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Fall Into Me

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The quiet way you move me for wind quartet #Contemporary #Budapest Scoring wind quartet #The quiet way you move me for #David Warin Solomons #SheetMusicPlus

Bassoon,Clarinet,Flute,Oboe - Level 4 - Digital Download SKU: A0.1122174 By Budapest Scoring wind quartet. By David Warin Solomons. Classical,Contemporar...(+)

$4.50

The Daedalus and Icarus Journey #Apostolos Paraskevas #The Daedalus and Icarus Journe #Silver Sickle Publications #SheetMusicPlus

Instrumental Duet Guitar,Instrumental Duet,Voice - Digital Download SKU: A0.942097 Composed by Apostolos Paraskevas. 20th Century,Contemporary,Romantic P...(+)

$8.99

Due Canzoni for Trombone or Low Brass Octet #Classical #Eric Burger Music #No #Due Canzoni for Trombone or Lo #Eric Burger Music #SheetMusicPlus

Brass Ensemble,Chamber Orchestra Euphonium,Trombone,Tuba - Level 2 - Digital Download SKU: A0.508199 Arranged by Eric Burger Music. Baroque. Score and pa...(+)

$14.00

Crucifixus for Trombone or Low Brass Sedectet (16) #Classical #Eric Burger Music #Crucifixus for Trombone or Low #Eric Burger Music #SheetMusicPlus

Brass Ensemble Euphonium,Trombone,Tuba - Level 3 - Digital Download SKU: A0.508196 Arranged by Eric Burger Music. Baroque. Score and parts. 26 pages. Eri...(+)

$14.00

Martino Bitti. Dresden sonata N.6 in A major #Classical #Martino Bitti #Sneakwood Editions #Martino Bitti. Dresden sonata #Sneakwood Editions #SheetMusicPlus

Small Ensemble Cello,Harpsichord,Violin - Level 5 - Digital Download SKU: A0.890772 Composed by Martino Bitti. Arranged by Sneakwood Editions. Baroque. S...(+)

$12.00

What Will We Say? #Aaron Gage #What Will We Say? #Aaron Gage #SheetMusicPlus

Cello,Piano,Steel Pan,Violin - Level 4 - Digital Download SKU: A0.1095566 Composed by Aaron Gage. 20th Century,Chamber,Contemporary. 38 pages. Aaron Gage...(+)

$19.99

Piano Trio No. 1 "Poets and Prophets" (piano score - pno, vln, cel) #Mark O'Connor #Johnny Cash #Piano Trio No. 1 "Poets and Pr #Mark O'Connor Musik International #SheetMusicPlus

Piano Trio,String Ensemble - Level 5 - Digital Download SKU: A0.861898 Composed by Mark O'Connor. 20th Century,Contemporary,Folk. Score and parts. 55 pag...(+)

$22.50

Piano Trio No. 1 "Poets and Prophets" (violin part - pno, vln, cel) #Mark O'Connor #Johnny Cash #Piano Trio No. 1 "Poets and Pr #Mark O'Connor Musik International #SheetMusicPlus

Piano Trio,String Ensemble - Level 5 - Digital Download SKU: A0.861899 Composed by Mark O'Connor. 20th Century,Contemporary,Folk. Score and parts. 23 pag...(+)

$15.00

Piano Trio No. 1 "Poets and Prophets" (cello part - pno, vln, cel) #Mark O'Connor #Johnny Cash #Piano Trio No. 1 "Poets and Pr #Mark O'Connor Musik International #SheetMusicPlus

Piano Trio,String Ensemble - Level 5 - Digital Download SKU: A0.861901 Composed by Mark O'Connor. 20th Century,Contemporary,Folk. Score and parts. 21 pag...(+)

$15.00

Apex Predator #Classical #Martin J #Apex Predator #Martin J. Van Klompenberg #SheetMusicPlus

Woodwind Ensemble Bass Clarinet,Bassoon - Level 4 - Digital Download SKU: A0.1022385 Composed by Martin J. Van Klompenberg. Classical. 28 pages. Martin J...(+)

$30.00

Eternal Bridge For Oboe Harp And Strings #Luis Anjos Teixeira #Eternal Bridge For Oboe Harp A #Luis Anjos Teixeira #SheetMusicPlus

Large Ensemble Cello,Double Bass,Harp,Oboe,Viola,Violin - Level 3 - Digital Download SKU: A0.889419 Composed by Luis Anjos Teixeira. Concert,Contemporary...(+)

$25.00

Poem For Carlita (viola part - vln, vla, cel) #Mark Oâ€™Connor

#Mark O'Connor #therefore there is no return #Poem For Carlita #Mark O'Connor Musik International #SheetMusicPlus

String Ensemble,String Trio - Level 5 - Digital Download SKU: A0.861805 Composed by Mark O'Connor. 20th Century,Contemporary,Folk. Score and parts. 10 pa...(+)

String Ensemble,String Trio - Level 5 - Digital Download SKU: A0.861805 Composed by Mark O'Connor. 20th Century,Contemporary,Folk. Score and parts. 10 pages. Mark O'Connor Musik International #6202197. Published by Mark O'Connor Musik International (A0.861805). Poem For Carlita (viola part â€“ vln, vla, cel) MO142CViola Part (score and parts available)Music by Mark Oâ€™Connor6 pages - 8:30 minutes in length Poem For Carlita In contemporary vocal music, there is a form called a story song. It is an odd form in that it does not contain any departure from the central idea; therefore there is no return. The story has a beginning and ending but uses subtle variation to push the idea along its way. .. much the way loving relationships evolve. The equivalent of the story song in classical music is a Poem, and this is what I have called this piece. An inspiration I used for my musical poem was the ocean and itâ€™s repetition of waves as they fall in to the shoreline. I grew up near the ocean and remember how the sounds of the relentless waves used tocalm me. While it was the repetitive sound of the sea that moved me as a child, today, I observed that each wave was not the same but in fact slightly different. I was amazed that it seemed that no two waves looked or sounded the same to me. This natural occurrence seemed to mirror my love for wife Carla. Each day was just something a tiny bit different. It was very natural to make these kinds of life experience connections. Bridges that joined nature, love and art. The poem begins slowly and inquisitively and builds through in intensity with loud and mightily passionate moments of emotion before the music comes down peacefully and reflectively, until the last statement played by the violin signifies that the sea is calm once again. Original music printed from the composerâ€™s manuscripts.Music editing, copying and engraving by Mark Oâ€™Connorusing Finale on Apple Macintosh 1998 Composed By Mark Oâ€™ConnorOriginally released on Appalachian Journey featuring Mark Oâ€™Connor, Yo-Yo Ma and Edgar Meyer, Sony ClassicalPoem for Carlita can be heard on Mark O'Connor's Crossing Bridges OMAC Recordshttps://omacrecords.com/omac-7-crossing-bridges Catalogue Number MO142CCopyright Â© 1998 by Mark Oâ€™Connor Music InternationalFor more information on violinist and composer Mark O'Connor, Oâ€™Connor String Camps, Touring Ensembles, Discography, Bio, Repertoire and more, please visitwww.markoconnor.com For information on the Oâ€™Connor Method â€“ instructional book series for violin, viola, cello and school string orchestra programs:www.oconnormethod.com

$4.50

Poem For Carlita (violin part - vln, vla, cel) #Mark Oâ€™Connor
#Mark O'Connor #therefore there is no return #Poem For Carlita #Mark O'Connor Musik International #SheetMusicPlus

String Ensemble,String Trio - Level 5 - Digital Download SKU: A0.861803 Composed by Mark O'Connor. 20th Century,Contemporary,Folk. Score and parts. 11 pa...(+)

String Ensemble,String Trio - Level 5 - Digital Download SKU: A0.861803 Composed by Mark O'Connor. 20th Century,Contemporary,Folk. Score and parts. 11 pages. Mark O'Connor Musik International #6202181. Published by Mark O'Connor Musik International (A0.861803). Poem For Carlita (violin part â€“ vln, vla, cel) MO142BViolin Part (score and parts available)Music by Mark Oâ€™Connor7 pages - 8:30 minutes in length Poem For Carlita In contemporary vocal music, there is a form called a story song. It is an odd form in that it does not contain any departure from the central idea; therefore there is no return. The story has a beginning and ending but uses subtle variation to push the idea along its way. .. much the way loving relationships evolve. The equivalent of the story song in classical music is a Poem, and this is what I have called this piece. An inspiration I used for my musical poem was the ocean and itâ€™s repetition of waves as they fall in to the shoreline. I grew up near the ocean and remember how the sounds of the relentless waves used to calm me. While it was the repetitive sound of the sea that moved me as a child, today, I observed that each wave was not the same but in fact slightly different. I was amazed that it seemed that no two waves looked or sounded the same to me. This natural occurrence seemed to mirror my love for wife Carla. Each day was just something a tiny bit different. It was very natural to make these kinds of life experience connections. Bridges that joined nature, love and art. The poem begins slowly and inquisitively and builds through in intensity with loud and mightily passionate moments of emotion before the music comes down peacefully and reflectively, until the last statement played by the violin signifies that the sea is calm once again. Original music printed from the composerâ€™s manuscripts.Music editing, copying and engraving by Mark Oâ€™Connorusing Finale on Apple Macintosh 1998 Composed By Mark Oâ€™ConnorOriginally released on Appalachian Journey featuring Mark Oâ€™Connor, Yo-Yo Ma and Edgar Meyer, Sony ClassicalPoem for Carlita can be heard on Mark O'Connor's Crossing Bridges OMAC Recordshttps://omacrecords.com/omac-7-crossing-bridges Catalogue Number MO142BCopyright Â© 1998 by Mark Oâ€™Connor Music InternationalFor more information on violinist and composer Mark O'Connor, Oâ€™Connor String Camps, Touring Ensembles, Discography, Bio, Repertoire and more, please visitwww.markoconnor.com For information on the Oâ€™Connor Method â€“ instructional book series for violin, viola, cello and school string orchestra programs:www.oconnormethod.com

$4.50

Poem For Carlita (cello part - vln, vla, cel) #Mark Oâ€™Connor
#Mark O'Connor #therefore there is no return #Poem For Carlita #Mark O'Connor Musik International #SheetMusicPlus

String Ensemble,String Trio - Level 5 - Digital Download SKU: A0.861806 Composed by Mark O'Connor. 20th Century,Contemporary,Folk. Score and parts. 10 pa...(+)

String Ensemble,String Trio - Level 5 - Digital Download SKU: A0.861806 Composed by Mark O'Connor. 20th Century,Contemporary,Folk. Score and parts. 10 pages. Mark O'Connor Musik International #6202205. Published by Mark O'Connor Musik International (A0.861806). Poem For Carlita (cello â€“ vln, vla, cel) MO142DCello Part (score and parts available)Music by Mark Oâ€™Connor15 pages - 8:30 minutes in length Poem For Carlita In contemporary vocal music, there is a form called a story song. It is an odd form in that it does not contain any departure from the central idea; therefore there is no return. The story has a beginning and ending but uses subtle variation to push the idea along its way. .. much the way loving relationships evolve. The equivalent of the story song in classical music is a Poem, and this is what I have called this piece. An inspiration I used for my musical poem was the ocean and itâ€™s repetition of waves as they fall in to the shoreline. I grew up near the ocean and remember how the sounds of the relentless waves used to calm me. While it was the repetitive sound of the sea that moved me as a child, today, I observed that each wave was not the same but in fact slightly different. I was amazed that it seemed that no two waves looked or sounded the same to me. This natural occurrence seemed to mirror my love for wife Carla. Each day was just something a tiny bit different. It was very natural to make these kinds of life experience connections. Bridges that joined nature, love and art. The poem begins slowly and inquisitively and builds through in intensity with loud and mightily passionate moments of emotion before the music comes down peacefully and reflectively, until the last statement played by the violin signifies that the sea is calm once again. Original music printed from the composerâ€™s manuscripts.Music editing, copying and engraving by Mark Oâ€™Connorusing Finale on Apple Macintosh 1998 Composed By Mark Oâ€™ConnorOriginally released on Appalachian Journey featuring Mark Oâ€™Connor, Yo-Yo Ma and Edgar Meyer, Sony ClassicalPoem for Carlita can be heard on Mark O'Connor's Crossing Bridges OMAC Recordshttps://omacrecords.com/omac-7-crossing-bridges Catalogue Number MO142DCopyright Â© 1998 by Mark Oâ€™Connor Music InternationalFor more information on violinist and composer Mark O'Connor, Oâ€™Connor String Camps, Touring Ensembles, Discography, Bio, Repertoire and more, please visitwww.markoconnor.com For information on the Oâ€™Connor Method â€“ instructional book series for violin, viola, cello and school string orchestra programs:www.oconnormethod.com

$4.50

Suite No. 1 #Giorgio Mirto #Suite No. 1 #Les Productions d'OZ - Digital #SheetMusicPlus

Guitar - Advanced - Digital Download SKU: ZZ.DZ-4308 Composed by Giorgio Mirto. Score. 24 pages. Les Productions d'OZ - Digital #DZ 4308. Published by Le...(+)

Guitar - Advanced - Digital Download SKU: ZZ.DZ-4308 Composed by Giorgio Mirto. Score. 24 pages. Les Productions d'OZ - Digital #DZ 4308. Published by Les Productions d'OZ - Digital (ZZ.DZ-4308). Following a recent experience on the jury of a guitar competition, I noted with great pleasure that Giorgio Mirto, with whom I had shared the role of juror, wanted to celebrate the experience of the competition - during from which we discovered that we had had a great affinity of thought - with something which could endure over time and not evaporate as often happens in short and occasional meetings between musicians. He did it as a true composer, which he is, and dedicated to me a very beautifully crafted Suite to which I allowed myself to collaborate at least formally, by suggesting titles for the four movements. This is how Suite n.1 was born, a piece that does not strictly respect the formal rules of the Baroque era, but reinterprets and reuses them in a new key. The work's obvious late Baroque inspiration led me to find titles that invited the performer to delve deeper into the work's aesthetic inspiration. So I suggested to Giorgio that he title the four movements with something that linked their content to four greats of the 18th century. German masters. The prelude has thus become from Eisenach because of its sometimes improvised Bach-like atmosphere, the second movement, vaguely toccata, speaks an organ language in the manner of Buxtehude (who lived in Lübeck), the slow movement has a Handelian quality - and Handel was born in Halle - and the last movement, far from being a true Chaconne, undoubtedly has the latter's taste for variation and ostinato, typical traits of Telemann who lived in Magdeburg. The cities that appear in the titles are therefore indelible to the authors cited. Furthermore, one should not think that the style of the work is in any way German, given that Giorgio Mirto expresses himself in a very joyful language that synthesizes modality with minimalism, all seasoned with a a nod to Pink's progressive rock Floyd. or a Mike Oldfield... The result of this mixture of ideas, inspirations and styles is a work that personally I never tire of reading and rereading, for the freshness that emanates from it and for the climate expressive which rises, nourishing itself with full efficiency. We ultimately cannot ignore that the note B, the one which marks in a minor way some of the most expressive works of the guitar repertoire, from the study of Sor which made generations of students fall in love with the guitar, until to that of Frank Martin's Four Pieces via La Catedral di Barrios, is the modal fulcrum of the entire Suite: it is true that the Prelude begins with a clear chord in E minor and lingers on an open ending in A minor , but it almost seems that the initial E serves as a launching pad for a continuation of the work in which the dominant, that is to say the B, is the true musical North, the pole star which guides us in the other three movements until the end of the Chaconne de Magdebourg. I wish Giorgio and our Suite great longevity and a favorable destiny in the complex and complex world of contemporary guitar composition. And I thank him again, flattered by his very kind dedication.FRANCESCO BIRAGHIAu lendemain d'une récente expérience au sein du jury d'un concours de guitare, j'ai constaté avec grand plaisir que Giorgio Mirto, avec qui j'avais partagé le rôle de juré, souhaitait célébrer l'expérience du concours - au cours de laquelle nous avons découvert que nous avions eu un grand affinité de pensée - avec quelque chose qui pourrait perdurer dans le temps et ne pas s'évaporer comme cela arrive souvent lors de rencontres courtes et occasionnelles entre musiciens. Il l'a fait en véritable compositeur, ce qu'il est, et m'a dédié une Suite d'une très belle facture à laquelle je me suis permis de collaborer au moins formellement, en suggérant des titres pour les quatre mouvements. C'est ainsi qu'est née la Suite n.1, une pièce qui ne respecte pas strictement les règles formelles de l'époque baroque, mais les réinterprète et les réutilise dans une nouvelle tonalité. L'inspiration évidente du baroque tardif de l'œuvre m'a amené à trouver des titres qui invitaient l'interprète à approfondir l'inspiration esthétique de l'œuvre. J'ai donc suggéré à Giorgio de titrer les quatre mouvements avec quelque chose qui reliait leur contenu à quatre grands du XVIIIe siècle. Maîtres allemands. Le prélude est ainsi devenu d'Eisenach en raison de son atmosphère parfois improvisée à la Bach, le deuxième mouvement, vaguement toccata, parle un langage d'orgue à la manière de Buxtehude (qui vivait à Lübeck), le mouvement lent a un Qualité haendélienne - et Haendel est né à Halle - et le dernier mouvement, loin d'être une véritable Chaconne, a sans doute le goût de cette dernière pour la variation et l'ostinato, traits typiques de Telemann qui vivait à Magdebourg. Les villes qui apparaissent dans les titres sont donc indélébiles aux auteurs cités. De plus, il ne faut pas penser que le style de l'œuvre soit en aucune façon allemand, étant donné que Giorgio Mirto s'exprime dans un langage très joyeux qui synthétise la modalité avec le minimalisme, le tout assaisonné d'un clin d'œil au rock progressif Floyd de Pink. ou un Mike Oldfield... Le résultat de ce mélange d'idées, d'inspirations et de styles est un ouvrage que personnellement je ne me lasse pas de lire et de relire, pour la fraîcheur qui s'en dégage et pour le climat expressif qui monte, se nourrissant de plein efficacité. On ne peut finalement pas ignorer que la note B, celle qui marque de manière mineure certaines des œuvres les plus expressives du répertoire de guitare, depuis l'étude de Sor qui a fait tomber amoureux de la guitare des générations d'étudiants, jusqu'à celle de Frank Martin Quatre Pièces via La Catedral di Barrios, est le point d'appui modal de toute la Suite : il est vrai que le Prélude commence par un accord clair en mi mineur et s'attarde sur une fin ouverte en la mineur, mais il semble presque que le mi initial sert de une rampe de lancement pour une suite de l'œuvre dans laquelle la dominante, c'est-à-dire le B, est le véritable Nord musical, l'étoile polaire qui nous guide dans les trois autres mouvements jusqu'à la fin de la Chaconne de Magdebourg. Je souhaite à Giorgio et à « notre » Suite une grande longévité et un destin favorable dans le monde complexe et complexe de la composition contemporaine pour guitare. Et je le remercie encore, flatté de son très aimable dévouement.FRANCESCO BIRAGHI.

$10.95
So Glad Medley #Sacred music #Jean Anne Shafferman and Patti #Choral Octavo #So Glad Medley #Jubilate Music Group - Digital #SheetMusicPlus

Choir Sacred Instrumental Ensemble - Digital Download SKU: JX.00-23735 So Glad I'm Here / I'm So Glad / New Born Again. Arranged by Jean Anne Shaf...(+)

Choir Sacred Instrumental Ensemble - Digital Download SKU: JX.00-23735 So Glad I'm Here / I'm So Glad / New Born Again. Arranged by Jean Anne Shafferman and Patti Drennan. This edition: InstruPax. Choral (Sacred); Choral Octavo; Performance Music Ensemble; Single Titles; Worship Resources. Form: Medley. Fall; Gospel; Lent; Sacred; Spiritual; Spring; Trinity Sunday. Part(s). 37 pages. Jubilate Music Group - Digital #00-23735. Published by Jubilate Music Group - Digital (JX.00-23735). English. 1 Chronicles 29:10-13, Judges 5:2-3, Psalm 27, John 3:1-21, Romans 5:12-21, 2Peter 3:14-18.This rousing medley by Patti Drennan and Jean Anne Shafferman combines refrains from traditional spirituals and gospel songs. Opening with a slow, heartfelt solo that welcomes all believers into fellowship with God, it kicks into high gear when the choir enters singing So Glad I'm Here, I'm So Glad Jesus Lifted Me, and New Born Again. Great for congregational hymn sings and summer worship, it's also perfect as a choir start-up anthem at the beginning of the year, also for Lent and Trinity Sunday. The brass and rhythm parts add to the fun! Available in 2 voicings for singers of all ages.

$25.00
La nemesi #now your fire is spent
#Monica Bergo #La nemesi #Monica Bergo #SheetMusicPlus

Small Ensemble Pan Pipe,Piano,Trumpet,Tubular Bells,Viola,Violin - Level 3 - Digital Download SKU: A0.976861 Composed by Monica Bergo. Contemporary,Hallo...(+)

Small Ensemble Pan Pipe,Piano,Trumpet,Tubular Bells,Viola,Violin - Level 3 - Digital Download SKU: A0.976861 Composed by Monica Bergo. Contemporary,Halloween. Score and parts. 43 pages. Monica Bergo #3238977. Published by Monica Bergo (A0.976861). 2017 Holiday Contest EntryNEMESIS I enter the room of my consciousness That incredible disorder I rummage through the drawers Where I keep sufferings And the ineradicable memories Dust that knows of regret Spider webs cover my time, I recompose pieces of life But I'm here for you Fleeting shadow And my face reflects, Inside you My nemesis, my alter ego You reflect me and then Are a dark ghost The imperfect and the unsaid I will let you be what you are, My soul, black and rending. If you destroy my image It does not matter Finally that door remains open And opening the border between dream and reality I stumble among people at my funeral Who cry, who laugh, It is my Carnival I look at them from above, a spectral profile Rush down into the void that I have inside Nobody hugs me, I touch the silence, Slow-motion of a movie without more viewers, Close the curtain of the world outside and ... and ... The snow falls , how cold it is For this actress without identity I escape from the frost of my uncertainties But there is no refuge save me from she Who is heat, but to hurt Is my animal instinct I'm alone in this storm But certainly I do not regret Your mood swings, your sterile love Even without, I will survive My nemesis now dominates Be careful! If she comes for you She destroys you, crushes you, is cruel and savage, And then she will laugh in your face And sitting here on the bank of my river I'm waiting for you to pass this way Naked and without arrogance I'll never get enough This dance that gives me joy And in the darkness I move safe and stealthy (what are you?) I'm not afraid of anything and I feel wicked (you are lost now) Souls dancing to the beat of their sins (you like us) In this limbo I disown my past days (and so will you be...) Wind and storm I'm not just this, The rumble of thunder I don't understand any longer which side Iâ€™m on And it goes against the wind and sharpens my torment I'm hungry for the Sun Nemesis cannot dominate me My nemesis is here, Is stronger than ever And I know that she is reaching for me And itâ€™s she who does not know Ever to stop halfway, Is Lady of Vice and Deception She seizes me , she exhausts me because She does not accept the peace that I have inside She has no balance, Makes me waver, And frustrates what I have achieved Tell me that you'll disappear As a dream in the morning light And will be, within me, A memory clouded by time I leave the room of my consciousness To make order is impossible Strange this drawer, not only sufferings But something relentless Nemesis, it is no longer your time By now your fire is spent And I will be born again to enchantment By words and music Food for the soul ... Monica Bergo

$3.99
Ta Maman for alto, cello and guitar #Contemporary #David Warin Solomons #Ta Maman for alto, cello and g #David Warin Solomons #SheetMusicPlus

Small Ensemble Cello,Guitar,Voice - Level 3 - Digital Download SKU: A0.576653 Composed by David Warin Solomons. 20th Century,Contemporary. Score and part...(+)

Small Ensemble Cello,Guitar,Voice - Level 3 - Digital Download SKU: A0.576653 Composed by David Warin Solomons. 20th Century,Contemporary. Score and parts. 10 pages. David Warin Solomons #51133. Published by David Warin Solomons (A0.576653). Very sad poem by Paul Maertens about a child he came to know from his medical practice. The mother was unmarried and ashamed and tried to ignore the child as if it were a reproach to her, the child became autistic and unable to react to others. This setting for alto voice, cello and guitar reflect the mood of the poem in all its sadness. The sound sample is a performance by the composer, with Chris Benson on cello. (The guitar's 6th string is tuned to D - much use is made of 12th and 19th (or 7th if preferred) fret harmonics) The pdf file contains score and parts. An instrumental version of the the music, entitled Promenade d'hiver (viola, cello and guitar), is also available on this site. It is sung in French, but for convenience I am providing an English translation below (not for performance purposes). Ta Maman, p'tit gars, ne te dÃ©sirait pas.Maintenant tu ouvres les robinets, et vois l'eau couler sans vouloir la saisir.Ta Maman a niÃ© son attente. Ton Papa n'est pas tien, et ta Maman, de honte, t'a cachÃ© dans ses seins. Tu naissais sans qu'on te donne la vie. Tu Ã©tais dorlotÃ©, car il ne fallait pas qu'on t'entende, mon gars. Ta Maman ne te regardait pas dans les yeux; tes sourires n'ont pas eu de rÃ©ponse. On ne t'a pas aimÃ©.On t'a interdit la vie. Ta Maman ne pouvait soutenir ce reproche que tes yeux lui lanÃ§ait; et pour mieux te fuir elle fit de toi cet objet cet oubli, un chien propre et fidÃ¨le qu'on lave, qu'on nourrit. Maintenant tu te promÃ¨nes une auto Ã la main, sans jouer sans sourire sans parler. Ta Maman est partie, et tu n'as pas pleurÃ©; tu as laissÃ© ton auto quelque part, et tu ranges les cubes Ã©talÃ©s devant toi: toujours dans le mÃªme ordre, simplement, sans angoisse, sans bonheur. Tu ne vis pas, p'tit. RÃ©veille-toi, mon gars! Your mummy, little chap, did not want you. Now you turn on the taps and watch the water flow, but you don't want to grab it. Your mummy didn't admit she was expecting. Your daddy isn't yours and your mummy, out of shame, hid you in her breasts. You were born but you weren't given a life. You were rocked to sleep because you weren't supposed to be heard. Your mummy didn't look into your eyes, your smiles got no response. You weren't loved. You were forbidden to live. Your mummy could not bear the reproach your eyes shot at her, and in order to flee you all the more she made you into this object, this forgotten thing, a clean and faithful dog that you wash and feed. Now you roll your toy car around, without playing or smiling or speaking. Your mummy has gone and you didn't cry. You've left your car somewhere and you arrange the cubes in front of you, always in the same order, simply, without anguish, without happiness. You are not living , little one. Wake up little chap!

$10.00
Partituras - 50 Melodias com cifra - Livro 1 #Israel Pessoa #Israel Pessoa #Partituras - 50 Melodias com c #Israel Pessoa #SheetMusicPlus

Acoustic Guitar,Alto Flute,C Instrument,Digital Keyboard,Electric Violin,Instrumental Solo,Piano - Level 2 - Digital Download SKU: A0.1150803 By Israel P...(+)

Acoustic Guitar,Alto Flute,C Instrument,Digital Keyboard,Electric Violin,Instrumental Solo,Piano - Level 2 - Digital Download SKU: A0.1150803 By Israel Pessoa. By Diversos. Arranged by Israel Pessoa. 20th Century,Broadway,Country,Film/TV,Folk,Musical/Show. Score and individual part. 60 pages. Israel Pessoa #750986. Published by Israel Pessoa (A0.1150803). Livro com 50 partituras. Melodias com cifra das principais musicas tocadas nos eventos em geral. Para vocÃª que quer comeÃ§ar ou expandir seu repertÃ³rio. Todas as partituras foram escritas e revisadas com extremo cuidado para que vocÃª possar baixar e tocar. 1. 93 Millions Miles - Jason Mraz 2. A Million Dreams - The Greatest Showman Cast 3. A Thousand Years - Christina Perri 4. A Whole New World - Aladin 5. Ain't No Mountain High Enough - Marvin Gaye 6. All of me - John Legend 7. Baby Shark 8. Bela HistÃ³ria - Vocal Livre 9. Braveheart - CoraÃ§Ã£o Valente 10. Can You Feel The Love Tonight - Elton John 11. Can't help falling in love - Elvis Presley 12. Can't Stop The Feeling! - Justin Timberlake 13. Ciclo - Jorge Vercillo 14. Circle of life - Elton John 15. Desde o primeiro sim - Bruna Karla 16. Do Seu Lado - Jota Quest 17. Eu o Espero Voltar - DiscÃpulos 18. Every Breath You Take - The Police 19. GlÃ³ria Aleluia! Sinto Jesus - Nayara Yamamoto 20. Hallelujah - Leonard Cohen 21. Happier - Marsmello 22. Happy - Pharrell Williams 23. Heaven - Bryan Adams 24. Herdeiros do Futuro - Toquinho 25. Home - Gabrielle Aplin 26. Hope - Grand Chase 27. I Smile - Kirk Franklin 28. I'll be there for you - Friends 29. InesquecÃvel - Sandy & Junior 30. Lugar Secreto - Gabriela Rocha 31. MaiS Perto, Meu Deus, de TI! - Lawell Manson 32. Make You Feel My Love - Adele 33. Marcha Nupcial - Mendelssohn 34. Nada Ã© por acaso - Sandy e Junior 35. NÃ£o Te Largo, NÃ£o Te Troco - Melim 36. Nossa Senhora - Roberto Carlos 37. Obrigado Deus - Henrique e Juliano 38. Perfect - Ed. Sheeran 39. Photograph - Ed Sheeran 40. Santo EspÃrito - Laura Souguellis 41. Seremos um - Mariana Aguiar 42. TÃ ESCRITO - Grupo RevelaÃ§Ã£o 43. Thank tou for loving Me - Bon Jovi 44. Theme Of Prontera - Ragnarok 45. Um Presente de Deus - SÃ©rgio SAAS 46. VocÃª - Elaine Martins 47. Way Maker - Paul McClure 48. Xo - John Mayer 49. You'll Be In My Heart - Phil Collins 50. Your Song - Elton John.

$10.00
Poe's Evening Carousel Ride, based on Edgar Allan Poe's poem, "Evening Star." #Contemporary #Grace Joy Reid #Poe's Evening Carousel Ride, b #Creating Music Joy #SheetMusicPlus

Small Ensemble Flute,Keyboard,Voice - Level 5 - Digital Download SKU: A0.1005681 Composed by Grace Joy Reid. 20th Century,Contemporary. Score and parts. ...(+)

Small Ensemble Flute,Keyboard,Voice - Level 5 - Digital Download SKU: A0.1005681 Composed by Grace Joy Reid. 20th Century,Contemporary. Score and parts. 9 pages. Creating Music Joy #6197023. Published by Creating Music Joy (A0.1005681). My original song, Poe's Christmas Eve Carousel Ride, is a microtonal melody for Celesta and/or Flute/Voice, based on Edgar Allan Poe's Evening Star.I imagined Edgar Allan Poe sitting on one of the carousel horses as it was going around and around. While this was happening, he was looking up at the night sky and thought about how much he liked the evening star better than the moon's light. (The celesta is known for its recognized sound in Tchaikovsky's, The Nutcracker Suite, The Dance of the Sugar Plum Fairy.). I figured out how to put it in a quartal tone key in Finale, thanks to Google. I used quartal tones in the left hand, so it's a blend of a tonal melodic line in an atonal landscape. Edgar Allan Poe had a horrific life. His father abandoned his family when he was young. His mother died when he was a child. After he was adopted, although not legally, he had a falling out with his foster father, who alienated him and didn't let him know that his foster mother was dying. But, he did inform him after she died. Edgar married his cousin, Virginia Clem, who was 13 and he was 26. She died 11 years into their marriage due to tuberculosis. Thus, some writers say that all of his writings have a beautiful woman who died in his stories. He lost all of the women who loved him in his life. When you see his portrait, he has sad eyes, as someone who has suffered much. But, his writing has lived well beyond his lifetime of misery and heartache. My song symbolizes, not only Poe's poem, but his life, as very difficult, yet beautiful. With me poetry has not been a purpose, but a passion. Edgar Allan Poe. Warning: Before purchasing this music, make sure that you know how to use quartal tones in your keyboard.

$7.95
Stereograms - Rhythmic Etudes for Bass Clef Instruments, Volume 1 #Blues #Jazz #David Brubeck #Stereograms - Rhythmic Etudes #Gordon Cherry #SheetMusicPlus

Bassoon,Cello,Double Bass,Trombone - Level 3 - Digital Download SKU: A0.792356 Composed by David Brubeck. Blues,Jazz. 16 pages. Gordon Cherry #4806783. P...(+)

Bassoon,Cello,Double Bass,Trombone - Level 3 - Digital Download SKU: A0.792356 Composed by David Brubeck. Blues,Jazz. 16 pages. Gordon Cherry #4806783. Published by Gordon Cherry (A0.792356). A visual stereogram represents a 3-D image while looking though a pair of 2-D images. There are special viewers that are used to give this effect where two images viewed through the special device can give a 3-D or stereographic effect. Brubeck's Stereograms for Bass Clef Instruments are musical versions of the graphic form. Brubeck uses familiar folk melodies to create his Stereograms and adds jazzy twists to many of them. The musical version may contain two or three individual parts within a single melodic line, thus the musical 3-D Stereogram is created. Bachâ€™s unaccompanied works have underlying multiple parts in them and Brubeck has been inspired by the Master to create a similar texture in these works. They are suitable encore pieces or performance pieces, alone or grouped into ad hoc suites. Brubeckâ€™s music requires rhythmic accuracy and multiple tonal colors, and are especially useful as sight reading tools to keep the performer sharp and on his/her toes. He has also added octave suggestions to allow them to be playable by the widest array of bass clef instruments Each Stereogram is dedicated to a special musical hero in Brubeckâ€™s life. Excellent as study etudes or sight-reading pieces, Stereograms can be performed/practiced by Trombonists, Bass Trombonists, Tubists and Euphoniumists. The 13 melodies used in Volume I are: You Are My Sunshine, This Little Light of Mine, The Itsy Bitsy Spider, When the Saints Go Marching In, Just a Closer Walk With Thee, FrÃ¨re Jacques, On Top of Old Smokey, If You're Happy and You Know It, London Bridge is Falling Down, Twinkle Twinkle Little Star, Jesus Loves Me, Have You Ever Seen a Lassie, Go Tell Aunt Rhody.

$25.00

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