purchase, please write to the arranger at debbaut@gmail.com, subject Mozart and I will send you a copy of the parts for $30 via Venmo or personal check.
$9.99
Concert Overture
#
Chamber Orchestra
#
Bertold Hummel
#
Concert Overture
#
Schott Music - Digital
#
SheetMusicPlus
1 (auch Picc.) · 1 · 2 (2. auch Bassklar.) · 1 - 1 · 1 · 0 · 0 - P. S. (Xyl. · Trgl. · hg. Beck. · 2 Tomt. · 2 kl. Tr. · Mil. T...
(+)
1 (auch Picc.) · 1 · 2 (2. auch Bassklar.) · 1 - 1 · 1 · 0 · 0 - P. S. (Xyl. · Trgl. · hg. Beck. · 2 Tomt. · 2 kl. Tr. · Mil. Tr. · gr. Tr. · 2 Tempelbl.) (2 Spieler) - Hfe. · Str. chamber orchestra - Digital Download SKU: S9.Q16435 For chamber orchestra. Composed by Bertold Hummel. This edition: set of parts. Concertino. Downloadable, Set of parts. Op. 13c. Duration 8 minutes. Schott Music - Digital #Q16435. Published by Schott Music - Digital (S9.Q16435). Despite the Concertante Overture being almost 60 years old, the piece nevertheless captures listeners through its young and carefree freshness. The string orchestra is joined by solo winds and percussion. Hummel's music is so colourful, vivid and powerful that the listener can immediately imagine how the curtain rises upon a play while this music is played. The differentiated score, with its chamber music layout, can be mastered by good amateur ensembles and music students.
$25.99
Concert Overture
#
Chamber Orchestra
#
Bertold Hummel
#
Concert Overture
#
Schott Music - Digital
#
SheetMusicPlus
1 (auch Picc.) · 1 · 2 (2. auch Bassklar.) · 1 - 1 · 1 · 0 · 0 - P. S. (Xyl. · Trgl. · hg. Beck. · 2 Tomt. · 2 kl. Tr. · Mil. T...
(+)
1 (auch Picc.) · 1 · 2 (2. auch Bassklar.) · 1 - 1 · 1 · 0 · 0 - P. S. (Xyl. · Trgl. · hg. Beck. · 2 Tomt. · 2 kl. Tr. · Mil. Tr. · gr. Tr. · 2 Tempelbl.) (2 Spieler) - Str. chamber orchestra - Digital Download SKU: S9.Q16434 For chamber orchestra. Composed by Bertold Hummel. This edition: score. Concertino. Downloadable, score. Op. 13c. Duration 8 minutes. Schott Music - Digital #Q16434. Published by Schott Music - Digital (S9.Q16434). Despite the Concertante Overture being almost 60 years old, the piece nevertheless captures listeners through its young and carefree freshness. The string orchestra is joined by solo winds and percussion. Hummel's music is so colourful, vivid and powerful that the listener can immediately imagine how the curtain rises upon a play while this music is played. The differentiated score, with its chamber music layout, can be mastered by good amateur ensembles and music students.
$25.99
Overture to "A Lucky Star" A 1920s Musical, Full Orchestra Score and Individual Parts
#
Chamber Orchestra
#
INTERMEDIATE
#
James Nathaniel Holland
#
Overture to "A Lucky Star" A 1
#
James Nathaniel Holland
#
SheetMusicPlus
Chamber Orchestra - Level 3 - Digital Download SKU: A0.730508 Composed by James Nathaniel Holland. Broadway,Contemporary,Holiday,Jazz,Musical/Show,Patrio...
(+)
Chamber Orchestra - Level 3 - Digital Download SKU: A0.730508 Composed by James Nathaniel Holland. Broadway,Contemporary,Holiday,Jazz,Musical/Show,Patriotic. Score and parts. 74 pages. James Nathaniel Holland #5955675. Published by James Nathaniel Holland (A0.730508). Overture to American composer James Nathaniel Holland's early 1920s-styled musical A Lucky Star. The story about coming to terms with where you're from while attaining your dreams. Featured are 4 popular songs: A Lucky Star; O Baby, You Treat Me Too Rough; New York The City, The Town of Your Dreams; and Indiana. Perfect for period 20s jazz concert or opening to pops orchestra concert. Full score in concert pitch and individual instrument parts included. Instr: picc, fl12, ob12, cl12, bsn, hrn12, tpt, trmb, timp, drum set, piano (w/opt. banjo), strings. Duration: 8:28.
$15.95
Tchaikovsky: Romeo and Juliet Overture (for School Orchestra) Full Score
#
Chamber Orchestra
#
INTERMEDIATE/ADVANCED
#
Classical
#
Peter Ilyich Tchaikovsky
#
Youngsuk Kim
#
Tchaikovsky: Romeo and Juliet
#
Youngsuk Kim
#
SheetMusicPlus
Chamber Orchestra - Level 4 - Digital Download SKU: A0.873514 Composed by Peter Ilyich Tchaikovsky. Arranged by Youngsuk Kim. Classical,Romantic Period. ...
(+)
Chamber Orchestra - Level 4 - Digital Download SKU: A0.873514 Composed by Peter Ilyich Tchaikovsky. Arranged by Youngsuk Kim. Classical,Romantic Period. Score and parts. 47 pages. Youngsuk Kim #3259219. Published by Youngsuk Kim (A0.873514). For school orchestra. Composed by Tchaikovsky. Arranged by Youngsuk Kim. Popular Classics for Orchestra. Grade 4.Arranged to fit conventional school orchestra.Instrumentation: 2 Flutes, 1 Oboe, 2 Bb Clarinets, 1 Bassoon, 2 F Horns, 1 Trumpet, 1 Trombone, Timpani, Cymbals, Bass Drum, StringsPlay time: 10 min
$3.99
Tchaikovsky: Romeo and Juliet Overture (for School Orchestra) Complete Parts
#
Chamber Orchestra
#
Classical
#
Peter Ilyich Tchaikovsky
#
Youngsuk Kim
#
Tchaikovsky: Romeo and Juliet
#
Youngsuk Kim
#
SheetMusicPlus
Chamber Orchestra - Digital Download SKU: A0.873513 Composed by Peter Ilyich Tchaikovsky. Arranged by Youngsuk Kim. Classical,Romantic Period. Score and ...
(+)
Chamber Orchestra - Digital Download SKU: A0.873513 Composed by Peter Ilyich Tchaikovsky. Arranged by Youngsuk Kim. Classical,Romantic Period. Score and parts. 57 pages. Youngsuk Kim #3259221. Published by Youngsuk Kim (A0.873513). For school orchestra. Composed by Tchaikovsky. Arranged by Youngsuk Kim. Popular Classics for Orchestra. Grade 4.Arranged to fit conventional school orchestra.Instrumentation: 2 Flutes, 1 Oboe, 2 Bb Clarinets, 1 Bassoon, 2 F Horns, 1 Trumpet, 1 Trombone, Timpani, Cymbals, Bass Drum, StringsPlay time: 10 min.
$4.99
Colchester Concert Overture
#
Chamber Orchestra
#
Contemporary
#
Nigel Hildreth
#
Colchester Concert Overture
#
Nigel Hildreth
#
SheetMusicPlus
Chamber Orchestra - Digital Download SKU: A0.1015100 Composed by Nigel Hildreth. Contemporary. Score and parts. 29 pages. Nigel Hildreth #4613257. Publis...
(+)
Chamber Orchestra - Digital Download SKU: A0.1015100 Composed by Nigel Hildreth. Contemporary. Score and parts. 29 pages. Nigel Hildreth #4613257. Published by Nigel Hildreth (A0.1015100). A classical overture for the opening of Charter Hall in Colchester Suitable for amateur or Youth Orchestras
$8.99
Nice Work If You Can Get It
#
Chamber Orchestra
#
INTERMEDIATE
#
Jazz
#
Frank Sinatra
#
George Gershwin
#
John Winn III
#
Nice Work If You Can Get It
#
John Winn
#
SheetMusicPlus
Chamber Orchestra - Level 3 - Digital Download SKU: A0.1030292 By Frank Sinatra. By George Gershwin and Ira Gershwin. Arranged by John Winn III. Jazz. Sc...
(+)
Chamber Orchestra - Level 3 - Digital Download SKU: A0.1030292 By Frank Sinatra. By George Gershwin and Ira Gershwin. Arranged by John Winn III. Jazz. Score and parts. 18 pages. John Winn #6221881. Published by John Winn (A0.1030292). George Gershwin for clarinet and string quartet. Jazzy, fun arrangement. Includes a 16 bar improvised clarinet solo over chord changes. Includes a sample solo for those who would rather not improvise. Difficulty level: medium. Composed by George Gershwin (1898-1937). Arranged by John Winn. Digital downloads include score and parts.
$14.99
Bring Your Torches, Jeanette, Isabella for String Quartet (or Mixed Quartet or Piano Quintet)
#
Chamber Orchestra
#
INTERMEDIATE/ADVANCED
#
Christmas
#
French Traditional
#
Daniel Kelley
#
Cello, Piano Quartet &
#
Bring Your Torches, Jeanette,
#
Last Resort Music Publishing
#
SheetMusicPlus
Chamber Orchestra - Level 4 - Digital Download SKU: A0.530719 Composed by French Traditional. Arranged by Daniel Kelley. 20th Century,Christmas,Standards...
(+)
Chamber Orchestra - Level 4 - Digital Download SKU: A0.530719 Composed by French Traditional. Arranged by Daniel Kelley. 20th Century,Christmas,Standards. Score and parts. 19 pages. Last Resort Music Publishing #4887787. Published by Last Resort Music Publishing (A0.530719). An amazing resource for any musician, Music for Four is perfect for String Quartet, Mixed Quartet, Three Violins & Cello, Piano Quartet & More! Comes with score and 6 interchangeable parts - the keyboard/guitar part encompasses parts 2, 3 and 4. Therefore, the arrangements could be played as a piano quartet, or an entire quartet could play with a pianist - as long as Part 1 is being played.The following 6 parts plus score are included in the set:Part 1 Flute or Oboe or ViolinPart 2 Flute or Oboe or ViolinPart 3 ViolaPart 3 ViolinPart 4 Cello or BassoonKeyboard or GuitarScoreDon't miss our other Christmas & Nutcracker arrangements including Dance of the Sugar Plum Fairy, March, Overture & Trepak, Silent Night, The First Noel, Handel's Messiah, We Wish You a Merry Christmas and more! Available on SheetMusicPlus and www.lastresortmusic.comPublished by Last Resort Music Publishing www.lastresortmusic.com
$9.95
Do You Hear What I Hear
#
Chamber Orchestra
#
INTERMEDIATE/ADVANCED
#
Carrie Underwood
#
Dennis Ruello
#
Do You Hear What I Hear
#
Chicory Music
#
SheetMusicPlus
Chamber Orchestra - Level 4 - Digital Download SKU: A0.734392 By Carrie Underwood. By Gloria Shayne and Noel Regney. Arranged by Dennis Ruello. Christian...
(+)
Chamber Orchestra - Level 4 - Digital Download SKU: A0.734392 By Carrie Underwood. By Gloria Shayne and Noel Regney. Arranged by Dennis Ruello. Christian,Gospel,Rock. Score and parts. 19 pages. Chicory Music #3690903. Published by Chicory Music (A0.734392). Do You Hear What I Hear? is a song written in October 1962, with lyrics by Noël Regney and music by Gloria Shayne Baker. The pair, married at the time, wrote it as a plea for peace during the Cuban Missile Crisis. Regney had been invited by a record producer to write a Christmas song, but he was hesitant due to the commercialism of the Christmas holiday. It has sold tens of millions of copies and has been covered by hundreds of artists, This Advanced Intermediate Level arrangement for Chamber orchestra is appropriate for holiday recitals, concerts and church services.Performance time is approx. 2 min. 40 sec. 2018 Holiday Contest Entry .
$18.99
Rossini - Galop from the William Tell Overture (Reduced Orchestra)
#
Chamber Orchestra
#
INTERMEDIATE/ADVANCED
#
Gioachino Rossini
#
Matt Lax
#
Rossini - Galop from the Willi
#
Matthew Lax
#
SheetMusicPlus
Chamber Orchestra - Level 4 - Digital Download SKU: A0.818030 Composed by Gioachino Rossini. Arranged by Matt Lax. Classical,Film/TV. Score and parts. 10...
(+)
Chamber Orchestra - Level 4 - Digital Download SKU: A0.818030 Composed by Gioachino Rossini. Arranged by Matt Lax. Classical,Film/TV. Score and parts. 104 pages. Matthew Lax #4627367. Published by Matthew Lax (A0.818030). Rossini's William Tell Overture is most well-known for the Galop at the end which was used as the theme tune for the Lone Ranger TV series. Here you can find an arrangement of just the Galop from the overture for reduced orchestra:Flute (doubling Piccolo)OboeClarinetBassoonHornTrumpetTromboneTimpaniStrings
$25.00
Mendelssohn - Hebrides Overture (Reduced Orchestra)
#
Chamber Orchestra
#
ADVANCED
#
Classical
#
Felix Bartholdy Mendelssohn
#
Matt Lax
#
Mendelssohn - Hebrides Overtur
#
Matthew Lax
#
SheetMusicPlus
Chamber Orchestra - Level 5 - Digital Download SKU: A0.818028 Composed by Felix Bartholdy Mendelssohn. Arranged by Matt Lax. Romantic Period. Score and p...
(+)
Chamber Orchestra - Level 5 - Digital Download SKU: A0.818028 Composed by Felix Bartholdy Mendelssohn. Arranged by Matt Lax. Romantic Period. Score and parts. 149 pages. Matthew Lax #4624121. Published by Matthew Lax (A0.818028). Mendelssohn's famous Hebrides Overture arranged for a reduced orchestra/chamber ensemble:FluteOboeClarinetBassoonHornTrumpetTimpaniStrings (Quintet or string section).If you like my arrangement please let me know by submitting a review. For all my arrangements please check out my Sheet Music Plus Page here: https://www.sheetmusicplus.com/publishers/matthew-lax/5267
$30.00
Overture from The Nutcracker for String Quartet (or Mixed Quartet or Piano Quintet)
#
Chamber Orchestra
#
INTERMEDIATE/ADVANCED
#
Christmas
#
Peter Ilyich Tschaikovsky
#
Daniel Kelley
#
Cello, Piano Quartet &
#
Overture from The Nutcracker f
#
Last Resort Music Publishing
#
SheetMusicPlus
Chamber Orchestra - Level 4 - Digital Download SKU: A0.530733 Composed by Peter Ilyich Tschaikovsky. Arranged by Daniel Kelley. Baroque,Christmas,Standar...
(+)
Chamber Orchestra - Level 4 - Digital Download SKU: A0.530733 Composed by Peter Ilyich Tschaikovsky. Arranged by Daniel Kelley. Baroque,Christmas,Standards. Score and parts. 30 pages. Last Resort Music Publishing #4887849. Published by Last Resort Music Publishing (A0.530733). An amazing resource for any musician, Music for Four is perfect for String Quartet, Mixed Quartet, Three Violins & Cello, Piano Quartet & More! Comes with score and 6 interchangeable parts - the keyboard/guitar part encompasses parts 2, 3 and 4. Therefore, the arrangements could be played as a piano quartet, or an entire quartet could play with a pianist - as long as Part 1 is being played.The following 6 parts plus score are included in the set:Part 1 Flute or Oboe or ViolinPart 2 Flute or Oboe or ViolinPart 3 ViolaPart 3 ViolinPart 4 Cello or BassoonKeyboard or GuitarScoreDon't miss our other Christmas & Nutcracker arrangements including Dance of the Sugar Plum Fairy, March, Overture & Trepak, Silent Night, The First Noel, Handel's Messiah, We Wish You a Merry Christmas and more! Available on SheetMusicPlus and www.lastresortmusic.comPublished by Last Resort Music Publishing www.lastresortmusic.com
$9.95
Three Laments of Heloise for Chamber Orchestra
#
Chamber Orchestra
#
INTERMEDIATE/ADVANCED
#
Dosia McKay
#
Three Laments of Heloise for C
#
Gavia Music
#
SheetMusicPlus
Chamber Orchestra - Level 4 - Digital Download SKU: A0.876665 Composed by Dosia McKay. 20th Century,Contemporary,Renaissance. Score and parts. 81 pages. ...
(+)
Chamber Orchestra - Level 4 - Digital Download SKU: A0.876665 Composed by Dosia McKay. 20th Century,Contemporary,Renaissance. Score and parts. 81 pages. Gavia Music #57229. Published by Gavia Music (A0.876665). Three Laments of Heloise were inspired by the Letters of Abelard and Heloise, especially the character of Heloise, her crushing loss, self-denial, sacrifice, and forced conformity to the standards of medieval society. The first movement entitled Queens Envied Me My Joys is Heloise’s recollection of early days with Abelard. Every wife, every young girl desired you in absence and was on fire in your presence, writes Heloise. The pleasures of lovers which we shared have been too sweet… They are always there before my eyes, bringing with them awakened longings… The second movement If Not With You, My Heart Is Nowhere, expresses Heloise’s sense of abandonment by her lover. She writes to him: My heart was not in me but with you, and now, even more, if it is not with you it is nowhere; truly, without you I cannot exist. The third movement, My Most Wretched Soul, gives voice to Heloise’s continued struggle with her loss and the reality of the convent life. She does not see herself as a servant of God, but rather a hypocrite who remains pious on the outside and rages inwardly. Of all wretched women I am the most wretched, and amongst the unhappy I am unhappiest. How can it be called repentance for sins, however great the mortification of the flesh, if the mind still retains the will to sin and is on fire with its old desires? Modal scales and dance sequences give the Laments a Renaissance feel. Music theory students might appreciate the fact that the unifying element of the three movements is the interval of the 7th which appears very frequently in melodic and harmonic gestures and creates a feeling of ambiguity and of a lack of resolution. For chamber orchestra: Flute (or Piccolo), Oboe, Clarinet, Bassoon, Strings (Quintet, or 4,4,3,2,1, or larger), 2 Percussion: Frame Drum, Tambourine. Total duration 8:00. Possible transcriptions for period Renaissance instruments - please contact the composer. Composed in 2009. Copyright 2009 Dosia McKay / Gavia Music (ASCAP).
$100.00
The Hunt
#
Chamber Orchestra
#
ADVANCED
#
Franco Esteve
#
The Hunt
#
Franco Esteve
#
SheetMusicPlus
Chamber Orchestra - Level 5 - Digital Download SKU: A0.1011208 Composed by Franco Esteve. Contemporary,Film/TV. Score and parts. 17 pages. Franco Esteve ...
(+)
Chamber Orchestra - Level 5 - Digital Download SKU: A0.1011208 Composed by Franco Esteve. Contemporary,Film/TV. Score and parts. 17 pages. Franco Esteve #4601475. Published by Franco Esteve (A0.1011208). The Hunt is the title track to my modern, classical crossover, concept album, The Hunt. The Hunt is the hunt of life, hunting for health, for life, for happiness, for love, for ideas, for creativity, for success. The song represents the drive, the moving, the launch, that hope, that happiness, when you set out to do something in your life.From the album booklet (as it's a concept album, each song, though independent, has an overarching story):The effort has paid off. The day is here.The mood is happy. Success awaits. Let's go.Let's do it. It's sitting there for the taking.I'm in the zone. I'm in the flow. The huntress has shown me the bounty,and I'm ready to take it, to receive it, to enjoy it. I deserve it.Though it was written with larger groups in mind or small orchestras, keeping it in a way quite simple, it can most likely be played with 2 clarinets, a cello, and a trumpet. I can imagine it can work quite nicely with a school orchestra or any small ensemble, even if some might need to make some minor adjustments to how it's played. It's meant to be played in an upbeat and happy fashion, and the trumpet should be sexy and fun. It'll be fun to hear how others interpret it.The PDF includes the full score and all 4 individual parts (Clarinet, Clarinet Section in Bb, Cellos, Trumpet Section in Bb). The music is 2 minutes and 41 seconds (2:41).Thank you for your interest in my music. I hope y’all enjoy playing it as much as I did composing it.Don’t forget to keep up to date with everything Franco Esteve:Website: http://www.francoesteve.com/Facebook: https://www.facebook.com/seefrancoesteveTwitter: https://www.twitter.com/FrancoEsteveInstagram: https://www.instagram.com/seefrancoesteveSpotify: https://open.spotify.com/artist/4VMSPHtolbzozjH4OY0I6BMy music is also available on all major, online music stores and streaming services, including:Bandcamp: https://francoesteve.bandcamp.comCDBaby: https://store.cdbaby.com/Artist/FrancoEsteveSpotify: https://open.spotify.com/artist/4VMSPHtolbzozjH4OY0I6BiTunes/Apple Music: https://itunes.apple.com/us/artist/franco-esteve/894690746I'm a BMI affiliated artist and you can contact me using the contact form at:http://www.francoesteve.com or through Facebook or Twitter. Thank you again and enjoy! :)
$9.99
Requiem
#
Chamber Orchestra
#
Harald Weiss
#
Requiem
#
Schott Music - Digital
#
SheetMusicPlus
Soprano, tenor, Knabensoprano, flugelhorn, mixed choir and chamber orchestra - Digital Download SKU: S9.Q7038 Teil I: Schwarz vor Augen... · Teil I...
(+)
Soprano, tenor, Knabensoprano, flugelhorn, mixed choir and chamber orchestra - Digital Download SKU: S9.Q7038 Teil I: Schwarz vor Augen... · Teil II: ...und es ward Licht!. Composed by Harald Weiss. This edition: study score. Music Of Our Time. Downloadable, Study score. Duration 100' 0. Schott Music - Digital #Q7038. Published by Schott Music - Digital (S9.Q7038). Latin • German.On letting go(Concerning the selection of the texts) In the selection of the texts, I have allowed myself to be motivated and inspired by the concept of “letting goâ€. This appears to me to be one of the essential aspects of dying, but also of life itself. We humans cling far too strongly to successful achievements, whether they have to do with material or ideal values, or relationships of all kinds. We cannot and do not want to let go, almost as if our life depended on it. As we will have to practise the art of letting go at the latest during our hour of death, perhaps we could already make a start on this while we are still alive. Tagore describes this farewell with very simple but strikingly vivid imagery: “I will return the key of my doorâ€. I have set this text for tenor solo. Here I imagine, and have correspondingly noted in a certain passage of the score, that the protagonist finds himself as though “in an ocean†of voices in which he is however not drowning, but immersing himself in complete relaxation. The phenomenon of letting go is described even more simply and tersely in Psalm 90, verse 12: “So teach us to number our days, that we may apply our hearts unto wisdomâ€. This cannot be expressed more plainly.I have begun the requiem with a solo boy’s voice singing the beginning of this psalm on a single note, the note A. This in effect says it all. The work comes full circle at the culmination with a repeat of the psalm which subsequently leads into a resplendent “lux aeternaâ€. The intermediate texts of the Requiem which highlight the phenomenon of letting go in the widest spectrum of colours originate on the one hand from the Latin liturgy of the Messa da Requiem (In Paradisum, Libera me, Requiem aeternam, Mors stupebit) and on the other hand from poems by Joseph von Eichendorff, Hermann Hesse, Rabindranath Tagore and Rainer Maria Rilke.All texts have a distinctive positive element in common and view death as being an organic process within the great system of the universe, for example when Hermann Hesse writes: “Entreiß dich, Seele, nun der Zeit, entreiß dich deinen Sorgen und mache dich zum Flug bereit in den ersehnten Morgen†[“Tear yourself way , o soul, from time, tear yourself away from your sorrows and prepare yourself to fly away into the long-awaited morningâ€] and later: “Und die Seele unbewacht will in freien Flügen schweben, um im Zauberkreis der Nacht tief und tausendfach zu leben†[“And the unfettered soul strives to soar in free flight to live in the magic sphere of the night, deep and thousandfoldâ€]. Or Joseph von Eichendorff whose text evokes a distant song in his lines: “Und meine Seele spannte weit ihre Flügel aus. Flog durch die stillen Lande, als flöge sie nach Haus†[“And my soul spread its wings wide. Flew through the still country as if homeward bound.â€]Here a strong romantically tinged occidental resonance can be detected which is however also accompanied by a universal spirit going far beyond all cultures and religions. In the beginning was the sound Long before any sort of word or meaningful phrase was uttered by vocal chords, sounds, vibrations and tones already existed. This brings us back to the music. Both during my years of study and at subsequent periods, I had been an active participant in the world of contemporary music, both as percussionist and also as conductor and composer. My early scores had a somewhat adventurous appearance, filled with an abundance of small black dots: no rhythm could be too complicated, no register too extreme and no harmony too dissonant. I devoted myself intensely to the handling of different parameters which in serial music coexist in total equality: I also studied aleatory principles and so-called minimal music.I subsequently emigrated and took up residence in Spain from where I embarked on numerous travels over the years to India, Africa and South America. I spent repeated periods during this time as a resident in non-European countries. This meant that the currents of contemporary music swept past me vaguely and at a great distance. What I instead absorbed during this period were other completely new cultures in which I attempted to immerse myself as intensively as possible.I learned foreign languages and came into contact with musicians of all classes and styles who had a different cultural heritage than my own: I was intoxicated with the diversity of artistic potential.Nevertheless, the further I distanced myself from my own Western musical heritage, the more this returned insistently in my consciousness.The scene can be imagined of sitting somewhere in the middle of the Brazilian jungle surrounded by the wailing of Indians and out of the blue being provided with the opportunity to hear Beethoven’s late string quartets: this can be a heart-wrenching experience, akin to an identity crisis. This type of experience can also be described as cathartic. Whatever the circumstances, my “renewed†occupation with the “old†country would not permit me to return to the point at which I as an audacious young student had maltreated the musical parameters of so-called contemporary music. A completely different approach would be necessary: an extremely careful approach, inching my way gradually back into the Western world: an approach which would welcome tradition back into the fold, attempt to unfurl the petals and gently infuse this tradition with a breath of contemporary life.Although I am aware that I will not unleash a revolution or scandal with this approach, I am nevertheless confident as, with the musical vocabulary of this Requiem, I am travelling in an orbit in which no ballast or complex structures will be transported or intimated: on the contrary, I have attempted to form the message of the texts in music with the naivety of a “homecomerâ€. Harald WeissColonia de San PedroMarch 20091 (auch Altfl.) · 2 (2. auch Engl. Hr.) · 1 (auch Bassklar.) · 0 - 2 · Flhr. · 0 · 0 - P. S. (Glsp. · Röhrengl. · Gongs · Trgl. · Beck. · Tamt. · 2 Holzschlitztr. (oder Woodbl.) · Woodbl. · gr. Tr.) (3 Spieler) - Org. (Positiv) - Str. (4 · 4 · 4 · 4 · 2).
$55.99
Metamorphosis for solo flute, solo pedal or lever harp, and strings
#
Chamber Orchestra
#
INTERMEDIATE
#
Contemporary
#
Adrienne Inglis
#
Metamorphosis for solo flute,
#
Adrienne Inglis
#
SheetMusicPlus
Chamber Orchestra - Level 3 - Digital Download SKU: A0.953627 Composed by Adrienne Inglis (ASCAP). Contemporary. Score and parts. 51 pages. Adrienne Ingl...
(+)
Chamber Orchestra - Level 3 - Digital Download SKU: A0.953627 Composed by Adrienne Inglis (ASCAP). Contemporary. Score and parts. 51 pages. Adrienne Inglis (ASCAP) #6383557. Published by Adrienne Inglis (ASCAP) (A0.953627). Celebrate women scientists!Metamorphosis (2019) by Adrienne Inglis (ASCAP) for flute, harp, and string orchestra, commissioned by Balcones Community Orchestra, celebrates the life and work of Maria Sibylla Merian (1647-1717), pioneering entomologist, naturalist, and artist.Duration 5:30 minutes.Commissioned by the Balcones Community Orchestra of Austin, Texas, Metamorphosis (2019) by Adrienne Inglis for solo flute, solo harp, and string orchestra, honors the life and work of pioneering entomologist, naturalist, and artist Maria Sibylla Merian (1647-1717). As she carefully documented in illustrated detail the life cycle of so many insects, Metamorphosis musically follows a butterfly from adult, egg, larva, pupa, and adult. The piece opens with an ostinato pattern in the strings over which the flute and harp play fluttering modal melodies. The strings and harp represent the egg stage with minimalistic layers of a single pitch. To recognize Merian’s time in Suriname and her discovery of many insect species there, a cheerful tune fashioned after traditional Arawak folk songs informs the busy larvae in the caterpillar canon. A bit of contemplative dorian polyphony laced with metamorphic machinations demonstrate the remarkable transformation of the pupa as well as Merian’s time at a devout Labadist religious commune. The butterfly emerges from the pupa with a flute/harp cadenza and then the strings underscore the adult butterfly with a return of the ostinato. The piece ends with the same ostinato as the beginning such that the piece could loop seamlessly as in a true life cycle.This performance does not include the revisions made in this version of the music: https://youtu.be/GIjQpkXl6Uc
$9.99
Claude Debussy: Sérénade for violin and 17 instrments, full score and solo part only (parts on ren
#
Chamber Orchestra
#
INTERMEDIATE/ADVANCED
#
Classical
#
Claude Debussy/Robert Orledge
#
Claude Debussy: Sérénade for
#
Musik Fabrik Music Publishing
#
SheetMusicPlus
Chamber Orchestra - Level 4 - Digital Download SKU: A0.1080705 Composed by Claude Debussy/Robert Orledge. 20th Century,Romantic Period,Standards. Score a...
(+)
Chamber Orchestra - Level 4 - Digital Download SKU: A0.1080705 Composed by Claude Debussy/Robert Orledge. 20th Century,Romantic Period,Standards. Score and parts. 30 pages. Musik Fabrik Music Publishing #4727447. Published by Musik Fabrik Music Publishing (A0.1080705). Instrumentation2 flûtes/2 flutescor anglais (doublant hautbois/doubling oboe)clarinette en La/clarinet in Abasson/bassooncor en Fa/horn in Fpercission (1 éxecutant - timbales (3)/cymbale suspendue, tambour de basque)/percussion (1 performer - timpani (3)/suspended cymbal, tambourine)harpe/harp9 cordes/9 strings (2.2.2.2.1)durée/duration: 5 minutes 30 secconds (environ/approx.) Une versions pour violon et piano ainsi qu’une version pour violon et orchestre (31CA(hb)23/2100/timb/perc/hpe/cordes)est également disponibile/A version for violin and piano as well as a version for violin and orchestra (31EH(ob)23/2100/timp/perc/strings) is also available.______________________Prmière: Edmond Agapian, violin with the Calagray (CA) Youth orchestra, cond. Gareth Jones, University of Calgary, 28 Janaury, 2011Première of the version for violin and 17 instruments: Frédéric Moisan, violin Orchestre 21 cond. Paolo Bellomio, Unveristy of Montreal, Canada, 2 March 2012Preface:In the early 1890s, Debussy composed the opening of a lyrical piece in E major for violin and piano, perhaps as a shorter companion piece for the violin Nocturne he was planning for the Belgian violinist Eugène Ysaÿe. After Debussy’s death in 1918, his second wife Emma often gave away sketch pages to performers or composers as memorials to her beloved husband , and this particular page was given to the Cuban born pianist and composer Joaquin Nin (1879-1949). It came up for sale in the catalogue of the British antiquarian dealer Lisa Cox in 2010 and although it might possibly be an early song for contralto and piano, the more dynamic idea in bar 12 strongly suggests the violin, especially as it begins on an open D string. Moreover, there is no text and in pieces of this length, Debussy usually wrote at least one word in, if only to remind himself where he had got to in any song. So my starting point was a complete 12-bar melody gently undulating in the violin’s lowest register over a sensual accompaniment, rising to a climax in bar 12 and giving me a contrasting idea that I could use as a link between sections and in the cadenza. As the B section (bars 14-26) derives directly from Debussy’s opening theme by metamorphosis, my own additions were restricted to the central section (bars 27-57) - comprising a new scherzando idea (C) and the more lyrical D (bars 36-46). C returns at bar 47, followed by the opening sections in reverse order, so that the Sérénade begins and ends with Debussy’s material and is cast in arch form (ABCDCBA). Robert OrledgeBrighton, 19 June 2019Robert Orledge was born in Bath in 1948 and educated at Clare College, Cambridge, where he gained his doctorate for his study of the composer Charles Kœchlin in 1973. Between 1971 and 1991 He rose from Lecturer to Professor in the Music Department of the University of Liverpool, publishing books on Gabriel Fauré, Claude Debussy, Charles Kœchlin and Erik Satie, as well as numerous articles, editions and reviews. As a historical musicologist, Professor Orledge specialized in the way composers composed, ,and since taking early retirement in 2004, he has concentrated on completing and orchestrating Debussy’s unfinished works, and especially his theatre projects. His completion of Debussy’s opera The Fall of the House of Usher (1908-17) was successfully premiered at the Bregenz Opera Festival in Austria in August 2006 and has since been performed in America, Portugal Germany and Holland, as well as being broadcast throughout Europe. A DVD of the Bregenz premier is available on Capriccio 93517, produced by Phylida Lloyd and conducted by Lawrence Foster. His completion of the Chinese ballet No-ja-li ou Le Palais du Silence (1914) was also premiered in 2006 in Los Angeles and ot.
$16.95
Piano Concerto No. 1 - Score Only
#
Chamber Orchestra
#
INTERMEDIATE
#
Juan MarÃa Solare
#
Piano Concerto No. 1 - Score O
#
Juan Maria Solare
#
SheetMusicPlus
Chamber Orchestra - Level 3 - Digital Download SKU: A0.1197642 Composed by Juan MarÃa Solare. 20th Century,Classical,Contemporary. Score and parts. 77...
(+)
Chamber Orchestra - Level 3 - Digital Download SKU: A0.1197642 Composed by Juan MarÃa Solare. 20th Century,Classical,Contemporary. Score and parts. 77 pages. Juan Maria Solare #796823. Published by Juan Maria Solare (A0.1197642). Juan MarÃa Solare: Piano Concerto (No. 1)PARTSPiano Concerto No. 1 - FIRST movement [score and parts]https://www.sheetmusicplus.com/title/22466227?aff_id=565049https://www.sheetmusicplus.com/title/piano-concerto-no-1-first-movement-score-and-parts-digital-sheet-music/22466227?aff_id=565049https://www.sheetmusicplus.com/22466227?aff_id=565049Piano Concerto No. 1 - SECOND movement [score and parts]https://www.sheetmusicplus.com/title/22466231?aff_id=565049Piano Concerto No. 1 - THIRD movement [score and parts]https://www.sheetmusicplus.com/title/22466233?aff_id=565049Aesthetic reflections on the piano concertoDuring the eras of classicism and romanticism, a concerto was often conceived as a confrontation between a soloist, symbolising the individual, and the orchestra, representing society. Seen in this way, a concert reflects a value system that pits the individual against the group and poses a struggle of I against you. Surely this vehemence could be explained in a Beethovenian era when the concepts of human rights and individual freedom were fragile ideals.However, it is a different scale of values that my piano concerto tries to reflect: the idea of cooperation, of teamwork and of an orchestra as a living organism whose organs are not superior to one another, more vital than others, but fulfil different functions, qualitatively speaking.Every soloist plays a leading role, but this does not imply either subordination to the rest or denigration or subjugation of the rest. The fact that the soloist is sometimes in the foreground does not imply a victory over the others. The very concept of victory is meaningless here.At times, the soloist will fulfil a leadership role, at others he or she will underpin from passivity what is happening in the orchestra, intentionally from the shadows, as a grey eminence. And at other times - why not - he will question what the majority is doing.It is not a rough relationship of me against you, but there is also a we.The composition and orchestration of this piano concerto was made possible by a grant from the Senator for Culture of the Free Hanseatic City of Bremen. This work was funded by an artist's grant as part of the Bremen-Corona-Hilfen programme.The premiere by the orchestra of the Bremer Orchestergemeinschaft is scheduled for the beginning of 2024. Duration: 17 to 20 minutes.1st movement - https://youtu.be/DNckBKzaWtc2nd movement - https://youtu.be/1Zy0ZbrdPJE3rd movement - https://youtu.be/dnYE9dWUEZg
$25.00
Mountains Of The Moon
#
Chamber Orchestra
#
INTERMEDIATE
#
The Grateful Dead
#
Lee Johnson
#
Mountains Of The Moon
#
Lee Johnson Music
#
SheetMusicPlus
Chamber Orchestra - Level 3 - Digital Download SKU: A0.1181592 By The Grateful Dead. By Jerry Garcia and Robert Hunter. Arranged by Lee Johnson. 20th Cen...
(+)
Chamber Orchestra - Level 3 - Digital Download SKU: A0.1181592 By The Grateful Dead. By Jerry Garcia and Robert Hunter. Arranged by Lee Johnson. 20th Century,Chamber,Contemporary,Contest,Festival,Folk. Score and Parts. 40 pages. Lee Johnson Music #781381. Published by Lee Johnson Music (A0.1181592). MOUNTAINS of the MOON - for string orchestra and harp - is inspired by and written in tribute to the music of the Grateful Dead and comes from the world-renowned Dead Symphony no. 6 by composer and arranger Lee Johnson. It is a modern cross-over symphony recorded by the Russian National Orchestra and conducted by Lee Johnson that charted at #20 on Billboard’s Best Classical Albums. Dead Symphony no. 6 has been performed by the Baltimore Symphony Orchestra, The Cabrillo Festival Orchestra, The Indianapolis Symphony Orchestra, The California Symphony Orchestra, and many others both professional and academic. It has been broadcast on Sirius/XM, WNYC, NPR, and dozens of syndicated radio programs and stations. Each movement may be purchased and performed separately.If your orchestra would like to do a complete performance of Dead Symphony no. 6, simply use the following order:If I Had the World To GiveSt. StephenHere Comes SunshineMountains of the MoonBlues for AllahSugar MagnoliaTo Lay Me DownBird SongChina DollDead Overture and FinaleFor more information on composer Lee Johnson please visit: www.leejohnsonmusic.comKings Bishop Productions YouTube Channel Â
$49.99
Symphony No. 8 ... City of Light (2011) for chamber orchestra
#
Chamber Orchestra
#
INTERMEDIATE/ADVANCED
#
Thomas Oboe Lee
#
Symphony No. 8 ... City of Lig
#
Thomas Oboe Lee
#
SheetMusicPlus
Chamber Orchestra - Level 4 - Digital Download SKU: A0.869356 Composed by Thomas Oboe Lee. 20th Century,Baroque,Classical,Contemporary,Romantic Period. S...
(+)
Chamber Orchestra - Level 4 - Digital Download SKU: A0.869356 Composed by Thomas Oboe Lee. 20th Century,Baroque,Classical,Contemporary,Romantic Period. Score and parts. 113 pages. Thomas Oboe Lee #15879. Published by Thomas Oboe Lee (A0.869356). Instrumentation: 1 flute, 1 oboe, 1 English horn, 2 bassoons, 2 French horns, timpani and strings.Program note: In the year 2010, my wife Kristin Beckwith and I went to Paris twice, the first time in May and the second time in December right after Christmas. The weather was magnificent in May. Our friends Seph and Roger met us there. Being long-time veterans of Paris, they took us all over the city: Le Marais, the Left Bank, Montmartre, Sacré Coeur, Père LaChaise cemetery, Avenue des Champs-Élysées, Jardin du Luxembourg, Jardin des Tuileries, Notre Dame cathedral, Eiffel Tower, the flea market at Porte de Clignancourt, the canal at Saint Martin, etc. Since the weather was so great we basically stayed outside the entire two weeks. My wife Kris said that we had to return next again to Paris to go inside the museums. So we did. The weather in Paris after Christmas was very damp and chilly. So we did indoor activities: Le Louvre, Musée D’Orsay, Palais Garnier, etc. We even attended a beautiful performance of Swan Lake by the Paris Opera Ballet at L’Opéra Bastille. I should also mention that on both occasions I met up with a former student of mine from Berklee, Joe Makholm. He makes a living in Paris playing jazz piano. Joe got us a gig at the Swan Bar in Montparnasse. On the first occasion we did it as a trio with a French bass player. I played flute. On the second occasion, we did it as a duo. Playing jazz in Paris? You can’t beat that!!! Early this year, Steven Lipsitt and I had a chat about my writing a new work for the Boston Classical Orchestra. My last work for the BCO was a piano concerto with Robert Levin as soloist. I told Steven that this time I wanted to write a symphony. He said, Sure. Go ahead. I told him it would be about Paris. He said he would put Mozart’s Paris Symphony on the same program. I said, Fabulous! Symphony No. 8 … City of Light (2011) is in five movements. 1. La Seine Presto, Moderato 2. Basilique du Sacré-Coeur Largo 3. Palais Garnier Allegro, Trio 4. Avenue des Champs-Élysées Allegro 5. Musée du Louvre Largo, Moderato This work is dedicated to my wife and muse, Kristin Beckwith. Audio Link: https://thomasoboelee.bandcamp.com/album/symphony-no-8-city-of-light-2011Video link: https://youtu.be/-Yn76vWg7jE
$9.99
Piano Concerto No. 1 - FIRST movement [score and parts]
#
Chamber Orchestra
#
INTERMEDIATE
#
Juan MarÃa Solare
#
Piano Concerto No. 1 - FIRST m
#
Juan Maria Solare
#
SheetMusicPlus
Chamber Orchestra - Level 3 - Digital Download SKU: A0.1197728 By Juan MarÃa Solare. By Juan MarÃa Solare. 20th Century,Classical,Contemporary. Sco...
(+)
Chamber Orchestra - Level 3 - Digital Download SKU: A0.1197728 By Juan MarÃa Solare. By Juan MarÃa Solare. 20th Century,Classical,Contemporary. Score and parts. 74 pages. Juan Maria Solare #796909. Published by Juan Maria Solare (A0.1197728). Juan MarÃa Solare: Piano Concerto No. 1 - FIRST movement [score and parts]Please find the other two movements - also in this platformThe full score (of the three movements) is also available independently HERE:https://www.sheetmusicplus.com/title/piano-concerto-no-1-score-only-digital-sheet-music/22468631?aff_id=565049Video in YouTube (score follower)Aesthetic reflections on the piano concertoDuring the eras of classicism and romanticism, a concerto was often conceived as a confrontation between a soloist, symbolising the individual, and the orchestra, representing society. Seen in this way, a concert reflects a value system that pits the individual against the group and poses a struggle of I against you. Surely this vehemence could be explained in a Beethovenian era when the concepts of human rights and individual freedom were fragile ideals.However, it is a different scale of values that my piano concerto tries to reflect: the idea of cooperation, of teamwork and of an orchestra as a living organism whose organs are not superior to one another, more vital than others, but fulfil different functions, qualitatively speaking.Every soloist plays a leading role, but this does not imply either subordination to the rest or denigration or subjugation of the rest. The fact that the soloist is sometimes in the foreground does not imply a victory over the others. The very concept of victory is meaningless here.At times, the soloist will fulfil a leadership role, at others he or she will underpin from passivity what is happening in the orchestra, intentionally from the shadows, as a grey eminence. And at other times - why not - he will question what the majority is doing.It is not a rough relationship of me against you, but there is also a we.The composition and orchestration of this piano concerto was made possible by a grant from the Senator for Culture of the Free Hanseatic City of Bremen. This work was funded by an artist's grant as part of the Bremen-Corona-Hilfen programme.The premiere by the orchestra of the Bremer Orchestergemeinschaft is scheduled for the beginning of 2024. Duration: 17 to 20 minutes.
$33.00
Piano Concerto No. 1 - SECOND movement [score and parts]
#
Chamber Orchestra
#
INTERMEDIATE
#
Juan MarÃa Solare
#
Juan MarÃa Solare
#
Piano Concerto No. 1 - SECOND
#
Juan Maria Solare
#
SheetMusicPlus
Chamber Orchestra - Level 3 - Digital Download SKU: A0.1197730 By Juan MarÃa Solare. By Juan MarÃa Solare. Arranged by Juan MarÃa Solare. 20th C...
(+)
Chamber Orchestra - Level 3 - Digital Download SKU: A0.1197730 By Juan MarÃa Solare. By Juan MarÃa Solare. Arranged by Juan MarÃa Solare. 20th Century,Classical,Contemporary. Score and parts. 64 pages. Juan Maria Solare #796911. Published by Juan Maria Solare (A0.1197730). Piano Concerto No. 1 - SECOND movement [score and parts]Please find the other two movements - also in this platformThe full score (of the three movements) is also available independently HERE:https://www.sheetmusicplus.com/title/piano-concerto-no-1-score-only-digital-sheet-music/22468631?aff_id=565049Video in YouTube (score follower)Aesthetic reflections on the piano concerto (by Juan MarÃa Solare)During the eras of classicism and romanticism, a concerto was often conceived as a confrontation between a soloist, symbolising the individual, and the orchestra, representing society. Seen in this way, a concert reflects a value system that pits the individual against the group and poses a struggle of I against you. Surely this vehemence could be explained in a Beethovenian era when the concepts of human rights and individual freedom were fragile ideals.However, it is a different scale of values that my piano concerto tries to reflect: the idea of cooperation, of teamwork and of an orchestra as a living organism whose organs are not superior to one another, more vital than others, but fulfil different functions, qualitatively speaking.Every soloist plays a leading role, but this does not imply either subordination to the rest or denigration or subjugation of the rest. The fact that the soloist is sometimes in the foreground does not imply a victory over the others. The very concept of victory is meaningless here.At times, the soloist will fulfil a leadership role, at others he or she will underpin from passivity what is happening in the orchestra, intentionally from the shadows, as a grey eminence. And at other times - why not - he will question what the majority is doing.It is not a rough relationship of me against you, but there is also a we.The composition and orchestration of this piano concerto was made possible by a grant from the Senator for Culture of the Free Hanseatic City of Bremen. This work was funded by an artist's grant as part of the Bremen-Corona-Hilfen programme.The premiere by the orchestra of the Bremer Orchestergemeinschaft is scheduled for the beginning of 2024. Duration: 17 to 20 minutes.
$33.00
<
1
26
51
© 2000 - 2024
Home
-
New releases
-
Composers
Legal notice
-
Full version
