Home page
--INSTRUMENTS--
ACCORDION
AUTOHARP
BAGPIPE
BANJO
BASS
BASSOON
BOOKS
BOUZOUKI
BUGLE
CHORAL - VOCAL…
CLARINET
CORNET
DIDGERIDOO
DJ GEAR
DRUM
DULCIMER
ENGLISH HORN
EUPHONIUM
FLUTE
FRENCH HORN
GUITAR
HANDBELLS
HARMONICA
HARP
HARPSICHORD
LAP STEEL GUIT…
LUTE
MANDOLIN
MARCHING BAND
MARIMBA
MUSIC COURSE
OBOE
OCARINA
ORCHESTRA - BA…
ORGAN
PANPIPES
PERCUSSION
PIANO
RECORDER
SAXOPHONE
SYNTHESIZER K…
TROMBONE
TRUMPET
TUBA
UKULELE
VIBRAPHONE
VIOLA
VIOLIN - FIDDL…
VIOLONCELLO - …
XYLOPHONE
ZITHER
Different
Not classified
1,033
Piano & keyboards
Piano solo
810
Piano, Voice
253
Piano, Vocal and Guitar
62
Organ
47
C Instruments
19
Easy Piano
17
Piano Accompaniment
15
1 Piano, 4 hands
14
Organ, Trumpet (duet)
12
Piano Trio: piano, violin, cello
6
2 Pianos, 4 hands
5
Accordion
4
Piano Quintet: piano, 2 violins, viola, cello
2
Organ, Piano (duet)
2
Harpsichord
1
Piano (band part)
1
Piano Quartet: piano, violin, viola, cello
1
+ 12 instrumentations
-
Retract
Guitars
Guitar notes and tablatures
878
Ukulele
76
Guitar
52
Bass guitar
32
Piano, Guitar (duet)
7
Melody line, (Lyrics) and Chords
7
2 Guitars (duet)
6
Guitar Ensemble
5
Lyrics and Chords
4
Mandolin
3
Dulcimer
3
4 Guitars (Quartet)
3
Banjo
3
Mandolin, Guitar (duet)
1
+ 9 instrumentations
-
Retract
Voice
Choral SATB
212
Choral 3-part
58
Choral TTBB
49
Choral 2-part
41
Choral SSAA
24
Soprano voice, Piano
8
Choral Unison
6
Tenor voice, Piano
5
Vocal duet
4
Alto voice, Piano
3
Medium voice, Piano
2
Voice solo
1
Choral SSATB
1
High voice
1
Vocal duet, Piano
1
Choral SSAATTBB
1
+ 11 instrumentations
-
Retract
Woodwind
2 Saxophones (duet)
216
2 Clarinets (duet)
113
Saxophone, Clarinet (duet)
100
2 Flutes (duet)
95
Clarinet, Violin (duet)
81
Flute and Piano
73
Clarinet and Piano
69
Clarinet, Trumpet (duet)
68
Woodwind Quintet: flute, oboe, bassoon, clarinet, horn
64
Oboe, Piano (duet)
62
Alto Saxophone and Piano
60
Tenor Saxophone and Piano
60
Saxophone Quartet: 4 saxophones
59
Flute, Oboe, Clarinet, Bassoon
57
Soprano Saxophone and Piano
49
Saxophone (band part)
49
Clarinet
44
2 Oboes (duet)
44
Flute, Violin
43
Flute, Clarinet (duet)
41
Oboe, Clarinet (duet)
41
Oboe, Bassoon (duet)
39
Flute, Viola (duet)
39
Flute, Saxophone (duet)
39
Alto Saxophone
39
Flute
38
Tenor Saxophone
37
Clarinet and Viola
36
Clarinet Quartet: 4 clarinets
36
Flute, Trumpet (duet)
35
Baritone Saxophone, Piano
35
Flute Quartet: 4 flutes
34
Oboe, Flute
29
Oboe (band part)
28
Flute ensemble
26
Saxophone Quintet: 5 Saxophones
24
English Horn
19
Clarinet Ensemble
17
English horn, Piano
17
Flute, Violin, Piano
15
Clarinet Quintet: 5 clarinets
14
Bass Clarinet, Piano
13
Flute, Oboe (duet)
12
3 Saxophones (trio)
12
Oboe
11
Flute and Guitar
11
Soprano Saxophone
10
Oboe, Violin (duet)
10
Flute, Oboe, Clarinet (trio)
7
Saxophone ensemble
7
Flute Trio: 3 flutes
7
Flute Quintet : 5 flutes
7
3 Clarinets (trio)
6
Flute, Clarinet, Piano (trio)
3
Clarinet, Guitar (duet)
3
Flute, Cello, Piano (trio)
3
Saxophone and Guitar
2
Flute, Viola and Piano
2
Recorder Quartet
2
5 Recorders
2
Flute, Oboe, Bassoon
2
Wind ensemble
2
Baritone Saxophone
2
Harmonica
2
Flute, harp and violin
2
Clarinet, Harp (duet)
2
Saxophone
2
Recorder Ensemble
1
Clarinet Quartet: Clarinet, Violin, Viola, Cello
1
2 Recorders (duet)
1
Bagpipe
1
Oboe, Clarinet, Bassoon (trio)
1
Tenor Recorder
1
Saxophone and Piano
1
Treble (Alto) Recorder, Piano
1
Descant (Soprano) Recorder
1
Oboe, Trumpet (duet)
1
Flute, Clarinet and Bassoon.
1
Flute, Cello, Guitar
1
2 Oboes, 2 Horns and 2 Bassoons
1
Flute, Clarinet, Violin (trio)
1
Flute, Violoncello
1
2 Saxophones, Piano
1
Flute, Oboe, Piano (trio)
1
Piccolo, Piano
1
Clarinet, Cello, Piano (trio)
1
Oboe, Guitar (duet)
1
+ 82 instrumentations
-
Retract
Woodbrass
Brass Quintet: 2 trumpets, horn, trombone, tuba
91
Trumpet, Saxophone (duet)
72
Trumpet
49
Trombone and Piano
49
Trumpet, Piano
46
Trumpet, Trombone (duet)
45
French Horn and Piano
45
2 Trombones (duet)
44
2 Trumpets (duet)
42
French horn
41
Brass quartet : 2 trumpets, trombone, tuba
38
Trombone
38
Tuba
26
Tuba and Piano
24
Euphonium, Piano (duet)
21
English Horn
19
English horn, Piano
17
Trumpet (band part)
8
Brass Quartet: 2 trumpets, horn, trombone
8
Brass Quartet: 4 horns
7
Trumpet ensemble
6
Brass Quartet: 4 trombones
6
Brass Quartet
4
Horn Ensemble
3
2 Tubas (duet)
2
Brass Quartet: 4 trumpets
2
2 Euphoniums (duet)
1
3 Tubas (trio)
1
Bass Trombone
1
Euphonium
1
Horn, Cello (duet)
1
3 Trumpets (trio)
1
Trombone, Tuba (duet)
1
3 Trombones (trio)
1
4 Tubas
1
Euphonium, Tuba (duet)
1
2 French horns (duet)
1
+ 32 instrumentations
-
Retract
Strings
String Quartet: 2 violins, viola, cello
135
Violin and Piano
81
Viola, Piano
64
Cello, Piano
63
Violin, Cello (duet)
55
2 Violins (duet)
53
Violin
52
Violin, Viola (duet)
49
2 Violas (duet)
48
Cello
44
2 Cellos (duet)
42
Double Bass
34
Viola
32
Harp
30
Double bass, Piano (duet)
23
String Trio: 2 violins, cello
18
String Trio: violin, viola, cello
14
Viola (band part)
10
String Quintet: 2 violins, viola, cello, bass
9
String quartet: 4 violins
9
String Trio: 3 cellos
4
Violin, Guitar (duet)
3
Harp, Cello (duet)
3
Viola and Harp
2
Harp, Violin (duet)
2
String Trio: 3 violas
2
Harp, Flute (duet)
2
String Trio: 3 violins
2
Cello, Guitar (duet)
2
2 Harps (duet)
2
Piano Trio: Violin, Viola, Piano
1
Harp, Voice
1
Cello (band part)
1
Violin (band part)
1
3 Harps
1
+ 30 instrumentations
-
Retract
Orchestra & Percussion
Concert band
84
Orchestra
57
Brass ensemble
47
Chamber Orchestra
45
String Orchestra
45
Handbells
38
Jazz Ensemble
33
Marching band
18
Percussion Ensemble
18
Jazz combo
10
Drums
9
Marimba
2
Xylophone
2
Xylophone, Piano
2
Flexible Instrumentation
1
+ 10 instrumentations
-
Retract
Others
Instruments
ACCORDION
BAGPIPE
BALALAIKA
BANJO
BASS
BASSOON
BLANK SHEET…
BOOKS
BOUZOUKI
BUGLE
CELLO - VIO…
CHARANGO
CHOIR - VOC…
CLARINET
CORNET
DOBRO - GUI…
DOUBLE BASS
DRUM
DULCIMER
ELECTRONIC …
ENGLISH HOR…
EUPHONIUM
FLUGELHORN
FLUTE
GUITAR
HANDBELLS
HARMONICA
HARP
HARPSICHORD
HORN
LUTE, THEOR…
MANDOLIN
MARCHING BA…
MARIMBA
MUSICAL COU…
NO SCORES
OBOE
ORCHESTRA -…
ORCHESTRA P…
ORGAN - ORG…
OTHER INSTR…
OUD
PANPIPES
PEDAL STEEL…
PERCUSSION
PIANO
RECORDER
SAXOPHONE
TROMBONE
TRUMPET
TUBA
UKULELE
VIBRAPHONE
VIELLE A RO…
VIOLA
VIOLA DA GA…
VIOLIN - FI…
WHISTLE
XYLOPHONE
ZITHER
Musician's shop
Sheet music books
Digital sheet music
Music equipment
Gift ideas
Other Services
Other Services
Top 100
Web directory
Staff paper
Metronome
About free-scores.com
$
$
EUR €
USD $
GBP £
CAD $
CNY ¥
Français
Free Sheet Music
1
Digital Sheet Music
1,033
Sheet Music Books
1,080
Music Equipment
4,307
Digital scores
(access after purchase)
Post mailing
Digital sheet music
← INSTRUMENTATIONS
SORTING AND FILTERS
SORTING AND FILTERS
Sorting and filtering :
--INSTRUMENTS--
ACCORDION
AUTOHARP
BAGPIPE
BANJO
BASS
BASSOON
BOOKS
BOUZOUKI
BUGLE
CHORAL - VOCAL…
CLARINET
CORNET
DIDGERIDOO
DJ GEAR
DRUM
DULCIMER
ENGLISH HORN
EUPHONIUM
FLUTE
FRENCH HORN
GUITAR
HANDBELLS
HARMONICA
HARP
HARPSICHORD
LAP STEEL GUIT…
LUTE
MANDOLIN
MARCHING BAND
MARIMBA
MUSIC COURSE
OBOE
OCARINA
ORCHESTRA - BA…
ORGAN
PANPIPES
PERCUSSION
PIANO
RECORDER
SAXOPHONE
SYNTHESIZER K…
TROMBONE
TRUMPET
TUBA
UKULELE
VIBRAPHONE
VIOLA
VIOLIN - FIDDL…
VIOLONCELLO - …
XYLOPHONE
ZITHER
style (all)
AFRICAN
AMERICANA
ASIAN
BLUEGRASS
BLUES
CELTIC - IRISH - SCO…
CHILDREN - KIDS : MU…
CHRISTIAN (contempor…
CHRISTMAS - CAROLS -…
CLASSICAL - BAROQUE …
CONTEMPORARY - 20-21…
CONTEMPORARY - NEW A…
COUNTRY
FINGERSTYLE - FINGER…
FLAMENCO
FOLK ROCK
FOLK SONGS - TRADITI…
FRENCH SONGS
FUNK
GOSPEL - SPIRITUAL -…
HALLOWEEN
INSTRUCTIONAL : CHOR…
INSTRUCTIONAL : METH…
INSTRUCTIONAL : STUD…
JAZZ
JAZZ GYPSY - SWING
JEWISH - KLEZMER
LATIN - BOSSA - WORL…
LATIN POP ROCK
MEDIEVAL - RENAISSAN…
METAL - HARD
MOVIE (WALT DISNEY)
MOVIE - TV
MUSICALS - BROADWAYS…
OLD TIME - EARLY ROC…
OPERA
PATRIOTIC MUSIC
POLKA
POP ROCK - CLASSIC R…
POP ROCK - MODERN - …
POP ROCK - POP MUSIC
PUNK
RAGTIME
REGGAE
SOUL - R&B - HIP HOP…
TANGO
THANKSGIVING
VIDEO GAMES
WEDDING - LOVE - BAL…
WORSHIP - PRAISE
Relevance
Best sellers
Prices - to +
Prices + to -
New releases
A-Z
skill (all)
beginner
easy
intermediate
avanced
expert
Sellers (all)
Musicnotes
Note4Piano
Noviscore
Profs-edition
Quickpartitions
SheetMusicPlus
Tomplay
Virtualsheetmusic
with audio
with video
with play-along
Active criteria:
Different
intermediate
Sheetmusic to print
1,033 sheet music found
<
1
26
51
....
1026
Jingle Bells in Different Styles for Tuba Quintet
#
Christmas
#
James Lord Pierpont
#
Ander
#
Jingle Bells in Different Styl
#
Woods Only, Arrangements
#
SheetMusicPlus
Euphonium,Low Brass Quintet,Tuba - Level 3 - Digital Download SKU: A0.1308306 Composed by James Lord Pierpont. Arranged by Ander. Children,Christmas. 35 ...
(+)
Euphonium,Low Brass Quintet,Tuba - Level 3 - Digital Download SKU: A0.1308306 Composed by James Lord Pierpont. Arranged by Ander. Children,Christmas. 35 pages. Woods Only, Arrangements #897545. Published by Woods Only, Arrangements (A0.1308306). Are you looking for a fun and creative way to play Jingle Bells, the famous Christmas song? Then you will love this arrangement for Tuba Quintet, which explores the theme in different styles, from waltz to samba. In this arrangement, you will find a slow and gentle opening, which introduces the theme of the melody with delicacy and elegance, followed by a cheerful and lively version, which follows the original version of the song, with striking rhythm and simple harmony. Then, you will be charmed by a waltz version, which gives a different charm to the music, with smooth and graceful movements, and be infected by a samba version, which brings a Brazilian touch to the music, with dancing beat and elements of the samba root. Next, you will be moved by a sad and melancholic version, in minor tone, which shows a touching side of the music, with expressiveness and sensitivity. Finally, you will have fun with a return of the cheerful version, which explores the theme in different tones, with solos divided among all the voices of the arrangement, creating an impression of jumping party. This arrangement is ideal for Christmas parties, in chamber music groups, and can be used in recitals and concerts, inside or outside the academy. It is a different and innovative way to perform this beautiful music, which will surprise and delight your audience. Do not miss this opportunity to acquire this exclusive and fun arrangement of Jingle bells in Different Styles!
$9.99
Two Different Worlds
#
Sonny Rollins
#
Adam Lenhart
#
Two Different Worlds
#
Adam Lenhart
#
SheetMusicPlus
Carillon,Instrumental Solo - Level 3 - Digital Download SKU: A0.1408949 By Sonny Rollins. By Al Frisch and Sid Wayne. Arranged by Adam Lenhart. 20th Cent...
(+)
Carillon,Instrumental Solo - Level 3 - Digital Download SKU: A0.1408949 By Sonny Rollins. By Al Frisch and Sid Wayne. Arranged by Adam Lenhart. 20th Century,Pop. Individual part. 3 pages. Adam Lenhart #991553. Published by Adam Lenhart (A0.1408949). An arrangement of Two Different Worlds for carillon/bell tower.This arrangement was first premiered by carillonist Adam Lenhart at the 53 bell Charles Baird Carillon in Ann Arbor, Michigan.
$4.99
Different Standards
#
Pop music
#
Zane Kuchera
#
Different Standards
#
Zane Kuchera Music
#
SheetMusicPlus
Bassoon,Cello,Flute,Harmonica,Oboe,Piano and Keyboard,Piccolo,Trombone,Tuba,Viola,Violin,Voice - Level 3 - Interactive Download SKU: A0.1244033 By Zane K...
(+)
Bassoon,Cello,Flute,Harmonica,Oboe,Piano and Keyboard,Piccolo,Trombone,Tuba,Viola,Violin,Voice - Level 3 - Interactive Download SKU: A0.1244033 By Zane Kuchera. By Words:Zoë aan de Wiel, music:Zane Kuchera. This edition: Interactive Download. Pop. 45 pages. Duration 211. Zane Kuchera Music #5DmH2WpTicp0625H0RdVtu. Published by Zane Kuchera Music (A0.1244033). Key: D major.Listen: https://album.link/4rd3gtcn3mk89 6/4/23 Zane Kuchera Music released “Different Standards†(Pop/Folk/Jazz) - If my friends behaved like this I'd call them out and remind them that their happiness is worth caring about - but we’re talking about me. Words by Zoë aan de Wiel (Amsterdam) , music & performance by Zane Kuchera. https://ZaneKuchera.com.
$4.99
A Different Kind of King - Choral Version
#
Christmas
#
Diane M
#
A Different Kind of King - Cho
#
Diane M. Adams
#
SheetMusicPlus
Small Ensemble Bass Voice,Percussion,Piano,Tenor Voice,Trumpet,Vibraphone - Level 3 - Interactive Download SKU: A0.1500175 Composed by Diane M. Adams. Th...
(+)
Small Ensemble Bass Voice,Percussion,Piano,Tenor Voice,Trumpet,Vibraphone - Level 3 - Interactive Download SKU: A0.1500175 Composed by Diane M. Adams. This edition: Interactive Download. Christmas. 28 pages. Duration 165. Diane M. Adams #44Fs9ykLlUB9uL5uXzamMJ. Published by Diane M. Adams (A0.1500175). Key: F major.Christian Christmas Song in Choral Arrangement - Soprano, Alto, Tenor, Bass.
$4.99
A Different Kind of King - Solo Vocal Version
#
Christmas
#
Diane Marie Adams
#
A Different Kind of King - Sol
#
Diane M. Adams
#
SheetMusicPlus
Small Ensemble Percussion,Piano,Trumpet,Vibraphone - Level 3 - Interactive Download SKU: A0.1500186 By Diane Marie Adams. By Diane Marie Adams. This edit...
(+)
Small Ensemble Percussion,Piano,Trumpet,Vibraphone - Level 3 - Interactive Download SKU: A0.1500186 By Diane Marie Adams. By Diane Marie Adams. This edition: Interactive Download. Christmas. 28 pages. Duration 165. Diane M. Adams #3JjFjpSa5yfx4dmG854U35. Published by Diane M. Adams (A0.1500186). Key: F major.Christmas Song, Solo vocal version.
$2.99
A Different Path - Clarinet and Guitar
#
Contemporary
#
John Tweed
#
A Different Path - Clarinet an
#
John Tweed
#
SheetMusicPlus
Instrumental Duet Clarinet,Guitar,Instrumental Duet - Level 3 - Digital Download SKU: A0.1006025 Composed by John Tweed. Contemporary. Score and parts. 4...
(+)
Instrumental Duet Clarinet,Guitar,Instrumental Duet - Level 3 - Digital Download SKU: A0.1006025 Composed by John Tweed. Contemporary. Score and parts. 4 pages. John Tweed #6361879. Published by John Tweed (A0.1006025). A new Australian piece for Clarinet and Guitar.
$4.99
A Different Path - Trombone and Guitar
#
Contemporary
#
John Tweed
#
A Different Path - Trombone an
#
John Tweed
#
SheetMusicPlus
Small Ensemble Guitar,Trombone - Level 3 - Digital Download SKU: A0.1006029 Composed by John Tweed. Contemporary. Score and parts. 4 pages. John Tweed #6...
(+)
Small Ensemble Guitar,Trombone - Level 3 - Digital Download SKU: A0.1006029 Composed by John Tweed. Contemporary. Score and parts. 4 pages. John Tweed #6361913. Published by John Tweed (A0.1006029). A new Australian piece for Trombone and Guitar. .
$4.99
A Different Path - Trumpet and Guitar
#
Contemporary
#
John Tweed
#
A Different Path - Trumpet and
#
John Tweed
#
SheetMusicPlus
Instrumental Duet Guitar,Instrumental Duet,Trumpet - Level 3 - Digital Download SKU: A0.1006028 Composed by John Tweed. Contemporary. Score and parts. 4 ...
(+)
Instrumental Duet Guitar,Instrumental Duet,Trumpet - Level 3 - Digital Download SKU: A0.1006028 Composed by John Tweed. Contemporary. Score and parts. 4 pages. John Tweed #6361905. Published by John Tweed (A0.1006028). A new Australian piece for Trumpet and Guitar.
$4.99
A Different Kind Of Lovesong
#
Cher
#
David Maddux
#
A Different Kind Of Lovesong
#
David Maddux
#
SheetMusicPlus
Small Ensemble Drum Set,Electric Bass Guitar,Piano - Level 3 - Digital Download SKU: A0.575296 By Cher. By Johan Ludvig Aberg, Michelle Robin Lewis, and ...
(+)
Small Ensemble Drum Set,Electric Bass Guitar,Piano - Level 3 - Digital Download SKU: A0.575296 By Cher. By Johan Ludvig Aberg, Michelle Robin Lewis, and Sigurd Heimdal Roesnes. Arranged by David Maddux. Contemporary,Pop. Score and parts. 28 pages. David Maddux #184655. Published by David Maddux (A0.575296). NOTE: This PDF file contains the conductor’s score, individual instrumental parts, and vocal-only part. The piano-vocal is sold separately. YOU ARE LEGALLY OBLIGATED TO PURCHASE ONE PIANO-VOCAL PDF PER SINGING MEMBER, INCLUDING CONDUCTORS AND ACCOMPANISTS.
$50.00
A Different Kinda Thing
#
Robert E
#
A Different Kinda Thing
#
R. E. Proctor
#
SheetMusicPlus
Small Ensemble Double Bass,Drum Set,Piano,Trombone - Level 3 - Digital Download SKU: A0.809702 Composed by Robert E. Proctor. Contemporary,Jazz. Score an...
(+)
Small Ensemble Double Bass,Drum Set,Piano,Trombone - Level 3 - Digital Download SKU: A0.809702 Composed by Robert E. Proctor. Contemporary,Jazz. Score and parts. 12 pages. R. E. Proctor #53567. Published by R. E. Proctor (A0.809702). An original jazz composition for trombone solo, piano, bass, and drums.
$3.95
E lucevan le stelle from "Tosca" (Puccini) - Cornet/Euphonium Duet and Brass Band
#
Giacomo Puccini
#
Rob Bushnell
#
E lucevan le stelle from "Tosc
#
Rob Bushnell
#
SheetMusicPlus
Mixed Percussion B-Flat Tuba,B-Flat trombone,Baritone Horn TC/Euphonium,Bass Trombone,E-Flat Cornet,E-Flat Tenor Horn,E-Flat Tuba TC,Flugelhorn,Percussion 1,Per...
(+)
Mixed Percussion B-Flat Tuba,B-Flat trombone,Baritone Horn TC/Euphonium,Bass Trombone,E-Flat Cornet,E-Flat Tenor Horn,E-Flat Tuba TC,Flugelhorn,Percussion 1,Percussion 2,Tenor Trombone - Level 3 - Digital Download SKU: A0.1510871 Composed by Giacomo Puccini. Arranged by Rob Bushnell. 19th Century,20th Century,Classical,Opera,Romantic Period. Brass Band. 54 pages. Rob Bushnell #1086082. Published by Rob Bushnell (A0.1510871). Tosca is an opera in three acts by the Italian composer Giacomo Puccini. The opera is set in June 1800 in Rome, and tells the story of the Kingdom of Naples and the threat to its control of Rome by Napoleon’s invasion of Italy. Some of Puccini’s best-known arias can be found in Tosca.The opera is based on Victorien Sardou’s dramatic play of the same name (La Tosca). Puccini saw the play at least twice in 1889 and begged his publisher, Giulio Ricordi, to obtain the rights to turn it into an opera, which were secured in 1891 – although Puccini relinquished the rights to Alberto Franchetti before being recommissioned in 1895. Puccini wrote “I see in this Tosca the opera I need, with no overblown proportions, no elaborate spectacle, nor will it call for the usual excessive amount of music.” It took 4 years to write, with Puccini arguing with his librettists (Luigi Illica and Giuseppe Giacosa) and his publisher. Although the first performance was delayed by a day due to the unrest in Rome at the time, the opera was premiered on 14 January 1900 at the Teatro Costanzi in Rome. The critics reviews were indifferent, but it was an immediate success with the public. The opera is through-composed, with the different musical elements weaved from piece to piece. Puccini used the Wagner’s leitmotif concept to identity different parts of the opera.Taken from Act 3, E lucevan le stelle is sung by Cavaradossi, a painter, who has fallen for the singer Tosca. The corrupt Chief of Police, Baron Scarpia, longs for Tosca himself and, upon suspecting Cavaradossi of helping a political prisoner escape, he takes the opportunity to get rid of Cavaradossi and blackmail Tosca into being with him. The guards lead Cavaradossi to the roof of Castel Sant'Angelo, where he is told he has 1 hour to live before being executed. He asks to write a letter to Tosca, overcome by memories, he sings E lucevan le stelle (And the starts shone). It was selected by the tenor Wynne Evans as one of the most romantic songs for his top ten arias for Classic FM. He described it as “another tenor classic, both tragic and beautiful.”This arrangement is for the UK-style brass band, with alternative parts for horns in F and bass-clef lower brass. A recording of the original song can be found on YouTube: https://www.youtube.com/watch?v=EAqHQMX7GHY.Other searchable terms: Luciano Pavarotti.
$44.99
Scriabin: Prelude Op. 11 No. 2 for Bass Flute & Piano
#
Alexander Scriabin
#
James M
#
Scriabin: Prelude Op. 11 No. 2
#
jmsgu3
#
SheetMusicPlus
Bass Flute,Instrumental Solo,Piano - Level 3 - Digital Download SKU: A0.549474 Composed by Alexander Scriabin. Arranged by James M. Guthrie, ASCAP. Conce...
(+)
Bass Flute,Instrumental Solo,Piano - Level 3 - Digital Download SKU: A0.549474 Composed by Alexander Scriabin. Arranged by James M. Guthrie, ASCAP. Concert,Instructional,Romantic Period,Sacred,Standards. Score and individual part. 12 pages. Jmsgu3 #3499839. Published by jmsgu3 (A0.549474). Score: 8 pages, solo part: 2 pages, piano part: 2 pages. Duration: 3:10. An introspective and meditative work with a lot of dynamic and phrasing nuance. Works well for church meditations or recital encores. Background Op.11/2 Alto Clarinet version. First of all, Scriabin composed mostly for the solo piano and also the orchestra. This is probably because he was a gifted pianist and therefore certainly appreciated the piano. Scriabin grew up in the late Romantic period, consequently, he was fond of the great piano masters of the time. As a result, he wrote his first noteworthy compositions in the manner of Chopin and Liszt. Forms Likewise, Scriabin used many of the same forms as Chopin. These certainly include the étude, prelude, nocturne, and even the mazurka. In contrast, as he developed his own sense of style his music became more and more unusual. So, the last five of his Piano Sonatas do not have a key signature and therefore lean towards atonality. Philosophy Scriabin also developed a keen interest in philosophy and likewise poetry. He was above all particularly fascinated by Nietzsche, Delville, and Blavatsky. Consequently, he finally established his own ideas about metaphysics and certainly mysticism. Scriabin consequently advanced theories about the relationship between color and musical keys. Synesthesia He also may have experienced a condition called synesthesia where he could probably sense a response created from a different stimulus. Therefore, it was almost as if he could see music and hear colors. Scriabin, therefore, arranged the colors in a circle similar to the circle-of-fifths and assigned each key area a color. Finally, he assigned the key of C to the color red, while the key of G was orange. Similarly, he assigned D to yellow, A to green, and so forth. Strangely, he did not differentiate between major and minor key colors. Multimedia Hence, his ability to translate colors into music certainly gave Scriabin a most noteworthy interest in creating multimedia events. Furthermore, He designed his biggest work, the Mysterium, to last an entire week. Even more, Scriabin made plans not only for music, but also colored lights, incense, and dancing. He designed the performance to occur in the foothills of the Himalaya mountains. The Mysterium was never performed, and only sketches of the work remain. Modern Performances In modern times, we often experience performances of Scriabin’s most famous completed works accompanied by colored laser lights and incense. These are the Poem of Ecstasy (completed in 1908) and the Poem of Fire (completed in 1910). The lighting effects for these early performances were accomplished by the clavier à lumiéres. It was a keyboard instrument that projected colored light onto a screen.
$19.95
Scriabin: Prelude Op. 11 No. 2 for Oboe d'Amore & Piano
#
Alexander Scriabin
#
James M
#
Scriabin: Prelude Op. 11 No. 2
#
jmsgu3
#
SheetMusicPlus
Instrumental Solo,Oboe d'Amore,Piano - Level 3 - Digital Download SKU: A0.549471 Composed by Alexander Scriabin. Arranged by James M. Guthrie, ASCAP. Con...
(+)
Instrumental Solo,Oboe d'Amore,Piano - Level 3 - Digital Download SKU: A0.549471 Composed by Alexander Scriabin. Arranged by James M. Guthrie, ASCAP. Concert,Instructional,Romantic Period,Sacred,Standards. Score and individual part. 12 pages. Jmsgu3 #3499775. Published by jmsgu3 (A0.549471). Score: 8 pages, solo part: 2 pages, piano part: 2 pages. Duration: 3:10. An introspective and meditative work with a lot of dynamic and phrasing nuance. Works well for church meditations or recital encores. Background Op.11/2 Alto Clarinet version. First of all, Scriabin composed mostly for the solo piano and also the orchestra. This is probably because he was a gifted pianist and therefore certainly appreciated the piano. Scriabin grew up in the late Romantic period, consequently, he was fond of the great piano masters of the time. As a result, he wrote his first noteworthy compositions in the manner of Chopin and Liszt. Forms Likewise, Scriabin used many of the same forms as Chopin. These certainly include the étude, prelude, nocturne, and even the mazurka. In contrast, as he developed his own sense of style his music became more and more unusual. So, the last five of his Piano Sonatas do not have a key signature and therefore lean towards atonality. Philosophy Scriabin also developed a keen interest in philosophy and likewise poetry. He was above all particularly fascinated by Nietzsche, Delville, and Blavatsky. Consequently, he finally established his own ideas about metaphysics and certainly mysticism. Scriabin consequently advanced theories about the relationship between color and musical keys. Synesthesia He also may have experienced a condition called synesthesia where he could probably sense a response created from a different stimulus. Therefore, it was almost as if he could see music and hear colors. Scriabin, therefore, arranged the colors in a circle similar to the circle-of-fifths and assigned each key area a color. Finally, he assigned the key of C to the color red, while the key of G was orange. Similarly, he assigned D to yellow, A to green, and so forth. Strangely, he did not differentiate between major and minor key colors. Multimedia Hence, his ability to translate colors into music certainly gave Scriabin a most noteworthy interest in creating multimedia events. Furthermore, He designed his biggest work, the Mysterium, to last an entire week. Even more, Scriabin made plans not only for music, but also colored lights, incense, and dancing. He designed the performance to occur in the foothills of the Himalaya mountains. The Mysterium was never performed, and only sketches of the work remain. Modern Performances In modern times, we often experience performances of Scriabin’s most famous completed works accompanied by colored laser lights and incense. These are the Poem of Ecstasy (completed in 1908) and the Poem of Fire (completed in 1910). The lighting effects for these early performances were accomplished by the clavier à lumiéres. It was a keyboard instrument that projected colored light onto a screen.
$19.95
Donut Etudes vol. 3: Don’t Step in the Holes! – Tuba Quartet (Tuba/Euphonium)
#
Instructional
#
Joshua Hauser
#
#
Donut Etudes vol. 3: Don’t S
#
Slide Ride
#
SheetMusicPlus
Small Ensemble - Level 3 - Digital Download SKU: A0.784348 Composed by Joshua Hauser. Instructional. Score and parts. 74 pages. Slide Ride #5288731. Publ...
(+)
Small Ensemble - Level 3 - Digital Download SKU: A0.784348 Composed by Joshua Hauser. Instructional. Score and parts. 74 pages. Slide Ride #5288731. Published by Slide Ride (A0.784348). 1 Octave Scale Studies in 15+ keys for 4-part ensembles of like or mixed instrumentsIf this is your first exposure to these scale studies, you are in for a treat! Donuts, if you make a mistake!The initial incarnation of these studies were written for trombone quartet and we would play them in the Tennessee Tech Trombone Choir with the challenge that whomever made the first mistake had to buy donuts for the rest of the ensemble. Since then I have brought that version to several clinics and warm up sessions. One time before I got to explain the title, a fellow trombone professor said, Oh, I get it! Don’t step in the holes!I only wish I had thought of that myself... Since we have one of the best donut shops in TN here in Cookeville, treating the studio to sugar coated goodies was always my intent.As with those initial exercises, you can vary these as much as you’d like.· Choose a tempo.· Choose a dynamic.· Choose an articulation/style.One way I like to play these is to have one person be the model, playing the entire scale over and over while everyone else plays the fragmented versions. That helps everyone to keep on track and stay in time. Double or triple up the parts for ensemble cohesion with a larger group.Practice one key, gradually speeding it up to improve fluidity, or choose a variation and take it through all keys, playing version A, B, C, or D then skipping to play the same set in a new key.If you want an additional challenge, play them in different octaves or change the key. Play the F Major set in f minor (all forms), different modes, etc. Players really have to be on their toes to remember if they are playing melodic minor in the ascending or descending form! For jazz players, try swinging them in dorian or mixolydian modes.The variations are endless!If you are using these with transposing instruments, 1) is F Major in Concert Pitch, 2) is Bb Major in Concert pitch, and so on. When you reach a scale that is enharmonic for another key (Db/C#, Gb/F#, or Cb/B), they are presented in both keys for each instrument so Trumpets can play in Eb while the Flutes are playing in C# with similar examples for all keys.All Donut Etudes with the same volume number are compatible so you can play them in mixed quartets or large ensembles with one or more instruments/people on part 1 and a different instrument on part 2, etc. Since the quartets are all identical, conductors/coaches can use any of the scores to tell which part should be playing at what time. Once you have played a scale with one set of parts, everyone can rotate to a different part and play the same scales again!Enjoy!
$7.50
Donut Etudes vol. 3: Don’t Step in the Holes! – Trumpet Quartet (or Baritone T.C.)
#
Instructional
#
Joshua Hauser
#
#
Donut Etudes vol. 3: Don’t S
#
Slide Ride
#
SheetMusicPlus
Small Ensemble - Level 3 - Digital Download SKU: A0.784334 Composed by Joshua Hauser. Instructional. Score and parts. 38 pages. Slide Ride #5288661. Publ...
(+)
Small Ensemble - Level 3 - Digital Download SKU: A0.784334 Composed by Joshua Hauser. Instructional. Score and parts. 38 pages. Slide Ride #5288661. Published by Slide Ride (A0.784334). 1 Octave Scale Studies in 15+ keys for 4-part ensembles of like or mixed instruments If this is your first exposure to these scale studies, you are in for a treat! Donuts, if you make a mistake!The initial incarnation of these studies were written for trombone quartet and we would play them in the Tennessee Tech Trombone Choir with the challenge that whomever made the first mistake had to buy donuts for the rest of the ensemble. Since then I have brought that version to several clinics and warm up sessions. One time before I got to explain the title, a fellow trombone professor said, Oh, I get it! Don’t step in the holes!I only wish I had thought of that myself... Since we have one of the best donut shops in TN here in Cookeville, treating the studio to sugar coated goodies was always my intent.As with those initial exercises, you can vary these as much as you’d like.· Choose a tempo.· Choose a dynamic.· Choose an articulation/style.One way I like to play these is to have one person be the model, playing the entire scale over and over while everyone else plays the fragmented versions. That helps everyone to keep on track and stay in time. Double or triple up the parts for ensemble cohesion with a larger group.Practice one key, gradually speeding it up to improve fluidity, or choose a variation and take it through all keys, playing version A, B, C, or D then skipping to play the same set in a new key.If you want an additional challenge, play them in different octaves or change the key. Play the F Major set in f minor (all forms), different modes, etc. Players really have to be on their toes to remember if they are playing melodic minor in the ascending or descending form! For jazz players, try swinging them in dorian or mixolydian modes.The variations are endless!If you are using these with transposing instruments, 1) is F Major in Concert Pitch, 2) is Bb Major in Concert pitch, and so on. When you reach a scale that is enharmonic for another key (Db/C#, Gb/F#, or Cb/B), they are presented in both keys for each instrument so Trumpets can play in Eb while the Flutes are playing in C# with similar examples for all keys.All Donut Etudes with the same volume number are compatible so you can play them in mixed quartets or large ensembles with one or more instruments/people on part 1 and a different instrument on part 2, etc. Since the quartets are all identical, conductors/coaches can use any of the scores to tell which part should be playing at what time. Once you have played a scale with one set of parts, everyone can rotate to a different part and play the same scales again!Enjoy!
$5.00
Donut Etudes vol. 3: Don’t Step in the Holes! – Trombone, Euphonium, or Baritone Quartet
#
Instructional
#
Joshua Hauser
#
#
Donut Etudes vol. 3: Don’t S
#
Slide Ride
#
SheetMusicPlus
Small Ensemble Trombone/Baritone B.C. - Level 3 - Digital Download SKU: A0.784336 Composed by Joshua Hauser. Instructional. Score and parts. 38 pages. Sl...
(+)
Small Ensemble Trombone/Baritone B.C. - Level 3 - Digital Download SKU: A0.784336 Composed by Joshua Hauser. Instructional. Score and parts. 38 pages. Slide Ride #5288665. Published by Slide Ride (A0.784336). 1 Octave Scale Studies in 15+ keys for 4-part ensembles of like or mixed instruments If this is your first exposure to these scale studies, you are in for a treat! Donuts, if you make a mistake!The initial incarnation of these studies were written for trombone quartet and we would play them in the Tennessee Tech Trombone Choir with the challenge that whomever made the first mistake had to buy donuts for the rest of the ensemble. Since then I have brought that version to several clinics and warm up sessions. One time before I got to explain the title, a fellow trombone professor said, Oh, I get it! Don’t step in the holes!I only wish I had thought of that myself... Since we have one of the best donut shops in TN here in Cookeville, treating the studio to sugar coated goodies was always my intent.As with those initial exercises, you can vary these as much as you’d like.· Choose a tempo.· Choose a dynamic.· Choose an articulation/style.One way I like to play these is to have one person be the model, playing the entire scale over and over while everyone else plays the fragmented versions. That helps everyone to keep on track and stay in time. Double or triple up the parts for ensemble cohesion with a larger group.Practice one key, gradually speeding it up to improve fluidity, or choose a variation and take it through all keys, playing version A, B, C, or D then skipping to play the same set in a new key.If you want an additional challenge, play them in different octaves or change the key. Play the F Major set in f minor (all forms), different modes, etc. Players really have to be on their toes to remember if they are playing melodic minor in the ascending or descending form! For jazz players, try swinging them in dorian or mixolydian modes.The variations are endless!If you are using these with transposing instruments, 1) is F Major in Concert Pitch, 2) is Bb Major in Concert pitch, and so on. When you reach a scale that is enharmonic for another key (Db/C#, Gb/F#, or Cb/B), they are presented in both keys for each instrument so Trumpets can play in Eb while the Flutes are playing in C# with similar examples for all keys.All Donut Etudes with the same volume number are compatible so you can play them in mixed quartets or large ensembles with one or more instruments/people on part 1 and a different instrument on part 2, etc. Since the quartets are all identical, conductors/coaches can use any of the scores to tell which part should be playing at what time. Once you have played a scale with one set of parts, everyone can rotate to a different part and play the same scales again!Enjoy!
$5.00
Donut Etudes vol. 3: Don’t Step in the Holes! – Bass Quartet
#
Instructional
#
Joshua Hauser
#
#
Donut Etudes vol. 3: Don’t S
#
Slide Ride
#
SheetMusicPlus
Small Ensemble Double Bass - Level 3 - Digital Download SKU: A0.784342 Composed by Joshua Hauser. Instructional. Score and parts. 38 pages. Slide Ride #5...
(+)
Small Ensemble Double Bass - Level 3 - Digital Download SKU: A0.784342 Composed by Joshua Hauser. Instructional. Score and parts. 38 pages. Slide Ride #5288689. Published by Slide Ride (A0.784342). 1 Octave Scale Studies in 15+ keys for 4-part ensembles of like or mixed instruments If this is your first exposure to these scale studies, you are in for a treat! Donuts, if you make a mistake!The initial incarnation of these studies were written for trombone quartet and we would play them in the Tennessee Tech Trombone Choir with the challenge that whomever made the first mistake had to buy donuts for the rest of the ensemble. Since then I have brought that version to several clinics and warm up sessions. One time before I got to explain the title, a fellow trombone professor said, Oh, I get it! Don’t step in the holes!I only wish I had thought of that myself... Since we have one of the best donut shops in TN here in Cookeville, treating the studio to sugar coated goodies was always my intent.As with those initial exercises, you can vary these as much as you’d like.· Choose a tempo.· Choose a dynamic.· Choose an articulation/style.One way I like to play these is to have one person be the model, playing the entire scale over and over while everyone else plays the fragmented versions. That helps everyone to keep on track and stay in time. Double or triple up the parts for ensemble cohesion with a larger group.Practice one key, gradually speeding it up to improve fluidity, or choose a variation and take it through all keys, playing version A, B, C, or D then skipping to play the same set in a new key.If you want an additional challenge, play them in different octaves or change the key. Play the F Major set in f minor (all forms), different modes, etc. Players really have to be on their toes to remember if they are playing melodic minor in the ascending or descending form! For jazz players, try swinging them in dorian or mixolydian modes.The variations are endless!If you are using these with transposing instruments, 1) is F Major in Concert Pitch, 2) is Bb Major in Concert pitch, and so on. When you reach a scale that is enharmonic for another key (Db/C#, Gb/F#, or Cb/B), they are presented in both keys for each instrument so Trumpets can play in Eb while the Flutes are playing in C# with similar examples for all keys.All Donut Etudes with the same volume number are compatible so you can play them in mixed quartets or large ensembles with one or more instruments/people on part 1 and a different instrument on part 2, etc. Since the quartets are all identical, conductors/coaches can use any of the scores to tell which part should be playing at what time. Once you have played a scale with one set of parts, everyone can rotate to a different part and play the same scales again!Enjoy!
$5.00
Ragmala
#
Liz Sharma
#
Ragmala
#
Forton Music - Digital
#
SheetMusicPlus
2 Fl. 1 Ob. 1 Ob dbl CA. 2 Cl in Bb. 2 Hn in F. 2 Bsn. - Intermediate - Digital Download SKU: F2.FM611 Composed by Liz Sharma. A wind dectet written in I...
(+)
2 Fl. 1 Ob. 1 Ob dbl CA. 2 Cl in Bb. 2 Hn in F. 2 Bsn. - Intermediate - Digital Download SKU: F2.FM611 Composed by Liz Sharma. A wind dectet written in Indian Ragas. Score and parts. 30 pages. Forton Music - Digital #FM611. Published by Forton Music - Digital (F2.FM611). ISBN 9790570485109.'Ragmala' (meaning 'A garland of ragas) concerns the passing of a day, and is written in Indian ragas. Indian classical music is largely improvised according to the strict rules of melody (raga) and rhythm patterns (tala). The Indian scale is Sa Ri Ga Ma Pa Dha Ni Sa. A little like tonic sol-fa on that Sa can be pitched on any note the main performer chooses. However, whereas any note in Western classical music can be natural, sharp or flat, in Indian music Sa and Pa are only allowed to be natural, Ri, Ga, Dha and Ni can be flattened but never sharpened, whilst Ma can be sharpened, but never flattened. A raga (of which there are hundreds all with different names), is a cross between a scale and a melody, based on combinations of notes, and only the fixed notes of the raga can be used. Some ragas have a different order of notes when ascending or descending. Each raga is supposed to express the mood of a particular time of day, or season. There is a different concept of harmony in Indian music, as chord based harmony does not exist. Groups of classical musicians in India tend to be smaller, with most players playing different versions of the main melody. The harmony is formed by the rising and falling melody against a drone-like bass. in 'Ragmala' I have followed the rules of the ragas, but in a manner foreign to most Indian classical musicians, as I have allowed harmonies to form between the ten individual lines.
$25.95
Sedge Fen (3 Oboes Drifting), for instruments in three parts with optional drone - Score and Parts
#
Paul Burnell
#
Sedge Fen
#
Paul Burnell
#
SheetMusicPlus
Oboe/English Horn - Level 3 - Digital Download SKU: A0.1423105 Composed by Paul Burnell. 21st Century,Classical,Contemporary. 20 pages. Paul Burnell #100...
(+)
Oboe/English Horn - Level 3 - Digital Download SKU: A0.1423105 Composed by Paul Burnell. 21st Century,Classical,Contemporary. 20 pages. Paul Burnell #1004437. Published by Paul Burnell (A0.1423105). Sedge Fen (3 Oboes Drifting) by Paul Burnell.Composed 2009 with minor revisions to the score in 2023. For instruments in three parts with optional drone.Duration 4:40 approx. When performed by three oboes only this piece is called ‘3 Oboes Drifting’ and begins at bar 2. When performed by a different or larger ensemble it is called ‘Sedge Fen’. Optional: when reading from the score, parts 1, 2 and 3 may change to different parts where indicated [ 1 ], [ 2], [ 3]. If performed this way players will need to read from the score. The part 4 drone on low G is optional and may be played an octave higher or lower. Part 4 reads from the score or is cued by the conductor. If played by a large ensemble some instruments may alternate between parts 3 and 4. Part 3 may be played an octave lower. If necessary reduce the number of players on part 3 at bar 58 to achieve a pianissimo dynamic. If voices are part of the ensemble, female voices may sing part 3 to ‘oo’ and male voices may sing part 4 with an open-lipped hum ‘nn’ or ‘uu’. Programme note ‘Sedge Fen (3 Oboes Drifting)’ is a companion piece to ‘Tricorder (3 Oboes Dancing)’ both of which can be performed by three oboes or by different or larger ensembles. Sedges are flowering plants that superficially resemble grasses or rushes. Members of the sedge family have triangular stems (with occasional exceptions), and their leaves are spirally arranged in three ranks. A fen is a type of wetland fed by surface and/or groundwater.Sedge Fen is a small village in Suffolk, a few miles from Lakenheath, close to the Cambridgeshire and Norfolk borders in England.
$2.99
Mozart (Leopold): Die Musikalische Schlittenfahrt (Div. in F) II..Schlittenfahrt (Sleigh Ride)
#
Leopold Mozart
#
Ray Thompson
#
Mozart
#
RayThompsonMusic
#
SheetMusicPlus
Large Ensemble - Level 3 - Digital Download SKU: A0.554040 Composed by Leopold Mozart. Arranged by Ray Thompson. Christmas,Classical. Score and parts. 19...
(+)
Large Ensemble - Level 3 - Digital Download SKU: A0.554040 Composed by Leopold Mozart. Arranged by Ray Thompson. Christmas,Classical. Score and parts. 19 pages. RayThompsonMusic #6529205. Published by RayThompsonMusic (A0.554040). (Divertimento in F) This is NOT the popular SleighRide by Leroy Anderson!Arranged wind dectet/ bass.And parts for tuned and non tuned Sleigh Bells.Something different for that Xmas gig.There is some dispute as to the composer of this piece.It also exists, as different music, in 2 different Musical Sleighride Suites.
$15.95
Eleanor Rigby
#
Rock
#
David Cook
#
Odd Helge Hveding
#
Eleanor Rigby
#
oh2Musikk
#
SheetMusicPlus
Small Ensemble Bass Guitar,Drum Set,Piano,Trombone,Voice - Level 3 - Digital Download SKU: A0.1023980 By David Cook. By Domenico Bucchino, John Lennon, a...
(+)
Small Ensemble Bass Guitar,Drum Set,Piano,Trombone,Voice - Level 3 - Digital Download SKU: A0.1023980 By David Cook. By Domenico Bucchino, John Lennon, and Paul McCartney. Arranged by Odd Helge Hveding. Rock. Score and parts. 32 pages. Oh2Musikk #6685377. Published by oh2Musikk (A0.1023980). If you want a bit different version of the arrangement behind Eleanor Rigby, this is it.The vocal part is unchanged, but everything behind is a bit different. So if you have a vocalist who loves the song and you don't have a string quartet, or want another variation than piano, you should check this out.The arrangement can be used anywhere you would use Eleanor Rigby. This 3:26 long arrangement is meant to be a bit different than the original, and when you get to the last verse, it really opens up in a new way. Eleanor Rigby, the original by the Beatles, with the string quartet, is a song I've been fascinated by since my childhood. For years I wanted to do my own version, just for fun, of course. This is what I came up with.
$14.99
Classic Buckets
#
Cole Durbin, Josh Josephy-Zack
#
HarvardTHUD
#
Classic Buckets
#
HarvardTHUD
#
SheetMusicPlus
Mixed Percussion - Level 3 - Digital Download SKU: A0.1119991 Composed by Cole Durbin, Josh Josephy-Zack, Nathan Siegelaub, and Tyler Parker. Arranged by...
(+)
Mixed Percussion - Level 3 - Digital Download SKU: A0.1119991 Composed by Cole Durbin, Josh Josephy-Zack, Nathan Siegelaub, and Tyler Parker. Arranged by HarvardTHUD. Contemporary,Funk,March,Rock. 15 pages. HarvardTHUD #721322. Published by HarvardTHUD (A0.1119991). This is the sheet music for THUD's staple bucket percussion piece, Classic Buckets, which we play at our various gigs throughout the year! The piece is written to be played on inverted 5-gallon buckets, which we modify by removing both the handles and the raised rim around the base of the bucket. The different beats (unique looped groups of measures) are virtually the same as in the video (linked below), though since this video was filmed, we've added a slightly new ending and a part in the Jungle beat where we raise our arms, click our sticks, and yell THUD! together! In the sheet music, different lines in the staff correspond to hitting different parts of the bucket/stage: top (E5), rim (C5), side (F5), chair (D5), floor (G5), and stick click (C5, but these only occur during the count-off and Jungle).
$4.99
Pitch Only - Treble Clef (Sight Reading Exercise Book)
#
Instructional
#
Nathan Petitpas - Dots and Bea
#
Pitch Only - Treble Clef
#
Dots and Beams
#
SheetMusicPlus
Large Ensemble Alto Recorder,Alto Saxophone,Banjo,Baritone Saxophone,Cello,Clarinet,English Horn,Euphonium,Flute,Guitar,Handbell,Harmonica,Harpsichord,Marimba,O...
(+)
Large Ensemble Alto Recorder,Alto Saxophone,Banjo,Baritone Saxophone,Cello,Clarinet,English Horn,Euphonium,Flute,Guitar,Handbell,Harmonica,Harpsichord,Marimba,Oboe,Orff Instrument,Piano,Soprano Recorder,Soprano Saxophone,Tenor Recorder,Tenor Saxophone,Trumpet,Ukulele,Vibraphone,Viola,Violin,Voice,Xylophone - Level 3 - Digital Download SKU: A0.931837 Composed by Nathan Petitpas - Dots and Beams. Instructional. Score and parts. 129 pages. Dots and Beams #5313613. Published by Dots and Beams (A0.931837). This book provides its user with a series of notes on a treble staff with no rhythm values and no meter. Chapters are organized by the placement of the notes relative to the staff; on the staff, above the staff, below the staff, on and above the staff, and on and below the staff. For each pitch range there is one chapter with no accidentals and one chapter with accidentals. All exercises have a space at the beginning of each staff to write in a key signature, allowing each exercise to be read in all keys and used in many ways. The aim with this book is to allow the user to focus specifically on exercises centred around pitch without the distraction of rhythmic values or time signatures. This can begin with the practice of sight-reading but can expand to include many other learning goals. The diatonic sets contain notes with no accidentals or key signature. These collections can be read as written, using only natural notes, or in any of the 15 key signatures from 7 flats to 7 sharps. Chromatic collections include sharp and flat notes as well as natural ones. The later exercises in these chapters increase the difficulty by including B#, Cb, E#, and Fb. Ledger line chapters start with the first ledger line and gradually expand away from the staff. Exercises above the staff reach up to the space above the fifth ledger line while exercises below reach down to the space below the third. The random nature of the notes in these exercises is intentional; it forces the user to pay attention to each note and makes the exercises very difficult to memorize, ensuring that they will still present a challenge even after multiple readings. It’s important when sight-reading to cycle through the exercises quickly rather than dwelling on a single exercise for a long time. This will ensure that you’re strengthening your ability to read the notes rather than just memorizing the exercises. Some suggestions for how to use this book include: Gain comfort reading the notes and finding them on your instrument in no particular rhythm or tempo. A greater challenge can be achieved by playing them at a steady tempo or by playing them in a simple rhythmic pattern. Beginner students can begin by writing in the note names. Play each exercise in all 15 key signatures. Advanced theory students and improvising musicians can also use these exercises to practice identifying scale degrees in various keys or playing chords built on every scale degree in the chosen key. Develop comfort with chords by playing a chord built on each note in the exercise. For example: for each note in the exercise, play the major chord with that root. Increase the difficulty with different chord qualities or different chord tones, for example: for every note, play the minor 7th chord in which the given note is the 3rd. Practice transposing into different keys. This is an especially useful challenge for people who play transposing instruments such as brass and woodwind instruments. Chapters with wide ranges can present a great exercise for musicians who play instruments where large leaps are a challenge. People who play strings, mallet percussion, piano, woodwinds, and brass would be among those who would benefit from practising these awkward leaps and falls. As with any of the Dots and Beams books, the uses for this particular collection are limited only by the imagination of the musician using it. I highly encourage anybody using this book to find as many uses for it as possible. My hope is that as you grow as a musician you will find ever more creative and challenging ways to use these materials so that you can return to these books for years.
$10.00
Weird Ways to Play The D Major Scale
#
Traditional
#
Danny Crocome
#
Weird Ways to Play The D Major
#
Danny Crocome Music
#
SheetMusicPlus
Guitar - Level 3 - Digital Download SKU: A0.1478361 Composed by Traditional. Arranged by Danny Crocome. 21st Century,Contemporary,Country,Instructional,T...
(+)
Guitar - Level 3 - Digital Download SKU: A0.1478361 Composed by Traditional. Arranged by Danny Crocome. 21st Century,Contemporary,Country,Instructional,Traditional. Guitar Tab. 1 pages. Danny Crocome Music #1055743. Published by Danny Crocome Music (A0.1478361). This info sheet shows guitarists 4 weird ways to play the notes of a 2-octave D Major Scale:1. Blending higher fretted notes with open strings2. 3-notes-per-string legato (sequences of hammer-ons and pull-offs)3. Repeating pattern across string sets4. Each scale note on a different string.These unusual ways of playing an ascending and descending major scale give that familiar sound a wholly unfamiliar feel. These patterns also function well as warmup exercises, as they require a different level of left and right hand synchronization than the standard major scale patterns.
$3.99
Pie Jesu (O Salutaris).
#
Jean-Baptiste Faure
#
Alan Saldaña-Silva
#
Pie Jesu
#
Alan Saldaña-Silva
#
SheetMusicPlus
Cello,Horn,Medium Voice,Organ - Level 3 - Digital Download SKU: A0.1447035 Composed by Jean-Baptiste Faure. Arranged by Alan Saldaña-Silva. 19th Century...
(+)
Cello,Horn,Medium Voice,Organ - Level 3 - Digital Download SKU: A0.1447035 Composed by Jean-Baptiste Faure. Arranged by Alan Saldaña-Silva. 19th Century,Chamber,Religious,Romantic Period,Sacred. 6 pages. Alan Saldaña-Silva #1026808. Published by Alan Saldaña-Silva (A0.1447035). For Voice, Organ, & Horn in F or Violoncello ad libitum.Edited by Alan Saldaña-Silva.This wonderful sacred solo song has both Pie Jesus and O Salutaris text that can be used for different Services of the Church, the wonderful French Horn part in conjuction with the Medium Voice creates an exquisite combination and it is supported by a beautiful Organ accompaniment. There is also a Cello part if French Horn is not availibed or a different color is preferred for the instrumental to accomodate the ensemble needs.
$15.99
<
1
26
51
....
1026
