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The Bottom Line
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Sheetmusic to print
16 sheet music found
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1
The Bottom Line
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Contemporary
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Alan Menken
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Maria Willsher
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The Bottom Line
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Maria Willsher
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SheetMusicPlus
Choral Vocal Solo,Voice - Level 3 - Digital Download SKU: A0.898318 Composed by Alan Menken. Arranged by Maria Willsher. Contemporary. 3 pages. Maria Wil...
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Choral Vocal Solo,Voice - Level 3 - Digital Download SKU: A0.898318 Composed by Alan Menken. Arranged by Maria Willsher. Contemporary. 3 pages. Maria Willsher #5453955. Published by Maria Willsher (A0.898318). Transcription of the Original Broadway Cast Recording of 'The Bottom Line' from the musical Newsies. Includes all vocal parts with accurate harmonies, lyrics and speech within the song. Written for baritone solo with mezzo-soprano and 2x tenor backing vocals - some solo, some three/four-part harmony sections.
$4.99
BOISMORTIER SONATA IN D MINOR OPUS 7 No. 4 for flute or oboe, clarinet & bassoon or cello
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Joseph Bodin De Boismortier
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Edited & arranged by Pat Spenc
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BOISMORTIER SONATA IN D MINOR
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Piper Publications
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SheetMusicPlus
Small Ensemble Bassoon,Cello,Clarinet,Flute,Oboe - Level 3 - Digital Download SKU: A0.811719 Composed by Joseph Bodin De Boismortier (1689 - 1755). Arran...
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Small Ensemble Bassoon,Cello,Clarinet,Flute,Oboe - Level 3 - Digital Download SKU: A0.811719 Composed by Joseph Bodin De Boismortier (1689 - 1755). Arranged by Edited & arranged by Pat Spence. Baroque,Concert,Graduation,Standards,Wedding. Score and parts. 22 pages. Piper Publications #5213745. Published by Piper Publications (A0.811719). The sonata is the first of a set of six published in Paris in 1725 by L’Auteur & Boivin ‘Avec Privilege du Roy.1725.’ The title page described them as ‘SONATES EN TRIO pour Trois Flûtes Transversieres sans Basse Par MR BOISMORTIER. OEVRE SEPTIÈME.’The publication consisted of a set of parts each with the title page followed by a copy of the Privilége granted by King Louis to Boismortier to print and sell his music.The fourth sonata has been arranged for flute or oboe, clarinet & bassoon or cello. The four movements are Doucement, Courante, Allemande and a pair of minuets. Players of intermediate standard and above will enjoy the independent part writing. Obvious mistakes and omissions have been corrected without comment, trills have been added where there is for e.g. a sequence where only the first trill has been indicated or a similar passage has a trill in that part or another part. The more modern tr has been substituted for + and the mordant used on shorter notes retained. The only dynamics included in the original are Doucement (softly) at the beginning of the first movement and Doux , an indication to play softly from bar/measure 49 to the end of the first movement, and none have been added. Players should feel free to add their own. For the arrangement some changes of register have been made to accommodate the ranges of the oboe and clarinet and additional slurs have been added (dashed lines). Players are free to retain the ‘feel’ of early eighteenth century style whilst playing modern instruments.The original publication used the, now defunct, soprano clef (with G on the bottom line of the stave) and this edition has been transcribed into the modern treble clef. In the eighteenth century it was quite usual for wind players to play several instruments. The use of the soprano clef would have made it easier to switch between flute and bassoon.
$12.00
Sleepy Shores (theme From Owen M.d.)
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Johnny Pearson
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Derek Hasted
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Sleepy Shores
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Derek Hasted
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SheetMusicPlus
Guitar Ensemble Guitar - Level 3 - Digital Download SKU: A0.797767 Composed by Johnny Pearson. Arranged by Derek Hasted. Contemporary,Film/TV. Score and ...
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Guitar Ensemble Guitar - Level 3 - Digital Download SKU: A0.797767 Composed by Johnny Pearson. Arranged by Derek Hasted. Contemporary,Film/TV. Score and parts. 24 pages. Derek Hasted #5222105. Published by Derek Hasted (A0.797767). SLEEP SHORES (theme to Owen MD) - 4 GUITARS/LARGE ENSEMBLEFor Classical or Acoustic Guitar - sometimes it's erroneously listed here as Electric Guitar.Derek Hasted writes Johnny Pearson was a prolific composer and ran the BBC Top Of The Pops orchestra for 16 years.My arrangement captures every one of the stunning and uplifting key changes of the orchestral version. The key chosen here is different to the original, but it means we can use the full playable range of the guitar and play in some keys that are less alien to guitarists!The original version was scored for piano and orchestra but also featured a guitar to provide a rhythmic backdrop, and that part is captured here too, along with the electric bass guitar line, set for classical or acoustic guitar.From the perspective of a guitar teacher, this piece is a wonderful worked example of the Circle of Fifths in action, and the final key change uses the A#(Bb) and E that are common to the chords of F#7 and C7 to create an effortless movement right across the Circle of Fifths from bottom to top in one easy action!From the perspective of the players, the arpeggios are moveable chords and so the section with the most key changes is also the section that’s easiest to play!And from the perspective of the audience, the key changes make this a remarkable and engaging piece.I hope you enjoy this piece!
$4.99
BOISMORTIER THREE SONATAS OPUS 8 FOR 2 BASSOONS OR CELLOS
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Joseph Bodin De Boismortier
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Edited & arranged by Pat Spenc
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Le Sr. Le Clere.
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BOISMORTIER THREE SONATAS OPUS
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Piper Publications
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SheetMusicPlus
Woodwind Ensemble - Level 3 - Digital Download SKU: A0.811704 Composed by Joseph Bodin De Boismortier (1689 - 1755). Arranged by Edited & arranged by Pat...
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Woodwind Ensemble - Level 3 - Digital Download SKU: A0.811704 Composed by Joseph Bodin De Boismortier (1689 - 1755). Arranged by Edited & arranged by Pat Spence. Baroque,Concert,Standards. 43 pages. Piper Publications #4338647. Published by Piper Publications (A0.811704). SONATA No. 1 in A MAJOR SONATA No. 2 in E MINOR SONATA No. 3 in D MAJOR Written for 2 equal instruments these sonatas bring pleasure to players of intermediate standard and above whilst developing their independent playing skills. Each sonata has 4 movements slow and fast alternating in the same key. The six opus 8 sonatas were published in Paris in 1725 for ‘deux Flûtes-Transversiere sans Basse’. They were published ‘Avec Privilége du Roy.’ They were printed as a playing score preceeded by a title page which also gave details of where to obtain copies - L’Auter, Le Sr. Boivin & Le Sr. Le Clere. A copy of the Privilége du Roy. granted by King Louis on March 22nd 1724 was printed in full on the second page. It is highly likely that the sonatas would have been played by pairs of oboes or violins or possibly by bassoons or cellos according to the players available in the homes of the wealthy amateur players who could afford to buy music. The flute parts were printed in the soprano clef - with G on the bottom line. This would have been convenient for flute players who often also played bassoon when required and were often not keyboard players. This edition uses the modern bass clef and has a score plus separate parts to facilitate page turns. In editing the sonatas the presentation of the music has been modernised.
$15.00
BOISMORTIER SUITE No. 1 in C MAJOR OPUS 11 NO. 1 PB277
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Joseph Bodin De Boismortier
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Edited & arranged by Pat Spenc
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BOISMORTIER SUITE No. 1 in C M
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Piper Publications
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SheetMusicPlus
Small Ensemble Clarinet,Flute,Oboe,Violin - Level 3 - Digital Download SKU: A0.811779 Composed by Joseph Bodin De Boismortier (1689 - 1755). Arranged by ...
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Small Ensemble Clarinet,Flute,Oboe,Violin - Level 3 - Digital Download SKU: A0.811779 Composed by Joseph Bodin De Boismortier (1689 - 1755). Arranged by Edited & arranged by Pat Spence. Baroque,Concert,Graduation,Instructional,Standards. Score and parts. 10 pages. Piper Publications #6274491. Published by Piper Publications (A0.811779). SUITE No. 1 in C major Opus 11 No. 1 PB 277This Suite is the first of a set of six first published by Boivin in Paris in 1727 for two musettes (bagpipes). It has been edited and arranged for pairs of flutes or oboes or violins. It would also work very well for a pair of clarinets. Players of Intermediate standard and above will enjoy the five contrasting movements in the Baroque French style, Ouverture, muzette, Viele, Menuet, Sarabande & a pair of Contredances. The format is a playing score.The original edition used the ‘violin clef’ which placed the g above middle c on the bottom line of the stave instead of the line above as is usual today.The notation has been modernised for ease of reading. All edits have been indicated using dashed lines or parentheses ( ). No dynamics are marked in the original edition since bagpipes do not usually have means of volume control. The dynamics I have added (in parentheses) are suggestions only.The Suite would have been bought and played by flute, oboe and violin players as well as bagpipers. Boismortier wrote and published a substantial number of chamber works aimed at amateur players which were very popular and made him a very wealthy man.
$8.00
BLAVET SONATA IN G MAJOR FOR TWO FLUTES OR OBOES OR VIOLINS
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Michel Blavet
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Edited by Pat Spence
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BLAVET SONATA IN G MAJOR FOR T
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Piper Publications
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SheetMusicPlus
Small Ensemble Flute,Oboe,Violin - Level 3 - Digital Download SKU: A0.811744 Composed by Michel Blavet (1700 - 1768). Arranged by Edited by Pat Spence. B...
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Small Ensemble Flute,Oboe,Violin - Level 3 - Digital Download SKU: A0.811744 Composed by Michel Blavet (1700 - 1768). Arranged by Edited by Pat Spence. Baroque,Concert,Graduation,Standards. Score and parts. 12 pages. Piper Publications #5739579. Published by Piper Publications (A0.811744). This is the fourth of a set of six sonatas for 2 transverse flutes published in Paris in 1728. The playing score has been edited the musical notation has been modernised. The original was printed using the soprano clef ( with g on the bottom line). All edits are shown in parentheses ( ) or dashed lines. The trill ( +) has been replaced by tr and the mordants signs have not altered. The five movements, Andante, Allegro, Aria - Affetuoso, Minuet & Giga are for equal players of intermediate ability or above. The sonata is equally suitable for pairs of oboes or violins or a mixed combination.
$7.50
Renaissance Madrigals Arranged for Strings, set 2
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Renaissance
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Many
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Curtis Hanson
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Renaissance Madrigals Arranged
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Curtis Hanson
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SheetMusicPlus
String Ensemble - Level 3 - Digital Download SKU: A0.719774 Composed by Many. Arranged by Curtis Hanson. Renaissance. Score and parts. 46 pages. Curtis H...
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String Ensemble - Level 3 - Digital Download SKU: A0.719774 Composed by Many. Arranged by Curtis Hanson. Renaissance. Score and parts. 46 pages. Curtis Hanson #6258399. Published by Curtis Hanson (A0.719774). Hey string players and teachers, are you looking for something different to program or teach your students? This collection of pieces, suitable for beginning and experienced ensembles, may be what you’re looking for. For the choral musician, the secular music of the 16th and early 17th centuries comprise some of the most delightful works of early repertoire. The madrigals in this collection are arranged for string trios, quartets, and quintets. The intent of these arrangements is to enable the instrumental musician an opportunity to experience a genre perhaps less familiar, with its varying degrees of rhythmic complexity and the juxtaposed interplay of duple and triple rhythmic figures. In keeping with the period, no dynamics are indicated, and articulations are kept at a minimum. Traditionally, repeated sections are to be played at a softer dynamic, but nothing is written in stone. For the up-tempo piece, as many are, rhythmic cleanliness and clarity are paramount, particularly in the iconic Fa-la-la sections. Accordingly, although they may be warranted, no slurs are given. Occasional staccatos are suggested for crispness. Vocal breath marks (') above the staff are meant to serve as guides in phrasing only, and tempos are only suggestions. As non-sacred works, they are generally not meant as 'serious' music, but rather as the music of the common people. Bottom line, they are meant to be fun, and the performer is free to interpret as desired. This collection is a companion to the arranger’s series of Renaissance Motets Arranged for Strings. With the purchase of this collection, permission is granted to photocopy parts as needed. The audio example is of the first few pieces in the collection.
$29.99
Renaissance Madrigals Arranged for Strings, set 3
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Renaissance
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Many
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Curtis Hanson
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Renaissance Madrigals Arranged
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Curtis Hanson
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SheetMusicPlus
String Ensemble - Level 3 - Digital Download SKU: A0.719775 Composed by Many. Arranged by Curtis Hanson. Renaissance. Score and parts. 63 pages. Curtis H...
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String Ensemble - Level 3 - Digital Download SKU: A0.719775 Composed by Many. Arranged by Curtis Hanson. Renaissance. Score and parts. 63 pages. Curtis Hanson #6258417. Published by Curtis Hanson (A0.719775). Hey string players and teachers, are you looking for something different to program or teach your students? This collection of pieces, suitable for beginning and experienced ensembles, may be what you’re looking for. For the choral musician, the secular music of the 16th and early 17th centuries comprise some of the most delightful works of early repertoire. The madrigals in this collection are arranged for string trios, quartets, and quintets. The intent of these arrangements is to enable the instrumental musician an opportunity to experience a genre perhaps less familiar, with its varying degrees of rhythmic complexity and the juxtaposed interplay of duple and triple rhythmic figures. In keeping with the period, no dynamics are indicated, and articulations are kept at a minimum. Traditionally, repeated sections are to be played at a softer dynamic, but nothing is written in stone. For the up-tempo piece, as many are, rhythmic cleanliness and clarity are paramount, particularly in the iconic Fa-la-la sections. Accordingly, although they may be warranted, no slurs are given. Occasional staccatos are suggested for crispness. Vocal breath marks (') above the staff are meant to serve as guides in phrasing only, and tempos are only suggestions. As non-sacred works, they are generally not meant as 'serious' music, but rather as the music of the common people. Bottom line, they are meant to be fun, and the performer is free to interpret as desired. This collection is a companion to the arranger’s series of Renaissance Motets Arranged for Strings. With the purchase of this collection, permission is granted to photocopy parts as needed. The audio example contains one piece from each of the three composers included, John Dowland, Thomas Morley, and Thomas Weelkes, three English giants in this genre.
$29.99
A Night In Tunisia
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Jazz
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Dizzy Gillespie
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Keith Terrett
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A Night In Tunisia
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Keith Terrett
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SheetMusicPlus
Guitar,Piano - Level 3 - Digital Download SKU: A0.747044 By Dizzy Gillespie. By Dizzy Gillespie and Frank Paparelli. Arranged by Keith Terrett. Jazz. Sco...
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Guitar,Piano - Level 3 - Digital Download SKU: A0.747044 By Dizzy Gillespie. By Dizzy Gillespie and Frank Paparelli. Arranged by Keith Terrett. Jazz. Score and part. 12 pages. Keith Terrett #5953127. Published by Keith Terrett (A0.747044). A great sounding arrangement of A Night in Tunisia arranged for Guitar (notaion) & Piano, Guitarists will love this! Tab is available on request: keithterrett@gmail.comA jazz solo is written out for you, if you wish you can improvise on the given chord symbols!A Night in Tunisia is a musical composition written by Dizzy Gillespie around 1941–42, while Gillespie was playing with the Benny Carter band. It has become a jazz standard.It is also known as Interlude. Gillespie called the tune Interlude and said some genius decided to call it 'Night in Tunisia'. He said the tune was composed at the piano at Kelly's Stables in New York. He gave Frank Paparelli co-writer credit in compensation for some unrelated transcription work, but Paparelli had nothing to do with the song. A Night in Tunisia was one of the signature pieces of Gillespie's bebop big band, and he also played it with his small groups. In January 2004, The Recording Academy added the 1946 Victor recording by Gillespie to the Grammy Hall of Fame.On the album A Night at Birdland Vol. 1, Art Blakey introduced his 1954 cover version with this statement: At this time we'd like to play a tune [that] was written by the famous Dizzy Gillespie. I feel rather close to this tune because I was right there when he composed it in Texas on the bottom of a garbage can. The audience laughs, but Blakey responds, Seriously. The liner notes say, The Texas department of sanitation can take a low bow.The complex ostinato bass line in the A section is notable for avoiding the standard walking bass pattern of straight quarter notes, and the use of oscillating half-step-up/half-step-down chord changes (using the Sub V, a tritone substitute chord for the dominant chord) gives the song a unique, mysterious feeling. The B section is notable for having an unresolved minor II-V, since the chord progression of the B section is taken from the B section of the standard Alone Together, causing the V chord to lead back into the Sub V of the A section.Like many of Gillespie's tunes, it features a short written introduction and a brief interlude that occurs between solo sections - in this case, a twelve-bar sequence leading into a four-bar break for the next soloist.
$8.99
A Night In Tunisia
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Jazz
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Dizzy Gillespie
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Keith Terrett
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A Night In Tunisia
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Keith Terrett
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SheetMusicPlus
Instrumental Duet,Piano Instrumental Duet,Marimba,Piano,Vibraphone - Level 3 - Digital Download SKU: A0.747043 By Dizzy Gillespie. By Dizzy Gillespie and...
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Instrumental Duet,Piano Instrumental Duet,Marimba,Piano,Vibraphone - Level 3 - Digital Download SKU: A0.747043 By Dizzy Gillespie. By Dizzy Gillespie and Frank Paparelli. Arranged by Keith Terrett. Jazz. 12 pages. Keith Terrett #5953111. Published by Keith Terrett (A0.747043). A great sounding arrangement of A Night in Tunisia arranged for Vibraphone/Marimba & Piano, Vibe players will love this!A jazz solo is written out for you, if you wish you can improvise on the given chord symbols!A Night in Tunisia is a musical composition written by Dizzy Gillespie around 1941–42, while Gillespie was playing with the Benny Carter band. It has become a jazz standard.It is also known as Interlude. Gillespie called the tune Interlude and said some genius decided to call it 'Night in Tunisia'. He said the tune was composed at the piano at Kelly's Stables in New York. He gave Frank Paparelli co-writer credit in compensation for some unrelated transcription work, but Paparelli had nothing to do with the song. A Night in Tunisia was one of the signature pieces of Gillespie's bebop big band, and he also played it with his small groups. In January 2004, The Recording Academy added the 1946 Victor recording by Gillespie to the Grammy Hall of Fame.On the album A Night at Birdland Vol. 1, Art Blakey introduced his 1954 cover version with this statement: At this time we'd like to play a tune [that] was written by the famous Dizzy Gillespie. I feel rather close to this tune because I was right there when he composed it in Texas on the bottom of a garbage can. The audience laughs, but Blakey responds, Seriously. The liner notes say, The Texas department of sanitation can take a low bow.The complex ostinato bass line in the A section is notable for avoiding the standard walking bass pattern of straight quarter notes, and the use of oscillating half-step-up/half-step-down chord changes (using the Sub V, a tritone substitute chord for the dominant chord) gives the song a unique, mysterious feeling. The B section is notable for having an unresolved minor II-V, since the chord progression of the B section is taken from the B section of the standard Alone Together, causing the V chord to lead back into the Sub V of the A section.Like many of Gillespie's tunes, it features a short written introduction and a brief interlude that occurs between solo sections - in this case, a twelve-bar sequence leading into a four-bar break for the next soloist.
$8.99
A Night In Tunisia
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Jazz
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Dizzy Gillespie
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Keith Terrett
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A Night In Tunisia
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Keith Terrett
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SheetMusicPlus
Bassoon,Clarinet,Flute,Horn,Oboe - Level 3 - Digital Download SKU: A0.746991 By Dizzy Gillespie. By Dizzy Gillespie and Frank Paparelli. Arranged by Keit...
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Bassoon,Clarinet,Flute,Horn,Oboe - Level 3 - Digital Download SKU: A0.746991 By Dizzy Gillespie. By Dizzy Gillespie and Frank Paparelli. Arranged by Keith Terrett. Jazz. 13 pages. Keith Terrett #5827945. Published by Keith Terrett (A0.746991). A great sounding arrangement of A Night in Tunisia, your Wind Quintet will love it!A jazz solo is written out for you, if you wish you can improvise on the given chord symbols!A Night in Tunisia is a musical composition written by Dizzy Gillespie around 1941–42, while Gillespie was playing with the Benny Carter band. It has become a jazz standard.It is also known as Interlude. Gillespie called the tune Interlude and said some genius decided to call it 'Night in Tunisia'. He said the tune was composed at the piano at Kelly's Stables in New York. He gave Frank Paparelli co-writer credit in compensation for some unrelated transcription work, but Paparelli had nothing to do with the song. A Night in Tunisia was one of the signature pieces of Gillespie's bebop big band, and he also played it with his small groups. In January 2004, The Recording Academy added the 1946 Victor recording by Gillespie to the Grammy Hall of Fame.On the album A Night at Birdland Vol. 1, Art Blakey introduced his 1954 cover version with this statement: At this time we'd like to play a tune [that] was written by the famous Dizzy Gillespie. I feel rather close to this tune because I was right there when he composed it in Texas on the bottom of a garbage can. The audience laughs, but Blakey responds, Seriously. The liner notes say, The Texas department of sanitation can take a low bow.The complex ostinato bass line in the A section is notable for avoiding the standard walking bass pattern of straight quarter notes, and the use of oscillating half-step-up/half-step-down chord changes (using the Sub V, a tritone substitute chord for the dominant chord) gives the song a unique, mysterious feeling. The B section is notable for having an unresolved minor II-V, since the chord progression of the B section is taken from the B section of the standard Alone Together, causing the V chord to lead back into the Sub V of the A section.Like many of Gillespie's tunes, it features a short written introduction and a brief interlude that occurs between solo sections - in this case, a twelve-bar sequence leading into a four-bar break for the next soloist.
$14.99
Atlantean Waltz
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Musical Mythology
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Musical Mythology
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Atlantean Waltz
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Musical Mythology
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SheetMusicPlus
Small Ensemble Clarinet,Flute,Harp,Piano - Level 3 - Digital Download SKU: A0.518921 By Musical Mythology. By Musical Mythology. Arranged by Musical Myth...
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Small Ensemble Clarinet,Flute,Harp,Piano - Level 3 - Digital Download SKU: A0.518921 By Musical Mythology. By Musical Mythology. Arranged by Musical Mythology. Classical,Film/TV,Romantic Period. Score and parts. 2 pages. Musical Mythology #129590. Published by Musical Mythology (A0.518921). I originally wanted to compose a short, bittersweet waltz, and the mythological city of Atlantis seemed perfect for this. The waltz I ended up with is not really meant for dancing, but rather used as a way for storytelling. This story, however, is one of my own fabrications but is still loosely based on the Atlantis mentioned by Plato's dialogues: Critias and Timaeus. This piece outlines two Atlanteans that, with the end in sight, decide to dance one last waltz together as their gleaming city collapses around them. It's a tragic farewell to a utopia that once was and could've been, but remains now as only a memory – a relic lost at the bottom of the sea.
$1.99
Bach 15 Three Part Inventions (sinfonias) arr. for Treble Instrument and Piano
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Classical
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Johann Sebastian Bach
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Steve Newman
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Bach 15 Three Part Inventions
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steve newman
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SheetMusicPlus
Large Ensemble Alto Saxophone,Clarinet,Flute,Guitar,Oboe,Piano Accompaniment,Soprano Saxophone,Tenor Saxophone,Violin - Level 3 - Digital Download SKU: A0.91...
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Large Ensemble Alto Saxophone,Clarinet,Flute,Guitar,Oboe,Piano Accompaniment,Soprano Saxophone,Tenor Saxophone,Violin - Level 3 - Digital Download SKU: A0.916579 Composed by Johann Sebastian Bach. Arranged by Steve Newman. Baroque,Instructional,Standards. Score and parts. 71 pages. Steve newman #3379405. Published by steve newman (A0.916579). JS Bach, 15 Sinfonias (3 part Inventions) Originally for keyboard alone.This transcription separates the 3 voices, so that the bottom two can be played on a keyboard instrument while a treble instrument plays the top. The original has been transcribed for a piano to accompany a treble instrument like flute, violin, oboe, etc. The piano score has the second voice on treble and the third voice on the bass clef of the grand staff. The flute part is in a smaller size staff above the piano grand staff. A companion book for the flute, or other treble instrument, is also available. In addition, an audio cd has been made where the flute is in the right channel, and the piano accompaniment in the left channel. This cd is useful as a practice tool to let either player practice with a recording.. You can download the 16 tracks at https://app.box.com/s/wg2vyo7yg4imchnb7zaihk0e3fs1nqaw The user can use panning to either hear both parts, or only the other player’s part as he practices. All are in the original key. Violins and clarinets can play Sinfonia 15 in the original key of B minor, but the flute range doesn’t go low enough. So Sinfonia 15 has an additional version transposed to E minor so that a flute can play the low notes of the melody line without jumping octaves. Saxophones and other instruments can play the flute part without transposing if the accompanist has an electronic keyboard. to transpose the piano part. These pieces are a nice addition to the flute or violin literature as study, encore, or concert pieces. Steve Newman, Santa Cruz, Ca. newmans@cruzio.com
$5.99
Ave Maria - alto flute-cello duet
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Phil Beaman
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Ave Maria - alto flute-cello d
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Phil Beaman
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SheetMusicPlus
Instrumental Duet Alto Flute,Cello,Instrumental Duet - Level 3 - Digital Download SKU: A0.1140429 Composed by Phil Beaman. 20th Century,New Age,Spiritual...
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Instrumental Duet Alto Flute,Cello,Instrumental Duet - Level 3 - Digital Download SKU: A0.1140429 Composed by Phil Beaman. 20th Century,New Age,Spiritual. Score and parts. 4 pages. Phil Beaman #740680. Published by Phil Beaman (A0.1140429). This duet is a Meditation for Alto Flute and Cello. The current media call this style of music Spiritual Minimalism. This particular composition utilizes the centering 'ah' of Buddhism, the meditative resting periods of Zen, the plainchant of Christianity, the minimalism of New Age, and more. My inspiration for the melodic line is the 3 main words in the traditional Ave Maria text; Ave (Hail) higher in the staff for celebration, Gratia (Grace) mid-staff for acceptance, and Dominus (God) low in the staff for humility. The melodic range for Flute is thus quite large - a full two octaves, from Db above the staff to Eb on the bottom line. The cello accompaniment is the same in every bar of the entire piece; a circling minimalist 2 chord broken triad ostinato. Whether for personal meditation or public performance, this piece will relax, focus, and recharge all who perform it and hear it. 2 pages; 3:00 minutes (presented in a condensed single staff score with the Cello part notated in the introduction then the score switches to the Flute part with instructions for the Cello to repeat that measure for the remainder of the song. 2 copies provided in download.).
$3.99
Family - One Handed Trio version
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Tom Rule
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Tom Rule
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Family - One Handed Trio versi
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MaconMacMusicGuy
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SheetMusicPlus
Instrumental Duet,Keyboard - Level 3 - Digital Download SKU: A0.1463683 By Tom Rule. By Tom Rule. Arranged by Tom Rule. Contemporary,Instructional,Jazz,R...
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Instrumental Duet,Keyboard - Level 3 - Digital Download SKU: A0.1463683 By Tom Rule. By Tom Rule. Arranged by Tom Rule. Contemporary,Instructional,Jazz,Rock. 8 pages. MaconMacMusicGuy #1042412. Published by MaconMacMusicGuy (A0.1463683). Three lines of music playable by two or three players on 1,2, or 3 pianos / keyboards. There is a lot of flexibility in this format - feel free to mix things up and have soem fun with it! Experiment! Have Fun!The piece has some consistent syncopation, especially in the middle and bottom line, and some interesting chord progressions and extended harmonies that are sure to tickle your ears. The Youtube video has two versions of the piece - the first is with piano only, the second with different keyboard sounds.Family is from Tom Rule's 2023 album The Week Begins.
$4.99
Hard To Say I'm Sorry
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Rock
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Chicago
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Derek Hasted
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Hard To Say I'm Sorry
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Derek Hasted
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SheetMusicPlus
Guitar - Level 3 - Digital Download SKU: A0.1369697 By Chicago. By David Babyface Foster and Peter Cetera. Arranged by Derek Hasted. Pop,Rock. 21 pages. ...
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Guitar - Level 3 - Digital Download SKU: A0.1369697 By Chicago. By David Babyface Foster and Peter Cetera. Arranged by Derek Hasted. Pop,Rock. 21 pages. Derek Hasted #954061. Published by Derek Hasted (A0.1369697). HARD TO SAY I'M SORRY (Chicago)- GUITAR QUARTET/large ensembleFor Classical or Acoustic GuitarDerek Hasted writes This power ballad makes a wonderful concert item for a Guitar Quartet or large ensemble - it has a big sound for surprisingly little difficulty.My quartet has parts that increase slightly in complexity from bass to tune, so there’s something for everyone here. The bass line is supplied in both treble and bass clefs, and the two parts are identical, so for a large ensemble, you can have one or the other or both in your performance.Everything is comfortable to play, and my transcription is based closely on the official video from Chicago. I have changed the key very slightly so that the deep bass notes fit on the guitar’s bottom strings and the tune is placed comfortably on the neck. There are no page turns in the part score.The music rises and falls as the song progresses, making the dynamics happen almost automatically. But there are plenty of opportunities in the phrasing to make this piece  absolutely magical.The breathtaking key-change of the original is included!I hope you enjoy playing this piece!This is one of a large and growing range of accessible ensembles from experienced arranger Derek Hasted, and is supplied as full score and parts. Derek's website at www.derek-hasted.co.uk/smp lists all his arrangements by title and by number of instruments, with links to soundclips and sample score.
$4.99
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