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A'int We got Fun
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You've selected:
A'int We got Fun
PDF
Sheetmusic to print
104 sheet music found
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51
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101
A'int We got Fun
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Folkloric/Traditional
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Richard A
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Ronald J
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A'int We got Fun
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Ronald J Karle
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SheetMusicPlus
Guitar,Instrumental Solo,Piano - Level 2 - Digital Download SKU: A0.908036 Composed by Richard A. Whiting lyrics by Raymond B. Egan and Gus Kah. Arranged...
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Guitar,Instrumental Solo,Piano - Level 2 - Digital Download SKU: A0.908036 Composed by Richard A. Whiting lyrics by Raymond B. Egan and Gus Kah. Arranged by Ronald J. Karle. Traditional. Score and individual part. 3 pages. Ronald J Karle #6537575. Published by Ronald J Karle (A0.908036).
$1.99
Ain't We Got Fun
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Brass Quintet: 2 trumpets, horn, trombone, tuba
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INTERMEDIATE
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Jazz
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Robert A
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Bill Wilson
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Ain't We Got Fun
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Alexander Wilson
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SheetMusicPlus
Brass Quintet - Level 3 - Digital Download SKU: A0.774936 Composed by Robert A. Whiting. Arranged by Bill Wilson. Jazz. 21 pages. Alexander Wilson #23471...
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Brass Quintet - Level 3 - Digital Download SKU: A0.774936 Composed by Robert A. Whiting. Arranged by Bill Wilson. Jazz. 21 pages. Alexander Wilson #2347175. Published by Alexander Wilson (A0.774936). Ain't We Got Fun is a delightful upbeat Tin Pan Alley song composed by Richard A. Whiting. Here arranged with a twinkle in its eye, this version includes different styles, references to other music, and a tuba part with real character. Arranged for brass quintet (two Bb trumpets, French horn, trombone, and tuba). Performance time is approximately 1:35. Visit our website, www.tootsuitebrasspublishing.com, for a catalog of our arrangements available through sheetmusicplus.com.
$4.00
Ain't We Got Fun? (from By The Light Of The Silvery Moon)
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Big Note Piano
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BEGINNER
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Jazz
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Ain't We Got Fun?
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Hal Leonard - Digital
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SheetMusicPlus
Electronic Keyboard,Organ,Piano and Keyboard - Digital Download SKU: HX.455529 This edition: scorch. E-Z Play Today. Jazz,Pop,Standards. Score. 2 pages. ...
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Electronic Keyboard,Organ,Piano and Keyboard - Digital Download SKU: HX.455529 This edition: scorch. E-Z Play Today. Jazz,Pop,Standards. Score. 2 pages. Hal Leonard - Digital #8360. Published by Hal Leonard - Digital (HX.455529). About Hal Leonard E-Z Play TodayFor organs, pianos, and electronic keyboards. E-Z Play Today is the shortest distance between beginning music and playing fun. Now there are more than 300 reasons why you should play E-Z Play Today. * World's largest series of music folios * Full-size books - large 9 x 12 format features easy-to-read, easy-to-play music * Accurate arrangements... simple enough for the beginner, but accurate chords and melody lines are maintained * Eye-catching, full-color covers * Lyrics... most arrangements include words and music * Most up-to-date registrations - books in the series contain a general registration guide, as well as individual song rhythm suggestions * Guitar Chord Chart - all songs in the series can also be played on guitar.
$2.99
Ain't We Got Fun?
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Van And Schenck
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Jim Ivy
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Ain't We Got Fun?
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Jim Ivy
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SheetMusicPlus
Piano and Keyboard,Vocal,Voice - Level 3 - Interactive Download SKU: A0.1045073 By Van And Schenck. By Richard A. Whiting. Arranged by Jim Ivy. This edit...
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Piano and Keyboard,Vocal,Voice - Level 3 - Interactive Download SKU: A0.1045073 By Van And Schenck. By Richard A. Whiting. Arranged by Jim Ivy. This edition: Interactive Download. Jazz,Pop. Score. 4 pages. Duration 41. Jim Ivy #3nVGXATlRfCw4IOJ8BfY47. Published by Jim Ivy (A0.1045073). Key: F major.A wonderfully zany tune perfect for hard times!
$2.99
Focus on Grace ... A concerto for jazz saxophone and orchestra (2010)
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Thomas Oboe Lee
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Focus on Grace ... A concerto
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Thomas Oboe Lee
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SheetMusicPlus
Small Ensemble - Level 4 - Digital Download SKU: A0.869266 Composed by Thomas Oboe Lee. 20th Century,Contemporary,Jazz,Latin,Romantic Period. Score and p...
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Small Ensemble - Level 4 - Digital Download SKU: A0.869266 Composed by Thomas Oboe Lee. 20th Century,Contemporary,Jazz,Latin,Romantic Period. Score and parts. 73 pages. Thomas Oboe Lee #2019061. Published by Thomas Oboe Lee (A0.869266). Instrumentation: Alto sax solo and orchestra, 2222-4231-perc-drum set-strings Program note. Maestro Max Hobart called me in the spring of 2009 and told me to check out this young jazz phenom on the saxophone named Grace Kelly. I said OK, that’s cool. That summer we went to the Regatta Bar in Harvard Square to hear her play with her band, and I was duly impressed by her musicality, soulfulness and chops. Max asked if I would be interested in writing a concerto for her and the Wellesley Symphony. I said, Sure. It sounds like a great idea. One of the most cherished jazz records in my vast collection is the collaboration between Stan Getz and Eddie Sauter entitled Focus. Eddie, who used to be an arranger for the Benny Goodman Band in the forties, went on to create the Sauter Finegan Band in the early fifties. The band was one of the first to include the piccolo, oboe, bassoon, harp, celesta, French horn, tuba, xylophone, glockenspiel, chimes, timpani, and other unusual symphonic instruments in the standard big band format of trumpets, trombones, saxophones and rhythm section of piano, bass and drum set. On the album Focus Eddie Sauter composed seven tracks of music for string orchestra and rhythm section. Stan Getz did not have a written part - he just improvised over the written music. If you are not familiar with this recording, then you will do yourself a huge favor if you go find it and add it to your own CD collection. The music is phenomenal and Stan is on top of his game, soaring above the strings with endless melodic inventions, flights of imagination and whimsy! It is one of those desert island CDs one should not be without. When I emailed Grace about this project and mentioned Stan Getz’s Focus, she said, It’s one of my favorite albums. So, we got off on a positive note immediately. My work, Focus on Grace … Concerto for Jazz Saxophone and Orchestra, is very much inspired both by the Stan Getz album and by the performances I heard of Grace and her band. The first movement is based on a funk groove in D minor: Grace’s part is initially written-out but she improvises freely in the coda. The second movement is a boss nova: as in the Stan Getz album, Grace does not have a written part but improvises over a set of chord changes provided by the orchestra. The third and last movement is an Afro-Cuban groove in six-eight: Grace has a written melody at first but soon launches into improvisation on a 12-bar blues in F. She ends the concerto in a free cadenza to show off her virtuosity and saxophone chops. ENJOY!!!
$9.99
Focus on Grace ... A concerto for jazz saxophone and orchestra (2010)
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Orchestra
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INTERMEDIATE/ADVANCED
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Thomas Oboe Lee
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Focus on Grace ... A concerto
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Thomas Oboe Lee
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SheetMusicPlus
Full Orchestra - Level 4 - Digital Download SKU: A0.869355 Composed by Thomas Oboe Lee. 20th Century,Classical,Contemporary,Jazz,Romantic Period. Score a...
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Full Orchestra - Level 4 - Digital Download SKU: A0.869355 Composed by Thomas Oboe Lee. 20th Century,Classical,Contemporary,Jazz,Romantic Period. Score and parts. 73 pages. Thomas Oboe Lee #15875. Published by Thomas Oboe Lee (A0.869355). Instrumentation: solo alto saxophone & 2222-4231-perc-drumset-strings. Program note. Maestro Max Hobart called me in the spring of 2009 and told me to check out this young jazz phenom on the saxophone named Grace Kelly. I said OK, that’s cool. That summer we went to the Regatta Bar in Harvard Square to hear her play with her band, and I was duly impressed by her musicality, soulfulness and chops. Max asked if I would be interested in writing a concerto for her and the Wellesley Symphony. I said, Sure. It sounds like a great idea. One of the most cherished jazz records in my vast collection is the collaboration between Stan Getz and Eddie Sauter entitled Focus. Eddie, who used to be an arranger for the Benny Goodman Band in the forties, went on to create the Sauter Finegan Band in the early fifties. The band was one of the first to include the piccolo, oboe, bassoon, harp, celesta, French horn, tuba, xylophone, glockenspiel, chimes, timpani, and other unusual symphonic instruments in the standard big band format of trumpets, trombones, saxophones and rhythm section of piano, bass and drum set. On the album Focus Eddie Sauter composed seven tracks of music for string orchestra and rhythm section. Stan Getz did not have a written part - he just improvised over the written music. If you are not familiar with this recording, then you will do yourself a huge favor if you go find it and add it to your own CD collection. The music is phenomenal and Stan is on top of his game, soaring above the strings with endless melodic inventions, flights of imagination and whimsy! It is one of those desert island CDs one should not be without. When I emailed Grace about this project and mentioned Stan Getz’s Focus, she said, It’s one of my favorite albums. So, we got off on a positive note immediately. My work, Focus on Grace … Concerto for Jazz Saxophone and Orchestra, is very much inspired both by the Stan Getz album and by the performances I heard of Grace and her band. The first movement is based on a funk groove in D minor: Grace’s part is initially written-out but she improvises freely in the coda. The second movement is a boss nova: as in the Stan Getz album, Grace does not have a written part but improvises over a set of chord changes provided by the orchestra. The third and last movement is an Afro-Cuban groove in six-eight: Grace has a written melody at first but soon launches into improvisation on a 12-bar blues in F. She ends the concerto in a free cadenza to show off her virtuosity and saxophone chops. ENJOY!!!
$9.99
Got To Get You Into My Life
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Concert band
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ADVANCED
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Soul/R&B
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Earth Wind and Fire
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Michael Pilley
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Got To Get You Into My Life
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Michael Pilley Music
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SheetMusicPlus
Concert Band - Level 5 - Digital Download SKU: A0.1077464 By Earth Wind and Fire. By John Lennon and Paul McCartney. Arranged by Michael Pilley. Hip-Hop,...
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Concert Band - Level 5 - Digital Download SKU: A0.1077464 By Earth Wind and Fire. By John Lennon and Paul McCartney. Arranged by Michael Pilley. Hip-Hop,Pop,R & B. Score and parts. 112 pages. Michael Pilley Music #681655. Published by Michael Pilley Music (A0.1077464). From one of the greatest writing duos to ever exist, coupled with one of the greatest RnB bands ever, Got To Get You Into My Life is a toe-tapping tune with catchy melodies and a energetic shuffle feel. For full Wind Band including many of the optional instruments that are often left out (Cor Anglais, Eb Clarinet and Soprano Saxophone), this arrangement features each section of the band on the tune, and really captures the original EWF groove. Jazz articulations and an ability to play the nuances in the tune are important here, so really dig into your bands groovy side to bring out the funk. Pay careful attention to note lengths, especially in the bass line and let your drummer drive the rhythms. Beautifully laid out in A4 size, the score and parts are easy to read and available NOW for digital download. We suggest you print on 80gsm paper, to ensure that the copies last longer in your bands library. If you're printing on letter size paper, please fit to page when sending to the printer. More music can be found at www.michaelpilleymusic.com and follow me at https://www.facebook.com/MichaelPilleyMusic/ or https://twitter.com/MPilleyMusic
$50.00
Variations on a Theme in D Flat
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Concert band
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EASY
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Contemporary
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Kendra Brown
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Variations on a Theme in D Fla
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Kendra Brown
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SheetMusicPlus
Concert Band - Level 2 - Digital Download SKU: A0.1335323 Composed by Kendra Brown. 21st Century. 26 pages. Kendra Brown #921147. Published by Kendra Bro...
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Concert Band - Level 2 - Digital Download SKU: A0.1335323 Composed by Kendra Brown. 21st Century. 26 pages. Kendra Brown #921147. Published by Kendra Brown (A0.1335323). The main theme is inspired by the introduction of the piece. Delicate and child-like. The ostinato in the beginning of the piece that double reeds have displays the feeling of a “child-like†waltz. The pattern is in 3 but it should be played as if it is in 6/8, with emphasis on beats 1 and 3. There should be weight to the sound but it should not be heavy. Sometimes in life, (as both teens and adults) we tend to get caught up in stress or worries and we forget to take a break, relax and destress a little. This piece reminds us to go back to our childlike roots. As the theme in Section A expands, it takes a turn in Section B where the tempo picks up. (Players are encouraged to have as much fun as they can with this part.) At and after the exposed bassoon part at m.50, in the words of my old high school band director, “Let it rip potato chip!†(Meaning give it all you’ve got and have fun). Brass are encouraged to play the dynamics as written in this section but listen to each other. Section C is a bridge to the 7/8 in Section D. Section D, reintroduces the theme in the form of a trumpet solo while brass and some of the woodwinds have the ostinato. Be careful euphonium & tuba because you’re missing a beat on purpose! Section E is the “Medley†of all the parts that were previously played with only tuba playing in the relative minor so it sticks out at the bottom of the ensemble. This is symbolic of the piece itself, showing that the pressures of life can be overcome by keeping a good attitude and persevering through those tough times that you encounter. Section F is another “bridge†beginning with the flute solo reiterating the theme one last time before the “descent and climb†(starting at m.137) to the final destination: Section G. Section G should be played like an overture. Full and with joy and a “coming alive-ness†to it therefore bringing life to the once dead emotions that once were. The ending with the oboe/bassoon duet should be played as quietly as possible & as in tune as possible.
$10.00
I Got You (I Feel Good)
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James Brown
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MAJOR SCORE PUBLISHING TM
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I Got You
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Major Score Publishing
#
SheetMusicPlus
Alto Saxophone,Drums,Electric Bass Guitar,Electric Guitar,Keyboard,Tenor Saxophone,Trombone,Trumpet,Voice - Level 3 - Digital Download SKU: A0.1385740 By...
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Alto Saxophone,Drums,Electric Bass Guitar,Electric Guitar,Keyboard,Tenor Saxophone,Trombone,Trumpet,Voice - Level 3 - Digital Download SKU: A0.1385740 By James Brown. By James Brown. Arranged by MAJOR SCORE PUBLISHING TM. Funk,Pop,R & B,Singer/Songwriter,Soul. 33 pages. Major Score Publishing #969678. Published by Major Score Publishing (A0.1385740). I Feel Good (I Got You) - James Brown Condensed version with Vamp Designed for the commanding vocal entertainer this version of I Got you (I Feel Good) for singer 3/5/6 horns and 4 piece rhythm section has an added intro vamp on the drums to build up the crowd! This version is similar to our fulll length arrangemement but we have cut the last verse making this a shorter version.Looking for the full on James Brown arrangement?https://www.sheetmusicplus.com/en/product/i-got-you-i-feel-good-22699975.htmlVisit our webite today!https://www.majorscorepublishing.com/
$99.99
We've Got Tonight
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Big Note Piano
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BEGINNER
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Rock
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Bob Seger
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We've Got Tonight
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Hal Leonard - Digital
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SheetMusicPlus
Digital Download SKU: HX.455898 By Bob Seger. Pop,Rock,Standards. E-Z Play Today. 4 pages. Published by Hal Leonard - Digital (HX.455898). ...
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Digital Download SKU: HX.455898 By Bob Seger. Pop,Rock,Standards. E-Z Play Today. 4 pages. Published by Hal Leonard - Digital (HX.455898). About Hal Leonard E-Z Play TodayFor organs, pianos, and electronic keyboards. E-Z Play Today is the shortest distance between beginning music and playing fun. Now there are more than 300 reasons why you should play E-Z Play Today. * World's largest series of music folios * Full-size books - large 9 x 12 format features easy-to-read, easy-to-play music * Accurate arrangements... simple enough for the beginner, but accurate chords and melody lines are maintained * Eye-catching, full-color covers * Lyrics... most arrangements include words and music * Most up-to-date registrations - books in the series contain a general registration guide, as well as individual song rhythm suggestions * Guitar Chord Chart - all songs in the series can also be played on guitar.
$2.99
Now Thank We All Our God (for String Trio – 2 Violins and 1 Cello)
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String Trio: 2 violins, cello
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EASY
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Sharon Wilson
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Sharon Wilson Music
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Now Thank We All Our God
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Sharon Wilson
#
SheetMusicPlus
String Trio Cello,Violin - Level 2 - Digital Download SKU: A0.565675 By Sharon Wilson. By Catherine Winkworth and Johann Cruger. Arranged by Sharon Wilso...
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String Trio Cello,Violin - Level 2 - Digital Download SKU: A0.565675 By Sharon Wilson. By Catherine Winkworth and Johann Cruger. Arranged by Sharon Wilson Music. Holiday,Praise & Worship,Romantic Period,Sacred,Traditional. 7 pages. Sharon Wilson #5712781. Published by Sharon Wilson (A0.565675). Here is an easy string trio arrangement (for 2 VIOLINS and 1 CELLO) of the classic Thanksgiving tune NUN DANKET ALLE GOTT by Johann Crüger and Martin Rinkart. This song is fun for all three parts and is a welcome addition to recitals and worship services throughout the year, but especially during the Thanksgiving season.All three parts lead with the melody at times making this song equally challenging and interesting for all players. All notes for both VIOLIN parts and the CELLO are playable in the first position making this arrangement an excellent choice for early-intermediate string players. This arrangement is in the key of F major which will develop skill using low and/or high fingerings. Also, the timing may be a little tricky at first since there are measures with 5/4 instead of the more conventional use of fermatas.The purchase price includes a 3-page combined score with all three parts on each page plus separate 1-staff scores for the VIOLIN 1, VIOLIN 2, and CELLO (1 page each).This arrangement is one of the 10 songs in the collection Easy String Trios: Thanksgiving Hymns (A Collection of 10 Easy Trios for 2 Violins and 1 Cello).Visit Sharon Wilson's website: https://www.sharonwilsonmusic.com/Subscribe to her YouTube Channel: https://youtube.com/@SharonWilsonMusicKeywords: Thanksgiving, Praise and Worship, Thanksgiving Music, Thanksgiving Songs, Thanksgiving Hymns, praise music, worship service, prelude, offertory, postlude, sheet music for children, meditation
$5.99
Now Thank We All Our God (for String Trio – Violin, Viola, and Cello)
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String Trio: violin, viola, cello
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EASY
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Sharon Wilson
#
Sharon Wilson and Sharon Wilso
#
Now Thank We All Our God
#
Sharon Wilson
#
SheetMusicPlus
String Trio Cello,Viola,Violin - Level 2 - Digital Download SKU: A0.565685 By Sharon Wilson. By Catherine Winkworth and Johann Cruger. Arranged by Sharon...
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String Trio Cello,Viola,Violin - Level 2 - Digital Download SKU: A0.565685 By Sharon Wilson. By Catherine Winkworth and Johann Cruger. Arranged by Sharon Wilson and Sharon Wilson Music. Christian,Holiday,Romantic Period,Sacred,Traditional. 7 pages. Sharon Wilson #5722989. Published by Sharon Wilson (A0.565685). Here is an easy string trio arrangement (for VIOLIN, VIOLA, and CELLO) of the classic Thanksgiving tune NUN DANKET ALLE GOTT by Johann Crüger and Martin Rinkart. This song is fun for all three parts and is a welcome addition to recitals and worship services throughout the year, but especially during the Thanksgiving season.All three parts lead with the melody at times making this song equally challenging and interesting for all players. All notes for each instrument (VIOLIN, VIOLA, and CELLO) are playable in the first position making this arrangement an excellent choice for early-intermediate string players. This arrangement is in the key of F major which will develop skill using low and/or high fingerings. Also, the timing may be a little tricky at first since there are measures with 5/4 instead of the more conventional use of fermatas.The purchase price includes a 3-page combined score with all three parts on each page plus separate 1-staff scores for the VIOLIN, VIOLA, and CELLO (1 page each).This arrangement is one of the 10 songs in the collection Easy String Trios: Thanksgiving Hymns (A Collection of 10 Easy Trios for Violin, Viola, and Cello).Visit Sharon Wilson's website: https://www.sharonwilsonmusic.com/Subscribe to her YouTube Channel: https://youtube.com/@SharonWilsonMusic
$5.99
The Story Of Reuben Clamzo & His Strange Daughter
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Choral TTBB
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EASY
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Arlo Guthrie
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Craig Hanson
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The Story Of Reuben Clamzo & H
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Edition Craig Hanson
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SheetMusicPlus
Choral Choir (TTBB) - Level 2 - Digital Download SKU: A0.1270160 By Arlo Guthrie. By Arlo Guthrie. Arranged by Craig Hanson. A Cappella,Comedy,Folk. Octa...
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Choral Choir (TTBB) - Level 2 - Digital Download SKU: A0.1270160 By Arlo Guthrie. By Arlo Guthrie. Arranged by Craig Hanson. A Cappella,Comedy,Folk. Octavo. 6 pages. Edition Craig Hanson #862589. Published by Edition Craig Hanson (A0.1270160). For TTBB chorus a cappella and solo voice. As performed by Arlo Guthrie.Wanna hear something? You know that Indians never ate clams. They didn't have linguini! And so what happened was that clams was allowed to grow unmolested in the coastal waters of America for millions of years. And they got big, and I ain't talking about clams in general, I'm talking about each clam! Individually. I mean each one was a couple of million years old or older. So imagine they could have got bigger than this whole room. And when they get that big, God gives them little feet so that they could walk around easier. And when they get feet, they get dangerous. I'm talking about real dangerous. I ain't talking about sitting under the water waiting for you. I'm talking about coming after you.Imagine being on one of them boats coming over to discover America, like Columbus or something, standing there at night on watch, everyone else is either drunk or asleep. And you're watching for America and the boat's going up and down. And you don't like it anyhow but you gotta stand there and watch, for what? Only he knows, and he ain't watching. You hear the waves lapping against the side of the ship. The moon is going behind the clouds. You hear the pitter patter of little footprints on deck. ‘Is that you kids?’ It ain't! My god! It's this humongous, giant clam!Imagine those little feet coming on deck. A clam twice the size of the ship. Feet first. You're standing there shivering with fear, you grab one of these. This is a belaying pin. They used to have these stuck in the holes all around the ship… You probably didn't know what this is for; you probably had an idea, but you were wrong. They used to have these stuck in the holes all along the sides of the ship, everywhere. You wouldn't know what this is for unless you was that guy that night.I mean, you'd grab this out of the hole, run on over there, bam bam on them little feet! Back into the ocean would go a hurt, but not defeated, humongous, giant clam. Ready to strike again when opportunity was better.You know not even the coastal villages was safe from them big clams. You know them big clams had an inland range of about 15 miles. Think of that. I mean our early pioneers and the settlers built little houses all up and down the coast you know. A little inland and stuff like that and they didn't have houses like we got now, with bathrooms and stuff. They built little privies out back. And late at night, maybe a kid would have to go, and he'd go stomping out there in the moonlight. And all they'd hear for miles around...(loud clap/belch).... One less kid for America. One more smiling, smurking, humongous, giant clam.So Americans built forts. Them forts --you know—them pictures of them forts with the wooden points all around. You probably thought them points was for Indians but that's stupid! 'Cause Indians know about doors. But clams didn't. Even if a clam knew about a door, so what? A clam couldn't fit in a door. I mean, he'd come stomping up to a fort at night, put them feet on them points, jump back crying, tears coming out of them everywhere. But Americans couldn't live in forts forever. You couldn't just build one big fort around America. How would you go to the beach?So what they did was they formed groups of people. I mean they had groups of people all up and down the coast form these little alliances. Like up North it was call the Clamshell Alliance. And farther down South it was called the Catfish Alliance. They had these Alliances all up and down the coast defending themselves against these threatening monsters. These humongous giant clams. Andt hey'd go out there, if there was maybe fifteen of them they'd be singing songs in fifteen part harmony. And when one part disappeared, that's how they knew where the clam would be.Which is why Americans only sing in four part harmony to this very day. That proved to be too dangerous. See, what they did was they'd be singing these songs called Clam Chanties, and they'd have these big spears called clampoons. And they'd be walking up and down the beach and the method they eventually devised where they'd have this guy, the most strongest heavy duty true blue American, courageous type dude they could find and they'd have him out there walking up and down the beach by himself with other chicken dudes hiding behind the sand dunes somewhere.He'd be singing the verses. They'd be singing the chorus, and clams would hear 'em. And clams hate music. So clams would come out of the water and they'd come after this one guy. And all you'd see pretty soon was flying all over the sand flying up and down the beach manmanclamclammanmanclam manclamclamman up and down the beach going this way and that way up the hills in the water out of the water behind the trees everywhere. Finally the man would jump over a big sand dune, roll over the side, the clam would come over the dune, fall in the hole and fourteen guys would come out there and stab the shit out of him with their clampoons.That's the way it was. That was one way to deal with them. The other way was to weld two clams together. [I don't believe it. I'm losing it. Hey. What can you do. Another night shot to hell.] Hey, this was serious back then. This was very serious. I mean these songs now are just piddly folk songs. But back then these songs were controversial. These was radical, almost revolutionary songs. Because times was different and clams was a threat to America. That's right. So we want to sing this song tonight about the one last... You see what they did was there was one man, he was one of these men, his name will always be remembered, his name was Reuben Clamzo, and he was one of the last great clam men there ever was. He stuck the last clam stab. The last clampoon into the last clam that was ever seen on this continent. Knowing he would be out of work in an hour. He did it anyway so that you and me could go to the beach in relative safety. That's right. Made America safe for the likes of you and me. And so we sing this song in his memory. He went into whaling like most of them guys did and he got out of that, when he died. You know, clams was much more dangerous than whales. Clams can run in the water, on the water or on the ground, and they are so big sometimes that they can jump and they can spread their kinda shells and kinda almost fly like one of them flying squirrels.You could be standing there thinking that your perfectly safe and all of a sudden whop.... That's true... And so this is the song of this guy by the name of Reuben Clamzo and the song takes place right after he stabbed this clam and the clam was, going through this kinda death dance over on the side somewhere. The song starts there and he goes into whaling and takes you through the next...I sing the part of the guy on the beach by himself. I go like this: Poor old Reuben Clamzo and you go Clamzo Boys Clamzo. That's the part of the fourteen chicken dudes over on the other side. That's what they used to sing. They'd be calling these clams out of the water. Like taunting them making fun of them. Clams would get real mad and come out. Here we go. I want you to sing it in case you ever have an occasion to join such an alliance. You know some of these alliances are still around. Still defending America against things like them clams. If you ever wants to join one, now you have some historic background. So you know where these guys are coming from. It's not just some 60's movement or something, these things go back a long time.Notice the distinction you're going to have to make now between the first and easy Clamzo Boys Clamzo and the more complicated Clamzo Me Boys Clamzo. Stay serious! Folk songs are serious. That's what Pete Seeger told me. Arlo I only want to tell you one thing... Folk songs are serious. I said right. Let's do it in C for Clam...Iet's do it in B... For boy that's a big clam... Iet' s do it in G for Gee, I hope that big clam don't see me. Let's do it in F... For …he sees me. Let's do it back in A...for a clam is coming. Better get this song done quick. The Story of Reuben Clamzo and His Strange Daughter in the Key of A.
$3.99
El Condor Pasa (If I Could)
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Brass Quintet: 2 trumpets, horn, trombone, tuba
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BEGINNER
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Daniel Alomia Robles, Jorge Mi
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Alan Frazer (arranger) & Peet
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El Condor Pasa
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Peet du Toit
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SheetMusicPlus
Brass Quintet Horn,Trombone,Trumpet,Tuba - Level 1 - Digital Download SKU: A0.1402823 Composed by Daniel Alomia Robles, Jorge Milchberg, and Paul Simon. ...
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Brass Quintet Horn,Trombone,Trumpet,Tuba - Level 1 - Digital Download SKU: A0.1402823 Composed by Daniel Alomia Robles, Jorge Milchberg, and Paul Simon. Arranged by Alan Frazer (arranger) & Peet du Toit (orchestrator). Folk. 10 pages. Peet du Toit #986049. Published by Peet du Toit (A0.1402823). This song started out as an Andean folk melody that Paul Simon came across in 1969 when he played a week-long engagement at a theater in Paris along with the South American group Los Incas, who played an instrumental version of the song called Paso Del Condor. Said Simon: I used to hang around every night to hear them play that. I loved it and I would play it all the time, and then I thought, Let's put words to it.The Peruvian songwriter Daniel Robles recorded this song in 1913, and copyrighted it in the United States in 1933 during his travels in America. When Simon recorded it with his added lyrics, he thought it was a traditional song, as that's what Los Incas told him. When Robles' son filed a lawsuit, Simon had to give Robles a composer credit on the song, with his estate getting those royalties.In discussing the song, Simon always talks about it as being based on a traditional Peruvian song, and we've never heard him mention Robles. This wasn't the first time Simon got tangled over songwriting credits on traditional melodies: Simon & Garfunkel's Scarborough Fair / Canticle was based on a folk song, but his arrangement came from a singer named Martin Carthy. Simon was always clear on his influences, but legal misunderstandings were a problem in these cases.Los Incas, who were the group that introduced Simon to the song, provided the instrumentation when they recorded it in Paris with Simon. Their leader, Jorge Milchberg, played a charango, which is an Andean string instrument made from the shell of an armadillo. Simon played acoustic guitar, and other members of Los Incas played flutes and percussion. When Simon brought the track to America, he added his lyrics. This was one of the easier songs to record for the Bridge Over Troubled Water album, since the backing track was already mixed together - it was just a matter of adding the vocals.The title translates to English as The Condor Passes. The lyrics Robles wrote to the song in 1913 are about returning home to his native Peru.Los Incas leader Jorge Milchberg got a composer credit on this song along with Simon and Robles. Milchberg later became the head of the group Urubamba and remained friends with Simon, who toured with them and produced their first American album. >>The Wainwright Sisters covered this for their 2015 Songs in the Dark album. Lucy Wainwright Roche explained to The Sun: I chose 'El Condor Pasa' because it was one of the first songs I ever learned to play on it guitar and it has a childlike quality to it, but it also has a darkness and sadness that fit in well with the album.Paul Simon performed this on both Sesame Street (in 1977) and The Muppet Show (in 1980).
$15.00
I Love Lucy
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Clarinet Quintet: 5 clarinets
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INTERMEDIATE/ADVANCED
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Contemporary
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Eliot Daniel
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Dennis Ruello
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I Love Lucy
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Chicory Music
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SheetMusicPlus
Woodwind Ensemble,Woodwind Quintet Bass Clarinet - Level 4 - Digital Download SKU: A0.734619 Composed by Eliot Daniel. Arranged by Dennis Ruello. Contemp...
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Woodwind Ensemble,Woodwind Quintet Bass Clarinet - Level 4 - Digital Download SKU: A0.734619 Composed by Eliot Daniel. Arranged by Dennis Ruello. Contemporary. 12 pages. Chicory Music #6675325. Published by Chicory Music (A0.734619). On October 15, 1951, the very first episode of the I Love Lucy show aired on CBS and became the most watched TV show in the U.S. for four of its seven-year run. Fun trivia about the opening theme song is that during the first season the show opened with their sponsor Philip Morris’ animation of stick figure cartoons of Lucy and Desi climbing down a pack of Philip Morris cigarettes. It was scored with Ferde Grofé’s Jr. The Grand Canyon Suite theme (a composition from 1931).From the second season onwards, the I Love Lucy signature tune we all know so well became the main theme, and one of the most recognizable pieces of music on the planet. It was written by composer Eliot Daniel who cranked it out in an afternoon as a favor to his old Coast Guard buddy Jess Oppenheimer, the show’s producer. Since Daniel still had another year under his exclusive contract to Fox, he asked Oppenheimer to keep his name out of it. Consequently his name does not appear on first or the second season TV credits for what became one of the most popular TV themes. Later, Daniel did seek credit and received royalties from syndicated reruns for the rest of his life.The lyrics were written by Harold Adamson for an episode in the third season in which Lucy believes everyone has forgotten her birthday. So of course Ricky saves the day after a near disaster.This arrangement for Woodwind Quintet includes a Bass Clarinet part (Bassoon sub.) plus optional Acoustic Bass and Drum Set parts remains faithful to the original.Performance Time Approx. 1 minute 25 seconds
$12.99
I Love Lucy
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Saxophone Quintet: 5 Saxophones
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INTERMEDIATE
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Contemporary
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Eliot Daniel
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Dennis Ruello
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I Love Lucy
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Chicory Music
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SheetMusicPlus
Woodwind Ensemble,Woodwind Quintet Alto Saxophone,Baritone Saxophone,Tenor Saxophone - Level 3 - Digital Download SKU: A0.734626 Composed by Eliot Daniel...
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Woodwind Ensemble,Woodwind Quintet Alto Saxophone,Baritone Saxophone,Tenor Saxophone - Level 3 - Digital Download SKU: A0.734626 Composed by Eliot Daniel. Arranged by Dennis Ruello. Contemporary. 11 pages. Chicory Music #6704253. Published by Chicory Music (A0.734626). On October 15, 1951, the very first episode of the I Love Lucy show aired on CBS and became the most watched TV show in the U.S. for four of its seven-year run. Fun trivia about the opening theme song is that during the first season the show opened with their sponsor Philip Morris’ animation of stick figure cartoons of Lucy and Desi climbing down a pack of Philip Morris cigarettes. It was scored with Ferde Grofé’s Jr. The Grand Canyon Suite theme (a composition from 1931).From the second season onwards, the I Love Lucy signature tune we all know so well became the main theme, and one of the most recognizable pieces of music on the planet. It was written by composer Eliot Daniel who cranked it out in an afternoon as a favor to his old Coast Guard buddy Jess Oppenheimer, the show’s producer. Since Daniel still had another year under his exclusive contract to Fox, he asked Oppenheimer to keep his name out of it. Consequently his name does not appear on first or the second season TV credits for what became one of the most popular TV themes. Later, Daniel did seek credit and received royalties from syndicated reruns for the rest of his life.The lyrics were written by Harold Adamson for an episode in the third season in which Lucy believes everyone has forgotten her birthday. So of course Ricky saves the day after a near disaster.This Intermediate Level arrangement for Saxophone Quintet / Choir plus optional Acoustic Bass and Drum Set parts is arranged in a slow ballad style.Performance Time: Approx. 1 minute 40 seconds
$12.99
Twitter, for Flute Choir
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Flute ensemble
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INTERMEDIATE
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Contemporary
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Greg Danner
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Twitter, for Flute Choir
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Avanti Music
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SheetMusicPlus
Woodwind Ensemble Flute - Level 3 - Digital Download SKU: A0.778282 Composed by Greg Danner. 20th Century,Contemporary. 80 pages. Avanti Music #2967835. ...
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Woodwind Ensemble Flute - Level 3 - Digital Download SKU: A0.778282 Composed by Greg Danner. 20th Century,Contemporary. 80 pages. Avanti Music #2967835. Published by Avanti Music (A0.778282). Twitter, founded in March of 2006, is a social networking and micro-blogging service that allows users to post short messages of no more that 140 characters. Because it works as an application on cell phones people can share information immediately. In its short time, Twitter has become embedded in our increasingly networked society. The composition Twitter takes five famous tweets-some serious, others funny, and some historic and presents a musical interpretation. In keeping with the idea that a tweet is a short message, each movement of Twitter is approximately 140 seconds long. 1. There’s a plane in the Hudson. I’m on the ferry going to pick up the people. Crazy. Janis Krums, 12:36 p.m. Jan15, 2009Janis Krums posted this text and the first photo of US Airways flight 1549 moments after the plane made an emergency landing in the Hudson River after hitting a flock of birds. His quick action helped to notify rescue workers and the media. 2. Today I interviewed a squirrel in my backyard and then threw to commercial. Somebody help me.Conan O’Brien, 3:54 p.m. Feb. 24, 2009 Shortly after being dismissed from the Tonight Show and finding himself in-between jobs, Conan O’Brien joined Twitter. As with many celebrities, a Twitter account can allow fans to stay in touch and feel connected. What was amazing in this case was that in just two hours after this first tweet he had over 125,000 followers-the largest number ever in such a short time. His number has since grown to nearly 3 million. 3. ArrestedJames Buck, 9:30 a.m. April 10 A graduate student from the University of California-Berkeley, James Buck was covering an anti-government protest in Egypt. Buck was caught up in a demonstration, and while being taken to jail had time to post a one-word tweet-arrested. Within seconds colleagues in the United States got word of his arrest and notified the university, the US Embassy, and a number of press organizations on his behalf, leading to his freedom. 4. We just made history. All of this happened because you gave your time, talent and passion. All of this happened because of you. Thanks. Barack Obama, 11:34 a.m. Nov. 5, 2008 The Obama 2008 campaign was historic on a number of counts, and the use of technology and social media was one of them. This tweet was sent to over 2.6 million followers just after the election. 5. Are you ready to celebrate? Well, get ready: We have ICE!!!!! Yes, ICE, *WATER ICE* on Mars! w00t!!! Best day ever!! MarsPhoenix, 5:14 PM Jun 19th, 2008 NASA’s Jet Propulsion Laboratory has made an innovative use of twitter by sending messages from the Mars Phoenix lander’s point of view. The message above is undoubtedly the most exciting news ever to be tweeted on behalf of an extraterrestrial robot.
$40.00
ají molido
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Michael Mollo
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ají molido
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Michael John Mollo Publishing
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SheetMusicPlus
Percussion Quartet Marimba - Level 3 - Digital Download SKU: A0.1346074 Composed by Michael Mollo. 21st Century,Chamber,Classical,Contemporary,Latin. 48 ...
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Percussion Quartet Marimba - Level 3 - Digital Download SKU: A0.1346074 Composed by Michael Mollo. 21st Century,Chamber,Classical,Contemporary,Latin. 48 pages. Michael John Mollo Publishing #930927. Published by Michael John Mollo Publishing (A0.1346074). This tune started in Cincinnati as an experiment with a large jazz ensemble for which i had the pleasure of writing. It was a lot of fun and we got a decent recording of the original arrangement. The tune stayed with me for many years in the back of my mind. When my son showed an interest in mallets, I was reminded of this tune and thought it would translate well to a percussion ensemble. So here I present ‘aji molido’ named after the hot chili flakes for which my son and I share an affinity.
$35.00
Bach-Gounod: Ave Maria for Baritone Horn & Piano
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Bach-Gounod
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James M
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Bach-Gounod: Ave Maria for Bar
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jmsgu3
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SheetMusicPlus
Baritone Horn TC/Euphonium,Instrumental Solo,Piano - Level 2 - Digital Download SKU: A0.552852 Composed by Bach-Gounod. Arranged by James M. Guthrie, ASC...
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Baritone Horn TC/Euphonium,Instrumental Solo,Piano - Level 2 - Digital Download SKU: A0.552852 Composed by Bach-Gounod. Arranged by James M. Guthrie, ASCAP. Christmas,Contemporary,Easter,Wedding. Score and individual part. 11 pages. Jmsgu3 #3491315. Published by jmsgu3 (A0.552852). Schwencke There are two popular versions of the Bach-Gounod Ave Maria to consider. Firstly, we have the version that exactly follows the harmonic scheme set forth by J. S. Bach in his Prelude #1 in C Major from the Well-Tempered Clavier, Book 1. Secondly, we have the arrangement introduced by the Choirmaster Christian Friedrich Gottlieb Schwencke in 1783 that introduces a controversial added measure designed to intensify the harmony in measure 27. Both versions employ the melody that Charles Gounod provided as an overlay to the Bach harmony. In either case, the convenient 1st & 2nd endings provide options for extended performance. The duration with the repeat runs about 4:50. This arrangement follows the original Bach prelude and so excludes the extra measure that Schwencke introduced in 1783. If you prefer the extra measure, please see Bach-Gounod: Ave Maria, Schwencke version for Baritone Horn & Piano, S0.661783. Ave Maria Ave Maria is a Catholic prayer that consequently asks for the mother of Jesus (Mary) to intercede. Charles Gounod composed a famous version of the Ave Maria. He was a French Romantic composer who overlaid a new melody on an existing Bach chord progression. The progression is from Bach’s Prelude No. 1 from Well-Tempered Clavier I. This version, as well as Schubert’s version, have become essential items at weddings, masses, and funerals. Bach Overview First of all, Johann Sebastian Bach is maybe the greatest composer in music history. Certainly, he was prolific. As a result, everyone has heard of his works. Furthermore, these works number well over a thousand. It seems like people are probably most familiar with instrumental works such as the Brandenburg Concertos, and the Goldberg Variations. But, similarly famous are such noteworthy works as the Well-Tempered Clavier, the Musical Offering, and the Art of Fugue. Seems like his most famous vocal works include the most noteworthy Mass in B Minor. Also, most noteworthy, though, are the St. John Passion, and certainly the Christmas Oratorio.  History Bach came from a long line of musicians and above all, composers. Consequently, he, first of all, pursued a career as a church organist. So as a result, he gained employment in various Protestant churches in Germany. For a while, he worked as a court musician in Weimar and Köthen. Here he probably developed his organ style and likewise his chamber music style. Eventually, he gained an appointment as Cantor of St. Thomas in Leipzig. Here he worked until difficulties with his employer ultimately drove him away. The King of Poland finally appointed him as court composer.  Style It seems like Bach created an engaging new international style. He synthesized elements of the most noteworthy European music ideas into his new style. Even more, this new style was probably his synthesis of European musical rhythm and form. Furthermore, he demonstrated a complete mastery of counterpoint and motivic development. His sense of harmonic organization probably propelled him to the top. Revival        Mendelssohn conducted a Bach revival in the nineteenth century. His effort probably helped to re-familiarize the public with the magnitude of Bach’s works. During this period, scholars published many noteworthy Bach biographies. Moreover, Wolfgang Schmieder published the BWV (Bach Werke Verzeichnis). As a result, this is now the official catalog of his entire artistic output. The BWV number allows us to locate a work in the catalog. Sometimes scholars will simply use an S (Schmieder) as an abbreviation for BWV. Â
$32.95
Bach-Gounod: Ave Maria for Clarinet & Harp
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Clarinet, Harp (duet)
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INTERMEDIATE
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Bach-Gounod
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James M
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Bach-Gounod: Ave Maria for Cla
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jmsgu3
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SheetMusicPlus
Instrumental Duet B-Flat Clarinet,Harp,Instrumental Duet - Level 3 - Digital Download SKU: A0.552194 Composed by Bach-Gounod. Arranged by James M. Guthri...
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Instrumental Duet B-Flat Clarinet,Harp,Instrumental Duet - Level 3 - Digital Download SKU: A0.552194 Composed by Bach-Gounod. Arranged by James M. Guthrie. Baroque,Holiday,Standards,Wedding. Score and parts. 11 pages. Jmsgu3 #6265157. Published by jmsgu3 (A0.552194). SchwenckeThere are two popular versions of the Bach-Gounod Ave Maria. Firstly, we have the version that faithfully follows the harmonic scheme set forth by J. S. Bach in his Prelude #1 in C Major from the Well-Tempered Clavier, Book 1. Secondly, we have the arrangement introduced by the Choirmaster Christian Friedrich Gottlieb Schwencke in 1783 that introduces a controversial added measure designed to intensify the harmony in measure 23. Both versions employ the melody that Charles Gounod provided as an overlay to the Bach harmony. In either case, the convenient 1st & 2nd endings provide options for extended performance. The duration with the repeat runs about 4:50. The score is 7 pages long. This version features the Schwencke measure. Ave MariaAve Maria is a Catholic prayer that consequently asks for the mother of Jesus (Mary) to intercede. Charles Gounod composed a famous version of the Ave Maria. He was a French Romantic composer who overlaid a new melody on an existing Bach chord progression. This version, as well as Schubert’s version, have become essential items at weddings, masses, and funerals.Bach OverviewJohann Sebastian Bach was prolific. As a result, everyone has heard of his works. Furthermore, these works number well over a thousand. It seems like people are probably most familiar with instrumental works such as the Brandenburg Concertos, and the Goldberg Variations. But, similarly famous are such noteworthy works as the Well-Tempered Clavier, the Musical Offering, and the Art of Fugue. Seems like his most famous vocal works include the most noteworthy Mass in B Minor. Also, most noteworthy, though, are the St. John Passion, and certainly the Christmas Oratorio. Bach HistoryBach came from a long line of musicians and above all, composers. Consequently, he, first of all, pursued a career as a church organist. So as a result, he gained employment in various Protestant churches in Germany. For a while, he worked as a court musician in Weimar and Köthen. Here he probably developed his organ style and likewise his chamber music style. Eventually, he gained an appointment as Cantor of St. Thomas in Leipzig. Here he worked until difficulties with his employer ultimately drove him away. The King of Poland finally appointed him as court composer. Bach StyleIt seems like Bach created an engaging new international style. He synthesized elements of the most noteworthy European music ideas into his new style. Even more, this new style was probably his synthesis of European musical rhythm and form. Furthermore, he demonstrated a complete mastery of counterpoint and motivic development. His sense of harmonic organization probably propelled him to the top.Bach Revival        Mendelssohn conducted a Bach revival in the nineteenth century. His effort probably helped to re-familiarize the public with the magnitude of Bach’s works. During this period, scholars published many noteworthy Bach biographies. Moreover, Wolfgang Schmieder published the BWV (Bach Werke Verzeichnis). As a result, this is now the official catalog of his entire artistic output. The BWV number allows us to locate a work in the catalog. Sometimes scholars will simply use an S (Schmieder) as an abbreviation for BWV.
$32.95
Bach-Gounod: Ave Maria for String Trio
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Bach-Gounod
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James M
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Bach-Gounod: Ave Maria for Str
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jmsgu3
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SheetMusicPlus
String Trio - Level 3 - Digital Download SKU: A0.552111 Composed by Bach-Gounod. Arranged by James M. Guthrie. Baroque,Instructional,Standards,Wedding. 1...
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String Trio - Level 3 - Digital Download SKU: A0.552111 Composed by Bach-Gounod. Arranged by James M. Guthrie. Baroque,Instructional,Standards,Wedding. 10 pages. Jmsgu3 #6120335. Published by jmsgu3 (A0.552111). SchwenckeThere are two popular versions of the Bach-Gounod Ave Maria to consider. Firstly, we have the version that exactly follows the harmonic scheme set forth by J. S. Bach in his Prelude #1 in C Major from the Well-Tempered Clavier, Book 1. Secondly, we have the arrangement introduced by the Choirmaster Christian Friedrich Gottlieb Schwencke in 1783 that introduces a controversial added measure designed to intensify the harmony in measure 27. Both versions employ the melody that Charles Gounod provided as an overlay to the Bach harmony. In either case, the convenient 1st & 2nd endings provide options for extended performance. The duration with the repeat runs about 4:50.  This version features the Schwencke measure (ms 27). Ave MariaAve Maria is a Catholic prayer that consequently asks for the mother of Jesus (Mary) to intercede. Charles Gounod composed a famous version of the Ave Maria. He was a French Romantic composer who overlaid a new melody on an existing Bach chord progression. This version, as well as Schubert’s version, have become essential items at weddings, masses, and funerals.Bach OverviewJohann Sebastian Bach was prolific. As a result, everyone has heard of his works. Furthermore, these works number well over a thousand. It seems like people are probably most familiar with instrumental works such as the Brandenburg Concertos, and the Goldberg Variations. But, similarly famous are such noteworthy works as the Well-Tempered Clavier, the Musical Offering, and the Art of Fugue. Seems like his most famous vocal works include the most noteworthy Mass in B Minor. Also, most noteworthy, though, are the St. John Passion, and certainly the Christmas Oratorio. Bach HistoryBach came from a long line of musicians and above all, composers. Consequently, he, first of all, pursued a career as a church organist. So as a result, he gained employment in various Protestant churches in Germany. For a while, he worked as a court musician in Weimar and Köthen. Here he probably developed his organ style and likewise his chamber music style. Eventually, he gained an appointment as Cantor of St. Thomas in Leipzig. Here he worked until difficulties with his employer ultimately drove him away. The King of Poland finally appointed him as court composer. Bach StyleIt seems like Bach created an engaging new international style. He synthesized elements of the most noteworthy European music ideas into his new style. Even more, this new style was probably his synthesis of European musical rhythm and form. Furthermore, he demonstrated a complete mastery of counterpoint and motivic development. His sense of harmonic organization probably propelled him to the top.Bach Revival        Mendelssohn conducted a Bach revival in the nineteenth century. His effort probably helped to re-familiarize the public with the magnitude of Bach’s works. During this period, scholars published many noteworthy Bach biographies. Moreover, Wolfgang Schmieder published the BWV (Bach Werke Verzeichnis). As a result, this is now the official catalog of his entire artistic output. The BWV number allows us to locate a work in the catalog. Sometimes scholars will simply use an S (Schmieder) as an abbreviation for BWV.
$42.95
MY FATHER’S FAVORITE HYMNS Piano/Vocal Arrangements-full book
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Jazz combo
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INTERMEDIATE
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Christian contemporary
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Sacred music
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Deborah Johnson, Various Publi
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DJWorks Music
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Just a Closer Walk with Thee
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MY FATHER’S FAVORITE HYMNS P
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Deborah Johnson
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SheetMusicPlus
Jazz Combo - Level 3 - Digital Download SKU: A0.877827 Composed by Deborah Johnson, Various Public Domain. Arranged by DJWorks Music. A Cappella,Christia...
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Jazz Combo - Level 3 - Digital Download SKU: A0.877827 Composed by Deborah Johnson, Various Public Domain. Arranged by DJWorks Music. A Cappella,Christian,Contemporary,Easter,Sacred. Score and parts. 99 pages. Deborah Johnson #4309241. Published by Deborah Johnson (A0.877827). Full book of twelve contemporary arrangements of timeless favorites, including two new hymns by Deborah Johnson. These are piano-based instrumentals and vocals with vocal and orchestral accompaniment. This 99-page book (including cover and table of contents) also includes a beautiful title page for each song with a brief history and lyrics for the two new hymns. The piano transcriptions are completely written out, including the chords and vocal parts. Several have secondary piano parts included. Also available are individual song downloads and some of the MP3 accompaniment tracks.Album notes: My Father’s Favorite Hymns is dedicated to my mom and dad. I have memories of being on the front row of church as a little girl, singing as loud as I could. The album is a tribute to my parents who raised my sisters and I to love God, our country and our families. As many musicians do, I got my start in the church, playing the piano for the Children’s church at the age of 10. It didn’t take long before I started sitting at a 9’ Steinway opposite an incredible organist who changed keys as often as a woman changes her clothes. I fell in love with the simplicity of the hymns and with the many fun arrangements that were possible. The lyrics of some of these hymns have been ingrained in my soul and have brought me comfort, deepened my faith, and have taught me that when all is said and done, the Truth and Faithfulness of God are what will carry me through.If you’re searching for: Christian music, inspirational music or church hymns, consider My Father’s Favorite Hymns. Songs include: Tell Me the Old Old Story; Just a Closer Walk with Thee; Great is Thy Faithfulness; Immortal Invisible; Amazing Grace/It is Well; Your Truth it Stands; Glory to His Name; Stand Up for Jesus/Leaning on the Everlasting Arms; In the Garden; Were You There when they Crucified my Lord? (acapella); What a Friend we Have in Jesus; You are Faithful, You are Lord. Separate song downloads also available, where you can hear and preview each selection.From the album up for a 2012 GRAMMY Award®: My Father’s Favorite Hymns, available on Amazon (https://www.amazon.com/music/player/albums/B008O86FQI) or on the website (https://DJWorksMusic.com/products) by Deborah Johnson. You can hear selections of each song on either of those sites, as well as purchase the album. Video playlist at: http://youtu.be/srvbPkI4eKM?list=PLE49F87AC9C76AE49. There is also a beautiful spiral-bound devotional guide available with the amazing stories and life principles gained from these timeless classics, available on Amazon as well as a spiral-bound print version of this music book. Check out http://www.djworksmusic.com/fathershymns/For more information about Deborah, her albums, books and products, visit https://DJWorksMusic.com https://GoalsForYourLife.com or https://DeborahJohnsonSpeaker.com
$28.50
The Poohratorio (Winnie the Pooh - the Expotition to the North Pole)
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Piano, Vocal and Guitar
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INTERMEDIATE
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David Warin Solomons
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The Poohratorio
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David Warin Solomons
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SheetMusicPlus
Guitar,Piano,Vocal,Voice - Level 3 - Digital Download SKU: A0.1271090 By David Warin Solomons. By David Warin Solomons. 20th Century,Children,Contemporar...
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Guitar,Piano,Vocal,Voice - Level 3 - Digital Download SKU: A0.1271090 By David Warin Solomons. By David Warin Solomons. 20th Century,Children,Contemporary. Score. 37 pages. David Warin Solomons #863483. Published by David Warin Solomons (A0.1271090). Here is my 1976 Oratorio on Winnie the Pooh (Poohratorio) for alto voice, spoken parts, guitar and various optional other instrumentsGreat fun for young and old. It uses the whole of Chapter 8 of A A Milne's Now we are six -The expotition to the North Pole, which is now in the public domain in the USA.The pdf file is the score based on the alto and guitar parts with spoken voices provided in text on the score.CHAPTER 8 ...IN WHICH CHRISTOPHER ROBIN LEADS AN EXPOTITION TO THE NORTH POLEONE fine day Pooh had stumped to the top of the Forest to see if his friend Christopher Robin was interested in Bears at all. At breakfast that morning (a simple meal of marmalade spread lightly over a honeycomb or two) he had suddenly thought of a new song. It began like this:Sing Ho! For the life of a Bear.When he had got as far as this, he scratched his head, and thought to himself That's a very good start for a song, but what about the second line? He tried singing Ho, two or three times, but it didn't seem to help. Perhaps it would be better, he thought, if I sang Hi for the life of a Bear. So he sang it . . . but it wasn't. Very well, then, he said, I shall sing that first line twice, and perhaps if I sing it very quickly, I shall find myself singing the third and fourth lines before I have time to think of them, and that will be a Good Song. Now then:Sing Ho! for the life of a Bear! Sing Ho! for the life of a Bear! I don't much mind if it rains or snows, 'Cos I've got a lot of honey on my nice new nose! I don't much care if it snows or thaws, 'Cos I've got a lot of honey on my nice clean paws! Sing Ho! for a Bear! Sing Ho! for a Pooh! And I'll have a little something in an hour or two! He was so pleased with this song that he sang it all the way to the top of the Forest, and if I go on singing it much longer, he thought, it will be time for the little something, and then the last line won't be true. So he turned it into a hum instead.  ..... etc.
$27.00
Made You Look
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Flute
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INTERMEDIATE
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Meghan Trainor
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Sean Douglas, Megan Trainor, L
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Benzaiten Editions
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Made You Look
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Benzaiten Editions
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SheetMusicPlus
Flute Solo - Level 3 - Digital Download SKU: A0.1221323 By Meghan Trainor. By Luis Federico Vindver, Megan Trainor, and Sean Douglas. Arranged by Benzait...
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Flute Solo - Level 3 - Digital Download SKU: A0.1221323 By Meghan Trainor. By Luis Federico Vindver, Megan Trainor, and Sean Douglas. Arranged by Benzaiten Editions. Film/TV,Funk,Hip-Hop,Pop,R & B. Individual part. 4 pages. Benzaiten Editions #817648. Published by Benzaiten Editions (A0.1221323). Flute music sheet with chords for Made You Look by Meghan Trainor. Composed by Sean Douglas, Megan Trainor, Luis Federico Vindver. Intermediate level. Film/TV, Funk, Pop, R&B/Hip-Hop. Arranged by Benzaiten Editions.This beautiful song is arranged here for flute in the key of Bb, which is the original key of the song.This file contains:→ Made You Look flute music sheet with chords in pdfIf you're looking for a flute sheet music of Meghan Trainor's Made You Look that includes both the chords and lyrics, we've got you covered! (We have a beautifully arranged piano accompaniment, too!)The versions of this same sheet music that are available in Benzaiten Editions:• Flute sheet music (no chords, no lyrics)• Flute sheet music (with chords)• Flute sheet music (with lyrics)• Flute sheet music (with chords and lyrics)• Flute & piano sheet music(no chords, no lyrics)• Flute & piano sheet music (with chords)• Flute & piano sheet music (with lyrics) • Flute & piano sheet music (chords and lyrics)  All our sheet music were created, arranged, and edited with great care and attention. I hope you enjoy it!Please feel free to share your performances of our arrangements with us! =)About Digital DownloadsDigital Downloads refer to sheet music files that can be downloaded and viewed directly on your computer, tablet, or mobile device. These files are readily accessible for you to view and print at your convenience, whether at home, school, or any other location where you may choose to make music. Unlike physical sheet music, digital downloads do not require an internet connection once they have been downloaded. Simply complete your purchase, download the file, and start playing!
$4.99
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