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Who Are You - Full Score
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Who Are You - Full Score
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61 sheet music found
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51
Tullyhogue Fort / If I was a Tinker - Score Only
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Alan Wagstaff
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Alan Wagstaff
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Tullyhogue Fort / If I was a T
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Alan Wagstaff
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SheetMusicPlus
Level 4 - Digital Download SKU: A0.1392403 By Alan Wagstaff. By Alan Wagstaff. Arranged by Alan Wagstaff. Celtic,Folk,Irish,Singer/Songwriter,Traditional...
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Level 4 - Digital Download SKU: A0.1392403 By Alan Wagstaff. By Alan Wagstaff. Arranged by Alan Wagstaff. Celtic,Folk,Irish,Singer/Songwriter,Traditional. 10 pages. Alan Wagstaff #975923. Published by Alan Wagstaff (A0.1392403). Tullyhogue Fort / If I was a Tailor - is a new, Irish style jig arranged for whistle, banjo, flute, fiddle, accordion, and bass.It is first played in a minor mode and then in a major mode. (Aeolian and Ionian)The song is a variation of the 2nd tune.Form: (AA BB) X2  (CC DD) X2  (EF) X5Here are the song lyrics:If I was a tinker you’d  not want for kettles. IfI was a jeweller, the  truth to be told, I’dgive you fine trinkets of rare precious metals, andmake you a ring out of African Gold. ButChorusI’m just a rambler who sings for his supper. Ijog County Antrim – astride this old nag.All that I own is my  saddle and crupper, awhistle, a drum and this old carpet bag.If I was a miller you’d not want for flour. If I was a tailor I’d sew you fine clothes.If I was a gardener I’d build you a bower,and bring you each morning a single red rose. ChorusI’m just a…Can you imagine the hedgerows beside us,travelling the byways with you on the mare,with only the thought of the next inn to guide us,where folks want a tune and have coppers to spare?ChorusI’m just a… If you can imagine the open road calling,the feel of the breeze underneath a clear sky;the stars bright at night and the gentle rain falling,then jog along too, bid your old life goodbye.ChorusI’m just a….
$6.00
Chekhov's The Seagull: An Opera - Score Only
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Felicity Mazur-Park
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Chekhov's The Seagull: An Oper
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Felicity Mazur-Park
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SheetMusicPlus
Level 4 - Digital Download SKU: A0.1251001 Composed by Felicity Mazur-Park. 21st Century,Classical,Contemporary,Opera,Thriller. 93 pages. Felicity Mazur-...
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Level 4 - Digital Download SKU: A0.1251001 Composed by Felicity Mazur-Park. 21st Century,Classical,Contemporary,Opera,Thriller. 93 pages. Felicity Mazur-Park #845295. Published by Felicity Mazur-Park (A0.1251001). Anton Chekhov was a Russian playwright, who was famous for his tragicomedies.The Seagull is one of his most successful tragicomedies. It has been adapted for many other mediums including ballets, operas, and musicals. In this play, Chekhov uses the symbol of the seagull to represent the doomed fate of the characters.The younger characters, Konstantin and Nina, begin the opera as lovers, but by Act Four are estranged from the world and each other. Arguably, the older lead characters, Irina and Trigorin, are highly destructive to their younger counterparts. Both Konstantin and Nina are young, aspiring artists. What responsibility do experienced, professional artists have to their younger counterparts?
$49.99
Variations on Tria paidia voliotika (Three young men from Volos) for alto recorder and guitar
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Traditional
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David Warin Solomons
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Variations on Tria paidia voli
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David Warin Solomons
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SheetMusicPlus
Instrumental Duet Alto Recorder,Guitar,Instrumental Duet - Level 4 - Digital Download SKU: A0.578337 Composed by Traditional. Arranged by David Warin Sol...
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Instrumental Duet Alto Recorder,Guitar,Instrumental Duet - Level 4 - Digital Download SKU: A0.578337 Composed by Traditional. Arranged by David Warin Solomons. 20th Century,Contemporary,Folk,Multicultural,World. Score and parts. 8 pages. David Warin Solomons #4338387. Published by David Warin Solomons (A0.578337). Tria paidia voliotika - three young men from Volos have taken our sweet Annoula away up into the high mountains. This song refers to the nomadic race of the Sarakatsani - who are Greek in tradition but have spread across much of Eastern Europe - some say they are the oldest identifiable race in the area.
$10.00
The Man Who Hated Trees
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Contemporary
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Gary Friedman
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The Man Who Hated Trees
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Gary Friedman
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SheetMusicPlus
Small Ensemble Bassoon,Clarinet,English Horn,High Voice,Percussion - Level 4 - Digital Download SKU: A0.889902 Composed by Gary Friedman. Contemporary. S...
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Small Ensemble Bassoon,Clarinet,English Horn,High Voice,Percussion - Level 4 - Digital Download SKU: A0.889902 Composed by Gary Friedman. Contemporary. Score and parts. 26 pages. Gary Friedman #3097673. Published by Gary Friedman (A0.889902). A musical setting of the poem, The Man Who Hated Trees, by Naomi Shihab Nye. The music attempts to depict a not-very-nice barber, who not only spent years shaving the necks of cafeteria managers but found every excuse he could to justify cutting down trees. The mezzo-soprano is accompanied by English horn or clarinet in A, horn, bassoon, and percussion (wood files rubbed together to simulate neck shaving and tree sawing.) To aid in coordinating with the vocalist and each other, abundant cues are provided in staves parallel to the staves being played in the instrumental parts. The vocalist sings from the score. You may see and hear the performance in the audio clip by Mimi Braverman, mezzo-soprano, Gary Friedman, English horn, Frank Lahorgue, horn, Karen Wright, bassoon, and Ruth Friedman, percussion, on YouTube. The link is https://youtu.be/03xXoCZw8MY Duration: 6 minutes.
$15.00
Sweet Suite for string quintet (scores only)
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Contemporary
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David Warin Solomons
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Sweet Suite for string quintet
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David Warin Solomons
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SheetMusicPlus
String Ensemble,String Quintet - Level 4 - Digital Download SKU: A0.575842 Composed by David Warin Solomons. 20th Century. Score and parts. 41 pages. Dav...
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String Ensemble,String Quintet - Level 4 - Digital Download SKU: A0.575842 Composed by David Warin Solomons. 20th Century. Score and parts. 41 pages. David Warin Solomons #2028771. Published by David Warin Solomons (A0.575842). This is sequence of string quintets (scores only). The movements are: 1 - Marie for shame, a sprightly number encouraging Marie to get out of bed and enjoy the day. It is inspired by the poem Marie vous estes paresseuse by Ronsard. 2 - Nocturne represents Marie going back to sleep! Possibly my most indulgent piece. 3 - Camp David is klezmer in style and somewhat camp, it is based on a Yiddish folk song - ikh bin a meidel in de joren. 4 - Blue Boar Blue is based on a poem by a friend who lived in Blue Boar quad (Christ Church Oxford) and laments the fact he has to stay in and study while he is actually looking forward to taking his girlfriend out punting on the river In each case, the ideal positioning of the instruments is: cello 1, violin 1, viola, violin 2, cello 2 The sound sample is an electronic preview of the first movement I thought it might be useful also to provide scores and parts for the separate movements since they can actually be played as separate pieces I have also made videos for each movement, which can be seen on youtube: Marie for shame http://www.youtube.com/watch?v=H5yvuM4G_Bo Nocturne http://www.youtube.com/watch?v=mo0Iznzqr1Q Camp David http://www.youtube.com/watch?v=6Nxl3W7opYA Blue Boar Blue http://www.youtube.com/watch?v=h_Lry6DZgk8.
$14.00
Who looks may leap for Trombone or Low Brass Trio
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Classical
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Eric Burger Music
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Who looks may leap for Trombon
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Eric Burger Music
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SheetMusicPlus
Brass Ensemble Bassoon,Euphonium,Trombone - Level 4 - Digital Download SKU: A0.508465 Arranged by Eric Burger Music. Baroque. Score and parts. 5 pages. E...
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Brass Ensemble Bassoon,Euphonium,Trombone - Level 4 - Digital Download SKU: A0.508465 Arranged by Eric Burger Music. Baroque. Score and parts. 5 pages. Eric Burger Music #3884769. Published by Eric Burger Music (A0.508465). View the score with playback at: https://youtu.be/sugwd-414ZE Please review score and playback for additional information. This quality work is published by Eric Burger Music: www.EricBurgerMusic.com Each of these Trios are arranged and transcribed with the intent of provide the musician with an opportunity to play works from notable composers otherwise not available to them, using the construct and voicings the compose intended. Please review the video for questions on range and difficulty. If you need parts modified to different clefs or keys, please write me direct at: EricBurgerMusic@gmail.com Custom work also available. If you are unhappy with any of my work, write me directly for a replacement.
$5.00
Freewill Fanfare
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Contemporary
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Samantha Hogan
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Freewill Fanfare
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Coffee Seal Music
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SheetMusicPlus
Brass Ensemble Trombone - Level 4 - Digital Download SKU: A0.918220 Composed by Samantha Hogan. 20th Century,Contemporary. Score and parts. 37 pages. Cof...
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Brass Ensemble Trombone - Level 4 - Digital Download SKU: A0.918220 Composed by Samantha Hogan. 20th Century,Contemporary. Score and parts. 37 pages. Coffee Seal Music #5988871. Published by Coffee Seal Music (A0.918220). Purchase Includes Score and 1 Set of PartsInstrumentation: 8 Part Trombone ChoirDifficulty: Intermediate-Advanced (perfect for advance high school or College level ensembles)About the piece:Jim [ten Bensel] graciously invited me to write a piece for the 2018 Minneapolis Trombone choir and I willingly accepted. In the span of a night before our next rehearsal (inspired by inadvertent procrastination and an explosion of ideas, not to mention an overabundance of coffee), I came up with this fanfare. The name comes from the Rush song Freewill, in which I quoted a line from Geddy Lee's melodic bass playing. It is hidden in plain sight. If you know the song, see if you can find it! The form of the song is a metaphor for life, the greatest test of free will. An ostinato that carries throughout the piece starts with only the first trombones. Eventually, you meet other people and influences that begin shape who you are, which is why the remaining trombones add more musical ideas as the piece continues. The middle section fluctuates between time signatures and tone colors (confusion, emotions) and the ensemble and conductor choose how the tempo ebbs and flows. It is never played the same way twice. Eventually, everything comes together at the end, which is why the ensemble ends, with the original ostinato, together.
$24.00
Song of the Childless
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Contemporary
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David Warin Solomons
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Song of the Childless
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David Warin Solomons
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SheetMusicPlus
Instrumental Duet Guitar,Instrumental Duet,Voice - Level 4 - Digital Download SKU: A0.576279 Composed by David Warin Solomons. 20th Century,Contemporary....
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Instrumental Duet Guitar,Instrumental Duet,Voice - Level 4 - Digital Download SKU: A0.576279 Composed by David Warin Solomons. 20th Century,Contemporary. Score and parts. 4 pages. David Warin Solomons #15653. Published by David Warin Solomons (A0.576279). This song was inspired by my initial reactions to the realization that I am infertile. In my case this was due to Kallmann's syndrome I am now perfectly happy with my infertility, after all, there is much else to do in the world and Dawkins' selfish gene can simply go spin its plot elsewhere: my children are my compositions, and they populate the world in their own way with joy, humour and thoughtfulness... wherever they will... ... However, I know there are many who are not happy with childlessness, so I dedicate this song to them ....and to my past self. The sound sample is my own performance. Here are the words: Learn this my child, who never hears my word Your luck is out, you are but but a poem deaf to change You are a romantic ramble on absurd round which the childless brain desires to range Hear this my daughter, blind to loveliness Your love is mine, untouchable, unknown to all Save to a song befitting her distress Whom Sappho loved but answered not her call See this my eunuch, watching others` joy Your luck was in, your luck was in You threw it far away, too far away for its return Save to another and another boy while I look on, unmoved as from a star Taste this my tears grown cold Resigned and pure Your love is his I know not whose nor do I care Yet love I would, and yet cannot be sure that another`s love could now be mine to share Warm this my heart These strings beget my child Their luck is in Their love is mine So close, my son! My daughter`s breath sings Through my fingers styled Sings to herself All other children shun © David W Solomons Video:https://www.youtube.com/watch?v=NOB34ds34Tk
$11.00
You Are The Sunshine Of My Life
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Stevie Wonder
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Dan Jones www
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You Are The Sunshine Of My Lif
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DanJonesGuitarist
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SheetMusicPlus
Guitar Ensemble Guitar - Level 4 - Digital Download SKU: A0.1103705 By Stevie Wonder. By Stevie Wonder. Arranged by Dan Jones www.danjonesguitarist.com. ...
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Guitar Ensemble Guitar - Level 4 - Digital Download SKU: A0.1103705 By Stevie Wonder. By Stevie Wonder. Arranged by Dan Jones www.danjonesguitarist.com. 20th Century,Funk,Jazz,Pop. Score and parts. 49 pages. DanJonesGuitarist #706980. Published by DanJonesGuitarist (A0.1103705). You Are the Sunshine of My Life by Stevie Wonder Arranged for Guitar Quartet (with Optional Bass) by Dan Jones (www.danjonesguitarist.com) The download of this arrangement offers: • A score in notes and TAB • A score with notes only • Parts with notes and TAB • Parts with notes only • An extra bass guitar part in notes and TAB which can be added or omitted as players wish. Guitar 3 also contains chord symbols for those wishing to have a greater understanding of the harmonic base of the song, or for jazz-style players wishing to play along or improvise. You Are the Sunshine of My Life was released in 1973, the second single from the artist’s iconic 1972 album, ‘Talking Book’. The song made it to number one of the Billboard charts and is a Grammy Award winner. It is, in my opinion, one of the finest pop songs ever written. Its subtle harmonies, seamless modulations and chromatically-altered chords sit easily under a whimsical lyric. It is harmonic genius disguised as a light pop song. I also believe it to be much misunderstood by writers who comment only on the qualities of the vocal performance and production. It deserves its place in any performance of serious art music. This arrangement is suitable for intermediate to advanced intermediate guitarists. A film of a performance will be available by the end of September 2022. For a wealth of arrangements, teaching material, books and much more, please visit: www.danjonesguitarist.com.
$8.95
You Are So Beautiful
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Joe Cocker
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Kevin Riley
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You Are So Beautiful
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Kevin Riley
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SheetMusicPlus
Small Ensemble,Strings Alto Saxophone - Level 4 - Digital Download SKU: A0.1043322 By Joe Cocker. By Billy Preston and Bruce Fisher. Arranged by Kevin Ri...
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Small Ensemble,Strings Alto Saxophone - Level 4 - Digital Download SKU: A0.1043322 By Joe Cocker. By Billy Preston and Bruce Fisher. Arranged by Kevin Riley. 20th Century,Pop. Score and parts. 8 pages. Kevin Riley #648012. Published by Kevin Riley (A0.1043322). You Are So Beautiful is a song written by Billy Preston and Bruce Fisher that was first released in 1974 on Preston's ninth studio album, The Kids & Me. It was also the B-side of his single Struttin'. Later that same year, English singer Joe Cocker released a slower version of the song on his album I Can Stand a Little Rain. Cocker's version was produced by Jim Price, and released as a single in November 1974. It became Cocker's highest charting solo hit, peaking at number five on the United States' Billboard Hot 100 (Cocker's biggest hit on the pop chart was Up Where We Belong, a duet with Jennifer Warnes from the 1982 film An Officer And A Gentleman, which reached number 1), and at number four on Canada's Top Singles chart. Some sources credit Dennis Wilson of the Beach Boys with contributing to the song's genesis. Wilson performed the song live with the Beach Boys from the late 1970s onwards. Kenny Rankin, Ray Stevens, Kenny Rogers, Bonnie Tyler and Brian Kennedy are also among the artists who have covered You Are So Beautiful. The song has also been featured in numerous movies, television shows, and ads.
$30.00
You Are So Beautiful
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Joe Cocker
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Kevin Riley
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You Are So Beautiful
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Kevin Riley
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SheetMusicPlus
Small Ensemble,Strings Oboe - Level 4 - Digital Download SKU: A0.1043310 By Joe Cocker. By Billy Preston and Bruce Fisher. Arranged by Kevin Riley. 20th ...
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Small Ensemble,Strings Oboe - Level 4 - Digital Download SKU: A0.1043310 By Joe Cocker. By Billy Preston and Bruce Fisher. Arranged by Kevin Riley. 20th Century,Pop. Score and parts. 8 pages. Kevin Riley #647999. Published by Kevin Riley (A0.1043310). You Are So Beautiful is a song written by Billy Preston and Bruce Fisher that was first released in 1974 on Preston's ninth studio album, The Kids & Me. It was also the B-side of his single Struttin'. Later that same year, English singer Joe Cocker released a slower version of the song on his album I Can Stand a Little Rain. Cocker's version was produced by Jim Price, and released as a single in November 1974.It became Cocker's highest charting solo hit, peaking at number five on the United States' Billboard Hot 100 (Cocker's biggest hit on the pop chart was Up Where We Belong, a duet with Jennifer Warnes from the 1982 film An Officer And A Gentleman, which reached number 1) and at number four on Canada's Top Singles chart. Some sources credit Dennis Wilson of the Beach Boys with contributing to the song's genesis.Wilson performed the song live with the Beach Boys from the late 1970s onwards. Kenny Rankin, Ray Stevens, Kenny Rogers, Bonnie Tyler and Brian Kennedy are also among the artists who have covered You Are So Beautiful. The song has also been featured in numerous movies, television shows, and ads. This version is for String Quartet and Oboe.
$30.00
Low Brass-Birthday Variations tune of Happy Birthday-Score
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Folk
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Bud Caputo
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Low Brass-Birthday Variations
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Bud Caputo
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SheetMusicPlus
Brass Ensemble Euphonium,Trombone,Tuba - Level 4 - Digital Download SKU: A0.826572 Composed by Folk. Arranged by Bud Caputo. 20th Century,Folk,Holiday. S...
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Brass Ensemble Euphonium,Trombone,Tuba - Level 4 - Digital Download SKU: A0.826572 Composed by Folk. Arranged by Bud Caputo. 20th Century,Folk,Holiday. Score and parts. 5 pages. Bud Caputo #933. Published by Bud Caputo (A0.826572). Birthday Variations -is a theme and variations on Happy Birthday. It is a novelty number that uses popular symphonic themes that are blended with this familiar melody. This is great for recognizing students and school personnel who may be celebrating their special day. It will also serve as a musical trivia quiz as you ask your audience an audience to attempt to identify the titles presented.
$4.00
All The Things You Are
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Broadway
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Jack Leonard with Tommy Dorsey
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DB Williams
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All The Things You Are
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DB Music
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SheetMusicPlus
String Ensemble - Level 4 - Digital Download SKU: A0.880434 By Jack Leonard with Tommy Dorsey Orchestra. By Jerome Kern. Arranged by DB Williams. Musical...
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String Ensemble - Level 4 - Digital Download SKU: A0.880434 By Jack Leonard with Tommy Dorsey Orchestra. By Jerome Kern. Arranged by DB Williams. Musical/Show. Score and parts. 64 pages. DB Music #4841077. Published by DB Music (A0.880434). A straight ahead, up-tempo swing arrangement for string sextet. This arrangement is perfect for the music educator who is looking for an opportunity to introduce string students to Jazz and improvisation!
$16.99
Stabat Mater - string ensemble parts
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Contemporary
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Annemieke Lustenhouwer
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Stabat Mater - string ensemble
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Annemieke Lustenhouwer
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SheetMusicPlus
Small Ensemble - Level 4 - Digital Download SKU: A0.1195919 Composed by Annemieke Lustenhouwer. Contemporary. Score and parts. 80 pages. Annemieke Lusten...
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Small Ensemble - Level 4 - Digital Download SKU: A0.1195919 Composed by Annemieke Lustenhouwer. Contemporary. Score and parts. 80 pages. Annemieke Lustenhouwer #795094. Published by Annemieke Lustenhouwer (A0.1195919). What happens when you close your eyes and you see yourself standing next to Mother Mary when Jesus dies? What do you see and what do you feel? That was what I’ve been asking myself for years when I read the text Stabat Mater. This composition tells about this experience and this questions. Sometimes a motif tells quite literally about this story, like the moment when Jesus is nailed down the cross: first the right hand, then the left hand and finaly with one nail both feet. In the first part of the composition, the viola tells with sforzato accents about this.This Stabat Mater is not only an expression of the pain of the Virgin Mother, but is also a tribute to JS Bach as well. Bach is by some seen as a fith evangelist. Nowadays there are still a lot of people who are affected by how his music tells about biblical stories, like I am. In this Stabat Mater I use the number 5 to express that: the first part is written in 5/4th and the last part Quando corpus et Amen is written with 5 parts in the choir. There can also be found a reworked choral in the choir passages of  O quam tristis et afflicta. It is the choral Wie nahe mir mein Ende from BWV 166.Polyfony is a returning presence in this Stabat Mater. I had an visual idea about this. When I was young I saw in an exhibition a tapestry with all kinds of colours and threads, and everything felt in motion. It was a kind of organized mess, but it was beautiful and felt perfect. I wondered if I could manage to express this idea in music as well. Under one of the polyphonic passages there is a Latin-American dance rhythm to express that motion. I heard that rhythm in my childhood in a rhythmbox of the keyboard of my dad. Another passage has the baroque sarabande-rhythme underneath in the double bass.A lullaby-feeling in some parts of the Stabat Mater tells about another story that got intertwined with this composition. It’s the story of a mother who rocks her terminal dying little son in her arms. I once read that story and it felt connected with the Stabat Mater text for a long time. I decided to express that as well.This composition is dedicated to the Dutch conductor Geert van den Dungen. However I saw many conductors, while playing the oboe and clarinet from a young age, there was nobody who let me think very deeply about music. Geert was the one who changed that for me. I started to study scores and developed a great interest in music analysis and music psychology. Many moments of inspiration and understanding for this Stabat Mater happened on choir rehearsals and concerts where Geert was working. I am very grateful for that.String parts only, see for conductors/ choir score Sheet Music plus and Sheet music direct.
$19.00
Lithuanian Nonet for winds & strings
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Contemporary
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Juozas ŽileviÄius
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Kazys DaugÄ—la
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Lithuanian Nonet for winds & s
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Kazys Daugela
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SheetMusicPlus
A Clarinet,Bassoon,Cello,Double Bass,Flute,Horn,Oboe,Viola,Violin - Level 4 - Digital Download SKU: A0.1358397 Composed by Juozas ŽileviÄius. Arran...
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A Clarinet,Bassoon,Cello,Double Bass,Flute,Horn,Oboe,Viola,Violin - Level 4 - Digital Download SKU: A0.1358397 Composed by Juozas ŽileviÄius. Arranged by Kazys DaugÄ—la. 20th Century,Classical. 162 pages. Kazys Daugela #942837. Published by Kazys Daugela (A0.1358397). Juozas ŽileviÄius (1891–1985) was an organist, composer, educator, and researcher in the history of music. In 1919, when graduating from the Petrograd Conservatory, he composed Symphony in F minor, the first Lithuanian composition in this genre. Upon his return to Lithuania in 1920, ŽileviÄius worked in various musical life spheres of the young republic: he took part in the activities of the Society of Lithuanian Art Creators, contributed to the establishment of Kaunas Opera House, worked for several years as the head of the Art Department at the Ministry of Education, prepared the first music curricula for secondary schools and progymnasiums, conducted courses for music teachers, taught at music schools in Kaunas and KlaipÄ—da, published a musical periodical, and initiated the first Lithuanian Song Festival. Musicologist DanutÄ— PetrauskaitÄ— managed to bring copies of three-movement Nonet for strings and wind instruments from Chicago to Lithuania. ŽileviÄius started writing it in December 1924. The composition was apparently inspired by the Czech Nonet members, working at KlaipÄ—da School of Music, who had been invited by its director Stasys Å imkus from Prague. This was a lively and youthful group that gave concerts all over Lithuania. It amazed audiences with its high artistic level and set an example for students, encouraging them to form various ensembles. The repertoire of the Czech Nonet consisted mainly of works from the Classical and Romantic eras. There were few contemporary compositions, and therefore the Czech Nonet performers turned to composers with a request to write new works for them. They might have discussed the matter with ŽileviÄius with whom they maintained a close relationship, as they did later with Lithuanian composer Jeronimas KaÄinskas.ŽileviÄius finished writing Nonet on 15 November 1926. All three movements were based on the intonations of Lithuanian folk melodies. The first movement (Andante. Allegro moderato) imitatively developed the motifs of the song “Autumn will Comeâ€, while the second one (Andante cantabile) featured fragments of the song I Rode through the Woodâ€, and the third one (Allegro) of the song “Oh, you Bird Cherryâ€. The composition was written professionally, it should have been attractive and interesting for the performers, but, unfortunately, it was never performed. The reasons for this could have been various: disagreements between the director of  KlaipÄ—da Music School, Å imkus, and his deputy, ŽileviÄius, as well a the Czech teachers’ falling into disgrace and starting to resign from their teaching positions in the autumn of 1926. A few years later, ŽileviÄius also resigned from the school: in January 1929 he left for the USA and settled in Elizabeth, New Jersey, where he worked as a church organist. He also brought his Nonet from KlaipÄ—da, hoping that this work would be heard in America. To this end, he found transcribers who made instrumental parts from the score. As it turned out, there were few Lithuanian instrumentalists in the USA, and ŽileviÄius did not have close relations with Americans. Thus Nonet, which the composer regarded as one of his most successful compositions after his Symphony in F minor, sank into oblivion. Thanks to Kazys DaugÄ—la, an opportunity appeared to edit and digitise it after the sheet music of Nonet had arrived in Lithuania. This work reveals the origins of the Lithuanian musical culture, enriches the repertoire of chamber-instrumental ensembles, broadens music education curricula, inks the name of ŽileviÄius, the author of both the first Lithuanian symphony and of the first nonet, in the history of music, and contributes to the preservation and fostering of the Lithuanian musical heritage.by Prof. Dr. DanutÄ— PetrauskaitÄ—.
$59.99
JAZZBLEST
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Sacred music
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Ramona Borthwick
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Ramona Borthwick
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JAZZBLEST
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Leitmotif
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SheetMusicPlus
Choral Choir (4-Part) - Level 4 - Digital Download SKU: A0.933514 By Ramona Borthwick. By Ramona Borthwick, Lyrics: The Rev'd Gretchen Grimshaw. Arranged...
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Choral Choir (4-Part) - Level 4 - Digital Download SKU: A0.933514 By Ramona Borthwick. By Ramona Borthwick, Lyrics: The Rev'd Gretchen Grimshaw. Arranged by Ramona Borthwick. Jazz,Praise & Worship,Sacred. Octavo. 24 pages. Leitmotif #553543. Published by Leitmotif (A0.933514). A Eucharistic Liturgy of Reverence and Delight! JazzBlest is a completely original and delightful collection of Eucharistic service music that honors the traditional structure of an Anglican/Episcopal mass, while it reimagines the contours of its expression. The music is written for SATB voices, and is intended to be performed with the accompaniment of a jazz trio or quartet. The scores include lead sheets for the accompanists/soloists.The Gloria is joyous and uplifting, and the lyrics feature Wisdom as the image of the divine. The Gospel Acclamation features an infectious Afro-Cuban rhythm, while the setting for the Nicene Creed is both fresh and accessible; and can be readily taught to the congregation for regular use. The Doxology is a lively and textured tribute to the devotions of Anglican Caroline Divine, Lancelot Andrewes. And the Eucharistic service music offers a brand new sound for the familiar words of the Sursum Corda, Sanctus, Memorial Acclamation, and Great Amen - all of which use traditional lyrics in wonderful new rhythms and progressions. The Fraction Anthem restates unity inherent in the Eucharist in fresh new musical and lyrical terms. And finally, the Benediction could not be a more uplifting jazz anthem with its accented drum beats and invitation to go in peace, go in love, and let the Holy Spirit be the guide! Credits: All of the music in JazzBlest is composed by jazz pianist/composer Ramona Borthwick, (www.ramonaborthwick.com) whose immense talent and musical imagination are ever present in and through this amazingly fresh liturgy. The lyrics, other than the traditional fare, are written by The Rev'd. Gretchen Grimshaw who serves as the rector of the Episcopal Parish of St. Paul, Newton Highlands, Massachusetts. Also Available: In addition to the service music from JazzBlest, also available for purchase are two gorgeous and compelling anthems that expand the reach and appeal of this Christian Eucharist. Eight Winds is a powerful Prelude or Offertory Anthem that integrates the Eight Winds of the Buddhist tradition with the pre-eminent Christian message that love trumps all else. And Rio Alegre (River of Joy) is a saucy Latin anthem, a great Postlude that relates the rhythm and context of life to the flow of a river, bubbling and accelerating with joyous possibility.
$12.99
Focus on Grace ... A concerto for jazz saxophone and orchestra (2010)
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Thomas Oboe Lee
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Focus on Grace ... A concerto
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Thomas Oboe Lee
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SheetMusicPlus
Small Ensemble - Level 4 - Digital Download SKU: A0.869266 Composed by Thomas Oboe Lee. 20th Century,Contemporary,Jazz,Latin,Romantic Period. Score and p...
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Small Ensemble - Level 4 - Digital Download SKU: A0.869266 Composed by Thomas Oboe Lee. 20th Century,Contemporary,Jazz,Latin,Romantic Period. Score and parts. 73 pages. Thomas Oboe Lee #2019061. Published by Thomas Oboe Lee (A0.869266). Instrumentation: Alto sax solo and orchestra, 2222-4231-perc-drum set-strings Program note. Maestro Max Hobart called me in the spring of 2009 and told me to check out this young jazz phenom on the saxophone named Grace Kelly. I said OK, that’s cool. That summer we went to the Regatta Bar in Harvard Square to hear her play with her band, and I was duly impressed by her musicality, soulfulness and chops. Max asked if I would be interested in writing a concerto for her and the Wellesley Symphony. I said, Sure. It sounds like a great idea. One of the most cherished jazz records in my vast collection is the collaboration between Stan Getz and Eddie Sauter entitled Focus. Eddie, who used to be an arranger for the Benny Goodman Band in the forties, went on to create the Sauter Finegan Band in the early fifties. The band was one of the first to include the piccolo, oboe, bassoon, harp, celesta, French horn, tuba, xylophone, glockenspiel, chimes, timpani, and other unusual symphonic instruments in the standard big band format of trumpets, trombones, saxophones and rhythm section of piano, bass and drum set. On the album Focus Eddie Sauter composed seven tracks of music for string orchestra and rhythm section. Stan Getz did not have a written part - he just improvised over the written music. If you are not familiar with this recording, then you will do yourself a huge favor if you go find it and add it to your own CD collection. The music is phenomenal and Stan is on top of his game, soaring above the strings with endless melodic inventions, flights of imagination and whimsy! It is one of those desert island CDs one should not be without. When I emailed Grace about this project and mentioned Stan Getz’s Focus, she said, It’s one of my favorite albums. So, we got off on a positive note immediately. My work, Focus on Grace … Concerto for Jazz Saxophone and Orchestra, is very much inspired both by the Stan Getz album and by the performances I heard of Grace and her band. The first movement is based on a funk groove in D minor: Grace’s part is initially written-out but she improvises freely in the coda. The second movement is a boss nova: as in the Stan Getz album, Grace does not have a written part but improvises over a set of chord changes provided by the orchestra. The third and last movement is an Afro-Cuban groove in six-eight: Grace has a written melody at first but soon launches into improvisation on a 12-bar blues in F. She ends the concerto in a free cadenza to show off her virtuosity and saxophone chops. ENJOY!!!
$9.99
May 1974, a Greyhound Bus (The Majik Bus to Cohoes)
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Brett L
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May 1974, a Greyhound Bus
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Sonata Grendel Publishing
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SheetMusicPlus
Instrumental Duet Instrumental Duet,Medium Voice,Piano - Level 4 - Digital Download SKU: A0.837494 Composed by Brett L. Wery. Concert,Contemporary,Rock. ...
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Instrumental Duet Instrumental Duet,Medium Voice,Piano - Level 4 - Digital Download SKU: A0.837494 Composed by Brett L. Wery. Concert,Contemporary,Rock. Score and parts. 13 pages. Sonata Grendel Publishing #5731611. Published by Sonata Grendel Publishing (A0.837494). Letters From Cohoes was originally conceived for Baritone, flute, harp and string Quartet. The first movement is set in Eva Tanguay’s voice and works well dramatically for mezzo-soprano. Eva Tanguay (1879-1947) was born in Canada and billed herself as the girl who made vaudeville famous. She was known for her suggestive songs and extravagant costumes. She has been likened to Madonna or Lady Gaga. Her one recording was I Don’t Care in 1922. Her parents moved to Holyoke, Massachusetts in the 1880’s and she began her career as a teenager at the Cohoes Music Hall. At the age of nineteen she made her debut in New York City. Tanguay was the highest paid woman of her day but was said to have lost more than two million dollars in the Wall Street crash of 1929. Tanguay had a reputation for outlandish behavior and was once fined $50 in Louisville, Kentucky for throwing a stagehand down a flight of stairs. She died, blind and nearly destitute, at the age of 68 in Hollywood. In 1953 Mitzi Gaynor portrayed Eva Tanguay in a fictionalized version of her life in the motion picture, The I Don’t Care Girl. Her ghost is said to still haunt Cohoes Music Hall in upstate New York. Letters from Cohoes is a highly fictionalized, musical portrayal of Eva Tanguay’s ghost. In its original form it was scored for flute (doubling on alto flute, contrabass flute and piccolo), harp, string quartet and solo baritone. It is in four movements, taking the form of letters. Letter 2. May 1974, a Greyhound Bus (duration – 4:08) The Majik Bus to Cohoes A young stage manager takes a long bus ride to a new job in Cohoes, NY only to be visited in a dream by the ghost of Eva. There was a girl with wild eyes glaring from the house. She looked so wounded!
$9.99
Symphony No. 4 ... War and Peace (2001) for soprano and orchestra
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Thomas Oboe Lee
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Symphony No. 4 ... War and Pea
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Thomas Oboe Lee
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SheetMusicPlus
Large Ensemble Voice - Level 4 - Digital Download SKU: A0.869357 Composed by Thomas Oboe Lee. 20th Century,Baroque,Classical,Contemporary,Romantic Period...
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Large Ensemble Voice - Level 4 - Digital Download SKU: A0.869357 Composed by Thomas Oboe Lee. 20th Century,Baroque,Classical,Contemporary,Romantic Period. Score and parts. 95 pages. Thomas Oboe Lee #15877. Published by Thomas Oboe Lee (A0.869357). Instrumentation: 2222-4231-timp-2perc-hp-pf-strings. Program note: First of all, a huge embrace for Max Hobart who has been so very supportive by promoting and premiering new works for the orchestra. Since 1991, I have written three works for Max and the Civic Symphony Orchestra of Boston. Symphony No. 4 ... War and Peace is my fourth contribution and this work is dedicated to Max. A year ago, John Finney and the University Chorale of Boston College premiered my Mass for the Holy Year 2000. It was a millennial commission by the Jesuit Institution for the community of Boston College. For that occasion I had originally planned to write a Mass whose texts would include both the Latin from the Ordinary of the Mass - Kyrie, Gloria, Credo, Sanctus & Agnus Dei - and poems concerning the atrocities and senseless killing in warfare during the last century.However, as it turned out, the poems I chose ended up reflecting the Latin text, which is all about faith and redemption. But I still wanted to write an anti-war symphony. When I approached Max with this idea, he was very excited. Initially he was a little concerned that I might want to use the Tolstoy novel as my inspiration. I assured him that it would not be a four-hour symphony. In order to convey a political message through a symphonic work, texts set as songs are the most direct way. For this symphony, I have narrowed my focus to poems written by veterans of the First World War - some euphemistically call it the Great War. The first poem by Rupert Brooke, The Soldier, has an uneasy, patriotic cheerfulness to its message. The second poem by Wilfred Owen, Dulce et decorum est, is a more realistic view of warfare. Dying for one's own country is not so cool when the dead and the dying are staring at your face!!! The third and last poem by Ivor Gurney, To his love, reflects on the aftermath of war: peace, but at what cost!!! Rupert Brooke (1887 - 1915) died on a naval expedition near the Greek island of Gallipoli. He died of blood poisoning. Wilfred Owen (1893 - 1918) was wounded three times in France in the spring of 1917 and was sent back to England to recuperate. He returned to the Front, and was killed on November 4, 1918, just a few days before the Armistice was signed. Ivor Gurney (1890 - 1937), a composer as well, was acutely sensitive to the horrors of the war and, after being wounded and gassed in 1917, he was sent back home to a mental hospital. He died twenty years later without ever recovering from the traumas of war.Audio link: https://thomasoboelee.bandcamp.com/album/symphony-no-4-war-and-peace-2001
$9.99
Vocalise-Étude ( en forme d'Habanera ) by Ravel for Flute Solo and flute ensemble / choir
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Maurice Ravel
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a do Ray me flute studio pro
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Vocalise-Étude
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as do Ray meflute studio production
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SheetMusicPlus
Large Ensemble Alto Flute,Bass Flute,Choir,Orff Instrument,Voice - Level 4 - Digital Download SKU: A0.874260 Composed by Maurice Ravel. Arranged by a do...
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Large Ensemble Alto Flute,Bass Flute,Choir,Orff Instrument,Voice - Level 4 - Digital Download SKU: A0.874260 Composed by Maurice Ravel. Arranged by a do Ray me flute studio production, Ray-Michael Kauffman. 20th Century,Concert,Contemporary,Instructional,Standards. Score and parts. 25 pages. As do Ray meflute studio production #5203415. Published by as do Ray meflute studio production (A0.874260). Vocalise-Étude ( en forme d'Habanera ) by Ravel for Flute Solo and flute ensemble / choirThe famous Vocalise Etude by M Ravel, arranged scored smartly for Flute Solo and flute ensemble/ choir. This piece will give you advanced adult student, college /high student, professional a real solo with flute choir to let them shine . This piece is beautiful in texture , color, and expression. Playing this solo flute part would be any flutists dream to show case their talents.Looking for a great piece, a challenging technique in the solo part, but easier and adaptable for the ensemble?? This is it!!This will surely be a great part of your flute choir /ensemble collection, or even a treasured classic of you own private collection.This piece is scored where as can be played with a small (one per part backign) or even larger ensemble.You be just as excited about this arrangement as I am and all my flutist friends are.And I did want to dedicate this arrangement to my really good friend, who's like fmaily to me, and an incredible music and flutist ; Dorothea Dot Lippart.-- also, check my website out @ doRaymeflute.comhttps://youtu.be/Y-r8Hsfep6E
$15.99
Christmas Lights
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Rock
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Coldplay
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Gary D
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Christmas Lights
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DR GARY D BELSHAW
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SheetMusicPlus
Contrabassoon,Instrumental Solo,Piano - Level 4 - Digital Download SKU: A0.796701 By Coldplay. By Chris Martin, Guy Berryman, Jonny Buckland, and Will Ch...
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Contrabassoon,Instrumental Solo,Piano - Level 4 - Digital Download SKU: A0.796701 By Coldplay. By Chris Martin, Guy Berryman, Jonny Buckland, and Will Champion. Arranged by Gary D. Belshaw (ASCAP). Rock. Score and individual part. 16 pages. DR GARY D BELSHAW #3663557. Published by DR GARY D BELSHAW (A0.796701). 2018 Holiday Contest Entry.It's amazing just how much the Contrabassoon loves this tune - and how the music loves the horn!And what could be more in the holiday spirit than this Coldplay song about someone who can't believe she's gone? Get yourself into the true holiday spirit and celebrate those Christmas lights. Bring this music to any holiday social or civic event, recital, or concert. Explore the whole range of the instrument, and of the season. Good breath control and solid articulation will help folks stay with you. Follow us on Twitter. Like this song on our Facebook page. Your reviews here in Sheet Music Plus are also incredibly valuable to us. We are also ready at any time to create something just for you.
$6.99
Come, Thou Fount of Every Blessing (treble Bb instrument solo)
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Sacred music
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Folktune
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Sandra Zylstra
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Come, Thou Fount of Every Bles
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sandra dee zylstra
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SheetMusicPlus
B-Flat instrument,Instrumental Solo,Piano - Level 4 - Digital Download SKU: A0.711917 Composed by Folktune. Arranged by Sandra Zylstra. Christian,Praise ...
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B-Flat instrument,Instrumental Solo,Piano - Level 4 - Digital Download SKU: A0.711917 Composed by Folktune. Arranged by Sandra Zylstra. Christian,Praise & Worship,Sacred. Score and individual part. 6 pages. Sandra dee zylstra #16113. Published by sandra dee zylstra (A0.711917). This hymn text was written by Robert Robinson who was a troubled youth who later became a Christian. Come, thou fount of every blessing; tune my heart to sing thy grace…We should always be aware of the blessings God puts in our lives. Come, Thou Fount Of Every Blessing is arranged as a late intermediate treble Bb instrument solo with piano accompaniment and separate instrument part. (Approximately 2 minutes, 4 pages) You can look at other arrangements by Sandra Zylstra on Sheet Music Plus: http://www.sheetmusicplus.com/formats/singles/sandra-zylstra/600092+3001855 and at Piano Pronto: Composers Community https://pianopronto.com/composers-community/sandra-zylstra/ .
$3.75
Blue Boar Blue for string quintet
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David Warin Solomons
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Blue Boar Blue for string quin
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David Warin Solomons
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SheetMusicPlus
String Ensemble,String Quintet - Level 4 - Digital Download SKU: A0.575846 Composed by David Warin Solomons. 20th Century,Blues. Score and parts. 33 page...
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String Ensemble,String Quintet - Level 4 - Digital Download SKU: A0.575846 Composed by David Warin Solomons. 20th Century,Blues. Score and parts. 33 pages. David Warin Solomons #2028777. Published by David Warin Solomons (A0.575846). This is one of sequence of string quintets (score and parts). The movements are: 1 - Marie for shame, a sprightly number encouraging Marie to get out of bed and enjoy the day. It is inspired by the poem Marie vous estes paresseuse by Ronsard. 2 - Nocturne represents Marie going back to sleep! Possibly my most indulgent piece. 3 - Camp David is klezmer in style and somewhat camp, it is based on a Yiddish folk song - ikh bin a meidel in de joren. 4 - Blue Boar Blue is based on a poem by a friend who lived in Blue Boar quad (Christ Church Oxford) and laments the fact he has to stay in and study while he is actually looking forward to taking his girlfriend out punting on the river In each case, the ideal positioning of the instruments is: cello 1, violin 1, viola, violin 2, cello 2 The sound sample is an electronic preview The pdf file contains the score and parts. I thought it might be useful also to provide all scores together, so that is also available under the title Sweet Suite for string quintet I have also made videos for each movement, which can be seen on youtube: Marie for shame http://www.youtube.com/watch?v=H5yvuM4G_Bo Nocturne http://www.youtube.com/watch?v=mo0Iznzqr1Q Camp David http://www.youtube.com/watch?v=6Nxl3W7opYA Blue Boar Blue http://www.youtube.com/watch?v=h_Lry6DZgk8.
$10.00
Nocturne for string quintet
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Contemporary
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David Warin Solomons
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Nocturne for string quintet
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David Warin Solomons
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SheetMusicPlus
String Ensemble,String Quintet - Level 4 - Digital Download SKU: A0.575844 Composed by David Warin Solomons. 20th Century. Score and parts. 17 pages. Dav...
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String Ensemble,String Quintet - Level 4 - Digital Download SKU: A0.575844 Composed by David Warin Solomons. 20th Century. Score and parts. 17 pages. David Warin Solomons #2028779. Published by David Warin Solomons (A0.575844). This is one of sequence of string quintets (score and parts). The movements are: 1 - Marie for shame, a sprightly number encouraging Marie to get out of bed and enjoy the day. It is inspired by the poem Marie vous estes paresseuse by Ronsard. 2 - Nocturne represents Marie going back to sleep! Possibly my most indulgent piece. 3 - Camp David is klezmer in style and somewhat camp, it is based on a Yiddish folk song - ikh bin a meidel in de joren. 4 - Blue Boar Blue is based on a poem by a friend who lived in Blue Boar quad (Christ Church Oxford) and laments the fact he has to stay in and study while he is actually looking forward to taking his girlfriend out punting on the river In each case, the ideal positioning of the instruments is: cello 1, violin 1, viola, violin 2, cello 2 The sound sample is an electronic preview The pdf file contains the score and parts. I thought it might be useful also to provide all scores together, so that is also available under the title Sweet Suite for string quintet I have also made videos for each movement, which can be seen on youtube: Marie for shame http://www.youtube.com/watch?v=H5yvuM4G_Bo Nocturne http://www.youtube.com/watch?v=mo0Iznzqr1Q Camp David http://www.youtube.com/watch?v=6Nxl3W7opYA Blue Boar Blue http://www.youtube.com/watch?v=h_Lry6DZgk8.
$9.00
Marie for shame - for string quintet
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Contemporary
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David Warin Solomons
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Marie for shame - for string q
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David Warin Solomons
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SheetMusicPlus
String Ensemble,String Quintet - Level 4 - Digital Download SKU: A0.575843 Composed by David Warin Solomons. 20th Century. Score and parts. 29 pages. Dav...
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String Ensemble,String Quintet - Level 4 - Digital Download SKU: A0.575843 Composed by David Warin Solomons. 20th Century. Score and parts. 29 pages. David Warin Solomons #2028773. Published by David Warin Solomons (A0.575843). This is one of sequence of string quintets (score and parts). The movements are: 1 - Marie for shame, a sprightly number encouraging Marie to get out of bed and enjoy the day. It is inspired by the poem Marie vous estes paresseuse by Ronsard. 2 - Nocturne represents Marie going back to sleep! Possibly my most indulgent piece. 3 - Camp David is klezmer in style and somewhat camp, it is based on a Yiddish folk song - ikh bin a meidel in de joren. 4 - Blue Boar Blue is based on a poem by a friend who lived in Blue Boar quad (Christ Church Oxford) and laments the fact he has to stay in and study while he is actually looking forward to taking his girlfriend out punting on the river In each case, the ideal positioning of the instruments is: cello 1, violin 1, viola, violin 2, cello 2 The pdf file contains the score and parts. I thought it might be useful also to provide all scores together, so that is also available under the title Sweet Suite for string quintet The sound sample is an electronic preview I have also made videos for each movement, which can be seen on youtube: Marie for shame http://www.youtube.com/watch?v=H5yvuM4G_Bo Nocturne http://www.youtube.com/watch?v=mo0Iznzqr1Q Camp David http://www.youtube.com/watch?v=6Nxl3W7opYA Blue Boar Blue http://www.youtube.com/watch?v=h_Lry6DZgk8.
$9.00
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