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25 sheet music found
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1
Plateau of Dances with a Scottish Flavour
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Alexandra Lehmann
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Plateau of Dances with a Scott
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Forton Music - Digital
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SheetMusicPlus
Fl. Afl. (guit/kbd) - Intermediate-Advanced - Digital Download SKU: F2.FM628 Composed by Alexandra Lehmann. A set of dances for flute and alto flute duet...
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Fl. Afl. (guit/kbd) - Intermediate-Advanced - Digital Download SKU: F2.FM628 Composed by Alexandra Lehmann. A set of dances for flute and alto flute duet. Score. 6 pages. Forton Music - Digital #FM628. Published by Forton Music - Digital (F2.FM628). ISBN 9790570485277.'Plateau of Dances with a Scottish Flavour' Plateau of Dances with a Scottish Flavour was composed in autumn 2016, Eastbourne, and is inspired by my childhood in Doune, Perthshire; as well as the Ceilidhs and Feis (cultural festival in the Highlands) my daughter, Clara, and I were immersed in when we lived in the picturesque village of Kingussie, Badenoch and Strathspey. The four dances are a celebration of my love and nostalgia for Scotland, and an expression of my family's Scottish memories. Each dance comes with a quote from my favourite poet, Robert Burns, whose insightful and sensitive observations are a poignant appreciation of everyday life. Why the reference to Scottish food? Because this piece is dedicated to my father, Papou, who appreciates a merry supper. The 1st Movement, 'To the Mighty Haggis', is a Strathspey with its characteristic Scotch snap -a short-long rhythm, as if saying the word 'haggis'; which is fitting as the Scottish bard's quote comes from his poem Address to a Haggis, traditionally said on Burns' Night. The 2nd Movement, 'The Humble Shortbread', is a Reel; as is usually the case in Scottish dances. It should be played with a slightly 'snappy', swung rhythm. 'What though on homely fare we dine, [...] A man is a man for all that' comes from my favourite Burns' poem: A Man's a Man for A' That. And who doesn't enjoy the humble shortbread? There is a more reflective, nostalgic mood to the 3rd Movement, 'Ode to the Homely (salty) Porridge'. The Air is a reminiscence of the quiet evenings Clara and I would spend in Kingussie, with our view of the beautifully haunting mountains. 'What will I get to my supper, [...] Ye'se get a panfu' o' plumpin parridge' comes from Burns' The Shepherd's Wife who tries to entice her husband back home with the promise of porridge (the Scottish way: with salt). Finally, the 4th Movement, 'Too Many Drams of Whisky', is a cheerful and lively Jig. It's the convivial merriness of being with friends and family, maybe at a Ceilidh, with a wink to Scotland's 'water of life'. 'We'll tak a cup o' kindness yet, For auld lang syne' comes from Burns' famous Auld Lang Syne: a fitting end to our musical and culinary tour of Scotland.
$7.95
Come Home To You
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Ian Munsick
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Kyle Pudenz
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Come Home To You
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ViolinVagabond Music
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SheetMusicPlus
Guitar - Level 3 - Digital Download SKU: A0.1320143 By Ian Munsick. By Dave Villa, Ian Munsick, Jamie Kenney, and Niko Moon. Arranged by Kyle Pudenz. 21s...
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Guitar - Level 3 - Digital Download SKU: A0.1320143 By Ian Munsick. By Dave Villa, Ian Munsick, Jamie Kenney, and Niko Moon. Arranged by Kyle Pudenz. 21st Century,Contemporary,Country,Pop,Wedding. Chords/Lyrics. 5 pages. ViolinVagabond Music #908674. Published by ViolinVagabond Music (A0.1320143). Here's a chart designed for the last-minute gigging musician, by the last-minute gigging musician. Indeed, I got called in to sub on a wedding gig on less than a week's notice, and found this song right at the top of the list. Having not played or listened to it... ever, I decided to display some semblance of due dilligence and write out a version that would work in the range of a solo instrumental violin. Then, and don't ask me where this sudden magnanimous streak came from, I decided to spin up the same chart with lyrics and chord diagrams just in case I ever needed to play it with a vocalist.Out of the goodness of my heart, ALL of the above is available to you for the low low price of about 5 bucks. While I was tabbing this out from the perspective of a violinist, the range is pretty universal and should be playable on just about any treble clef instrument. Including the viola... although if you got hired to play solo viola at a wedding or a cocktail hour I have questions.It's nothing spectacular, but here's what I can promise you if you buy this chart:- THE CHORDS ARE RIGHT. I honestly can't believe there are people that get the chords to songs like these wrong on their arrangements, but here we are. Rest assured I am not one of them.- YOU CAN ACTUALLY READ IT. Finale collisions and terrible interpretations of vocal rhythms need not apply here.- THE MELODY WILL WORK ON YOUR INSTRUMENT. Again, this is not one of those hyper-transcriptions of every little vocal ornament that was sang on the studio version. I purposefully chose where to simplify vs. embellish the melody so that there's room for instrumental interpretation without getting lost in the details.May this humble arranger's last-minute busy work bring joy to your audience and at least an extra 30 minutes of sleep to you by not having to learn this song the night before the gig. Enjoy the hustle, friends.
$4.99
What Child is This? with Away in a Manger
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Christmas
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Greensleeves Englis Melody and
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Jacqueline N Hill
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What Child is This? with Away
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Jacqueline Hill
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SheetMusicPlus
Instrumental Duet - Level 3 - Digital Download SKU: A0.1336980 Composed by Greensleeves Englis Melody and Mueller tune by James B. Murray, 1887. Arranged...
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Instrumental Duet - Level 3 - Digital Download SKU: A0.1336980 Composed by Greensleeves Englis Melody and Mueller tune by James B. Murray, 1887. Arranged by Jacqueline N Hill. Christian,Christmas,Religious,Sacred,Traditional. 4 pages. Jacqueline Hill #922785. Published by Jacqueline Hill (A0.1336980). Just in time for Christmas, this beautiful and gentle instrumental is written for piano and violin. What Child is This? carol is combined organically with Away in a Manger with subtle hints of We Three Kings in the piano accompaniment. The creative harmonies would be enjoyed in a December worship service, school Christmas program or a dinner party in a home. The violin melodies are very basic, giving the intricate notes to the piano. Violin lead sheet is also available.
$2.49
Take The Long Way Home
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Rock
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Supertramp
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Derek Hasted
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Take The Long Way Home
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Derek Hasted
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SheetMusicPlus
Guitar Ensemble Guitar - Level 3 - Digital Download SKU: A0.797818 By Supertramp. By Rick Davies and Roger Hodgson. Arranged by Derek Hasted. Pop,Rock. S...
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Guitar Ensemble Guitar - Level 3 - Digital Download SKU: A0.797818 By Supertramp. By Rick Davies and Roger Hodgson. Arranged by Derek Hasted. Pop,Rock. Score and parts. 24 pages. Derek Hasted #6345113. Published by Derek Hasted (A0.797818). TAKE THE LONG WAY HOME (Supertramp) - 4 GUITARS/LARGE ENSEMBLEFor Classical or Acoustic Guitar - sometimes it's erroneously listed here as Electric Guitar.Derek Hasted writes This is an arrangement for 4 guitars (or a large ensemble) of Supertramp’s 'Take The Long Way Home'.The original is nothing less than spectacular, running for a full 5 minutes with verse, chorus and instrumental breaks, and utilising rich orchestration and texture. I’ve captured all of the material in my arrangement, changing the key just slightly so that the shapes and melody are comfortable, and simplifying one or two non-guitar-friendly progressions in the breaks. The bass-line and harmony are close to the original. Guitar 4 could be played an octave lower on a contra guitar, although I’ve used subharmonics in the opening to give the illusion of a deeper bass than a guitar can manage.In order to make the piece music-stand-friendly, I’ve needed to use repeat marks meaning that the second verse has the same bass-line as the first, but a simple change in volume will provide a suitable feeling of building as the piece progresses. The opening section needs to imitate the indefinite sustain of high-pitched violins. By using harmonics across all four parts, and interleaving the repetitions, we can get a convincing sustain (or plucking at random times across the parts, or even a tremolo would also create the illusion of indefinite sustain). But if it doesn’t work in your ensemble, simply start the piece at A and omit all harmonics from that point onwards.My arrangement will suit an intermediate ensemble. Parts 3 and 4 are slightly easier, but skilled players on these lines can make magic happen by a confident use of articulation to shape the music’s texture.I hope you enjoy performing this!
$4.99
We Wish You a Merry Christmas-French Horn and Tuba Duet-Score and Parts
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Christmas
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Traditional
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Abraham Maduro
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We Wish You a Merry Christmas-
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Abraham Maduro
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SheetMusicPlus
Instrumental Duet Horn,Instrumental Duet,Tuba - Level 3 - Digital Download SKU: A0.715661 Composed by Traditional. Arranged by Abraham Maduro. Christmas,...
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Instrumental Duet Horn,Instrumental Duet,Tuba - Level 3 - Digital Download SKU: A0.715661 Composed by Traditional. Arranged by Abraham Maduro. Christmas,Film/TV,Holiday,Standards,Traditional. Score and parts. 7 pages. Abraham Maduro #6569573. Published by Abraham Maduro (A0.715661). The beautiful Christmas song We Wish You a Merry Christmas in French Horn and Tuba Duet arrangement, fun to play, both parts are musical and interesting sharing the theme, F mayor with a modulation, 1.5 minutes long approx, Intermediate Level, perfect for recitals, concerts, or just for have fun playing at home.If you need more information contact mecontrabraham@gmail.com.
$9.99
They'll Be on the Rock This Christmas
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Christmas
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David Kai
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David Kai
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They'll Be on the Rock This Ch
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David Kai
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SheetMusicPlus
Accordion,Drum Set,Electric Bass Guitar,Piano Accompaniment - Level 3 - Digital Download SKU: A0.1105243 By David Kai. By David Kai. Arranged by David Ka...
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Accordion,Drum Set,Electric Bass Guitar,Piano Accompaniment - Level 3 - Digital Download SKU: A0.1105243 By David Kai. By David Kai. Arranged by David Kai. Celtic,Country,Folk,Irish. Full Performance. Duration 228. David Kai #708503. Published by David Kai (A0.1105243). A Newfoundland Christmas song about wishing to be back home for Christmas. THEY’LL BE ON THE ROCK THIS CHRISTMAS words and music by David Kai ©1997 They’ll come from far as Whitehorse and as close as Sydney Mines, They’re packing up their suitcases and their boxes tied with twine, They’re getting on those airplanes, Dash 8s and DC 9s, Driving to the ferry docks and they’re waiting there in line. And they'll be on the Rock this Christmas, where stars shine twice as bright, They'll be on the Rock this Christmas, greeting mummers every night, Yarning ‘round the wood stove, eating partridgeberry pie, And I’ll be wondering “Why, oh why aren’t I?†‘Cause I’ll be in the factory, pulling double overtime, No one wants the Christmas shift so I guess that makes it mine, Late tonight I’ll light a candle in my lonely room, And think of those who are traveling home, ‘cause I know that very soon, That they'll be on the Rock this Christmas, where stars shine twice as bright, Yeah, they'll be on the Rock this Christmas, greeting mummers every night, Yarning ‘round the wood stove eating partridgeberry pie, And I’ll be wondering “Why, oh why aren’t I?†I’ve got to get there somehow, this poor soul’s just too homesick, My busted car won’t take me far, but my thumb will do the trick. I’ll call the boss from Port aux Basques, hope he’s in the mood to see, ‘Though I may choose to leave the Rock, it’s the Rock that won’t leave me. And I'll be on the Rock this Christmas, where stars shine twice as bright, Yeah, I'll be on the Rock this Christmas, greeting mummers every night, Yarning ‘round the wood stove, eating partridgeberry pie, And no more wondering “Why, oh why aren’t I?†Optional extra chorus: And we'll be on the Rock this Christmas, where stars shine twice as bright, Yeah, we'll be on the Rock this Christmas, greeting mummers every night, Yarning ‘round the wood stove, eating partridgeberry pie, And no more wondering “Why, oh why aren’t I?†Tag: No, no more wondering “Why, oh why aren’t I?â€.
$1.99
Superwoman MP3 Accompaniment track
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Deborah Johnson
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Barnes &
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Superwoman MP3 Accompaniment t
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Deborah Johnson
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SheetMusicPlus
Bass Guitar,Drum Set,Keyboard - Level 3 - Digital Download SKU: A0.1404285 By Deborah Johnson. By Deborah Johnson. Broadway,Comedy,Contemporary,Jazz,Musi...
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Bass Guitar,Drum Set,Keyboard - Level 3 - Digital Download SKU: A0.1404285 By Deborah Johnson. By Deborah Johnson. Broadway,Comedy,Contemporary,Jazz,Musical/Show,Singer/Songwriter. Accompaniment. Duration 128. Deborah Johnson #987388. Published by Deborah Johnson (A0.1404285). Deborah Johnson's Superwoman is a vibrant tribute to the incredible strength of women worldwide. This is the MP3 accompaniment track without the lead vocal--it includes the backgrounds. This upbeat and energetic song celebrates the everyday feats of ordinary yet extraordinary women. Drawing from her own experiences, Deborah navigates the complexities of managing a household, navigating career changes, raising three children, maintaining a marriage, and all the challenges life throws her way. Through Superwoman, Deborah captures the resilience and determination required to juggle multiple roles and responsibilities, resonating with listeners who understand the struggle of holding everything together. Purchase the single MP3 here: https://amzn.to/3PvNCHK The piano/vocal sheet music with vocal lead sheet is also available for download Note from Deborah: Are you embracing your inner superheroine? I get it—navigating life's hurdles while donning our invisible capes can feel like a whirlwind circus act. To claim the title of Superwoman, you've got to juggle the whole shebang: home life, career acrobatics, kid wrangling, spouse wrangling (or partner wrangling, let's keep it inclusive), and just the general chaos of existence. It's the kind of balancing act that'd make a Cirque du Soleil performer jealous! Speaking from the trenches myself, I've done my fair share of plate-spinning: managing a household, enduring the rollercoaster ride of a career (complete with loop-de-loops), wrangling three sons who seem to have synchronized their mischief, keeping a marriage afloat through the stormy seas and dealing with the curveballs life tosses our way. And let's not forget society's laundry list of expectations: staying fit, maintaining a Pinterest-worthy home, being the rock for our loved ones... and that's not even touching on the culinary escapades! And let's raise a toast to the single moms out there, pulling off the ultimate juggling act—balancing multiple jobs, raising the next generation of superheroes, and keeping the household shipshape. They're the Superwomen on turbocharged overdrive! It's no wonder that the song Superwoman resonates with us—it's our anthem, our battle cry, and our reminder that we're all superheroes in our own right! Written, arranged and performed by Deborah Johnson. DEBORAH JOHNSON, is a National Recording Artist, Composer, Speaker and published Author. She has recorded dozens of albums, written 3 original musicals and has appeared on many stages around the country and world. She also appeared with the headliner piano/vocal duo Double Grande. Her internationally released bookshave garnered great reviews (on Amazon & Barnes & Noble) Deborah’s songs have also been up for multiple Grammy Awards. Music and Lyrics by Deborah Johnson. Basic production and piano tracking by Deborah. Backgrounds by Deborah and David Johnson. Additional production, guitars and bass by Michael Ferenci. Recorded at Ferenci Studios, Silverlake, CA. https://DJWorksMusic.com For more information about Deborah, her albums, books and products, visit https://DJWorksMusic.com, https://goalsforyourlife.com/ or https://DeborahJohnsonSpeaker.com YouTube Link https://youtu.be/YUOvivxjlsw?si=AGohZrZl1ErdkQTD
$8.99
Mysterious Moment for oboe and string trio
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Contemporary
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David Warin Solomons
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Mysterious Moment for oboe and
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David Warin Solomons
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SheetMusicPlus
Small Ensemble Cello,Oboe,Viola,Violin - Level 3 - Digital Download SKU: A0.576733 Composed by David Warin Solomons. 20th Century,Contemporary. Score and...
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Small Ensemble Cello,Oboe,Viola,Violin - Level 3 - Digital Download SKU: A0.576733 Composed by David Warin Solomons. 20th Century,Contemporary. Score and parts. 7 pages. David Warin Solomons #90581. Published by David Warin Solomons (A0.576733). Mysterious piece in octatonic mode, originally written for the short story The Door The pdf file contains score and parts. The sound sample is an electronic preview. High up on the grassy hill behind the town there is a door. It stands there in its frame with nothing before or behind it. It is locked shut. There is no key. We climb the hill each day. We play each side of the door, games of hide and seek. But we cannot go through the door. Each day we go there during this long sultry summer holiday. We are fascinated by the structure. Why would anyone put a door up there, in its frame, eternally locked, with nothing before or behind it? Maybe it is all that remains of an ancient house? We play, we wonder, we laugh and play, and we return regularly to our homes in time for tea. Then, one day, as we climb the hill for the umpteenth time, a lady dressed in white arrives before us. We watch her take the key out of her bag and insert it in the lock. We are too far downhill to catch up before she closes the door behind her. As we arrive, puffing and panting, Steve knocks on the door. No answer. Dave knocks on the door more forcefully. We hear a distant swish of robes. Gloria knocks, perhaps a little more timidly as the swishing sound approaches. Estelle begins to knock in her turn and the door suddenly opens wide. We all gasp as we see the lady standing there in glistening robes. Her face is hidden from view by a white shawl, but her piercing eyes still show. Children, she says, welcome all. Do come in, please, the kettle is on. You are just in time for tea. We hesitate, as well we might. How can we come in when there is nothing before or behind the door? But Estelle puts one foot inside and looks back at us with a curious expression of serenity on her face. We follow her. We look around at the new space beyond the door and at the parquet floor beneath our dew-soaked feet. As our eyes become accustomed to the brightness of the interior we catch sight of many signs of the world we have entered, but only fleetingly. They pass before our eyes in an instant and then flee beyond the range of sight. There is a staircase, a hat stand, a distant gleam of an ancient cooker, a faint whiff of scones and boiling jam. As we walk inside, our senses are overwhelmed with the new reality, we are rooted to the spot. Do please sit down, says the lady with a slight catch in her throat. We are seated on wooden chairs along one side of an oak table, although we cannot recall how we got there, some slip of the memory perhaps. We have no sense of foreboding, Estelle's serenity has passed to all of us. We can stay here eating scones and jam until the end of time. The lady removes her shawl and reveals a face as beautiful as anyone's mother's. Her deep black eyes glisten like obsidian. She beams a smile of welcome and pours the tea. I'm glad you have come. I've been expecting you, she begins. You must have a thousand questions, so do please ask away. Well, says Steve, what is this door that we passed through? Is this another world? There is no other world, the lady replies, this is the only one. But there is! There is! starts Dave excitedly, Look!. He gets up quickly from the chair, knocking it over in his haste and rushes to the door to open it. He pulls at it with all his force and reveals a black nothingness behind it. We were on the hill, where's it gone? he shouts, what have you done to it? There is no hill. But you climbed the hill in front of us says Gloria. There is no hill. Even Estelle of the serene demeanour is beginning to look worried. How did we get here then, how did you get here, she asks the lady nervously. We have all been here since the beginning of time, the catch in the lady's throat is becoming more evident. No, we have our families down there in the town cries Estelle You have no families,.
$8.00
"Songs of December, Volume 2" for solo classical fingerstyle guitar
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Keith Gehle
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Keith W
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"Songs of December, Volume 2"
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Keith Gehle
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SheetMusicPlus
Solo Guitar - Level 3 - Digital Download SKU: A0.1517420 By Keith Gehle. By Keith W. Gehle. Arranged by Keith W. Gehle. Christmas,Holiday,Religious,Sacre...
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Solo Guitar - Level 3 - Digital Download SKU: A0.1517420 By Keith Gehle. By Keith W. Gehle. Arranged by Keith W. Gehle. Christmas,Holiday,Religious,Sacred. Individual part. 28 pages. Keith Gehle #1091581. Published by Keith Gehle (A0.1517420). The 11 compositions and arrangements in this collection for the Christmas season in standard notation are a follow up to Keith’s January 2024 publication of Songs of December, Volume 1. The intermediate level pieces in this folio feature detailed fingerings & interpretation and are perfect for the professional performer or amateur player looking for thoughtful renderings of Christmas/seasonal tunes for gigs, church services or sharing at home with family and friends. There’s also a version of this collection available with TAB on this website. Additionally, all of the pieces presented in this book are available for individual purchase on this website (grouped in pairs for better value). The accompanying full length MP3’s help players get a feel for the flow of the music prior to purchase. And while the paired titles are reasonably priced, buyers will save substantially when purchasing the Songs of December, Volume 2 folio. Thank you so much for your interest and consideration of this music. Please check back soon for additional volumes of the Songs of December series.PLEASE NOTE: There’s also a version available with TAB on this websiteSongs of December, Volume 2 includes the following 11 pieces:- Prelude (Ice Crystals) by Keith Gehle- Deck the Halls- Ave Maria by Franz Schubert- Angels We Have Heard on High- Tone Poem No. 7 (Winter Solstice) by Keith Gehle- Bring a Torch, Jeanette Isabella- Carol of the Bells- Good King Wenceslas- Hark! The Herald Angels Sing- Angels from the Realms of Glory- The First Noel
$14.99
"Songs of December, Volume 2" for solo classical fingerstyle guitar (+TAB)
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Keith Gehle
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Keith W
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"Songs of December, Volume 2"
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Keith Gehle
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SheetMusicPlus
Guitar - Level 3 - Digital Download SKU: A0.1517417 By Keith Gehle. By Keith W. Gehle. Arranged by Keith W. Gehle. Christmas,Holiday,Religious,Sacred. Ta...
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Guitar - Level 3 - Digital Download SKU: A0.1517417 By Keith Gehle. By Keith W. Gehle. Arranged by Keith W. Gehle. Christmas,Holiday,Religious,Sacred. Tablature. 41 pages. Keith Gehle #1091576. Published by Keith Gehle (A0.1517417). The 11 compositions and arrangements in this collection for the Christmas season in standard notation and TAB are a follow up to Keith’s January 2024 publication of Songs of December, Volume 1. The intermediate level pieces in this folio feature detailed fingerings & interpretation with TAB and are perfect for the professional performer or amateur player looking for thoughtful renderings of Christmas/seasonal tunes for gigs, church services or sharing at home with family and friends. For those who prefer reading music without tablature, there’s a standard notation only version of this collection available on this website. Additionally, all of the pieces presented in this book are available for individual purchase on this website (grouped in pairs for better value). The accompanying full length MP3’s help players get a feel for the flow of the music prior to purchase. And while the paired titles are reasonably priced, buyers will save substantially when purchasing the Songs of December, Volume 2 folio. Thank you so much for your interest and consideration of this music. Please check back soon for additional volumes of the Songs of December series.PLEASE NOTE: There’s also a standard notation ONLY version available on this websiteSongs of December, Volume 2 includes the following 11 pieces:- Prelude (Ice Crystals) by Keith Gehle- Deck the Halls- Ave Maria by Franz Schubert- Angels We Have Heard on High- Tone Poem No. 7 (Winter Solstice) by Keith Gehle- Bring a Torch, Jeanette Isabella- Carol of the Bells- Good King Wenceslas- Hark! The Herald Angels Sing- Angels from the Realms of Glory- The First Noel
$17.99
Made You Look
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Meghan Trainor
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Sean Douglas, Megan Trainor, L
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Benzaiten Editions
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Made You Look
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Benzaiten Editions
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SheetMusicPlus
Piano,Piccolo,Soprano Flute - Level 3 - Digital Download SKU: A0.1221022 By Meghan Trainor. By Luis Federico Vindver, Megan Trainor, and Sean Douglas. Ar...
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Piano,Piccolo,Soprano Flute - Level 3 - Digital Download SKU: A0.1221022 By Meghan Trainor. By Luis Federico Vindver, Megan Trainor, and Sean Douglas. Arranged by Benzaiten Editions. Film/TV,Funk,Hip-Hop,Pop,R & B. Score and part. 11 pages. Benzaiten Editions #817369. Published by Benzaiten Editions (A0.1221022). Flute & Piano music sheet for Made You Look by Meghan Trainor. Composed by Sean Douglas, Megan Trainor, Luis Federico Vindver. Intermediate level. Film/TV, Funk, Pop, R&B/Hip-Hop. Arranged by Benzaiten Editions.This beautiful song is arranged here for flute and piano accompaniment in the key of Bb, which is the original key of the song.This file contains:- Complete score (Flute + Piano Parts) of Made You Look- Flute part music sheetIf you're looking for a flute sheet music of Meghan Trainor's Made You Look that includes both the chords and lyrics, we've got you covered!The versions of this same sheet music that are available in Benzaiten Editions:Flute sheet music (no chords, no lyrics)Flute sheet music (with chords)Flute sheet music (with lyrics)Flute sheet music (with chords and lyrics)Flute & piano sheet music(no chords, no lyrics)Flute & piano sheet music (with chords)Flute & piano sheet music (with lyrics)Â Flute & piano sheet music (chords and lyrics) Â All our sheet music were created, arranged, and edited with great care and attention. I hope you enjoy it!Please feel free to share your performances of our arrangements with us! =)About Digital DownloadsDigital Downloads refer to sheet music files that can be downloaded and viewed directly on your computer, tablet, or mobile device. These files are readily accessible for you to view and print at your convenience, whether at home, school, or any other location where you may choose to make music. Unlike physical sheet music, digital downloads do not require an internet connection once they have been downloaded. Simply complete your purchase, download the file, and start playing!
$5.99
When the World Drops In to Town
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David Kai
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David Kai
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When the World Drops In to Tow
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David Kai
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SheetMusicPlus
Mixed Percussion Accordion,Acoustic Guitar,Electric Bass Guitar,Violin - Level 3 - Digital Download SKU: A0.1105258 By David Kai. By David Kai. Arranged ...
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Mixed Percussion Accordion,Acoustic Guitar,Electric Bass Guitar,Violin - Level 3 - Digital Download SKU: A0.1105258 By David Kai. By David Kai. Arranged by David Kai. Celtic,Country,Folk,Irish. Full Performance. Duration 233. David Kai #708518. Published by David Kai (A0.1105258). A song celebrating the people of Gander, Newfoundland & Labrador in Canada who helped close to 7,000 stranded airline passengers after September 11, 2001. The story of Gander and the surrounding towns has been immortalized in the Broadway show, Come From Away. The song is written in a Celtic/Newfoundland style. This song features the use of an Ugly Stick, a traditional Newfoundland percussion instrument. WHEN THE WORLD DROPS IN TO TOWN Words and music by David Kai ©2020 On the 11th of September, in a quiet little town In a place that they call Newfoundland, all the planes were coming down Just how many were arriving, it was hard to know or tell In a quiet town in Newfoundland on the day the towers fell. With ten thousand waiting on the ground, seven thousand on their way The schools and halls and churches were preparing for their stay And not only in Gander, but in places all around ‘Cause you’ve got to pull together when the world drops into town. Chorus: So raise a glass to them, let’s sing a song to cheer For all the workers, cooks and clerks, for all the volunteers Who showed such kindness, who stepped up when chips were down ‘Cause you’ve got to pull together when the world drops into town All the stores they opened up their doors, the supplies, how fast they flew! “Take it all to help the plane people, it’s the least that we can do!†Aunt Winnie baked two dozen of her partridgeberry pies She said, “I think those plane people will be in for some surprise!†So the people were all settled, and much to their delight There were home-cooked meals and showers in homes, even trips to see the sights Though they came from countries ‘round the world, they did seem to all fit in And in kitchen parties here and there, new found friends were being screeched in. Chorus: Soon the skies, they were reopened, just a week and they were gone Though the planes took off into the skies all the memories lingered on For what they all remember, and what’s talked of to this day Is how townsfolk cared for people who had come from far away. So let’s sing and let’s be thankful, for each and every one Who showed us how to live together in the year two-thousand one, Let’s celebrate their kindness, for we never will forget, That in Newfoundland a stranger’s just a friend you haven’t met. Chorus:.
$1.99
Let It Be
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Christmas
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The Beatles
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Jeremy Nafziger
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Let It Be
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Jeremy Nafziger
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SheetMusicPlus
Choral Alto Voice,Bass Voice,Double Bass,Piano and Keyboard,Soprano voice,Tenor Voice,Viola,Violin - Level 3 - Interactive Download SKU: A0.481914 By The...
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Choral Alto Voice,Bass Voice,Double Bass,Piano and Keyboard,Soprano voice,Tenor Voice,Viola,Violin - Level 3 - Interactive Download SKU: A0.481914 By The Beatles. By John Lennon and Paul McCartney. Arranged by Jeremy Nafziger. This edition: Interactive Download. Christmas. Octavo. Duration 286. Jeremy Nafziger #6Re335EyhndYxZ7ALSuj10. Published by Jeremy Nafziger (A0.481914). Key: C major.The Beatles classic with the Advent hymn, In Dulci Jubilo. Both texts come from dreams, and this winds up a meaningful combination. In Dulci was written in the 14th century by German monk and teacher Heinrich Suso (or Seuse), who writes in his third-person autobiography about a dream he had: Now this same angel came up to the Servant [Suso] brightly, and said that God had sent him down to him, to bring him heavenly joys amid his sufferings; adding that he must cast off all his sorrows from his mind and bear them company, and that he must also dance with them in heavenly fashion. Then they drew the Servant by the hand into the dance, and the youth began a joyous song about the infant Jesus, which runs thus: In dulci jubilo... About 650 years later, in 1968, Paul McCartney was staying out late, drinking too much, and thinking that the Beatles were probably going to break up soon. Then one night, somewhere between deep sleep and insomnia, I had the most comforting dream about my mother, who died when I was only 14. She had been a nurse, my mum, and very hardworking, because she wanted the best for us.... At night when she came home, she would cook, so we didn’t have a lot of time with each other. But she was just a very comforting presence in my life. And when she died, one of the difficulties I had, as the years went by, was that I couldn’t recall her face so easily.... So in this dream twelve years later, my mother appeared, and there was her face, completely clear, particularly her eyes, and she said to me very gently, very reassuringly: “Let it be.†It was lovely. I woke up with a great feeling. It was really like she had visited me at this very difficult point in my life and gave me this message: Be gentle, don’t fight things, just try and go with the flow and it will all work out. His mother's name was Mary, or course. He wrote the song in the next few days, and it was released on the album on the same name in 1970, a month after the Beatles split up. As for the actual texts, they're very different. In Dulci is macaronic (alternating between two languages, in this case Latin and a translation from Medieval German) and ecstatic; Let It Be is English and more subdued. In this version, we alternate between the two but keep the Let It Be structure, except for a diversion in the middle where the well-known Bach setting is adopted as kind of an interlude. The two texts and melodies are sung together in the last verse (the fourth In Dulci verse and the third Let It Be verse), where both are talking about music.
$3.99
With Respect in Creation (instrumental)
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David Kai
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David Kai
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With Respect in Creation
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David Kai
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SheetMusicPlus
String Ensemble Choir,Electric Bass Guitar,Flute,Piano Accompaniment - Level 3 - Digital Download SKU: A0.1105289 By David Kai. By David Kai. Arranged by...
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String Ensemble Choir,Electric Bass Guitar,Flute,Piano Accompaniment - Level 3 - Digital Download SKU: A0.1105289 By David Kai. By David Kai. Arranged by David Kai. Christian,Contemporary. Accompaniment. Duration 164. David Kai #708534. Published by David Kai (A0.1105289). A hymn based on the United Church of Canada's A New Creed and Romans 8, calling for the care of creation. This version is for accompanying a soloist, group or congregation. WITH RESPECT IN CREATION (All Creation Groans) Words and music by David Kai ©2012 All creation groans as earth, our fragile home turns in paths that lead to devastation, Fish and bird and tree, threatened until we will live with respect in creation. Skies and seas and land, created for God’s plan, not for our own selfish domination, Drought or rising sea threaten until we will live with respect in creation. All creation sighs, we hear the Spirit’s cries, calling for rebirth and restoration, warmth for every heart, healing of each part that lives with respect in creation. All creation sings, let fields and forests ring as we make this holy declaration, Mountains, lakes, rejoice, joining every voice to live with respect in creation, We’ll live with respect in creation.
$1.99
Donut Etudes vol. 3: Don’t Step in the Holes! – Tuba Quartet (Tuba/Euphonium)
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Instructional
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Joshua Hauser
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Donut Etudes vol. 3: Don’t S
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Slide Ride
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SheetMusicPlus
Small Ensemble - Level 3 - Digital Download SKU: A0.784348 Composed by Joshua Hauser. Instructional. Score and parts. 74 pages. Slide Ride #5288731. Publ...
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Small Ensemble - Level 3 - Digital Download SKU: A0.784348 Composed by Joshua Hauser. Instructional. Score and parts. 74 pages. Slide Ride #5288731. Published by Slide Ride (A0.784348). 1 Octave Scale Studies in 15+ keys for 4-part ensembles of like or mixed instrumentsIf this is your first exposure to these scale studies, you are in for a treat! Donuts, if you make a mistake!The initial incarnation of these studies were written for trombone quartet and we would play them in the Tennessee Tech Trombone Choir with the challenge that whomever made the first mistake had to buy donuts for the rest of the ensemble. Since then I have brought that version to several clinics and warm up sessions. One time before I got to explain the title, a fellow trombone professor said, Oh, I get it! Don’t step in the holes!I only wish I had thought of that myself... Since we have one of the best donut shops in TN here in Cookeville, treating the studio to sugar coated goodies was always my intent.As with those initial exercises, you can vary these as much as you’d like.· Choose a tempo.· Choose a dynamic.· Choose an articulation/style.One way I like to play these is to have one person be the model, playing the entire scale over and over while everyone else plays the fragmented versions. That helps everyone to keep on track and stay in time. Double or triple up the parts for ensemble cohesion with a larger group.Practice one key, gradually speeding it up to improve fluidity, or choose a variation and take it through all keys, playing version A, B, C, or D then skipping to play the same set in a new key.If you want an additional challenge, play them in different octaves or change the key. Play the F Major set in f minor (all forms), different modes, etc. Players really have to be on their toes to remember if they are playing melodic minor in the ascending or descending form! For jazz players, try swinging them in dorian or mixolydian modes.The variations are endless!If you are using these with transposing instruments, 1) is F Major in Concert Pitch, 2) is Bb Major in Concert pitch, and so on. When you reach a scale that is enharmonic for another key (Db/C#, Gb/F#, or Cb/B), they are presented in both keys for each instrument so Trumpets can play in Eb while the Flutes are playing in C# with similar examples for all keys.All Donut Etudes with the same volume number are compatible so you can play them in mixed quartets or large ensembles with one or more instruments/people on part 1 and a different instrument on part 2, etc. Since the quartets are all identical, conductors/coaches can use any of the scores to tell which part should be playing at what time. Once you have played a scale with one set of parts, everyone can rotate to a different part and play the same scales again!Enjoy!
$7.50
Donut Etudes vol. 3: Don’t Step in the Holes! – Trumpet Quartet (or Baritone T.C.)
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Instructional
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Joshua Hauser
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Donut Etudes vol. 3: Don’t S
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Slide Ride
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SheetMusicPlus
Small Ensemble - Level 3 - Digital Download SKU: A0.784334 Composed by Joshua Hauser. Instructional. Score and parts. 38 pages. Slide Ride #5288661. Publ...
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Small Ensemble - Level 3 - Digital Download SKU: A0.784334 Composed by Joshua Hauser. Instructional. Score and parts. 38 pages. Slide Ride #5288661. Published by Slide Ride (A0.784334). 1 Octave Scale Studies in 15+ keys for 4-part ensembles of like or mixed instruments If this is your first exposure to these scale studies, you are in for a treat! Donuts, if you make a mistake!The initial incarnation of these studies were written for trombone quartet and we would play them in the Tennessee Tech Trombone Choir with the challenge that whomever made the first mistake had to buy donuts for the rest of the ensemble. Since then I have brought that version to several clinics and warm up sessions. One time before I got to explain the title, a fellow trombone professor said, Oh, I get it! Don’t step in the holes!I only wish I had thought of that myself... Since we have one of the best donut shops in TN here in Cookeville, treating the studio to sugar coated goodies was always my intent.As with those initial exercises, you can vary these as much as you’d like.· Choose a tempo.· Choose a dynamic.· Choose an articulation/style.One way I like to play these is to have one person be the model, playing the entire scale over and over while everyone else plays the fragmented versions. That helps everyone to keep on track and stay in time. Double or triple up the parts for ensemble cohesion with a larger group.Practice one key, gradually speeding it up to improve fluidity, or choose a variation and take it through all keys, playing version A, B, C, or D then skipping to play the same set in a new key.If you want an additional challenge, play them in different octaves or change the key. Play the F Major set in f minor (all forms), different modes, etc. Players really have to be on their toes to remember if they are playing melodic minor in the ascending or descending form! For jazz players, try swinging them in dorian or mixolydian modes.The variations are endless!If you are using these with transposing instruments, 1) is F Major in Concert Pitch, 2) is Bb Major in Concert pitch, and so on. When you reach a scale that is enharmonic for another key (Db/C#, Gb/F#, or Cb/B), they are presented in both keys for each instrument so Trumpets can play in Eb while the Flutes are playing in C# with similar examples for all keys.All Donut Etudes with the same volume number are compatible so you can play them in mixed quartets or large ensembles with one or more instruments/people on part 1 and a different instrument on part 2, etc. Since the quartets are all identical, conductors/coaches can use any of the scores to tell which part should be playing at what time. Once you have played a scale with one set of parts, everyone can rotate to a different part and play the same scales again!Enjoy!
$5.00
Donut Etudes vol. 3: Don’t Step in the Holes! – Trombone, Euphonium, or Baritone Quartet
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Instructional
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Joshua Hauser
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Donut Etudes vol. 3: Don’t S
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Slide Ride
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SheetMusicPlus
Small Ensemble Trombone/Baritone B.C. - Level 3 - Digital Download SKU: A0.784336 Composed by Joshua Hauser. Instructional. Score and parts. 38 pages. Sl...
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Small Ensemble Trombone/Baritone B.C. - Level 3 - Digital Download SKU: A0.784336 Composed by Joshua Hauser. Instructional. Score and parts. 38 pages. Slide Ride #5288665. Published by Slide Ride (A0.784336). 1 Octave Scale Studies in 15+ keys for 4-part ensembles of like or mixed instruments If this is your first exposure to these scale studies, you are in for a treat! Donuts, if you make a mistake!The initial incarnation of these studies were written for trombone quartet and we would play them in the Tennessee Tech Trombone Choir with the challenge that whomever made the first mistake had to buy donuts for the rest of the ensemble. Since then I have brought that version to several clinics and warm up sessions. One time before I got to explain the title, a fellow trombone professor said, Oh, I get it! Don’t step in the holes!I only wish I had thought of that myself... Since we have one of the best donut shops in TN here in Cookeville, treating the studio to sugar coated goodies was always my intent.As with those initial exercises, you can vary these as much as you’d like.· Choose a tempo.· Choose a dynamic.· Choose an articulation/style.One way I like to play these is to have one person be the model, playing the entire scale over and over while everyone else plays the fragmented versions. That helps everyone to keep on track and stay in time. Double or triple up the parts for ensemble cohesion with a larger group.Practice one key, gradually speeding it up to improve fluidity, or choose a variation and take it through all keys, playing version A, B, C, or D then skipping to play the same set in a new key.If you want an additional challenge, play them in different octaves or change the key. Play the F Major set in f minor (all forms), different modes, etc. Players really have to be on their toes to remember if they are playing melodic minor in the ascending or descending form! For jazz players, try swinging them in dorian or mixolydian modes.The variations are endless!If you are using these with transposing instruments, 1) is F Major in Concert Pitch, 2) is Bb Major in Concert pitch, and so on. When you reach a scale that is enharmonic for another key (Db/C#, Gb/F#, or Cb/B), they are presented in both keys for each instrument so Trumpets can play in Eb while the Flutes are playing in C# with similar examples for all keys.All Donut Etudes with the same volume number are compatible so you can play them in mixed quartets or large ensembles with one or more instruments/people on part 1 and a different instrument on part 2, etc. Since the quartets are all identical, conductors/coaches can use any of the scores to tell which part should be playing at what time. Once you have played a scale with one set of parts, everyone can rotate to a different part and play the same scales again!Enjoy!
$5.00
Donut Etudes vol. 3: Don’t Step in the Holes! – Bass Quartet
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Instructional
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Joshua Hauser
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Donut Etudes vol. 3: Don’t S
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Slide Ride
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SheetMusicPlus
Small Ensemble Double Bass - Level 3 - Digital Download SKU: A0.784342 Composed by Joshua Hauser. Instructional. Score and parts. 38 pages. Slide Ride #5...
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Small Ensemble Double Bass - Level 3 - Digital Download SKU: A0.784342 Composed by Joshua Hauser. Instructional. Score and parts. 38 pages. Slide Ride #5288689. Published by Slide Ride (A0.784342). 1 Octave Scale Studies in 15+ keys for 4-part ensembles of like or mixed instruments If this is your first exposure to these scale studies, you are in for a treat! Donuts, if you make a mistake!The initial incarnation of these studies were written for trombone quartet and we would play them in the Tennessee Tech Trombone Choir with the challenge that whomever made the first mistake had to buy donuts for the rest of the ensemble. Since then I have brought that version to several clinics and warm up sessions. One time before I got to explain the title, a fellow trombone professor said, Oh, I get it! Don’t step in the holes!I only wish I had thought of that myself... Since we have one of the best donut shops in TN here in Cookeville, treating the studio to sugar coated goodies was always my intent.As with those initial exercises, you can vary these as much as you’d like.· Choose a tempo.· Choose a dynamic.· Choose an articulation/style.One way I like to play these is to have one person be the model, playing the entire scale over and over while everyone else plays the fragmented versions. That helps everyone to keep on track and stay in time. Double or triple up the parts for ensemble cohesion with a larger group.Practice one key, gradually speeding it up to improve fluidity, or choose a variation and take it through all keys, playing version A, B, C, or D then skipping to play the same set in a new key.If you want an additional challenge, play them in different octaves or change the key. Play the F Major set in f minor (all forms), different modes, etc. Players really have to be on their toes to remember if they are playing melodic minor in the ascending or descending form! For jazz players, try swinging them in dorian or mixolydian modes.The variations are endless!If you are using these with transposing instruments, 1) is F Major in Concert Pitch, 2) is Bb Major in Concert pitch, and so on. When you reach a scale that is enharmonic for another key (Db/C#, Gb/F#, or Cb/B), they are presented in both keys for each instrument so Trumpets can play in Eb while the Flutes are playing in C# with similar examples for all keys.All Donut Etudes with the same volume number are compatible so you can play them in mixed quartets or large ensembles with one or more instruments/people on part 1 and a different instrument on part 2, etc. Since the quartets are all identical, conductors/coaches can use any of the scores to tell which part should be playing at what time. Once you have played a scale with one set of parts, everyone can rotate to a different part and play the same scales again!Enjoy!
$5.00
With Respect in Creation
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David Kai
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David Kai
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With Respect in Creation
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David Kai
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SheetMusicPlus
String Ensemble Choir,Electric Bass Guitar,Piano Accompaniment - Level 3 - Digital Download SKU: A0.1105283 By David Kai. By David Kai. Arranged by David...
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String Ensemble Choir,Electric Bass Guitar,Piano Accompaniment - Level 3 - Digital Download SKU: A0.1105283 By David Kai. By David Kai. Arranged by David Kai. Christian,Contemporary. Full Performance. Duration 172. David Kai #708528. Published by David Kai (A0.1105283). A hymn based on the United Church of Canada's A New Creed and Romans 8, calling for the care of creation. WITH RESPECT IN CREATION (All Creation Groans) Words and music by David Kai ©2012 All creation groans as earth, our fragile home turns in paths that lead to devastation, Fish and bird and tree, threatened until we will live with respect in creation. Skies and seas and land, created for God’s plan, not for our own selfish domination, Drought or rising sea threaten until we will live with respect in creation. All creation sighs, we hear the Spirit’s cries, calling for rebirth and restoration, warmth for every heart, healing of each part that lives with respect in creation. All creation sings, let fields and forests ring as we make this holy declaration, Mountains, lakes, rejoice, joining every voice to live with respect in creation, We’ll live with respect in creation.
$1.99
Almas en vuelo (Souls in Flight), Celtic Song by Gustavo Fuentes
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Gustavo Fuentes
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Gustavo Fuentes
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Almas en vuelo
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Gustavo Fuentes
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SheetMusicPlus
Large Ensemble Cello,Flute,Piano Accompaniment,Soprano Recorder,Tin Whistle,Violin - Level 3 - Digital Download SKU: A0.900400 Composed by Gustavo Fuente...
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Large Ensemble Cello,Flute,Piano Accompaniment,Soprano Recorder,Tin Whistle,Violin - Level 3 - Digital Download SKU: A0.900400 Composed by Gustavo Fuentes. Arranged by Gustavo Fuentes. Celtic,Folk,Holiday,New Age,World. Score and parts. 4 pages. Gustavo Fuentes #3637489. Published by Gustavo Fuentes (A0.900400). Souls in Flight. Celtic music song composed by Gustavo Fuentes, arranged for two voices. One melody instrument, such as tin-whistle, flute, recorder, low whistle, violin, piano or guitar and low voice like cello or bass, with chords for piano or guitar. The audio is from to the Gustavo Fuentes CD Almas en vuelo that you can listen to on Spotify. Our souls are always in flight. They sometimes flap their wings against the cold winds of indifference, and some other times they simply glide with the gentle winds of love. When in flight, they come across other souls and travel some of the journey together until fate sets them on separate paths again.As poet Luis Alberto Spinetta so eloquently worded it: I have to learn how to fly among so many people standing. Our flying souls can sometimes be hard to track. They are chasing dreams, so we have to learn how to fly away from our everydayness and closer to them. Merely watching our souls fly away will mean forsaking the chance to visit the sky where our dreams are, that same sky where the ancient Celts believed was the home of the Gods, the Otherworld. Canción de música celta compuesta por Gustavo Fuentes, arreglada para dos voces. Una aguda como tin-whistle, low whistle, flauta traversa, flauta dulce, violÃn, piano o guitarra y un instrumento grave como cello o bajo, con cifrado de acordes para piano o guitarra. El audio pertenece al CD de Gustavo Fuentes Almas en vuelo, que se puede escuchar completo en Spotify. Nuestras almas están en constante vuelo. A veces aletean contra el viento frÃo de la indiferencia; otras veces planean suavemente, acompañando la plácida brisa del amor. En su vuelo, se cruzan con otras almas y transitan parte del trayecto juntas, hasta que el destino decide que tomen rumbos diferentes.Tengo que aprender a volar entre tanta gente de pie, dice el poeta Luis Alberto Spinetta. A veces nos cuesta seguirle el vuelo a nuestras almas. Tenemos que aprender a elevarnos de lo cotidiano para no alejarnos tanto de ellas, que con su vuelo persiguen los sueños. Si nos quedamos simplemente contemplándolas volar, renunciamos a surcar a su lado el cielo de nuestros sueños; ese cielo donde los antiguos celtas ubicaban al Supramundo, la morada de los dioses.
$4.99
5 Traditional Carols for Woodwind Trio (FL, Ob, CL)
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Christmas
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Traditional
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Robert Renshaw
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5 Traditional Carols for Woodw
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Taggart Press
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SheetMusicPlus
Woodwind Ensemble,Woodwind Trio - Level 3 - Digital Download SKU: A0.1017603 Composed by Traditional. Arranged by Robert Renshaw. Christian,Christmas,Cla...
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Woodwind Ensemble,Woodwind Trio - Level 3 - Digital Download SKU: A0.1017603 Composed by Traditional. Arranged by Robert Renshaw. Christian,Christmas,Classical. 23 pages. Taggart Press #6195385. Published by Taggart Press (A0.1017603). This set of 5 traditional Christmas Carols includes The Coventry Carol, Pat-a-pan, Lo, How the Rose E'er Bloometh, Sing We Now of Christmas, and O Come, O Come Immanuel. The arrangements are conventional but original and entertaining. They are perfect for home enjoyment, or for holiday gigs.
$10.95
The Wounded Angel
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James d'Angelo
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The Wounded Angel
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Forton Music - Digital
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SheetMusicPlus
Picc. 2 Fl. Afl. Bfl - Intermediate-Advanced - Digital Download SKU: F2.FM557 Composed by James d'Angelo. Flute Quintet - Piccolo, 2 flutes, Alto Flute, ...
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Picc. 2 Fl. Afl. Bfl - Intermediate-Advanced - Digital Download SKU: F2.FM557 Composed by James d'Angelo. Flute Quintet - Piccolo, 2 flutes, Alto Flute, Bass Flute. Score and parts. 31 pages. Forton Music - Digital #FM557. Published by Forton Music - Digital (F2.FM557). ISBN 9790570484560.The Wounded Angel (2013) is written for piccolo, two flutes, alto flute and bass flute, and is dedicated to Christine Turellier, a professor of flute at the Lille Conservatory of Music (France) where the work was premiered. These pieces were inspired by a painting entitled The Wounded Angel (1967) by the visionary British artist Cecil Collins (1908-1990). His works have been the basis for a number of D'Angelo's compositions. For example, one of his latest pieces for orchestra takes its inspiration from Collins' painting The Angel of the Flowing Light (1968). In his extensive output the artist often used angels and fools as symbols of purity and wisdom. In the painting, the earthbound, winged, wounded angel is lying on its side with its eyes closed. Its colours blend in with the purplish colours of the earth. In the distance is a mountain shaped like a pyramid while the sky is filled with shades of orange. Just at the point where the mountain meets the bleak landscape we see the sun just rising. This angel has been injured and fallen to Earth and in its distress has to find a way of healing itself and ascending to its spiritual home. In this highly impressionistic piece the piccolo stands for the wounded angel. It has a three note motif and its wound is suggested by the semitone difference of the second note each time the motif is repeated. The piece is a voyage through all the states of mind the angel experiences. For example, there are moments of contemplation and peace where the alto and bass flutes play rocking rhythms in open fifths. The final bars of The Wounded Angel portray the gentle power of the angel to heal itself and return to the heavens. Here, following the motif of the gently rocking rhythms the piccolo plays two ascending fourths leading to a G sharp which has its resolution in the angels keynote A.
$12.95
Portuguese Rain
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Robin Andrews
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Portuguese Rain
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Robin Andrews
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SheetMusicPlus
Large Ensemble Cello,Clarinet,Flute,Soprano Recorder,Soprano Saxophone,Tenor Recorder,Tenor Saxophone,Viola,Violin - Level 3 - Digital Download SKU: A0.10281...
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Large Ensemble Cello,Clarinet,Flute,Soprano Recorder,Soprano Saxophone,Tenor Recorder,Tenor Saxophone,Viola,Violin - Level 3 - Digital Download SKU: A0.1028114 Composed by Robin Andrews. Celtic,Folk,World. Score and parts. 1 pages. Robin Andrews #3367015. Published by Robin Andrews (A0.1028114). A melody in the Lydian Mode written in Portugal.There's not many tunes written in the Lydian mode, so harmonising them presents an interesting creative challenge. The basic idea here is that the chords from a D major scale are used, but the home note is G. Also, the strong A-D cadence is lost, so we have to find another cadence which will provide a similar tension/release effect. In the Lydian mode this can be achieved with Bm-G, A-G or Em-G. One really interesting aspect of the Lydian mode in G is that Em is still the relative minor, except it comes out as Dorian. So if the B part of a tune tune moves to the relative minor as this one does, then it can be treated as an E Dorian tune in its own right.
$2.99
Unnamed series four short pieces for Orchestral instruments
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Roque Lazarus
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Roque Lazarus
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Unnamed series four short piec
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Roque Lazarus
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SheetMusicPlus
Woodwind Ensemble - Level 3 - Digital Download SKU: A0.1031516 Composed by Roque Lazarus. Arranged by Roque Lazarus. Contemporary,Holiday,Love,Pop. 4 pag...
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Woodwind Ensemble - Level 3 - Digital Download SKU: A0.1031516 Composed by Roque Lazarus. Arranged by Roque Lazarus. Contemporary,Holiday,Love,Pop. 4 pages. Roque Lazarus #3434877. Published by Roque Lazarus (A0.1031516). This is a simple set of four hand-written tunes for solo-flute, double-bass duo, oboe duo and violin and double-bass duet but can be performed by other instruments as well , composed for students and hobby musicians...to enjoy playing or sight reading and it is sure to bring a smile on the face of their listener.s This is one of a series of short one page 'unnamed' compositions that I am writing this year 2018, to gather funds to celebrate 30 years program and concert of our music school 'Axl School of music (and technology)' established by me in the summer of 1989 in my ancestral house at Caranzalem Goa India. After tutoring and mentoring music students, audio recording students, bands, choirs, new composers, conductors and forming and training our flagship Orchestra, 'COSMOS EXOTIC ORCHESTRA' over 1000 pupils are all over the world now, some professional teachers, musicians, artists but mostly music lovers and appreciators, some of our students can be seen at www.axlschoolofmusic.blogspot.com and www.youtube.com/axlschoolofmusic We hope you will be kind enough to purchase a copy of my original compositions which will enable me to set up new home-studios and venues to impart music to youngsters, find prodigies and carry the legacy forward into this wide World. Our philosophy is broadcast in our monologues through www.facebook.com/alienbabauniversalmatter and www.writerscafe.org/roquelazarus Our aim is peace and a good life for all. www.reverbnation.com/roquelazarus .
$1.99
The Spirit of the Lord
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Cathy Lundeen, Vocal / Dr
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Dr
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The Spirit of the Lord
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School Sisters of St. Francis
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SheetMusicPlus
Organ,Voice - Level 3 - Digital Download SKU: A0.1406751 By Cathy Lundeen, Vocal / Dr. Sheri Masiakowski, Organ. By Sr. Theophane Hytrek OSF. Arranged by...
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Organ,Voice - Level 3 - Digital Download SKU: A0.1406751 By Cathy Lundeen, Vocal / Dr. Sheri Masiakowski, Organ. By Sr. Theophane Hytrek OSF. Arranged by Dr. Sheri Masiakowski. 20th Century,Religious,Sacred. Full Performance. Duration 160. School Sisters of St. Francis #989486. Published by School Sisters of St. Francis (A0.1406751). “The Spirit of the Lord† Sr. Theophane Hytrek OSFCathy Lundeen is currently a choir member and cantor at St. Luke Congregation in Brookfield, Wisconsin under the direction of Shawn Rochon. She is also a member of the School Sisters of St. Francis Chapel Singers directed by Sr. Bernadette Luecker OSF, as well as a member and coordinator of the Gaudete Chorale, directed by Brian McLinden.Cathy credits her vocal “training†and love of music ministry first and foremost to her sisters Laura Monteen, a retired Director of Liturgy and Music for the Gary Diocese, Indiana and Nancy Johnson, currently a cantor and choir member at St. John Neumann Parish in Homewood, Illinois, as well as liturgical music mentors Sister Mary Jane Wagner, OSF, Sister Bernadette Luecker, OSF, Brian McLinden, Shawn Rochon, Fr. Kenneth Augustine, Fr. Charles Conley,  Ann Owen and Bill Erickson. TEXT:The Spirit of the Lord is upon us. Send your Spirit upon us in this time and place, the Spirit who gives us comfort, the Spirit who brings light to our eyes, the Spirit who helps us say yes to your summoning Word.Bless us, Father, as you have done before, with the gift of your Spirit that he may stir new life within us.Blest are you in ev'rything that your Spirit makes new, now and for all ages to come.The source of this text is unknown. Though appropriate for Pentecost there is no direct connection to the scripture readings or sacramentary prayers for that Feast. The composition was written in the early years succeeding Vatican II (October 11, 1962 – December 8, 1965), a time of creative freedom. The language is period specific to that time, yet the music is universal.We invite you to browse other creative works by the School Sisters of St. Francis on our website:  https://www.sssf.org/SSSF/Our-Global-Impact/United-States/Music-Ministry/Catalog-of-Music.htm  Further information about our offerings is available from Dr. Sheri Masiakowski, curator of the Heritage Music Collection, at smasiakowski@sssf.org.
$1.99
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