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Fantasy in C
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6 sheet music found
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1
Fever Fantasy
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Joerg Widmann
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Fever Fantasy
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Schott Music - Digital
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SheetMusicPlus
Piano, string quartet and clarinet in Bb (bassclarinet in Bb) - difficult - Digital Download SKU: S9.Q6168 Composed by Joerg Widmann. This edition: score...
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Piano, string quartet and clarinet in Bb (bassclarinet in Bb) - difficult - Digital Download SKU: S9.Q6168 Composed by Joerg Widmann. This edition: score and parts. Downloadable, Score and parts. Duration 13 minutes. Schott Music - Digital #Q6168. Published by Schott Music - Digital (S9.Q6168). With the title of this composition, Fever Fantasy, Jörg Widmann refers to its musical air: ‘I often feel Robert Schumann‘s melodic shape to be like the amplitude of a temperature curve: nervous, flickering, feverish, an infinite number of small and large wave crests and troughs within the principal line.’ The composer approaches this sound phenomenon with a setting for acoustic instruments. Nevertheless, he succeeds in conjuring up very unusual sound spectrums. Over long sections, the notation of this score mirrors the musical progressions, containing no concrete pitches but detailed performance instructions instead. Slowly, individual tones emerge from ascending pizzicato lines, colourless sound surfaces, sounds of harmonics roughened by tremolos, and virtuoso clarinet scales, tones that do not reveal their origin until the work ends: C - F - E - D sharp, the beginning of Schumann’s first violin sonata.
$55.99
Fantasypiece (Downloadable)
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free, I mean employing unusual
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Stanley M
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Fantasypiece
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E. C. Schirmer Music Company - Digital
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SheetMusicPlus
Violoncello and double bass - Difficult - Digital Download SKU: MQ.8409-E Composed by Stanley M. Hoffman. Secular, 21st century. Score. 14 pages. E. C. S...
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Violoncello and double bass - Difficult - Digital Download SKU: MQ.8409-E Composed by Stanley M. Hoffman. Secular, 21st century. Score. 14 pages. E. C. Schirmer Music Company - Digital #8409-E. Published by E. C. Schirmer Music Company - Digital (MQ.8409-E). UPC: 600313484094.The duet version of Fantasypiece for violoncello and double bass was composed in 2001, an arrangement for chamber orchestra was completed in 2002. The title has multiple meanings. The musical language, what I regard as free tonality, is one that I had always wanted to employ but never found occasion to use. By free, I mean employing unusual dissonances in a controlled manner within a tonal framework.
$16.00
Fantasy on Laudes Domini (May Jesus Christ Be Praised) 2 Oboes w/Organ
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Traditional Hymn
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Gene Roberson
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Fantasy on Laudes Domini
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Gene Roberson
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SheetMusicPlus
Small Ensemble C Instrument,Oboe,Organ - Level 5 - Digital Download SKU: A0.848888 Composed by Traditional Hymn. Arranged by Gene Roberson. Christian,Con...
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Small Ensemble C Instrument,Oboe,Organ - Level 5 - Digital Download SKU: A0.848888 Composed by Traditional Hymn. Arranged by Gene Roberson. Christian,Concert,Contemporary. Score and parts. 22 pages. Gene Roberson #6232461. Published by Gene Roberson (A0.848888). Arranged for Advanced Organ and Two Oboes. Can also be played on String instruments.Recital Worship Service. Classical in Style. .
$5.99
Carson Cooman Enchanted Tracings (Piano Concerto No. 2) (2008) for solo piano and wind ensemble, com
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Contemporary
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Carson Cooman
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Carson Cooman Enchanted Tracin
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Musik Fabrik Music Publishing
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SheetMusicPlus
Large Ensemble Bassoon,Clarinet,English Horn,Flute,Multi-Percussion,Oboe,Piano,Timpani,Trombone,Trumpet,Tuba - Level 5 - Digital Download SKU: A0.533711 ...
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Large Ensemble Bassoon,Clarinet,English Horn,Flute,Multi-Percussion,Oboe,Piano,Timpani,Trombone,Trumpet,Tuba - Level 5 - Digital Download SKU: A0.533711 Composed by Carson Cooman. Contemporary. Score and parts. 76 pages. Musik Fabrik Music Publishing #3041107. Published by Musik Fabrik Music Publishing (A0.533711). Enchanted Tracings (Piano Concerto No. 2) (2008) for solo piano and wind ensemble wascommissioned for a consortium of Donna Amato, piano, the Carnegie Mellon Wind Ensemble,Denis Colwell, conductor; Keith Kirchoff, piano, the Harvard Wind Ensemble, Thomas G. Everett,Mark Olson, conductors; and Nora Skuta, piano, the Slovak Radio Symphony Winds, Kirk Trevor,conductor. These three marvelous piano soloists served as the inspiration for the work. Theconcerto bears the dedication “for Walter Simmons, a hero for the cause of American music.â€Musicologist Walter Simmons has been an inspirational and passionate advocate for seriousAmerican concert music for nearly his entire life. Through his tireless efforts as author, critic, recordand concert producer, and lecturer, Walter has brought myriad composers and works to muchdeservedattention.The basic musical material for the entire work is presented near the outset, the pitches Eb – D – G –Ab – E. This cell is used throughout the rest of the concerto both motivically, in transformation, andas a harmonic structural device. Its harmonic identity creates the mix of tonal/modal and atonalconstructs that are a preoccupation of my music. The concerto’s title provided the poetic ideabehind the musical development. Though more or less equal with the ensemble in the firstmovement, the piano clearly takes over as leader in the second and third movements as the goaldirectedformal narrative of the movements becomes more obvious.The first movement, Murky Waters, is a free fantasy in which the piano and ensemble “unpack†themusical potential of the basic material. A number of melodic ideas emerge—some lyrical and somedisjunct. A brief coda prepares for the next movement.The second movement, The Forgotten, is a lament led by the piano. The harmonic colors of thepiano’s sustaining sounds interact with the more linear textures of the winds and brass.The third movement, Casting Infinity, is purposeful and structured as a march with trio. The spikymelodic material is treated in a variety of manners (including very tonally within the trio) before areturn of material from the first movement pushes the concerto towards its conclusion.InstrumentationPiccolo2 Flutes2 OboesEnglish Horn2 Clarinets in BbBass Clarinet in Bb2 BassoonsContrabassoon4 Horns in F3 Trumpets in C2 TrombonesTubaTimpaniPercussion (2 players)I: crotales, bass drum, tenor drumII: vibraphone (motor off), suspended cymbal(Percussion II needs one rosined bow.)Solo Piano(The above scoring is exact—with a single player on each part. Under no circumstances, should thework be performed with any substitutions, doublings, or increase of players on individual parts.)This item contains the complete wind ensemble parts. The score plus solo part are for sale as another item. Individual parts are also for sale.
$77.95
Carson Cooman: Enchanted Tracings (Piano Concerto No. 2) (2008) for solo piano and wind ensemble, sc
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Contemporary
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Carson Cooman
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Carson Cooman: Enchanted Traci
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Musik Fabrik Music Publishing
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SheetMusicPlus
Large Ensemble Bassoon,Clarinet,English Horn,Flute,Multi-Percussion,Oboe,Piano,Timpani,Trombone,Trumpet,Tuba - Level 5 - Digital Download SKU: A0.533710 ...
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Large Ensemble Bassoon,Clarinet,English Horn,Flute,Multi-Percussion,Oboe,Piano,Timpani,Trombone,Trumpet,Tuba - Level 5 - Digital Download SKU: A0.533710 Composed by Carson Cooman. Contemporary. Score and parts. 83 pages. Musik Fabrik Music Publishing #3041105. Published by Musik Fabrik Music Publishing (A0.533710). I. Murky WatersII. The ForgottenIII. Casting InfinityEnchanted Tracings (Piano Concerto No. 2) (2008) for solo piano and wind ensemble was commissioned for a consortium of Donna Amato, piano, the Carnegie Mellon Wind Ensemble, Denis Colwell, conductor; Keith Kirchoff, piano, the Harvard Wind Ensemble, Thomas G. Everett,Mark Olson, conductors; and Nora Skuta, piano, the Slovak Radio Symphony Winds, Kirk Trevor, conductor. These three marvelous piano soloists served as the inspiration for the work. The concerto bears the dedication “for Walter Simmons, a hero for the cause of American music.†Musicologist Walter Simmons has been an inspirational and passionate advocate for seriousAmerican concert music for nearly his entire life. Through his tireless efforts as author, critic, recordand concert producer, and lecturer, Walter has brought myriad composers and works to muchdeserved attention. The basic musical material for the entire work is presented near the outset, the pitches Eb – D – G –Ab – E. This cell is used throughout the rest of the concerto both motivically, in transformation, and as a harmonic structural device. Its harmonic identity creates the mix of tonal/modal and atonal constructs that are a preoccupation of my music. The concerto’s title provided the poetic idea behind the musical development. Though more or less equal with the ensemble in the first movement, the piano clearly takes over as leader in the second and third movements as the goaldirected formal narrative of the movements becomes more obvious. The first movement, Murky Waters, is a free fantasy in which the piano and ensemble “unpack†the musical potential of the basic material. A number of melodic ideas emerge—some lyrical and some disjunct. A brief coda prepares for the next movement. The second movement, The Forgotten, is a lament led by the piano. The harmonic colors of thepiano’s sustaining sounds interact with the more linear textures of the winds and brass. The third movement, Casting Infinity, is purposeful and structured as a march with trio. The spiky melodic material is treated in a variety of manners (including very tonally within the trio) before areturn of material from the first movement pushes the concerto towards its conclusion.InstrumentationPiccolo2 Flutes2 OboesEnglish Horn2 Clarinets in BbBass Clarinet in Bb2 BassoonsContrabassoon4 Horns in F3 Trumpets in C2 TrombonesTubaTimpaniPercussion (2 players)I: crotales, bass drum, tenor drumII: vibraphone (motor off), suspended cymbal(Percussion II needs one rosined bow.)Solo Piano(The above scoring is exact—with a single player on each part. Under no circumstances, should the work be performed with any substitutions, doublings, or increase of players on individual parts.)This is the full score and the solo part. The complete parts and seperate parts are available for sale on this site.
$29.95
Christmas Duet No. 1: Here We Come A-wassailing, Variations for 4-Hand Piano
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Christmas
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English Christmas Carol & New
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Graham Yates
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Christmas Duet No. 1: Here We
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Graham Yates
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SheetMusicPlus
Instrumental Duet Instrumental Duet - Level 5 - Digital Download SKU: A0.887982 Composed by English Christmas Carol & New Year Song. Arranged by Graham Y...
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Instrumental Duet Instrumental Duet - Level 5 - Digital Download SKU: A0.887982 Composed by English Christmas Carol & New Year Song. Arranged by Graham Yates. Christmas,Contemporary,Holiday. Score and parts. 13 pages. Graham Yates #6133301. Published by Graham Yates (A0.887982). C. 3:30. Suitable for a teacher/advanced student(s) feature in a holiday recital, or a spotlight performance in a traditional church Christmas service. A short, wild introduction leads to a humoreske statement of the melody, unadorned. Variation 1 is a play on blocked triads and stilted rhythm. Variation 2 is a free, fantasy-like interpretation of the theme. Variation 3 is a slow ragtime that leads into Variation 4, a Charleston. The writing for each player is not particularly challenging, but putting it together will require some advanced skills, including the way primo and secondo share the keyboard. Performing Rights Organization: ASCAP.
$8.99
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