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--INSTRUMENTS--
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BAGPIPE
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BOOKS
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CHORAL - VOCAL…
CLARINET
CORNET
DIDGERIDOO
DJ GEAR
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Johann Sebastian Bach
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3,546
Piano & keyboards
Piano solo
2,841
Easy Piano
622
Organ
447
Piano, Voice
286
Piano Accompaniment
77
Piano, Vocal and Guitar
76
2 Pianos, 4 hands
70
Piano Trio: piano, violin, cello
49
1 Piano, 4 hands
48
Harpsichord
41
Organ, Trumpet (duet)
38
C Instruments
32
Piano Quintet: piano, 2 violins, viola, cello
12
Piano Quartet: piano, violin, viola, cello
12
Accordion
12
Piano Quartet: piano, 2 violins, cello
11
Organ, Piano (duet)
6
2 Organs (duet)
4
1 Piano, 6 hands
4
2 Pianos, 8 hands
2
2 Accordions
1
Big Note Piano
1
Piano (band part)
1
Keyboard
1
Piano Quintet: piano, violin, viola, cello, double bass
1
+ 20 instrumentations
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Guitars
Guitar notes and tablatures
404
Guitar
402
2 Guitars (duet)
104
Ukulele
41
4 Guitars (Quartet)
33
3 Guitars (trio)
29
Bass guitar
27
Melody line, (Lyrics) and Chords
21
Banjo
19
Mandolin
9
Dulcimer
3
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3
Baritone Ukulele
2
Lyrics and Chords
2
Guitar, Violin, Cello (trio)
2
Guitar Ensemble
1
2 Mandolins (duet)
1
2 Ukuleles
1
Mandolin, Piano (duet)
1
Lap Steel Guitar
1
Mandolin, Guitar (duet)
1
Plectrum Orchestra
1
Lute
1
+ 18 instrumentations
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Retract
Voice
Choral SATB
168
Choral 3-part
97
Voice solo
83
Choral TTBB
21
Tenor voice, Piano
19
Choral 2-part
18
Choral Unison
15
Choral Instrumental Pak
14
Soprano voice, Piano
14
Choral SSAA
10
Alto voice, Piano
8
Low voice, Piano
6
Choral
6
Vocal duet
5
High voice
5
Tenor voice
4
Vocal duet, Piano
4
Choral, Organ
3
Medium voice, Piano
3
Choral SSATB
3
Mezzo-Soprano voice, Piano
1
Medium Voice
1
Soprano voice
1
Voice, Guitar
1
Baritone voice, Piano
1
+ 20 instrumentations
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Retract
Woodwind
Saxophone Quartet: 4 saxophones
358
Flute and Piano
330
Woodwind Quintet: flute, oboe, bassoon, clarinet, horn
288
2 Saxophones (duet)
235
Clarinet and Piano
227
Clarinet Quartet: 4 clarinets
221
2 Clarinets (duet)
210
Flute, Oboe, Clarinet, Bassoon
183
Recorder
179
2 Flutes (duet)
175
Clarinet
166
Oboe, Piano (duet)
156
Alto Saxophone and Piano
156
Flute
153
Flute and Guitar
140
Saxophone Quintet: 5 Saxophones
138
Flute Quartet: 4 flutes
129
Tenor Saxophone and Piano
121
3 Clarinets (trio)
111
Saxophone (band part)
111
Soprano Saxophone and Piano
105
Recorder Quartet
102
Alto Saxophone
101
3 Recorders (trio)
91
Clarinet Quintet: 5 clarinets
86
3 Saxophones (trio)
85
Tenor Saxophone
80
Flute, Clarinet (duet)
79
Oboe (band part)
76
2 Recorders (duet)
73
Flute Trio: 3 flutes
62
Clarinet (band part)
60
Flute Quintet : 5 flutes
54
Oboe, Bassoon (duet)
51
Baritone Saxophone, Piano
51
Clarinet, Bassoon (duet)
48
Clarinet Ensemble
45
Oboe, Clarinet (duet)
44
2 Oboes (duet)
41
Flute ensemble
40
Oboe, Clarinet, Bassoon (trio)
39
English horn, Piano
38
5 Recorders
37
Oboe
31
Bass Clarinet, Piano
30
Flute, Violoncello
30
Flute, Clarinet and Bassoon.
29
Flute, Violin
29
Clarinet, Violin (duet)
28
Flute, Oboe (duet)
27
Flute (band part)
25
Clarinet, Cello (duet)
25
Oboe, Violin (duet)
23
Descant (Soprano) Recorder
22
Flute, Oboe, Clarinet (trio)
22
Flute, Trumpet (duet)
21
Saxophone, Violin (duet)
19
Saxophone, Clarinet (duet)
19
Treble (Alto) Recorder
18
Oboe, Cello
18
Recorder Ensemble
18
Saxophone ensemble
18
Oboe, Trumpet (duet)
17
Flute, Oboe, Bassoon
13
Flute, Trombone (duet)
12
Flute, Cello, Piano (trio)
11
Soprano Saxophone
11
Clarinet, Trombone (duet)
10
English Horn
10
Tenor Recorder
10
Flute, Bassoon, and Piano
10
Clarinet, Harp (duet)
10
Flute, Viola (duet)
10
Flute, Clarinet, Horn and Bassoon (Quartet)
9
Flute, Violin, Piano
9
4 Oboes
9
Oboe ensemble
8
Flute, Violin and Violoncello
7
Flute, Clarinet, Piano (trio)
7
2 Flutes, Piano
7
Treble (Alto) Recorder, Piano
7
Harmonica
6
Saxophone
6
Piccolo, Piano
6
Baritone Saxophone
6
Flute and Strings Trio
5
Oboe, Flute
5
Clarinet, Guitar (duet)
5
Saxophone, Bassoon (duet)
5
Oboe, Harp
5
Clarinet, Cello, Piano (trio)
5
Flute, Oboe, Piano (trio)
4
Pennywhistle
4
3 Oboes
4
Descent (Soprano) Recorder, Piano
4
Wind ensemble
4
Bass Clarinet
4
2 Saxophones, Piano
4
Clarinet, Bassoon, Piano (trio)
3
Piccolo
3
Flute, Violin, Violoncello and Piano
3
Flute and String Quartet
3
Recorder, Guitar (duet)
2
Saxophone and cello
2
2 Clarinets, Piano
2
Oboe and viola (duet)
2
Clarinet Quartet: Clarinet, Violin, Viola, Cello
2
2 Recorders, Piano
2
Ocarina
2
Saxophone and Piano
2
Flute, Tuba (duet)
2
Flute, Basso continuo
2
Flute, Organ (duet)
2
2 Clarinets, Bassoon
2
Oboe, Trombone (duet)
2
Oboe and String quartet
2
Clarinet and Viola
2
Flute, Orchestra
1
Flute, Clarinet, Violin (trio)
1
Clarinet, trumpet and piano
1
Oboe, Violin, Viola and Violoncello (Quartet)
1
2 Flutes, 2 Clarinets (Quartet)
1
Flute, harp and violin
1
2 Flutes and Harp
1
Flute, trombone and piano
1
Treble (Alto) Recorder, Basso continuo
1
Flute, Cello, Guitar
1
Flute, Viola and Piano
1
Oboe, Violin, Piano
1
Saxophone and Harp
1
Flute, Saxophone (duet)
1
Flute, Violin, Guitar
1
Flute, Viola and Cello
1
Recorder, Piano
1
Saxophone and Guitar
1
Oboe, Guitar (duet)
1
Flute, Oboe, Violin
1
Clarinet, Tuba
1
2 English horns and Pianoforte
1
Oboe, Clarinet and Piano (Trio)
1
+ 135 instrumentations
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Retract
Woodbrass
Brass Quintet: 2 trumpets, horn, trombone, tuba
314
Trumpet
140
Trumpet, Piano
138
Trombone and Piano
115
Trombone
113
Brass quartet : 2 trumpets, trombone, tuba
101
French Horn and Piano
100
French horn
83
2 Trumpets (duet)
76
Trumpet, Trombone (duet)
59
2 Trombones (duet)
59
Brass Quartet: 4 trombones
59
Trombone ensemble
54
Tuba and Piano
53
Trombone (band part)
48
Brass Quartet
48
Trumpet (band part)
47
Tuba
45
2 Euphoniums and 2 Tubas
43
2 French horns (duet)
43
Brass Quartet: 4 horns
40
Brass Quartet: 2 trumpets, horn, trombone
38
English horn, Piano
38
Euphonium, Piano (duet)
33
French horn (band part)
30
4 Tubas
29
Trumpet, Saxophone (duet)
25
Trumpet, Bassoon (duet)
24
2 Tubas (duet)
21
3 Trombones (trio)
20
Brass Trio
19
Tuba (band part)
19
Trombone, cello (duet)
18
Brass Quartet: 4 trumpets
18
Trumpet, violin (duet)
17
Trumpet ensemble
15
Trumpet, Horn (duert)
14
English Horn
10
Trombone, Violin (duet)
10
Horn, Cello (duet)
10
Trombone, Horn (duet)
9
Trumpet, Cello (duet)
9
3 Trumpets (trio)
9
Horn Ensemble
8
2 Trumpets, Keyboard (piano or organ)
8
Euphonium, Tuba (duet)
8
Trumpet, Tuba (duet)
8
Euphonium
7
3 Tubas (trio)
7
Cornet
6
Horn, Tuba (duet)
6
3 French horns (trio)
6
Trombone, Tuba (duet)
5
Tuba and Organ
5
French horn and Basson (duet)
4
Bass Trombone and Piano
3
Tuba ensemble
3
Brass Quintet: 2 trumpets, horn, 2 trombones
3
2 Euphoniums (duet)
2
Brass quartet : Horn, Trombone, Tuba, B-Flat Trumpet
2
French Horn and Harp
2
Trumpet, Harp
2
3 Euphoniums
2
Trombone, Organ
2
Trombone, Viola (duet)
1
4 Euphoniums
1
Bass Trombone
1
Horn and Organ
1
Trumpet, Trombone, Piano
1
Trumpet, Orchestra
1
Horn, Cello and Piano
1
2 English horns and Pianoforte
1
+ 67 instrumentations
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Retract
Strings
String Quartet: 2 violins, viola, cello
741
Violin and Piano
361
Violin, Cello (duet)
261
Violin
244
Cello, Piano
223
Viola, Piano
219
Cello
202
String Trio: violin, viola, cello
187
2 Violins (duet)
150
2 Cellos (duet)
141
Violin, Viola (duet)
139
Viola
139
Violin (band part)
115
Harp
93
Viola, Cello (duet)
82
2 Violas (duet)
66
String Trio: 2 violins, cello
49
Double bass, Piano (duet)
48
String Quintet: 2 violins, viola, cello, bass
47
4 Cellos
40
Cello (band part)
39
String Trio: 3 cellos
37
Doublebass (band part)
35
String Trio: 3 violins
34
Double Bass
33
Viola (band part)
28
String quartet: 4 violins
26
String trio
23
Violin, Guitar (duet)
20
Harp, Flute (duet)
20
Violin, Bassoon (duet)
18
Cello, String Bass (duet)
16
2 Violins, Piano
16
Viola and Bassoon
16
Cello and Marimba
15
String Trio: 3 violas
15
String Quartet : 4 violas
13
Harp, Violin (duet)
12
Piano Trio: Violin, Viola, Piano
12
2 Double basses (duet)
12
Violin, Organ
11
Cello, Guitar (duet)
10
String Trio: 2 violins, viola
10
String Quintet: 2 violins, 2 violas, cello
8
2 Harps (duet)
8
Cello Ensemble
7
String Quintet: 2 violins, viola, 2 cellos
6
Harp and Piano
4
Viola, Guitar (duet)
4
Violin ensemble
4
2 Violas, Piano
4
Viola ensemble
4
2 Cellos, Piano
4
Cello, Organ
3
Harp, Cello (duet)
3
Harp, Violin, Violoncello
3
Flute, Doublebass (duet)
2
3 double basses
2
2 Violins and Basso
1
Violin, Clarinet, Piano (trio)
1
Violin, Cello, Clarinet
1
4 Double Basses
1
Violin, Tuba (duet)
1
Viola and Harp
1
Cello, Orchestra
1
+ 60 instrumentations
-
Retract
Orchestra & Percussion
Concert band
263
String Orchestra
241
Brass ensemble
113
Chamber Orchestra
87
Orchestra
49
Handbells
46
Marimba
23
Woodwind Quartet: any 4 woodwinds
14
Percussion (band part)
13
Timpani (band part)
12
Jazz Ensemble
11
Percussion Ensemble
10
Woodwind Quintet
8
String Quintet : 2 Violins, Viola, Violoncello, Doublebass, Keyboard
7
Marching band
6
Xylophone, Piano
6
Vibraphone
5
Percussion
5
Vibraphone (band part)
4
2 Xylophones
3
Jazz combo
3
Vibraphone and Marimba
2
Flexible Instrumentation
2
Xylophone
1
Orchestra, Violin
1
Drums
1
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You've selected:
Johann Sebastian Bach
PDF
Saxophone Quartet: 4 saxophones
Sheetmusic to print
358 sheet music found
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351
Arioso Bach Alto Saxophone Quartet
#
Saxophone Quartet: 4 saxophones
#
BEGINNER
#
Classical
#
Johann Sebastian Bach
#
Arioso Bach Alto Saxophone Qua
#
SheetMusicPlus
Alto Sax, Woodwind Choir or Ensemble - Easy/Beginner - Digital Download Composed by Johann Sebastian Bach (1685-1750). Baroque Period, Sacred, Classroo...
(+)
Alto Sax, Woodwind Choir or Ensemble - Easy/Beginner - Digital Download Composed by Johann Sebastian Bach (1685-1750). Baroque Period, Sacred, Classroom, European, Easter. Score, Set of Parts. 7 pages. Published by KrahenfuBlieder
Arioso is part of Johann Sebastian Bach's Cantata 156 which corresponds to the same number in his B.W.V. catalog. The symphony was probably derived from an earlier oboe concerto and was later adapted as part of Bach's Concerto for harpsichord in F minor. This instrumental quartet version was created with ensemble practice in mind for beginning music school students who want more contact with Baroque music, ideal also for liturgical performance in churches, as it is a sacred work. This version lasts 2:25 minutes with the original melody adapted with the harmony divided between the voices of the performers.
$9.99
Arioso Bach Saxophone Quartet 2 Alto 2 Tenor
#
Saxophone Quartet: 4 saxophones
#
BEGINNER
#
Classical
#
Johann Sebastian Bach
#
Arioso Bach Saxophone Quartet
#
SheetMusicPlus
Alto Sax, Tenor Sax, Woodwind Choir or Ensemble - Easy/Beginner - Digital Download Composed by Johann Sebastian Bach (1685-1750). Baroque Period, Sac...
(+)
Alto Sax, Tenor Sax, Woodwind Choir or Ensemble - Easy/Beginner - Digital Download Composed by Johann Sebastian Bach (1685-1750). Baroque Period, Sacred, Classroom, European, Easter. Score, Set of Parts. 7 pages. Published by KrahenfuBlieder
Arioso is part of Johann Sebastian Bach's Cantata 156 which corresponds to the same number in his B.W.V. catalog. The symphony was probably derived from an earlier oboe concerto and was later adapted as part of Bach's Concerto for harpsichord in F minor. This instrumental quartet version was created with ensemble practice in mind for beginning music school students who want more contact with Baroque music, ideal also for liturgical performance in churches, as it is a sacred work. This version lasts 2:25 minutes with the original melody adapted with the harmony divided between the voices of the performers.
$9.99
Arioso Bach Saxophone Quartet
#
Saxophone Quartet: 4 saxophones
#
BEGINNER
#
Classical
#
Johann Sebastian Bach
#
Arioso Bach Saxophone Quartet
#
SheetMusicPlus
Alto Sax, Tenor Sax, Baritone Sax, Soprano Sax, Woodwind Choir or Ensemble - Easy/Beginner - Digital Download Composed by Johann Sebastian Bach (1685...
(+)
Alto Sax, Tenor Sax, Baritone Sax, Soprano Sax, Woodwind Choir or Ensemble - Easy/Beginner - Digital Download Composed by Johann Sebastian Bach (1685-1750). Baroque Period, Sacred, Classroom, European, Easter. Score, Set of Parts. 7 pages. Published by KrahenfuBlieder
Arioso is part of Johann Sebastian Bach's Cantata 156 which corresponds to the same number in his B.W.V. catalog. The symphony was probably derived from an earlier oboe concerto and was later adapted as part of Bach's Concerto for harpsichord in F minor. This instrumental quartet version was created with ensemble practice in mind for beginning music school students who want more contact with Baroque music, ideal also for liturgical performance in churches, as it is a sacred work. This version lasts 2:25 minutes with the original melody adapted with the harmony divided between the voices of the performers.
$7.99
Arioso Bach Soprano Saxophone Quartet
#
Saxophone Quartet: 4 saxophones
#
BEGINNER
#
Classical
#
Johann Sebastian Bach
#
Arioso Bach Soprano Saxophone
#
SheetMusicPlus
Soprano Sax, Woodwind Choir or Ensemble - Easy/Beginner - Digital Download Composed by Johann Sebastian Bach (1685-1750). Baroque Period, Sacred, Class...
(+)
Soprano Sax, Woodwind Choir or Ensemble - Easy/Beginner - Digital Download Composed by Johann Sebastian Bach (1685-1750). Baroque Period, Sacred, Classroom, European, Easter. Score, Set of Parts. 7 pages. Published by KrahenfuBlieder
Arioso is part of Johann Sebastian Bach's Cantata 156 which corresponds to the same number in his B.W.V. catalog. The symphony was probably derived from an earlier oboe concerto and was later adapted as part of Bach's Concerto for harpsichord in F minor. This instrumental quartet version was created with ensemble practice in mind for beginning music school students who want more contact with Baroque music, ideal also for liturgical performance in churches, as it is a sacred work. This version lasts 2:25 minutes with the original melody adapted with the harmony divided between the voices of the performers.
$9.99
Bach Jesu, joy of man's desiring for Saxophone Quartet
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Saxophone Quartet: 4 saxophones
#
BEGINNER
#
Classical
#
Johann Sebastian Bach
#
Bach Jesu, joy of man's desiri
#
SheetMusicPlus
Alto Sax, Tenor Sax, Baritone Sax, Soprano Sax, Woodwind Choir or Ensemble - Easy/Beginner - Digital Download Composed by Johann Sebastian Bach (1685...
(+)
Alto Sax, Tenor Sax, Baritone Sax, Soprano Sax, Woodwind Choir or Ensemble - Easy/Beginner - Digital Download Composed by Johann Sebastian Bach (1685-1750). Baroque Period, Christian, Classroom, European, Easter. Score, Set of Parts. 10 pages. Published by KrahenfuBlieder
This instrumental quartet version was created with ensemble practice in mind for beginning music school students who want more contact with baroque music, ideal also for liturgical performances in churches, since it is a sacred work. This version lasts 3:19 minutes with the original melody adapted with the harmony divided between the voices of the performers.
Jesu joy of man's desiring or Wohl mir, daß ich Jesum habe (I am happy to have Jesus) is a chorale from the cantata 147 "Herz und Mund und Tat und Leben" or "Heart and mouth and deed and life" from the B. W. V 147 catalog composed by Johann Sebastian Bach around 1723, where the same music in different stanzas of a chorale closes both parts of the cantata.
$9.99
Bach Jesu, joy of man's desiring for Alto Saxophone Quartet
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Saxophone Quartet: 4 saxophones
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BEGINNER
#
Classical
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Johann Sebastian Bach
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Bach Jesu, joy of man's desiri
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SheetMusicPlus
Alto Sax, Woodwind Choir or Ensemble, Alto Saxophone Quartet - Easy/Beginner - Digital Download Composed by Johann Sebastian Bach (1685-1750). Baroque ...
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Alto Sax, Woodwind Choir or Ensemble, Alto Saxophone Quartet - Easy/Beginner - Digital Download Composed by Johann Sebastian Bach (1685-1750). Baroque Period, Christian, Classroom, European, Easter. Score, Set of Parts. 10 pages. Published by KrahenfuBlieder
This instrumental quartet version was created with ensemble practice in mind for beginning music school students who want more contact with baroque music, ideal also for liturgical performances in churches, since it is a sacred work. This version lasts 3:19 minutes with the original melody adapted with the harmony divided between the voices of the performers.
Jesu joy of man's desiring or Wohl mir, daß ich Jesum habe (I am happy to have Jesus) is a chorale from the cantata 147 "Herz und Mund und Tat und Leben" or "Heart and mouth and deed and life" from the B. W. V 147 catalog composed by Johann Sebastian Bach around 1723, where the same music in different stanzas of a chorale closes both parts of the cantata.
$9.99
5 Famous Songs by Bach for Baritone Sax Quartet
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Saxophone Quartet: 4 saxophones
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EASY
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Classical
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Christian Petzold, Johann Seba
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Ander
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5 Famous Songs by Bach for Bar
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Woods Only, Arrangements
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SheetMusicPlus
Saxophone Quartet,Woodwind Ensemble Baritone Saxophone - Level 2 - Digital Download SKU: A0.1137884 Composed by Christian Petzold, Johann Sebastian Bach,...
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Saxophone Quartet,Woodwind Ensemble Baritone Saxophone - Level 2 - Digital Download SKU: A0.1137884 Composed by Christian Petzold, Johann Sebastian Bach, and Martin Luther. Arranged by Ander. Baroque,Easter,Renaissance,Sacred,Wedding. 44 pages. Woods Only, Arrangements #738138. Published by Woods Only, Arrangements (A0.1137884). This album contains 5 of Johann Sebastian Bach's most famous and versatile pieces for baritone quartet, all very well suited for the beginners who want to get to know the baroque repertoire. They are also suitable for performances at events such as: weddings, Christian and church ceremonies, Easter, and academic recitals or concerts. They can be used in music institutions and by teachers as repertoire material and study methods, either for performance or instrumental technique. This collection includes a totally free bonus for you to enjoy: Martin Luther's A Mighty Fortress is Our God, a Renaissance sacred song for choir, which has been adapted for this set. 1: Air on the G String - The original piece is part of Johann Sebastian Bach's Suite No. 3 for orchestra, in D Major, BWV 1068, written for Prince Leopold of Anhalt. The so-called Air on the G String dates from one of these latter employments. In the service of the Prince of Cöthen, Bach composed not only the famous Brandenburg Concertos, but also several orchestral suites, from the third of which comes the Air on the G String. This curious title derives from a later arrangement of this piece for violin solo, in which the melody is played entirely on the lower, higher string of the instrument. 2: Arioso - The Cantata 156 (BWV 156) was written for the third Sunday after Epiphany in 1729, and was first performed on January 23 of that year. The text is by Picander, one of Bach's favorite librettists. Of the four cantatas written by Bach for the feast, it was the last and only one scored for solo voice. This is a choral cantata, employing a choral melody in several movements. Cantata 156, in fact, employs two different choral melodies and texts in the second and sixth movements. A cantata is a sung symphony consisting of several parts, one of which is the Arioso, which is the initial instrumental part. 3: Jesu, joy of man's desiring - This is one of Bach's most beautiful cantatas, made famous by the Jesus the Joy of Men chorus. It was originally composed for Advent 1716 in Weimar. Years later, already in Leipzig, Advent was tempus clausum, there was no music in the churches. Bach then reworked it for the Feast of Mary's Visitation. It is the final chorale of the cantata Herz und Mund und Tat und Leben. Although it is the 32nd cantata composed by Bach, of those that have survived, it was given BWV 147 in the complete catalog of his works. 4: O Jesulein süss, o Jesulein mild - The Jesulein süß, the Jesulein mild is an original traditional German choral melody for voice and continuous bass arranged by Johann Sebastian Bach around 1735. With lyrics by Valentin Thilo, O Jesulein süss is a sacred melody adapted and catalogued as BWV 493. The first translation is by Dirk van Hogendorp, who made it more of a song for the time of suffering. 5: Minuet in G major - This famous piece has traditionally been attributed to Johann Sebastian Bach, as it appears in the Notebook for Anna Magdalena , a notebook that Bach gave to his wife Anna Magdalena in 1725 and which was to be filled with the favorite selections of Bach family members. However, recent research has concluded that this minuet, sometimes referred to as BWV Anhang 114. was probably composed by Christian Petzold, a German composer and organist contemporary with Bach. Bonus: A Mighty Fortress is Our God, by Martin Luther - Ein feste Burg ist unser Gott is a hymn written by Martin Luther probably before 1529. The melody was also considered his work for a long time, but it was created at least with the collaboration of Johann Walter. The song is of great symbolic power for Protestantism, where it is also known as Deus noster refugium et virtus. Considered one of the most important hymns in the history of Christianity, it was considered by the Christian poet Johann Heirich Heine (1797-1856) to be the Marseillaise of the Reformation, in an allusion to the French national anthem.
$31.99
5 Famous Songs by Bach for Saxophone Quartet
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Saxophone Quartet: 4 saxophones
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EASY
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Classical
#
Christian Petzold, Johann Seba
#
Ander
#
5 Famous Songs by Bach for Sax
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Woods Only, Arrangements
#
SheetMusicPlus
Saxophone Quartet,Woodwind Ensemble - Level 2 - Digital Download SKU: A0.1137887 Composed by Christian Petzold, Johann Sebastian Bach, and Martin Luther....
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Saxophone Quartet,Woodwind Ensemble - Level 2 - Digital Download SKU: A0.1137887 Composed by Christian Petzold, Johann Sebastian Bach, and Martin Luther. Arranged by Ander. Baroque,Easter,Renaissance,Sacred,Wedding. 44 pages. Woods Only, Arrangements #738143. Published by Woods Only, Arrangements (A0.1137887). This album contains 5 of Johann Sebastian Bach's most famous and versatile pieces for sax quartet, all very well suited for the beginners who want to get to know the baroque repertoire. They are also suitable for performances at events such as: weddings, Christian and church ceremonies, Easter, and academic recitals or concerts. They can be used in music institutions and by teachers as repertoire material and study methods, either for performance or instrumental technique. This collection includes a totally free bonus for you to enjoy: Martin Luther's A Mighty Fortress is Our God, a Renaissance sacred song for choir, which has been adapted for this set. 1: Air on the G String - The original piece is part of Johann Sebastian Bach's Suite No. 3 for orchestra, in D Major, BWV 1068, written for Prince Leopold of Anhalt. The so-called Air on the G String dates from one of these latter employments. In the service of the Prince of Cöthen, Bach composed not only the famous Brandenburg Concertos, but also several orchestral suites, from the third of which comes the Air on the G String. This curious title derives from a later arrangement of this piece for violin solo, in which the melody is played entirely on the lower, higher string of the instrument. 2: Arioso - The Cantata 156 (BWV 156) was written for the third Sunday after Epiphany in 1729, and was first performed on January 23 of that year. The text is by Picander, one of Bach's favorite librettists. Of the four cantatas written by Bach for the feast, it was the last and only one scored for solo voice. This is a choral cantata, employing a choral melody in several movements. Cantata 156, in fact, employs two different choral melodies and texts in the second and sixth movements. A cantata is a sung symphony consisting of several parts, one of which is the Arioso, which is the initial instrumental part. 3: Jesu, joy of man's desiring - This is one of Bach's most beautiful cantatas, made famous by the Jesus the Joy of Men chorus. It was originally composed for Advent 1716 in Weimar. Years later, already in Leipzig, Advent was tempus clausum, there was no music in the churches. Bach then reworked it for the Feast of Mary's Visitation. It is the final chorale of the cantata Herz und Mund und Tat und Leben. Although it is the 32nd cantata composed by Bach, of those that have survived, it was given BWV 147 in the complete catalog of his works. 4: O Jesulein süss, o Jesulein mild - The Jesulein süß, the Jesulein mild is an original traditional German choral melody for voice and continuous bass arranged by Johann Sebastian Bach around 1735. With lyrics by Valentin Thilo, O Jesulein süss is a sacred melody adapted and catalogued as BWV 493. The first translation is by Dirk van Hogendorp, who made it more of a song for the time of suffering. 5: Minuet in G major - This famous piece has traditionally been attributed to Johann Sebastian Bach, as it appears in the Notebook for Anna Magdalena , a notebook that Bach gave to his wife Anna Magdalena in 1725 and which was to be filled with the favorite selections of Bach family members. However, recent research has concluded that this minuet, sometimes referred to as BWV Anhang 114. was probably composed by Christian Petzold, a German composer and organist contemporary with Bach. Bonus: A Mighty Fortress is Our God, by Martin Luther - Ein feste Burg ist unser Gott is a hymn written by Martin Luther probably before 1529. The melody was also considered his work for a long time, but it was created at least with the collaboration of Johann Walter. The song is of great symbolic power for Protestantism, where it is also known as Deus noster refugium et virtus. Considered one of the most important hymns in the history of Christianity, it was considered by the Christian poet Johann Heirich Heine (1797-1856) to be the Marseillaise of the Reformation, in an allusion to the French national anthem.
$31.99
5 Famous Songs by Bach for Tenor Sax Quartet
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Saxophone Quartet: 4 saxophones
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EASY
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Classical
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Christian Petzold, Johann Seba
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Ander
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5 Famous Songs by Bach for Ten
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Woods Only, Arrangements
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SheetMusicPlus
Saxophone Quartet,Woodwind Ensemble Tenor Saxophone - Level 2 - Digital Download SKU: A0.1137878 Composed by Christian Petzold, Johann Sebastian Bach, an...
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Saxophone Quartet,Woodwind Ensemble Tenor Saxophone - Level 2 - Digital Download SKU: A0.1137878 Composed by Christian Petzold, Johann Sebastian Bach, and Martin Luther. Arranged by Ander. Baroque,Easter,Renaissance,Sacred,Wedding. 44 pages. Woods Only, Arrangements #738132. Published by Woods Only, Arrangements (A0.1137878). This album contains 5 of Johann Sebastian Bach's most famous and versatile pieces for tenor sax quartet, all very well suited for the beginners who want to get to know the baroque repertoire. They are also suitable for performances at events such as: weddings, Christian and church ceremonies, Easter, and academic recitals or concerts. They can be used in music institutions and by teachers as repertoire material and study methods, either for performance or instrumental technique. This collection includes a totally free bonus for you to enjoy: Martin Luther's A Mighty Fortress is Our God, a Renaissance sacred song for choir, which has been adapted for this set. 1: Air on the G String - The original piece is part of Johann Sebastian Bach's Suite No. 3 for orchestra, in D Major, BWV 1068, written for Prince Leopold of Anhalt. The so-called Air on the G String dates from one of these latter employments. In the service of the Prince of Cöthen, Bach composed not only the famous Brandenburg Concertos, but also several orchestral suites, from the third of which comes the Air on the G String. This curious title derives from a later arrangement of this piece for violin solo, in which the melody is played entirely on the lower, higher string of the instrument. 2: Arioso - The Cantata 156 (BWV 156) was written for the third Sunday after Epiphany in 1729, and was first performed on January 23 of that year. The text is by Picander, one of Bach's favorite librettists. Of the four cantatas written by Bach for the feast, it was the last and only one scored for solo voice. This is a choral cantata, employing a choral melody in several movements. Cantata 156, in fact, employs two different choral melodies and texts in the second and sixth movements. A cantata is a sung symphony consisting of several parts, one of which is the Arioso, which is the initial instrumental part. 3: Jesu, joy of man's desiring - This is one of Bach's most beautiful cantatas, made famous by the Jesus the Joy of Men chorus. It was originally composed for Advent 1716 in Weimar. Years later, already in Leipzig, Advent was tempus clausum, there was no music in the churches. Bach then reworked it for the Feast of Mary's Visitation. It is the final chorale of the cantata Herz und Mund und Tat und Leben. Although it is the 32nd cantata composed by Bach, of those that have survived, it was given BWV 147 in the complete catalog of his works. 4: O Jesulein süss, o Jesulein mild - The Jesulein süß, the Jesulein mild is an original traditional German choral melody for voice and continuous bass arranged by Johann Sebastian Bach around 1735. With lyrics by Valentin Thilo, O Jesulein süss is a sacred melody adapted and catalogued as BWV 493. The first translation is by Dirk van Hogendorp, who made it more of a song for the time of suffering. 5: Minuet in G major - This famous piece has traditionally been attributed to Johann Sebastian Bach, as it appears in the Notebook for Anna Magdalena , a notebook that Bach gave to his wife Anna Magdalena in 1725 and which was to be filled with the favorite selections of Bach family members. However, recent research has concluded that this minuet, sometimes referred to as BWV Anhang 114. was probably composed by Christian Petzold, a German composer and organist contemporary with Bach. Bonus: A Mighty Fortress is Our God, by Martin Luther - Ein feste Burg ist unser Gott is a hymn written by Martin Luther probably before 1529. The melody was also considered his work for a long time, but it was created at least with the collaboration of Johann Walter. The song is of great symbolic power for Protestantism, where it is also known as Deus noster refugium et virtus. Considered one of the most important hymns in the history of Christianity, it was considered by the Christian poet Johann Heirich Heine (1797-1856) to be the Marseillaise of the Reformation, in an allusion to the French national anthem.
$31.99
5 Famous Songs by Bach for Alto Sax Quartet
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Saxophone Quartet: 4 saxophones
#
EASY
#
Classical
#
Christian Petzold, Johann Seba
#
Ander
#
5 Famous Songs by Bach for Alt
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Woods Only, Arrangements
#
SheetMusicPlus
Saxophone Quartet,Woodwind Ensemble Alto Saxophone - Level 2 - Digital Download SKU: A0.1137872 Composed by Christian Petzold, Johann Sebastian Bach, and...
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Saxophone Quartet,Woodwind Ensemble Alto Saxophone - Level 2 - Digital Download SKU: A0.1137872 Composed by Christian Petzold, Johann Sebastian Bach, and Martin Luther. Arranged by Ander. Baroque,Easter,Renaissance,Sacred,Wedding. 44 pages. Woods Only, Arrangements #738125. Published by Woods Only, Arrangements (A0.1137872). This album contains 5 of Johann Sebastian Bach's most famous and versatile pieces for alto sax quartet, all very well suited for the beginners who want to get to know the baroque repertoire. They are also suitable for performances at events such as: weddings, Christian and church ceremonies, Easter, and academic recitals or concerts. They can be used in music institutions and by teachers as repertoire material and study methods, either for performance or instrumental technique. This collection includes a totally free bonus for you to enjoy: Martin Luther's A Mighty Fortress is Our God, a Renaissance sacred song for choir, which has been adapted for this set. 1: Air on the G String - The original piece is part of Johann Sebastian Bach's Suite No. 3 for orchestra, in D Major, BWV 1068, written for Prince Leopold of Anhalt. The so-called Air on the G String dates from one of these latter employments. In the service of the Prince of Cöthen, Bach composed not only the famous Brandenburg Concertos, but also several orchestral suites, from the third of which comes the Air on the G String. This curious title derives from a later arrangement of this piece for violin solo, in which the melody is played entirely on the lower, higher string of the instrument. 2: Arioso - The Cantata 156 (BWV 156) was written for the third Sunday after Epiphany in 1729, and was first performed on January 23 of that year. The text is by Picander, one of Bach's favorite librettists. Of the four cantatas written by Bach for the feast, it was the last and only one scored for solo voice. This is a choral cantata, employing a choral melody in several movements. Cantata 156, in fact, employs two different choral melodies and texts in the second and sixth movements. A cantata is a sung symphony consisting of several parts, one of which is the Arioso, which is the initial instrumental part. 3: Jesu, joy of man's desiring - This is one of Bach's most beautiful cantatas, made famous by the Jesus the Joy of Men chorus. It was originally composed for Advent 1716 in Weimar. Years later, already in Leipzig, Advent was tempus clausum, there was no music in the churches. Bach then reworked it for the Feast of Mary's Visitation. It is the final chorale of the cantata Herz und Mund und Tat und Leben. Although it is the 32nd cantata composed by Bach, of those that have survived, it was given BWV 147 in the complete catalog of his works. 4: O Jesulein süss, o Jesulein mild - The Jesulein süß, the Jesulein mild is an original traditional German choral melody for voice and continuous bass arranged by Johann Sebastian Bach around 1735. With lyrics by Valentin Thilo, O Jesulein süss is a sacred melody adapted and catalogued as BWV 493. The first translation is by Dirk van Hogendorp, who made it more of a song for the time of suffering. 5: Minuet in G major - This famous piece has traditionally been attributed to Johann Sebastian Bach, as it appears in the Notebook for Anna Magdalena , a notebook that Bach gave to his wife Anna Magdalena in 1725 and which was to be filled with the favorite selections of Bach family members. However, recent research has concluded that this minuet, sometimes referred to as BWV Anhang 114. was probably composed by Christian Petzold, a German composer and organist contemporary with Bach. Bonus: A Mighty Fortress is Our God, by Martin Luther - Ein feste Burg ist unser Gott is a hymn written by Martin Luther probably before 1529. The melody was also considered his work for a long time, but it was created at least with the collaboration of Johann Walter. The song is of great symbolic power for Protestantism, where it is also known as Deus noster refugium et virtus. Considered one of the most important hymns in the history of Christianity, it was considered by the Christian poet Johann Heirich Heine (1797-1856) to be the Marseillaise of the Reformation, in an allusion to the French national anthem.
$31.99
Johann Sebastian Bach/Wehage Goldberg Variations, BWV 988, - SATB saxophone Quartet, bari
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Saxophone Quartet: 4 saxophones
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INTERMEDIATE/ADVANCED
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Classical
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Johann Sebastian Bach
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Paul Wehage
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Johann Sebastian Bach/Wehage G
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Musik Fabrik Music Publishing
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SheetMusicPlus
Woodwind Ensemble,Woodwind Quartet Alto Saxophone,Baritone Saxophone,Soprano Saxophone,Tenor Saxophone - Level 4 - Digital Download SKU: A0.532734 Compos...
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Woodwind Ensemble,Woodwind Quartet Alto Saxophone,Baritone Saxophone,Soprano Saxophone,Tenor Saxophone - Level 4 - Digital Download SKU: A0.532734 Composed by Johann Sebastian Bach. Arranged by Paul Wehage. Baroque. 21 pages. Musik Fabrik Music Publishing #1917. Published by Musik Fabrik Music Publishing (A0.532734). The Aria with 30 variations which form the work which is known as the « Goldberg » variations is one of the greatest works of Bach. It is his only work which uses the form of variations and through three series of ten variations each, it explores a myriad of musical genres and styles. The initial Aria, which seems to be rather trite and banal at the beginning of the work, is magnified through these transformations and the da capo at the end brings us back to the beginning, which has been changed by the musical journey itself. As a sort of musical « initiation », it has become a work which sparks the imagination and which creates an atmosphere all it’s own. The story of how the work came to be written has to come to us through Bach’s first biographer, Johann Nikolaus Forkel in 1805, seventy-five years after the death of Bach. It would seem that a certain Count Keyserlingk, the Russian Ambassador to the Court of Dresden, had difficulty sleeping and asked Bach to compose a work which his protégé, a harpsichord virtuoso by the name of Goldberg, could play in a salon near his bedroom to help him sleep in the evening. For this commission, Bach was to receive the largest fee of his life, a hundred louis d’or in a golden goblet. It would seem that this story is perhaps more of a legend than anything else, as no goblet was found in Bach’s estate at the end of his life and no documented proof of this story has been found. Goldberg was indeed a student of C. P. E Bach, Bach’s son and the son might have asked his father to write these works for his brilliant student. No manuscript for the Goldberg Variations exists, only a first edition corrected in the hand of Bach which contains certain tempo indications and other markings. The first edition also carried the following title: « Clavierübung, consisting of an Aria with diverse variations for the Harpsichord with two manuals composed for music lovers to refresh their spirits by J. S. Bach ». In this version for Saxophone Quartet, it is important to remember that Bach was writing for the harpsichord and not for the Piano-forte. Bach did indeed know of the Piano-forte and played one of the first instruments produced, but it would seem that he did not care much for this new instrument. To find something akin to the precise, clearly defined attacks of the harpsichord, precise articulation and clarity of sound must be the first priority. In general, even in the slowest movements, the attacks must take precedent over all other elements of performance. If the need for clarity of line and precision of attack is respected, the inherent musicality contained in the work should be evident, even in this new form.. As Bach himself transcribed many of his own works and those of others, I would like to hope that he would find this question to be interesting and the results to be surprising...
$16.95
Johann Sebastian Bach/Wehage Goldberg Variations, BWV 988, - SATB saxophone Quartet, sopr
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Saxophone Quartet: 4 saxophones
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INTERMEDIATE/ADVANCED
#
Classical
#
Johann Sebastian Bach
#
Paul Wehage
#
Johann Sebastian Bach/Wehage G
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Musik Fabrik Music Publishing
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SheetMusicPlus
Woodwind Ensemble,Woodwind Quartet Alto Saxophone,Baritone Saxophone,Soprano Saxophone,Tenor Saxophone - Level 4 - Digital Download SKU: A0.532735 Compos...
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Woodwind Ensemble,Woodwind Quartet Alto Saxophone,Baritone Saxophone,Soprano Saxophone,Tenor Saxophone - Level 4 - Digital Download SKU: A0.532735 Composed by Johann Sebastian Bach. Arranged by Paul Wehage. Baroque,Standards. 24 pages. Musik Fabrik Music Publishing #1921. Published by Musik Fabrik Music Publishing (A0.532735). The Aria with 30 variations which form the work which is known as the « Goldberg » variations is one of the greatest works of Bach. It is his only work which uses the form of variations and through three series of ten variations each, it explores a myriad of musical genres and styles. The initial Aria, which seems to be rather trite and banal at the beginning of the work, is magnified through these transformations and the da capo at the end brings us back to the beginning, which has been changed by the musical journey itself. As a sort of musical « initiation », it has become a work which sparks the imagination and which creates an atmosphere all it’s own. The story of how the work came to be written has to come to us through Bach’s first biographer, Johann Nikolaus Forkel in 1805, seventy-five years after the death of Bach. It would seem that a certain Count Keyserlingk, the Russian Ambassador to the Court of Dresden, had difficulty sleeping and asked Bach to compose a work which his protégé, a harpsichord virtuoso by the name of Goldberg, could play in a salon near his bedroom to help him sleep in the evening. For this commission, Bach was to receive the largest fee of his life, a hundred louis d’or in a golden goblet. It would seem that this story is perhaps more of a legend than anything else, as no goblet was found in Bach’s estate at the end of his life and no documented proof of this story has been found. Goldberg was indeed a student of C. P. E Bach, Bach’s son and the son might have asked his father to write these works for his brilliant student. No manuscript for the Goldberg Variations exists, only a first edition corrected in the hand of Bach which contains certain tempo indications and other markings. The first edition also carried the following title: « Clavierübung, consisting of an Aria with diverse variations for the Harpsichord with two manuals composed for music lovers to refresh their spirits by J. S. Bach ». In this version for Saxophone Quartet, it is important to remember that Bach was writing for the harpsichord and not for the Piano-forte. Bach did indeed know of the Piano-forte and played one of the first instruments produced, but it would seem that he did not care much for this new instrument. To find something akin to the precise, clearly defined attacks of the harpsichord, precise articulation and clarity of sound must be the first priority. In general, even in the slowest movements, the attacks must take precedent over all other elements of performance. If the need for clarity of line and precision of attack is respected, the inherent musicality contained in the work should be evident, even in this new form.. As Bach himself transcribed many of his own works and those of others, I would like to hope that he would find this question to be interesting and the results to be surprising...
$16.95
Johann Sebastian Bach/Wehage Goldberg Variations, BWV 988, - SATB saxophone Quartet, alto
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Saxophone Quartet: 4 saxophones
#
INTERMEDIATE/ADVANCED
#
Classical
#
Johann Sebastian Bach
#
Paul Wehage
#
Johann Sebastian Bach/Wehage G
#
Musik Fabrik Music Publishing
#
SheetMusicPlus
Woodwind Ensemble,Woodwind Quartet Alto Saxophone,Baritone Saxophone,Soprano Saxophone,Tenor Saxophone - Level 4 - Digital Download SKU: A0.532733 Compos...
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Woodwind Ensemble,Woodwind Quartet Alto Saxophone,Baritone Saxophone,Soprano Saxophone,Tenor Saxophone - Level 4 - Digital Download SKU: A0.532733 Composed by Johann Sebastian Bach. Arranged by Paul Wehage. Baroque. 22 pages. Musik Fabrik Music Publishing #1919. Published by Musik Fabrik Music Publishing (A0.532733). The Aria with 30 variations which form the work which is known as the « Goldberg » variations is one of the greatest works of Bach. It is his only work which uses the form of variations and through three series of ten variations each, it explores a myriad of musical genres and styles. The initial Aria, which seems to be rather trite and banal at the beginning of the work, is magnified through these transformations and the da capo at the end brings us back to the beginning, which has been changed by the musical journey itself. As a sort of musical « initiation », it has become a work which sparks the imagination and which creates an atmosphere all it’s own. The story of how the work came to be written has to come to us through Bach’s first biographer, Johann Nikolaus Forkel in 1805, seventy-five years after the death of Bach. It would seem that a certain Count Keyserlingk, the Russian Ambassador to the Court of Dresden, had difficulty sleeping and asked Bach to compose a work which his protégé, a harpsichord virtuoso by the name of Goldberg, could play in a salon near his bedroom to help him sleep in the evening. For this commission, Bach was to receive the largest fee of his life, a hundred louis d’or in a golden goblet. It would seem that this story is perhaps more of a legend than anything else, as no goblet was found in Bach’s estate at the end of his life and no documented proof of this story has been found. Goldberg was indeed a student of C. P. E Bach, Bach’s son and the son might have asked his father to write these works for his brilliant student. No manuscript for the Goldberg Variations exists, only a first edition corrected in the hand of Bach which contains certain tempo indications and other markings. The first edition also carried the following title: « Clavierübung, consisting of an Aria with diverse variations for the Harpsichord with two manuals composed for music lovers to refresh their spirits by J. S. Bach ». In this version for Saxophone Quartet, it is important to remember that Bach was writing for the harpsichord and not for the Piano-forte. Bach did indeed know of the Piano-forte and played one of the first instruments produced, but it would seem that he did not care much for this new instrument. To find something akin to the precise, clearly defined attacks of the harpsichord, precise articulation and clarity of sound must be the first priority. In general, even in the slowest movements, the attacks must take precedent over all other elements of performance. If the need for clarity of line and precision of attack is respected, the inherent musicality contained in the work should be evident, even in this new form.. As Bach himself transcribed many of his own works and those of others, I would like to hope that he would find this question to be interesting and the results to be surprising...
$16.95
Johann Sebastian Bach/Wehage Goldberg Variations, BWV 988, - SATB saxophone Quartet, teno
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Saxophone Quartet: 4 saxophones
#
INTERMEDIATE/ADVANCED
#
Classical
#
Johann Sebastian Bach
#
Paul Wehage
#
Johann Sebastian Bach/Wehage G
#
Musik Fabrik Music Publishing
#
SheetMusicPlus
Woodwind Ensemble,Woodwind Quartet Alto Saxophone,Baritone Saxophone,Soprano Saxophone,Tenor Saxophone - Level 4 - Digital Download SKU: A0.532736 Compos...
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Woodwind Ensemble,Woodwind Quartet Alto Saxophone,Baritone Saxophone,Soprano Saxophone,Tenor Saxophone - Level 4 - Digital Download SKU: A0.532736 Composed by Johann Sebastian Bach. Arranged by Paul Wehage. Baroque,Standards. 21 pages. Musik Fabrik Music Publishing #1923. Published by Musik Fabrik Music Publishing (A0.532736). The Aria with 30 variations which form the work which is known as the « Goldberg » variations is one of the greatest works of Bach. It is his only work which uses the form of variations and through three series of ten variations each, it explores a myriad of musical genres and styles. The initial Aria, which seems to be rather trite and banal at the beginning of the work, is magnified through these transformations and the da capo at the end brings us back to the beginning, which has been changed by the musical journey itself. As a sort of musical « initiation », it has become a work which sparks the imagination and which creates an atmosphere all it’s own. The story of how the work came to be written has to come to us through Bach’s first biographer, Johann Nikolaus Forkel in 1805, seventy-five years after the death of Bach. It would seem that a certain Count Keyserlingk, the Russian Ambassador to the Court of Dresden, had difficulty sleeping and asked Bach to compose a work which his protégé, a harpsichord virtuoso by the name of Goldberg, could play in a salon near his bedroom to help him sleep in the evening. For this commission, Bach was to receive the largest fee of his life, a hundred louis d’or in a golden goblet. It would seem that this story is perhaps more of a legend than anything else, as no goblet was found in Bach’s estate at the end of his life and no documented proof of this story has been found. Goldberg was indeed a student of C. P. E Bach, Bach’s son and the son might have asked his father to write these works for his brilliant student. No manuscript for the Goldberg Variations exists, only a first edition corrected in the hand of Bach which contains certain tempo indications and other markings. The first edition also carried the following title: « Clavierübung, consisting of an Aria with diverse variations for the Harpsichord with two manuals composed for music lovers to refresh their spirits by J. S. Bach ». In this version for Saxophone Quartet, it is important to remember that Bach was writing for the harpsichord and not for the Piano-forte. Bach did indeed know of the Piano-forte and played one of the first instruments produced, but it would seem that he did not care much for this new instrument. To find something akin to the precise, clearly defined attacks of the harpsichord, precise articulation and clarity of sound must be the first priority. In general, even in the slowest movements, the attacks must take precedent over all other elements of performance. If the need for clarity of line and precision of attack is respected, the inherent musicality contained in the work should be evident, even in this new form.. As Bach himself transcribed many of his own works and those of others, I would like to hope that he would find this question to be interesting and the results to be surprising...
$16.95
J. S. Bach : Orgelbüchlein ("Little Organ Book") BWV 599−644): 45 chorale preludes - SATB
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Saxophone Quartet: 4 saxophones
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INTERMEDIATE/ADVANCED
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Classical
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Johann Sebastian Bach
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Paul Wehage
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J. S. Bach : Orgelbüchlein
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Musik Fabrik Music Publishing
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SheetMusicPlus
Woodwind Ensemble,Woodwind Quartet Alto Saxophone,Baritone Saxophone,Soprano Saxophone,Tenor Saxophone - Level 4 - Digital Download SKU: A0.534471 Compos...
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Woodwind Ensemble,Woodwind Quartet Alto Saxophone,Baritone Saxophone,Soprano Saxophone,Tenor Saxophone - Level 4 - Digital Download SKU: A0.534471 Composed by Johann Sebastian Bach. Arranged by Paul Wehage. Baroque,Christmas,Easter,Sacred. 207 pages. Musik Fabrik Music Publishing #3520187. Published by Musik Fabrik Music Publishing (A0.534471). The Orgelbüchlein (Little Organ Book) BWV 599−644 is a collectionof 45 chorale preludes for organ written by Johann Sebastian Bach. Allbut three of them were composed during the period 1708–1717, whileBach was court organist at the ducal court in Weimar. The remainingthree, along with a short two-bar fragment, were added in 1726 or later,after Bach's appointment as cantor at the Thomasschule in Leipzig. The45 comlete pieces are divided up according to the liturigcal year:L’Orgelbüchlein (Le Petit LIvre D‘Orgue) BWV 599−644 est unecollection de 45 chorale preludes for organ écrites par Johann SebastianBach. Tout, sauf trois ont été composées pendant la période ou Bach étaitl’organiste titualaire au cour du Duc de Weimar entre 1708 et 1717, whileBach was court organist at the ducal court in Weimar. Les trois resentanteont été ajoutée vers 1726, après la nomination de Bach comme Maître deChapelle au Thomasschule à Leipzig. Les 45 pièces sont divisée selonThe 45 comlete pieces are divided up according to the liturigcal year:Advent /Avent1. Nun komm' der Heiden Heiland, BWV 599 (A minor)2. Gott, durch deine Güte, BWV 600 (F major)3. Herr Christ, der einge Gottessohn, BWV 601 (A major)4. Lob sei dem allmächtigen Gott, BWV 602 (D minor)Christmas/Noël5. Puer natus in Bethlehem, BWV 603 (G minor)6. Gelobet seist du, Jesu Christ, BWV 604 (G major)7. Der Tag, der ist so freudenreich, BWV 605 (G major)8. Vom Himmel hoch, da komm ich her, BWV 606 (D major)9. Vom Himmel kam der Engel Schaar, BWV 607 (G minor)10. In dulci jubilo, BWV 608 (A major)11. Lobt Gott, ihr Christen, allzugleich, BWV 609 (G major)12. Jesu, meine Freude, BWV 610 (C minor)13. Christum wir sollen loben schon, BWV 611 (E minor)14. Wir Christenleut', BWV 612 (G minor)New Year/Nouvelle Année15. Helft mir Gottes Güte preisen, BWV 613 (B minor)16. Das alte Jahr vergangen ist, BWV 614 (A minor)17. In dir ist Freude, BWV 615 (G major)Epiphany (Feast of the Purification)18. Mit Fried’ und Freud’ ich fahr’ dahin, BWV 616 (D minor)19. Herr Gott, nun schleuß den Himmel auf, BWV 617 (A minor)Passion20. O Lamm Gottes, unschuldig, BWV 618 (F major)21. Christe, du Lamm Gottes, BWV 619 (F major)22. Christus, der uns selig macht, BWV 620 (A minor)23. Da Jesus an dem Kreuze stund, BWV 621 (A minor)24. O Mensch, bewein’ dein’ Sünde groß, BWV 622 (E-flat major)25. Wir danken dir, Herr Jesu Christ, BWV 623 (G major)26. Hilf, Gott, daß mir's gelinge, BWV 624 (G minor)Easter/Pâques27. Christ lag in Todes Banden, BWV 625 (D minor)28. Jesus Christus, unser Heiland, BWV 626 (A minor)29. Christ ist erstanden, BWV 627 (D minor)30. Erstanden ist der heil’ge Christ, BWV 628 (D major)31. Erschienen ist der herrliche Tag, BWV 629 (D minor)32. Heut’ triumphiret Gottes Sohn, BWV 630 (D minor)Pentecost/Pentecôte33. Komm, Gott Schöpfer, Heiliger Geist, BWV 631 (G major)34. Herr Jesu Christ, dich zu uns wend’, BWV 632 (F major)35. Liebster Jesu, wir sind hier, BWV 633 (A major)Cathechism36. Dies sind die heil’gen zehn Gebot’, BWV 635 (C major)37. Vater unser im Himmelreich, BWV 636 (D minor)38. Durch Adam’s Fall ist ganz verderbt, BWV 637 (A minor)39. Es ist das Heil uns kommen her, BWV 638 (D major)Christian life/Vie Chrétienne40. Ich ruf’ zu dir, Herr Jesu Christ, BWV 639 (F minor)41. In dich hab’ ich gehoffet, Herr, BWV 640 (E minor)42. Wenn wir in höchsten Nöthen sein, BWV 641 (G major)43. Wer nur den lieben Gott lässt walten, BWV 642 (A minor)Death and Burial/La Mort et l’Enterrement44. Alle Menschen müssen sterben, BWV 643 (G major)45. Ach wie nichtig, ach wie flüchtig, BWV 644 (G minor)
$64.95
Bach: Air on G string (Sax quartet)
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Saxophone Quartet: 4 saxophones
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Classical
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Johann Sebastian Bach
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Danillo Porto
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Bach: Air on G string
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Porto, Dan
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SheetMusicPlus
Woodwind Ensemble,Woodwind Quartet Alto Saxophone,Baritone Saxophone,Tenor Saxophone - Digital Download SKU: A0.493921 Composed by Johann Sebastian Bach....
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Woodwind Ensemble,Woodwind Quartet Alto Saxophone,Baritone Saxophone,Tenor Saxophone - Digital Download SKU: A0.493921 Composed by Johann Sebastian Bach. Arranged by Danillo Porto. A Cappella,Baroque,Classical,Praise & Worship,Wedding. 7 pages. Published by Porto, Dan (A0.493921). Composed by Johann Sebastian Bach (1685 - 1750). Baroque Period, Classical, Praise & Workship, A Capella, Wedding, Graduation, Recital, Ambience Music. Individual Part, Lead Sheet, Sax Quartet, Score, Set of Parts. 7 pages. Published by Danillo Porto. Johann Sebastian Bach - Air for G string BWV - 1068 #Air #SaxQuartet #Bach.
$4.99
Bach: Wachet auf for Sax Quartet
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Saxophone Quartet: 4 saxophones
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INTERMEDIATE
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Classical
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Johann Sebastian Bach
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James M
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Bach: Wachet auf for Sax Quart
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jmsgu3
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SheetMusicPlus
Woodwind Ensemble,Woodwind Quartet - Level 3 - Digital Download SKU: A0.549860 Composed by Johann Sebastian Bach. Arranged by James M. Guthrie, ASCAP. Ba...
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Woodwind Ensemble,Woodwind Quartet - Level 3 - Digital Download SKU: A0.549860 Composed by Johann Sebastian Bach. Arranged by James M. Guthrie, ASCAP. Baroque,Concert,Easter,Sacred,Wedding. 14 pages. Jmsgu3 #3557041. Published by jmsgu3 (A0.549860). Wachet auf, ruft uns die Stimme (Awake, the Voice is calling us) from Cantata BWV 140. Duration: ca. 4:00, Score: 10 pages, Program this for church services during the Easter season, weddings, or as a recital encore.Wachet auf, ruft uns die Stimme (Awake, the Voice is calling us) also known as: Sleepers Awake Bach composed his church cantata Wachet auf (BWV 140) as part of his second annual cantata cycle covering the entire annual church calendar. It is based on the hymn of the same name by Philipp Nicolai (1599). The hymn text covers the readings for the 27th Sunday after Trinity. Bach designed the cantata in seven movements, setting the stanzas in various forms. Among these forms are the chorale fantasia, the chorale prelude, and a four-part chorale. He casts the new lyrics as recitatives – in a manner similar to the opera. Fourth Movement Bach writes the fourth movement, Zion hört die Wächter singen (Zion hears the watchmen singing), in the style of a chorale prelude with the chorale phrases performed as a strict cantus firmus. The phrases seem to enter at times erratically against the famous lyrical melody. The violins play this melody in unison as a foil against the cantus phrases. The violin melody is so independent and complete that when the cantus melody appears it catches the listener at times totally off-guard. Bach later transcribed this movement for organ (BWV 645). This transcription became No. 1 of the Six Schübler Chorales. Bach Overview First of all, Johann Sebastian Bach is maybe the greatest composer in music history. Certainly, he was prolific. As a result, everyone has heard of his works. Furthermore, these works number well over a thousand. It seems like people are probably most familiar with the instrumental works such as the Brandenburg Concertos, and the Goldberg Variations. But, similarly famous are such noteworthy works as the Well-Tempered Clavier, the Musical Offering, and certainly the Art of Fugue. Seems like his most famous vocal works include the most noteworthy Mass in B Minor. Also, most noteworthy, though, are the St. John Passion, and certainly the Christmas Oratorio. History Bach came from a long line of musicians and above all, composers. Consequently, he, first of all, pursued a career as a church organist. So as a result, he gained employment in various Protestant churches in Germany. For a while, he worked as a court musician in Weimar and Köthen. Here he probably developed his organ style and likewise his chamber music style. Eventually, he, therefore, gained an appointment as Cantor of St. Thomas in Leipzig. Here he worked until difficulties with his employer ultimately drove him away. The King of Poland finally appointed him as court composer. Style It seems like Bach created a fascinating new international style. He synthesized elements of the most noteworthy European music ideas into his new style. Even more, this new style was probably his synthesis of European musical rhythm and form. Furthermore, he demonstrated a complete mastery of counterpoint and motivic development. His sense of harmonic organization probably propelled him to the top. Revival Mendelssohn conducted a Bach revival in the nineteenth century. His effort probably helped to re-familiarize the public with the magnitude of Bach’s works. During this period, scholars published many noteworthy Bach biographies. Moreover, Wolfgang Schmieder published the BWV (Bach Werke Verzeichnis). As a result, this is now the official catalog of his entire artistic output. The BWV number allows us to locate a work in the catalog. Sometimes scholars will simply use an S (Schmieder) as an abbreviation for BWV. Voyager
$39.95
Bach: Six Partitas Complete BWV 825-830 for Saxophone Quartet
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Saxophone Quartet: 4 saxophones
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INTERMEDIATE/ADVANCED
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Classical
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Johann Sebastian Bach
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James M
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Bach: Six Partitas Complete BW
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jmsgu3
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SheetMusicPlus
Saxophone Quartet,Woodwind Ensemble Alto Saxophone,Baritone Saxophone,Soprano Saxophone,Tenor Saxophone - Level 4 - Digital Download SKU: A0.1434546 Comp...
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Saxophone Quartet,Woodwind Ensemble Alto Saxophone,Baritone Saxophone,Soprano Saxophone,Tenor Saxophone - Level 4 - Digital Download SKU: A0.1434546 Composed by Johann Sebastian Bach. Arranged by James M. Guthrie. Baroque,Chamber,Contest,Festival,Historic,Standards. 475 pages. Jmsgu3 #1014683. Published by jmsgu3 (A0.1434546). The Partitas, BWV 825-830, are a set of six keyboard suites composed by Johann Sebastian Bach and published in 1731 as his Opus 1, the first of his works to be published under his direction. They were among the last keyboard suites Bach composed, written between 1725 and 1731, after the English and French Suites. Each partita consists of a series of dances, typically opening with a prelude-like movement followed by an Allemande, Courante, Sarabande, and Gigue, with additional dances inserted. The tonalities of the six partitas form an ascending and descending pattern of intervals, starting and ending with keys related to Bach's name (B-flat and B). Bach supervised the publication, initially publishing them separately before compiling them into the 1731 Clavier-Übung collection. Many surviving printed copies contain handwritten annotations, some likely stemming from Bach himself, providing insights into the composer's final intentions. They are among Bach's greatest keyboard works, demonstrating mastery of counterpoint, expression, and the instrument's technical capabilities. The partitas range widely in character, from the poetic No. 1 in B-flat to the monumental tragic No. 6 in E minor. So, the Partitas represent the culmination of Bach's genius for keyboard composition and his final thoughts on the dance suite genre.YouTube Playlist Link: https://www.youtube.com/playlist?list=PLT9KtY0S7DRDEAJI68McqwUGB6XPMvGHl.
$128.85
Jesu, Joy of Man’s Desiring for Baritone Saxophone Quartet by Bach BWV 147
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Saxophone Quartet: 4 saxophones
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EASY
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Classical
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Johann Sebastian Bach
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ã‚Œã‚ã‚‹ ã‚
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Jesu, Joy of Man’s Desiring
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Simple Chamber「å˜ç´”ãªå®¤å†…楽ã€
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SheetMusicPlus
Saxophone Quartet,Woodwind Ensemble Baritone Saxophone - Level 2 - Digital Download SKU: A0.1410429 Composed by Johann Sebastian Bach. Arranged by ã‚...
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Saxophone Quartet,Woodwind Ensemble Baritone Saxophone - Level 2 - Digital Download SKU: A0.1410429 Composed by Johann Sebastian Bach. Arranged by ã‚Œã‚ã‚‹ ã‚„ã™ã‘. Baroque,Chamber,Christian,Easter. 11 pages. Simple Chamber「å˜ç´”ãªå®¤å†…楽〠#992845. Published by Simple Chamber「å˜ç´”ãªå®¤å†…楽〠(A0.1410429). This is an arrangement of Bach’s piece, Jesu, Joy of Man’s Desiring BWV 147, adapted for a baritone saxophone quartet. This arrangement with chord symbols is a pedagogical tool for teachers and a learning opportunity for music students. In this arrangement, the complexity of the original composition has been carefully simplified, making it accessible and attractive to beginner musicians. Each part, from the highest to the lowest, presents a gradation of difficulty, allowing musicians to develop their skills effectively. This arrangement is useful for teachers, as it offers a pedagogical tool to introduce students to chamber music and Bach’s works. Even simplified, the arrangement maintains the beauty of Bach’s original composition. This arrangement is an excellent choice for music students, teachers, and Johann Sebastian Bach lovers.
$9.99
Jesu, Joy of Man’s Desiring for Alto Saxophone Quartet by Bach BWV 147
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Saxophone Quartet: 4 saxophones
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EASY
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Classical
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Johann Sebastian Bach
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ã‚Œã‚ã‚‹ ã‚
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Jesu, Joy of Man’s Desiring
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Simple Chamber「å˜ç´”ãªå®¤å†…楽ã€
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SheetMusicPlus
Saxophone Quartet,Woodwind Ensemble Alto Saxophone - Level 2 - Digital Download SKU: A0.1410427 Composed by Johann Sebastian Bach. Arranged by ã‚Œã...
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Saxophone Quartet,Woodwind Ensemble Alto Saxophone - Level 2 - Digital Download SKU: A0.1410427 Composed by Johann Sebastian Bach. Arranged by ã‚Œã‚ã‚‹ ã‚„ã™ã‘. Baroque,Chamber,Christian,Easter. 11 pages. Simple Chamber「å˜ç´”ãªå®¤å†…楽〠#992843. Published by Simple Chamber「å˜ç´”ãªå®¤å†…楽〠(A0.1410427). This is an arrangement of Bach’s piece, Jesu, Joy of Man’s Desiring BWV 147, adapted for a alto saxophone quartet. This arrangement with chord symbols is a pedagogical tool for teachers and a learning opportunity for music students. In this arrangement, the complexity of the original composition has been carefully simplified, making it accessible and attractive to beginner musicians. Each part, from the highest to the lowest, presents a gradation of difficulty, allowing musicians to develop their skills effectively. This arrangement is useful for teachers, as it offers a pedagogical tool to introduce students to chamber music and Bach’s works. Even simplified, the arrangement maintains the beauty of Bach’s original composition. This arrangement is an excellent choice for music students, teachers, and Johann Sebastian Bach lovers.
$9.99
Jesu, Joy of Man’s Desiring for Tenor Saxophone Quartet by Bach BWV 147
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Saxophone Quartet: 4 saxophones
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EASY
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Classical
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Johann Sebastian Bach
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ã‚Œã‚ã‚‹ ã‚
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Jesu, Joy of Man’s Desiring
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Simple Chamber「å˜ç´”ãªå®¤å†…楽ã€
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SheetMusicPlus
Saxophone Quartet,Woodwind Ensemble Tenor Saxophone - Level 2 - Digital Download SKU: A0.1410428 Composed by Johann Sebastian Bach. Arranged by ã‚Œã...
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Saxophone Quartet,Woodwind Ensemble Tenor Saxophone - Level 2 - Digital Download SKU: A0.1410428 Composed by Johann Sebastian Bach. Arranged by ã‚Œã‚ã‚‹ ã‚„ã™ã‘. Baroque,Chamber,Christian,Easter. 11 pages. Simple Chamber「å˜ç´”ãªå®¤å†…楽〠#992844. Published by Simple Chamber「å˜ç´”ãªå®¤å†…楽〠(A0.1410428). This is an arrangement of Bach’s piece, Jesu, Joy of Man’s Desiring BWV 147, adapted for a tenor saxophone quartet. This arrangement with chord symbols is a pedagogical tool for teachers and a learning opportunity for music students. In this arrangement, the complexity of the original composition has been carefully simplified, making it accessible and attractive to beginner musicians. Each part, from the highest to the lowest, presents a gradation of difficulty, allowing musicians to develop their skills effectively. This arrangement is useful for teachers, as it offers a pedagogical tool to introduce students to chamber music and Bach’s works. Even simplified, the arrangement maintains the beauty of Bach’s original composition. This arrangement is an excellent choice for music students, teachers, and Johann Sebastian Bach lovers.
$9.99
Jesu, Joy of Man’s Desiring for Saxophone Quartet by Bach BWV 147
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Saxophone Quartet: 4 saxophones
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EASY
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Classical
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Johann Sebastian Bach
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ã‚Œã‚ã‚‹ ã‚
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Jesu, Joy of Man’s Desiring
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Simple Chamber「å˜ç´”ãªå®¤å†…楽ã€
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SheetMusicPlus
Saxophone Quartet,Woodwind Ensemble - Level 2 - Digital Download SKU: A0.1410394 Composed by Johann Sebastian Bach. Arranged by ã‚Œã‚ã‚‹ ã...
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Saxophone Quartet,Woodwind Ensemble - Level 2 - Digital Download SKU: A0.1410394 Composed by Johann Sebastian Bach. Arranged by ã‚Œã‚ã‚‹ ã‚„ã™ã‘. Baroque,Chamber,Christian,Easter. 11 pages. Simple Chamber「å˜ç´”ãªå®¤å†…楽〠#992808. Published by Simple Chamber「å˜ç´”ãªå®¤å†…楽〠(A0.1410394). This is an arrangement of Bach’s piece, Jesu, Joy of Man’s Desiring BWV 147, adapted for a saxophone quartet. This arrangement with chord symbols is a pedagogical tool for teachers and a learning opportunity for music students. In this arrangement, the complexity of the original composition has been carefully simplified, making it accessible and attractive to beginner musicians. Each part, from the highest to the lowest, presents a gradation of difficulty, allowing musicians to develop their skills effectively. This arrangement is useful for teachers, as it offers a pedagogical tool to introduce students to chamber music and Bach’s works. Even simplified, the arrangement maintains the beauty of Bach’s original composition. This arrangement is an excellent choice for music students, teachers, and Johann Sebastian Bach lovers.
$9.99
Air On The G String (from Suite No.3 in D Major) (Bach) - Sax quartet
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Saxophone Quartet: 4 saxophones
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INTERMEDIATE
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Classical
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André Alberto Santos
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André Alberto Santos
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Air On The G String
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Soul - Musical Creations
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SheetMusicPlus
Saxophone Quartet,Woodwind Ensemble Alto Saxophone,Baritone Saxophone,Soprano Saxophone,Tenor Saxophone - Level 3 - Digital Download SKU: A0.1205839 By A...
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Saxophone Quartet,Woodwind Ensemble Alto Saxophone,Baritone Saxophone,Soprano Saxophone,Tenor Saxophone - Level 3 - Digital Download SKU: A0.1205839 By André Alberto Santos. By Johann Sebastian Bach. Arranged by André Alberto Santos. Baroque,Christian,Christmas,Classical,Wedding. 7 pages. Soul - Musical Creations #804026. Published by Soul - Musical Creations (A0.1205839). Get now the complete score of Air On The G String from Suite No.3 by BachAir On The G String by J. S. Bach is a versatile piece that can be played on many occasions. Whether in a formal concert, in a school or university performance, or even in an informal performance among friends, this piece guarantees a classic and elegant sound. Plus, the PDF sheet music lets you print as many copies as you need, making it an affordable option for music groups and orchestras.With a streamlined arrangement that allows for easy reading and interpretation, this arrangement is an excellent choice for music students, professional musicians, and amateurs looking to add a timeless piece to their repertoire.Don't miss the opportunity to have this masterpiece in your hands. Get now the sheet music in PDF of Air on the G String from Suite No.3 by J. S. Bach and discover the beauty and magic of baroque music. Order now and instantly receive the full score in your email to print or access on any device.Johann Sebastian Bach, Suite No.3, D Major, Orchestral Suite No. 3, Baroque period, Classical music, Air on the G string, Violin, Sheet music, PDF, Transcription, Arrangement, Solo instrument, Chamber orchestra, Music theory, Counterpoint, Musical composition, Musical form, String ensemble, Musical notation, woodwind ensemble , saxophone ensemble.
$9.99
3 by Bach
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Saxophone Quartet: 4 saxophones
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INTERMEDIATE
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Classical
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Johann Sebastian Bach
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Ian D
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3 by Bach
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Grumpy Mule Music
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SheetMusicPlus
Woodwind Ensemble,Woodwind Quartet Alto Saxophone,Baritone Saxophone,Soprano Saxophone,Tenor Saxophone - Level 3 - Digital Download SKU: A0.949174 Compos...
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Woodwind Ensemble,Woodwind Quartet Alto Saxophone,Baritone Saxophone,Soprano Saxophone,Tenor Saxophone - Level 3 - Digital Download SKU: A0.949174 Composed by Johann Sebastian Bach. Arranged by Ian D. Crew. Baroque,Classical,Concert,Standards,World. 23 pages. Grumpy Mule Music #6341997. Published by Grumpy Mule Music (A0.949174). Johann Sebastian Bach created awe-inspiring keyboard works, passions, cantatas, masses, suites and concertos. He also found the time to assemble collections of smaller scale masterpieces. In an arrangement for SATBar saxophone quartet, here are three miniature gems from the byways of Bach's output. The first is from a fascinating, little-known early keyboard work; the second from the Little Preludes for Beginners; and the third, and most familiar, from the Notenbüchlein für Anna Magdalena Bach.
$11.99
Badinerie by J. S. Bach (For Saxophone Quartet)
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Saxophone Quartet: 4 saxophones
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INTERMEDIATE
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Classical
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Johann Sebastian Bach
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Henrique Oliveira
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Badinerie by J. S. Bach
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Henrique Oliveira
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SheetMusicPlus
Saxophone Quartet,Woodwind Ensemble Alto Saxophone,Baritone Saxophone,Soprano Saxophone,Tenor Saxophone - Level 3 - Digital Download SKU: A0.1244446 By J...
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Saxophone Quartet,Woodwind Ensemble Alto Saxophone,Baritone Saxophone,Soprano Saxophone,Tenor Saxophone - Level 3 - Digital Download SKU: A0.1244446 By Johann Sebastian Bach. By Johann Sebastian Bach. Arranged by Henrique Oliveira. Baroque,Chamber,Classical. 12 pages. Henrique Oliveira #839396. Published by Henrique Oliveira (A0.1244446). Arrangement of Badinerie by Bach for saxophone quartet, perfect to play among your friends, students or family. The PDF file is instantly available with the individual parts and the full score. For more arrangements like this, please make sure to check out my page.
$4.99
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