Home page
Browse Sheet Music Books
--INSTRUMENTS--
ACCORDION
AUTOHARP
BAGPIPE
BANJO
BASS
BASSOON
BOOKS
BOUZOUKI
BUGLE
CHORAL - VOCAL…
CLARINET
CORNET
DIDGERIDOO
DJ GEAR
DRUM
DULCIMER
ENGLISH HORN
EUPHONIUM
FLUTE
FRENCH HORN
GUITAR
HANDBELLS
HARMONICA
HARP
HARPSICHORD
LAP STEEL GUIT…
LUTE
MANDOLIN
MARCHING BAND
MARIMBA
MUSIC COURSE
OBOE
OCARINA
ORCHESTRA - BA…
ORGAN
PANPIPES
PERCUSSION
PIANO
RECORDER
SAXOPHONE
SYNTHESIZER K…
TROMBONE
TRUMPET
TUBA
UKULELE
VIBRAPHONE
VIOLA
VIOLIN - FIDDL…
VIOLONCELLO - …
XYLOPHONE
ZITHER
World O World
PDF/Flash
Not classified
892
Piano & keyboards
Piano solo
601
Piano, Voice
308
Easy Piano
219
Accordion
197
C Instruments
110
Piano, Vocal and Guitar
64
Big Note Piano
50
Organ
46
Piano Accompaniment
24
1 Piano, 4 hands
23
Piano Trio: piano, violin, cello
12
Piano Quintet: piano, 2 violins, viola, cello
5
2 Pianos, 4 hands
3
Piano Quartet: piano, violin, viola, cello
2
Organ, Trumpet (duet)
2
Accordion, Voice
2
Accordion, Piano
1
Piano Quartet: piano, 2 violins, cello
1
+ 13 instrumentations
-
Retract
Guitars
Guitar notes and tablatures
92
Guitar
68
Melody line, (Lyrics) and Chords
27
Ukulele
17
Bass guitar
15
2 Guitars (duet)
7
Mandolin
4
Piano, Guitar (duet)
3
Lyrics and Chords
2
Banjo
2
3 Guitars (trio)
1
Mandolin, Guitar (duet)
1
4 Guitars (Quartet)
1
2 Ukuleles
1
Mandolin, Piano (duet)
1
+ 10 instrumentations
-
Retract
Voice
Choral SATB
316
Choral 3-part
76
Choral 2-part
37
Tenor voice
25
Alto voice, Piano
25
Vocal duet, Piano
25
Soprano voice
23
Baritone voice, Piano
20
Choral Unison
20
Choral TTBB
18
Choral SSAA
14
Vocal duet
5
Voice solo
3
Choral
3
Mezzo-Soprano voice, Piano
1
Soprano voice, Piano
1
High voice
1
Tenor voice, Piano
1
Choral, Organ
1
Low voice, Piano
1
Choral SSATTB
1
Choral SSATB
1
+ 17 instrumentations
-
Retract
Woodwind
Woodwind Quintet: flute, oboe, bassoon, clarinet, horn
110
Saxophone Quartet: 4 saxophones
90
Saxophone Quintet: 5 Saxophones
89
Flute, Oboe, Clarinet, Bassoon
76
Clarinet
67
Flute
64
Flute and Piano
62
Alto Saxophone
61
Clarinet and Piano
59
2 Saxophones (duet)
56
Tenor Saxophone
46
Alto Saxophone and Piano
44
Oboe, Piano (duet)
42
Tenor Saxophone and Piano
36
Clarinet Quartet: 4 clarinets
34
Saxophone (band part)
32
Soprano Saxophone and Piano
30
Clarinet (band part)
28
2 Flutes (duet)
25
2 Clarinets (duet)
24
Baritone Saxophone, Piano
19
Oboe (band part)
19
Flute Quartet: 4 flutes
17
Saxophone, Clarinet (duet)
16
Soprano Saxophone
12
Flute, Clarinet (duet)
11
Clarinet, Harp (duet)
11
Bass Clarinet, Piano
11
2 Recorders (duet)
11
English horn, Piano
10
Clarinet, Bassoon (duet)
10
Oboe, Harp
10
Oboe
10
2 Oboes (duet)
10
Saxophone and Harp
8
Flute, Clarinet, Horn and Bassoon (Quartet)
8
Clarinet, Violin (duet)
8
3 Saxophones (trio)
7
Clarinet, Trumpet (duet)
6
Oboe, Clarinet (duet)
6
Flute Trio: 3 flutes
6
3 Clarinets (trio)
6
Descant (Soprano) Recorder
6
Flute, Oboe, Clarinet (trio)
5
Clarinet Quintet: 5 clarinets
5
Flute ensemble
5
Clarinet and Viola
5
Ocarina
4
2 Flutes, Piano
4
Flute, Violin, Piano
4
Saxophone ensemble
4
Oboe, Flute
4
Clarinet Ensemble
4
Oboe, Bassoon (duet)
4
Recorder
4
Flute, Violin
4
Clarinet, Cello (duet)
4
Clarinet, Guitar (duet)
4
Flute, Cello, Guitar
3
Bagpipe
3
Flute and Guitar
3
Flute, Oboe (duet)
3
Pennywhistle
3
Flute (band part)
3
Flute, Saxophone (duet)
3
Flute, Trumpet (duet)
3
Flute Quintet : 5 flutes
3
Flute, Clarinet and Bassoon.
3
Flute, Violoncello
3
Oboe, Cello
3
Treble (Alto) Recorder
2
Eb Instruments
2
Flute, Oboe, Bassoon
2
Flute, Cello, Piano (trio)
2
Piccolo
2
Piccolo, Piano
2
Oboe, Clarinet, Bassoon (trio)
2
Flute, Clarinet, Piano (trio)
2
Oboe, Guitar (duet)
2
Harmonica
2
Treble (Alto) Recorder, Piano
1
2 Saxophones, Piano
1
Saxophone
1
Recorder, Piano
1
Oboe ensemble
1
2 Clarinets, Piano
1
Flute, Viola (duet)
1
Clarinet Quartet: Clarinet, Violin, Viola, Cello
1
Descent (Soprano) Recorder, Piano
1
Oboe, Cello and Piano
1
4 Oboes
1
2 Flutes and Guitar
1
Flute, Violin, Violoncello and Piano
1
3 Oboes
1
Baritone Saxophone
1
Tenor Recorder
1
Wind ensemble
1
2 Clarinets, Bassoon
1
+ 93 instrumentations
-
Retract
Woodbrass
Brass Quintet: 2 trumpets, horn, trombone, tuba
128
Brass Quartet
73
Trombone (band part)
62
Trumpet
57
Tuba (band part)
52
Trombone
43
Trumpet, Piano
40
Trombone and Piano
40
French Horn and Piano
37
French horn
31
2 Trumpets (duet)
23
2 Trombones (duet)
19
Brass quartet : 2 trumpets, trombone, tuba
18
Brass Quartet: 4 trombones
18
Tuba
15
Euphonium, Piano (duet)
15
French Horn and Harp
12
Brass Quartet: 2 trumpets, horn, trombone
11
English horn, Piano
10
Tuba and Piano
10
Trumpet, Trombone (duet)
9
Trumpet, Saxophone (duet)
8
Trumpet, Harp
8
Brass Quartet: 4 horns
8
2 French horns (duet)
8
Trumpet (band part)
5
Trumpet, Cello (duet)
4
Trumpet, Horn (duert)
4
Brass Trio
4
Trombone ensemble
4
Trumpet ensemble
3
3 Trumpets (trio)
3
Bass Trombone
2
2 Trumpets, Keyboard (piano or organ)
2
3 Trombones (trio)
2
F Instruments
2
Tuba and Organ
2
2 Euphoniums (duet)
2
Horn, Cello (duet)
2
Bass Clef Instruments
2
Bass Trombone and Piano
2
Bb Instruments
2
2 Tubas (duet)
2
Brass Quartet: 4 trumpets
2
2 Euphoniums and 2 Tubas
2
Brass Quartet: 2 trumpets, 2 trombones
1
Horn Ensemble
1
French horn (band part)
1
Trumpet, Bassoon (duet)
1
Trumpet, Trombone, Piano
1
French horn and Basson (duet)
1
2 Trombones, Piano
1
+ 47 instrumentations
-
Retract
Strings
String Quartet: 2 violins, viola, cello
180
Harp
94
Violin and Piano
89
2 Harps (duet)
86
Violin
80
Cello
72
String Quintet: 2 violins, viola, cello, bass
67
Cello, Piano
53
Viola, Piano
46
Viola
38
Violin, Cello (duet)
33
2 Violins (duet)
31
2 Cellos (duet)
24
2 Violas (duet)
17
Double Bass
17
Violin, Viola (duet)
17
Harp, Flute (duet)
15
String Trio: violin, viola, cello
15
Harp, Cello (duet)
14
Double bass, Piano (duet)
13
Harp, Violin (duet)
13
Viola and Harp
10
Viola, Cello (duet)
9
2 Double basses (duet)
8
String Trio: 2 violins, cello
8
Violin, Guitar (duet)
7
Cello, String Bass (duet)
6
4 Cellos
6
Piano Trio: Violin, Viola, Piano
6
Viola (band part)
5
Cello, Guitar (duet)
4
String Trio: 3 cellos
4
Violin (band part)
3
String Trio: 3 violas
3
String Trio: 2 violins, viola
3
Harp, Voice
3
Violin, Bassoon (duet)
3
String Quartet : 4 violas
3
String Trio: 3 violins
3
String quartet: 4 violins
3
Viola ensemble
2
String Quintet: 2 violins, 2 violas, cello
2
Violin ensemble
2
String trio
2
Viola and Bassoon
2
Viola, Guitar (duet)
1
Cello, Organ
1
Cello, Orchestra
1
Doublebass (band part)
1
+ 44 instrumentations
-
Retract
Orchestra & Percussion
Concert band
512
Orchestra
59
String Orchestra
48
Brass ensemble
34
Chamber Orchestra
21
Handbells
17
Jazz Ensemble
14
Marching band
8
2 Xylophones
4
Jazz combo
4
Percussion Ensemble
3
Vibraphone
2
Marimba
2
Drums
2
Percussion (band part)
1
Xylophone
1
Piano and Orchestra
1
Percussion
1
Woodwind Quartet: any 4 woodwinds
1
+ 14 instrumentations
-
Retract
Others
Instruments
ACCORDION
BAGPIPE
BALALAIKA
BANJO
BASS
BASSOON
BLANK SHEET…
BOOKS
BOUZOUKI
BUGLE
CELLO - VIO…
CHARANGO
CHOIR - VOC…
CLARINET
CORNET
DOBRO - GUI…
DOUBLE BASS
DRUM
DULCIMER
ELECTRONIC …
ENGLISH HOR…
EUPHONIUM
FLUGELHORN
FLUTE
GUITAR
HANDBELLS
HARMONICA
HARP
HARPSICHORD
HORN
LUTE, THEOR…
MANDOLIN
MARCHING BA…
MARIMBA
MUSICAL COU…
NO SCORES
OBOE
ORCHESTRA -…
ORCHESTRA P…
ORGAN - ORG…
OTHER INSTR…
OUD
PANPIPES
PEDAL STEEL…
PERCUSSION
PIANO
RECORDER
SAXOPHONE
TROMBONE
TRUMPET
TUBA
UKULELE
VIBRAPHONE
VIELLE A RO…
VIOLA
VIOLA DA GA…
VIOLIN - FI…
WHISTLE
XYLOPHONE
ZITHER
Instrumentations
Publishers
Artists
Classroom
Musician's shop
Sheet music books
Digital sheet music
Music equipment
Gift ideas
Other Services
Other Services
Top 100
Web directory
Staff paper
Metronome
About free-scores.com
$
$
EUR €
USD $
GBP £
CAD $
CNY ¥
Français
Free Sheet Music
396
Digital Sheet Music
21
Sheet Music Books
0
Music Equipment
341
Digital scores
(access after purchase)
Post mailing
Digital sheet music
← INSTRUMENTATIONS
SORTING AND FILTERS
SORTING AND FILTERS
Sorting and filtering :
--INSTRUMENTS--
ACCORDION
AUTOHARP
BAGPIPE
BANJO
BASS
BASSOON
BOOKS
BOUZOUKI
BUGLE
CHORAL - VOCAL…
CLARINET
CORNET
DIDGERIDOO
DJ GEAR
DRUM
DULCIMER
ENGLISH HORN
EUPHONIUM
FLUTE
FRENCH HORN
GUITAR
HANDBELLS
HARMONICA
HARP
HARPSICHORD
LAP STEEL GUIT…
LUTE
MANDOLIN
MARCHING BAND
MARIMBA
MUSIC COURSE
OBOE
OCARINA
ORCHESTRA - BA…
ORGAN
PANPIPES
PERCUSSION
PIANO
RECORDER
SAXOPHONE
SYNTHESIZER K…
TROMBONE
TRUMPET
TUBA
UKULELE
VIBRAPHONE
VIOLA
VIOLIN - FIDDL…
VIOLONCELLO - …
XYLOPHONE
ZITHER
style (all)
AFRICAN
AMERICANA
ASIAN
BLUEGRASS
BLUES
CELTIC - IRISH - SCO…
CHILDREN - KIDS : MU…
CHRISTIAN (contempor…
CHRISTMAS - CAROLS -…
CLASSICAL - BAROQUE …
CONTEMPORARY - 20-21…
CONTEMPORARY - NEW A…
COUNTRY
FINGERSTYLE - FINGER…
FLAMENCO
FOLK ROCK
FOLK SONGS - TRADITI…
FRENCH SONGS
FUNK
GOSPEL - SPIRITUAL -…
HALLOWEEN
INSTRUCTIONAL : CHOR…
INSTRUCTIONAL : METH…
INSTRUCTIONAL : STUD…
JAZZ
JAZZ GYPSY - SWING
JEWISH - KLEZMER
LATIN - BOSSA - WORL…
LATIN POP ROCK
MEDIEVAL - RENAISSAN…
METAL - HARD
MOVIE (WALT DISNEY)
MOVIE - TV
MUSICALS - BROADWAYS…
OLD TIME - EARLY ROC…
OPERA
PATRIOTIC MUSIC
POLKA
POP ROCK - CLASSIC R…
POP ROCK - MODERN - …
POP ROCK - POP MUSIC
PUNK
RAGTIME
REGGAE
SOUL - R&B - HIP HOP…
TANGO
THANKSGIVING
VIDEO GAMES
WEDDING - LOVE - BAL…
WORSHIP - PRAISE
Relevance
Best sellers
Prices - to +
Prices + to -
New releases
A-Z
skill (all)
beginner
easy
intermediate
avanced
expert
Sellers (all)
Musicnotes
Note4Piano
Noviscore
Profs-edition
Quickpartitions
SheetMusicPlus
Tomplay
Virtualsheetmusic
with audio
with video
with play-along
You've selected:
World O World
PDF
Chamber Orchestra
Sheetmusic to print
21 sheet music found
<
1
O SOLE MIÒ- Tenor solo with chamber orchestra
#
Chamber Orchestra
#
Lyrics by Giovanni Capurro and
#
John Hoesly
#
Great for an encore!
#
O SOLE MIÒ- Tenor solo with c
#
PRS&B
#
SheetMusicPlus
Chamber Orchestra - Digital Download SKU: A0.753623 Composed by Lyrics by Giovanni Capurro and music by Eduardo di Capua. Arranged by John Hoesly. Multic...
(+)
Chamber Orchestra - Digital Download SKU: A0.753623 Composed by Lyrics by Giovanni Capurro and music by Eduardo di Capua. Arranged by John Hoesly. Multicultural,Opera,Romantic Period,Traditional,World. 59 pages. PRS&B #3874847. Published by PRS&B (A0.753623). O SOLE MIÒ- Tenor solo with chamber orchestra- ’O sole mio was written in 1898 with lyrics by Giovanni Capurro and music by Eduardo di Capua. Arranged for baritone and chamber orchestra, this arrangement is a crowd pleaser. Lyrics are in Italian and English. Great for an encore! Tenor solo voice range is D3 to A4. Orchestra parts include Flute, Oboe, Clarinet in Bb, Bassoon, Horns in F 1&2, Trumpet in Bb, Trombones 1&2, timpani, Percussion, Orchestra Bells, Harp (Keyboard opt.), Strings.
$50.00
'O sole mio - Orchestral parts set
#
Chamber Orchestra
#
INTERMEDIATE
#
Eduardo Di Capua
#
Nicola Marasco
#
'O sole mio - Orchestral parts
#
Pubblicato da Nicola Marasco
#
SheetMusicPlus
Chamber Orchestra - Level 3 - Digital Download SKU: A0.931474 Composed by Eduardo Di Capua. Arranged by Nicola Marasco. Contemporary,World. Score and par...
(+)
Chamber Orchestra - Level 3 - Digital Download SKU: A0.931474 Composed by Eduardo Di Capua. Arranged by Nicola Marasco. Contemporary,World. Score and parts. 5 pages. Pubblicato da Nicola Marasco #3502561. Published by Pubblicato da Nicola Marasco (A0.931474). ’O sole mio (Oh, my sun) is a globally known Neapolitan song written in 1898. Its lyrics were written by Giovanni Capurro.
$16.49
O surdato 'nnammurato
#
Chamber Orchestra
#
INTERMEDIATE/ADVANCED
#
Folkloric/Traditional
#
Enrico Cannio
#
Armand Broshka
#
O surdato 'nnammurato
#
Armand Broshka
#
SheetMusicPlus
Chamber Orchestra - Level 4 - Digital Download SKU: A0.884568 Composed by Enrico Cannio. Arranged by Armand Broshka. Folk,Traditional. Score and parts. 2...
(+)
Chamber Orchestra - Level 4 - Digital Download SKU: A0.884568 Composed by Enrico Cannio. Arranged by Armand Broshka. Folk,Traditional. Score and parts. 28 pages. Armand Broshka #6011227. Published by Armand Broshka (A0.884568). O surdato 'nnammurato The Soldier in Love is a famous song written in the Neapolitan language by Aniello Califano and the music composed by Enrico Cannio in 1915. The song describes the sadness of a soldier who is fighting at the front during World War I, and who pines for his beloved.
$20.00
The Earth In Heart (O Cio Da Terra)
#
Chamber Orchestra
#
INTERMEDIATE
#
Francisco Buarque De Holanda a
#
Vinicius Louzada
#
The Earth In Heart
#
Vinicius Louzada
#
SheetMusicPlus
Chamber Orchestra - Level 3 - Digital Download SKU: A0.1367634 Composed by Francisco Buarque De Holanda and Milton Silva Campos Do Nascimento. Arranged b...
(+)
Chamber Orchestra - Level 3 - Digital Download SKU: A0.1367634 Composed by Francisco Buarque De Holanda and Milton Silva Campos Do Nascimento. Arranged by Vinicius Louzada. Multicultural,Pop,World. 23 pages. Vinicius Louzada #952008. Published by Vinicius Louzada (A0.1367634). This arrangement was created for a concert in honor of the composer and singer Milton Nascimento, and can be performed in ceremonies, concerts and recitals. Arrangement for chamber orchestra.
$49.99
O Haupt Voll Blut Und Wunden
#
Chamber Orchestra
#
INTERMEDIATE
#
Classical
#
Johann Sebastian Bach
#
Kenneth D
#
O Haupt Voll Blut Und Wunden
#
KFS Publishing
#
SheetMusicPlus
Chamber Orchestra - Level 3 - Digital Download SKU: A0.700279 Composed by Johann Sebastian Bach. Arranged by Kenneth D. Friedrich. Baroque,Concert,Easter...
(+)
Chamber Orchestra - Level 3 - Digital Download SKU: A0.700279 Composed by Johann Sebastian Bach. Arranged by Kenneth D. Friedrich. Baroque,Concert,Easter,Sacred,World. Score and parts. 22 pages. KFS Publishing #3894641. Published by KFS Publishing (A0.700279). Beautiful Bach chorale arranged in four sections (that can be played in any order) for orchestra (flute, clarinet, bassoon, horn, trumpet, trombone, and strings). .
$35.00
Triskel (Orff Instruments & Chamber Orchestra) - Score Only
#
Chamber Orchestra
#
INTERMEDIATE
#
Rudesindo Soutelo
#
Orff Instruments & Chamber Orc
#
Triskel
#
Publisher by Rudesindo Soutelo
#
SheetMusicPlus
Chamber Orchestra - Level 3 - Digital Download SKU: A0.1230983 Composed by Rudesindo Soutelo. Arranged by Orff Instruments & Chamber Orchestra (C Score)....
(+)
Chamber Orchestra - Level 3 - Digital Download SKU: A0.1230983 Composed by Rudesindo Soutelo. Arranged by Orff Instruments & Chamber Orchestra (C Score). 21st Century,Celtic,Chamber,Children,Classical,Irish. 47 pages. Publisher by Rudesindo Soutelo #826603. Published by Publisher by Rudesindo Soutelo (A0.1230983). Ao Grupo Instrumental da EB de V.P. de Âncora e à Orquestra ARTEAMRudesindo Soutelo:Triskel (2023) for Orff Instruments and Chamber Orchestra [ca. 7'42]O eixo do mundo / The axis of the worldPremière: 16-V-2023. Teatro dos Bombeiros de Vila Praia de Âncora (Portugal). Int.: Grupo Instrumental Orff da EB de V.P. de Âncora (Prof. Manuela Moura) e Orquestra ARTEAM de Viana do Castelo. Dir.: Diogo Costa.ISWC: T-315.743.482-3ISMN: 979-0-707704-10-3Páginas de amostra / Sample pages: https://www.researchgate.net/publication/370676001=oOo=The Triskel is present in many ancient cultures but it is in the Celtic culture where it has acquired a greater prominence. It represents the power of the Sun, the axis of the world, the original matrix. It is an allegory of the number 3; of the past, present and future; of the Christian Trinity. It evokes the differences in the unity of the great whole, the Universe.The work was originally composed to integrate an Instrumental Group Orff (Glockenspiel Soprano and Alto, Metallophones and Xylophones Soprano, Alto and Bass), from the General Elementary School, as soloists in a Chamber Orchestra. The organising complex of the work is [4 (2, 2), 3 (2, 1)].There is, also, an edition for Marimba and Chamber Orchestra.=oOo=O Triskel está presente em muitas culturas antigas, mas é na cultura celta onde adquiriu um maior relevo. Representa o poder do Sol, o eixo do mundo, a matriz original. É uma alegoria do número 3; do passado, presente e futuro; da Trindade cristã. Evoca as diferenças na unidade do grande todo, o Universo.A obra foi composta originalmente para integrar um Grupo Instrumental Orff (Glockenspiel Soprano e Alto, Metalofones e Xilofones Soprano, Alto e Baixo), do Ensino Básico geral, como solistas de uma Orquestra de Câmara. O complexo organizador da obra é [4 (2, 2), 3 (2, 1)].Existe, ainda, uma edição para Marimba e Orquestra de Câmara.
$10.00
The Fallen – Flute Concerto (score – flute and string orchestra)
#
Chamber Orchestra
#
ADVANCED
#
transforming the tragic and da
#
Mark O'Connor
#
The Fallen – Flute Concerto
#
Mark O'Connor Musik International
#
SheetMusicPlus
Chamber Orchestra - Level 5 - Digital Download SKU: A0.861934 Composed by Mark O'Connor. 20th Century,Contemporary,Folk. Score and parts. 48 pages. Mark ...
(+)
Chamber Orchestra - Level 5 - Digital Download SKU: A0.861934 Composed by Mark O'Connor. 20th Century,Contemporary,Folk. Score and parts. 48 pages. Mark O'Connor Musik International #6208131. Published by Mark O'Connor Musik International (A0.861934). The Fallen – Flute Concerto (score – flute and string orchestra) MO163AScore in Three Movements (parts available)Music by Mark O’Connor44 pages - 18:00 minutes in length The Fallen for flute solo and strings composed by Mark O’Connor in three movements was commissioned by two different flutists for their respective music festivals in the summer of 2003; Marya Martin for the 20th anniversary of her Bridghampton Festival in New York, and Beth Ross-Buckley at her Camarada Festival in San Diego. The compositional process for the piece began for O’Connor in 2003, the very day the war was launched in Iraq. The piece was finished about three weeks later around the time the statues of the Iraqi dictator fell in Baghdad. This music is a reflection of the people who lost their lives in the war. This particular impact on his music makes for quite a different result from O’Connor’s usual optimism. However he finds a way to weave in a sense of a better future in the third movement. By transforming the tragic and darker qualities of the first movement’s themes, and making a departure from the quirky feet on the ground playfulness of the second movement, here O’Connor yearns and urges for a more beautiful world. Original music printed from the composer’s manuscripts.Music editing, copying and engraving by Mark O’Connorusing Finale on Apple Macintosh 2003 Composed by Mark O’ConnorCommissioned by Bridgehampton Chamber Music Associates, New York and Camarada – San DiegoCan be heard on Beauty In America MSR ClassicsCarla Auld – flute, Eric Jacobsen - conductor Catalogue Number MO163ACopyright © 2003 by Mark O’Connor Music International For more information on violinist and composer Mark O'Connor, O’Connor String Camps, Touring Ensembles, Discography, Bio, Repertoire and more, please visitwww.markoconnor.com For information on the O’Connor Method – instructional book series for violin, viola, cello and school string orchestra programs:www.oconnormethod.com
$30.00
The Fallen – Flute Concerto (flute part – flute and string orchestra)
#
Chamber Orchestra
#
ADVANCED
#
transforming the tragic and da
#
Mark O'Connor
#
The Fallen – Flute Concerto
#
Mark O'Connor Musik International
#
SheetMusicPlus
Chamber Orchestra - Level 5 - Digital Download SKU: A0.861935 Composed by Mark O'Connor. 20th Century,Contemporary,Folk. Score and parts. 18 pages. Mark ...
(+)
Chamber Orchestra - Level 5 - Digital Download SKU: A0.861935 Composed by Mark O'Connor. 20th Century,Contemporary,Folk. Score and parts. 18 pages. Mark O'Connor Musik International #6208137. Published by Mark O'Connor Musik International (A0.861935). The Fallen – Flute Concerto (flute part – flute and string orchestra) MO163BFlute Part - Three Movements (score and parts available)Music by Mark O’Connor14 pages - 18:00 minutes in length The Fallen for flute solo and strings composed by Mark O’Connor in three movements was commissioned by two different flutists for their respective music festivals in the summer of 2003; Marya Martin for the 20th anniversary of her Bridghampton Festival in New York, and Beth Ross-Buckley at her Camarada Festival in San Diego. The compositional process for the piece began for O’Connor in 2003, the very day the war was launched in Iraq. The piece was finished about three weeks later around the time the statues of the Iraqi dictator fell in Baghdad. This music is a reflection of the people who lost their lives in the war. This particular impact on his music makes for quite a different result from O’Connor’s usual optimism. However he finds a way to weave in a sense of a better future in the third movement. By transforming the tragic and darker qualities of the first movement’s themes, and making a departure from the quirky feet on the ground playfulness of the second movement, here O’Connor yearns and urges for a more beautiful world. Original music printed from the composer’s manuscripts.Music editing, copying and engraving by Mark O’Connorusing Finale on Apple Macintosh 2003 Composed by Mark O’ConnorCommissioned by Bridgehampton Chamber Music Associates, New York and Camarada – San DiegoCan be heard on Beauty In America MSR ClassicsCarla Auld – flute, Eric Jacobsen - conductor Catalogue Number MO163BCopyright © 2003 by Mark O’Connor Music International For more information on violinist and composer Mark O'Connor, O’Connor String Camps, Touring Ensembles, Discography, Bio, Repertoire and more, please visitwww.markoconnor.com For information on the O’Connor Method – instructional book series for violin, viola, cello and school string orchestra programs:www.oconnormethod.com
$15.00
The Fallen – Flute Concerto (string parts – flute and string orchestra)
#
Chamber Orchestra
#
ADVANCED
#
transforming the tragic and da
#
Mark O'Connor
#
The Fallen – Flute Concerto
#
Mark O'Connor Musik International
#
SheetMusicPlus
Chamber Orchestra - Level 5 - Digital Download SKU: A0.861936 Composed by Mark O'Connor. 20th Century,Contemporary,Folk. Score and parts. 70 pages. Mark ...
(+)
Chamber Orchestra - Level 5 - Digital Download SKU: A0.861936 Composed by Mark O'Connor. 20th Century,Contemporary,Folk. Score and parts. 70 pages. Mark O'Connor Musik International #6208141. Published by Mark O'Connor Musik International (A0.861936). The Fallen – Flute Concerto (string parts – flute and string orchestra) MO163C-GString Parts in Three Movements (score and flute solo part available)Music by Mark O’Connor50 pages - 18:00 minutes in length The Fallen for flute solo and strings composed by Mark O’Connor in three movements was commissioned by two different flutists for their respective music festivals in the summer of 2003; Marya Martin for the 20th anniversary of her Bridghampton Festival in New York, and Beth Ross-Buckley at her Camarada Festival in San Diego. The compositional process for the piece began for O’Connor in 2003, the very day the war was launched in Iraq. The piece was finished about three weeks later around the time the statues of the Iraqi dictator fell in Baghdad. This music is a reflection of the people who lost their lives in the war. This particular impact on his music makes for quite a different result from O’Connor’s usual optimism. However he finds a way to weave in a sense of a better future in the third movement. By transforming the tragic and darker qualities of the first movement’s themes, and making a departure from the quirky feet on the ground playfulness of the second movement, here O’Connor yearns and urges for a more beautiful world. Original music printed from the composer’s manuscripts.Music editing, copying and engraving by Mark O’Connorusing Finale on Apple Macintosh 2003 Composed by Mark O’ConnorCommissioned by Bridgehampton Chamber Music Associates, New York and Camarada – San DiegoCan be heard on Beauty In America MSR ClassicsCarla Auld – flute, Eric Jacobsen - conductor Catalogue Number MO163C-GCopyright © 2003 by Mark O’Connor Music International For more information on violinist and composer Mark O'Connor, O’Connor String Camps, Touring Ensembles, Discography, Bio, Repertoire and more, please visitwww.markoconnor.com For information on the O’Connor Method – instructional book series for violin, viola, cello and school string orchestra programs:www.oconnormethod.com
$30.00
Feira De Mangaio
#
Chamber Orchestra
#
EASY
#
Maria Da Gloria Gadelha and Se
#
Matheus Felix
#
Feira De Mangaio
#
Matheus Felix
#
SheetMusicPlus
Chamber Orchestra - Level 2 - Digital Download SKU: A0.1365297 Composed by Maria Da Gloria Gadelha and Severino Dias De Oliveira. Arranged by Matheus Fel...
(+)
Chamber Orchestra - Level 2 - Digital Download SKU: A0.1365297 Composed by Maria Da Gloria Gadelha and Severino Dias De Oliveira. Arranged by Matheus Felix. Chamber,Multicultural,World. 6 pages. Matheus Felix #949615. Published by Matheus Felix (A0.1365297). Arranjo de Feira de Mangaio para Cordas, Flauta, Clarinete e Percussão:Este vibrante arranjo da tradicional música nordestina Feira de Mangaio transporta os ouvintes para um cenário pitoresco, repleto de cores e energia pulsante. As cordas introduzem a peça com uma atmosfera calorosa, evocando as raÃzes culturais da canção. A melodia é então enriquecida pela flauta, que dança com vivacidade, trazendo um toque lúdico e animado. O clarinete acrescenta uma camada expressiva, transmitindo a riqueza das nuances melódicas e adicionando um elemento de nostalgia à composição. A percussão, vital e pulsante, fornece o ritmo envolvente caracterÃstico da música regional brasileira, dando vida à feira imaginária que a canção celebra. A interação entre os instrumentos cria uma sinergia encantadora, capturando a essência festiva da Feira de Mangaio. As transições fluidas entre as seções e os momentos de destaque individual contribuem para a dinâmica envolvente da interpretação. A cada nota, este arranjo convida o público a mergulhar na riqueza cultural e musical do Nordeste brasileiro, exalando a alegria contagiante de uma feira em pleno vigor.
$49.99
Takihuaira - Para flauta y orquesta de cuerdas
#
Chamber Orchestra
#
Freddy Colina Santos
#
#
Takihuaira - Para flauta y orq
#
Freddy Colina
#
SheetMusicPlus
Chamber Orchestra - Digital Download SKU: A0.1029740 Composed by Freddy Colina Santos. World. Score and parts. 35 pages. Freddy Colina #5360409. Publishe...
(+)
Chamber Orchestra - Digital Download SKU: A0.1029740 Composed by Freddy Colina Santos. World. Score and parts. 35 pages. Freddy Colina #5360409. Published by Freddy Colina (A0.1029740). Takihuaira (Para Flauta y Orquesta de Cuerdas) Takihuaira o canto de libertad, es una obra compuesta en homenaje a un gran amigo, Jesús Córdoba. Un amigo que en la vida siempre gustó de la música y querÃa hacer de ella su gran profesión. Un amigo que me enseñó que siempre tendrÃamos que luchar por mis sueños y que si la música era uno de ellos el siempre estarÃa ahà para apoyarme. Lastimosamente Dios lo llamo a ser parte de su coro de ángeles y ahora sé que desde allà no estarÃa más orgulloso que viéndome cumplir mi sueño. Ésta pequeña y sencilla es también un homenaje a esa música que nace de los simples sonidos, sonidos que convertidos en melodÃa y amalgamados con un ritmo cadencioso y una sutil armonÃa crean la más bella de las músicas. Un homenaje a la música andina. Takihuaira es el mestizaje musical de la cultura oriental con la hermosura andina suramericana.
$80.00
Christmas Carol Medley for String Quartet (Violin2, Viola, Cello, Piano)
#
Chamber Orchestra
#
INTERMEDIATE
#
Christmas
#
Bowooner
#
Christmas Carol Medley for Str
#
Clarinet House
#
SheetMusicPlus
Chamber Orchestra - Level 3 - Digital Download SKU: A0.954859 Arranged by Bowooner. Christian,Christmas,Holiday,Praise & Worship,World. Score and parts. ...
(+)
Chamber Orchestra - Level 3 - Digital Download SKU: A0.954859 Arranged by Bowooner. Christian,Christmas,Holiday,Praise & Worship,World. Score and parts. 25 pages. Clarinet House #5358917. Published by Clarinet House (A0.954859). This is a collection of 4 carol songs, arranged by changing the difficulty and style to a string quartet.1. O Holy Night (Intro)2. Silent Night 3. Angels We Have Heard on High 4. Joy to the World
$20.00
Requiem
#
Chamber Orchestra
#
Harald Weiss
#
Requiem
#
Schott Music - Digital
#
SheetMusicPlus
Soprano, tenor, Knabensoprano, flugelhorn, mixed choir and chamber orchestra - Digital Download SKU: S9.Q7038 Teil I: Schwarz vor Augen... · Teil I...
(+)
Soprano, tenor, Knabensoprano, flugelhorn, mixed choir and chamber orchestra - Digital Download SKU: S9.Q7038 Teil I: Schwarz vor Augen... · Teil II: ...und es ward Licht!. Composed by Harald Weiss. This edition: study score. Music Of Our Time. Downloadable, Study score. Duration 100' 0. Schott Music - Digital #Q7038. Published by Schott Music - Digital (S9.Q7038). Latin • German.On letting go(Concerning the selection of the texts) In the selection of the texts, I have allowed myself to be motivated and inspired by the concept of “letting goâ€. This appears to me to be one of the essential aspects of dying, but also of life itself. We humans cling far too strongly to successful achievements, whether they have to do with material or ideal values, or relationships of all kinds. We cannot and do not want to let go, almost as if our life depended on it. As we will have to practise the art of letting go at the latest during our hour of death, perhaps we could already make a start on this while we are still alive. Tagore describes this farewell with very simple but strikingly vivid imagery: “I will return the key of my doorâ€. I have set this text for tenor solo. Here I imagine, and have correspondingly noted in a certain passage of the score, that the protagonist finds himself as though “in an ocean†of voices in which he is however not drowning, but immersing himself in complete relaxation. The phenomenon of letting go is described even more simply and tersely in Psalm 90, verse 12: “So teach us to number our days, that we may apply our hearts unto wisdomâ€. This cannot be expressed more plainly.I have begun the requiem with a solo boy’s voice singing the beginning of this psalm on a single note, the note A. This in effect says it all. The work comes full circle at the culmination with a repeat of the psalm which subsequently leads into a resplendent “lux aeternaâ€. The intermediate texts of the Requiem which highlight the phenomenon of letting go in the widest spectrum of colours originate on the one hand from the Latin liturgy of the Messa da Requiem (In Paradisum, Libera me, Requiem aeternam, Mors stupebit) and on the other hand from poems by Joseph von Eichendorff, Hermann Hesse, Rabindranath Tagore and Rainer Maria Rilke.All texts have a distinctive positive element in common and view death as being an organic process within the great system of the universe, for example when Hermann Hesse writes: “Entreiß dich, Seele, nun der Zeit, entreiß dich deinen Sorgen und mache dich zum Flug bereit in den ersehnten Morgen†[“Tear yourself way , o soul, from time, tear yourself away from your sorrows and prepare yourself to fly away into the long-awaited morningâ€] and later: “Und die Seele unbewacht will in freien Flügen schweben, um im Zauberkreis der Nacht tief und tausendfach zu leben†[“And the unfettered soul strives to soar in free flight to live in the magic sphere of the night, deep and thousandfoldâ€]. Or Joseph von Eichendorff whose text evokes a distant song in his lines: “Und meine Seele spannte weit ihre Flügel aus. Flog durch die stillen Lande, als flöge sie nach Haus†[“And my soul spread its wings wide. Flew through the still country as if homeward bound.â€]Here a strong romantically tinged occidental resonance can be detected which is however also accompanied by a universal spirit going far beyond all cultures and religions. In the beginning was the sound Long before any sort of word or meaningful phrase was uttered by vocal chords, sounds, vibrations and tones already existed. This brings us back to the music. Both during my years of study and at subsequent periods, I had been an active participant in the world of contemporary music, both as percussionist and also as conductor and composer. My early scores had a somewhat adventurous appearance, filled with an abundance of small black dots: no rhythm could be too complicated, no register too extreme and no harmony too dissonant. I devoted myself intensely to the handling of different parameters which in serial music coexist in total equality: I also studied aleatory principles and so-called minimal music.I subsequently emigrated and took up residence in Spain from where I embarked on numerous travels over the years to India, Africa and South America. I spent repeated periods during this time as a resident in non-European countries. This meant that the currents of contemporary music swept past me vaguely and at a great distance. What I instead absorbed during this period were other completely new cultures in which I attempted to immerse myself as intensively as possible.I learned foreign languages and came into contact with musicians of all classes and styles who had a different cultural heritage than my own: I was intoxicated with the diversity of artistic potential.Nevertheless, the further I distanced myself from my own Western musical heritage, the more this returned insistently in my consciousness.The scene can be imagined of sitting somewhere in the middle of the Brazilian jungle surrounded by the wailing of Indians and out of the blue being provided with the opportunity to hear Beethoven’s late string quartets: this can be a heart-wrenching experience, akin to an identity crisis. This type of experience can also be described as cathartic. Whatever the circumstances, my “renewed†occupation with the “old†country would not permit me to return to the point at which I as an audacious young student had maltreated the musical parameters of so-called contemporary music. A completely different approach would be necessary: an extremely careful approach, inching my way gradually back into the Western world: an approach which would welcome tradition back into the fold, attempt to unfurl the petals and gently infuse this tradition with a breath of contemporary life.Although I am aware that I will not unleash a revolution or scandal with this approach, I am nevertheless confident as, with the musical vocabulary of this Requiem, I am travelling in an orbit in which no ballast or complex structures will be transported or intimated: on the contrary, I have attempted to form the message of the texts in music with the naivety of a “homecomerâ€. Harald WeissColonia de San PedroMarch 20091 (auch Altfl.) · 2 (2. auch Engl. Hr.) · 1 (auch Bassklar.) · 0 - 2 · Flhr. · 0 · 0 - P. S. (Glsp. · Röhrengl. · Gongs · Trgl. · Beck. · Tamt. · 2 Holzschlitztr. (oder Woodbl.) · Woodbl. · gr. Tr.) (3 Spieler) - Org. (Positiv) - Str. (4 · 4 · 4 · 4 · 2).
$55.99
H.M.S. Surprise
#
Chamber Orchestra
#
ADVANCED
#
Julian Harvey
#
H.M.S. Surprise
#
Julian Harvey
#
SheetMusicPlus
Chamber Orchestra - Level 5 - Digital Download SKU: A0.1410415 Composed by Julian Harvey. 21st Century,Classical,Contemporary,Film/TV. 128 pages. Julian ...
(+)
Chamber Orchestra - Level 5 - Digital Download SKU: A0.1410415 Composed by Julian Harvey. 21st Century,Classical,Contemporary,Film/TV. 128 pages. Julian Harvey #992821. Published by Julian Harvey (A0.1410415). Having read many of the novels of Patrick O'Brian about the British Navy during the Napoleonic Wars, I thought I would write music for a hypothetical film based on these novels. I started H.M.S. Surprise long before I learned that such a film, Master and Commander: The Far Side of the World was actually being made. I had neither seen the movie nor heard the music used in it.H.M.S. Surprise consists of two movements for chamber orchestra. The first, In the Harbour, serves as an introducton. It portrays an existence which is peaceful and devoid of the difficulties to be encountered later. To be sure, there is some back-street intrigue and romantic entanglement, but life is generally pleasant. The second movement, At Sea, immediately follows the first and is considerably longer and more programmatic. It begins with typical adventure at sea music and soon becomes an imitation of a sailor's hornpipe, begun by the flute. Next comes the storm or the battle or perhaps both at the same time. Calm returns and the sailors give thanks by singing a hymn. Thanksgiving turns to celebration as everyone on deck plays one tune or another, including even the Captain, Jack Aubrey, who plays the violin. Later Captain Aubrey and his friend, Steven Maturin, physician, spy and cellist, play a duet before the music comes to a rousing conclusion.
$20.00
Little Laser Lady for chamber orchestra
#
Chamber Orchestra
#
INTERMEDIATE/ADVANCED
#
Contemporary
#
David Warin Solomons
#
Colin Bayliss
#
Little Laser Lady for chamber
#
David Warin Solomons
#
SheetMusicPlus
Chamber Orchestra - Level 4 - Digital Download SKU: A0.580943 Composed by David Warin Solomons. Arranged by Colin Bayliss. 20th Century. Score and parts....
(+)
Chamber Orchestra - Level 4 - Digital Download SKU: A0.580943 Composed by David Warin Solomons. Arranged by Colin Bayliss. 20th Century. Score and parts. 27 pages. David Warin Solomons #2028843. Published by David Warin Solomons (A0.580943). This is from a suite of pieces written variously for recorder orchestra and for chamber orchestra The five movements are: 1 Meinau Rag 2 An Amble round Mercury 3 Pretty How Town 4 Landscape before sunrise 5 Little Laser Lady Each movement has its own story and reflects various places where the composer has lived or poems that have inspired him: Meinau Rag was written in honour of his 8 month stay in La Meinau, a suburb of Strasbourg, while teaching English at the nearby Hotellery School - it was one of several ragtimes, a style he experimented with on the guitar at that time. An Amble round Mercury refers to the pond and associated statue of Mercury in the centre of Tom Quad at his college, Christ Church Oxford. The ostinato theme is one that he has used on many pieces and was originally written to accompany a setting from the Book of Elijah - and in that day thou shalt say O Lord - in his college days. Pretty How Town, a perky and rhythmically complex piece, is based on the poem - anyone lived in a pretty how town by e.e.cummings. The more laid back Landscape before sunrise is based on a setting of many ways in which the world says Goodnight and is inspired by the view from the composer's 18th floor flat in Aldgate East overlooking a multicultural population. The rhythms of the original song Goodnight follow the phrases in each language: Good Night, buona notte, gute Nacht, kali nykhta, oyasumi nasai, nos da...etc Little Laser Lady, an upbeat end to the suite, is based on a poem by a friend of the composer, whose girlfriend (and wife to be) would always visit him in her Laser (a make of car in Australia) (She is the sun in the afternoon, she is the night's familiar, she comes on a beam of yellow gold light......) The orchestration is: Piccolo [except in the 4th movement], 2 Flutes, 2 Oboes, Clarinet, Bassoon and string orchestra including double bass. The pdf file contains the score and separate parts. The sound sample is an electronic preview. Also available: all the scores together under the title Sweet 4 chamber orchestra.
$15.00
Concerto for 3 Violins in F Major, RV 551
#
Chamber Orchestra
#
ADVANCED
#
Classical
#
Antonio Vivaldi
#
Arte Nova Music Lab
#
Concerto for 3 Violins in F Ma
#
Arte Nova Music Lab
#
SheetMusicPlus
Chamber Orchestra - Level 5 - Digital Download SKU: A0.742470 Composed by Antonio Vivaldi. Arranged by Arte Nova Music Lab. Baroque,Concert,Standards,Wor...
(+)
Chamber Orchestra - Level 5 - Digital Download SKU: A0.742470 Composed by Antonio Vivaldi. Arranged by Arte Nova Music Lab. Baroque,Concert,Standards,World. Score and parts. 73 pages. Arte Nova Music Lab #4598409. Published by Arte Nova Music Lab (A0.742470). Antonio Lucio Vivaldi (Italian: [anˈtÉ”Ënjo ˈluËtʃo viˈvaldi]; 4 March 1678 – 28 July 1741) was an Italian Baroque musical composer, virtuoso violinist, teacher, and priest. Born in Venice, the capital of the Venetian Republic, he is regarded as one of the greatest Baroque composers, and his influence during his lifetime was widespread across Europe. He composed many instrumental concertos, for the violin and a variety of other instruments, as well as sacred choral works and more than fortyoperas. His best-known work is a series of violin concertos known as the Four Seasons. Many of his compositions were written for the all-female music ensemble of the Ospedale della Pietà , a home for abandoned children. Vivaldi had worked there as a Catholic priest for 1 1/2 years and was employed there from 1703 to 1715 and from 1723 to 1740. Vivaldi also had some success with expensive stagings of his operas in Venice, Mantua and Vienna. After meeting the Emperor Charles VI, Vivaldi moved to Vienna, hoping for royal support. However, the Emperor died soon after Vivaldi's arrival, and Vivaldi himself died, in poverty, less than a year later. Taken from https://en.wikipedia.org/wiki/Antonio_Vivaldi
$30.00
Landscape before sunrise for chamber orchestra
#
Chamber Orchestra
#
INTERMEDIATE/ADVANCED
#
Contemporary
#
David Warin Solomons
#
Colin Bayliss
#
Landscape before sunrise for c
#
David Warin Solomons
#
SheetMusicPlus
Chamber Orchestra - Level 4 - Digital Download SKU: A0.580942 Composed by David Warin Solomons. Arranged by Colin Bayliss. 20th Century. Score and parts....
(+)
Chamber Orchestra - Level 4 - Digital Download SKU: A0.580942 Composed by David Warin Solomons. Arranged by Colin Bayliss. 20th Century. Score and parts. 15 pages. David Warin Solomons #2028849. Published by David Warin Solomons (A0.580942). This is from a suite of pieces written variously for recorder orchestra and for chamber orchestra The five movements are: 1 Meinau Rag 2 An Amble round Mercury 3 Pretty How Town 4 Landscape before sunrise 5 Little Laser Lady Each movement has its own story and reflects various places where the composer has lived or poems that have inspired him: Meinau Rag was written in honour of his 8 month stay in La Meinau, a suburb of Strasbourg, while teaching English at the nearby Hotellery School - it was one of several ragtimes, a style he experimented with on the guitar at that time. An Amble round Mercury refers to the pond and associated statue of Mercury in the centre of Tom Quad at his college, Christ Church Oxford. The ostinato theme is one that he has used on many pieces and was originally written to accompany a setting from the Book of Elijah - and in that day thou shalt say O Lord - in his college days. Pretty How Town, a perky and rhythmically complex piece, is based on the poem - anyone lived in a pretty how town by e.e.cummings. The more laid back Landscape before sunrise is based on a setting of many ways in which the world says Goodnight and is inspired by the view from the composer's 18th floor flat in Aldgate East overlooking a multicultural population. The rhythms of the original song Goodnight follow the phrases in each language: Good Night, buona notte, gute Nacht, kali nykhta, oyasumi nasai, nos da...etc Little Laser Lady, an upbeat end to the suite, is based on a poem by a friend of the composer, whose girlfriend (and wife to be) would always visit him in her Laser (a make of car in Australia) (She is the sun in the afternoon, she is the night's familiar, she comes on a beam of yellow gold light......) The orchestration is: 2 Flutes, 2 Oboes, Clarinet, Bassoon and string orchestra including double bass. The pdf file contains the score and separate parts. The sound sample is an electronic preview. Also available: all the scores together under the title Sweet 4 chamber orchestra.
$15.00
Songs from the Pomegranate Garden (Kantes del Verdjel de Granadas)
#
Chamber Orchestra
#
Ofer Ben-Amots
#
Songs from the Pomegranate Gar
#
The Composer's Own Press
#
SheetMusicPlus
Chamber Orchestra - Digital Download SKU: A0.944036 Composed by Ofer Ben-Amots. Contemporary,Jewish,World. Score and parts. 124 pages. The Composer's Own...
(+)
Chamber Orchestra - Digital Download SKU: A0.944036 Composed by Ofer Ben-Amots. Contemporary,Jewish,World. Score and parts. 124 pages. The Composer's Own Press #4627681. Published by The Composer's Own Press (A0.944036). Kantes del verdgel de granadas – Songs from the Pomegranate Garden A Judeo-Spanish song cycle for solo voice and chamber symphony orchestra Composer’s notes: Kantes del verdgel de granadas, or in its English translation: Songs from the Pomegranate Garden, is a cycle of five songs in the Judeo-Spanish dialect, also known as Ladino. The texts, based on folk-poetry, are magical, passionate, and encompass a wide range of human emotions and experiences. We can find in them love and longing, sorrow and death, lightheartedness and folly, as well as burning love and even sexual innuendo. The vocal part portrays different stories and a variety of human characters in each of the five songs. It, thus, ranges in expression from parlando secco to lirico espressivo. The role of the orchestra in this cycle is more than just an accompaniment; it converses with the voice, adds colors and ambience, and serves as a commentary over the sung text. Thus, the orchestral part is equal to, or at times even more predominant than the voice itself. The initiative to write this composition came in response to a specific cultural approach by which creativity based on traditional Judaic material should correspond to four stages in the artistic process: Exploration, Preservation, Interpretation, and Innovation (as translated by the Hebrew terms: חידוש – פירוש – שימור – חיפוש). The main idea behind this initiative was to conserve crucial elements within traditional Jewish folk music, and then, bring about their revival as art music through new contemporary interpretations. Thus, the musical arrangement is partially based on the traditional Ladino tunes and partially original. However, phrases based on old Ladino melodies are starkly modified and composed in such way to completely evoke personal imagery and interpretation. The songs I selected for the cycle were taken from the four-volume collection: Chants judéo-espagnols by Isaac Levy. My criteria for the selection was finding lesser-known melodies, yet most intriguing ones and with a strong Judeo-Spanish character. The five songs have various degrees of arrangement vs. original composition: songs 2 and 3, Mi korason and Entre las huertas, for example, are almost unchanged, while songs 1 and 4, Dos amantes and Malato ‘sta el hijo del rey, heavily combine the old Ladino romancero melodies with originally composed material. The concluding song (Nr. 5) is entirely original, but correspond stylistically to the Judeo-Spanish musical language. While all five songs are secular in nature, the ballad Malato ‘sta el hijo del rey (The King’s Son is Ill) has been traditionally sung - according to Isaac Levy - on the night of Tisha B’Av along the scroll of Eicha to bemoan the destruction of the Holy Temple in Jerusalem. The Judeo-Spanish text of the songs can be found below along with its English translation. Duration: ca. 24 min.Performance material by rental only! For demo recording, questions, or any additional information please e-mail Ofer Ben-Amots at: thecomposerspress@gmail.com
$54.00
Concerto Grosso in F minor.
#
Chamber Orchestra
#
INTERMEDIATE/ADVANCED
#
Classical
#
George Frideric Handel
#
Arte Nova Music Lab
#
Concerto Grosso in F minor.
#
Arte Nova Music Lab
#
SheetMusicPlus
Chamber Orchestra - Level 4 - Digital Download SKU: A0.742491 Composed by George Frideric Handel. Arranged by Arte Nova Music Lab. Baroque,Concert,Standa...
(+)
Chamber Orchestra - Level 4 - Digital Download SKU: A0.742491 Composed by George Frideric Handel. Arranged by Arte Nova Music Lab. Baroque,Concert,Standards,World. Score and parts. 77 pages. Arte Nova Music Lab #5042471. Published by Arte Nova Music Lab (A0.742491). George Frideric (or Frederick) Handel (/ˈhændəәl/;[a] born Georg Friederich Händel 23 February 1685 (O.S.) [(N.S.) 5 March] – 14 April 1759) was a German, later British, Baroque composer who spent the bulk of his career in London, becoming well known for his operas, oratorios, anthems, concerti grossi and organ concertos. Handel received important training in Halle and worked as a composer in Hamburg and Italy before settling in London in 1712; he became a naturalised British subject in 1727. He was strongly influenced both by the great composers of the Italian Baroque and by the middle-German polyphonic choral tradition. Within fifteen years, Handel had started three commercial opera companies to supply the English nobility with Italian opera. Musicologist Winton Dean writes that his operas show that Handel was not only a great composer; he was a dramatic genius of the first order.[6] As Alexander's Feast (1736) was well received, Handel made a transition to English choral works. After his success with Messiah (1742) he never composed an Italian opera again. Almost blind, and having lived in England for nearly fifty years, he died in 1759, a respected and rich man. His funeral was given full state honours, and he was buried in Westminster Abbey in London. Born the same year as Johann Sebastian Bach and Domenico Scarlatti, Handel is regarded as one of the greatest composers of the Baroque era, with works such as Messiah, Water Music, and Music for the Royal Fireworks remaining steadfastly popular. One of his four coronation anthems, Zadok the Priest (1727), composed for the coronation of George II, has been performed at every subsequent British coronation, traditionally during the sovereign's anointing. Another of his English oratorios, Solomon (1748), has also remained popular, with the Sinfonia that opens act 3 (known more commonly as The Arrival of the Queen of Sheba) featuring at the 2012 London Olympics opening ceremony. Handel composed more than forty opera serias in over thirty years, and since the late 1960s, with the revival of baroque music and historically informed musical performance, interest in Handel's operas has grown. Taken from https://en.wikipedia.org/wiki/George_Frideric_Handel
$30.00
An amble round Mercury for chamber orchestra
#
Chamber Orchestra
#
INTERMEDIATE/ADVANCED
#
Contemporary
#
David Warin Solomons
#
Colin Bayliss
#
An amble round Mercury for cha
#
David Warin Solomons
#
SheetMusicPlus
Chamber Orchestra - Level 4 - Digital Download SKU: A0.580941 Composed by David Warin Solomons. Arranged by Colin Bayliss. 20th Century. Score and parts....
(+)
Chamber Orchestra - Level 4 - Digital Download SKU: A0.580941 Composed by David Warin Solomons. Arranged by Colin Bayliss. 20th Century. Score and parts. 23 pages. David Warin Solomons #2028841. Published by David Warin Solomons (A0.580941). This is from a suite of pieces written variously for recorder orchestra and for chamber orchestra The five movements are: 1 Meinau Rag 2 An Amble round Mercury 3 Pretty How Town 4 Landscape before sunrise 5 Little Laser Lady Each movement has its own story and reflects various places where the composer has lived or poems that have inspired him: Meinau Rag was written in honour of his 8 month stay in La Meinau, a suburb of Strasbourg, while teaching English at the nearby Hotellery School - it was one of several ragtimes, a style he experimented with on the guitar at that time. An Amble round Mercury refers to the pond and associated statue of Mercury in the centre of Tom Quad at his college, Christ Church Oxford. The ostinato theme is one that he has used on many pieces and was originally written to accompany a setting from the Book of Elijah - and in that day thou shalt say O Lord - in his college days. Pretty How Town, a perky and rhythmically complex piece, is based on the poem - anyone lived in a pretty how town by e.e.cummings. The more laid back Landscape before sunrise is based on a setting of many ways in which the world says Goodnight and is inspired by the view from the composer's 18th floor flat in Aldgate East overlooking a multicultural population. The rhythms of the original song Goodnight follow the phrases in each language: Good Night, buona notte, gute Nacht, kali nykhta, oyasumi nasai, nos da...etc Little Laser Lady, an upbeat end to the suite, is based on a poem by a friend of the composer, whose girlfriend (and wife to be) would always visit him in her Laser (a make of car in Australia) (She is the sun in the afternoon, she is the night's familiar, she comes on a beam of yellow gold light......) The orchestration is: Piccolo [except in the 4th movement], 2 Flutes, 2 Oboes, Clarinet, Bassoon and string orchestra including double bass. The pdf file contains the score and separate parts. The sound sample is an electronic preview. Also available: all the scores together under the title Sweet 4 chamber orchestra.
$15.00
Chamber Music No. 4
#
Chamber Orchestra
#
ADVANCED
#
Paul Hindemith
#
Chamber Music No. 4
#
Ernst Eulenburg & Co. GmbH - Digital
#
SheetMusicPlus
2 Picc. · 0 · 0 · Es-Klar. · 1 · Bassklar. · 2 · Kfg. – 0 · Cornet à pistons in B · 0 · 1 · 1 – S. (4 Ring-Tam...
(+)
2 Picc. · 0 · 0 · Es-Klar. · 1 · Bassklar. · 2 · Kfg. – 0 · Cornet à pistons in B · 0 · 1 · 1 – S. (4 Ring-Tamb. o. Schellen) (1 Spieler) – Str. (0 · 0 · 4 · 4 · 4) violin solo and large chamber orchestra - difficult - Digital Download SKU: S9.Q21078 (Violin Concerto). Composed by Paul Hindemith. This edition: study score. Ernst Eulenburg - chamber music - Score. Eulenburg Miniature Scores. Downloadable, Study score. Op. 36/3. Duration 23 minutes. Ernst Eulenburg & Co. GmbH - Digital #Q21078. Published by Ernst Eulenburg & Co. GmbH - Digital (S9.Q21078). German • English.The chamber music works are among Hindemith's most successful instrumental works of the 1920s. At the world premiere of Chamber Music No. 1, the audience even demanded a repetition of the third and fourth movements. But the title is misleading: The individual pieces rather have concertante soloistic features than bow to chamber music traditions. Not least the epithet Violin Concerto in the title of Chamber Music No. 4 refers to that fact.
$18.99
<
1
© 2000 - 2024
Home
-
New releases
-
Composers
Legal notice
-
Full version
