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A Pause for Thought
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You've selected:
A Pause for Thought
PDF
Sheetmusic to print
17 sheet music found
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1
A Pause for Thought
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Flute and Piano
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INTERMEDIATE
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Jon Raybould
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A Pause for Thought
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Jon Raybould Music
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SheetMusicPlus
Flute,Piano - Level 3 - Digital Download SKU: A0.1101389 Composed by Jon Raybould. Christian,Classical,Wedding. Score and part. 5 pages. Jon Raybould Mus...
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Flute,Piano - Level 3 - Digital Download SKU: A0.1101389 Composed by Jon Raybould. Christian,Classical,Wedding. Score and part. 5 pages. Jon Raybould Music #704785. Published by Jon Raybould Music (A0.1101389). A Pause For Thought is a soft, gentle piece and should be played unhurried, reflective, poised, expressive, calm. I've dedicated it to all the millions of people who have been affected by the Covid-19 Global Pandemic so far. Yes, it's short, it has relatively simple notes and rhythms - but to be played well it requires lots of control - breathing, intonation, tone, vibrato .... and possibly, emotional control!! .... Free performance and backing tracks for download from here https://drive.google.com/drive/folders/1IhlQX_AmfeNh32Gwrp7dGPvLBKcTxhqe?usp=sharing.
$6.00
Concerto for Orchestra, opus 111 (2005, rev. 2010)
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Orchestra
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INTERMEDIATE/ADVANCED
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Thomas Oboe Lee
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Concerto for Orchestra, opus 1
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Thomas Oboe Lee
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SheetMusicPlus
Full Orchestra - Level 4 - Digital Download SKU: A0.869351 Composed by Thomas Oboe Lee. 20th Century,Baroque,Classical,Contemporary,Romantic Period. Scor...
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Full Orchestra - Level 4 - Digital Download SKU: A0.869351 Composed by Thomas Oboe Lee. 20th Century,Baroque,Classical,Contemporary,Romantic Period. Score and parts. 81 pages. Thomas Oboe Lee #15869. Published by Thomas Oboe Lee (A0.869351). Instrumentation: 3232-4331-timp-2perc-strings. When I received the invitation from Jonathan Cohler to write a Concerto for Orchestra for the Brockton Symphony, I immediately thought of all the composers who wrote works inspired by Bartok’s seminal work of the same title: Roger Sessions, Elliott Carter, Michael Tippett, Witold Lutoslawski, Joan Tower and, most recently, Jennifer Higdon. My Concerto for Orchestra, opus 111, is in five movements. It will be heard without pause between movements. I. Largo … Misterioso! II. Allegro con moto … Evidence!!! III. Adagio … Epistrophy! IV. Andante … In Walked Bud! V. Presto … Rhythm-a-ning!!! My initial idea for the Concerto was contrast - contrast between the timbres and colors that the various sections in an orchestra provide. For example, the woodwinds would provide a sharp contrast against the brass; the percussion section against the strings, etc. I also was interested in writing a work where each movement would flow into the next without pause – thus providing another form of contrast, that of tempi and mood change. A third form of contrast would be the different styles and forms of music that I would come up with. And I had a lot of fun conjuring up the many possible scenarios and orchestral tableaux. I actually started with the second movement: the Allegro con moto. I wanted something that had a nice surging quality that the whole orchestra could jump into. When I finished that, I thought perhaps it would be too intense for the opening of the work. I thought, maybe I should begin with something slower, more brooding in nature before the explosive stuff. I noticed that Carter’s Concerto began with a slow Introduction. It had a title: Misterioso. Being an avid fan of Thelonious Monk, aka Thelonious Sphere Monk, Misterioso brought to mind a Monk composition of the same title. That epiphany gave me the idea of naming each of the five movements after a Monk tune. Monk’s Misterioso is a blues with an insistent theme of 8th note patterns of rising 6ths; which has nothing to do with my first movement. My Misterioso features a solo for the bass clarinet in the midst of a shimmering atmosphere that is punctuated by accents in the bass. They are both mysterious, but divergently opposed in mood and substance. Monk’s Evidence is a tune with jabs and punches, irregularly placed within the measure – not unlike what I did in the second movement. This movement is perhaps the most Monk-ish of all. Monk’s Epistrophy is a tune constructed with a four-note pattern that is angular and twisted. I wrote a solemn brass choir movement that is an epistle in nature, a sermon of sorts. The title of Monk’s In Walked Bud refers, of course, to the amazing pianist Bud Powell. I took the word walk and translated it into an andante. What resulted was a silly, but jolly movement featuring the woodwinds. I wanted to end the work with a fast and furious finale. Inspired by the word rhythm in Monk’s Rhythm-a-ning, I began the last movement with a solo for the percussion section – timpani, tom-toms, bass drum!!! The orchestra eventually joins in the mayhem, breaking into a scherzo-like frenzy. It ends with a big bang!!! Enjoy!!!Audio link: https://thomasoboelee.bandcamp.com/album/concerto-for-orchestra-opus-111-2005
$9.99
"Premonitions" for large orchestra
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Orchestra
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ADVANCED
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Panagiotis Theodossiou
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"Premonitions" for large orche
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Panagiotis Theodossiou
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SheetMusicPlus
Full Orchestra - Level 5 - Digital Download SKU: A0.886728 Composed by Panagiotis Theodossiou. Concert,Contemporary,Standards. Score and parts. 157 pages...
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Full Orchestra - Level 5 - Digital Download SKU: A0.886728 Composed by Panagiotis Theodossiou. Concert,Contemporary,Standards. Score and parts. 157 pages. Panagiotis Theodossiou #5753415. Published by Panagiotis Theodossiou (A0.886728). Work written in 2018 a thesis for composer's postgraduate studies in Musical Department of Ionian University (Composition for Vocal and Instrumental Ensembles). It is based on the, under the same title ('Premonition'), poem by the 19th century British-Canadian poet Robert William Service (1874 - 1958). Point of departure is the eternal conflict between light and darkness, hope and despair, vision and nightmare, spiritual formation and inner confusion, being together and being apart, past and future, life and death. Leading by love (eros), a series of sudden thoughts and premonitions and the composer's inner visions on Service's text is a vehicle, a canvas for this composition. It follows a multilanguage style between serial-atonal and tonal idiom. It consists of an introduction which is repeated variated at the end as an epilogue and nine variations, each of a different character - independent but following one another without a pause: 1. Introduction, Sudden Thoughts (Severo) 2. Var.I. Towards the Light (Lento ambiamente) 3. Var.II.Nightmare - Shadows' Chase (Allegro deciso) 4. Var.III. Hope (Lento mystico) 5. Var.IV. Moonlight Wandering (Valse noire) (Poco piu mosso) 6. Var.V.Vision i, An Imaginary Procession (L' istesso tempo) 7.Var.VI.Vision ii, Butterflies - An Unexpected Love Affair (Valse d'amour) (Allegro) 8.Var.VΙI. Depression and Relief (Illusion) (Grave) 9.Var.VIII. Contemplation Waltz (Passacaglia) (Con moto) 10.Var.IΧ. Confusion - A Broken Heart (Moderato) 11. Finale. Last Thought (Tempo primo)
$60.00
Lightly Suite (for violin and guitar)
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Violin, Guitar (duet)
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Contemporary
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Paul SanGregory
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Lightly Suite
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Distant Engraver Music
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SheetMusicPlus
Instrumental Duet Guitar,Instrumental Duet,Violin - Digital Download SKU: A0.977033 Composed by Paul SanGregory. Contemporary. Score and parts. 48 pages....
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Instrumental Duet Guitar,Instrumental Duet,Violin - Digital Download SKU: A0.977033 Composed by Paul SanGregory. Contemporary. Score and parts. 48 pages. Distant Engraver Music #3534793. Published by Distant Engraver Music (A0.977033). (Score and parts are included in a single download.)As the pun used for the title for this piece suggests, it is a suite of generally light movements that still possess a certain amount of depth. Though the harmonies are generally pleasant, seeming to have popular or jazz origins, there are various musical spices adding more body to that sweetness. The first movement, Improvisation, captures the mood of a free-form prelude, as if the players were improvising on a set of chords, some of which seem to be influenced by jazz or other non-classical idioms. Dialogue, the second movement, is a conversation between the violin and guitar. There are times when one instrument accompanies the other, but generally both players add important thoughts to the rhythmically diverse conversation. The third movement begins with a guitar accompaniment supporting the violin’s Song. Later, these two roles are reversed. Dance is essentially a disagreement. The violin plays a quasi-aristocratic eighteenth-century gavotte while the guitar prefers a sombre chromatic waltz. There is emphatic disagreement over which dance the players should perform, but in the end a solution seems to be found. The last movement, Pursuit, is a playful chase that is interrupted by a dreamy pause to catch one’s breath. Complete performance duration is ca. 15 minutes.
$12.00
Because I Could Not Stop for Death
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Choral SATB
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INTERMEDIATE/ADVANCED
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Opera
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Classical
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Richard deCosta
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Richard deCosta
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Because I Could Not Stop for D
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Richard deCosta
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SheetMusicPlus
Choral Choir,Choral (SATB) - Level 4 - Digital Download SKU: A0.1308012 By Richard deCosta. By Richard deCosta. Arranged by Richard deCosta. A Cappella,C...
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Choral Choir,Choral (SATB) - Level 4 - Digital Download SKU: A0.1308012 By Richard deCosta. By Richard deCosta. Arranged by Richard deCosta. A Cappella,Chamber,Classical,Opera,Romantic Period. 4 pages. Richard deCosta #897289. Published by Richard deCosta (A0.1308012). Words by Emily DickinsonMusic by Richard deCostaBecause I could not stop for Death –He kindly stopped for me –The Carriage held but just Ourselves –And Immortality.We slowly drove – He knew no hasteAnd I had put awayMy labor and my leisure too,For His Civility –We passed the School, where Children stroveAt Recess – in the Ring –We passed the Fields of Gazing Grain –We passed the Setting Sun –Or rather – He passed Us –The Dews drew quivering and Chill –For only Gossamer, my Gown –My Tippet – only Tulle –We paused before a House that seemedA Swelling of the Ground –The Roof was scarcely visible –The Cornice – in the Ground –Since then – 'tis Centuries – and yetFeels shorter than the DayI first surmised the Horses' HeadsWere toward Eternity –-=-In the reclusive chambers of Emily Dickinson's 19th-century Massachusetts home, the haunting poem, 'Because I Could Not Stop for Death,' was conceived. Living much of her life in isolation, Dickinson's thoughts often ventured into the shadowlands of existence. This poem, published posthumously in 1890, offers a chilling reflection of her contemplation. The Grim Reaper, a timeless symbol, is portrayed as a carriage driver, guiding the reader through a somber journey that mirrors the ephemeral nature of life. Passing scenes of childhood innocence, maturity's labor, and the twilight of existence, it culminates in the cold embrace of the grave. Her words, etched in a gothic darkness, resonate with the uncertainties and fears of her time, transcending to speak to the eternal human condition.
$7.99
#WeToo
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Choral SATB
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INTERMEDIATE
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Sally Whitwell
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#WeToo
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Sally Whitwell
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SheetMusicPlus
Choral Choir (SATB) - Level 3 - Digital Download SKU: A0.1262362 Composed by Sally Whitwell. 21st Century,Contemporary. Octavo. 17 pages. Sally Whitwell ...
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Choral Choir (SATB) - Level 3 - Digital Download SKU: A0.1262362 Composed by Sally Whitwell. 21st Century,Contemporary. Octavo. 17 pages. Sally Whitwell #855402. Published by Sally Whitwell (A0.1262362). On the morning of 2 March 2020, I finished writing the first draft of this song. It was the same morning that the New South Wales Rural Fire Service announced that for the first time since July 2019, the state was free of active bush and grass fires.At the time it felt quite euphoric. We’d been through a lot. Little did we know what was coming just a few days from then, when the Covid19 global pandemic reached our shores. It’s a virus that would kill millions across the world, and disable millions more, long term. It forced us, globally, into a kind of reckoning the like of which we had never experienced before. Non pharmaceutical controls like lockdowns, mask mandates, social distancing and ventilation standards were employed to keep us safe from this airborne virus, whilst scientists worked round clock to develop vaccines and treatments.Technically, the declaration of a pandemic is still active, but governments and people have somehow decided for themselves that it is all over. No one takes any precautions any more. Governments have stopped reporting statistics. People who know they are infected are going about their business with no thought for others. Meanwhile, many of the immune-compromised, the disabled, the vulnerable, are unable to safely leave their homes and engage in activities out in the world. I know this, because I am a carer for a vulnerable person.What this whole exercise has taught me is that people in the world are actually much less kind than I thought they were. Humans do not really care for each other. People attack me for wearing a mask, tell me that I’m virtue signalling and that I look ridiculous (as if I care how I look). I’ve asked questions about workplace Covid safety and been informed that it’s “a bit rich†that I’m asking at all, when everything is now safe. A friend’s diagnosed Long Covid symptoms were cruelly minimised or completely dismissed “Oh, it’s not Covid. How old are you? In your forties? It’s your hormones, it’s the menopause.†The fatal combination of sheer selfishness, rampant misinformation and DISinformation continues, whilst people waltz around spreading a deadly virus with no thought for the grief that will undoubtedly ensue.It boils down to this: if we want to continue as a species and to have a planet on which to reside, we have to stop with the Self Care and start with the Community Care. A choir is the perfect instrument for expressing these notions, through the unique power of the massed first person plural. My wish for this piece is that it spurs performer and listener alike into some kind of action. Please consider the effect your actions have on others, and on the planet, and make any changes necessary, however inconvenient or difficult they are. Otherwise, there’s really no point.Sally Whitwell 11 July 2023.
$1.99
Neruda Trumpet Concerto in Eb (3rd movt. backing track)
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Classical
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Johann Baptist Georg Neruda
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John Fleming
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Neruda Trumpet Concerto in Eb
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flemingmusic
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SheetMusicPlus
Digital Download SKU: A0.1072002 Composed by Johann Baptist Georg Neruda. Arranged by John Fleming. Classical. Accompaniment. Duration 259. Flemingmusic ...
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Digital Download SKU: A0.1072002 Composed by Johann Baptist Georg Neruda. Arranged by John Fleming. Classical. Accompaniment. Duration 259. Flemingmusic #5719657. Published by flemingmusic (A0.1072002). This is a String backing track for 3rd movt. of The Neruda Trumpet Concerto in Eb.There is a very short pause where the cadenza is played,which will require the track to be paused.I thought this the best way to allow the soloist to express his/her playing for the cadenza.This arrangement with trumpet parts for Eb, Bb and C trumpets is available on this site.
$2.50
Neruda Trumpet Concerto in Eb (1st movt. Backing track)
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Classical
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Johann Baptist Georg Neruda
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John Fleming
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Neruda Trumpet Concerto in Eb
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flemingmusic
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SheetMusicPlus
Digital Download SKU: A0.1072000 Composed by Johann Baptist Georg Neruda. Arranged by John Fleming. Classical. Accompaniment. Duration 310. Flemingmusic ...
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Digital Download SKU: A0.1072000 Composed by Johann Baptist Georg Neruda. Arranged by John Fleming. Classical. Accompaniment. Duration 310. Flemingmusic #5719633. Published by flemingmusic (A0.1072000). This is a String backing track for 1st movt. of The Neruda Trumpet Concerto in Eb.There is a very short pause where the cadenza is played,which will require the track to be paused.I thought this the best way to allow the soloist to express his/her playing for the cadenza.This arrangement with trumpet parts for Eb, Bb and C trumpets is available on this site.The trumpet parts are also available separately.
$2.50
String Quartet No. 12 ... The Seasons (2010) full score
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String Quartet: 2 violins, viola, cello
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INTERMEDIATE/ADVANCED
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Thomas Oboe Lee
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String Quartet No. 12 ... The
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Thomas Oboe Lee
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SheetMusicPlus
String Quartet String Quartet - Level 4 - Digital Download SKU: A0.869207 Composed by Thomas Oboe Lee. 20th Century,Baroque,Classical,Contemporary,Romant...
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String Quartet String Quartet - Level 4 - Digital Download SKU: A0.869207 Composed by Thomas Oboe Lee. 20th Century,Baroque,Classical,Contemporary,Romantic Period. Score and parts. With Summer: Cloudburst! Double rainbow … Trio 3). 48 pages. Thomas Oboe Lee #3905. Published by Thomas Oboe Lee (A0.869207). Program note: As indicated by the title, this is my twelfth string quartet. My very first work, Aperture (1974), was a string quartet. In between I wrote four (nos. 2 – 5) for the Kronos Quartet, one (no. 6) for the Manhattan String Quartet, one (no. 7) for the Lydian String Quartet, one (no. 8) for the Artaria String Quartet, two (nos. 9 - 10) for the Hawthorne String Quartet, and one (no. 11) for the Formosa Quartet. The number twelve immediately brought to mind the months of the year. But I thought a twelve-movement string quartet might be a bit excessive, and difficult to achieve in a coherent narrative arc. Most classical string quartets by Haydn, Mozart and Beethoven are in four movements. So why not the seasons, a movement for each: spring, summer, autumn, and winter. I am a huge fan of The Creation by Franz Joseph Haydn. Confession: I am a huge fan of anything by maestro Haydn. For inspiration and guidance, I went to Haydn’s other oratorio The Seasons. Armed with a Dover publication of the full score and a recording of the complete work by Sir Thomas Beecham on EMI Classics, I got down to work over the summer of 2010. String Quartet No. 12 … The Seasons, after Franz Joseph Haydn is in four movements, played without pause between movements. 1) Intro: Heavy snow … Spring: Crocuses blooming!!! 2) Summer: Cloudburst! Double rainbow … Trio 3) Autumn: La Caccia … Danza Rusticana … Trio 4) Intro: Heavy snow again … Winter: O Magnum Mysterium … Hail storm! The work begins with four descending chords, depicting the falling of snow. But it’s Spring and crocuses are seen peeping through the snow … Summer begins with cloudbursts, thunder, lightning and torrential rain. A double rainbow appears after the storm. The sun emerges from the clouds in the Trio section. It is a lovely day after all; but then the clouds return … La Caccia: men go hunting in the Autumn. Well, the men in Haydn’s days at least. Peasant ladies dance as they harvest in the fields. A hawk appears, soaring overhead in the Trio as the sun sets in an orange-red sky ... In Winter snow falls again; but it’s the season to celebrate the Nativity. Violin and viola chant O magnum mysterium … O Magnum Mysterium O great mystery Et admirabile sacramentum and wonderful sacrament Ut animalia viderent Dominum natum that animals should see the new-born Lord Jacentem in praesepio! lying in a manger! Beata Virgo, cujus viscera Blessed is the Virgin whose womb Meruerunt portare was worthy to bear Dominum Christum. Christ the Lord. Alleluia. Alleluia. A hailstorm wreaks havoc. Fine. Audio link. Copy and paste the URL link into your browser.https://thomasoboelee.bandcamp.com/album/string-quartet-no-12-the-seasons-2010Video link: https://youtu.be/8seBbMtds84
$9.99
In Your Slumber
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Concert band
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BEGINNER
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Aaron Fonzi
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In Your Slumber
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Aaron Fonzi
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SheetMusicPlus
Concert Band - Level 1 - Digital Download SKU: A0.998359 Composed by Aaron Fonzi. Christmas,Contemporary,Folk,Standards. Score and parts. 25 pages. Aaron...
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Concert Band - Level 1 - Digital Download SKU: A0.998359 Composed by Aaron Fonzi. Christmas,Contemporary,Folk,Standards. Score and parts. 25 pages. Aaron Fonzi #4834971. Published by Aaron Fonzi (A0.998359). This lyrical piece is a delightful way to introduce your young band to ballad style. Exploring slurs, accents, dynamics, caesuras, ritardandos and more, you'll be shocked by how sophisticated this beautiful piece sounds while using only a limited number of notes. Written to convey the playful innocence of a child dreaming, In Your Slumber balances the calm of a starry sky with the imagination and adventure of a child's mind at rest. Simple and elegant, the lullaby played by the flutes in the beginning gives way to an imaginative variation on the theme by the trumpets and clarinets at B. Gentle, pulsating tenutos in the harmonizing chords underneath are symbolic of relaxed, rhythmic breathing underlying the musical thoughts flowing by above them. Just as in dreams we seldom have control of which direction the story may go, D takes us somewhere else musically and implies a build to a false climax. At E, we are greeted with the quiet sounds of the night once more, but this time our imagination runs wild as the music builds to the climax of the piece at F. This powerful proclamation of the melody is concluded with a gentle final statement in the flute and clarinet, and the piece concludes with the final twinkle of the stars as the sun rises for a new day.Full of imagination, beauty and teachable moments throughout, I hope that you and your students can enjoy and appreciate this piece for it's simple beauty as I do. Onward!~Aaron FonziREHEARSAL NOTES:1. The clarinet part should be a very light drone creating atmosphere at the beginning- the same goes for the clarinet and saxophone at rehearsal E.2. It's easy to get too loud too soon in this piece, so remind your students to have patience. F is the climax of the piece, but many young students will want to play C as if it is. Similarly, be sure to balance the trumpet/ clarinet and the flute/ oboe/ bells at C so both lines come out evenly.3. Take your time in measure 48- we want to naturally fade away and pause before going on at rehearsal E. This increase and decrease in energy is a characterization of the ebb and flow of the piece.4. At F, there are 3 important parts that must be balanced: flute/oboe/bells; trumpet/clarinet; alto saxophone/horn. For best results, balance these 3 parts, and encourage the alto/horn line to play out a bit more than they think they need to. They are the new part which must be heard here.5. Have fun and use your imagination in terms of expressing the music- ask your students what it makes them think of and create a story to go along with it. Let this ultimately guide your interpretation. I am consistently impressed with the creative ideas my students come up with, so let them decide how the music should sound with their own stories. In your slumber, anything is possible!
$15.00
Come Labor On
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Handbells
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EASY
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Sandra Eithun
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Come Labor On
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Chorister's Guild - Digital
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SheetMusicPlus
3, 4, 5 or 6 octaves handbells with optional 3 or 5 octaves handchimes - Level 2+ - Digital Download SKU: C7.CGB1277 Composed by Sandra Eithun. General. ...
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3, 4, 5 or 6 octaves handbells with optional 3 or 5 octaves handchimes - Level 2+ - Digital Download SKU: C7.CGB1277 Composed by Sandra Eithun. General. With 3 or 5 octaves handchimes. Score. 8 pages. Chorister's Guild - Digital #CGB1277. Published by Chorister's Guild - Digital (C7.CGB1277). This sturdy and stalwart hymn of the church is full of resolve and color and is perfect for times in services dedicated to themes of stewardship or honoring the works of others. A blend of optional handchimes with the handbells in the thoughtful middle section creates a stunning and inspiring moment of pause before the return of the robust hymn tune. Shakes, echoes, martellato and LV are some of the techniques that are woven into the piece to create a grand setting for worship or festival use.
$4.95
Soar
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Piano solo
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INTERMEDIATE
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Chrystal Cottrell
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Soar
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Chrystal Cottrell
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SheetMusicPlus
Piano Solo - Level 3 - Digital Download SKU: A0.1031420 Composed by Chrystal Cottrell. Christmas,Contemporary,Instructional,Wedding. Score. 7 pages. Chry...
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Piano Solo - Level 3 - Digital Download SKU: A0.1031420 Composed by Chrystal Cottrell. Christmas,Contemporary,Instructional,Wedding. Score. 7 pages. Chrystal Cottrell #6137159. Published by Chrystal Cottrell (A0.1031420). About Soar: Soar has many useful elements perfect for private piano lessons. It contains the following: Arpeggios A Neo Classical Sound It is much like an exercise, keeping all fingers busy. It contains a fermata for dramatic pause. It uses a wide range of dynamics and phrasing. Composer’s note to you: Please freely use rubato and legato, dynamics and phrasing to make Soar uniquely expressive, as only you can. As you play through the piece, see if you can hear the seashore. Listen for the constant ebb and flow of the ocean. Listen to the seagulls clumsily taking flight, then climbing higher and higher. Hear them crooning high above as the waves crash below. Notice the peaceful surroundings as they fly off into the sunset. I hope you enjoy Soar, and it helps you grow as a musician. With warm thoughts for your safety and happiness, Chrystal Cottrell
$4.99
Crossing the River
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Marimba
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INTERMEDIATE/ADVANCED
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Michael M
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Crossing the River
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Michael M. Chang
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SheetMusicPlus
Marimba Solo - Level 4 - Digital Download SKU: A0.1310693 Composed by Michael M. Chang. 21st Century,Contemporary. Individual part. 10 pages. Michael M. ...
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Marimba Solo - Level 4 - Digital Download SKU: A0.1310693 Composed by Michael M. Chang. 21st Century,Contemporary. Individual part. 10 pages. Michael M. Chang #899669. Published by Michael M. Chang (A0.1310693). Crossing the River is written for an intermediate to advanced player using four mallets on a 4.3 marimba with optional 5-octave notes indicated in parentheses ( ). The song's meaning can be found in our everyday lives - how things can become mundane and sometimes events beyond our control can overwhelm us. During those times, our thoughts may drift back to our youth and to the simple things that brought us joy. Remembering these may bring a moment of contentment, but making those moments a part of our lives again can lead to a lifetime of happiness.The music begins in the key of E Major, with playful, lyrical phrases before modulating to a section in F# Major, which consists of a light, airy right-hand melody accompanied by a syncopated left-hand ostinato. The flow pauses for a moment of introspection, before a similar syncopated section returns, but this time in the key of A# minor. This builds to a beautiful chorale section as the river is crossed, before closing with a variation on the opening theme in C# Major. Singable and pleasing to the ear, the piece's melodies may help improve dexterity, particularly in the player's right hand.
$9.99
Gretchen am Spinnrade
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Clarinet Quartet: 4 clarinets
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Classical
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Franz Schubert
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Rebecca Mindock
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Gretchen am Spinnrade
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Imagine Music - Digital
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SheetMusicPlus
Clarinet quartet - Digital Download SKU: IZ.IMF1710 Composed by Franz Schubert. Arranged by Rebecca Mindock. Score and Parts. 26 pages. Imagine Music - D...
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Clarinet quartet - Digital Download SKU: IZ.IMF1710 Composed by Franz Schubert. Arranged by Rebecca Mindock. Score and Parts. 26 pages. Imagine Music - Digital #IMF1710. Published by Imagine Music - Digital (IZ.IMF1710). 9 x 12 in inches.Nineteenth-Century Austrian composer Franz Schubert (1797-1828) is renowned as one of the great masters of German Lieder, having composed over 600 works in the genre. He wrote his setting of Gretchen am Spinnrade (Gretchen at the Spinning Wheel), derived from Goethe's Faust, when he was 17 years old. Originally for voice and piano, Gretchen provides a first-person account of the feelings of its titular character as she works at her spinning wheel while reflecting on her conflicted emotions regarding Faust. The constant motion in the accompaniment part, echoing the tireless spinning of the wheel and the regular fall of her foot on the pedal, churns over a swiftly changing series of harmonies, representing both how swept away she is by her feelings for Faust but also her pain of not being able to be with him. The wheel's only pause comes when Gretchen reflects on Faust's kiss; it is the only moment in the song where she completely forgets her task at hand, so wrapped up is she in her tumultuous thoughts. As the musical patterns of the spinning wheel slowly but insistently return, Gretchen's composure is regained, and she returns to her task. This transcription for four clarinets employs a fluid exchange of the spinning wheel pattern across all four parts, and Gretchen's lyrical melody is also passed throughout the ensemble, allowing each player to have moments of both technical challenge and lyrical expressiveness.
$26.00
Step By Step
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Piano solo
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INTERMEDIATE
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Cristian Vivaldi
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Cristian Vivaldi
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Step By Step
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Cristian Vivaldi
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SheetMusicPlus
Piano Solo - Level 3 - Digital Download SKU: A0.1391503 By Cristian Vivaldi. By Cristian Vivaldi. Arranged by Cristian Vivaldi. Classical,Contemporary,Fi...
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Piano Solo - Level 3 - Digital Download SKU: A0.1391503 By Cristian Vivaldi. By Cristian Vivaldi. Arranged by Cristian Vivaldi. Classical,Contemporary,Film/TV,New Age. Score. 4 pages. Cristian Vivaldi #975040. Published by Cristian Vivaldi (A0.1391503). Step by Step is a captivating solo piano composition that beckons listeners to embrace the beauty of life's journey and the power of the present moment. With its gentle melody and reflective tone, this piece inspires contemplation on the small steps we take each day towards personal growth and self-improvement. Its tranquil ambiance invites listeners to pause, reflect, and appreciate the journey of becoming better individuals over time. Perfect for background piano music during moments of reading, concentration, or introspection, Step by Step offers a serene soundtrack to accompany the thoughtful exploration of life's profound intricacies.
$1.99
Somewhat International Wind Quintet
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Woodwind Quintet: flute, oboe, bassoon, clarinet, horn
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INTERMEDIATE/ADVANCED
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Contemporary
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Gary Friedman
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Somewhat International Wind Qu
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Gary Friedman
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SheetMusicPlus
Small Ensemble Bassoon,Clarinet,Flute,Horn,Oboe - Level 4 - Digital Download SKU: A0.889913 Composed by Gary Friedman. Contemporary. Score and parts. 35 ...
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Small Ensemble Bassoon,Clarinet,Flute,Horn,Oboe - Level 4 - Digital Download SKU: A0.889913 Composed by Gary Friedman. Contemporary. Score and parts. 35 pages. Gary Friedman #5011373. Published by Gary Friedman (A0.889913). I wrote what I thought was an interesting piece, which included some attention-getting pauses. A colleague liked it and urged me to add some more movements. So to the first movement Hurry Up and Wait, I added Siciliano as the second movement, and Finale (with apologies to Shostakovich) as the third. For the latter I borrowed a few features of his 9th Symphony. The mp3 is computer-generated.
$10.00
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