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17 sheet music found
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1
Christmas Duet No. 1: Here We Come A-wassailing, Variations for 4-Hand Piano
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Christmas
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English Christmas Carol & New
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Graham Yates
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Christmas Duet No. 1: Here We
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Graham Yates
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SheetMusicPlus
Instrumental Duet Instrumental Duet - Level 5 - Digital Download SKU: A0.887982 Composed by English Christmas Carol & New Year Song. Arranged by Graham Y...
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Instrumental Duet Instrumental Duet - Level 5 - Digital Download SKU: A0.887982 Composed by English Christmas Carol & New Year Song. Arranged by Graham Yates. Christmas,Contemporary,Holiday. Score and parts. 13 pages. Graham Yates #6133301. Published by Graham Yates (A0.887982). C. 3:30. Suitable for a teacher/advanced student(s) feature in a holiday recital, or a spotlight performance in a traditional church Christmas service. A short, wild introduction leads to a humoreske statement of the melody, unadorned. Variation 1 is a play on blocked triads and stilted rhythm. Variation 2 is a free, fantasy-like interpretation of the theme. Variation 3 is a slow ragtime that leads into Variation 4, a Charleston. The writing for each player is not particularly challenging, but putting it together will require some advanced skills, including the way primo and secondo share the keyboard. Performing Rights Organization: ASCAP.
$8.99
CANE: Bassoon Concerto with Reed Quintet
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Contemporary
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Jenni Brandon
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CANE: Bassoon Concerto with Re
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Jenni Brandon Music
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SheetMusicPlus
Small Ensemble Alto Saxophone,Bass Clarinet,Bassoon,Oboe - Level 5 - Digital Download SKU: A0.918692 Composed by Jenni Brandon. Contemporary. Score and p...
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Small Ensemble Alto Saxophone,Bass Clarinet,Bassoon,Oboe - Level 5 - Digital Download SKU: A0.918692 Composed by Jenni Brandon. Contemporary. Score and parts. 185 pages. Jenni Brandon Music #6451541. Published by Jenni Brandon Music (A0.918692). The first concerto of its kind, CANE: Bassoon Concerto with Reed Quintet (Oboe, B-Flat Clarinet, Saxophone, Bass Clarinet, Bassoon) by Jenni Brandon tells a dramatic story of one bassoon reed’s journey from its origins as raw, organic cane, to the final joy of playing on the finished reed. The colors of the reed quintet and the virtuosic solo bassoon intermingle in this through-composed piece to take the listener through this vivid experience. Rhythm, lyrical lines, extended techniques, Afro-Cuban style music, jazz and fugue join together to remind us that this is an organic process. From making reeds to making music, we come together to create performance. Ever changing and ever evolving, every reed and every performance is unique, and Cane promises to tell this story in a powerful and exciting new way. Co-Commissioned by the Akropolis Reed Quintet and Dr. Christin Schillinger.There are several sections in this through-composed work, taking us on a journey that is the life of a bassoon reed: I. Split: short and percussive, like splitting cane II. Gouge: Rhythmic, steady and driving. Removing and leaving… III. Shape IV. Profile: Mechanical, with a little bit of mischief V. Form: The cane becomes a reed (Internal/external sounds of transition) VI. Scrape: In the style of Afro-Cuban music VII. Playing the reed: Swing, sassy; thoughtful, reflective; with reverence; the reed plays…Duration approximately 24 minutes
$80.00
Thérèse Brenet : Boustrophédon for flute, clarinet, violin, violoncello and piano
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Therese Brenet
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Thérèse Brenet : Boustrophé
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Musik Fabrik Music Publishing
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SheetMusicPlus
Small Ensemble Cello,Clarinet,Flute,Piano,Violin - Level 5 - Digital Download SKU: A0.532825 Composed by Therese Brenet. Contemporary,Standards. Score an...
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Small Ensemble Cello,Clarinet,Flute,Piano,Violin - Level 5 - Digital Download SKU: A0.532825 Composed by Therese Brenet. Contemporary,Standards. Score and parts. 67 pages. Musik Fabrik Music Publishing #44847. Published by Musik Fabrik Music Publishing (A0.532825). The word Boustrophédon is a 16th century expression which refers to an archaic type of writing in which, after having written a line from left to right, one continues the next line from right to left and then alternates directions. This is the way the oldest known latin inscriptions are written, as well as in the traditional writing of the Touaregs The etymology comes from the Greek “bous†or ox and the verbal form “trophéin†or the verb “to turnâ€. These two elements give the image that this writing is traced in the same way that the ox pulled the plow in the fields In the sub-title, there is an evocation of Rimbaud‘s famous “Vowel“ sonnet : : Oh, sublime trumpet full of strange piercing sounds The author wanted to suggest both musically and technically the manner of this style of writing in boustrophedon. The work begins thus with a sonorous strange sonorous background which suggests this type of writing. This strange atmosphere is created by glissandi on the piano strings as well as on the strings of the violin and the violoncello. These alternating movements create “strange piercing sounds†against which the flute and clarinet alternately play brief sequences which create the outline of a melody. Then the atmosphere changes : the violin, the cello and the piano come together in a percussive violent outburst, which creates a tragic, passionate feeling which may also be considered “strange piercing soundsâ€. Several long aleatoric phrases are then presented like a sonorous halo which intensify to bring the lister to an intense Chorale-like phrase which serves as the central pillar of the work. This phrase is repeated several times, each time gaining in intensity to bring the work to its summit. At the conclusion, the theme is presented again with a great violence, this time without the boustropedon but perhaps with “strange piercing soundsâ€. https://www.youtube.com/watch?v=-SdwCOr-wzA.
$29.95
Vistas (score - vln, vla, cel)
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Mark O’Connor
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Mark O'Connor
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Vistas
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Mark O'Connor Musik International
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SheetMusicPlus
String Ensemble,String Trio - Level 5 - Digital Download SKU: A0.861811 Composed by Mark O'Connor. 20th Century,Contemporary,Folk. Score and parts. 24 pa...
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String Ensemble,String Trio - Level 5 - Digital Download SKU: A0.861811 Composed by Mark O'Connor. 20th Century,Contemporary,Folk. Score and parts. 24 pages. Mark O'Connor Musik International #6202301. Published by Mark O'Connor Musik International (A0.861811). Vistas (score – vln, vla, cel) MO143AScore (parts available)Music by Mark O’Connor20 pages - 10:20 minutes in length Vistas for violin, viola and cello (1999), was composed by Mark O’Connor and is featured on the Appalachian Journey album, recorded with Yo-Yo Ma and Edgar Meyer. In describing Vistas, Mark O’Connor explains the works initial inspiration came from his home studio in Vista, California. From his studio he has three magnificent views. In composing the piece he contemplated the three different views of the musicians, their three personalities and how they come together to speak the same language to say the same thing. In his liner notes for the album, respected classical producer and author John Schaefer describes the work as sprawling, almost narrative. A very small theme is explored separately by all three instruments, each arriving at the same melodic conclusion but at different points. Put together in almost a symphonic form, Vistas suggests a journey beneath big skies and far-off horizons, and finally, a return home. The music is suited for advanced and intermediate levels. Original music printed from the composer’s manuscripts.Music editing, copying and engraving by Mark O’Connorusing Finale on Apple Macintosh 1999 Composed By Mark O’ConnorOriginally released on Appalachian Journey featuring Mark O’Connor, Yo-Yo Ma and Edgar Meyer, Sony ClassicalVistas can be heard on Mark O'Connor's Crossing Bridges OMAC Recordshttps://omacrecords.com/omac-7-crossing-bridgesAlso on The Essential Mark O’Connor Sony ClassicalCatalogue Number MO143ACopyright © 1999 by Mark O’Connor Music InternationalFor more information on violinist and composer Mark O'Connor, O’Connor String Camps, Touring Ensembles, Discography, Bio, Repertoire and more, please visitwww.markoconnor.com For information on the O’Connor Method – instructional book series for violin, viola, cello and school string orchestra programs:www.oconnormethod.com
$7.50
Vistas (viola part - vln, vla, cel)
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Mark O’Connor
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Mark O'Connor
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Vistas
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Mark O'Connor Musik International
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SheetMusicPlus
String Ensemble,String Trio - Level 5 - Digital Download SKU: A0.861809 Composed by Mark O'Connor. 20th Century,Contemporary,Folk. Score and parts. 11 pa...
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String Ensemble,String Trio - Level 5 - Digital Download SKU: A0.861809 Composed by Mark O'Connor. 20th Century,Contemporary,Folk. Score and parts. 11 pages. Mark O'Connor Musik International #6202313. Published by Mark O'Connor Musik International (A0.861809). Vistas (viola – vln, vla, cel) MO143CViola Part (score and parts available)Music by Mark O’Connor7 pages - 10:20 minutes in length Vistas for violin, viola and cello (1999), was composed by Mark O’Connor and is featured on the Appalachian Journey album, recorded with Yo-Yo Ma and Edgar Meyer. In describing Vistas, Mark O’Connor explains the works initial inspiration came from his home studio in Vista, California. From his studio he has three magnificent views. In composing the piece he contemplated the three different views of the musicians, their three personalities and how they come together to speak the same language to say the same thing. In his liner notes for the album, respected classical producer and author John Schaefer describes the work as sprawling, almost narrative. A very small theme is explored separately by all three instruments, each arriving at the same melodic conclusion but at different points. Put together in almost a symphonic form, Vistas suggests a journey beneath big skies and far-off horizons, and finally, a return home. The music is suited for advanced and intermediate levels. Original music printed from the composer’s manuscripts.Music editing, copying and engraving by Mark O’Connorusing Finale on Apple Macintosh 1999 Composed By Mark O’ConnorOriginally released on Appalachian Journey featuring Mark O’Connor, Yo-Yo Ma and Edgar Meyer, Sony Classical Vistas can be heard on Mark O'Connor's Crossing Bridges OMAC Recordshttps://omacrecords.com/omac-7-crossing-bridgesAlso on The Essential Mark O’Connor Sony Classical Catalogue Number MO143CCopyright © 1999 by Mark O’Connor Music InternationalFor more information on violinist and composer Mark O'Connor, O’Connor String Camps, Touring Ensembles, Discography, Bio, Repertoire and more, please visitwww.markoconnor.com For information on the O’Connor Method – instructional book series for violin, viola, cello and school string orchestra programs:www.oconnormethod.com
$4.50
Vistas (violin part - vln, vla, cel)
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Mark O’Connor
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Mark O'Connor
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Vistas
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Mark O'Connor Musik International
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SheetMusicPlus
String Ensemble,String Trio - Level 5 - Digital Download SKU: A0.861810 Composed by Mark O'Connor. 20th Century,Contemporary,Folk. Score and parts. 10 pa...
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String Ensemble,String Trio - Level 5 - Digital Download SKU: A0.861810 Composed by Mark O'Connor. 20th Century,Contemporary,Folk. Score and parts. 10 pages. Mark O'Connor Musik International #6202307. Published by Mark O'Connor Musik International (A0.861810). Vistas (violin part – vln, vla, cel) MO143BViolin Part (score and parts available)Music by Mark O’Connor6 pages - 10:20 minutes in length Vistas for violin, viola and cello (1999), was composed by Mark O’Connor and is featured on the Appalachian Journey album, recorded with Yo-Yo Ma and Edgar Meyer. In describing Vistas, Mark O’Connor explains the works initial inspiration came from his home studio in Vista, California. From his studio he has three magnificent views. In composing the piece he contemplated the three different views of the musicians, their three personalities and how they come together to speak the same language to say the same thing. In his liner notes for the album, respected classical producer and author John Schaefer describes the work as sprawling, almost narrative. A very small theme is explored separately by all three instruments, each arriving at the same melodic conclusion but at different points. Put together in almost a symphonic form, Vistas suggests a journey beneath big skies and far-off horizons, and finally, a return home. The music is suited for advanced and intermediate levels. Original music printed from the composer’s manuscripts.Music editing, copying and engraving by Mark O’Connorusing Finale on Apple Macintosh 1999 Composed By Mark O’ConnorOriginally released on Appalachian Journey featuring Mark O’Connor, Yo-Yo Ma and Edgar Meyer, Sony ClassicalVistas can be heard on Mark O'Connor's Crossing Bridges OMAC Recordshttps://omacrecords.com/omac-7-crossing-bridgesAlso on The Essential Mark O’Connor Sony Classical Catalogue Number MO143BCopyright © 1999 by Mark O’Connor Music InternationalFor more information on violinist and composer Mark O'Connor, O’Connor String Camps, Touring Ensembles, Discography, Bio, Repertoire and more, please visitwww.markoconnor.com For information on the O’Connor Method – instructional book series for violin, viola, cello and school string orchestra programs:www.oconnormethod.com
$4.50
Vistas (cello part - vln, vla, cel)
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Mark O’Connor
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Mark O'Connor
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Vistas
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Mark O'Connor Musik International
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SheetMusicPlus
String Ensemble,String Trio - Level 5 - Digital Download SKU: A0.861812 Composed by Mark O'Connor. 20th Century,Contemporary,Folk. Score and parts. 12 pa...
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String Ensemble,String Trio - Level 5 - Digital Download SKU: A0.861812 Composed by Mark O'Connor. 20th Century,Contemporary,Folk. Score and parts. 12 pages. Mark O'Connor Musik International #6202317. Published by Mark O'Connor Musik International (A0.861812). Vistas (cello – vln, vla, cel) MO143DCello Part (score and parts available)Music by Mark O’Connor8 pages - 10:20 minutes in length Vistas for violin, viola and cello (1999), was composed by Mark O’Connor and is featured on the Appalachian Journey album, recorded with Yo-Yo Ma and Edgar Meyer. In describing Vistas, Mark O’Connor explains the works initial inspiration came from his home studio in Vista, California. From his studio he has three magnificent views. In composing the piece he contemplated the three different views of the musicians, their three personalities and how they come together to speak the same language to say the same thing. In his liner notes for the album, respected classical producer and author John Schaefer describes the work as sprawling, almost narrative. A very small theme is explored separately by all three instruments, each arriving at the same melodic conclusion but at different points. Put together in almost a symphonic form, Vistas suggests a journey beneath big skies and far-off horizons, and finally, a return home. The music is suited for advanced and intermediate levels. Original music printed from the composer’s manuscripts.Music editing, copying and engraving by Mark O’Connorusing Finale on Apple Macintosh 1999 Composed By Mark O’ConnorOriginally released on Appalachian Journey featuring Mark O’Connor, Yo-Yo Ma and Edgar Meyer, Sony ClassicalVistas can be heard on Mark O'Connor's Crossing Bridges OMAC Recordshttps://omacrecords.com/omac-7-crossing-bridgesAlso on The Essential Mark O’Connor Sony ClassicalCatalogue Number MO143DCopyright © 1999 by Mark O’Connor Music InternationalFor more information on violinist and composer Mark O'Connor, O’Connor String Camps, Touring Ensembles, Discography, Bio, Repertoire and more, please visitwww.markoconnor.com For information on the O’Connor Method – instructional book series for violin, viola, cello and school string orchestra programs:www.oconnormethod.com
$4.50
Witches’ Sabbath from Symphonie Fantastique
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Classical
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Hector Berlioz
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Randall Malmstrom
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Witches’ Sabbath from Sympho
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Gordon Cherry
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SheetMusicPlus
Brass Ensemble Trombone - Level 5 - Digital Download SKU: A0.792558 Composed by Hector Berlioz. Arranged by Randall Malmstrom. 20th Century,Classical,Rom...
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Brass Ensemble Trombone - Level 5 - Digital Download SKU: A0.792558 Composed by Hector Berlioz. Arranged by Randall Malmstrom. 20th Century,Classical,Romantic Period. Score and parts. 130 pages. Gordon Cherry #5008561. Published by Gordon Cherry (A0.792558). Symphonie Fantastique was written in 1830 as one of the first program symphonies in musical history. The Witches’ Sabbath is the fifth and final movement tells the story of the author himself amongst a hideous gathering of sorcerers, monsters and witches who have come together for his funeral. The original melody from the first movement is now a vulgar and grotesque dance. Berlioz also combines the Dies irae melody to strike even more fear into the listener. This arrangement of about 10 minutes in length by Randall Malmstrom is a full transcription of the movement and is appropriate for advanced performers.
$42.50
Marimba Trio in D Minor
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Classical
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Ian Deterling
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Marimba Trio in D Minor
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Ian Deterling
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SheetMusicPlus
Percussion Ensemble Marimba - Level 5 - Digital Download SKU: A0.1117368 Composed by Ian Deterling. Classical. Score and parts. 33 pages. Ian Deterling #...
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Percussion Ensemble Marimba - Level 5 - Digital Download SKU: A0.1117368 Composed by Ian Deterling. Classical. Score and parts. 33 pages. Ian Deterling #718921. Published by Ian Deterling (A0.1117368). Virtuosic rhythms and playful melodies come together in this exciting dance for six-hand marimba! (4.3 octaves).
$15.00
Thérèse Brenet : Quintet for two violins, viola, violoncello and piano
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Contemporary
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Therese Brenet
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Thérèse Brenet : Quintet for
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Musik Fabrik Music Publishing
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SheetMusicPlus
Piano Quintet,String Ensemble Piano - Level 5 - Digital Download SKU: A0.532827 Composed by Therese Brenet. Contemporary. Score and parts. 67 pages. Musi...
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Piano Quintet,String Ensemble Piano - Level 5 - Digital Download SKU: A0.532827 Composed by Therese Brenet. Contemporary. Score and parts. 67 pages. Musik Fabrik Music Publishing #44853. Published by Musik Fabrik Music Publishing (A0.532827). 1. Une vision continuellement renouvelée par l'émotion II. Les forces expressives d'attraction semblent aller en s'amplifiant III. Les chants flamboyants tournoient et s'entrechoquent en un bouillonnement intense Perhaps the composition of a string quartet is a task for the mature age of a composer. It could be that this sort of work could be seen as a sort of musical will. Whatever the case, the author wanted to use, as much as possible, the great expressive possiblities of this ensemble. The quartet and the piano, by attraction or repulsion, share their specific forces and come together in a flamboyant osmosis. In each of these three movements, one can see the manifestations of a great sonic mass, an intense emotion and, the author hopes, the beauty of inspired music mvt 1 https://www.youtube.com/watch?v=SzxBJqwy6P8 mvt 2. https://www.youtube.com/watch?v=SzxBJqwy6P8 mvt 3. https://www.youtube.com/watch?v=rB1UlvGT9y4.
$25.95
Thanksgiving Medley
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Thanksgiving
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Various
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Rich Heffler
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Thanksgiving Medley
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David E. Smith - Digital Sheet Music
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SheetMusicPlus
Alto sax solo - Level 5 - Digital Download SKU: DX.W29144AX Composed by Various. Arranged by Rich Heffler. Thanksgiving. Sacred instrumental music. Score...
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Alto sax solo - Level 5 - Digital Download SKU: DX.W29144AX Composed by Various. Arranged by Rich Heffler. Thanksgiving. Sacred instrumental music. Score and parts. Composed 2016. 6 pages. Duration 3'00. Published by David E. Smith - Digital Sheet Music (DX.W29144AX). Key: Main key: f, d.A Rich Heffler Music arrangement. This solo starts out with a great deal of flourish based on Come Ye Thankful People Come and then settles down for a solemn rendition of We Gather Together. The first statement is straight forward and then responded.
$5.99
Trio for Trumpet, Violin, and Piano
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Contemporary
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Zachary Ploeger
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Trio for Trumpet, Violin, and
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Zachary Ploeger Music
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SheetMusicPlus
Instrumental Duet,Piano Instrumental Duet,Piano,Trumpet,Violin - Level 5 - Digital Download SKU: A0.1006541 Composed by Zachary Ploeger. Contemporary. Sc...
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Instrumental Duet,Piano Instrumental Duet,Piano,Trumpet,Violin - Level 5 - Digital Download SKU: A0.1006541 Composed by Zachary Ploeger. Contemporary. Score and parts. 32 pages. Zachary Ploeger Music #4623107. Published by Zachary Ploeger Music (A0.1006541). Written for the uncommon triad of trumpet, violin, and piano, Trio is an exceptional example of modern chamber music. The three players fiercely trade musical lines, swapping them back and forth until they unexpectedly join to play them together, leaving the listener unable to predict what will come next.
$24.99
Mwiche Khumufumie
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Wilson Shitandi
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Mwiche Khumufumie
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Songburd Music
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SheetMusicPlus
Choral Choir,Choral - Level 5 - Digital Download SKU: A0.1347430 Composed by Wilson Shitandi. Folk,Religious,Spiritual,Traditional. 23 pages. Songburd Mu...
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Choral Choir,Choral - Level 5 - Digital Download SKU: A0.1347430 Composed by Wilson Shitandi. Folk,Religious,Spiritual,Traditional. 23 pages. Songburd Music #846653. Published by Songburd Music (A0.1347430). Africa's rich and varied history has been shaped by many factors, and the same could be said for Africa's captivating traditional and indigenous music styles, which in turn have influenced many other genres of music around the world.  With its early beginnings, the traditional music of Africa has walked hand-in-hand with the development of cultures and languages, each with its distinct traditions and dialects that bring a unique flavor to the African folk tunes that are so much a part of the families, clans and communities that form a music heritage within Africa. Nowhere is this more apparent than in the Luhya community in Kenya, where we clearly see the special relationship that exists between the Samia people, and their articulate dialect, and the delightful expression of their sacred folk music and folk music style.  We could even go so far as to say that Samia folk tunes are closely tied to their art, folklore and religious practices, and also to the artistic influences within and without the Luhya community.Notably, what makes African folk music style special is the sense of purpose and meaning that is attributed to the music--through its use in religious practices, ceremonies, and celebrations-- where audience participation is encouraged and even expected.  The techniques and forms of the music, which give this genre a voice of its own, gives us reason to pay close attention to the characteristics that define this music.  We can briefly point out the use of polyrhythmic techniques, percussion, shimmer, improvisational instrumentation, yodeling and syncopated rhythms that comprise African folk music, but none gets our attention more than the call and response of the singers, which shows the close connection between the language (dialect) and the music, all of which involves the singers and the audience in a musical conversation. This arrangement by Wilson Shitandi combines two melodies commonly used in the praise of leaders or deities--depending on the culture--that typically have no specific title, and sometimes derive their name from an instrument or type of dance.  Stylistically, this arrangement successfully weaves two themes together into one, the first being a lively and upbeat expression, and the second being more meditative and contemplative, both of which alternate throughout the music.   Importantly, the text for this chorus was originally written in Swahili, and later rewritten using the Samia dialect, which the composer feels is more fitting to the melody, with words drawn from Christian traditions, which again demonstrates that music and language are indeed closely linked in the folk music of Africa, as it is in this uplifting arrangement of Mwiche Khumufumie (Come Let Us Glorify Him).
$11.99
Sync
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Contemporary
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Will Phillips
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the final sync point.
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Sync
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Will Phillips Music
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SheetMusicPlus
Small Ensemble Cello,Double Bass,Flute - Level 5 - Digital Download SKU: A0.1024747 Composed by Will Phillips. 20th Century,Contemporary. Score and parts...
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Small Ensemble Cello,Double Bass,Flute - Level 5 - Digital Download SKU: A0.1024747 Composed by Will Phillips. 20th Century,Contemporary. Score and parts. 13 pages. Will Phillips Music #3465398. Published by Will Phillips Music (A0.1024747). Sync, for flute, cello, and bass trio, is a complex piece which includes a variety of time signatures, virtuosic flute lines, driving cello rhythms, and jazz-influenced pizzicato bass lines. The title derives from the phasing that occurs as a result of multiple pulses that align, dis-align, and re-align throughout. The rhythms that drive the piece are heavily syncopated, yet often times, even non-syncopated rhythms are perceived as such as a result of the offsetting phasing of the pulse. The rhythmic figures are constructed as not just a variety of attacks, but also note lengths, which alternate between combinations of accents, legato, and staccato phrases. Each section is glued together using transitions which guide the individual pulses to their next point of alignment. Throughout the bridge sections, all three instruments take on differing roles: the flute plays ethnically influenced over-arching melodies, while the cello underscores the flute with double and triple-stop chords, and the bass maintains a steady but syncopated pulse. Finally, the piece comes to a close with each instrument rallying together as one; the final sync point.
$19.99
...ni una sombra
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Aribert Reimann
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...ni una sombra
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Schott Music - Digital
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SheetMusicPlus
Soprano, clarinet in A and piano - difficult - Digital Download SKU: S9.Q11722 Trio for Soprano, Clarinet in A and Piano. Composed by Aribert Reim...
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Soprano, clarinet in A and piano - difficult - Digital Download SKU: S9.Q11722 Trio for Soprano, Clarinet in A and Piano. Composed by Aribert Reimann. This edition: performance score. Downloadable, performance score. Duration 15 minutes. Schott Music - Digital #Q11722. Published by Schott Music - Digital (S9.Q11722). Spanish • German....ni una sombra is scored for soprano, clarinet and piano, the same trio instrumentation that has become famous by Franz Schubert's Hirt auf dem Felsen. The piece contrasts a poem by Friedrich Ruckert ('O mein Stern') with a few Spanish words of the Argentine Antonio Porchia. Interludes between the six verses of the poem show the participants in different combinations each. At the beginning of the verses, the soprano and the two instruments get together in a homophonic sound, the starting point of further - extremely virtuoso - rupturing.
$35.99
Portals of Catedral de Orihuela.
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Dr Anthony Costandius
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Portals of Catedral de Orihuel
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Anthony Costandius Music
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SheetMusicPlus
Small Ensemble Cello,Double Bass,Saxophone,Viola,Violin - Level 5 - Digital Download SKU: A0.938331 Composed by Dr Anthony Costandius. Christian,Contempo...
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Small Ensemble Cello,Double Bass,Saxophone,Viola,Violin - Level 5 - Digital Download SKU: A0.938331 Composed by Dr Anthony Costandius. Christian,Contemporary,Sacred. Score and parts. 72 pages. Anthony Costandius Music #14899. Published by Anthony Costandius Music (A0.938331). A piece for solo Alto Saxophone and String Orchestra. The church was made a cathedral in 1564 when the city was granted its bishopric. The cathedral was built on the site of the Aljama Mosque in the first third of the 14th century. The name of this structure, El Salvador Cathedral, literally means the Cathedral of the Transfiguration. The cathedral has three portals: the Puerta de las Cardenas (Portal of the Chains, 14th century) is in Islamic style, the Puerta de Loreto (mid-15th century) is Gothic, and Puerta de la Anunciación (Portal of the Annunciation, built in 1588 by Juan Inglés), which has a Renaissance-style triumphal arch-shape. Part 1: Introitis. The saxophone mimics a chant based on the metre of the Introitis: Rorate, caeli, desuper, et nubes pluant iustum: aperiatur terra, et germinet Salvatorem (Bedew us, heavens, from above; ye clouds, rain down the Just One. Let the earth be opened up, and produce the Saviour. The intervals 1 (tonic), 5 (dominant), 6 (super-dominant) and 4 (subdominant), based on the year 1564 referred to in the section above, are used as the basis for the harmony progression for the string section. Part 2: Puerta de las Cardenas Acts 12:3–19 says that Peter was put into prison by King Herod, but the night before his trial an angel appeared to him, and told him to leave. Peter's chains fell off, and he followed the angel out of prison, thinking it was a vision (verse 9). The prison doors opened of their own accord, and the angel led Peter into the city. The visit from the angel, release from the chains and the prison, as well as the journey into the city is expressed against the background of the Islamic design of the portal, hence the referral to Arabian rhythms and scales in the music. Part 3: Puerta de Loreto The Puerta de Loreto is of gothic design. Loreto refers to the Italian city of Loreto in the province of Ancona. It is said that the holy house where the Mother Mary lived in Nazareth was translated miraculously to Loreto on December 19, 1294 - more than 700 years ago. The house did not go straight to Loreto, but in the year 1291 it was miraculously transported from Nazareth to the town of Tersatto in Dalmatia (Croatia). The local population, filled with astonishment, did not know how to explain its sudden appearance. Their Bishop, who was gravely ill, now appeared in their midst cured. He had prayed to the Virgin Mary that he might be strong enough to see the prodigy for himself, and the Mother of God appeared to him, surrounded by Angels, saying: My son, you have called for me, and here I am. I came to give you succor and to reveal to you the mystery [of the translation of the Holy House] you desire to know. The holy dwelling is the very house where I was born and raised. It was there that I received the good news brought by the Archangel Gabriel and I conceived the Divine Infant by the operation of the Holy Ghost. It was there that the Word was made flesh... For you to bear witness to all that I am telling you now, you will suddenly be cured and return to full health after the long illness you have borne, so that through you all will believe in this miracle. Part 4: Puerta de la Anunciación The Annunciation is the Christian celebration of the announcement by the angel Gabriel to the Virgin Mary that she would conceive and become the mother of Jesus, the Son of God, marking his Incarnation. Gabriel told Mary to name her son Jesus, meaning Saviour. Part 5: Exit The work ends with a re-interpretation of the first section, the Introitis. This is to bind the work together, but also to again reflect on the text, as stated: Rorate, caeli, desuper, et nubes pluant iustum: a periatur terra, et germinet Salvatorem, and to comtemplate how that gives meaning to the being, essence and history of the Catedral de Orihuela.
$10.00
Egmont, Op. 84 - Overture - arr. for 8 cellos
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Classical
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Classical
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Ludwig van Beethoven
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Raïff Dantas Barreto
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Egmont, Op. 84 - Overture - ar
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Artistic Score Engraving di Galvagno Michele
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SheetMusicPlus
String Ensemble Cello - Level 5 - Digital Download SKU: A0.1287664 Composed by Ludwig van Beethoven. Arranged by Raïff Dantas Barreto. 19th Century,Ch...
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String Ensemble Cello - Level 5 - Digital Download SKU: A0.1287664 Composed by Ludwig van Beethoven. Arranged by Raïff Dantas Barreto. 19th Century,Chamber,Instructional,Opera,Romantic Period. 96 pages. Artistic Score Engraving di Galvagno Michele #878689. Published by Artistic Score Engraving di Galvagno Michele (A0.1287664). The Egmont Overture, Op. 84, composed by Ludwig van Beethoven in 1809-10, occupies a firm and secure place among the stars of the most-dramatic music firmament. Originally conceived for orchestra, this edition proposes it in an arrangement for 8 cellos by Brazilian Maestro Raïff Dantas Barreto. It comes in a full score and a set of the eight cello parts, all with perfect page turns.Listen to how M° Barreto plays all the eight parts together in this video:.
$32.00
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