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Donut Etudes vol. 3: Don’t Step in the Holes! – Tuba Quartet (Tuba/Euphonium)
#
Instructional
#
Joshua Hauser
#
#
Donut Etudes vol. 3: Don’t S
#
Slide Ride
#
SheetMusicPlus
Small Ensemble - Level 3 - Digital Download SKU: A0.784348 Composed by Joshua Hauser. Instructional. Score and parts. 74 pages. Slide Ride #5288731. Publ...
(+)
Small Ensemble - Level 3 - Digital Download SKU: A0.784348 Composed by Joshua Hauser. Instructional. Score and parts. 74 pages. Slide Ride #5288731. Published by Slide Ride (A0.784348). 1 Octave Scale Studies in 15+ keys for 4-part ensembles of like or mixed instrumentsIf this is your first exposure to these scale studies, you are in for a treat! Donuts, if you make a mistake!The initial incarnation of these studies were written for trombone quartet and we would play them in the Tennessee Tech Trombone Choir with the challenge that whomever made the first mistake had to buy donuts for the rest of the ensemble. Since then I have brought that version to several clinics and warm up sessions. One time before I got to explain the title, a fellow trombone professor said, Oh, I get it! Don’t step in the holes!I only wish I had thought of that myself... Since we have one of the best donut shops in TN here in Cookeville, treating the studio to sugar coated goodies was always my intent.As with those initial exercises, you can vary these as much as you’d like.· Choose a tempo.· Choose a dynamic.· Choose an articulation/style.One way I like to play these is to have one person be the model, playing the entire scale over and over while everyone else plays the fragmented versions. That helps everyone to keep on track and stay in time. Double or triple up the parts for ensemble cohesion with a larger group.Practice one key, gradually speeding it up to improve fluidity, or choose a variation and take it through all keys, playing version A, B, C, or D then skipping to play the same set in a new key.If you want an additional challenge, play them in different octaves or change the key. Play the F Major set in f minor (all forms), different modes, etc. Players really have to be on their toes to remember if they are playing melodic minor in the ascending or descending form! For jazz players, try swinging them in dorian or mixolydian modes.The variations are endless!If you are using these with transposing instruments, 1) is F Major in Concert Pitch, 2) is Bb Major in Concert pitch, and so on. When you reach a scale that is enharmonic for another key (Db/C#, Gb/F#, or Cb/B), they are presented in both keys for each instrument so Trumpets can play in Eb while the Flutes are playing in C# with similar examples for all keys.All Donut Etudes with the same volume number are compatible so you can play them in mixed quartets or large ensembles with one or more instruments/people on part 1 and a different instrument on part 2, etc. Since the quartets are all identical, conductors/coaches can use any of the scores to tell which part should be playing at what time. Once you have played a scale with one set of parts, everyone can rotate to a different part and play the same scales again!Enjoy!
$7.50
Donut Etudes vol. 3: Don’t Step in the Holes! – Trumpet Quartet (or Baritone T.C.)
#
Instructional
#
Joshua Hauser
#
#
Donut Etudes vol. 3: Don’t S
#
Slide Ride
#
SheetMusicPlus
Small Ensemble - Level 3 - Digital Download SKU: A0.784334 Composed by Joshua Hauser. Instructional. Score and parts. 38 pages. Slide Ride #5288661. Publ...
(+)
Small Ensemble - Level 3 - Digital Download SKU: A0.784334 Composed by Joshua Hauser. Instructional. Score and parts. 38 pages. Slide Ride #5288661. Published by Slide Ride (A0.784334). 1 Octave Scale Studies in 15+ keys for 4-part ensembles of like or mixed instruments If this is your first exposure to these scale studies, you are in for a treat! Donuts, if you make a mistake!The initial incarnation of these studies were written for trombone quartet and we would play them in the Tennessee Tech Trombone Choir with the challenge that whomever made the first mistake had to buy donuts for the rest of the ensemble. Since then I have brought that version to several clinics and warm up sessions. One time before I got to explain the title, a fellow trombone professor said, Oh, I get it! Don’t step in the holes!I only wish I had thought of that myself... Since we have one of the best donut shops in TN here in Cookeville, treating the studio to sugar coated goodies was always my intent.As with those initial exercises, you can vary these as much as you’d like.· Choose a tempo.· Choose a dynamic.· Choose an articulation/style.One way I like to play these is to have one person be the model, playing the entire scale over and over while everyone else plays the fragmented versions. That helps everyone to keep on track and stay in time. Double or triple up the parts for ensemble cohesion with a larger group.Practice one key, gradually speeding it up to improve fluidity, or choose a variation and take it through all keys, playing version A, B, C, or D then skipping to play the same set in a new key.If you want an additional challenge, play them in different octaves or change the key. Play the F Major set in f minor (all forms), different modes, etc. Players really have to be on their toes to remember if they are playing melodic minor in the ascending or descending form! For jazz players, try swinging them in dorian or mixolydian modes.The variations are endless!If you are using these with transposing instruments, 1) is F Major in Concert Pitch, 2) is Bb Major in Concert pitch, and so on. When you reach a scale that is enharmonic for another key (Db/C#, Gb/F#, or Cb/B), they are presented in both keys for each instrument so Trumpets can play in Eb while the Flutes are playing in C# with similar examples for all keys.All Donut Etudes with the same volume number are compatible so you can play them in mixed quartets or large ensembles with one or more instruments/people on part 1 and a different instrument on part 2, etc. Since the quartets are all identical, conductors/coaches can use any of the scores to tell which part should be playing at what time. Once you have played a scale with one set of parts, everyone can rotate to a different part and play the same scales again!Enjoy!
$5.00
Donut Etudes vol. 3: Don’t Step in the Holes! – Trombone, Euphonium, or Baritone Quartet
#
Instructional
#
Joshua Hauser
#
#
Donut Etudes vol. 3: Don’t S
#
Slide Ride
#
SheetMusicPlus
Small Ensemble Trombone/Baritone B.C. - Level 3 - Digital Download SKU: A0.784336 Composed by Joshua Hauser. Instructional. Score and parts. 38 pages. Sl...
(+)
Small Ensemble Trombone/Baritone B.C. - Level 3 - Digital Download SKU: A0.784336 Composed by Joshua Hauser. Instructional. Score and parts. 38 pages. Slide Ride #5288665. Published by Slide Ride (A0.784336). 1 Octave Scale Studies in 15+ keys for 4-part ensembles of like or mixed instruments If this is your first exposure to these scale studies, you are in for a treat! Donuts, if you make a mistake!The initial incarnation of these studies were written for trombone quartet and we would play them in the Tennessee Tech Trombone Choir with the challenge that whomever made the first mistake had to buy donuts for the rest of the ensemble. Since then I have brought that version to several clinics and warm up sessions. One time before I got to explain the title, a fellow trombone professor said, Oh, I get it! Don’t step in the holes!I only wish I had thought of that myself... Since we have one of the best donut shops in TN here in Cookeville, treating the studio to sugar coated goodies was always my intent.As with those initial exercises, you can vary these as much as you’d like.· Choose a tempo.· Choose a dynamic.· Choose an articulation/style.One way I like to play these is to have one person be the model, playing the entire scale over and over while everyone else plays the fragmented versions. That helps everyone to keep on track and stay in time. Double or triple up the parts for ensemble cohesion with a larger group.Practice one key, gradually speeding it up to improve fluidity, or choose a variation and take it through all keys, playing version A, B, C, or D then skipping to play the same set in a new key.If you want an additional challenge, play them in different octaves or change the key. Play the F Major set in f minor (all forms), different modes, etc. Players really have to be on their toes to remember if they are playing melodic minor in the ascending or descending form! For jazz players, try swinging them in dorian or mixolydian modes.The variations are endless!If you are using these with transposing instruments, 1) is F Major in Concert Pitch, 2) is Bb Major in Concert pitch, and so on. When you reach a scale that is enharmonic for another key (Db/C#, Gb/F#, or Cb/B), they are presented in both keys for each instrument so Trumpets can play in Eb while the Flutes are playing in C# with similar examples for all keys.All Donut Etudes with the same volume number are compatible so you can play them in mixed quartets or large ensembles with one or more instruments/people on part 1 and a different instrument on part 2, etc. Since the quartets are all identical, conductors/coaches can use any of the scores to tell which part should be playing at what time. Once you have played a scale with one set of parts, everyone can rotate to a different part and play the same scales again!Enjoy!
$5.00
Donut Etudes vol. 3: Don’t Step in the Holes! – Bass Quartet
#
Instructional
#
Joshua Hauser
#
#
Donut Etudes vol. 3: Don’t S
#
Slide Ride
#
SheetMusicPlus
Small Ensemble Double Bass - Level 3 - Digital Download SKU: A0.784342 Composed by Joshua Hauser. Instructional. Score and parts. 38 pages. Slide Ride #5...
(+)
Small Ensemble Double Bass - Level 3 - Digital Download SKU: A0.784342 Composed by Joshua Hauser. Instructional. Score and parts. 38 pages. Slide Ride #5288689. Published by Slide Ride (A0.784342). 1 Octave Scale Studies in 15+ keys for 4-part ensembles of like or mixed instruments If this is your first exposure to these scale studies, you are in for a treat! Donuts, if you make a mistake!The initial incarnation of these studies were written for trombone quartet and we would play them in the Tennessee Tech Trombone Choir with the challenge that whomever made the first mistake had to buy donuts for the rest of the ensemble. Since then I have brought that version to several clinics and warm up sessions. One time before I got to explain the title, a fellow trombone professor said, Oh, I get it! Don’t step in the holes!I only wish I had thought of that myself... Since we have one of the best donut shops in TN here in Cookeville, treating the studio to sugar coated goodies was always my intent.As with those initial exercises, you can vary these as much as you’d like.· Choose a tempo.· Choose a dynamic.· Choose an articulation/style.One way I like to play these is to have one person be the model, playing the entire scale over and over while everyone else plays the fragmented versions. That helps everyone to keep on track and stay in time. Double or triple up the parts for ensemble cohesion with a larger group.Practice one key, gradually speeding it up to improve fluidity, or choose a variation and take it through all keys, playing version A, B, C, or D then skipping to play the same set in a new key.If you want an additional challenge, play them in different octaves or change the key. Play the F Major set in f minor (all forms), different modes, etc. Players really have to be on their toes to remember if they are playing melodic minor in the ascending or descending form! For jazz players, try swinging them in dorian or mixolydian modes.The variations are endless!If you are using these with transposing instruments, 1) is F Major in Concert Pitch, 2) is Bb Major in Concert pitch, and so on. When you reach a scale that is enharmonic for another key (Db/C#, Gb/F#, or Cb/B), they are presented in both keys for each instrument so Trumpets can play in Eb while the Flutes are playing in C# with similar examples for all keys.All Donut Etudes with the same volume number are compatible so you can play them in mixed quartets or large ensembles with one or more instruments/people on part 1 and a different instrument on part 2, etc. Since the quartets are all identical, conductors/coaches can use any of the scores to tell which part should be playing at what time. Once you have played a scale with one set of parts, everyone can rotate to a different part and play the same scales again!Enjoy!
$5.00
We Gather Together
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Christmas
#
Eduard Kremser
#
F
#
We Gather Together
#
Sweetwater Brass Press
#
SheetMusicPlus
Level 3 - Digital Download SKU: A0.808696 Composed by Eduard Kremser (1838-1914). Arranged by F. Leslie Smith. Christmas,Holiday. 20 pages. Sweetwater Br...
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Level 3 - Digital Download SKU: A0.808696 Composed by Eduard Kremser (1838-1914). Arranged by F. Leslie Smith. Christmas,Holiday. 20 pages. Sweetwater Brass Press #4968147. Published by Sweetwater Brass Press (A0.808696). We Gather Together is one of the best known Thanksgiving hymns. It originated in the Netherlands in 1597 as Wilt Heden Nu Treden, written by Adrianus Valerius to commemorate a victory in the Dutch war of liberation from Spanish oppression. It was first published in Valerius’ 1626 collection of Dutch folks songs, Nederlandtsche Gedenck-Clanck. In 1877, the Austrian composer and conductor, Eduard Kremser, published arrangements for six songs from Valerius’ collection, one of which was Wilt Heden Nu Treden. Seven years later, American musicologist Theodore Baker wrote a modern English version of the hymn. It is Baker’s words and Kremser’s melody that are today sung as We Gather Together.  This arrangement consists of six versions of the Kremser tune. The first is a fairly straightforward melody-and-harmony rendition, except that Trumpet 1 begins solo, and the other instruments join the playing group one at a time. Succeeding versions consist of variations, until the final, which, for the four upper instruments, reverts to a simple statement of melody-plus-harmony. Tuba, on the other hand, has a wonderful running bass part. The piece ends with a brief diminuendo and ritardando repetition of the last four measures. The key signature changes twice: C to D and back to C. There are no tricky rhythmic figures. As for high notes: Trumpet 1 plays one quarter-note A above its staff; Trombone has two high-F eighth-notes.   This arrangement was completed in 2019, and performance time runs about 2 minutes, 55 seconds. The arranger, Les Smith, will be happy to provide substitute parts (for example, treble clef baritone for trombone) at no charge; contact him directly at lessmith61@bellsouth.net. For more arrangements by Les, enter Sweetwater Brass Press (without the quotation marks) in the SheetMusicPlus search box.
$6.99
Shall We Gather at The River, Gospel Hymn for Trumpet and Tenor Horn Duet
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Sacred music
#
Gospel/Spiritual
#
Robert Lowry
#
David McKeown
#
Shall We Gather at The River,
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David McKeown
#
SheetMusicPlus
Instrumental Duet Instrumental Duet,Tenor Horn,Trumpet - Level 3 - Digital Download SKU: A0.589970 Composed by Robert Lowry. Arranged by David McKeown. C...
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Instrumental Duet Instrumental Duet,Tenor Horn,Trumpet - Level 3 - Digital Download SKU: A0.589970 Composed by Robert Lowry. Arranged by David McKeown. Christian,Gospel,Praise & Worship,Sacred,Spiritual. Score and parts. 3 pages. David McKeown #6134163. Published by David McKeown (A0.589970). Shall We Gather at The River is an American nineteenth century hymn often sung in a gospel style. This version is arranged as a duet for one Trumpet and one Tenor Horn. Shall We Gather at The River was composed in 1865 by a Baptist minister from New York, Robert Lowry. As well as becoming a gospel standard, the melody of Shall We Gather at The River has found its way into compositions by Charles Ives and Aaron Copeland and has often been used in classic Western movies.Shall We Gather at The River is simply arranged in keys and range best suited to the instruments. The hymn is played three times in a slow swing style, with a key change on the final verse and chorus. Click the link above to listen to a full Youtube performance of the Clarinet version of this duet.Shall We Gather at The River is suitable for players at an intermediate level and above, though the key change may require extra work for less experienced players. With a performance time of around three minutes, this version of Shall We Gather at The River is perfect for worship and concert performances, both formal and informal.There are many more top quality arrangements and compositions by David McKeown for you to browse at http://www.sheetmusicplus.com/publishers/david-mckeown/6203
$3.99
Shall We Gather at The River, Gospel Hymn for Oboe and Violin Duet
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Sacred music
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Gospel/Spiritual
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Robert Lowry
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David McKeown
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Shall We Gather at The River,
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David McKeown
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SheetMusicPlus
Instrumental Duet Instrumental Duet,Oboe,Violin - Level 3 - Digital Download SKU: A0.589960 Composed by Robert Lowry. Arranged by David McKeown. Christia...
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Instrumental Duet Instrumental Duet,Oboe,Violin - Level 3 - Digital Download SKU: A0.589960 Composed by Robert Lowry. Arranged by David McKeown. Christian,Gospel,Praise & Worship,Sacred,Spiritual. Score and parts. 3 pages. David McKeown #6134143. Published by David McKeown (A0.589960). Shall We Gather at The River is an American nineteenth century hymn often sung in a gospel style. This version is arranged as a duet for one Oboe and one Violin. Shall We Gather at The River was composed in 1865 by a Baptist minister from New York, Robert Lowry. As well as becoming a gospel standard, the melody of Shall We Gather at The River has found its way into compositions by Charles Ives and Aaron Copeland and has often been used in classic Western movies.Shall We Gather at The River is simply arranged in keys and range best suited to the instruments. The hymn is played three times in a slow swing style, with a key change on the final verse and chorus. Click the link above to listen to a full Youtube performance of the Clarinet version of this duet. Shall We Gather at The River is suitable for players at an intermediate level and above, though the key change may require extra work for less experienced players. With a performance time of around three minutes, this version of Shall We Gather at The River is perfect for worship and concert performances, both formal and informal.There are many more top quality arrangements and compositions by David McKeown for you to browse at http://www.sheetmusicplus.com/publishers/david-mckeown/6203
$3.99
Shall We Gather at The River, Gospel Hymn for Oboe and Cor Anglais (or English Horn) Duet
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Sacred music
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Gospel/Spiritual
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Robert Lowry
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David McKeown
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Shall We Gather at The River,
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David McKeown
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SheetMusicPlus
Instrumental Duet English Horn,Instrumental Duet,Oboe - Level 3 - Digital Download SKU: A0.589959 Composed by Robert Lowry. Arranged by David McKeown. Ch...
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Instrumental Duet English Horn,Instrumental Duet,Oboe - Level 3 - Digital Download SKU: A0.589959 Composed by Robert Lowry. Arranged by David McKeown. Christian,Gospel,Praise & Worship,Sacred,Spiritual. Score and parts. 3 pages. David McKeown #6134141. Published by David McKeown (A0.589959). Shall We Gather at The River is an American nineteenth century hymn often sung in a gospel style. This version is arranged as a duet for one Oboe and one Cor Anglais (or English Horn). Shall We Gather at The River was composed in 1865 by a Baptist minister from New York, Robert Lowry. As well as becoming a gospel standard, the melody of Shall We Gather at The River has found its way into compositions by Charles Ives and Aaron Copeland and has often been used in classic Western movies.Shall We Gather at The River is simply arranged in keys and range best suited to the instruments. The hymn is played three times in a slow swing style, with a key change on the final verse and chorus. Click the link above to listen to a full Youtube performance of the Clarinet version of this duet.Shall We Gather at The River is suitable for players at an intermediate level and above, though the key change may require extra work for less experienced players. With a performance time of around three minutes, this version of Shall We Gather at The River is perfect for worship and concert performances, both formal and informal.There are many more top quality arrangements and compositions by David McKeown for you to browse at http://www.sheetmusicplus.com/publishers/david-mckeown/6203
$3.99
Sleepy Shores (theme From Owen M.d.)
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Johnny Pearson
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Derek Hasted
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Sleepy Shores
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Derek Hasted
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SheetMusicPlus
Guitar Ensemble Guitar - Level 3 - Digital Download SKU: A0.797767 Composed by Johnny Pearson. Arranged by Derek Hasted. Contemporary,Film/TV. Score and ...
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Guitar Ensemble Guitar - Level 3 - Digital Download SKU: A0.797767 Composed by Johnny Pearson. Arranged by Derek Hasted. Contemporary,Film/TV. Score and parts. 24 pages. Derek Hasted #5222105. Published by Derek Hasted (A0.797767). SLEEP SHORES (theme to Owen MD) - 4 GUITARS/LARGE ENSEMBLEFor Classical or Acoustic Guitar - sometimes it's erroneously listed here as Electric Guitar.Derek Hasted writes Johnny Pearson was a prolific composer and ran the BBC Top Of The Pops orchestra for 16 years.My arrangement captures every one of the stunning and uplifting key changes of the orchestral version. The key chosen here is different to the original, but it means we can use the full playable range of the guitar and play in some keys that are less alien to guitarists!The original version was scored for piano and orchestra but also featured a guitar to provide a rhythmic backdrop, and that part is captured here too, along with the electric bass guitar line, set for classical or acoustic guitar.From the perspective of a guitar teacher, this piece is a wonderful worked example of the Circle of Fifths in action, and the final key change uses the A#(Bb) and E that are common to the chords of F#7 and C7 to create an effortless movement right across the Circle of Fifths from bottom to top in one easy action!From the perspective of the players, the arpeggios are moveable chords and so the section with the most key changes is also the section that’s easiest to play!And from the perspective of the audience, the key changes make this a remarkable and engaging piece.I hope you enjoy this piece!
$4.99
Change Your Life
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Contemporary
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Little Mix
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Daryl McKenzie
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Change Your Life
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Daryl McKenzie
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SheetMusicPlus
Large Ensemble Bass Guitar,Drums,Keyboard,Saxophone,Trombone,Trumpet,Voice - Level 3 - Digital Download SKU: A0.717882 By Little Mix. By Ash Howes, Jade ...
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Large Ensemble Bass Guitar,Drums,Keyboard,Saxophone,Trombone,Trumpet,Voice - Level 3 - Digital Download SKU: A0.717882 By Little Mix. By Ash Howes, Jade Thirlwall, Jesy Nelson, Leigh-Anne Pinnock, Perrie Edwards, and Richard Stannard. Arranged by Daryl McKenzie. Contemporary. Score and parts. 40 pages. Daryl McKenzie #3878151. Published by Daryl McKenzie (A0.717882). Arranged as per the Little Mix Version. Vocal (no lead vocal part included), Backing Vocals (part included) and Big Band (5 Saxes, 4 Trumpets, 4 Trombones, 2 Keyboards, Guitar, Bass Guitar, Drums).A note about the key of this song: Each verse and chorus starts on a D chord which is actually the IV chord as the song is in A major. This arrangement is in the same key as the Little Mix recording however.More arrangements by Daryl McKenzie here: https://www.sheetmusicplus.com/publishers/daryl-mckenzie/6128
$69.99
Change The World
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Contemporary
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Eric Clapton
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Daryl McKenzie
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Change The World
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Daryl McKenzie
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SheetMusicPlus
Large Ensemble Alto Saxophone,Baritone Saxophone,Bass Guitar,Drums,Keyboard,Tenor Saxophone,Trombone,Trumpet - Level 3 - Digital Download SKU: A0.717879 ...
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Large Ensemble Alto Saxophone,Baritone Saxophone,Bass Guitar,Drums,Keyboard,Tenor Saxophone,Trombone,Trumpet - Level 3 - Digital Download SKU: A0.717879 By Eric Clapton. By Gordon Kennedy, Tommy Sims, and Wayne Kirkpatrick. Arranged by Daryl McKenzie. Contemporary. Score and parts. 35 pages. Daryl McKenzie #3878123. Published by Daryl McKenzie (A0.717879). Arranged in the style of the Eric Clapton and Baby Face MTV Unplugged 1997 Version (https://youtu.be/G6NcMBgiv0Y).Vocal (no voice part included) with Band . Trumpet, Alto Sax, Tenor Sax, Trombone, Bari sax, 2 Keyboards, 2 Guitars, bass Guitar, Drums. Key of E (same key as Clapton/Babyface)More arrangements by Daryl McKenzie here: https://www.sheetmusicplus.com/publishers/daryl-mckenzie/6128
$39.99
Presto (Mozart K522 - theme from The Horse Of The Year Show) - 3 guitars/large ensemble
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Classical
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Wolfgang Amadeus Mozart
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Derek Hasted
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Presto
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Derek Hasted
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SheetMusicPlus
Guitar Ensemble Guitar - Level 3 - Digital Download SKU: A0.1074681 Composed by Wolfgang Amadeus Mozart. Arranged by Derek Hasted. Classical,Film/TV. Sco...
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Guitar Ensemble Guitar - Level 3 - Digital Download SKU: A0.1074681 Composed by Wolfgang Amadeus Mozart. Arranged by Derek Hasted. Classical,Film/TV. Score and parts. 18 pages. Derek Hasted #678951. Published by Derek Hasted (A0.1074681). PRESTO (Mozart K522) The Horse Of The Year Show TV Theme - 3 GUITARS OR LARGE ENSEMBLEFor Classical or Acoustic Guitar - sometimes it's erroneously listed here as Electric Guitar.Derek Hasted writes This is part of the fourth movement - Presto - of Mozart’s K522 for string quartet and two horns. It’s commonly known as “A Musical Jokeâ€, though the correct translation is “Some Musical Funâ€. In the UK, a sanitised version with added drumbeat and electric bass was used as the TV theme music to “The Horse Of The Year Showâ€. My arrangement has just some of the thematic material of the original, yet still fills a music stand. An optional repeat extends the piece to a little over 3 minutes. Mozart intended the piece as a showcase of how NOT to write, and the Presto contains some extraordinary and modern-sounding key changes as well as some rather odd counterpoint. The original Presto finishes with an unexpected burst into 4 different keys, all sounding together after one of the longest build-ups to an ending you’ll ever hear. My setting for 3 guitars ends in 3 of the 4 keys that Mozart burst into. Most audiences would probably associate this with a catastrophic disaster, so I’ve included a second ending that stays in key for a nice happy ending! Rather than the isolated quavers (eighth notes) and rests, I’ve used staccato marks to make a version that is much easier to read yet has exactly the same articulation. I hope you enjoy this piece!
$2.99
Nobody Love a Fairy When She's Forty - in C major (soprano key)
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Arthur Le Clerq
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Kim Kirkman
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Nobody Love a Fairy When She's
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Kim Kirkman
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SheetMusicPlus
Voice Duet Piano,Vocal,Voice - Level 3 - Digital Download SKU: A0.779671 Composed by Arthur Le Clerq. Arranged by Kim Kirkman. Broadway,Contemporary,Musi...
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Voice Duet Piano,Vocal,Voice - Level 3 - Digital Download SKU: A0.779671 Composed by Arthur Le Clerq. Arranged by Kim Kirkman. Broadway,Contemporary,Musical/Show,Traditional. Score. 4 pages. Kim Kirkman #6697501. Published by Kim Kirkman (A0.779671). This is a wonderful old comedy song.This is in C major - the high key for sopranosI have put in the first verse that Tessie sings, plus the spoken part. I have changed some of the words of the spoken part to update them.I have then constructed a third verse from other verses that Le Clerq wrote. To sing it exactly like Tessie please repeat first verse.Words:Verse:For years a fairy queen I've bin', For years I foiled the demon king.But alas, I'm getting on, The years have flown somehow,And I feel that Fairy Snowdrop isn't wanted now.Chorus One:Nobody loves a fairy when she's forty.Nobody loves a fairy when she's old.She may still have her magic power, But that is not enough,They like their bit of magic from a younger bit of fluff.When once your silver star has lost its glitter,And your tinsel looks like rust instead of gold.Your fairy days are ending when your wand has started bending.Noone loves a fairy when she's old.Spoken:T'was I who found the magic wand, I will not tell you where.T'was I who found young Tinkerbell, her head was full of airI’ve been a fairy of the flowers, and fairy daffodils,I’ve been a fairy of the wind, and suffer from it still!In certain covered valley hills I go down to the glenBeen loved by all the children and run after by the men. Huh!Noone could touch me at me splits, me splits were all the rage,Until the night woodman left his chopper on the stage, what a mess!Verse 2:Nobody loves a fairy when she's forty.Nobody loves a fairy when she's old.As far as I can see they try to push you off the map,When once your wand has withered and your wings refuse to flap.When you have lost your little fairy dimples,And the mothholes in your dress let in the cold,It seems that they would sooner listen to a blinkin' crooner,Noone loves a fai-y when she's old!
$1.99
Nothing Compares (Anthem) - Orchestration
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Sacred music
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Gospel/Spiritual
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Christopher R
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Nothing Compares
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Christopher Brown
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SheetMusicPlus
Large Ensemble Choir - Level 3 - Digital Download SKU: A0.747194 Composed by Christopher R. Brown. Christian,Gospel,Praise & Worship,Sacred. Score and pa...
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Large Ensemble Choir - Level 3 - Digital Download SKU: A0.747194 Composed by Christopher R. Brown. Christian,Gospel,Praise & Worship,Sacred. Score and parts. 92 pages. Christopher Brown #4601913. Published by Christopher Brown (A0.747194). About the song: This anthem begins by compelling the listener and the performer to consider the parable of the hidden treasure and the pearl. The second verse reflects on David's superlative description of God's Word in Ps. 19. In his letter to the Philippians, Paul speaks of the surpassing worth of knowing Christ when compared to everything else in this life. The lyrics of this song are intended to echo these Truths, encourage the believer, and testify to the incomparable gift of entering into the Kingdom of God, understanding His Word, and being strengthened and set free to do the good works that He prepared in advance for us to do.Can be performed with piano accompaniment only, OR with additional band members (rhythm chart included), OR with full orchestra.Please Note:You can purchase individual copies of the choral score separately on Sheet Music Plus. Performance of this piece requires the purchase of one choral score per singer.Included in your Purchase:Full ScoreChoral Score (SATB with Solo)Piano AccompanimentRhythm ChartDrumsetFlute 1, 2Oboe (opt. Soprano Sax doubles)Clarinet 1, 2Horn 1, 2 (opt. Alto Sax doubles)Trumpet 1, 2Trumpet 3Trombone 1, 2 (opt. Tenor Sax doubles)Trombone 3/ Tuba (opt. Bari Sax doubles)Percussion 1, 2HarpViolin 1, 2ViolaCelloString Bass (opt. Bass Clarinet/ Bassoon doubles)Lyrics:Verse 1Like a treasure in a field,Is the matchless worth of Christ.For the kingdom of heaven, I give my life.Like a pearl of great value,Perfect and pure.I leave it all behind ‘cause of this I’m sure.Chorus 1He called out my name,And broke ev’ry chain,Love so amazing, so divine!He rescued my soul,And made my heart whole,Now I am His and He is mine!I’m taking up my cross,And I count it all as loss.Nothing compares to what I have in the Lord.Verse 2More precious than gold,Is the Word of the Lord.Greater and higher than anything this world affords,It is sweeter than honey,Straight from the comb.My delight is in Jesus, I no longer walk alone.Chorus 2He called out my name,And broke ev’ry chain,Love so amazing, so divine!He rescued my soul,And made my heart whole,Now I am His and He is mine!I’m taking up my crossAnd I count it all as lossNothing compares to what I have in the Lord.Bridge (x2)In the Lord I find strength for every day, In the Lord every fear is washed away.In the Lord hope and peace are here to stay,Whatever comes my way, I will lift my voice and say.Key ChangeChorus 3He called out my name,And broke ev’ry chain,Love so amazing, so divine!He rescued my soul,And made my heart whole,Now I am His and He is mine!I’m taking up my cross,And I count it all as loss.Nothing compares to what I have in the Lord.Nothing compares to what I have in the Lord.Nothing compares to what i have in the Lord.
$49.99
Barnacle Bill the Sailor (for German Band)
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Traditional
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Joseph Hasper
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Barnacle Bill the Sailor
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Joseph Hasper
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SheetMusicPlus
Large Ensemble Clarinet,Drum Set,Drums,Trombone,Trumpet,Tuba,Voice - Level 3 - Digital Download SKU: A0.734796 Composed by Traditional. Arranged by Josep...
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Large Ensemble Clarinet,Drum Set,Drums,Trombone,Trumpet,Tuba,Voice - Level 3 - Digital Download SKU: A0.734796 Composed by Traditional. Arranged by Joseph Hasper. Folk,Jazz,Traditional. Score and parts. 14 pages. Joseph Hasper #3213083. Published by Joseph Hasper (A0.734796). Traditional sailor's song arranged for German Band with two clarinets, trumpet, trombone, tuba, and optional drums. Includes a full score and all parts. Includes optional lyrics that let you sing a verse! Key of F. 81 measures, 20pages.Barnacle Bill the Sailor is an American drinking song adapted from Bollocky Bill the Sailor, a traditional folk song originally titled Abraham Brown. The first printed version of the song is in the public domain book Immortalia (1927). Later versions feature the eponymous Barnacle Bill, a fictional character loosely based on a 19th-century San Francisco sailor and Gold Rush miner named William Bernard. Versions are also known in England and Scotland from the early twentieth century.One version of Barnacle Bill refers to an exchange between Bill and a fair young maiden. Each verse opens with inquiries by the maiden, sung by women, or by men in falsetto, and continues with Bill's profane responses sung by men.Barnacle Bill the Sailor (Roud 4704) is an American drinking song adapted from Bollocky Bill the Sailor, a traditional folk song originally titled Abraham Brown.[1]There are several versions of the bawdy song in the Gordon Inferno Collection at the Library of Congress folklife archive. The first printed version of the song is in the public domain book Immortalia (1927). Later versions feature the eponymous Barnacle Bill, a fictional character loosely based on a 19th-century San Francisco sailor and Gold Rush miner named William Bernard.[2] Versions are also known in England and Scotland from the early twentieth century.The earliest known recording is an expurgated adaptation by Carson Robison and Frank Luther in 1928. This version was also recorded on May 21, 1930 by Bix Beiderbecke and Hoagy Carmichael with Carson Robison on vocals and released as a Victor 78, V-38139-A and 25371. In 1996 it was released on CD on the album Bix Beiderbecke 1927–1930.[3] According to Philip R. Evans, Bix Beiderbecke's biographer, in the second chorus of this recording, violinist Joe Venuti can be heard singing Barnacle Bill the Shit-head, either to express his attitude toward the record producer, or typical of his wacky sense of humor. Esten Spurrier, a friend of Beiderbecke's, is quoted by Evans as saying that Beiderbecke told him he could not believe the record would be pressed and had felt that it had been done just for laughs. Beiderbecke cut loose on the tune with what is believed to be one of his finest cornet solos. John Valby (aka Dr. Dirty) also recorded the song.The tune has inspired a Fleischer Studios Betty Boop cartoon and two films, as well as the name of a rock on Mars. Louis Jordan and the Tympany Five (then known as The Elks Rendezvous Band) recorded a clean version in 1938.[4] In the first Fleischer Popeye cartoon, Popeye the Sailor (1933), Barnacle Bill was used as the recurring theme for the Bluto character. A later Fleischer Popeye cartoon, Beware of Barnacle Bill (1935), is a mock operetta based around a toned-down version of the song.Example of lyrics[edit]One version of Barnacle Bill refers to an exchange between Bill and a fair young maiden. Each verse opens with inquiries by the maiden, sung by women, or by men in falsetto, and continues with Bill's profane responses sung by men.
$11.99
A Whole New World (aladdin's Theme)
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Walt Disney
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Peabo Bryson And Regina Belle
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David McKeown
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A Whole New World
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David McKeown
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SheetMusicPlus
Instrumental Duet E-Flat Tenor Horn,Instrumental Duet,Trumpet - Level 3 - Digital Download SKU: A0.593587 By Peabo Bryson And Regina Belle. By Alan Menke...
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Instrumental Duet E-Flat Tenor Horn,Instrumental Duet,Trumpet - Level 3 - Digital Download SKU: A0.593587 By Peabo Bryson And Regina Belle. By Alan Menken. Arranged by David McKeown. 20th Century,Broadway,Children,Film/TV,Musical/Show,Standards. Score and parts. 5 pages. David McKeown #6495981. Published by David McKeown (A0.593587). A Whole New World is the theme from the Disney animated movie, Aladdin, released in 1992. It won Best Song at both the Oscars and the Grammies and the end-credit version by Peabo Bryson and Regina Belle remains the only song from a Disney movie to reach No1 on the US Billboard charts. This version is arranged as a duet for one Trumpet and one Tenor Horn in E Flat.Musicians at an intermediate level will find this a fun addition to formal and informal concert performances, with both parts enjoying melodic interest. The overall performance time is around three minutes. Click the YouTube link above to listen to the Clarinet version of this arrangement.Teachers will enjoy using this arrangement as a fun way to help with ensemble skills and expressive playing. Students will enjoy the challenge of some syncopated rhythms and the key change.There are many more top quality arrangements and compositions by David McKeown for you to browse at http://www.sheetmusicplus.com/publishers/david-mckeown/6203
$5.99
A Whole New World (aladdin's Theme)
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Walt Disney
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Peabo Bryson And Regina Belle
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David McKeown
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A Whole New World
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David McKeown
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SheetMusicPlus
Instrumental Duet E-Flat Clarinet,Instrumental Duet - Level 3 - Digital Download SKU: A0.593566 By Peabo Bryson And Regina Belle. By Alan Menken. Arrange...
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Instrumental Duet E-Flat Clarinet,Instrumental Duet - Level 3 - Digital Download SKU: A0.593566 By Peabo Bryson And Regina Belle. By Alan Menken. Arranged by David McKeown. Film/TV,Pop. Score and parts. 5 pages. David McKeown #6495939. Published by David McKeown (A0.593566). A Whole New World is the theme from the Disney animated movie, Aladdin, released in 1992. It won Best Song at both the Oscars and the Grammies and the end-credit version by Peabo Bryson and Regina Belle remains the only song from a Disney movie to reach No1 on the US Billboard charts. This version is arranged as a duet for one Clarinet and one Alto Clarinet.Musicians at an intermediate level will find this a fun addition to formal and informal concert performances, with both parts enjoying melodic interest. The overall performance time is around three minutes. Click the YouTube link above to listen to the Clarinet version of this arrangement.Teachers will enjoy using this arrangement as a fun way to help with ensemble skills and expressive playing. Students will enjoy the challenge of some syncopated rhythms and the key change.There are many more top quality arrangements and compositions by David McKeown for you to browse at http://www.sheetmusicplus.com/publishers/david-mckeown/6203
$5.99
A Whole New World (aladdin's Theme)
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Walt Disney
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Peabo Bryson And Regina Belle
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David McKeown
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A Whole New World
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David McKeown
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SheetMusicPlus
Instrumental Duet Instrumental Duet,Oboe,Violin - Level 3 - Digital Download SKU: A0.593581 By Peabo Bryson And Regina Belle. By Alan Menken. Arranged by...
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Instrumental Duet Instrumental Duet,Oboe,Violin - Level 3 - Digital Download SKU: A0.593581 By Peabo Bryson And Regina Belle. By Alan Menken. Arranged by David McKeown. Film/TV,Pop. Score and parts. 5 pages. David McKeown #6495969. Published by David McKeown (A0.593581). A Whole New World is the theme from the Disney animated movie, Aladdin, released in 1992. It won Best Song at both the Oscars and the Grammies and the end-credit version by Peabo Bryson and Regina Belle remains the only song from a Disney movie to reach No1 on the US Billboard charts. This version is arranged as a duet for one Oboe and one Violin.Musicians at an intermediate level will find this a fun addition to formal and informal concert performances, with both parts enjoying melodic interest. The overall performance time is around three minutes. Click the YouTube link above to listen to the Clarinet version of this arrangement.Teachers will enjoy using this arrangement as a fun way to help with ensemble skills and expressive playing. Students will enjoy the challenge of some syncopated rhythms and the key change.There are many more top quality arrangements and compositions by David McKeown for you to browse at http://www.sheetmusicplus.com/publishers/david-mckeown/6203
$5.99
A Whole New World (aladdin's Theme)
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Walt Disney
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Peabo Bryson And Regina Belle
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David McKeown
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A Whole New World
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David McKeown
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SheetMusicPlus
Instrumental Duet English Horn,Instrumental Duet,Oboe - Level 3 - Digital Download SKU: A0.593580 By Peabo Bryson And Regina Belle. By Alan Menken. Arran...
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Instrumental Duet English Horn,Instrumental Duet,Oboe - Level 3 - Digital Download SKU: A0.593580 By Peabo Bryson And Regina Belle. By Alan Menken. Arranged by David McKeown. Film/TV,Pop. Score and parts. 5 pages. David McKeown #6495967. Published by David McKeown (A0.593580). A Whole New World is the theme from the Disney animated movie, Aladdin, released in 1992. It won Best Song at both the Oscars and the Grammies and the end-credit version by Peabo Bryson and Regina Belle remains the only song from a Disney movie to reach No1 on the US Billboard charts. This version is arranged as a duet for one Oboe and one Cor Anglais (or English Horn).Musicians at an intermediate level will find this a fun addition to formal and informal concert performances, with both parts enjoying melodic interest. The overall performance time is around three minutes. Click the YouTube link above to listen to the Clarinet version of this arrangement.Teachers will enjoy using this arrangement as a fun way to help with ensemble skills and expressive playing. Students will enjoy the challenge of some syncopated rhythms and the key change.There are many more top quality arrangements and compositions by David McKeown for you to browse at http://www.sheetmusicplus.com/publishers/david-mckeown/6203
$5.99
Those Magnificent Men In Their Flying Machines
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Ron Goodwin
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Derek Hasted
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Those Magnificent Men In Their
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Derek Hasted
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SheetMusicPlus
Guitar Ensemble Guitar - Level 3 - Digital Download SKU: A0.797771 Composed by Ron Goodwin. Arranged by Derek Hasted. Contemporary,Film/TV. Score and par...
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Guitar Ensemble Guitar - Level 3 - Digital Download SKU: A0.797771 Composed by Ron Goodwin. Arranged by Derek Hasted. Contemporary,Film/TV. Score and parts. 16 pages. Derek Hasted #5311943. Published by Derek Hasted (A0.797771). THOSE MAGNIFICENT MEN - 4 GUITARS or LARGE ENSEMBLEFor Classical or Acoustic Guitar - sometimes it's erroneously listed here as Electric Guitar.Derek Hasted writes 'Those Magnificent Men In Their Flying Machines' is the theme music to the film of the same name and was composed by Ron Goodwin.This arrangement stays faithful to much of the original but there are some tiny little changes that make this version fit a guitar ensemble more comfortably...The key is more guitar-friendly.You can choose between 3 different 2-bar introductions.The more complex vocal alliterations in the original are slimmed down to avoid the guitar parts sounding too fussy.Some of the original features (sliding trombone notes, snare drums and tricky decorations) have been removed or offered as alternative. The full score and parts explain where there are choices that can be made.This arrangement will suit a large ensemble as well as a quartet, and it's been proven in concert on more than one occasion before it was published.I hope you enjoy playing it as much as my two ensembles (and their audiences!)
$4.99
One Way Or Another (teenage Kicks)
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Pop music
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One Direction
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Daryl McKenzie
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One Way Or Another
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Daryl McKenzie
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SheetMusicPlus
Small Ensemble Double Bass,Drums,Guitar,Percussion,Piano,Saxophone,Trombone,Trumpet - Level 3 - Digital Download SKU: A0.717958 By One Direction. By Debo...
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Small Ensemble Double Bass,Drums,Guitar,Percussion,Piano,Saxophone,Trombone,Trumpet - Level 3 - Digital Download SKU: A0.717958 By One Direction. By Deborah Harry, John O'Neill, and Nigel Harrison. Arranged by Daryl McKenzie. Pop. Score and parts. 42 pages. Daryl McKenzie #3926309. Published by Daryl McKenzie (A0.717958). Arranged as per the One Direction Version but in the Key of Eb (with a key change at the last chorus). Suits Female Vocal (no voice part included) with Big band (5 Saxes, 4 Trumpets, 4 Trombones, Piano, Guitar, Bass, Drums, Percussion) Playable with reduced instrumentation and also playable as a stand alone Rhythm Section chart. Same arrangement in the Key of C (Male Vocal) also availableMore arrangements by Daryl McKenzie: https://bit.ly/2VKpOXFwww.mckenziemusicproductions.comYoutube Playlist: https://bit.ly/3m0oUkH
$59.99
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