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10 sheet music found
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1
Anything You Can Do . . . for violin and vibraphone
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Robert M
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Anything You Can Do . . . for
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Robert M. Greenberg
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SheetMusicPlus
Instrumental Duet Instrumental Duet,Vibraphone,Violin - Level 5 - Digital Download SKU: A0.987848 Composed by Robert M. Greenberg. 20th Century,Contempor...
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Instrumental Duet Instrumental Duet,Vibraphone,Violin - Level 5 - Digital Download SKU: A0.987848 Composed by Robert M. Greenberg. 20th Century,Contemporary. Score and parts. 54 pages. Robert M. Greenberg #90285. Published by Robert M. Greenberg (A0.987848). Preferred Contact Information: RMonteverdi@comcast.net Performing Rights Organization: BMI Website: robertgreenbergmusic.com Facebook Band Page: facebook.com/RobertGreenbergMusic Duration: ca. 12 minutes Year of composition: 2006 Program Note: The mind searches for the oddest of couples. Felix Unger and Oscar Madison. Julia Roberts and Lyle Lovett. The violin and the vibraphone. Aside from the letter V, the two instruments have almost nothing in common. We consider: the violin is the most aristocratic instrument in the Western musical tradition, the prima donna of the instrumental world, an instrument that has had, lavished upon it, more extraordinary music than any other since its invention roughly 475 years ago. And then there’s the vibraphone, a percussion instrument with pitched metal bars and motor-driven resonators that produce a vibrato. Invented around 1925, it’s an instrument created for dance bands and popular music. Anything You Can Do . . . is a confrontation between these two musical opposites. A sense of contest characterizes the entire piece, as the vibraphone seeks to establish its bona fides side by side with the violin, which in turn attempts to keep the vibraphone in its place by beating it at its own game. The first movement is conceived as a race, in which each instrument acts like the other – the violin explosively and percussively, and the vibraphone with lengthy bowed passages – while seeking to shake off the other. The movement concludes with the violin paying a series of huge, chords and a long, sustained triple-stop that, much to its fury, the vibraphone manages to match with a sustained double-stop of its own. The movement ends in a draw. The second movement begins with the violin doing its best to match the vibrato patterns of the vibraphone’s variable motor. Ultimately, the violin breaks free and plays a broad, arioso-styled melody. The vibraphone tries to match it, but cannot; try as it might, its fixed range cannot reach the stratospheric heights of the violin. Advantage violin. The third movement is constructed in three sections. In the outer sections, rapidly rising and falling lines and counter rhythms pervade as each instrument seeks to gain an advantage over the other. In the middle section, alternating, hocket-like phrases give way to bent notes and glissandi in the vibraphone, which infuriates the violin (how dare this upstart percussion instrument do something ordinarily associated with me?). The movement concludes with the violin once again attempting to lord its greater range over the vibraphone by playing a long sustained F# - the same pitch that conquered the vibraphone at the end of the second movement – only to have the vibraphone top it by playing a harmonic a full seven notes above the F#. Game, set, match: vibraphone. Some respect, please, for the new kid on the block. Anything You Can Do . . . is dedicated, with a thousand-and-one thanks, to Victor Romasevich and Jack van Geem.
$28.00
Jacobean Salute
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Graham Waterhouse
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Jacobean Salute
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Musikverlag Robert Lienau - Digital
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SheetMusicPlus
Flute, oboe, clarinet, horn, bassoon, 2 violins, viola, cello and double bass - advanced - Digital Download SKU: S9.Q52737 Composed by Graham Waterhouse....
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Flute, oboe, clarinet, horn, bassoon, 2 violins, viola, cello and double bass - advanced - Digital Download SKU: S9.Q52737 Composed by Graham Waterhouse. This edition: performance score. Downloadable, Performance score. Op. 34. Duration 13 minutes. Musikverlag Robert Lienau - Digital #Q52737. Published by Musikverlag Robert Lienau - Digital (S9.Q52737). German • English • French.Jacobean Salute could be interpreted as a miniature symphony. Originally, a considerable part of the thematic material was intended for Scottish bagpipes which is why the B flat major bass pipes are still audible in certain parts. The glissandi of the strings, for instance, are meant to convey how the pipes are being blown through. The introductory motif is based on a lament from the 17th century. Lady Doyle’s Salute“ whose melancholic mood penetrates the complete piece dates from the reign of James VI, King of Scotland (who would later become James I of England). The Scottish aspect of the composition is further emphasized and intensified by passages which resemble a Jig and a Reel (old Scottish dances).
$13.99
Reliquien
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Heinz Holliger
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Reliquien
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Schott Music - Digital
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SheetMusicPlus
Soprano, clarinet and piano - difficult - Digital Download SKU: S9.Q49721 Based on texts by Franz Schubert. Composed by Heinz Holliger. This editi...
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Soprano, clarinet and piano - difficult - Digital Download SKU: S9.Q49721 Based on texts by Franz Schubert. Composed by Heinz Holliger. This edition: score and parts. Downloadable, Score and parts. Duration 14 minutes. Schott Music - Digital #Q49721. Published by Schott Music - Digital (S9.Q49721). German.I was in the middle of a recording project featuring Franz Schubert’s complete symphonies and other orchestral works, when I received a request from Anna Lucia Richter asking if I could compose a companion piece for Schubert’s The Shepherd on the Rock. I was inspired by the movingly simple yet profoundly mysterious musical text Schubert had published by Robert Schumann under the title Reliquien [Relics], and a composition in three sections was born which oscillates between recitative-like sections and expansive ariosos. The beginning of Schubert’s enigmatic funeral march Franz Schuberts Begräbnis- Feyer [Franz Schubert’s funeral ceremony] for nine winds, written when Schubert was only 16, wanders like a phantom as a tonal shadow through the score. Heinz Holliger.
$52.99
Up On The Roof
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Contemporary
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The Drifters
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Robert Killips
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Up On The Roof
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Rob Killips
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SheetMusicPlus
Small Ensemble,Strings Bass Guitar,Multi-Percussion,Piano Accompaniment,Trumpet - Level 5 - Digital Download SKU: A0.1032087 By The Drifters. By Carole K...
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Small Ensemble,Strings Bass Guitar,Multi-Percussion,Piano Accompaniment,Trumpet - Level 5 - Digital Download SKU: A0.1032087 By The Drifters. By Carole King and Gerry Goffin. Arranged by Robert Killips. Contemporary. Score and parts. 43 pages. Rob Killips #4355795. Published by Rob Killips (A0.1032087). This is a feature for solo trumpet and small chamber ensemble, though the solo part could be played by any solo instrument. There is an extended section for improvisation during the piece. Solo changes are written in the trumpet part.This arrangement pays homage to The Drifters version of this timeless classic!
$12.99
Puer Natus in Bethlehem
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Robert Edward Smith
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Puer Natus in Bethlehem
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ROBERT EDWARD SMITH MUSIC
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SheetMusicPlus
Choral Choir,Choral (5-Part) - Level 5 - Digital Download SKU: A0.1289058 Composed by Robert Edward Smith. A Cappella,Christmas,Latin. 4 pages. ROBERT ED...
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Choral Choir,Choral (5-Part) - Level 5 - Digital Download SKU: A0.1289058 Composed by Robert Edward Smith. A Cappella,Christmas,Latin. 4 pages. ROBERT EDWARD SMITH MUSIC #879905. Published by ROBERT EDWARD SMITH MUSIC (A0.1289058). Text is an ancient Christmas hymn, translation: A Child is born in Bethlehem, Alleluia! in whom rejoice, Jerusalem, Alleluia! Kings from the East, as prophets told, Alleluia! brought gifts of incense, myrrh, and gold, Alleluia! Here in a lowly manger lies, Alleluia! Him who hath built the starry skies, Alleluia! Praise to the Hoy Trinity, Alleluia! which was, and is, and will ever be. Alleluia! The music expresses the serene joyfulness of the text.
$3.00
Piano Trio in one movement
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Contemporary
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Malcolm D Robertson
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2019, completed in April 2019
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Piano Trio in one movement
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Mr Malcolm D Robertson
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SheetMusicPlus
Piano Trio,String Ensemble - Level 5 - Digital Download SKU: A0.927970 Composed by Malcolm D Robertson. Contemporary. Score and parts. 51 pages. Mr Malco...
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Piano Trio,String Ensemble - Level 5 - Digital Download SKU: A0.927970 Composed by Malcolm D Robertson. Contemporary. Score and parts. 51 pages. Mr Malcolm D Robertson #4623077. Published by Mr Malcolm D Robertson (A0.927970). Composed during 2018 & 2019, completed in April 2019. The Trio is in one continuous movement with a duration of about 20 minutes. The work requires players of a high standard and is an exciting challenge for any Piano Trio looking for a new addition to their repertoire. Parts are available on request.
$10.99
Birthday Suit
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Contemporary
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Igor Korneitchouk
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Drake Mabry, Igor Korneitchouk
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Birthday Suit
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Studio at the Post
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SheetMusicPlus
Instrumental Solo,Ney Flute,Oboe/English Horn - Level 5 - Digital Download SKU: A0.1122089 Composed by Igor Korneitchouk. Arranged by Drake Mabry, Igor K...
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Instrumental Solo,Ney Flute,Oboe/English Horn - Level 5 - Digital Download SKU: A0.1122089 Composed by Igor Korneitchouk. Arranged by Drake Mabry, Igor Korneitchouk. 20th Century,Contemporary. Individual part. 19 pages. Studio at the Post #723162. Published by Studio at the Post (A0.1122089). Duration: 10 minutes, 16 pp. Description: In speaking of his recitation of his Four Quartets on phonograph, T. S. Eliot says: A recording of a poem by its author is no more definitive an 'interpretation' than a recording of a symphony conducted by the composer. The poem, if it is of any depth and complexity, will have meanings in it concealed from the author; and should be capable of being read in many ways, and with a variety of emotional emphasis.... Another reader, reciting the poem, need not feel bound to reproduce these rhythms: but, if he has studied the author's version, he can assure himself that he is departing from it deliberately, and not from ignorance. The composer could not have stated his intentions towards this piece better than to quote T. S. Eliot. No note or inflection is fixed in stone that it cannot be negotiated, changed to better suit the needs of the performer. This is especially true of the first movement which is composed around sections of the first of Eliot's Four Quartets (Burnt Norton), but applies generally to the whole piece. Much of the notation in this piece is meant to be suggestive. The performer may take a highly faithful approach to realizing the score, or consider the movements as models for directed improvisation. Movement 2, for example, asks the performer to continue to improvise in like manner, yet maps out a clear design for the music. Birthday Suit is dedicated to Robert S. Howe, a friend and obstetrician who welcomes into this world many people in their birthday suits. That is the most obvious reason for the title of this piece. A reason more germane to the music itself is the piece's reliance on the performer's own natural body rhythms (such as speech rhythms, involuntary eye movements, and rate of breathing) to help organize the flow of the music. In this way both metabolism and the written note cooperate to make music. There are three movements, Rhythm of Speech - Rhythm of Sight - Rhythm of Breath. Total 10 minutes. (Audio Sample of movement I is for oboe; YouTube Link of movement III is an arrangement for the Turkish ney.).
$2.01
Rondo Alla Turca
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Classical
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Wolfgang Amadeus Mozart
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Robert Clarke
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Rondo Alla Turca
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Robert Clarke
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SheetMusicPlus
Acoustic Guitar,Instrumental Solo - Level 5 - Interactive Download SKU: A0.1224007 Composed by Wolfgang Amadeus Mozart. Arranged by Robert Clarke. This e...
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Acoustic Guitar,Instrumental Solo - Level 5 - Interactive Download SKU: A0.1224007 Composed by Wolfgang Amadeus Mozart. Arranged by Robert Clarke. This edition: Interactive Download. Classical. Individual part. 5 pages. Duration 267. Robert Clarke #5zY7V63000ojIZD7j3AZp7. Published by Robert Clarke (A0.1224007). Key: C major.Turkish Rondo-3rd movement of Sonata No. 11 for Piano K 331. Arranged for classical guitar. This all time favorite is a great addition to your repetoire and well worth the effort. It is in the original key and utilizes standard guitar tuning. Left hand slurs are employed througout as an aid for smooth execution. In the same way I have used ami for runs to aid in making it fluid, string crossings not withstanding. FB means false bar, or fingering a single note like a bar chord to prepare the bar for the following notes. Fingering and other editorial items are added for your benefit. Use them if it helps. They are my notes as I learned the piece. Enjoy!
$4.99
Carson Cooman: The Revelations of Divine Love (Metaphors from Sea and Sky) (2009) oratorio for sopra
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Christian contemporary
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Sacred music
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Carson Cooman
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Carson Cooman: The Revelations
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Musik Fabrik Music Publishing
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SheetMusicPlus
Choral Choir (4-Part) - Level 5 - Digital Download SKU: A0.535382 Composed by Carson Cooman. Contemporary,Sacred. Octavo. 187 pages. Musik Fabrik Music P...
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Choral Choir (4-Part) - Level 5 - Digital Download SKU: A0.535382 Composed by Carson Cooman. Contemporary,Sacred. Octavo. 187 pages. Musik Fabrik Music Publishing #3025403. Published by Musik Fabrik Music Publishing (A0.535382). The Revelations of Divine Love (Metaphors from Sea and Sky) (2009), an oratorio for soprano,baritone, chorus, and chamber orchestra (0000.1100.1perc.strings), was commissioned for and is dedicated to the choir ofRoyal Holloway, University of London and Rupert Gough, director of choral music.The texts of the work are adapted primarily from the writings of Julian of Norwich (c. 1342–1416).Julian is best-known for her Sixteen Revelations of Divine Love (c. 1393), believed to be the first Englishlanguagebook written by a woman. Considered one of the most significant English mystics of alltime, Julian lived a reclusive life as an anchoress at the Church of St. Julian in Norwich, England (hertrue name is unknown). Regarded even during her lifetime as a spiritual authority, her optimisticvisions have been very influential in the years that have followed.Texts are also drawn from three additional sources: an excerpt from the Book of Margery Kempe(translated by Christopher M. Brunelle), two poems by English poet Robert Herrick (1591–1674),and a poem by the American writer Elizabeth Kirschner (b. 1955).The primary concept underlying this oratorio is the presence of two distinct discourses. One is asequence taken from Julian’s religious visions. The other is a sonic geography of Nantucket Island(located 30 miles off the coast of Massachusetts in the United States). This interconnected conceptwas inspired by the writings of the great Scottish poet George Mackay Brown (1921–1996). Livinghis entire life on Scotland’s Orkney Islands, Mackay Brown consistently explored the transpositionof religious imagery and events to his native landscape. (For example, the poem Apple-Basket, Apple-Blossom takes the story and structure of the Stations of the Cross, and maps them onto imagery ofdistinctly Orcadian character.)The landscape of Nantucket Island has been the driving force behind a large number of mycompositions for many years. In this oratorio, Julian’s visions are transposed from Norwich andmapped onto the Nantucket landscape. Each movement of the work thus has two parallel purposes:a setting of the visionary words, and a portrayal of a specific place in Nantucket’s geography. Muchof the music was planned in the actual locations. Since the soloists and choir must, by necessity, singthe words, a great deal of the landscape is left to the orchestra. Thus, the orchestra’s role issubstantially greater than simply accompaniment.Because of these two discourses, the oratorio is not intended as comprehensive working out of allaspects of Julian’s visions, nor does it use her own structure and sequence. Rather, it takes herbeautiful words, and the fundamentals of her visions, and attempts to create a new narrative andspiritual experience from them.This is the full score. The vocal score is available for sale. The parts are available on rental from the publisher.
$32.95
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