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The Virtues
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The Virtues
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103 sheet music found
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Hildegard von Bingen: Ordo Virtutum (latine), Order of the Virtues (in English), Ordre des Vertus (
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Choral Unison
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INTERMEDIATE
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Classical
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Hildegard Von Bingen
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Zoltan Paulinyi
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Hildegard von Bingen: Ordo Vir
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Zoltan Paulinyi
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SheetMusicPlus
Choral Choir (Unison) - Level 3 - Digital Download SKU: A0.966252 Composed by Hildegard Von Bingen. Arranged by Zoltan Paulinyi. Classical. Octavo. 60 pa...
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Choral Choir (Unison) - Level 3 - Digital Download SKU: A0.966252 Composed by Hildegard Von Bingen. Arranged by Zoltan Paulinyi. Classical. Octavo. 60 pages. Zoltan Paulinyi #6327455. Published by Zoltan Paulinyi (A0.966252). This books publishes the original Latin text translated into English, French and Portuguese with some performing instructions added by the translator. It includes the facsimile of the full score manuscript. This new edition is revised by the Schola Cantorum of Brasilia. The Order of the Virtues, opera written in the 12nd century, transcends music by bringing together literature, philosophy, theology and spirituality in a single art piece. Dr Zoltan Paulinyi presents his translations next to the Latin text to maintain the words’ correspondence to bring the reader closer to the author's original message and facilitate musical and theatrical production. The Order of the Virtues remains one of the most engaging philosophical themes of the last millennium. Saint Hildegard elegantly presented the questioning through this sublime and solemn opera, inspiring hundreds of intellectuals after her, like Saint Thomas Aquinas, to seek more complete answers.
$19.00
LET THERE BE A CHANGE IN ME
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MARY R LEASON/PAUL L VINES
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PAUL LUTHER VINES
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LET THERE BE A CHANGE IN ME
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PAUL Luther VINES
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SheetMusicPlus
Electronic Keyboard,Instrumental Solo,Piano - Level 2 - Digital Download SKU: A0.1501056 By MARY R LEASON/PAUL L VINES. By PAUL LUTHER VINES. Arranged by...
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Electronic Keyboard,Instrumental Solo,Piano - Level 2 - Digital Download SKU: A0.1501056 By MARY R LEASON/PAUL L VINES. By PAUL LUTHER VINES. Arranged by PAUL LUTHER VINES. Christian,Country,Folk,Praise & Worship,Spiritual. Score and individual part. 1 pages. PAUL Luther VINES #1072314. Published by PAUL Luther VINES (A0.1501056). A spiritual. Key of D - E. In Mary's first five verses she is asking the Lord to help her attain to these virtues in her walk as a Christian. As Christians we all want to these good virtues in our lives, but perfection is difficult to live up to, ... so I wrote a sixth verse to this song to round things out.
$5.99
March of the Three Kings - Trombone Duet - Advanced Intermediate
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2 Trombones (duet)
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INTERMEDIATE/ADVANCED
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Christmas
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Traditional English Carol
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Dennis Ruello
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March of the Three Kings - Tro
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Chicory Music
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SheetMusicPlus
Trombone Duet Trombone - Level 4 - Digital Download SKU: A0.734358 Composed by Traditional English Carol. Arranged by Dennis Ruello. Christmas,Holiday,Pr...
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Trombone Duet Trombone - Level 4 - Digital Download SKU: A0.734358 Composed by Traditional English Carol. Arranged by Dennis Ruello. Christmas,Holiday,Praise & Worship,Romantic Period,Sacred. Score. 2 pages. Chicory Music #3116333. Published by Chicory Music (A0.734358). March of the Three Kings for Trombone Duet arranged at the Advanced Intermediate level.The Crusades, those religious expeditions to rescue the holy places in Palestine from the Muslims, created an enormous interest in both faith and fighting in the Middle Ages. French peasants from Provence in the 13th century, when the tune for this March of the Kings was being sung and danced to, must have endowed the Three Kings of the Christmas story with all the virtues and appearance of their own folk heroes nearer at hand. These were the French dukes, clad in gleaming armor, carrying brilliant banners and bejeweled shields, who fought for the Pope far more willingly than they would have for the lives of their own serfs. Hence the martial references in this text, sung to a tune that is perhaps even older than the verses. Georges Bizet, composer of the opera Carmen, used the same tune as a farandole, or stately dance, in his incidental music for Alphonse Daudet’s play L’Arlesienne (The Woman from Aries). The March of the Three Kings has been arranged in the trombone friendly key of c minor at the advanced intermediate level.Performance time: approx. 2 minutes.
$2.99
March of the Three Kings - Horn in F Duet - Intermediate
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2 French horns (duet)
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INTERMEDIATE
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Christmas
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Traditional English Carol
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Dennis Ruello
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March of the Three Kings - Hor
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Chicory Music
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SheetMusicPlus
Instrumental Duet Horn,Instrumental Duet - Level 3 - Digital Download SKU: A0.734359 Composed by Traditional English Carol. Arranged by Dennis Ruello. Ch...
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Instrumental Duet Horn,Instrumental Duet - Level 3 - Digital Download SKU: A0.734359 Composed by Traditional English Carol. Arranged by Dennis Ruello. Christmas,Holiday,Praise & Worship,Romantic Period,Sacred. Score and parts. 2 pages. Chicory Music #3118917. Published by Chicory Music (A0.734359). March of the Three Kings for Horn in F Duet arranged at the Intermediate level.The Crusades, those religious expeditions to rescue the holy places in Palestine from the Muslims, created an enormous interest in both faith and fighting in the Middle Ages. French peasants from Provence in the 13th century, when the tune for this March of the Kings was being sung and danced to, must have endowed the Three Kings of the Christmas story with all the virtues and appearance of their own folk heroes nearer at hand. These were the French dukes, clad in gleaming armor, carrying brilliant banners and bejeweled shields, who fought for the Pope far more willingly than they would have for the lives of their own serfs. Hence the martial references in this text, sung to a tune that is perhaps even older than the verses. Georges Bizet, composer of the opera Carmen, used the same tune as a farandole, or stately dance, in his incidental music for Alphonse Daudet’s play L’Arlesienne (The Woman from Aries). The March of the Three Kings has been arranged in the Horn in F friendly key of d minor at the intermediate level. Performance time: approx. 2 minutes.
$2.99
March of the Three Kings - Violin / Viola Duet - Intermediate
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Violin, Viola (duet)
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INTERMEDIATE
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Sacred music
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Georges Bizet
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Dennis Ruello
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March of the Three Kings - Vio
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Chicory Music
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SheetMusicPlus
Instrumental Duet Instrumental Duet,Viola,Violin - Level 3 - Digital Download SKU: A0.734412 Composed by Georges Bizet. Arranged by Dennis Ruello. Christ...
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Instrumental Duet Instrumental Duet,Viola,Violin - Level 3 - Digital Download SKU: A0.734412 Composed by Georges Bizet. Arranged by Dennis Ruello. Christmas,Holiday,Praise & Worship,Sacred,Standards. Score and parts. 2 pages. Chicory Music #4890289. Published by Chicory Music (A0.734412). March of the Three Kings for Violin / Viola Duet arranged at the Intermediate level.The Crusades, those religious expeditions to rescue the holy places in Palestine from the Muslims, created an enormous interest in both faith and fighting in the Middle Ages. French peasants from Provence in the 13th century, when the tune for this March of the Kings was being sung and danced to, must have endowed the Three Kings of the Christmas story with all the virtues and appearance of their own folk heroes nearer at hand. These were the French dukes, clad in gleaming armor, carrying brilliant banners and bejeweled shields, who fought for the Pope far more willingly than they would have for the lives of their own serfs. Hence the martial references in this text, sung to a tune that is perhaps even older than the verses. Georges Bizet, composer of the opera Carmen, used the same tune as a farandole, or stately dance, in his incidental music for Alphonse Daudet’s play L’Arlesienne (The Woman from Aries). The March of the Three Kings has been arranged in the string friendly key of e minor at the Intermediate level. Performance time: approx. 2 minutes.
$2.99
March of the Three Kings - Alto Saxophone Duet - Intermediate
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2 Saxophones (duet)
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INTERMEDIATE
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Classical
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Georges Bizet
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Dennis Ruello
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March of the Three Kings - Alt
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Chicory Music
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SheetMusicPlus
Alto Saxophone Duet Alto Saxophone - Level 3 - Digital Download SKU: A0.734331 Composed by Georges Bizet. Arranged by Dennis Ruello. Christmas,Holiday,Pr...
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Alto Saxophone Duet Alto Saxophone - Level 3 - Digital Download SKU: A0.734331 Composed by Georges Bizet. Arranged by Dennis Ruello. Christmas,Holiday,Praise & Worship,Romantic Period,Sacred. 2 scores. 2 pages. Chicory Music #2926723. Published by Chicory Music (A0.734331). March of the Three Kings for Alto Saxophone Duet at the Intermediate level.The Crusades-those religious expeditions to rescue the holy places in Palestine from the Muslims, created an enormous interest in both faith and fighting in the Middle Ages. French peasants from Provence in the 13th century, when the tune for this March of the Kings was being sung and danced to, must have endowed the Three Kings of the Christmas story with all the virtues and appearance of their own folk heroes nearer at hand. These were the French dukes, clad in gleaming armor, carrying brilliant banners and bejeweled shields, who fought for the Pope far more willingly than they would have for the lives of their own serfs. Hence the martial references in this text, sung to a tune that is perhaps even older than the verses. Georges Bizet, composer of the opera Carmen, used the same tune as a farandole, or stately dance, in his incidental music for Alphonse Daudet’s play L’Arlesienne (The Woman from Aries). The March of the Three Kings has been arranged in the alto sax friendly key of g minor at the intermediate level. Performance time: approx. 2 minutes.
$2.99
March of the Three Kings - Mixed Saxophone (Soprano & Alto) Duet - Intermediate
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2 Saxophones (duet)
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INTERMEDIATE
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Classical
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Georges Bizet
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Dennis Ruello
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March of the Three Kings - Mix
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Chicory Music
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SheetMusicPlus
Instrumental Duet Alto Saxophone,Instrumental Duet,Soprano Saxophone - Level 3 - Digital Download SKU: A0.734332 Composed by Georges Bizet. Arranged by D...
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Instrumental Duet Alto Saxophone,Instrumental Duet,Soprano Saxophone - Level 3 - Digital Download SKU: A0.734332 Composed by Georges Bizet. Arranged by Dennis Ruello. Christmas,Holiday,Praise & Worship,Romantic Period,Sacred. Score and parts. 2 pages. Chicory Music #2926727. Published by Chicory Music (A0.734332). March of the Three Kings for Mixed (Soprano & Alto) Saxophone Duet at the Intermediate level.The Crusades, those religious expeditions to rescue the holy places in Palestine from the Muslims, created an enormous interest in both faith and fighting in the Middle Ages. French peasants from Provence in the 13th century, when the tune for this March of the Kings was being sung and danced to, must have endowed the Three Kings of the Christmas story with all the virtues and appearance of their own folk heroes nearer at hand. These were the French dukes, clad in gleaming armor, carrying brilliant banners and bejeweled shields, who fought for the Pope far more willingly than they would have for the lives of their own serfs. Hence the martial references in this text, sung to a tune that is perhaps even older than the verses. Georges Bizet, composer of the opera Carmen, used the same tune as a farandole, or stately dance, in his incidental music for Alphonse Daudet’s play L’Arlesienne (The Woman from Aries). The March of the Three Kings has been arranged in the sax friendly key of g minor at the intermediate level. Performance time: approx. 2 minutes.
$2.99
March of the Three Kings - Flute / Oboe Duet - Intermediate
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Oboe, Flute
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INTERMEDIATE
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Sacred music
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Dennis Ruello
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March of the Three Kings - Flu
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Chicory Music
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SheetMusicPlus
Instrumental Duet Flute,Instrumental Duet,Oboe - Level 3 - Digital Download SKU: A0.734413 Arranged by Dennis Ruello. Christmas,Holiday,Praise & Worship,...
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Instrumental Duet Flute,Instrumental Duet,Oboe - Level 3 - Digital Download SKU: A0.734413 Arranged by Dennis Ruello. Christmas,Holiday,Praise & Worship,Sacred,Standards. Score and parts. 2 pages. Chicory Music #4890583. Published by Chicory Music (A0.734413). March of the Three Kings for Flute / Oboe Duet arranged at the Intermediate level.The Crusades, those religious expeditions to rescue the holy places in Palestine from the Muslims, created an enormous interest in both faith and fighting in the Middle Ages. French peasants from Provence in the 13th century, when the tune for this March of the Kings was being sung and danced to, must have endowed the Three Kings of the Christmas story with all the virtues and appearance of their own folk heroes nearer at hand. These were the French dukes, clad in gleaming armor, carrying brilliant banners and bejeweled shields, who fought for the Pope far more willingly than they would have for the lives of their own serfs. Hence the martial references in this text, sung to a tune that is perhaps even older than the verses. Georges Bizet, composer of the opera Carmen, used the same tune as a farandole, or stately dance, in his incidental music for Alphonse Daudet’s play L’Arlesienne (The Woman from Aries). The March of the Three Kings has been arranged in the woodwind friendly key of g minor at the Intermediate level. Performance time: approx. 2 minutes.
$2.99
Monteverdi - The Third Book of Madrigals - No 11 O Primavera
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Brass ensemble
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INTERMEDIATE/ADVANCED
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Classical
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Claudio Monteverdi
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Mike Lyons
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Monteverdi - The Third Book of
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Lyons Music Services
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SheetMusicPlus
Brass Ensemble - Level 4 - Digital Download SKU: A0.767198 Composed by Claudio Monteverdi. Arranged by Mike Lyons. Baroque,Renaissance. Score and parts. ...
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Brass Ensemble - Level 4 - Digital Download SKU: A0.767198 Composed by Claudio Monteverdi. Arranged by Mike Lyons. Baroque,Renaissance. Score and parts. 16 pages. Lyons Music Services #3074233. Published by Lyons Music Services (A0.767198). Monteverdi's third book of madrigals of 1592 is one of the earliest steps towards the writing of opera as we know it. In this collection of songs, Monteverdi, for the first time, starts to bring small groups of songs (2 or 3) to form a 'Scena - a collection with similar words or on a similar theme or by the same poet and keeping them as a little group within the book of madrigals. The 11th song, O Primavera extolls the virtues of young love in the spring, when the humours are rising.As with all of Monteverdi's vocal music, it translates really well onto instruments. The individual madrigals are available separately. This flexible arrangement is equally playable on woodwind ensembles as on brass.Flexible quintet parts are supplied as follows:Part 1 in Bb,Part 2 in Bb, Part 3 in Bb/Eb/F, Part 4 in Bb/Eb/C(Bass clef) and Part 5 in Bb/Eb/C(Bass clef)Other parts may be requested free of charge.
$5.99
Monteverdi - The Fifth Book of Madrigals (1605) - 13. M'e piu dolce il penar
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Brass ensemble
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INTERMEDIATE
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Classical
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Claudio Monteverdi
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Mike Lyons
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Monteverdi - The Fifth Book of
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Lyons Music Services
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SheetMusicPlus
Brass Ensemble - Level 3 - Digital Download SKU: A0.767252 Composed by Claudio Monteverdi. Arranged by Mike Lyons. Baroque,Renaissance. Score and parts. ...
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Brass Ensemble - Level 3 - Digital Download SKU: A0.767252 Composed by Claudio Monteverdi. Arranged by Mike Lyons. Baroque,Renaissance. Score and parts. 16 pages. Lyons Music Services #3121629. Published by Lyons Music Services (A0.767252). The Fifth book of madrigals starts to see much more development towards operatic style writing, with more songs being strung together to form scenas and with the addition of accompaniment on instruments. Some of these songs can be written by incorporating the accompaniment into the parts for those instruments which are resting, some will require more than a quintet. Certainly as we get into the next three books, reduction to a quintet will become increasingly more difficult, if not impossible. Song number 13 is extolling the virtues of the lovely Amaryllis I am sweeter because of Amaryllis
$5.99
She That Feareth the Lord (Downloadable)
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Choral SATB
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INTERMEDIATE
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Frank Pesci
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She That Feareth the Lord
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E. C. Schirmer Music Company - Digital
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SheetMusicPlus
SATB choir and organ - Medium - Digital Download SKU: MQ.8213-E Composed by Frank Pesci. Mother, 21st Century. 12 pages. Duration 4 minutes, 50 seconds. ...
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SATB choir and organ - Medium - Digital Download SKU: MQ.8213-E Composed by Frank Pesci. Mother, 21st Century. 12 pages. Duration 4 minutes, 50 seconds. E. C. Schirmer Music Company - Digital #8213-E. Published by E. C. Schirmer Music Company - Digital (MQ.8213-E). English. Proverbs 31:25-30.Featuring a text from Proverbs 31:25–30, She That Feareth the Lord is a lyrical setting extolling the virtues of being a woman who is faithful to God. Useful for any service highlighting the role of women in the church and in our lives (Mother's Day, etc.). Duration: 4:50.
$2.65
LET THERE BE A CHANGE IN ME
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Piano solo
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INTERMEDIATE
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MARY R LEASON/PAUL L VINES
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PAUL LUTHER VINES
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LET THERE BE A CHANGE IN ME
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PAUL Luther VINES
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SheetMusicPlus
Piano - Level 3 - Digital Download SKU: A0.1495786 By MARY R LEASON/PAUL L VINES. By PAUL LUTHER VINES. Arranged by PAUL LUTHER VINES. Christian,Folk,Pra...
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Piano - Level 3 - Digital Download SKU: A0.1495786 By MARY R LEASON/PAUL L VINES. By PAUL LUTHER VINES. Arranged by PAUL LUTHER VINES. Christian,Folk,Praise & Worship,Religious,Spiritual. Score (Chords/Lyrics). 1 pages. PAUL Luther VINES #1072316. Published by PAUL Luther VINES (A0.1495786). Spiritual. Key of D - E. In her first five verses, Mary is asking the Lord to help her attain to these good virtues in her walk as a Christian. As Christians we all want these noble virtues in our lives, but perfection is difficult to live up to; ... so I wrote a sixth verse to this song to round things out.
$5.99
Three Virtues - Oboe and Piano
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Oboe, Piano (duet)
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INTERMEDIATE
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Phil Rawle
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Three Virtues - Oboe and Piano
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Phillip Rawle
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SheetMusicPlus
Oboe,Piano - Level 3 - Digital Download SKU: A0.1337463 Composed by Phil Rawle. Chamber,Classical,Contemporary. Score and part. 21 pages. Phillip Rawle #...
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Oboe,Piano - Level 3 - Digital Download SKU: A0.1337463 Composed by Phil Rawle. Chamber,Classical,Contemporary. Score and part. 21 pages. Phillip Rawle #923286. Published by Phillip Rawle (A0.1337463). Three uplifting solos for oboe with Piano accompanimentCompassion As the title suggests, this piece should be played with warmth the middle departure showing a little more anxiety before a return to the optimism of the opening theme. Apart from this, there is no formal structure. There should be a marked contrast between the flowing, lyrical passages of the opening section and the crisp staccato in the middle descending arpeggios.  Although the tempo indicates quickness, the feel should be one of animation rather than pace. The dynamic range is not great but should be accurately observed with clear contrasts. Mercy Much more of a duet for oboe and piano rather than a solo. This has a yearning, minor aspect with a contrasting few bars of a more comfortable major feel at the end of the middle section. The lively tempo should be driven through the whole piece with only a slight letup in the final two measures. Although written in waltz time, this is no dance being loaded with underlying energy and emotion. The dynamics remain fairly loud with only the expected variation in line with the phrasing.Tenderness This piece, written in the middle to high register, has a simple structure being a stable melody with variations and ornaments. Where the piano accompaniment has the theme it should be allowed to show through.  As the title suggests this should be played with a gentle lilt but not over-sentimental. Aim for a warm to mellow texture with comforting sounds. There is a general but slight crescendo throughout the piece.
$7.50
Hildegard's Ordo Virtutum "Order of the Virtues”: opera in modern notation Latin/English Ed Paulinyi
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S
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Zoltan Paulinyi
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Hildegard's Ordo Virtutum "Ord
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Zoltan Paulinyi
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SheetMusicPlus
Choral Choir,Choral,Unison Chorus - Level 2 - Digital Download SKU: A0.1517547 Composed by S. Hildegard von Bingen. Arranged by Zoltan Paulinyi. Medieval...
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Choral Choir,Choral,Unison Chorus - Level 2 - Digital Download SKU: A0.1517547 Composed by S. Hildegard von Bingen. Arranged by Zoltan Paulinyi. Medieval,Opera. 59 pages. Zoltan Paulinyi #1091709. Published by Zoltan Paulinyi (A0.1517547). S. Hildegard von Bingen's opera Ordo Virtutum transcribed in modern notation with lyric in Latin along with its translation into English by Dr Zoltan Paulinyi. With 59 pages, this edition includes the full score in treble and bass clef, and the manuscript fac-simile.
$4.00
Bid the Virtues
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Henry Purcell
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Bid the Virtues
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Schott Music - Digital
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SheetMusicPlus
Soprano, oboe and piano - Digital Download SKU: S9.Q3233 From Ode for the Birthday of Queen Mary. Composed by Henry Purcell. This edition: Sheet m...
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Soprano, oboe and piano - Digital Download SKU: S9.Q3233 From Ode for the Birthday of Queen Mary. Composed by Henry Purcell. This edition: Sheet music. Downloadable. Schott Music - Digital #Q3233. Published by Schott Music - Digital (S9.Q3233). English.
$15.99
Monteverdi - The Seventh Book of Madrigals (1619) - 19. Vaga su spina ascosa à7
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Flute, Oboe, Clarinet, Bassoon
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INTERMEDIATE
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Classical
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Claudio Monteverdi
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Mike Lyons
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Monteverdi - The Seventh Book
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Lyons Music Services
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SheetMusicPlus
Brass Ensemble Euphonium,Horn,Trombone,Trumpet,Tuba - Level 3 - Digital Download SKU: A0.767357 Composed by Claudio Monteverdi. Arranged by Mike Lyons. B...
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Brass Ensemble Euphonium,Horn,Trombone,Trumpet,Tuba - Level 3 - Digital Download SKU: A0.767357 Composed by Claudio Monteverdi. Arranged by Mike Lyons. Baroque,Renaissance. Score and parts. 25 pages. Lyons Music Services #3543483. Published by Lyons Music Services (A0.767357). Continuing my edition of Monteverdi's complete madrigal books, here is no 19. This is a love poem describing the virtues of a young lady. The language is flowery and obtuse, but none-the-less beautiful. The first line translates as Gentle midst the hidden thorns. It is obvious that Monteverdi is enlarging his scope with this trio for all male voices (2 tenors and a bass) as the soloists, with a more complex accompaniment that many of the previous songs. The accompaniment is complex enough to deserve it's own ensemble, so I have arranged it à 7 as follows: 1 - Part 1 in F/Eb (Tenor 1) - Horn 2 - Part 2 in F/Eb (Tenor 2) - Horn 3 - Part 3 in C/Bb (Bass) - Euph/Trom/Barit 4 - Part 4 in Bb - Trumpet/Cornet 5 - Part 5 in Bb - Trumpet/Cornet 6 - Part 6 in C/Bb - Trom/Euph/Barit 7 - Part 7 in C/Eb - Tuba/Eb Bass
$5.99
Ang Dalagang Pilipina (The Philippine Maiden)
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Piano, Voice
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INTERMEDIATE
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Ruben Tagalog
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Carlo Moldez
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Ang Dalagang Pilipina
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Carlo Moldez
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SheetMusicPlus
Piano,Vocal,Voice - Level 3 - Digital Download SKU: A0.1228830 By Ruben Tagalog. By Jose G. Santos. Arranged by Carlo Moldez. 20th Century,Folk,Singer/So...
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Piano,Vocal,Voice - Level 3 - Digital Download SKU: A0.1228830 By Ruben Tagalog. By Jose G. Santos. Arranged by Carlo Moldez. 20th Century,Folk,Singer/Songwriter,Wedding. Score. 7 pages. Carlo Moldez #824739. Published by Carlo Moldez (A0.1228830). Ang Dalagang Pilipina is a Philippine folk song that tells about the virtues of a young Filipino Woman.
$5.00
Kommos (Lamentation) / "When the World Moved On" - Trumpet 1 in Bb
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Trumpet (band part)
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INTERMEDIATE/ADVANCED
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Benjamin Harry Sajo
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Kommos
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Benjamin Sajo
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SheetMusicPlus
Trumpet Solo - Level 4 - Digital Download SKU: A0.1018953 Composed by Benjamin Harry Sajo. 20th Century,Contemporary. Individual part. 1 pages. Benjamin ...
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Trumpet Solo - Level 4 - Digital Download SKU: A0.1018953 Composed by Benjamin Harry Sajo. 20th Century,Contemporary. Individual part. 1 pages. Benjamin Sajo #6078693. Published by Benjamin Sajo (A0.1018953). Programme Notes: This composition was written to be considered for pairing alongside Ludwig van Beethoven’s Symphony #3, the Eroica, but can stand on its own virtues as an intense and slow meditation on heroism. The music is like a boiling pot on the stove that’s just began to overflow its bubbles. The first part of the title, kommos, is a Classical Greek term from Attic dramaturgy, literally meaning striking but specifically referring to beating oneself up during lamentation--ripping at the hair, gouging out the eyes--like Oedipus--slapping the forehead, and other acts amid moments of extreme emotional turmoil. For example, from Aeschylus's play Agamemnon, a character bewails: Apollo, Apollo! God of the Ways, my destroyer! For you have destroyed me-and utterly [...]What is this fresh woe [...]what monstrous, monstrous horror, beyond love's enduring, beyond all remedy? And help stands far away! We can easily imagine physical accompaniment to the script; rather than bottling up the pain, the hero lets it all explosively come out.  The second part of the title, When the world moved on, is an epigraph taken from American author Stephen King’s The Dark Tower epic. The primary setting of the novel, a world similar in many ways to our own, is experiencing a dark age where the glorious past is all but a distant memory and all good things are referred to wistfully as occurring, When the world moved on. Yet, the main protagonist, Roland, the last gunslinger, emphasizes that it is not just a figure of speech, but the literal distances between destinations have increased, the positions of the stars have changed, as well as the occurrence of other unnatural phenomena. The world has become a gulf of isolation from all corners. Taken together, this piece is a lamentation for when the world moved on. Truly completed on Yom Kippur during the Covid-19 Pandemic, being unable to fast or go to synagogue, this is my atonement.About the Composer: Benjamin Sajo (b. 1988) is a Canadian composer of contemporary classical music, as well as an educator. Since developing a fiercely independent creative voice upon the completion of his studies at Western (2010) and McGill Universities (2013), he continues to find inspiration from the intersection of mythology, art, and nature upon the contemporary human experience. In 2019, he released his premiere album of original music, The Great War Sextet: Canadian War Poetry with Trombone & Strings, with support from the Ontario Arts Council. He is a member of SOCAN and the League of Canadian Composers.
$3.50
Kommos (Lamentation) / "When the World Moved On" - Timpani
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Benjamin Harry Sajo
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Kommos
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Benjamin Sajo
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SheetMusicPlus
Percussion Solo,Timpani - Level 4 - Digital Download SKU: A0.1018954 Composed by Benjamin Harry Sajo. 20th Century,Contemporary. Individual part. 1 pages...
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Percussion Solo,Timpani - Level 4 - Digital Download SKU: A0.1018954 Composed by Benjamin Harry Sajo. 20th Century,Contemporary. Individual part. 1 pages. Benjamin Sajo #6078699. Published by Benjamin Sajo (A0.1018954). Programme Notes: This composition was written to be considered for pairing alongside Ludwig van Beethoven’s Symphony #3, the Eroica, but can stand on its own virtues as an intense and slow meditation on heroism. The music is like a boiling pot on the stove that’s just began to overflow its bubbles. The first part of the title, kommos, is a Classical Greek term from Attic dramaturgy, literally meaning striking but specifically referring to beating oneself up during lamentation--ripping at the hair, gouging out the eyes--like Oedipus--slapping the forehead, and other acts amid moments of extreme emotional turmoil. For example, from Aeschylus's play Agamemnon, a character bewails: Apollo, Apollo! God of the Ways, my destroyer! For you have destroyed me-and utterly [...]What is this fresh woe [...]what monstrous, monstrous horror, beyond love's enduring, beyond all remedy? And help stands far away! We can easily imagine physical accompaniment to the script; rather than bottling up the pain, the hero lets it all explosively come out.  The second part of the title, When the world moved on, is an epigraph taken from American author Stephen King’s The Dark Tower epic. The primary setting of the novel, a world similar in many ways to our own, is experiencing a dark age where the glorious past is all but a distant memory and all good things are referred to wistfully as occurring, When the world moved on. Yet, the main protagonist, Roland, the last gunslinger, emphasizes that it is not just a figure of speech, but the literal distances between destinations have increased, the positions of the stars have changed, as well as the occurrence of other unnatural phenomena. The world has become a gulf of isolation from all corners. Taken together, this piece is a lamentation for when the world moved on. Truly completed on Yom Kippur during the Covid-19 Pandemic, being unable to fast or go to synagogue, this is my atonement.About the Composer: Benjamin Sajo (b. 1988) is a Canadian composer of contemporary classical music, as well as an educator. Since developing a fiercely independent creative voice upon the completion of his studies at Western (2010) and McGill Universities (2013), he continues to find inspiration from the intersection of mythology, art, and nature upon the contemporary human experience. In 2019, he released his premiere album of original music, The Great War Sextet: Canadian War Poetry with Trombone & Strings, with support from the Ontario Arts Council. He is a member of SOCAN and the League of Canadian Composers.
$3.50
Kommos (Lamentation) / "When the World Moved On" - Bassoon 2
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Bassoon
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INTERMEDIATE/ADVANCED
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Benjamin Harry Sajo
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Kommos
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Benjamin Sajo
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SheetMusicPlus
Bassoon Solo - Level 4 - Digital Download SKU: A0.1018949 Composed by Benjamin Harry Sajo. 20th Century,Contemporary. Individual part. 2 pages. Benjamin ...
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Bassoon Solo - Level 4 - Digital Download SKU: A0.1018949 Composed by Benjamin Harry Sajo. 20th Century,Contemporary. Individual part. 2 pages. Benjamin Sajo #6078683. Published by Benjamin Sajo (A0.1018949). Programme Notes: This composition was written to be considered for pairing alongside Ludwig van Beethoven’s Symphony #3, the Eroica, but can stand on its own virtues as an intense and slow meditation on heroism. The music is like a boiling pot on the stove that’s just began to overflow its bubbles. The first part of the title, kommos, is a Classical Greek term from Attic dramaturgy, literally meaning striking but specifically referring to beating oneself up during lamentation--ripping at the hair, gouging out the eyes--like Oedipus--slapping the forehead, and other acts amid moments of extreme emotional turmoil. For example, from Aeschylus's play Agamemnon, a character bewails: Apollo, Apollo! God of the Ways, my destroyer! For you have destroyed me-and utterly [...]What is this fresh woe [...]what monstrous, monstrous horror, beyond love's enduring, beyond all remedy? And help stands far away! We can easily imagine physical accompaniment to the script; rather than bottling up the pain, the hero lets it all explosively come out.  The second part of the title, When the world moved on, is an epigraph taken from American author Stephen King’s The Dark Tower epic. The primary setting of the novel, a world similar in many ways to our own, is experiencing a dark age where the glorious past is all but a distant memory and all good things are referred to wistfully as occurring, When the world moved on. Yet, the main protagonist, Roland, the last gunslinger, emphasizes that it is not just a figure of speech, but the literal distances between destinations have increased, the positions of the stars have changed, as well as the occurrence of other unnatural phenomena. The world has become a gulf of isolation from all corners. Taken together, this piece is a lamentation for when the world moved on. Truly completed on Yom Kippur during the Covid-19 Pandemic, being unable to fast or go to synagogue, this is my atonement.About the Composer: Benjamin Sajo (b. 1988) is a Canadian composer of contemporary classical music, as well as an educator. Since developing a fiercely independent creative voice upon the completion of his studies at Western (2010) and McGill Universities (2013), he continues to find inspiration from the intersection of mythology, art, and nature upon the contemporary human experience. In 2019, he released his premiere album of original music, The Great War Sextet: Canadian War Poetry with Trombone & Strings, with support from the Ontario Arts Council. He is a member of SOCAN and the League of Canadian Composers.
$3.50
Kommos (Lamentation) / "When the World Moved On" - Bassoon 1
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Bassoon
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INTERMEDIATE/ADVANCED
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Benjamin Harry Sajo
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Kommos
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Benjamin Sajo
#
SheetMusicPlus
Bassoon Solo - Level 4 - Digital Download SKU: A0.1018948 Composed by Benjamin Harry Sajo. 20th Century,Contemporary. Individual part. 2 pages. Benjamin ...
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Bassoon Solo - Level 4 - Digital Download SKU: A0.1018948 Composed by Benjamin Harry Sajo. 20th Century,Contemporary. Individual part. 2 pages. Benjamin Sajo #6078681. Published by Benjamin Sajo (A0.1018948). Programme Notes: This composition was written to be considered for pairing alongside Ludwig van Beethoven’s Symphony #3, the Eroica, but can stand on its own virtues as an intense and slow meditation on heroism. The music is like a boiling pot on the stove that’s just began to overflow its bubbles. The first part of the title, kommos, is a Classical Greek term from Attic dramaturgy, literally meaning striking but specifically referring to beating oneself up during lamentation--ripping at the hair, gouging out the eyes--like Oedipus--slapping the forehead, and other acts amid moments of extreme emotional turmoil. For example, from Aeschylus's play Agamemnon, a character bewails: Apollo, Apollo! God of the Ways, my destroyer! For you have destroyed me-and utterly [...]What is this fresh woe [...]what monstrous, monstrous horror, beyond love's enduring, beyond all remedy? And help stands far away! We can easily imagine physical accompaniment to the script; rather than bottling up the pain, the hero lets it all explosively come out.  The second part of the title, When the world moved on, is an epigraph taken from American author Stephen King’s The Dark Tower epic. The primary setting of the novel, a world similar in many ways to our own, is experiencing a dark age where the glorious past is all but a distant memory and all good things are referred to wistfully as occurring, When the world moved on. Yet, the main protagonist, Roland, the last gunslinger, emphasizes that it is not just a figure of speech, but the literal distances between destinations have increased, the positions of the stars have changed, as well as the occurrence of other unnatural phenomena. The world has become a gulf of isolation from all corners. Taken together, this piece is a lamentation for when the world moved on. Truly completed on Yom Kippur during the Covid-19 Pandemic, being unable to fast or go to synagogue, this is my atonement.About the Composer: Benjamin Sajo (b. 1988) is a Canadian composer of contemporary classical music, as well as an educator. Since developing a fiercely independent creative voice upon the completion of his studies at Western (2010) and McGill Universities (2013), he continues to find inspiration from the intersection of mythology, art, and nature upon the contemporary human experience. In 2019, he released his premiere album of original music, The Great War Sextet: Canadian War Poetry with Trombone & Strings, with support from the Ontario Arts Council. He is a member of SOCAN and the League of Canadian Composers.
$3.50
Kommos (Lamentation) / "When the World Moved On" - Horn 1 in F
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French horn
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INTERMEDIATE/ADVANCED
#
Benjamin Harry Sajo
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Kommos
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Benjamin Sajo
#
SheetMusicPlus
French Horn Solo - Level 4 - Digital Download SKU: A0.1018950 Composed by Benjamin Harry Sajo. 20th Century,Contemporary. Individual part. 1 pages. Benja...
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French Horn Solo - Level 4 - Digital Download SKU: A0.1018950 Composed by Benjamin Harry Sajo. 20th Century,Contemporary. Individual part. 1 pages. Benjamin Sajo #6078687. Published by Benjamin Sajo (A0.1018950). Programme Notes: This composition was written to be considered for pairing alongside Ludwig van Beethoven’s Symphony #3, the Eroica, but can stand on its own virtues as an intense and slow meditation on heroism. The music is like a boiling pot on the stove that’s just began to overflow its bubbles. The first part of the title, kommos, is a Classical Greek term from Attic dramaturgy, literally meaning striking but specifically referring to beating oneself up during lamentation--ripping at the hair, gouging out the eyes--like Oedipus--slapping the forehead, and other acts amid moments of extreme emotional turmoil. For example, from Aeschylus's play Agamemnon, a character bewails: Apollo, Apollo! God of the Ways, my destroyer! For you have destroyed me-and utterly [...]What is this fresh woe [...]what monstrous, monstrous horror, beyond love's enduring, beyond all remedy? And help stands far away! We can easily imagine physical accompaniment to the script; rather than bottling up the pain, the hero lets it all explosively come out.  The second part of the title, When the world moved on, is an epigraph taken from American author Stephen King’s The Dark Tower epic. The primary setting of the novel, a world similar in many ways to our own, is experiencing a dark age where the glorious past is all but a distant memory and all good things are referred to wistfully as occurring, When the world moved on. Yet, the main protagonist, Roland, the last gunslinger, emphasizes that it is not just a figure of speech, but the literal distances between destinations have increased, the positions of the stars have changed, as well as the occurrence of other unnatural phenomena. The world has become a gulf of isolation from all corners. Taken together, this piece is a lamentation for when the world moved on. Truly completed on Yom Kippur during the Covid-19 Pandemic, being unable to fast or go to synagogue, this is my atonement.About the Composer: Benjamin Sajo (b. 1988) is a Canadian composer of contemporary classical music, as well as an educator. Since developing a fiercely independent creative voice upon the completion of his studies at Western (2010) and McGill Universities (2013), he continues to find inspiration from the intersection of mythology, art, and nature upon the contemporary human experience. In 2019, he released his premiere album of original music, The Great War Sextet: Canadian War Poetry with Trombone & Strings, with support from the Ontario Arts Council. He is a member of SOCAN and the League of Canadian Composers.
$3.50
Kommos (Lamentation) / "When the World Moved On" - Trumpet 2 in Bb
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Trumpet (band part)
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INTERMEDIATE/ADVANCED
#
Benjamin Harry Sajo
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Kommos
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Benjamin Sajo
#
SheetMusicPlus
Trumpet Solo - Level 4 - Digital Download SKU: A0.1018952 Composed by Benjamin Harry Sajo. 20th Century,Contemporary. Individual part. 1 pages. Benjamin ...
(+)
Trumpet Solo - Level 4 - Digital Download SKU: A0.1018952 Composed by Benjamin Harry Sajo. 20th Century,Contemporary. Individual part. 1 pages. Benjamin Sajo #6078695. Published by Benjamin Sajo (A0.1018952). Programme Notes: This composition was written to be considered for pairing alongside Ludwig van Beethoven’s Symphony #3, the Eroica, but can stand on its own virtues as an intense and slow meditation on heroism. The music is like a boiling pot on the stove that’s just began to overflow its bubbles. The first part of the title, kommos, is a Classical Greek term from Attic dramaturgy, literally meaning striking but specifically referring to beating oneself up during lamentation--ripping at the hair, gouging out the eyes--like Oedipus--slapping the forehead, and other acts amid moments of extreme emotional turmoil. For example, from Aeschylus's play Agamemnon, a character bewails: Apollo, Apollo! God of the Ways, my destroyer! For you have destroyed me-and utterly [...]What is this fresh woe [...]what monstrous, monstrous horror, beyond love's enduring, beyond all remedy? And help stands far away! We can easily imagine physical accompaniment to the script; rather than bottling up the pain, the hero lets it all explosively come out.  The second part of the title, When the world moved on, is an epigraph taken from American author Stephen King’s The Dark Tower epic. The primary setting of the novel, a world similar in many ways to our own, is experiencing a dark age where the glorious past is all but a distant memory and all good things are referred to wistfully as occurring, When the world moved on. Yet, the main protagonist, Roland, the last gunslinger, emphasizes that it is not just a figure of speech, but the literal distances between destinations have increased, the positions of the stars have changed, as well as the occurrence of other unnatural phenomena. The world has become a gulf of isolation from all corners. Taken together, this piece is a lamentation for when the world moved on. Truly completed on Yom Kippur during the Covid-19 Pandemic, being unable to fast or go to synagogue, this is my atonement.About the Composer: Benjamin Sajo (b. 1988) is a Canadian composer of contemporary classical music, as well as an educator. Since developing a fiercely independent creative voice upon the completion of his studies at Western (2010) and McGill Universities (2013), he continues to find inspiration from the intersection of mythology, art, and nature upon the contemporary human experience. In 2019, he released his premiere album of original music, The Great War Sextet: Canadian War Poetry with Trombone & Strings, with support from the Ontario Arts Council. He is a member of SOCAN and the League of Canadian Composers.
$3.50
Kommos (Lamentation) / "When the World Moved On" - Horn 2 in F
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French horn
#
INTERMEDIATE/ADVANCED
#
Benjamin Harry Sajo
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Kommos
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Benjamin Sajo
#
SheetMusicPlus
French Horn Solo - Level 4 - Digital Download SKU: A0.1018951 Composed by Benjamin Harry Sajo. 20th Century,Contemporary. Individual part. 1 pages. Benja...
(+)
French Horn Solo - Level 4 - Digital Download SKU: A0.1018951 Composed by Benjamin Harry Sajo. 20th Century,Contemporary. Individual part. 1 pages. Benjamin Sajo #6078691. Published by Benjamin Sajo (A0.1018951). Programme Notes: This composition was written to be considered for pairing alongside Ludwig van Beethoven’s Symphony #3, the Eroica, but can stand on its own virtues as an intense and slow meditation on heroism. The music is like a boiling pot on the stove that’s just began to overflow its bubbles. The first part of the title, kommos, is a Classical Greek term from Attic dramaturgy, literally meaning striking but specifically referring to beating oneself up during lamentation--ripping at the hair, gouging out the eyes--like Oedipus--slapping the forehead, and other acts amid moments of extreme emotional turmoil. For example, from Aeschylus's play Agamemnon, a character bewails: Apollo, Apollo! God of the Ways, my destroyer! For you have destroyed me-and utterly [...]What is this fresh woe [...]what monstrous, monstrous horror, beyond love's enduring, beyond all remedy? And help stands far away! We can easily imagine physical accompaniment to the script; rather than bottling up the pain, the hero lets it all explosively come out.  The second part of the title, When the world moved on, is an epigraph taken from American author Stephen King’s The Dark Tower epic. The primary setting of the novel, a world similar in many ways to our own, is experiencing a dark age where the glorious past is all but a distant memory and all good things are referred to wistfully as occurring, When the world moved on. Yet, the main protagonist, Roland, the last gunslinger, emphasizes that it is not just a figure of speech, but the literal distances between destinations have increased, the positions of the stars have changed, as well as the occurrence of other unnatural phenomena. The world has become a gulf of isolation from all corners. Taken together, this piece is a lamentation for when the world moved on. Truly completed on Yom Kippur during the Covid-19 Pandemic, being unable to fast or go to synagogue, this is my atonement.About the Composer: Benjamin Sajo (b. 1988) is a Canadian composer of contemporary classical music, as well as an educator. Since developing a fiercely independent creative voice upon the completion of his studies at Western (2010) and McGill Universities (2013), he continues to find inspiration from the intersection of mythology, art, and nature upon the contemporary human experience. In 2019, he released his premiere album of original music, The Great War Sextet: Canadian War Poetry with Trombone & Strings, with support from the Ontario Arts Council. He is a member of SOCAN and the League of Canadian Composers.
$3.50
Kommos (Lamentation) / "When the World Moved On" - Clarinet 1 in Bb
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Clarinet
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INTERMEDIATE/ADVANCED
#
Benjamin Harry Sajo
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Kommos
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Benjamin Sajo
#
SheetMusicPlus
Clarinet Solo - Level 4 - Digital Download SKU: A0.1018946 Composed by Benjamin Harry Sajo. 20th Century,Contemporary. Individual part. 1 pages. Benjamin...
(+)
Clarinet Solo - Level 4 - Digital Download SKU: A0.1018946 Composed by Benjamin Harry Sajo. 20th Century,Contemporary. Individual part. 1 pages. Benjamin Sajo #6078675. Published by Benjamin Sajo (A0.1018946). Programme Notes: This composition was written to be considered for pairing alongside Ludwig van Beethoven’s Symphony #3, the Eroica, but can stand on its own virtues as an intense and slow meditation on heroism. The music is like a boiling pot on the stove that’s just began to overflow its bubbles. The first part of the title, kommos, is a Classical Greek term from Attic dramaturgy, literally meaning striking but specifically referring to beating oneself up during lamentation--ripping at the hair, gouging out the eyes--like Oedipus--slapping the forehead, and other acts amid moments of extreme emotional turmoil. For example, from Aeschylus's play Agamemnon, a character bewails: Apollo, Apollo! God of the Ways, my destroyer! For you have destroyed me-and utterly [...]What is this fresh woe [...]what monstrous, monstrous horror, beyond love's enduring, beyond all remedy? And help stands far away! We can easily imagine physical accompaniment to the script; rather than bottling up the pain, the hero lets it all explosively come out.  The second part of the title, When the world moved on, is an epigraph taken from American author Stephen King’s The Dark Tower epic. The primary setting of the novel, a world similar in many ways to our own, is experiencing a dark age where the glorious past is all but a distant memory and all good things are referred to wistfully as occurring, When the world moved on. Yet, the main protagonist, Roland, the last gunslinger, emphasizes that it is not just a figure of speech, but the literal distances between destinations have increased, the positions of the stars have changed, as well as the occurrence of other unnatural phenomena. The world has become a gulf of isolation from all corners. Taken together, this piece is a lamentation for when the world moved on. Truly completed on Yom Kippur during the Covid-19 Pandemic, being unable to fast or go to synagogue, this is my atonement.About the Composer: Benjamin Sajo (b. 1988) is a Canadian composer of contemporary classical music, as well as an educator. Since developing a fiercely independent creative voice upon the completion of his studies at Western (2010) and McGill Universities (2013), he continues to find inspiration from the intersection of mythology, art, and nature upon the contemporary human experience. In 2019, he released his premiere album of original music, The Great War Sextet: Canadian War Poetry with Trombone & Strings, with support from the Ontario Arts Council. He is a member of SOCAN and the League of Canadian Composers.
$3.50
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